Posts Tagged ‘editing’

The other day, I posted about my recent adulting experiences (how typical is it of the Internet era that the age and mode of responsibility is now a verb that I fully embrace as part of the English language?). Funnily enough, after I wrote the first draft of that post (yeah, there were a couple of drafts to that strange, slightly stream-of-consciousness post), I realized that during all the times I listed stuff I was doing that counted as “adulting”, I didn’t list writing. For some reason, writing doesn’t count as adulting.

This struck me as kind of odd. Why doesn’t writing, an activity that is essential to just about every business and so many different professions, not count as adulting? Well, actually it is. Typing up forms and reports, sending emails, writing a speech. Those are all adult activities, and they’re so important that the basics are taught to us from a very young age.

But creative writing–writing fiction, creating poetry, and maybe even journalism–are not treated as adulting activities. And I think that’s because, unless you’re making quite the income from these activities, people don’t treat them as a job or as an activity up there with paying your bills or making your own meals. I’ve talked about how people don’t see writing as a job before (too bad that post didn’t change as many minds as I would like), and a lot of the points I made in that post still hold true. People still don’t see writing as on par for a job.

There are a number of reasons for this. One is that people think of authors and see someone sitting in front of a notebook/typewriter/computer and magically bang out a story with little to no effort. Now, the reality is very different, but perceptions are hard to break, and the belief persists that writers are hardly expending any effort in their work. And as adulting kind of involves expending energy and doing hard work, the definition is at odds with the perception.

This isn’t considered an adulting activity.

Another reason that people might not see writing as adulting is because it’s filling a creative urge that most associate with our inner child. I know, this might be a bit of a stretch, but at least hear me out. At some point in your childhood, you likely sat at the table with a bunch of paper and paint or crayons and churned out picture after picture that your parents put on the fridge and treated it like a freaking Picasso. And after you learned to read and write and maybe understood some basic storytelling, you may have created short stories based on fairy tales or some giant robot anime (asking your parents on how to spell certain words) and then listened to them act like you’re the next F. Scott Fitzgerald after you told them those stories.

I think to some degree that urge to be an artist or storyteller when we were children stays with us as we grow older, and we creative types indulge in the urge, only we write/paint/create much better than we did as children (usually). So when writers are busy working on a story, people see it as partaking in a vestige of our childhood that’s somehow stayed with us through the years. And childhood is the exact opposite of adulthood, which means it’s has nothing to do with adulting.

Now considering all that, should writing be something we want considered as adulting? After all, adult things usually have some sort of prestige to them. Perhaps since so much goes into writing and publishing fiction, it should be an activity worthy of being called “adulting.”

My opinion: HELL NO! Why? Because of what constitutes as adulting already: paying your bills, handling moving into a new home, working a 9-5 job and enrolling your kid in that day camp so they aren’t cooped up with the Xbox all summer and you can go to that 9-5 job. These are activities that are either boring, or annoying as hell. You’d just rather not deal with them. So when writing isn’t considered an adulting activity, I treat that as a good thing. Because you know what? As difficult as writing can be, it should be fun! It should be something pursued for joy and for the sake of creation and connection, not because it’s a task that has to be taken care of at some point if we don’t want to upset our lives.

So let’s not call writing an activity worthy of being called adulting. Let’s just keep it as a fun, creative outlet that you can occasionally make some money off of, and leave it at that.

Do you think writing should be considered adulting? Why or why not?

What are some other activities that should or not be considered adulting, and why?

VR CS front cover

It’s May 25th, which means there’s one week till Video Rage comes out. I know, right? So close, how exciting! I have to admit, it’s been a crazy process getting this book out, but I’m glad that it’ll be out soon for all to read (and maybe review?).

Now, if you’re unfamiliar with Video Rage (and you must be really new here if you are, because it seems I talk about nothing else lately), it’s the sequel to my first novel Reborn City, and the second book in the Reborn City series, a science fiction trilogy about Zahara Bakur, a Muslim teenager who finds herself forced to join an up-and-coming street gang called the Hydras after the death of her parents. The gang’s leaders all seem to have mysterious abilities and powers, and to add to the weirdness, the city’s leaders have a strange interest in the small gang as well. When the truth is revealed, Zahara and her friends will have to band together if they are to survive the forces set up against them.

The first book came out back in November 2013, and it’s taken nearly three years to get the second book out (in my defense, I had school and work and a whole bunch of other stuff slowing down the process). But through it all, the writing and editing and re-editing and so much else, I’ve had you guys, my readers, my Followers of Fear, cheering me on. I’m so glad to have you and I hope you really enjoy reading the second book once it comes out.

And speaking of which, if you’re interested in reading either book, the first book’s already out and the second’s available for preorder. Both are available for ninety-nine cents in e-book format, which I hope meets everyone’s budgets (paperback varies between books and sites). Links are listed below, so you can check it out from your preferred format or retailer. And if you do end up getting a copy of Reborn City and/or Video Rage and you read it, I hope you’ll let me know what you think of the books. Positive or negative, I love feedback from my readers, whether it’s in a comment on this blog or in an Amazon review (plus it helps me improve as a writer to know what works and what doesn’t work).

That’s all for now, my Followers of Fear. Expect a lot more posts from me in the coming week, with maybe half of them being out Video Rage (yeah, I’m a dedicated advertiser when it comes to my own work). Until next time!

Reborn City:  Amazon, Createspace, Barnes & NobleiBooksSmashwords, and Kobo

Video Rage:  Amazon, Barnes & Noble, iBooks,Smashwords, and Kobo.

It’s Friday again, so you know what that means. It’s #FirstLineFriday!

Now if you’re unfamiliar with this meme, let me break it down for you. On Fridays, you do the following:

  1. Create a post on your blog titled #FirstLineFriday, hashtag and all.
  2. Explain the rules like I’m doing now.
  3. Post the first one or two lines of a potential work, a work-in-progress, or a completed or published story.
  4. Ask your readers for feedback and then encourage them to try #FirstLineFriday on their blogs (tagging is encouraged but not necessary).

This week comes from a potential novel that I’ve been trying different openings for. The good news is, these openings could go in different place elsewhere in the novel without losing their punch, so I’m just seeing what works and what doesn’t. Anyway, here we go. Enjoy:

I remember my fourth birthday as clearly as if it were yesterday. That was the day my mother was murdered, and the day I swore I would kill my father.

Thoughts? Errors? Let’s discuss in the comments below.

And if you like the idea of #FirstLineFriday, why not try it yourself? It’s fun, and for novelists it’s great practice on openings. In fact, I think I’ll tag someone. Okay, let’s look at my most recent followers, see who I want to torture tag…I choose Deirdra Alexander! Congratulations, you’re being tortured you’ve been tagged! You have today or next week to do #FirstLineFriday. Good luck, and have fun with it!

That’s all for now. I’ll probably have something to talk about soon, so keep an eye out for more posts! Until then, have a good weekend, my Followers of Fear. I know I will.

If you’re not on my Facebook page or Twitter feed, then allow me to let you know that on Saturday night, I finished the final draft of Video Rage! And a friend of mine is designing the art for the cover, with the promise that she’ll get it done by Sunday. So all that’s left is to get the copyright (I wonder if I’m the one who gets the copyright for the cover image?), set up everything on the various websites I’m selling VR through, and set a release date! Oh, and see bout doing a blog tour.

In short, there’s only a few months until Video Rage is released!

I know! Exciting, right? Fourth book is finally on the way. Woo-hoo!

In the meantime though, I’m…not really doing anything. Seriously. I’m just kind of this in this funk where I don’t feel like writing or editing. I plan to. At least, I plan to do plenty of editing on Rose. God knows I need to. But not just yet. I’ll have a lot of work to do once I get that cover. And I just don’t want to do anything big, like write or edit or even blog, during that time. Yeah, even writing this post is something of a chore. Which is weird, considering that I normally love blogging.

I think we all go through this sort of thing every once in a while. After a very big project, we don’t really feel like diving deep into the next big project if we can help it. After all, we’ve poured all this energy into getting the previous project done. Who wants to go straight into a new thing? We’d rather just relax for a little while. Which is what I’ve been doing. I’ve watched a couple of movies, caught up on some reading (I’ve got a book on Jack the Ripper I’ve been trying to get through for a while), and just chilled. And unless I’m doing something to prep for the new job (more on that in a later post), I’m just taking it easy.

However, it’s just a lull. Lulls are just that, quiet periods between great periods of activity. And as soon as I get that cover back, I’m going to get right back into work. And I plan to get a whole lot done.

Until next time, my Followers of Fear!

I came home from the grocery story just a little while ago, and logged into my email after I put the groceries away. I was surprised and pleased to see an email from my fabulous editor, Britney Thompson Mills, with her marks and remarks on the third draft of Video Rage. You know what that means! One more draft and we begin the publication process!

Now if you don’t know what Video Rage is, it’s the sequel to my first novel, Reborn City.  And if you don’t know what Reborn City is, it’s the story of street gangs in a dystopian city-state in Earth’s near future, and a conspiracy involving the leaders of a rising gang known as the Hydras and the leaders of the city. The novel features themes of Islamaphobia, racism, drug addiction, gang violence, and overcoming other people’s expectations. It’s also a bit more realistic than other dystopian stories, with problems that mirror problems of today’s world, and a society that you can actually imagine forming.

Reborn City, my very first published novel.

Reborn City, my very first published novel.

The sequel to Reborn City, Video Rage, follows the Hydras soon after the end of the first novel, as they face the same problems made that much worse, and deal with new threats that are intent on taking their lives. I’ve been working on VR since my third year of college, and I’m glad to see that we’re finally just one step away from publication. So I’ll take a break from working on Rose–I’ve only gotten a tiny bit of that edited, anyway, so no big deal–and get through VR as fast as my little fingers can type.

In fact, I think I’ll start tonight! Look forward to seeing a post with a release date some time in the next couple of weeks. In the meantime, why not check out Reborn City? A lot of people have told me that they really enjoyed reading the book, and that they cannot wait to read VR. So if you think it sounds interesting and want to check the novel out, you can find copies in paperback and e-book from Amazon, Createspace, and Smashwords. And whatever your thoughts, please let me know what you think. Review, comment, I love some good feedback, and I would love to hear yours.

And if you’re an author looking for someone to edit your book, why not check out Britney’s website? She’s got great skills and she’ll give your book the touch-up it needs. I speak from personal experience, and I highly recommend her.

That’s all for now. See you in a few hours, when it’s Friday (you know what that means). I’m off to edit!

Yesterday someone in one of my writers’ groups on Facebook posted about a recent upsetting experience. She’d told her family that her book was coming out later this year in July, and that she had other books on the way too. Apparently her family’s response was entirely negative, telling her that only rich and famous people actually called themselves authors, and that she should keep her head out of the clouds and on the ground because she obviously wasn’t one.

Not only was this reaction just plain horrible (we should be getting tons of love and support from our families for our writing dreams, not criticism and put-downs), but it’s also ignorant. While not all authors become rich and famous, they don’t need to be to be called authors. And even the rich and famous ones, which are rare to begin with, started out as dreamers with a manuscript they wanted to get published. Seriously, every one. JK Rowling was a single mother living on state benefits while writing Harry Potter. Stephen King was a teacher with three kids and not a lot of cash before the paperback rights to Carrie allowed him to move up the economic ladder a little. HP Lovecraft never saw true success in his lifetime, but he’s considered one of the most influential authors in modern-day horror. We all have to start somewhere.

But that’s beside the point. What I’m actually trying to say is that fame or finances are horrible ways to measure whether or not someone should be called an author. Someone could have millions in the bank or have a reality show and a famous spouse and write terrible fiction. No, if you’re going to measure by what right someone has to be called an author, then do it by how passionate someone is about writing, and by how their work resonates with others. If someone is very passionate about writing, about telling stories and sharing them with others, and that person’s work resonates with readers, I really think they deserve to be called an author. And in the case of this particular author, she’s clearly passionate about her writing, and it resonated enough with her publisher that they want to publish it and believe it’ll do well in sales. In my eyes, she definitely deserves to be called an author.

Of course, there are always people who feel they know better, whether or not they’re inside the industry, and there will always be people who just want to put others down just so they can put others down. I run across those people from time to time. I can’t say which kind the family of the author I’ve been talking about it, but I know what response I would give them: Screw you. Those people don’t hold any power unless you allow them to, and your own opinion of yourself and your work is more important than what they have to say. And if they’re only going to say hurtful or denigrating things, then maybe it’s best to put them aside and find people who will give you the support you need. Let them stew in their own negativity.

Or to put things more simply (and humorously):

So let them naysay. It won’t get them anything if we don’t let them have anything from it. And I don’t know about you, but I don’t intend to let any of my detractors (few that I have) say anything bad about me and bring me down. No, I’ll keep on writing, editing, publishing, and marketing, and listen to the voices who will help me along in that.

And in its way, having those supporters is way better than any riches or fame (though those would be nice).

I just published the other article I wanted to write before I started working on Rose. How to Deal with Idea Fragments is exactly how it sounds: tips on working with characters, concepts, or images that could be great stories but you don’t have enough material yet to really call it an idea. I took a lot of the material for this article from personal experience, and I’m hoping that it proves very helpful to writers everywhere who may struggle with these fragments on occasion.

Go check out the article when you have a moment. And if you get a moment, why not check out the rest of the website? Self-Published Authors Helping Other Authors is a fantastic blog from independent writers, by independent writers, and for independent writers. There, you can find articles on writing, editing, publishing and marketing, all without having to use a big publishing company. I’ve found it extremely helpful in the past, and I’m sure you will too.

That’s all for now. I’m going to try to get some work done on Rose today. I actually started work on the third draft late last night, and while I didn’t make a lot of progress, I at least started the process. Hopefully I can get it a little further along today, right my Followers of Fear?

So I finished that outline for that new novel I plan to write for NaNoWriMo later this year. First draft of the outline, anyway. I probably will revisit it again before November, make some more tweaks and possibly add a scene or two. It’s a ghost story, and since ghost stories tend to involve the protagonist or protagonists being affected on a very personal level by the spirits involved, often by exacerbating personal problems as well as actually haunting the people involved (ghosts and ghost stories are very intimate that way, I’ve noticed), I’ll want to make sure that that’s done right in this story before I write it.

Now that that’s taken care of, I’m finally getting around to working on Rose, the novel I wrote as a thesis for my senior year of college. If you’re unfamiliar with that novel, it’s about a woman with amnesia who finds herself trapped in the home of a man who says he’s her boyfriend, her body going through astounding changes which this man says was to save her life. I started writing it in September 2014, went back a couple weeks later to rework the entire story because the direction I was going in at first just wasn’t right for the story I wanted to tell, and finished the first draft in January 2015. Not too long afterwards I did a second draft that I finished around April, and I haven’t touched it since.

So yeah, it’s been nearly a year since I worked on that novel. But between working and living in Germany, writing some original short stories and editing Video Rage twice and giving Laura Horn a much-needed second draft, can you blame me?

Okay, I might have also been a bit hesitant to approach Rose again. During my thesis defense at the end of my senior year, my advisor told me that if I were to get Rose up to the level worthy of getting it published, I would have to do quite a lot of work on it. And not just grammar and spelling, though that was mostly okay. I had to work in new scenes, space out some others, rework a couple of characters, and change a bunch of stuff in the beginning of the book. Add to that the normal work of editing, and I’ve got one hell of a third draft ahead of me. It’s a bit intimidating, almost like starting a new novel and facing a blank page asking for sixty-thousand plus words.

Yeah, the horror writer’s scared of his own creation. Make fun of him and the irony. Go ahead, get it out of your system.

But you know what? I think I’m up for the task. I took Laura Horn, which I was sure would need an entire rewrite, and the worst that it came to was a few tossed chapters and one major plot point subtly changed to better reflect actual circumstances. If I can tackle that (and LH was a much longer book, by the way), I think I can tackle Rose.

And not only that, but with this being the third draft, I think once this is one I can send it to n editor for a final look-over before I get ready to publish the book. So if we’re lucky, I could have Rose ready for publication by the end of the year. Wouldn’t that be great?

So I’m going to get two articles out of the way, and then I’m going to get straight onto Rose (unless I get the notes back on VR, in which case editing that takes precedence). Wish me luck, my Followers of Fear. I’m going to be very busy these next couple of months (though that is kind of my life in general).

So I’ve been working on the outline for a new novel that I plan to write for National Novel Writing Month in November (I know, it’s early for that, but I need to work on something original because I’ve been doing nonstop editing since last NaNoWriMo, and if I don’t work on something new before I work on Rose I’m going to scream). And while I’ve been working on it, building the story chapter by chapter, I had the feeling that there was something missing from the story.

About two nights ago, I hit across what was missing. It was personal problems! Good horror stories often deal with issues that the characters are dealing with both internally and in their own lives! In great horror stories like Cujo and the novel I read and reviewed the other day, the main characters are trying to keep their families alive in some state and not lose their livelihoods in addition to trying to survive rabid dogs or a haunted house. In the TV series Supernatural (which I’ve been binging on lately, it’s so good!), in addition to dealing with evil entities and the oncoming Apocalypse, the protagonists Sam and Dean Winchester have to deal with the fact that they’re brothers, with all the issues that family can have when living and working in proximity, and then some.

And I don’t do enough of that exploring–or indicate that I will be doing that sort of exploring–in the outline for this new project. Which is actually a very big issue if I think about it.

There are several reasons why this is. One is having these personal issues helps the audience identify with the characters. Everybody has problems, and seeing people with relatable issues in their life–recent loss, money troubles, relationship issues, addiction, etc.–even if they’re just characters in a story, make people feel for them. In American Horror Story: Asylum, the character of Lana Winters is thrown into Briarcliff as a patient because she’s a lesbian. We of the present day know she was born that way and there’s nothing wrong with her, but back then, the LGBT community was seen by many as immoral or insane, and faced all sorts of discrimination. This immediately makes her a lot more sympathetic to us than if she was just a regular ambitious reporter, and helps draw us into the story as well as makes us identify with the characters.

Another reason creators explore these deep, personal issues in horror fiction, even when you’ve got everything from ghosts to serial killers to aliens to vampires and everything in-between, is that it keeps the characters interesting and the audience interested. Going back to Supernatural, what would the show be like if each episode was about the Winchester brothers facing a new monster and defeating it, plus a few quips? Well sure, it’d be entertaining for a while, but with no change in that formula things would’ve gotten stale probably ten seasons ago. Part of the draw is seeing these two very-different brothers go through ups and downs in their relationships, figuring out right and wrong in a world full of grey areas and just trying to be good people and good to each other at the end of the day, in addition to stopping the end of the world and all the things that go bump in the night.

And third, we writers like to explore these characters, their problems and traumas, and how the characters deal with them over the course of the story. Some good examples of this come from my own work. If you’ve read Reborn City, you know that protgonist Zahara Bakur doesn’t really start out as heroine material. She’s as far from a Wonder Woman as you cn get. But through the story, I explore both the problems she deals with as a Muslim gangster in an environment that isn’t very nice to Muslims and Zahara’s doubts and fears. And I love doing that, I love watching characters like Zahara grow from someone whom you’d never expect to be a hero to someone whom you’d willingly follow into a tricky situation.

So yeah, exploring personal problems with our characters, whatever those problems are, is definitely something we authors do a lot of. And I need to do it more with this new project I’m working on, even if I’m not picking it up again until September or October. Actually,I’m a little surprised I’m not doing more exploration. There’s a whole big problem with the protagonist’s relationship with another character–let’s just say they shouldn’t be an item for a very good reason–and I’m so not exploiting that enough. I really have to explore how this relationship could mess with the characters while at the same time something evil is attacking the town.

In fact, I’m going to get on that right now. Wish me luck, my Followers of Fear. Hopefully by the time I’m done going over this outline, it’ll be as good as it needs to be for November.

It’s Friday again, so you know what that means. It’s #FirstLineFriday!

Now if you’re unfamiliar with #FirstLineFriday, here what you do. On Fridays, you:

  1. Create a blog post on your blog titled #FirstLineFriday, hashtag and all.
  2. Explain the rules like I’m doing.
  3. Post the first one or two lines of a potential story, a story-in-progress, or a completed or published story.
  4. Ask your readers for feedback and encourage them to try #FirstLineFriday on their own blogs.

That’s the gist of it. Anyway, I had a lot of trouble thinking of which story to use for this week’s entry. Not that I didn’t have so many story ideas to share (God knows I’ve got enough to keep me writing for decades), but picking the right story each week can be difficult. I even started this post not really knowing what two lines I was going to put down. In the end I decided to go with two lines that could begin a bunch of different stories, and with great effect each time. Enjoy:

Whenever something awful and unthinkable happens, people look for a higher reason behind it. Sometimes, the only reason that can possibly work is simply that shit happens.

Thoughts? Corrections? Let me know in the comments below.

And while you’re at it, why not do #FirstLineFriday on your own blog? It’s a lot of fun, and I always have fun when I do it. Why not try it? Especially if you’re a writer, it’s a good way to work on openings for stories.

That’s all for now. I’ll see if I can get another post out later this weekend, if I have something to post about. Until then, have a great weekend, my Followers of Fear.