Posts Tagged ‘horror’

This particular short story could also be called “My tribute to Stephen King’s Carrie without any psychic or telekinetic elements”. I basically took the idea of a girl getting revenge on the bullies in her life through supernatural means and wrote a dark and powerful story around it. And it involved tigers, too (my favorite animal), so I definitely had fun writing it.

The Day The Tigers Came To School is a story with a very interesting evolution. It merely started out as a story about a school being invaded by tigers and wolves with some sort of strange twist about how they got there. Then I dropped the wolves because that’s just too much for one short story and I like tigers more. Then I added the bullying/revenge theme. Then I played around with different ways the plot could go, even while I was writing the story. 4,159 words later I have a new short story that pushed boundaries even for me.

By boundaries, there were a couple of moments where things got incredibly graphic in detail. It was enough to make me wonder if I shouldn’t hold back a little in writing something so terrifying. But then I reasoned, if it makes me a little hesitant, it will probably scare the pants off of anyone who reads it. And that’s basically my goal in writing. So I relaxed the restraints and just went with it. I’m glad I did, because the story’s much better that way.

Well, I’m going to let a friend give me some feedback on it, and then I’ll…save it for my next short story collection. Yes, I’m doing another short story collection, which I’ve tentatively entitled Dead and Dying (it was going to be Dead and Dying Teens but I thought that since some of the stories might not involve teens, I dropped that part). I can’t confirm content or release date, but I can tell you that this time around I want at least eight short stories, this one and a couple of others among them. When it gets closer to me actually releasing the book, I’ll make sure everyone knows.

In the meantime, tomorrow evening (work and homework permitting, of course), I plan to start up again work on Laura Horn. It’s been put on hold long enough and I want to get it at least halfway done before I leave for my study abroad trip. Then this summer I can edit it along with Video Rage. Wish me luck on the project. I still have more than half the novel left to write! It’s not going to be easy.

Well, I’ve got work tomorrow, so I’m heading to bed. You all have a lovely evening and have pleasant nightmares. Goodnight, my Followers of Fear.

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Recently a fellow horror author and blogger I admire brought up a good point about horror, one that I’ve made in countless other posts. The point that he made was that a lot of horror out there is actually pretty terrible because of an over-reliance of gore and gross-out elements (blood, knives, etc.). Real horror is made not by grossing people out continuously over the course of a horror story, but by creating a feeling of dread, that feeling that something bad is going to happen and that it is going to get worse. That feeling builds and builds, until (hopefully) the reader is scared stiff by ensuing events.

Creating that dread feeling is difficult, to say the least. Like I’ve said in previous posts about terror (and I’m not yet convinced that they can’t be the same thing, depending on the circumstances), it’s one of the hardest parts of creating a good horror story. Creating that feeling takes time, precision, keen insight, and skill, cultivated over years and years of practice. It’s why plenty of would-be horror writers and filmmakers just opt out of trying to use terror in favor of just plain old blood and guts and gore as a so-so substitute. And when that doesn’t work so well, they add in sex as well (don’t believe me? Watch the Friday the 13th remake in all its crummy filmmaking and see how much dread there isn’t and how much sex and blood and gore there is. And no, I’ll never stop harping on how bad that film was).

Here’s an exercise that can help authors of all kinds visualize creating that dread feeling for your story: close your eyes and imagine yourself in a dark, dank, eerie hallway. This hallway goes on for some length, so far that you may not be able to see the very end. And it also takes many twists and turns, so that doesn’t help. As you walk down this hallway, you get the strange feeling that something horrible is going to happen just around the next corner or right behind that table or from that ceiling lamp with the crackling bulb. And as you get farther along, this feeling that something bad will happen grows and grows. Sometimes the places you think something will happen prove to be harmless, but other times you are correct and you’re only just able to get away with your head still on. Even so, you continue on, even though the feeling of ill-boding keeps growing, and you wish you could turn back or even just stop and stay where you are but you can’t, those aren’t options. The only option left is to continue on, reach the end with hopefully all your body parts still attached, and find a safe room located at the end of the hallway.

That hallway is your horror story. And it can be as long as it needs to be, have as much furniture under which monsters can hide as needs be, and have as many twists and turns as needs be. You just got to find a way to create that feeling of ill-boding, which is the feeling of dread that all the best horror stories are able to create. The exercise above is meant to help give people an idea of how creating that terror and dread can happen and to give them something to work with if they need help or practice creating that dread.

I hope that helps in some ways. Also, if you want to check out some books, TV shows, or movies that do a great job creating that feeling of dread, I highly recommend Stephen King’s IT, The Amityville Horror, and the first two seasons of American Horror Story. They do a very great job with creating dread in the reader/viewer. Trust me, I was afraid to go to sleep after I encountered one or two of these titles. They’re that scary.

All for now. I’m going to try to get some of my own fiction written and full of that dread feeling. Goodnight, Followers of Fear.

I’m tagged! And yes, that’s a good thing. author Lorna Dounaeva just tagged me in a game of WordPress tag, which means I answer some questions and then I tag at least three other writers to answer the same set of questions. So excited! So let’s get started:

What are you currently working on?

At the moment, I’m just working on a bunch of short stories, though I plan by at least the fifteenth to get back to my WIP Laura Horn. I’m also working on getting my novel Snake published on June 10th (assuming the copyright office doesn’t screw with me in any way, shape or form. As a government office, they’re likely to do so, I’m afraid). I’m also trying to publish some short stories, so we’ll see what magazines accept them. Fingers crossed and hoping for the best.

How does your work differ from other authors in the genre?

Well, that’s really kind of a loaded question. Every author is different in terms of style and content, no matter what genre. However if I have to say, it’s that I try to make crazy concepts seem believable. At least, in theory I do. Ask my critics on how I’m doing in that department.

Why do you write what you do?

I’ve always loved scaring people, ever since a somewhat traumatic event in my past. And I love writing, so it’s fun to combine the two together.

How does your writing process work?

I work best in my room on the bed, so I try to write there mostly. When I work on novels, I usually write an outline of what happens in the story, and then set about writing the story out. It’s a torturous process, especially in the beginning. Tackling a whole novel gets easier as the story moves forward, but at the beginning it’s almost like rolling a boulder up a very big hill. Eventually I finish the story, and after several edits and feedback from a beta reader or two, I try to publish it. For short stories, the process is similar, except without the outline phase.

And now I tag three writers:

Matthew Williams, author of the recently released Papa Zulu.

Raymond Esposito, author of You and Me Against the World.

Pat Bertram, author of Grief: The Great Yearning.

This evening I went to a very interesting meeting of Ohio State’s Science Fiction Club (a whole other blog post to discuss what we talked about), and I got inspired for a few stories and articles. As I walked home from the meeting, I had another idea for an article, which you’re reading now.

As I walking home from Campbell Hall, enjoying the slightly warmer-than-usual weather and listening to heavy metal on my iPod (the mood music I usually listen to when I’m thinking or brainstorming), I was musing on the sorts of stories I tend to write, which ones were good and which ones were terrible, and what differentiated them. I realized something then: one thing that separated some of my good stories from my bad stories is which comes first, the plot or the theme.

Let me explain what I mean: when I first came up with the concept for Reborn City, it started as a simple gangster story with a science fiction twist. I had no idea of what the story would be like beyond that. I wanted it to be more adventure than explanation of scientific theory, I wanted excitement and sci-fi wackiness and life-or-death fights and maybe some sex (which got cut out after the first draft because it just didn’t fit the plot of the story). All the themes that ended up being woven into the story–the struggles and problems of gang life, Islamaphobia and racism, drug abuse, etc.–were woven in at a much later stage, though they became part of the story well before I started actually writing it.

On the other hand, there have been some short stories–which I don’t want to name–where I write them with the specific intention that they represent a theme or an idea. One early sci-fi story from high school about two technicians on a spaceship was meant to reflect on the loneliness of space travel and of isolation. Another was meant to be a ridicule of patriarchal values in society. And there are a few more I could mention, but let me just summarize by saying they were all conceived with a theme first that subjugated the story to the theme.

Apparently for me that latter approach doesn’t really work. The words feel all wrong and forced when I write like that and I find it difficult to make the story move forward.  And I realized as I walking home, past the library and towards the north end of campus, that my best stories are written when I focus more on the plot rather than any significant meaning behind the story. If the story itself is compelling, then the rest will follow, including any very deep themes.

I’m going to have to keep this in mind when I write stories in the future. And if I do end up writing a story where plot is subjugated to theme, at least it’ll be a good learning experience for me on what stories I shouldn’t write and how to avoid writing those sort of stories. I’m sure that there are plenty of authors who can write those stories and do it well (for some reason I’m thinking Kate Chopin’s The Awakening and plenty of other authors I’ve been assigned to read in my high school and college careers), but apparently I’m not one of them.

But in the end is that not surprising? People who love genre fiction, especially the sort of fiction I write, don’t necessarily read a story because they’re looking for a story that exposes the mindset of a battered woman or because they want an allegorical tale of small towns haunted by ghosts representing the ills of ignorance and a narrow-minded worldview. No, they want a story that scares them, and if the themes in the story make you think as well facilitate the whole scaring part of the story, then great. And since this is what I do when I read a story–to look for a good time, not for a deep meaning–it makes sense that my best fiction comes from focusing on the story rather than on what the story means.

Do you ever have problems with this? What are your thoughts on the subject?

See also: The 3 Types of Terror

As a horror writer, one of the biggest challenges I face is building terror in a story. As Stephen King said on Facebook not too long ago, terror is “when you come home and notice everything you own had been taken away and replaced by an exact substitute. It’s when the lights go out and you feel something behind you, you hear it, you feel its breath against your ear, but when you turn around, there’s nothing there…”

Creepy! Anyway, I’ve been thinking of different ways authors utilize terror in their stories, how they manage to insinuate that terror element into their work and look for patterns. Based on those observations, I think I’ve come up with some answers, and I’ve put those answers into two models for using terror, which I will talk about below.

The first model of using terror is called the Uphill Model. In this version, you slow ramp up the strangeness and terrifying aspects of the story, starting with small, subtle cues but gradually introducing more overt signals until the wrongness of the situation is so obvious that at this point you can introduce the horror aspect (aka the vampire or the demon or whatever’s meant to creep us out in the story) to the sound of terrified squeals and screams (especially if you’re in a movie theater). A good example of this model would be Samson Weiss’s Curse, one of the short stories from The Quiet Game. The story starts out with small things that are out of the ordinary (a stalker at a rally, maybe some trouble sleeping, a voice or two), but things escalate and become more obvious as the story goes on until the villain of the piece is revealed, in all his horrifying grandeur. I also used the Uphill Model in The Loneliest Roads, one of my more recent short stories, which is currently going through the editing process and may be submitted to magazines soon. This is a good method to use for short stories, especially since it requires a steady but quick escalation in order to keep the reader interested and scared. However, the method requires precision in measuring out how much terror you should use and in what ways. Too much or too little terror used too soon or too late will work against the story, and actually turn readers away. Writers need to be cognizant of this when using this model.

Bad movie. Great example.

The second model is called (quite appropriately) The Seismograph Model, because there are moments where there is intense moments of terror followed by lulls or smaller spikes of terrifying elements. A wonderful example of this is Stephen King’s IT, where there are moments where the strangeness of the situation is very high followed by moments where the amount of terror is low or non-existent. Usually during the spikes of terror there is also a lot of accompanying horror and Gross-out, the other two types of terror. During the lulls, authors generally use this time to work on character development and to expand on the situation the characters find themselves in, as well as to maybe show the characters in more casual settings or enjoying life without threat of something evil. This model is helpful for novels, especially longer ones where there are plenty of run-ins with the great evil of the story before the actual climax takes place and it requires a bit less precision than the Uphill Model, though it does require some skill to do it right.

Let me just say that these models are not perfect and that they don’t apply to every horror story out there. They are simply frameworks to examine a story and maybe to help shape your stories while you are writing them. There may be other models out there that I’m unaware of and have yet to discover, and if there are, I doubt any story out there fits any of these models perfectly. Like I said, the models are tools of examination and reference more than actual models to be followed.

Anyway, I hope as time goes on and I work on new short stories, I hope to be able to use both models to some degree and to use them effectively in my stories. I think that if I can, I might be able to write better stories and further my career as an author. That’s the hope, anyway.

Do you use any models when writing? If so, what?

Oh, and while I have your attention, I have some announcements to make. First, I’ve included links to the book trailers of my various books on the pages above. So if you want to see the book trailer for a novel or a collection of short stories, all you have to do is visit the appropriate page and click on the link. Makes more sense than having to scour YouTube or this blog for the correct video or post, right?

Second, I’d like to announce that I’m starting work on a new collection of short stories. By that, I mean I merely plan to write a new collection that includes some old, unreleased work and some new work that I’ve been looking forward to writing. I’m not sure when this collection will be ready, when it’ll be released, or what I’ll call it, but when I do get around to all that, everyone here will be the first to know.

And finally, I’ve created a new page on this blog, entitled Interviews. The page contains both interviews with other authors and interviews with characters from my novels. It doesn’t have much on it yet, but I plan to add more interviews for both authors and characters as time goes on. I’m especially looking forward to adding more interviews with other authors: those are a chance to help out friends with new books coming out, meet new authors and get a chance to know them, and to possibly expand the number of people reading my work. We’ll see what happens, but I hope only for good things.

Well, that’s all for now. Tonight’s Buckeyethon, so I’ll be offline until I get home after a 12-hour dance marathon, followed by a 6-12 hour nap to catch up on my sleep. See you guys Saturday evening, when I write a post about how awesome Buckeyethon was and what happened while I was at it. Happy Valentine’s Day, Followers of Fear.

After finishing “A Haunted Man” two nights ago, I’ve decided that, although I’ve got so many short stories I’d like to work on, I need to narrow it down to a few choices so I can return to my WIP Laura Horn. Yeah, I know I can just get through all the short stories I want to get through before I get back to the WIP, but I don’t like to leave a novel unfinished like that, and I would prefer having several short stories unwritten than have a novel languishing unfinished on my flash drive.

Besides, as I recall most of the chapters of LH were pretty easy to get through, so I don’t see it taking too much time to finish up. Then during the summer after I get back from my study-abroad trip, I can spend the whole summer editing my other novels and working on short stories. Besides, I’ll most likely be working on a novel for my senior thesis in the fall, so it’ll work out in the end. At least, I think it will.

So I’ve narrowed the number of short stories I’m going to work on to about eight, and I’m going to try to get through as many of them as possible before mid-March, when I plan to start working on LH again. I picked the short stories based on a couple of factors, namely that I thought the ideas behind them were exciting, that I knew where I wanted to go with the story in terms of plot, and that I think they could be published in magazines, especially ones that pay for their published work (I know that sounds crazy, but it helps pay the rent, so I’m trying to get into more magazines that pay for their work). Oh, and one of the short stories will be submitted as a homework assignment to one of my classes, so I could get a very good grade on it.

So that’s my plan for the next four weeks or so. I hope to at least get two to five of these short stories written. Among the eighty-odd ideas for short stories I have written down, these are among some of the best, so I think I’ll enjoy writing them. When each of them is done, I’ll write a post and let people know how they’re doing.

I’m also going to try to come up with an idea for an article. A friend of mine runs a magazine, and I want to write an article for it. Just the question of the subject that’s getting to me. We’ll see what I can come up with.

Oh, and one last thing: I’m thinking of posting a few stories on WattPad all at once. Would you be interested in reading anything of mine if I published it on WattPad, even if it wasn’t strictly horror?

Well, that’s all for now. I’m going to prepare myself mentally for writing later this evening. Wish me luck.

I just finished a short story. This one, called “A Haunted Man”, is about a family that moves into a haunted house. Sound familiar? Well, I tried to put a twist on it by focusing on the father of the family, who’s one of those characters who thinks because he’s a man’s man that he knows it all and that the ghostly going-ons around the house are the result of his wife being a silly woman and his kids having overactive imaginations. Those characters appear in a lot of scary stories, and they always get themselves into trouble. Especially when they finally realize that there’s a ghost in the house and they try to handle it themselves because that’s what men do, instead of doing the smart thing and getting someone with experience with ghosts to come by and get rid of the ghosts.

I basically took that character, that I’m-a-man-who-does-what-men-do character and decided to make him the subject of a short story about a haunted house. It was a difficult story to write, though. I had to go back at one point and rewrite the whole story because the way I was writing it didn’t make sense to me (for more on that, read my post I Shouldn’t Use Present Tense). And even after I started the rewrite, it was difficult going. I think that means I’m going to have to do a lot of editing on this short story. Or that I should instead adapt it into a low-budget horror film because it would work very well in that format. Hmm…if I did that, I wonder how I would get it done? And who would help me?

Well, that’s beside the point for the moment. I’m glad to have gotten the short story done and I think I did an okay job portraying the main character as I wanted him to be portrayed. I’ll see what I can do with it and maybe decide from there if I should try to publish it, or maybe adapt it into a horror film or some other third option.

For now though, I’m going to start thinking about what’s next on my agenda. I told a friend I’d write an article for a magazine that he runs, so I’m going to get that done. After that I think I’ll write down which short stories I’m going to work on next. I want to work on so many more, but I really have to get back to my WIP Laura Horn, so I’m going to limit the number to somewhere around five or six short stories and cap it off there. Maybe when LH is done, I’ll write the rest of the short stories I wanted to get done. We’ll see.

Well, that’s all for now. I’m going to take a break and relax after an afternoon full of writing. See you in the morning, Followers of Fear.

January was a great month for me. I got a lot of writing done, I did very well in most, if not all, of my schoolwork, I applied for several scholarships for my study abroad trip, That, and Angela and I are very close to finishing the final draft of Snake (thanks for all the help, Angela, by the way. Couldn’t have done it without you). Since January was so good, I’ve got similar feelings for February, and I thought I’d share what I hope to accomplish this month:

Write and edit like a madman. I’ve still got several short stories I want to write, so I hope to get those done before I return to my WIP Laura Horn. I also hope to edit those same short stories and maybe send them to some magazines. That, and I plan to finish Snake and get it ready for publication (already thinking about a book trailer), as well as to write an article for a magazine a friend of mine runs. And finally, I hope to write some really great blog posts that examine various aspects of writing and ask some deep questions on fiction writing. Not sure what those will be yet, but I have some ideas. We’ll see what I can come up with.

I’m going to enter a few contests. There’s a short story award given out every spring semester by Ohio State’s English Department, and I’ve submitted my entry already. I decided to go with Ohm, the short story I wrote last month about a man who starts a cult around himself using meditation. It’s not horror, but with OSU’s English Department that might be a good thing (they’re more literary-oriented, sadly). I think they’ll like it, but we’ll see. I also plan to submit Reborn City for the Amazon Breakthrough Novel Award in the middle of the month. I don’t think I’ll get very far with my first novel, but I hope to get to a certain round where you can get a possibly favorable review. If that happens, I’m hoping that more people will discover RC and maybe like it. Fingers crossed!

I’m going to work hard in school. Five classes, most of them between the 3000-5000 level makes for some heavy assignments to get through. As soon as I’m done with one, I have another to look forward to! But I’m not going to let it get in my way. I’m going to get all A’s this semester and I’m going to keep my place on that study-abroad trip! And speaking of which…

I’m going to get a lot of scholarship! Okay, that’s kind of out of my hands, but I applied for a lot of scholarships. At least one of them might come through! It’ll save me from applying for a loan to finance this trip, anyway!

And finally, I’m doing Buckeyethon again! Last year I had so much fun raising money for cancer research and then celebrating with a 12-hour dance marathon, I’m doing it all over again this Valentine’s Day! Oh, and if anyone wants to make a last minute donation, here’s the link. It’s all for a good cause!

Well, that’s all I got for now. I hope to have more good news later this week and this month. Until then, Goodnight Followers of Fear!

This is my first review of the year, and it’s coming a day after the final episode aired. Well, that’s what happens when you don’t have FX in your cable package and you have to search the Internet for it. Someday that’ll change.

I wasn’t really sure what to think about this season at first. It’s the third season, coming after two very terrifying and amazing seasons. Plus many of you remember how I reacted to the killer vagina thing in the first episode. Oy vey. And as the season progressed, it had its high points and its low points. But for the most part, I like to think that it ended on a good note. If you’d asked me a week ago what I thought about the season, I’d have said differently, but I’ll admit that the writers really amazed me.

This season of the anthology series follows an endangered coven of witches as they prepare for the rise of the new Supreme, the figurehead and occasional actual leader of the coven. When one falls, another rises (sounds like Buffy, doesn’t it?). However the coven is under threat from many sides, including from an organization of witch hunters; a rival faction of voodoo practitioners led by voodoo queen Marie Laveau; a racist immortal with a thing for blood; a serial killer who’s good with a saxophone; and each witch’s own personal problems, powers, and petty desires.

Some of the high points of this season was that it really did keep us guessing at who would be the next Supreme, right up until I was sure I knew who it was (and then I realized I didn’t). Not only that, but it had some very impressive scenes and special effects, and the writers proved that they could keep us interested and guessing for a very long while. Also, Emma Roberts as party girl/actress/all-around-bitch Madison Montgomery was my favorite character. I loved her and hated her. She was the best actor on the show, with Lance Reddick as Papa Legba coming in a close second (invite him back for the second season) and Lily Rabe and Kathy Bates as Misty Day and Delphine LaLurie respectively tied for third.

Favorite character, hands down.

However, there were some things I felt the story could do without. The subplot with the fundamentalist family next door felt extraneous and unnecessary. You could’ve cut that out and nobody would’ve felt like something was missing. Also, Zoe and Kyle’s love affair didn’t feel real. I had no idea why either of them liked one another, why Kyle wasn’t pissed off at being a modern Frankenstein, or why Zoe felt anything for him besides the fact that she was partially responsible for his current predicament. Actually, I didn’t really know Zoe beyond her inexplicable love for Kyle, and my knowledge of Kyle wasn’t much better. Also, there could’ve been more on the witch hunters. They weren’t utilized enough. And I would’ve liked to see more of the oppression theme that was at the center of this season.

Second-favorite character (can you see why?)

But still, it was a great season despite its low points, and I think the first in the series that ended on a bright note (surprisingly). It’s also the first season to have the potential for an Expanded Universe similar to what Star Wars and Doctor Who have (Ryan Murphy and Brad Falchuk, call me or check me out on LinkedIn. Let’s talk). I’d be excited for some of that.

All told, AHS: Coven gets a 3.6 out of 5. Can’t wait to see what Season 4 will be about. So far all we know is that it’ll take place in 1950, Jessica Lange will have a diminished role and a German accent, and several of the big names from this season will be coming back for new roles and new stories. Oh, and it’s rumored that it’ll be filmed in either New Orleans or Santa Fe. Any guesses about what it could be?

tqg cover

I kind of let this pass by without really realizing it, but now that it’s on my mind, I’d like to commemorate that six months (and twelve days) ago my first book, The Quiet Game: Five Tales To Chill Your Bones, was first released for paperback and e-reader.

Since that July day, a lot has happened, but especially with this book. A small collection of original short stories I’d written over Winter Break 2012 and Spring Semester 2013, the book has sold about a little over fifty copies (which for the first book of a self-published author is not that bad). It’s also received eight reviews from readers, which has brought the book’s average to a 4.4 out of 5 (which for the first book of a self-published author is pretty mind-blowing for me). Here are what some of the reviewers have been saying:

“5 wonderfully crafted tales! I purchased this as an eBook originally and put off reading it for quite a while, I really wish I hadn’t waited. Sometimes when one purchases a collection of short stories you expect some of them to be less entertaining or of lower quality than the others, but none of these disappoint. Well worth the money, especially considering after you read each story the author gives you creative insight into what inspired him to write each tale, which is really wonderful.”

Jeff D.

“I happened across The author Rami Unger about a year ago when he was researching the paranormal online.

He nailed the Dybbuk story. Write more… soon!”

Jason Haxton, author of The Dybbuk Box

“I liked that each story was unusual. I think that the book was appropriately named. I prefer chilled bones rather than scared out of my whits since I am a bit of a chicken”

Enji

I’d just like to say that it’s been wonderful hearing from people what they think of The Quiet Game and finding out that they enjoyed the book and want to read more. It’s the readers themselves that have made all of this possible for me, so I really owe everyone reading my work a great debt that can never be repaid. So thank you very much and I hope we’ll be able to have great times together in the future.

If you are interested in reading The Quiet Game, you can find it on Amazon and on Smashwords. The print version is available for a little over five dollars, while the e-book version is available for about a dollar-thirty. And if you do decide to read The Quiet Game, please let me know what you think of it. Good or bad, I’m always happy for reviews and feedback.

Thanks for reading, and I hope to have more good news at the one-year anniversary. And speaking of anniversaries, Saturday will make three months since Reborn City came out. I’ll have to do a post about that as well. Look forward to it!