Posts Tagged ‘authors’

In horror, it’s often about the monsters.

Obviously, horror often centers around the monsters. Saying that is like saying in economics, it’s often about the supply and demand. But still, it needs to be stated. Whether they be demons from Hell, ghosts haunting an old house, a serial killer stalking a young woman during a holiday, a collection of corpse parts stitched together and brought to life through high levels of electricity, or ancient entities from the stars whose forms are difficult to describe, horror is often about the monsters.

And as horror creators, it’s up to us to make each monster we create different from all who came before.

Let’s face it, the people who consume our work expect a little variety (unless you’re working on a series like Supernatural or the Sookie Stackhouse books, in which case your readers would hope there would be some internal consistency in the monster design from episode to episode and season to season). They don’t want the same story every time, and neither do we. So, we write new stories and try to make them distinct from previous works.

Same goes with the monsters we design. Unless we have a special reason for doing so, like a series, it’s important to make our monsters different from story to story. Sure, there may be common characteristics. HP Lovecraft’s monsters were always covered in tentacles and eyes and gloopy fluids (when he could describe them), but you could tell Cthulhu from Yog-Sothoth from Azathoth. And in James Wan’s more supernatural horror movies, the ghosts and demons do share some characteristics, but how they work in the Conjuring franchise is different from how they work in the Insidious franchise.

But the point is, you do have to try to ensure the monsters don’t closely resemble one another too much from story to story. Otherwise, you have people confusing what happened in one story with what happened in another story and being like, “Can you blame me? They’re so similar, they just kind of blend in after a while!”

I was reminded of that this weekend while working on the climax of a killer fairy story (yes, that’s what I’m writing, and it’s probably going to be a novella when it’s done). I was making great progress yesterday, heading towards the climax, and then I realized that the monster the protagonist encounters during this scene resembles one appearing in a different novella. Thus, I had to redesign the monster for the killer fairy story, which I only finalized today.

So, how do you ensure that your monsters are different every time? For the first time in forever on this blog, here are some tips:

  • Look to mythology for inspiration. Mythologies from around the world are rife with monsters. You have the Hekatonkeries and Typhon from Greek mythology; the Jorogumo and the Onryo from Japan; the Chupacabra from Latin America; and more (did you know some Amazon tribes believe in furry cyclops creatures that protect the forest?). If you look deeply enough, and keep it varied, you’ll find all sorts of interesting monsters you can use in your stories.
    Just be careful that you don’t do anything that might be considered exploitative or offensive by certain cultures. Nobody needs that kind of bad karma.
  • Draw from the works of your favorite authors. I’m not saying copy your favorite authors, because that’s plagiarism and is generally frowned upon. But look at the monsters in your favorite novels. What about that monster scared for you? Draw on that and see if you can create something terrifying.
  • Take something ordinary and make it scary. This is something I see a lot more in horror fiction these days, where writers find a way to make something ordinary and make it terrifying. If you are familiar with the works of Junji Ito and Bentley Little, you know what I’m talking about. Uzumaki by Junji Ito makes spiral shapes terrifying, and I never thought a resort could be scary until I read Little’s Resort. And what about Siren Head, a giant humanoid with two giant megaphones full of teeth for a head? I wonder where that came from?
  • Look to your own fears and anxieties. Plenty of times, it’s easy to draw on those to create a monster. Have a phobia around rats, snakes, spiders, lightning, death, or your grandfather? Maybe something you remember from childhood struck you as creepy but no one else seemed to think so, like a character in a children’s movie or a toy you were given at Christmas? Use that to form something new and horrifying. You’d be surprised how often that works.
  • Keep track of your monsters. Nobody knows your stories better than you do, and that includes the monsters. If you’re having trouble coming up with a good monster, look what you’ve come up with before. Go through them like a catalog. Perhaps seeing what came before will help you come up with something new that you’ll enjoy writing.
Siren Head is a great example of taking something ordinary and turning it horrifying.

Coming up with new monsters each and every time isn’t easy, even if you work in multiple genres and subgenres. Still, as creators, it’s our job, and it can be a lot of fun. And when you hear people praising your monsters for how clever the idea is or how terrifying they are to think about, it makes the work worth it.

And hey, don’t get bummed if one monster is too similar to another and you only realize after the fact. The antagonist in The Library Policeman by Stephen King bears some similarities to It, but they’re both still great stories. So, it happens. Nothing to get worked up over.

That’s all for now, my Followers of Fear. Good night, pleasant nightmares, and RUN! THERE’S SOMETHING RESEMBLING A MURDER HORNET AND THE SIZE OF A SMALL DOG BEHIND YOU!!!

What are your tips for coming up with monsters for your stories? Let’s discuss in the comments below.

I’ve been hearing of this novella for years, but for some reason I haven’t gotten around to reading it until recently. However, recently I felt an itch to indulge in some cosmic horror and the audio book was on sale, so I downloaded it and listened to it.

Followers of Fear, why did I wait so long to check this out? It was awesome! I can see why it was nominated for a Stoker award.

Set in 1924 New York and based on “The Horror at Red Hook” by HP Lovecraft, the novella follows Tommy Tester, a black man living in Harlem with his father, trying to get by as best he can. When he’s asked to play guitar at a dinner party for an eccentric gentleman named Robert Suydam, Tommy finds himself plunging headfirst into a world of magic, insanity, and cosmic forces. Such exposure will not only change his life, but the lives of all humanity.

If you’re not familiar with “The Horror at Red Hook,” this story was written when Lovecraft was living in New York, and, because he’s Lovecraft, he characterizes the non-white characters, many of whom live in Red Hook, as criminals and gangsters. This story is sort of a rebuttal of that, showing things mainly through the eyes of one of the people whom Lovecraft would have disdained. This allows for a great examination of cosmic horror versus the horrors of racism as seen through the eyes of Tommy Tester, later known as Black Tom. As he notes, the indifference of cosmic horror cannot compare to the malice and cruelty of racism, though both are equally horrifying in their own rights.

Beside that, it’s just a well-written and compelling story. You really grow to understand Tommy and sympathize with him, and can’t blame him when he makes certain choices later in the book. Not only that, but the emotional power of this story cannot be underestimated. One scene involving Tommy’s father was so heartbreaking, I wanted to pick up the phone and call my own dad just to check on him. That’s strong storytelling right there.

I also liked how part of the novel was shown through the eyes of Malone, the main character in “Horror at Red Hook.” Here’s, he’s written more as a character than just some vehicle for Lovecraft to transmit his purplish prose through, and he’s not unlikeable, though he’s still subject to the same prejudices that a lot of people back then unfortunately had. His role in the story is also more consequential, which is a nice change, and his final fate is a terrifying but welcome change from the original story.

On the whole, I give The Ballad of Black Tom by Victor LaValle a straight 5 out of 5. I cannot find anything wrong with this story and I’m so glad I finally experienced it. If you’re at all interested, grab a copy, put on some jazz or blues, and give it a read. Trust me, you won’t regret checking it out.

Also, the audio book has my recommendation. The narrator, Kevin R. Free, does a great job with the various voices and the sharp prose. It’s enough that you’ll want him to narrate something you’ve written. That, ladies and gentlemen, is talent.

Well, we have another announcement post. I got plenty of upcoming events and I want to see if I can get as many people as possible to go to those events. So, as I typically do, I’m making an announcement post. Let’s get into it, shall we?

So, next month, I have two conventions during back-to-back weekends. The first will be Cleveland Concoction in Cleveland, OH. It’ll be at the Bertram Inn Hotel and Conference Center from Friday, March 8 through March 10. I will be hanging out in the Authors Alley, selling books, doing Tarot readings, and possibly speaking on panels (to be confirmed at a later date). If you can stop by, please do, I would love to see you. More information on the event website.

The following weekend, on March 16, I’ll be at ShamROCK, a Pagan Celtic Celebration hosted by the Magical Druid, one of Columbus’s favorite metaphysical shops. It’s being held at the Courtyard by Marriott West Columbus. I’ll be selling books and doing Tarot readings. And then later, I’ll probably take part in pagan rituals, drinking and dancing. I promise I probably won’t do anything I’ll regret in the morning. Anyway, if you’re interested in joining us, please check out the website.

Next, I’ll be at the Wagnalls Local Author Fair at the Wagnalls Memorial Library in Lithopolis, Ohio. It’ll be April 6 from 10 AM – 2 PM, and I’ll be selling more books and doing more Tarot readings (I’m surprised they’re letting me do the latter but I’m not complaining). I have also volunteered my services for a presentation or panel, so more on that in the future.

One month later, I’m returning for my fourth ParaPsyCon on May 17-19 at the Ohio State Reformatory in Mansfield, Ohio. This year, Hearsemania will be joining us, so there will likely be all sorts of wild and wonderful altered hearses to check out. You already know what I’m going to be doing there, so if you’re interested in joining us, please check out the website.

During the summer, it looks like I’ll be taking a break till August 10, when I’ll be joining the Indie Author Book Expo in Terre Haute, Indiana at the Terre Haute Convention Center. This is the same group I did an event with in Iowa back in 2020 (and then afterwards I went to the Villisca Axe Murder House). Hopefully out of the pandemic, we have an even better time than we did in Iowa. If you want to learn more, or about the other events they’re doing in 2024, you can check out their website.

And there will probably be more events in the future. I’ll be sure to let you know. I’ll also be sure to give you a reminder right before the event, in case you forgot.

And if you can’t stop by the events but still want to support me, you can always check out one of my books. From plant/human hybrids and strange gods to Mafia-hunting serial killers and carnivorous horses, my work has something for every horror fan. And judging from the reviews, they seem to like it. I’ll leave a link below to my Book Links page. And if you end up reading something of mine and like it, please leave me a review so I know what you thought.

That’s all for now. Until next time, good night and pleasant nightmares.

I try to write short stories, but they rarely end up that short. They end up being novelettes and novellas.

Now, I know a lot of you are writers and are familiar with the terms. But for those of you who are not, novelettes and novellas are stories that are longer than short stories but shorter than novels. Depending on who you ask, the length can vary, but the HWA defines novelettes as 7,500 words to 17,499 words and novellas to 17,500 words to 40,000 words. Obviously, shorter than 7,500 is a short story and over 40,000 is a novel.

And like I say, I try to write short stories. I do. Most publishing magazines and anthologies prefer short stories, and many like them under five-thousand words. Can’t really blame them. Not only do short stories that short have a special punch, but it’s just more cost effective. If you’re paying by the word, then the cost per story goes up with the word count. And if you’re paying a flat rate per story, then the higher the word count, the more the author might expect to be paid. Hence why they tend to publish short stories.

However, I have trouble keeping my word count under seven-thousand. I’m an expansive writer, as one of my college writing professors once told me. Hell, even most of the stories in Hannah and Other Stories is more novelette-length than short story, and that’s marketed as a short story collection. I just like having those longer stories that still have that punch of a short story but don’t require the same commitment as a novel does.

And I wish there were more publishers that were willing to pay for novelettes and novellas. Especially novelettes, because a lot of the presses and magazines and anthologies that accept those don’t tend to go above ten thousand words.

Thankfully, my wish appears to be coming true. Perhaps in part due to popular collections of novellas by popular authors like Stephen King and Josh Malerman, and perhaps in part due to readers hungry for them, more publishers are buying and releasing novellas, both as standalone releases and as collections. And it’s a slow trickle, but we’re seeing a rise in publications accepting novelettes, including ones above ten-thousand.

Who knows? Maybe there are even publishers who would willingly put out a collection consisting entirely of novelettes. If the response to some of my social media posts are anything to go by, there’s an audience who would read that.

And I have been considering putting together a collection just like that, as well as a collection of novellas. After all, a lot of what I’m writing these days ends up either a novelette or a novella. Who knows? Maybe if I can put together enough stories of the right length and that gel together and if the stars are right…

Well, we’ll see what happens. In the meantime, if you have social media, make sure to post how you would love to see more publishers and magazines releasing novelettes and novellas. Trust me, if they see the demand, they will respond. The responses to my own social media posts have me convinced of that.


That’s all for now, my Followers of Fear. This post wasn’t the most important thing I could write about, but I wanted to write about it. Besides, who knows? I could find a few more people who wish for more venues for novelettes and novellas. We could start a trend.

Anyway, until next time, good night, pleasant nightmares, and aren’t you glad this post didn’t become a full-length novelette? Or even a novella?

Iseult Murphy has been a friend and Follower of Fear since Rose came out, and I have always enjoyed not just hearing what she thought of my stories, but having conversations with her through blog comments, social media and email. But Iseult is not just a friend or a Follower of Fear. She’s a fellow horror author, and she recently put out a new novella, Gone But Not Forgotten. It sounded interesting and I’m very into authors supporting other authors, so I got a copy.

For someone who has Halloween every day in my soul, this was a good choice.

Taking place on Halloween in Ireland, Gone But Not Forgotten follows widow Mere as she goes to visit her friend and neighbor Bill, a widower who lost his wife Donna about a year ago. Bill has been having a rather rough go of it, as he’s seeing Donna everywhere. As it turns out, Mere can see her, too. And Donna’s not resting peacefully.

What I liked most about Gone But Not Forgotten was that it did not go in the direction I expected. When you’ve been reading horror as long as I have, you get good at guessing plot developments. But I did not see the development that occurred midway through the novella, and which really changed my outlook of the story. I won’t say what it was, because spoilers, but it was worth the read.

I also liked Mere as a protagonist. She’s sweet and a bit naive for her age, but I found her quite endearing as a person and was rooting for her throughout the story.

If there was one thing I would have liked more, I thought there could have been a bit more danger and violence to the story. Things were a bit too calm for my tastes. As it is, the levels of violence and threat put things more in line with cozy horror, which I’m sure many would enjoy. But it just wasn’t enough for me.

On a scale of 1 to 5, I’m going to give Gone But Not Forgotten by Iseult Murphy a 4.5. If you’re looking to feel that Halloween spirit at any time of year, this is a good novella to go with. Have some brack bread and an amaretto sour and pick up a copy today.*

*Irish barmbrack, or just brack, is a type of bread eaten in Ireland around Halloween. People would often put little things like rings or toys in it to tell fortunes. It features in the story, as do amaretto sours, which Mere drinks during the story.

And next Halloween, I’m definitely going to attempt to make a barmbrack bread. The amaretto sour, I’m not so sure. I already have a favorite cocktail.

Praise the King in Yellow, because Solar Press Books has released its first anthology of horror, The Solar Press Horror Anthology Volume I. As you are probably aware, this book contains my story “The Dedication of the High Priestess.” I’m so excited, because this is both my first paid reprint and this particular story’s first time in print! (It was previously published on the Tales to Terrify podcast.)

I also consider “Dedication” some of my best work. The story follows a young ballerina who believes she’s getting the opportunity of a lifetime to model for a famous artist, only to find herself on the path to a dark destiny. Kind of a twist on the coming-of-age story if you think about it.

But besides “Dedication,” there are sixteen other scary tales in the anthology worth checking out. One of them is even written by a friend of mine, Ann Heyward. We’re both Ohio horror writers and we’re both thrilled to be part of the same anthology. I’m looking forward to her reading my story and me reading hers.

Anyway, if you want to check it out, or if you want to get a copy as a gift for someone (it is the holiday season, after all), you can order them using the links below. One site is for readers in the UK and Europe, the other is for those of us in the US of A. And if you like what you read, leave a review or spread the word via social media. Not only do we love the feedback, but it lets other readers know that the book is worth checking out.

That’s all for now, my Followers of Fear. Until next time, good night, happy reading, and pleasant nightmares.

Hello humans! I’m happy to announce that I already have some events for next year on the docket. And, because I’m so excited for the possibilities in 2024, I’m letting you know what I’ll be at. Who knows? Maybe we’ll be able to see each other at one of the events. I would love it if a Follower of Fear showed up at an event to see me.

First, next month I’ll be returning to ConFusion Science Fiction Convention in Novi, Michigan! This year’s theme is Labyrinth of Confusion (as in the underrated David Bowie film), and it’ll be occurring on January 19th – January 21st at the Sheraton Novi. I’ll be selling books and, if I’m lucky, speaking on a panel or two. (I signed up to be on panels and took a survey to show which ones I’m interested in, but we’ll see if they want someone as scary as me talking to general audiences.) If you can, register to go and come get some signed books from me. You can find out more on their website.

Then, in May I’ll be heading back up to Mansfield for ParaPsyCon! This wonderful paranormal convention takes place on May 17-19 at the Ohio State Reformatory in Mansfield, OH. If you’re not aware, the Reformatory is a former prison that has served as a film set for numerous movies, including The Shawshank Redemption, and is also one of the most haunted locations in America (as well as one of my favorites). And this year promises to be bigger and better than ever, as they’re partnering up with Hearsemania, a traveling car show of customized hearses! Sounds like my kind of thing, doesn’t it? I can’t wait to see all the coffin-carrying cars!

You can find out more at ParaPsyCon’s website. I hope I see you there for a book and a Tarot reading.

And finally, it looks like I’ll be teaming up with some old friends in August. Remember in 2020, while visiting friends in Iowa, I did a book fair known as the Indie Author Book Expo? Well, the group that put on that fair has expanded throughout the Midwest and is doing a show in Terre Haute, Indiana on August 10th, 2024 at the convention center. And I sent in an application to go.

Kid you not, the organizer emailed me after I submitted my application, telling me she screamed in excitement. Never had anyone react to my going to an event like that before! Anyway, if you want to learn more, you can learn more on their website. They have events all over the place and one or two might be near you, so check them out.

Anyway, that’s all for now, my Followers of Fear. I’ll be sure to let you know if I get signed up for any more events and I’ll put out reminders before the events so you remember.

And if you can’t make it to any of the events but you’d still like to support me, or if you’re just looking for a good, scary book, you can check out my Book Links and Excerpts page, which I’ll link below. All my books and stories, including a free story, are available there. Be sure to check them out, and if you decide to read something of mine, let me know what you think. I would love to hear what you think, and your reviews help me and other readers out in the long run.

Until next time, my Followers of Fear, good night and pleasant nightmares!

Photo by Minhazur Rahman and downloaded from Vecteezy.

I do this post every year, and you guys seem to like it, so I’m doing it again. Let’s talk about 2023 and what we hope will happen in 2024.

I think everyone will agree with me that 2023 was a mixed bag. Not the rollercoaster out of hell that 2022 was, but definitely a mixed bag. Among the good things that happened, the pandemic was declared mostly over and we are getting back to some degree of normal now; my home state of Ohio voted to enshrine reproductive rights in our state constitution and legalized marijuana, which was a big deal; the Hollywood writers and actors strike were successful, allowing both groups to earn more money for their work and putting protections in against AI; an AI Safety Summit was held to discuss how nations should approach AI as it develops; Doctor Who returned with a bang (check it out, it’s awesome); and more.

Unfortunately, a lot of bad stuff happened this year as well. There was a massive train derailment in Ohio earlier this year that released a lot of chemicals into the area, and who knows how long that will take to clear up; the war between Russia and Ukraine continues, and Hamas terrorists attacked Israel, leading to a war that’s still ongoing today; anti-Semitism has risen in record numbers around the world, leaving many of my people feeling scared and alone; multiple mass shootings occurred throughout the year, leaving many dead who shouldn’t have died; the prices of gas and food have risen like crazy, which has made affording necessities more difficult than it already was; and more.

Like I said, mixed bag.

And on a personal level, 2023 was a mixed bag as well. On the down side, work was hellish this year, with multiple problems cropping up throughout the year that required my coworkers and I to work long hours and try to find ways to deal with it. We’re still working through problems, some old and some newer. Some of us, myself included, even have to go into the office three days a week before the rest of the workforce just to keep up. Oh yeah, we’re going from one just one day a week in the office to three in the new year. Another downside.

Also, I got in an accident and had to replace my car (that was awful); I had to find a new insurance company after the accident (that was annoying); my friends and I had to close Cracked Skull Press, which sucked; I underperformed at a lot of events I usually do well at; my anxiety and a bit of depression went to work on me, thanks to the Israel-Hamas conflict and the resulting anti-Semitism; and quite a few other things happened that really brought down my enjoyment.

Getting this out earlier this year was definitely a highlight of 2023.

Still, there were some good things. On the writing front, I was able to release Hannah and Other Stories, and while the reviews have been coming slower than I would like, they’ve all been very positive, and even in major publications; I also released “The Wild Hunt” in the Happy Hellidays anthology, which people have been LOVING; I got to go to StokerCon, which was a dream come true and a ton of fun; despite not doing as well at certain events as usual, I’ve been doing really well financially on the writing front, thanks in part to a grant and certain events; and I wrote what I think is some really good work, and I’m still writing some of that work.

(Some other stuff happened on this front too, but I can’t get into them until certain things are made official.)

Outside of writing, I turned thirty, and celebrated it with a blast, as well as found being thirty wasn’t as awful as I’d worried; I got to see some amazing Broadway shows and got addicted to their soundtracks (if you ever have the chance, go see SIX and Beetlejuice live); I got my full-back tattoo, which I’ve been working on since last year, finished; I had some big firsts in my condo, including my first Passover seder and first overnight guest; I made it quite far through the Face of Horror contest, and got plenty of side benefits from it as well; and a bunch of other stuff happened.

So yeah, mixed bag. But at least I can end the year saying that there was more good than bad, at least on a personal level.

So, what’s next for 2024? Well, I hope I can write, edit, and publish more stories, including finishing my mummy novel Crawler; I’d like to take a long, two-week vacation at some point and just spend it between totally lazy and writing my brains out; I look forward to traveling to some of my favorite haunted locations and maybe catching some weird shit on camera (more on that later); I hope to do more renovations to my condo as I build up my savings towards them; and perhaps, if God is kind, I can get that much closer to writing full time.

I also hope on the world stage things calm down and we can go through a year without losing any respect for humanity as a whole. But with two wars and an upcoming presidential election, I’ll call this hope a long shot.

Anyway, I hope that this post didn’t bum you out. Perhaps it gave you something to think about, or made you grateful for your 2023. Or even hopeful for 2024. I’m certainly trying to be hopeful, despite all the shit that goes on daily.

And with about 30 days left of 2023, I hope we all have a decent end to the year and enter the new year on a strong note.

How was your 2023, Followers of Fear? Anything good happen that you want to share? What about your hopes and plans for 2024? Let’s discuss.

You know the drill: new Ito comes out, I read it, I write a review.

Mimi’s Tales of Terror follows Mimi, a college student who has a bad habit of encountering supernatural or strange phenomena in the course of her everyday life. The stories are adapted from Shin Mimibukuro, which from what I’ve been able to gather is some sort of anthology of urban legends and spooky stories that may or may not be connected to a series of movies and TV specials. In this volume, Ito takes those random tales and centers them around one girl, who should honestly learn how to be like the Winchesters of Supernatural.

Anyway, Ito’s work can go either way for me. Some of it is awesome, some of it is terrible, and a lot of it is average. Where did Mimi fall? I’d say above average.

Granted, the first three stories are definitely below average. Two of those stories are only a few pages long, so you wonder why they’re included or not fleshed out more. The third, about a woman in black whose height seems to change every time she leaves her apartment, had a good premise but ultimately left me unfulfilled and disappointed.

However, the rest were quite spooky. In one, Mimi moves to an apartment building next to a graveyard and witnesses some stuff that I found a little unsettling. In another, a little girl clings to her because a strange phantom follows her around and leaves ash everywhere. And then, after she and her boyfriend have a fight, Mimi joins a friend in a secret basement with a red spot on the wall that changes appearance over time. It’s all quite freaky and showcases Ito’s love of strange and macabre.

I also got a kick out of Mimi and her friends’ speech patterns. They’re written like they have American southern accents, which probably means they’re from the Kansai area of Japan. (I wouldn’t call it the Japanese equivalent of the south, even if it is in the southern part of the country, but generally people from the Kansai area in anime and manga are given southern accents when the work is brought to North America to differentiate them from folks who speak with a more Tokyo-ish/General American pattern.)

The most unsettling tale, however, is an extra at the end of the volume called “Monster Prop.” In this story, a young woman working for a haunted attraction tries to recreate a scary experience she had as a kid as a prop for the haunted house. However, doing so has some unintended and unforeseen consequences. It’s truly freaky stuff.

On a scale of 1 to 5, I would give Mimi’s Tales of Terror a 3.8 out of 5. If you avoid the stories that are under six pages and the one with the woman in black, you’ll probably enjoy the old school psychological horror vibe of the volume. Give it a shot and see what you think.

Recently, I tried to read Goblin by Josh Malerman. For those of you who don’t know, Goblin is a collection of six novellas that all take place in the small Michigan town of Goblin, where it rains sixty percent more than anywhere else in the US, the police resemble shuffling zombies, and you don’t enter the woods if you want to come out again.

I liked the idea of it and finally got around to reading it recently. And…I was unimpressed. I got through pages quickly every time I picked it up, but the stories within were just not drawing me in. By the time I got to the fourth novella (I know, I’m a trooper), I was lagging. And finally, by the first night in Marietta, I just couldn’t finish it. I put it down, never to pick it up again.

What was the issue? Well, it was the focus on the titular town. There was too much time spent on it and not enough on the stories. On the storytelling. On the horror.

Way too many words are spent on the town’s history and geography. It feels more like a history lesson at times. In fact, the second novella is focused on a former high school history teacher who knows the town history like the back of his hand. And you get that there’s a lot of interesting history there. And you can feel Malerman’s love for the fictional town.

But all that isn’t what we picked up the book for. We came for a book with six interconnected novellas centered around a single town that will hopefully scare the shit out of us. And this emphasis on worldbuilding by the author comes at the expense of the scaring the shit out of us.

Now, every story, regardless of genre, requires some degree of worldbuilding. The horror genre is no exception. You have to establish the setting, the people, the vernacular, and all that. Sometimes this can be done with having a date at the beginning of the story or just a few hints. Other times, like with stories set in historical eras, you have to do a ton of work to build the setting, bringing to life the clothes and manners and whatnot. And in the fantasy and sci-fi genres, authors will have all sorts of complicated compendiums and charts and maps to make their made up worlds feel as real as possible.

That being said, in the horror genre, the emphasis has to be on scaring readers. So, while you can spend time building those worlds, you have to remember it’s all in subservience of telling your story and scaring those readers. Look at Alma Katsu’s historical horror novels, or my own novel The Pure World Comes. We put so much research into the eras our stories take place and spend so much time building those locations, you can almost feel the winter chill killing the Donner Party, or smell the offal in the street of Victorian London.

The Hunger is a great example of a story where the worldbuilding doesn’t overwhelm the storytelling.

But neither of us forget that this is all for the story. We never think that the location, while interesting, is more important than telling the story. And it feels like with Goblin, Malerman, for all his strengths as a writer, got those priorities mixed up. And the result were six subpar novellas that might have been decent if more time was spent trying to frighten us readers.

Honestly, I wish the book had approached Goblin’s history like King approached the history of Derry in IT. In that book, the town history, which has several chapters devoted to it, doesn’t detract for the story. For one thing, most of those chapters take place in-between the action, which doesn’t detract from the story. Second, most of those history-building chapters are presented as Mike Hanlon doing research on the town and on It, so these sections are not only part of the main story, but they add context and help us realize just how ingrained It is to Derry. In Goblin, the history is rarely related to the events of any of the novellas, which only detracts from the stories.

And finally, It always has a hand in the history of the town. Whether appearing as Pennywise or causing some disaster at the end of Its active period, It is always there, making the history of Derry the history of It.

As for Goblin…the history could be cut out of most of the novellas I read and it wouldn’t matter. In fact, it might make the stories scarier. Especially since those stories I read don’t really have anything to do with Goblin history.

This is something important to keep in mind when writing horror in a location that requires extensive worldbuilding. Yes, it’s important to bring the location to life. Yes, the history can be interesting and can be talked about throughout the story. However, that must all be done as part of the story. In service to the story. Otherwise, you’re just going to get an ode to a fictional town, and not anything really scary.

Personally, I think I would rather read IT or The Hunger again and use those lessons in my own writing.


One more thing, Followers of Fear: The Solar Press Horror Anthology Volume I, which contains my story “The Dedication of the High Priestess,” is going to be released on December 1st. Not only is this an exciting short story anthology, it also contains one of my favorite short pieces, in print for the first time (before this, it was only available in audio).

If you would like to preorder a copy, you can do so using the links below. If you like in the UK and EU, order directly from the website. If you live in the US, use Orbit DVD.

That’s all for now, my Followers of Fear. Until next time, good night and pleasant nightmares!