Posts Tagged ‘blogging’

As you’ve probably figured out from the title, I just got a WattPad account, which means I’ve got another way to release my written work to the world.

You are probably not wondering why I decided to get a WattPad account. However, you’re reading this post, so I’ll tell you anyway. I’d heard of WattPad before, but only in passing. I wasn’t really sure what it was. And then someone posted on Facebook an article about how this British girl a little younger than me had posted a novel of hers on WattPad, gained 19 million likes, got a publishing contract, and then two books later was put on TIME Magazine’s list of 16 Most Influential Teens. My reaction to that article: “Holy s**t, I’ve got to at least check this WattPad thing out.”

So if you haven’t heard of WattPad before, it’s a website where members can upload stories for free viewing and readers can give comments and feedback. So essentially it’s like a blog for storytellers, in some ways. And apparently some of its most popular stories are uploaded by writers in their teens, so as a writer just barely out of the teens, I think I might have a chance.

Of course, the website has its controversies. Stories uploaded onto WattPad are not copyright protected like a blog post or a story published through a magazine or a publishing company. So anything published on WattPad could potentially be stolen by some nefarious person or persons who might try to make some sort of profit or gather a following using another person’s work.

Still, I want to try and see if I can spread my work to new audiences through WattPad. And I’ve heard some other authors have had some success with the format, including a few friends of mine. If it can potentially help me further my writing career, I don’t see any reason why I shouldn’t try it out.

If I publish anything through WattPad, I’ll make sure to post about it here and include a link to the story. I think I’ll start with excerpts from my already published books, and then maybe upload a few original short stories when I have them and when I want to upload them. And with that, I ask of you all one favor: wish me luck as I try to get used to this mew platform for spreading stories and writing and try to utilize it in the best way possible.

Good night, Followers of Fear.

 

Yesterday I visited my advisor’s office in the English department and discussed doing my senior thesis in the fall. Normally I would talk to her about this after spring semester had started, but I wanted to get a jump on things before I was busy with homework from five different classes. Plus I had the day off yesterday so I thought to myself, why not?

During the course of our meeting, I was outlining what I’d like to do for my senior thesis, mainly to write a novel. For this novel, I chose five different ideas for stories from the list of novels I keep on my flash drive and gave a brief synopsis of each one to my advisor Ruth. Around the third idea, Ruth noticed a trend with two of the stories I’d mentioned: they both involved young girls as protagonists in the story (one was a story based on Alice in Wonderland, the other involved demons). She then asked me, “Why young girls? Why are they used so much in horror?” To my surprise, I realized I hadn’t thought of it much, and at that moment I didn’t have a very good answer for why, when children are used so much in scary stories, young girls are more dominant than young boys (notable exceptions include Danny Torrance from The Shining and six out of seven protagonists in Stephen King’s IT, the two boys from Monster House, and Hansel from Hansel and Gretel).

And guess what? The question’s been bugging me since that meeting yesterday. So between writing, work, applying for scholarships, and my household chores, I thought I’d take a moment to examine why young girls are more dominant in these sorts of stories. First, we need to examine why children in general are used so much in horror stories:

1. Children are very innocent creatures. It’s the most obvious reason, but it still needs to be stated. Children are very innocent human beings. They still believe that good usually wins against evil, that bad guys get beat up and thrown in jail by superheroes and cops, and the world is a safe place where they are loved and are protected from evil, at least until they’ve been warped by some of the harsh realities of the world. In horror stories, that innocence is tested and sometimes completely broken by the events of the story, whether it be monsters under the bed, abusive parents/teachers/bullies, or whatever else you may be using as the antagonist in a story.

Even the man/child/sponge has more imagination than most adults.

2. Let’s face it, kids are more imaginative. As we grow older, we tend to think less in terms of the fantastic and more in terms of what is real and reasonable. But as children, we really believe in Santa, the boogeyman, fairies, aliens and ghosts with little doubt that they are actual, concrete beings. This means that kids are usually the first to come to the realization that something evil is at work. They don’t realize it through any leap of logic or reason, but through gut feeling and belief. This is also usually why they are more likely to survive than that one guy in every horror film who insists with fatalistic stubbornness that there’s a logical reason for everything and then when they realize something’s up, they still insist on handling it themselves as men, even if it leads to their heads getting bitten off.

3. Kids are dependent on others. Until sometime between ten or twelve, children are dependent on adults for most of their basic needs, and even when they start to become independent, they still require a good portion of help from adults. When in a horror story, most likely a child can’t recieve help from an adult because they’re less likely to be believed by adults. This means they’re basically adrift in a metaphorical sea that wants to kill them painfully and mercilessly. How they survive without the security of an adult is something that keeps the reader drawn into the story.

4. Children are also not as resourceful. Or to be more specific, it’s rare for children to have access to the knowledge or tools they need to defeat the enemy of the story. They wouldn’t know how to set up a trap for a mutant monster, or how to draw a vampire into the sunlight without being totally obvious of their intentions, or even how to set a windigo on fire with nothing but a set of matches (which they shouldn’t be playing with anyway). If the characters are adult, all they need to do is get out their smartphone and Google “How to make a molotov cocktail” or “how to set up a tripwire alarm system”. Kids wouldn’t even have a smartphone, and even if they did they probably wouldn’t know what to Google. How do they survive with nothing to really help them? That is another draw of a horror story.

Look at that face! You know that hotel gave that kid some big therapy bills.

5. Children are easily influenced. Lastly, children are easy to influence, for better or for worse. Has anyone seen Friday the 13th Part IV? Right at the very end we see just how the events of being around Jason have influenced and hurt little Tommy, who will be dealing with his issues for the next two films. A horrific event can stay with a child for a very long time, corrupt their innocence or make them aware of their own abilities. Either way, the events of the story will stay with the child likely throughout their lives. From what I hear, the Overlook Hotel certainly stuck with Danny Torrance (I haven’t read Doctor Sleep yet, though it’s on my reading list).

Okay, so we’ve established why children in general are used so much in scary stories. But still the answer of why young girls are used in the stories has still to be answered. Often, like Carol Anne from Poltergeist, they are persecuted and kidnapped by beings we can’t really understand. Or, like Samara from The Ring, they are the stuff of our nightmares. And occasionally they are both (anyone watch The Exorcist recently?).

This morning I spent some time trying to figure out and I think a lot of it has to do with socialization and the roles we assign to the female gender. In other words, what we expect from young girls and how we believe they should act, behave, and think are why young girls are so popular in horror stories.

Please note that the suggestions I’ve listed below are for fictional girls and are just based on my own reading and viewing of many different horror novels, comics, TV shows, and movies. There may be several stories featuring girls that are the exact opposite of these reasons, I just have yet to be exposed to these stories. The reasons I’ve listed do not necessarily apply to real girls either, as I’ve made clear below. Here are the reasons I was able to come up with and which back up my beliefs on gender roles making female characters popular:

1. Fictional girls are more prone to sweetness, harmony, and nonviolence. Most boys when they’re young like to get wild, scrap a bit, use their fists and compete with each other through acts of physical prowess and aggression (when my cousin was younger, you could not stop him from acting like this). Young girls though are often portrayed as preferring to be friends rather than fight. They like doing cute stuff and they don’t like to get their hands dirty or do anything too wild. The only exceptions I can think of are Beverly Marsh from IT and my sisters, but then again my sisters are from my crazy family, so go figure. So since these fictional girls are less likely to use their fists and more likely to try to harmonize, they’re at more risk for whatever evil is after them in the story.

2. Young girls have yet to enter into the realm of maturity and sexuality. A lot of criticism with horror comes with how it sexualizes its female characters (please see my article Sex and Horror for more on this topic).However young girls have yet to reach that stage where people begin to see their sexuality. There’s an innocence in this lack of sexuality that young boys don’t get from their ignorance of sexuality, though that might have something to do with the fact that, like I said, a lot of women in horror are defined by their sexuality, whereas men don’t usually receive this sort of sexualized image no matter what age they are.

3. It’s adorable when young girls cry. Because of the pre-assigned roles that differentiate between boys and girls, at some point boys are taught that crying is not a manly thing to do, so they stop crying if they want to retain whatever form of manhood a young boy can have. On the other hand, it’s considered okay for girls to cry throughout their lives. And instead of pitying these girls or questioning their maturity like we would with boys, our hearts go out to the girls and make us want to hug them. This contributes to the popularity of young girls in horror stories.

And if these points haven’t hammered home my belief on gender roles playing a major role in the popularity of young girls in horror, here’s my final point:

In the end, the princess mentality takes a toll.

4. Young girls want to be princesses. It’s no understatement that plenty of girls in our Western society want to become princesses when they grow up and have a handsome prince rescue them from evil so they can live happily ever after, and our media perpetuates this to no end  (even Once Upon a Time and Frozen couldn’t leave this cliché out of their storylines, though they both do something rather original with the trope in each their own way). In horror stories, typically it’s up to a female character to either rescue herself from her predicament or to let a strapping young man save her and then sweep her off her feet. With young girls, that choice isn’t always available, and often the writer will write the story so that we wish for someone to come and save the little girl, while holding us with baited breath to see if she will be saved by a dashing prince…in the case of horror stories, most likely an older male relative with an axe or baseball bat.

So the reason why young girls are so popular in horror stories, as I’ve listed above, is that they fulfill certain gender roles that we’ve come to expect and work nicely into not just the plot of the story, but certain preconceived notions we unconsciously have in their minds. However, not all young girls fall into these roles. Beverly Marsh from IT plays a big part in stopping the demon clown when she’s a little girl by being the more aggressive fighter of the Losers Club. Coraline from the book of the same name is able to release the souls of the eaten children and save her parents all on her own. And even creepy Samara coming out of the TV is an exception, as she doesn’t fulfill any traditional roles, not even the one about needing saving. She’s the freaking villain!

Yeah, don’t mess with her.

So I think I’ve answered the question Ruth posed to me yesterday in her office. I’m not sure it’s the best answer or the right answer, but it’s what I was able to come up with. If you have any ideas about why young female characters are so popular, examples of girls who buck the trend, or any other points relevant to the discussion, please let me know.

Also, in a somewhat related note to children and horror, I finally watched the film version of Battle Royale. It was actually much better than I expected, almost as good as the novel. However there were a couple of creative choices I disagreed with, and that’s why it’s not on equal footing with the book. I also won’t see the sequel, because apparently it’s not based on the original story, its anti-American message goes beyond criticism of America to full-on attack mode, and nearly every reviewer who’s seen it has hated it, apparently.

All for now. Write on you later, Followers of Fear.

I’ve written another article for Self-Published Authors Helping Other Authors, and once again I’m sharing it with you guys here. The post is called Creating A Great Antagonist, and as you can tell from the title, it’s about creating great antagonists for stories of all kinds (though in the article I kind of focus on high fantasy stories).

If you have a moment, please go check it out. And if you’re a self-published author or you’re interested in self-publishing, please check out and subscribe to the blog. There’s a mountain of good advice on self-publishing, written by authors such as myself and others such as Ruth Ann Nordin, Joleene Naylor, Janet Syas Nitsick, and Stephanie Beman.

I hope you enjoy reading, and if you have any thoughts leave us a comment. We’re always happy for feedback.

Another semester passes by, and with it the realization of two things: one is that I have enough credit to be considered a senior now that the semester is over. The other is that I now have a year and a half left of my time at Ohio State University. Boy, way to make my time here feel finite.

Every semester is different and not just because of a set of new classes. For example, this semester I moved into an apartment with a friend about two blocks from campus, meaning we both had to take on a whole lot of different responsibilities. I also started taking five classes in a single semester, more than I’ve ever had in a single semester. At times the homework load was almost unbearable. I hope that next semester will be a bit easier, though judging by the amount of reading I’ll be doing that doesn’t look like the case.

This semester was also significant because two major events happened to me: I published my first novel Reborn City and I got accepted into a study-abroad trip to Europe for three weeks in May. The latter so far has taken up more of my attention, because I’m going to be spending all of next semester preparing for it. And I mean all of next semester: four out of five of the classes I’m taking are in preparation for what I’m going to study in Europe (by the way, the trip is about studying World War II). Still, RC has taken up a bit of attention too. I’ve had to advertise everywhere I can. I’m actually looking into putting an ad into the student newspaper if it doesn’t cost too much.

And as for my classes this semester, I took Introduction to Sociology, Introduction to Biology, Writing for English Majors, Science Fiction and Fantasy Literature, and History of the Holocaust. The latter two were my favorite classes (despite the dark subject material in the Holocaust course) and they were also the classes I did the best in, getting As on most papers and tests. All told, my grades added to a total 3.263 GPA. I’m happy with my grades (they’re all passing grades) but I’m going to aim for higher next semester. Especially since going on the trip and keeping my scholarships will require me to keep my grades up!

Well, I hope to have more good news later. Watch out for my Spring Semester 2014 Pre-Semester Report. It’ll probably be showing up in the next couple of weeks. In the meantime, I’m going to make dinner and finish Ch. 28 of Video Rage. Wish me luck.

I’m not sure there’s a single American in the country today who opened a newspaper, got on their smartphone, or connected to the Internet who doesn’t realize that today is exactly a year since the horrific tragedy at Sandy Hook Elementary School. Even now, the memories of that terrible day are resurfacing in my mind’s eye: sitting in bed, seeing that a school has been shot up by a gunman. Fatalities, fear, fingers already being pointed, conspiracy nuts shouting their insanity. But for a little while, the American people, a people so prone to heat and rage and division, were united in a way that hadn’t been seen since 9/11. We cried and memorialized the dead. There was grief for the 20 children and six adults who died, grief from people who’d never heard of Newtown until that day. There were numerous memorials and tributes, online and on TV and across the nation by everyone from children to the most powerful of politicians.

However in the days, weeks and months since Newtown, as we learned about the gunman Adam Lanza and we heard stories about the dearly departed. that unity broke up. We looked for solutions to prevent this tragedy from ever happening again. In a year full of monstrous mass shootings in Aurora, Wisconsin, and now in Newtown, advocates for stricter gun safety laws hoped that Congress would pass sensible gun control laws. And with ninety percent of Americans behind measures such as a ban on automatic rifles and expanded background checks, it looked like there might actually be some change this time. Second Amendment advocates meanwhile balked at these proposed measures, and instead said gun control laws didn’t work and called for administrators to be trained in firearm use and to hire security guards for schools. In the end, some states such as Colorado, New York, and Maryland passed their own restrictions, while President Obama passed 23 executive mandates and Congress failed to pass any laws that would truly satisfy either side.

Normally I would use a post such as this to advocate for stricter gun laws, but I’m tempted to not do so in order to keep the dead in mind on this horrible day. However, I read articles that show that the gun maker for the rifles used in the massacre actually had an increase in sales after Sandy Hook, and I feel a little sick to think anyone could profit off a tragedy such as this. Not to mention that nearly a year after Sandy Hook, there was a shooting at a school eight miles from Columbine High School, as if to remind us how little has been accomplished since then.

So I’ll speak and say, a year later, parents are gathering around dinner tables with a vacant seat. They wish to hold their kids close to them, but they can’t. And across the nations, parents and children, siblings and cousins, friends and families, lovers and colleagues, lose someone dear to them because of gun violence. In fact, approximately 30,000 people each year are lost to gun violence, the equivalent of nearly 1154 Sandy Hooks.

We need to do something about this tragedy, but is throwing more gasoline on a fire really going to help? No, it will not! We need to choke out the fire, not give it more fuel. So if you can, call or email your legislators. Support gun control groups if you can afford to. And if you own firearms of any sort, make sure it is in a safe place where it won’t hurt anyone who might accidentally stumble upon it. And I know any Second Amendment advocates will be furious with what I’ve written here, but let me tell you, I’m not advocating for taking away all guns from your homes. Even freedom of speech is regulated when that speech is used to incite violence or is used in a malicious manner. Shouldn’t guns be treated the same way?

And besides, do you really need a military grade automatic rifle? There are no zombies or enemy armies waiting to attack, you can’t go hunting with that kind of gun, and a simple handgun is enough to ward off any burglar or rapist. Just saying, is all.

I’m going to leave you with this video I found. It describes all the grief I feel for the victims of Sandy Hook, and I think it’ll resonate with you too on this most horrid day.

This is the second in my series of blog posts exploring the general guidelines or common themes that appear in the genres of science fiction, fantasy, and horror (click here to read The 7 Beauties of Science-Fiction). This whole series started in my science-fiction/fantasy literature class this past Wednesday, when we examined the 7 Beauties of Science-Fiction, we also came up with an original list for the 7 Beauties of Fantasy, and I on my own came up with 5 Beauties of Horror. I thought a series of blog posts sharing and examining these various beauties would be helpful and fun to write, especially when you consider how often the three genres intertwine and overlap.

Now without further ado, here are the 7 Beauties of Fantasy, seven themes or motifs that are found in most fantasy stories, as the examples I pick will show.

1. Character–someone through whose eyes we see this mysterious world. Every fantasy story has at least one focal character, someone through whom the world we’ve been introduced is explained and explored. These sort of characters usually end up becoming heroes of some sort and we end up identifying with them very deeply in the course of the story. Examples include Bilbo Baggins and his nephew Frodo in the Lord of the Rings canon, Eragon in the Inheritance Cycle, and Nick Burkhardt in Grimm.

2. Setting and culture–the magical, mysterious world our character explores. If it’s a fantasy novel, there’s almost a 99% garauntee that the world is nothing like the world we live in, and there’s a 100% certainty that something will need to be explained to us. Be it Middle-Earth, Narnia, or Harry Potter’s Wizarding world, there’s a whole realm to explore, with its own cultures, nations, societies, geographies, floras and faunas, and so much more. It’s up to the author, through the narrator’s eyes, that we find out as much as we need to about it.

3. Novums and Neologisms–technology/tools and words/phrases exclusive to the world we are in. Just like in science-fiction, the world of the story in fantasy has words or devices that are exclusive to that world and that we don’t understand entirely. Be it the Invisibility Cloak and Apparation, or the gedwey ignasia and Eldunari, they make no sense in the context of the real world but they make plenty of sense in the context of a fantasy realm.

4. Adventure(s)–you will go on one. Can you think of a single fantasy novel that doesn’t involve some sort of quest or journey or something along those lines? Neither can I. It seems every fantasy story is predicated on the main character going off to save a princess from a dragon or to toss the One Ring into the boiling flames of Mount Doom or find the genie she’s engaged to but who has been kidnapped by an evil sorcerer. Along the way the character fights enormous perils, learns valuable lessons, and grows as a character until he or she becomes the hero or heroine we all long to be on some level.

5. There are things that can’t be explained rationally. How does magic work? Why can a dragon fly when its body is too big for its wings to reasonably lift it off the ground? How come unicorns have magic in their horns? In a science-fiction novel, television show or movie, everything is based on science, and in theory everything can be explained scientificially. Not so with a fantasy story, which are not based on science but on mysterious forces and strange new worlds to explore and are limited only by the author’s own imagination. So don’t ask how come a sword from a water maiden is more powerful than your average sword or how magic can respond to a blood sacrifice, because you’re not likely to find the answer unless the author wants you to.

6. Familiarity–the characters don’t wake up one morning going “what the heck?” The world of the character is the one they gew up in. They know it like the back of their hand, and it would take much to surprise them in this world. In other words, unless they’re a little baby the world isn’t one they are unfamiliar with. It’s the one they know like the real world is the world we know. Not only that, but the world is somewhat familiar to us. You could channel-flip to HBO and might think you’re watching a special on the War of the Roses or on the Norman invasion, and not realize you’re watching Game of Thrones.

7. Internal history–there’s a history to this fantasyland. This is similar to the “historical extrapolation” beauty in science-fiction, but very different. Sci-fi is what could be possible with our world, so the history is the same for the most part. In fantasy though, the world has a very different history than ours. Different nations, different wars, different cultures, different creatures. This world we are visiting through the story likely has its own history that has its own unique players and events. And probably the one person who knows the full extent of that history is the author of the story his/herself (or sometimes not even then: half the time I’m not sure the writers of Once Upon a Time know where there story is going, let alone the entire history of each and every character).

No matter what, fantasy is always a strange and new exploration of new territory. It’s fun to look into and it’s fun to inhabit. And in some cases, it can even become a phenomena lasting years after the new world has entered ours. Knowing how to examine and analyze such places don’t detract from the story, but they make them all the more fun, all the more beautiful.

At least, I think so. Hope you liked the post and be on the lookout for the 5 Beauties of Horror, coming soon.

Today at work I logged into my email and got the official confirmation message that this May, I and a number of other students from the Ohio State University will be studying abroad this May in Europe! I’ve known for actually a couple weeks that I’d been accepted onto the trip, but I was waiting for an official email before I crowed about it on every single social media platform I could find.

The trip specifically visits England, France, and Germany over a 3-week period, and we’ll be visiting some of the more important sites of World War II Europe, including London, Normandy, Paris, and Berlin (among other places). I’m super-excited about it and I can’t wait to go. Specifically, well be there from May 7-29, so if you happen to be there in Europe during those times and want to meet up, let me know (just make sure I know who you are first and that we’re friendly enough to meet up. Also, if you have a copy of my book and you want me to sign it, it can’t hurt your chances of meeting me).

I haven’t gotten a lot of information on the trip yet, as the trip’s in May and they just sent out the acceptance emails. I do know that the cost is just under four grand and that the History Department, who runs the trip, guarantees that each participant gets a bit of financial aid, that I’ll be attending an orientation session in the next couple months, and that most of my classes next semester will be devoted to preparing for this trip.

Anyways, I’m really excited to share this news with you. I’ll let you know more details as time goes on and I learn more, including if I get any big scholarships (God-willing!). Wish me luck. I’m really excited for what is to come.

I’ve been meaning to write this post all weekend, but I’ve been crazy busy with homework (ah, the life of the busy college student with less than four weeks till finals). Anyway, this past Friday several people bought or downloaded copies of Reborn City. Before Reborn City came out, I’d sold nearly fifty copies of The Quiet Game: Five Tales To Chill Your Bones. With the additional copies of RC, I realized something: I’d sold fifty copies of all of my books, total.

Now, I know that’s not as prestigious as selling fifty or a hundred or a thousand copies of each book. But for me, it’s a big deal, especially as a self-published author. I remember very well when no one was reading this blog, let alone showing any interest in my writing. The fact that I’ve come this far, that people want to read my blog and that at least enough people for a mid-size class at my school want to read my book means a lot to me.

Still, I want to sell more copies of my books. Which is why I’m making an announcement. I wrote an article for Self-Published Authors Helping Other Authors a few days ago about how the publishing platform CreateSpace is offering new, free distribution options for its authors. I was hesitant to put either of my books through these channels though, because it would mean a higher price to buy my books. Not only did I not want to put a strain on my readers, but I was afraid new readers wouldn’t want to read my work because it cost more.

I’ve since changed my mind. My books will be available in bookstores and libraries if I were to take those distribution channels. Heck, I could reserve my own book from my local library! That would be amazing! And there’s always a chance someone will want to read the book even if it’s a bit pricier than most supermarket paperbacks. So look forward to possibly seeing RC and The Quiet Game in your local Barnes & Noble or library in the future, okay?

In the meantime, I’ve got some work to take care of. I’m hoping to get my homework done tomorrow, and to write a Weekly Exercise as well. Wish me luck, okay? Good night everybody!

Have you ever heard of Pat Bertram? If you haven’t, then let me tell you about her: she’s a mystery/suspense novelist with several titles under her belt, she’s an avid writer and blogger, and among many different writers on Facebook, she’s a bit of a Gertrude Stein figure, with many people congregating in her digital parlor, so to speak.

I’m very lucky to consider her a friend, and I’m happy to say that she and I recently sat down together for an interview on Reborn City on one of her blogs, “Pat Bertram Introduces…”

Please read the rest of the interview if you like, and by all means check out both her blogs and her published work. You won’t be disappointed.

Pat Bertram's avatarPat Bertram Introduces . . .

THUMBNAIL_IMAGEHi, Rami. What is “Reborn City” about?

Simply put, my book is about a young girl forced to join a street gang in a city similar to Las Vegas about forty-five years in the future. And forty-five years in the future, the world’s pretty different. For one thing, the United States doesn’t exist. Instead, the world’s become divided up into city-states and small nations. Another interesting thing is that my main character’s religion, Islam, has been demonized in certain places, so she’s got a tough time of things. I thought those elements would make the beginning of a great novel. I hope the readers agree!

What inspired you to write this particular story?

I was walking home from the library one day listening to a CD I’d just checked out. There were rap and rock tunes on it, and I thought it would be a great soundtrack to a gangster…

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Reborn City

I didn’t think it would happen so soon, but it did. Within a week of Reborn City coming out, the first review has appeared on Amazon. This comes Matthew Williams, Canadian science-fiction author and dear friend (I did a review for his zombie thriller Whiskey Delta). Matt also is the author of the blog Stories by Williams and is an authority on all subjects related to science and science fiction. And I’m proud to say, he’s also the guy I asked to edit RC before I got it ready to publish.

And it’s because of all of those that I was really excited to see his review on Amazon today, in which he gave RC four stars. Here’s what he had to say:

“Gangland violence, superhero-like enhancements, a futuristic setting, and social commentary that stems from a semi-post-apocalyptic theme. And then there’s a story where people come together as a family to deal with mutual loss and tragedy. What’s not to like?”

I’m glad you thought so highly of it, Matt! What do you say to taking to a look at Video Rage when I’m ready to show it to someone else?

Well, I’m glad Matt likes it. I’ve had a couple of sales so far, and from what I’m hearing, people are liking RC so far. I had a friend message me over Facebook the other day to let me know that she thought the first couple pages of RC were scary due to the violence. I was like, “I wasn’t intending to scare anyone with the violence, but I’m glad you’re reading it and I hope you enjoy the rest of the novel.” Or something to that effect.

If you wish to read Reborn City, you can find it on Amazon, CreateSpace, and Smashwords. And if you do decide to read it, please let me know what you think. I love feedback, whether positive or negative.

Also, you should check out my friend Matt’s blog. Whether it’s drones threatening to become intelligent, the latest in medical science, changes in climate, or the latest superhero movie news, he’s your guy. And if you like what you see, check out his published work, including Whiskey Delta. It’s worth the read.