Posts Tagged ‘entertainment’

My car, the Unholy Roller.

This past weekend was a busy one for me, all due to it being the Jewish holiday of Passover (which, if you’re unfamiliar, is us celebrating the events movies like Ten Commandments and Prince of Egypt are based on). Among other things, I somehow ended up tying the musical Hamilton to two different dinners, played a prank on my stepmom that I posted on YouTube (you can watch it here), ate more food lacking in yeast and drank more wine than is probably recommended, and watched a lot of anime and Lucifer.

However, what feels for me like the highlight of my weekend was something quite different. As some of you know, I only got my driver’s license this past July after nearly ten years of on-and-off instruction and practice, and my car, the Unholy Roller, this past October. Since then, I’ve had a number of firsts: driving to work, driving to the movie theater, driving on the highway without anyone else beside me, driving at night, driving in the rain, driving in the rain at night, driving at night in the rain on the highway (not something I’m ready to repeat anytime soon). And this past weekend, I racked up another first: my first road trip.

You see, I live in Columbus, Ohio and my dad lives in Cleveland, which meant I had to drive up to Cleveland to attend his Seder (Passover ritual meal), and then drive back the next day. And I was driving up by myself.

Honestly, I was more than a little nervous. I’ve never driven that long or that far on my own, and while I’ve gotten comfortable driving on highways, I’ll never like doing so. But I got some good advice before I embarked, and I made sure to have caffeine and snacks, as well as a full tank of gas, before setting out. And you know what? It went well. Very well. In fact, the ride back home was almost enjoyable. I listened to an audio book both ways, Red Rising by Pierce Brown,* which is one of my favorite science-fiction stories and which kept me calm in the absence of music. This allowed me to enjoy the passing scenery (Ohio has some lovely mountains and farmlands) and keep an eye on the road without getting antsy.

It was fine. Even better, it was fine. And dare I say it…it was fun at times. Lots of fun.

I guess this makes sense for Passover. The ancient Israelites had never been outside Egypt prior to the Exodus, and had no idea of what to expect, though they had been prepared for the trip for a while now. But they left, crossed the Red Sea, and…found numerous instances to complain and want to go back to Egypt, which eventually led to no Israelites entering Israel until all the generation who had known Egypt died off forty years later. But if they hadn’t freaked out and tried to turn around anytime they faced a small inconvenience, they would’ve enjoyed life in the Holy Land instead of dying in the desert.

And I went on a trip, with only a vague idea of what to expect. But I didn’t freak out every time a driver cut in front of me without signaling and tried to turn off and go home. And in the end, I got to my hotel in one piece, enjoyed dinner with my family, and somehow ended up rapping a mini-medley of Hamilton songs with the lyrics changed to reflect Passover (yeah, that was a thing. And it is something only heavy demand will make me repeat). And the next day I got home, easy as pie, with enough time afterwards to relax before cooking dinner.

I would love to revisit the Reformatory and reconnect with the ghosts there someday soon.

And perhaps I’ll do the trip again. I’ve applied for some vacation time at work, and I’d like to spend a few days in Cleveland with my dad and see some of the city’s sites, including the cemetery where James Garfield is buried (yes, I’m bringing the dowsing rods), as well as go back to the Ohio State Reformatory and check out some other haunted locations in Ohio. Now that I know I can, it should be a breeze.

Oh, and before I forget, on the way up I made a pit stop in the village of Bellville, Ohio, which I found to be quintessential small-town Ohio at its best. The Waze app on my phone had me drive around the place a little bit in order to get back on the interstate, and I was charmed by what I saw. Bellville feels like the perfect place to set a novel, and I even have an idea for one cooking in my head. I’ll have to visit again at some point so I can write it and make it feel real. Maybe after visiting my dad and the Reformatory?

I just hope nobody in Bellville minds their town being the setting of a horror novel. Otherwise, I might never be able to return!

Well, that’s all for now, my Followers of Fear. I’m off to have dinner and then do some writing. In the meantime, I’m still looking for advanced readers for my upcoming fantasy-horror novel Rose, being released by Castrum Press. The story follows a young woman who starts turning into a plant creature (and that’s just the start of her problems). In exchange for an early electronic copy, all I ask is you read it and consider posting a review after the book is released. If interested, please email me at ramiungar@ramiungarthewriter.com.

Until next time, pleasant nightmares!

*They’re slight, but there are some parallels between Moses and Darrow, the main character of Red Rising, which is why I listened to it. Totally recommend the book, by the way. If you want a science-fiction story about a revolution of the have-nots against the haves in a dystopian world but want it to be much more immersive and smarter than Hunger Games, the Red Rising series might just be for you.

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I’ve known of the legend of La Llorona, aka The Woman in White or The Weeping Woman, for a while before I heard of this film. A woman drowned her children after her lover was unfaithful to her. Horrified by what she’d done, she either dies of grief or commits suicide, her spirit returning to search for errant children in the vain hope of trading them for her own lost darlings. So when I heard the upcoming film about her would be part of The Conjuring universe, I had to wonder, how would they treat the story? Would she be rewritten as a demon? Or would the filmmakers learn some new tricks and add a bit more to The Conjuring universe as more and more people started to find it formulaic and over-reliant on the jumpscares? I went in today to see it myself.

The Curse of La Llorona follows Anna Garcia, a single mom and social worker whose children become the target of the titular spirit after it takes the lives of two children whose mother she previously worked with. With the church’s process to approve exorcisms taking too long, Anna turns to a local faith healer and former priest. But will it be enough to stop a being driven by an unending grief and obsession?

And I’m sorry to say, this film didn’t really do anything for me. Oh yeah, it had some effective jumpscares and moments of atmosphere. There were quite a few moments where I jumped in my seat. There’s a reverence for the source material here, and you can tell they’re really trying to make this tragic ghostly figure intimidating.

Unfortunately, the formula The Conjuring set up has gotten stale almost five years later. We’ve gotten used to someone experiencing a haunting in their home, calling in an expert, and then a final battle where there’s either triumph or someone loses their soul. And predictability, along with jumpscares that we know to look for, just doesn’t do it anymore. And while the film does flirt with the idea of adding something new–La Llorona herself is not a demon, as past antagonists in the series have been, but a ghost whose obsession has turned her into a dark spirit, and there’s a twist during the climax that I was surprised by–but not enough to add new life to the franchise.

As of the writing of this review, The Conjuring universe has the third (and probably final) Annabelle film, Annabelle Comes Home, coming out in June. After that, everything else is in various stages of development (The Conjuring 3 has a release date but so far hasn’t begun filming yet). If Warner Bros and New Line Cinema want this franchise to continue past Annabelle Comes Home, they’ll have to come up with some new tricks to keep audiences coming back (and no, I don’t mean going to space. Sorry Jason X, you’re a lot of fun, but there’s a silliness about you that can’t be denied. At least you’re not the Friday the 13th remake, though. Beyond Jared Padalecki and the guy playing Jason Voorhees, there’s nothing redeemable about that film. Yeah, I took another shot at that film, and I’m glad I did!).

On a scale of 1 to 5, I’m giving The Curse of La Llorona a dismal 2. Has ideas, but needed to buck the formula more in order to be anything other than below average.

But you know what (probably) won’t disappoint? My upcoming fantasy-horror novel Rose, being released later this year by Castrum Press. And at the moment, I’m looking for advanced readers for the book, which follows a young woman as she starts turning into a plant creature (and that’s just the start of her problems). In exchange for an early electronic copy, all I ask is that you read the book and consider posting a review on or after the release date. If you’re interested, please send me an email at ramiungar@ramiungarthewriter.com.

That’s all for now, my Followers of Fear. Until next time, pleasant nightmares!

Remember when we were all skeptical of a new Hellboy film without Ron Perlman? And then we saw early shots of David Harbour of Stranger Things as the titular character and were like, “This could go somewhere”?

Well, I just got back from the theater, and this was a fun little romp. And from the sound of things, I may be the only person saying that, but whatever. This is my blog, so you’re getting my opinion today.

Hellboy follows…Hellboy, a demon creature who was raised by a monster hunter to fight all the creepy-crawlies that go bump in the night. On a mission to England though, he finds himself discovering rather uncomfortable truths about his past and lineage, as well as struggling with whether he is as good a creature as his father wants him to be. All while a powerful witch named Nimue is resurrected with plans to spread a plague across the world and bring on the Apocalypse. Possibly with Hellboy at her side.

I have to say, this feels like a comic book movie. By which I mean, the plot feels lifted right from a comic book. There are tangents and flashbacks galore for exposition. And for the most part that works. It’s fun, fast-paced, and has some great action scenes with lots of movement and kicking of ass. And unlike Us, the sprinkling of jokes throughout the film works here, possibly because it’s a comic book movie (though Us is still a phenomenal film).

I also liked the characters. David Harbour as Hellboy and Sasha Lane as Alice Monaghan, a girl Hellboy once helped and who now works as a medium/apprentice ass-kicker are among my favorites from the film for their chemistry and humor. And for those who were worried about David Harbour as Hellboy, don’t be. Yeah, Ron Perlman will always be great, but Harbour’s essentially playing a different version of the character, one who’s still getting to know himself and figure things out. Thus he’s a lot rougher and has more issues than previous film versions. He also drinks a lot and doesn’t have a million cats throughout his home, so there’s that.

I also enjoyed Milla Jovovich’s performance as Nimue. The character is kind of one-dimensional, but the actress brings angry and on a mission to the role very well. And my God, she does not look a day past 28, and I’m falling in love with her just writing this.

That said, the many flashbacks, some of which are pretty long, can be kind of distracting and are used mainly for lots of info-dumping. I would’ve liked it if maybe some of the flashbacks were shortened so we could get more on Ben Daimio, who I felt needed a more fleshed-out emotional arc. It would make sense to do that rather than have a lengthy flashback about Hellboy’s “birth” with a superhero character named Lobster Johnson who doesn’t really contribute that much to the story. Actually, more than a few characters were in this film with no purpose. There was a witch character who I could not see the point of. She interacts with Nimue, talks to Hellboy, and then leaves. I mean, what the hey?

I get a feeling a lot of creative decisions were made in order to jumpstart a film series or even a cinematic universe, and thankfully there was less groundwork-laying for future films than there was in Batman vs. Superman or 2017’s The Mummy, neither of which I care for, but it could’ve been handled a lot more delicately in my opinion.

On a scale of 1 to 5, I’ll give Hellboy a 3.2. It’s nothing that amazing, but it is a fun two hours of monsters, action and mayhem. If you’re just looking for a mindless comic book action film, you could do worse. As it is, this is good enough for me, and sometimes, that’s all I ask for.

 

And while I still have your attention, I’m still looking for advanced readers for Rose. The novel is a fantasy-horror story following a young woman who turns into a plant creature (and that’s just the start of her problems). In exchange for an early electronic copy, all I ask is that you read it and consider posting a review online somewhere on or after the release date. If interested, please send an email to ramiungar@ramiungarthewriter.com.

So in case you missed it, yesterday MGM released the first trailer for their new Addams Family movie, which is due out in October. If you haven’t seen it yet, I’ve embedded it below.

How awesome is that? The animation looks stunning, the voices match the characters, and the format of animation is perfect for a family that is never explicitly stated to be but probably is supernatural and evil in nature. You can tell a lot of love went into the making of this film.

I’ve been a fan of the Addams Family for years. Back in 2012, I wrote a post about how much I’d love to be an Addams, back when this film was still in development as a stop-motion picture with Tim Burton attached. I’ve watched my favorite episodes of the original TV series multiple times over the years, I just watched both movies from the 1990’s last month, and I saw a local production of the Addams Family Musical not too long ago. So you can imagine how much I am for this movie.

And all this Addams stuff has got me thinking. And the more I think about it, the more I realize: we could all benefit from taking a few pages out of the Addams’s books.

Not like their actual books, because those are likely cursed, and not like we should all be more drawn to the dark and occult. Though if more people were drawn to the darker and eerie subjects and tastes like the Addams or myself, I would not complain. Also, it seems to do them very well. Despite their unconventional lifestyles, the Addams are among the richest clans in the world. I wouldn’t be surprised if one led straight to the other (likely without anyone’s souls getting sold to a demon, though that is a possibility I won’t dismiss out of hand).

No, what I mean is that the Addams embody many qualities that we as a society could learn from.

These are people we could stand to learn something from.

For starters, the Addams are very kind and accepting of others. Yeah, they do get disgusted at the idea of anyone having daisies in their yards, but they’ll just accept anyone who does have daisies in their yards as long as they’re polite. In fact, in one episode of the 1960’s TV series, Morticia responded to this idea by stating that “we’ll just have to accept that some people have a warped sense of beauty.” They care less about what you like or what your background is and more about what your character is. Are you a nice person? Can you get along with others? Can you act like a civil person in front of someone you disagree with? That’s what the Addams value (though if you share their interests in the macabre, even better).

The Addams are also extremely generous. With the exception of the musical, in every incarnation of the characters their generosity is always emphasized. Money is nice and allows them to do what they want, but Gomez and Morticia are more than willing to part with their money or their heirlooms if someone needs them more than they do or if someone compliments the stuff on the walls.*

In this day and age, that’s kind of revolutionary. People have an us vs. them mentality, to the point where people commit acts of violence and cruelty because “they’re different from me.” And this may just be me, but at times I feel like it’s looked down upon to willingly part with your money, even to help someone else out.

With the Addams Family, there’s none of that. They could care less about us vs. them as long as you’re a nice person, and they would gladly take part in any charity auction you talked to them about. And in a world that seems more and more hateful and greedy, that’s something extraordinary. At least in my humble opinion.

Plus, there’s the fact that Gomez and Morticia are everyone’s relationship goals, the whole family is involved in making sure the next generation turns out “alright,” they’re big on family, they keep up with current events, business and science, and the family on a whole is extremely cultured. They love theater, dance and art, learning about global cultures, and studying history. In the first episode of the 1960’s TV series, Wednesday and Pugsley demonstrate familiarity with the French Revolution and its more morbid details. Those kids are six and eight respectively in that series, and they know that much already! I’m nearly twenty-six and studied the French Revolution in college. I’m still fuzzy on certain details. How cool is it that those kids know that much?

Given my interest in the macabre (like Lizzie Borden’s grave, for instance), I think I’d make a great Addams. Don’t you?

In any case, I’m looking forward to seeing this movie, and a new generation being introduced to the wonderfully unique Addams. Hell, maybe people will learn something from them.

But tell me, what are your thoughts on the Addams and their new movie? Did I miss anything that makes them figures to emulate? And when will we get a trailer for IT: Chapter Two (I mean, it is less than four months away)? Let’s discuss.

 

And while I still have your attention, I’m still looking for advanced readers for my upcoming novel Rose. This fantasy-horror novel follows a young woman who starts turning into a plant creature (and that’s just the start of her problems). In exchange for an early electronic copy of the book, all I ask is that you read it and then consider writing a review of it on or after the release date. If you’re interested, please send me an email at ramiungar@ramiungarthewriter.com and I’ll get you on the list.

*That’s actually the biggest flaw in the plans of the villains from both the 1991 and the 1993 movies. The villains didn’t have to resort to subterfuge to get to the Addams fortune. They could’ve just shown up at the front gate, said they were on hard times (true for their former lawyer and possibly the villain of the second film) and asked if the Addams could help them out somehow. They’d probably welcome you in and let you sleep in a spare bedroom, with no obligation for rent or a move-out date. If you behaved yourself and became close to the family, they’d probably adopt you and rename you Cousin Porch, because that’s where they first met you.

So do you remember the other day, when I posted about the character of Momo, who supposedly reaches out to kids and teens online, and tries to hurt them or make them hurt themselves? I outlined the myth and how the character took off in the public consciousness, before mentioning that I was working on my own story inspired by Momo and other terrifying figures that originate online and gain a life of their own in the real world.

Well, I just finished that story a few minutes ago. As you can tell by the title, I’m calling the story Queen Alice, and it follows an investigative reporter who delves into the burgeoning legend of a cult leader named Queen Alice who uses social media to bring harm to her targets. Or does she? Is she even real? The reporter is determined to make it to the bottom of this mystery, and what happens when he releases his report will change his world forever.

Writing this story was a lot of fun and I found it easy to write it, despite how much went on in my life (it’s gotten to the point where I’m going to bed earlier and setting lower writing goals so I can get more rest during the work week). The online world is as much a play and communal space as the campfires were for early humanity, when our first boogeymen were created. Today we’re creating boogeymen through the Internet, and people are taking them seriously in ways that would’ve been unimaginable even just ten years ago. Tapping into that fear, even though I sometimes have trouble understanding the most basic of human emotions and motivations, allowed the story to really flow for me and I was able to get it out much quicker than I thought I would.

It probably also helped that I pictured actor John Noble in the role of the reporter. Not sure why, he just fit the part in my head when I was visualing the character.

So what now? Well, I think I could get it published somewhere. At 27 pages and under 7,600 words, the story isn’t too long for many publications. I’ll get it looked at first and see if a beta reader can’t give me some good feedback before I edit it. With any luck, I can get it published somewhere very soon.

Well, that’s all for now, my Followers of Fear. I have some stuff to take care of before the day is over, so I’ll see you all later. Until next time, pleasant nightmares!

 

And while I still have your attention, I’m still looking for advanced readers for my novel, Rose. The book is a fantasy-horror story about a young woman who starts turning into a plant creature (and that’s just the start of her problems). In exchange for an early electronic copy, all I ask is you read it and consider posting a review on or after the release date. If you’re interested, send me an email at ramiungar@ramiungarthewriter.com.

Pet Semetary is considered one of His Royal Scariness Stephen King’s most terrifying novels, and one King has said he’d take back if he could due to the subject matter of child death in the book. Both it and its 1989 movie adaptation are classics, so people were both intrigued and a little wary when it was announced that the movie would be getting a remake. Then we got trailers that intrigued us and then made our heads scratch. I don’t need to state spoilers here that the little girl dies instead of the little boy this time, right? Well, too bad. But King was okay with the change, so we had to wait and wonder what the movie would be like when it came out.

Based on King’s novel, Pet Semetary revolves around the Creed family, who move into a house in the Maine countryside when father Louis Creed gets a job at a university clinic. He soon finds out that there’s a cemetery for animals on his property, and beyond it another burial ground that has to bring back anything buried in it, including his daughter’s cat. However, sometimes they come back very wrong. When the Creeds are affected by a terrible tragedy, Louis uses the burial ground to reverse the tragedy. But it only leads to an even bigger, more terrifying disaster.

Um…I wasn’t scared.

There’s plenty to like about this movie. It looks the part of a modern Stephen King movie, and they manage to bring the spirit of the novel, especially the feeling of a domino effect at work with the characters, into it. And for once, Jason Clarke, who plays Louis Creed, actually connects with me as an actor. Normally I don’t like him when I see him in something, but this time I really felt it. Every bit of grief, relief, or horror, resonated with my core. And most of the other principal cast members are great in their roles. Jete Laurence (who’s name, by the way, is a dance move in ballet, which I find fitting given her character’s love of ballet in the film) makes a sympathetic protagonist in particular, and later makes a welcome addition to the pantheon of evil kids out to get us.

However, there’s much about this film that left me feeling less than impressed. For one thing, many of the scares were jump scares. And as I’ve become fond of saying lately, jump scares are the cheapest form of terror in horror films. Once they’re done, the fear seeps out of you and you’re okay again. Even after one really effective jump scare, I was okay a minute later.

And then there’s the change from the original story: Ellie Creed, the elder Creed child, dies instead of toddler Gage, and ends up being the one resurrected. Hey, I’m cool with it. If there are no surprises, why bother remaking a film? But that’s the only real change that’s worthy of talking about. Afterwards, the film adheres rather closely to the novel, and even where it doesn’t, it’s pretty predictable. I would’ve preferred it if after this change, they decided to make more changes to the story and send it in different directions. I mean, if you’re going to have an older child, rather than a toddler, the source of terror, why not take advantage of that (especially since older children are much better at planning and being devious)? Go where we won’t expect it and give us the terror of not knowing what will happen next!

That look, like a raised eyebrow. It says my whole opinion of the film and the decisions made with it in one look.

I mean, I had to rewrite two-thirds of my novel to make it publishable, and I went in some different directions to make it work. The result was a much better and far more unpredictable thrill ride. So I know what I’m talking about.*

Finally, I felt Jon Lithgow as neighbor Jud Krendall was underused. The character in this film only existed for exposition. In the original novel and the 1989 film, his friendship with Louis feels real. Here, it’s forced in so the character can explain stuff (sans flashbacks too, by the way. I liked the use of those in the original film, why couldn’t they be in this film?). Between this film and Velvet Buzzsaw, I feel sorry for the guy. He’s been in bad roles in two films this year, and neither of them make great horror films.

Oh, one more thing: you can tell that cat is a puppet at certain points! It’s painfully obvious! Makes me miss Goose the Cat, who I couldn’t tell was a puppet at several points in Captain Marvel.

On a scale of 1 to 5, I’m giving 2019’s Pet Semetary a 2 out of 5. Perhaps it’s trying to keep the film under two hours and not alienate Stephen King purists, but in all honesty, I would’ve preferred another twenty minutes or more and some new directions for the story. As it is, the film is going to serve a reminder that not all the adaptations in the current Stephen King renaissance will be gems.

*Speaking of which, I’m still looking for advanced readers for my upcoming novel Rose. The story, a fantasy-horror novel, follows a young woman who starts turning into a plant creature (and that’s just the start of her problems). In exchange for an early electronic copy, all I ask is that you consider posting a review on or after the novel’s release date. If you or somebody you know is interested, just send me an email at ramiungar@ramiungarthewriter.com.

Hello, and welcome back to another interview. I’m so glad I’m able to spotlight so many different authors lately. Really livens things up a bit, and it’s a great way to connect with new friends and new readers. And today’s interview is with a new acquaintance whom I met through the Horror Writers Association. She’s a writer, editor, and she’s hear to talk about her work.

Please welcome KG Finfrock.

Rami Ungar: Welcome KG. Tell us about yourself and your novel House of Redemption.

KG Finfrock: I love to listen to people’s stories. I had a friend in high school who was a pathological liar and I didn’t care. I loved to hear the stories she would weave as truth. I love to get people to open up about what’s going in their lives and where they’ve gone. Being a homebody, I’m happy to live vicariously through their experiences and yes it’s true. Anything and everything you say to me may end up in a story.

House of Redemption is about eight strangers who come to Blackstone Resort, a large luxurious plantation house in the middle of nowhere. After a lovely evening of good food, drinks, and music, the guests discover they cannot leave the house. All the doors and windows are sealed shut. As they try to find an escape, they each meet the ghosts of the people they have harmed. There is no escape for the guests until they repent their evil ways.

RU: It sounds like an interesting idea. How did you come up with it and what was it like writing it?

KGF: One of my favorite films is Agatha Christie’s Ten Little Indians. I play the DVD repeatedly as my comfort background noise. I was attracted to the large house. The idea of the whole island to your self is heavenly and I realized, when I wrote Good Thoughts for Bubble Off-Plumb, I like the concept of people not being able to escape punishment for bringing harm to others.

There are eight characters in House of Redemption and I began by writing each person’s situation and how they ended up at Blackstone. I then realized one quarter of the book was all backstory and it was several pages in before the real story began. I had to cut it all out and, that was all right, as I had a firm grasp on who they and what kind of person they were. The story begins with the arrival of the guests, as it should. As a bonus, I included the characters stories at the end of the novel.

RU: You’ve also been involved as an editor for the collection Good Thoughts for Bubble Off-Plumb and put together The Daily Ten-Minute Writing Prompt (Volume I). How did those projects come about?

KGF: I believe being offered the position of editor for Bubble Off-Plumb was the result of good networking and being in the right place at the right time.  And I would like to add, it was a blast working with the other authors. Some stories in the anthology still stick with me. I also learned something about my own writing in my story contribution Good Thoughts. I realized I write about the bad guys getting their comeuppance which is probably why I enjoy House of Redemption so much.

I host a monthly writer’s group with small selected membership. The Daily Ten-Minute Prompt came about when I saw how much fun the members in my writer’s group had when I set the timer and gave them a sentence. They had ten minutes to write and in some part of their story, the sentence had to be in the story. I saw what fantastic stories could be written in only ten minutes. Even as a first draft, they were great. There were moments of hysterical laughter (because the story was funny) and moments of stunned surprise.  Since I had been posting a daily writing prompt on my blog for three years, I figured I might as well put them all together and publish them in a few books.

RU: What are you working on now?

KGF: I’m working on a sequel to House of Redemption, I have two more volumes of the ten-minute writing prompts, and I have a ghost story on the back burner which is more on the side of a cozy murder mystery that happens to include a ghost living with the main character.

RU: When it comes to writing, do you have a routine or a process?

KGF: I need a routine, and I keep trying to stick to a routine, but life events constantly interrupt and thus I have not been as productive as I should be. I’m hoping that will change when the youngest child in my family starts school full time later this year.  As far as process goes, I’m off to a good start as soon as I put fingers on the keyboard and I just go with the flow.

RU: Is there any kind of story you’re particularly drawn to, as a reader and a writer?

KGF: I like mythical monsters, beasts, and a bit of the paranormal.  I like reading about large houses and places I’ve never been.  I admire Fredrik Bachman’s style of writing where he brings the community together and is able to show the faces behind the masks.

House of Redemption by KG Finfrock.

RU: What advice would you give other writers, no matter the background or experience?

KGF: Put your butt in the chair and just start to write. It can be done if you make it a priority, a must do, but it won’t be accomplished without you actually writing.

RU: And finally, if you had to go to a desert island for a while and could only bring three books with you, which would you bring?

KGF: I would pick the three that are on my table waiting to be read. The Nightingale by Kristin Hannah (a book my sister gave me) Kill Creek by Scott Thomas (May’s book-club selection) and Parasite Life by Victoria Dalpe, a book I chose supporting women horror writers (and the synopsis caught my attention).

RU: You’re going to love Kill Creek. It’s my current favorite. Thanks for joining us, KG. I hope you join us again soon.

If you’d be interested in reading House of Redemption, you can get it from Amazon. And if you’d like to find out more about our guest today, you can find her on her very own WordPress blog, as well as on Twitter and Instagram.

If you would like to see some more of the conversations I’ve had with various authors, head over to my Interviews page. And if you yourself are an author with something coming out you’d like to promote, then send me an email at ramiungar@ramiungarthewriter.com with the subject line “Author Interview” and we’ll see if we can’t make some magic happen.

That’s all for now, my Followers of Fear. Until next time, pleasant nightmares!