Posts Tagged ‘horror’

I know some of you have been waiting for an update on Rose. And I’m happy to say that I received word today from my publisher, Castrum Press, regarding the last draft I sent to them.

Now if you’re new here and haven’t heard me mention Rose a billion times by now, this is a novel I wrote as my senior thesis in college. It follows a young woman named Rose Taggert who starts turning into a plant creature. Yes, that’s what it’s about. I wrote that novel, and it’s being published. And believe me, what I just described is only the beginning of Rose’s troubles.

Anyway, Castrum Press accepted the novel back in March 2018, and I’ve been doing a lot of work on it since. Actually, I’ve been doing work on it and changing things up since the first attempts to write it. This story’s been written and rewritten more times than I care to mention. I was telling my dad earlier today, every draft has featured almost alchemical changes to the story. Trust me, that amount of change every draft is exhausting!

But based on Castrum’s latest feedback, I have reason to hope the story’s nearing its final stage. The suggestions I got were mainly of the word choice and grammar type. These are mainly problems I’ve been told about before in the past: using words like “that,” “which” or “just” too often, or too many adverbs. At least they were able to give me some visual aids that I can use to help me during the next draft (number 6, if you can believe it). I’ll take some notes, and then get to work.

I won’t say this is the last draft before publication. It depends on what Castrum says, and they have a lot more experience than I do and the suggestions they’ve given so far has worked out for me so far, so I’m willing to listen to their advice. I will say that we are nearing that stage, and both Castrum Press and I are looking forward to getting this story out there for all of you to read. We’re just taking our time to make sure it’s the best product it can be before it’s released.

I mean, it would really suck if we released a sub-standard novel, wouldn’t it?

Well anyway, it’s getting late and I was feeling really tired for most of today, even with caffeine, so I’ll call it a night and start on the work after I get home tomorrow.

That’s all for now, my Followers of Fear. I’ll keep you guys updated as news comes in. Until next time, pleasant nightmares!

Advertisements

This new film got some buzz after its trailer was released, with lots of people saying it could be scary as all get-out. That, and there aren’t many movies revolving around haunted artwork and/or the art world, so we thought it could be breaking some new ground. So I tuned in this evening. And I’m glad I had wine in the fridge, after what I just saw.

Velvet Buzzsaw follows tough art critic Mort Vandewalt, art agent Josephina, and her boss Rhodora Haze, who are considered the creme de la creme of the art elite circles or working on making that happen. One day, Josephina discovers her elderly neighbor has died, and then discovers he’s an artist of amazing talent, who also wanted all his artwork destroyed after his death. Jospehina decides to take the artwork and sell it alongside Rhodora, making them all very rich. However, several suspicious accidents and deaths occur, all occurring around the dead man’s art. Soon Mort, who has become obsessed with the dead man and his work, discovers some dark secrets around it. Secrets that are deadly in their power.

I’ve heard it said that contemporary art is about the idea behind the piece and its execution, rather than what the work portrays. If so, I think the idea here was a searing indictment of the elite art world in the form of a horror movie, but ooh, was the execution horribly botched.

Velvet Buzzsaw is only really a horror movie a third of the time. The other two-thirds, it seems to be either a slow-burn thriller about the dark side of the art world, or the film equivalent of those literary stories where characters go on personal journeys through their hundrum lives to find themselves/meaning in their lives/happiness. When it’s the third type, it’s actually pretty decent. If it were that kind of film, then we might get something Oscar-worthy. But then the film switches to slow-burn thriller, which is just kind of sub-par, all talk about cut-rate deals and how to screw everybody over (in more senses than one). And when it switches to horror, the rest of the movie has been so diluted that there’s no atmosphere or scares that the audience can be picked up.

I also found John Malkovich’s role in this film to be a total waste. He’s this tortured artist who kind of exits the film halfway through, and then we only see him in the credits, and it’s like…what? What was the point of this character? Along with Natalia Dyer’s Coco, which would’ve been a great perspective to see these events play out from if the character had been given more screen time, I’m just peeved.

If there was something about this film I liked, it was the cast. Jake Gyllenhaal, Zawe Ashton and Rene Russo do excellent jobs as the three main characters, Daveed Diggs of Hamilton fame has a role as an up-and-coming artist, which was cool. And there are some cool art pieces in the film, as well as some great bits of cinematography.

But taken all together, Velvet Buzzsaw is a 2 out of 5 at best. It’s inconsistent in tone, wastes some of its talent, and ultimately creates a film that’s stylistically memorable but otherwise forgettable. If the film had maybe found a tone to focus on and, if that chosen tone had been horror or horror-thriller, given the character of Coco more screen time instead of just using her as a sort of tragic comic relief, and had devoted time to building an atmosphere, then we might’ve had something here. But since the filmmakers didn’t go that route, it’s just a damn shame.

Well, I got my wish. I worked on a story that was much, much shorter than The Autopsy Kid and Mrs. Autopsy. This one is called The Black Foals (though previously I was thinking of going with The Foals orĀ The Horses), and if the name doesn’t give it away, this story is about horses. If I tried to be any more specific than that, it’ll give away too much. Suffice to say, it was nice to return to something a bit on the unnatural side after writing a long novella steeped in human-based horror. And whoo-boy, was this story different from others I’ve written in the past.

Okay, I may say that about most of my stories, but a) shouldn’t all writers in my genre set to make each story different, lest we grow repetitive and not very scary? And b) this really was a different one. For one thing, I didn’t jump into the horror right away. Instead, I slowly built up the horror, which is something I don’t usually do. For another, I definitely leaned more into the psychological aspect of the story, reserving the gore and true horror for the last scene. Whether or not I did a good job with the build-up and the psychological horror is up for debate.

In any case, this story’s at forty-five pages and 10,089 words long, so it’s the length of a novelette. I may try to make it shorter in subsequent drafts, or I may lengthen it. I’ll have to see what a beta reader or two thinks it’s best.

But I think it’s a good start. A decent attempt at a psychological horror, and a decent attempt to make a story that’ll do for horses what Jaws did for sharks. Perhaps I might get it published somewhere, there are a few magazines and anthologies that accept stories of that length. We’ll see what happens.

In the meantime, I may take a break from writing anything new until I hear back from Castrum Press about Rose. They said I should be hearing from them soon, so now’s a good time to just take a break from any new stories. Or old ones, too: editing takes time, you know.

Of course, you’ll still see me around. I’ve got another post on the horizon, so you should keep an eye out for that.

Until next time, my Followers of Fear, pleasant nightmares!

It’s a quarter past two in the morning, I’m very tired and have no idea why I do this to myself, and thank God Almighty I don’t have work tomorrow morning, or I’d be one hot wreck. But anyway, good news! After over a month of hard work, I’ve just finished a new novella, which is both my first new story of 2019, and as my most disturbing story yet.

“The Autopsy Kid and Mrs. Autopsy” (wow, talk about a title) is a piece of human-based horror al a Misery and The Girl Next Door. It follows a young girl living in France who becomes entangled with a very disturbed young man after she’s caught shoplifting by said young man. It’s a really dark and gruesome story, with plenty of viscera and a very disturbed villain to boot. And as I said above, it’s probably my most disturbing story yet (and Snake included a scene where a dude got impaled in the most painful way possible). There were points during the writing process where I got a little uncomfortable, which says something about the story and how potential readers might react.

Still, it’s a first draft, so it’s going to take a lot of work before it’s ready for publication. And that’s even if I can get it published somewhere. Besides its length, this is, as I said, pretty dark stuff. Granted, human-based horror is usually very dark and requires a certain kind of nerve to get through it (everyone remembers the hobbling scene from Misery, right?). But this story? I’m sure plenty of editors would want me to censor some of the stuff that goes on in this one.

Not to mention the villain shares some similarities with another villain I’ve created that’ll be coming out at some point. But I’m less worried about this problem. I mean, if Criminal Minds can get away with variations of the same villains over and over again, eleven years in a row, why can’t I have similar villains every now and then?

Well, with any luck, I’m sure I could get it published in a short story collection, either one I put out myself or with a publishing press. I’m sure with the right marketing and a bit of editing and luck, this story could be well-received and give more than a few people nightmares.

Anyway, I’m just glad to get this story done. I had a feeling I’d get it done this weekend, but I had no idea I’d be up well past midnight working on it, adding about seven thousand words in the past twenty-four hours (a new record for me) before I could sit back and say that the first draft is finished.. I’m pretty sure I looked something like this during the past couple of hours.

I hear we even look a little alike. At least, I do in one of my many terrible visages.

Anyway, today’s writing brings the total page and word count to 164 pages and 48,581 words. Not exactly the longest I’ve ever written, but still quite a bit. And enough to leave me really exhausted right now.

Anyway, I can’t even imagine editing this behemoth right now. Pretty sure I’m going to leave it alone for a long while so that when I do return to it, I can look at it with fresh eyes. And in the meantime, I’m going to head to bed and sleep as late as I can. In the morning, I’ll likely have a celebratory movie marathon with low-calorie ice cream and hot tea. And if I do any more stories before I have to work on Rose again, it’s going to be something much, much shorter.

So until next time my Followers of Fear, good night and pleasant nightmares.

This past week at work, I’ve been taking a class on giving an effective presentation, with and without PowerPoint. As part of that class, we were to give a seven to ten minute presentation on any subject of our choosing. You can guess what I did mine about. That’s right, I did mine on horror. Specifically, on what makes for a good horror story.

Don’t you just love it when life hands you opportunities tailor-made for you?

And while working on my presentation, I realized that I could record it and maybe post it on YouTube. After all, I don’t get many opportunities off the blog to expound on what makes for good horror, and wouldn’t I want to make sure as many people as possible were able to see it? So I gave one of my classmates my phone right before I began, and he started recording. The result is below. The video does cut out before the presentation is finished, but you get the gist of it.

If you’re wondering what my example of a bad horror story was, it was 2016’s The Boy, which I hate. I would’ve used the Friday the 13th remake, but I thought doing an original film would drive the point across better. Afterwards, while the lights were out, I went to the next slide, which was all black, and gave a quote from Kill Creek, the Gothic novel I mentioned in the video (and which I really do recommend):

If I were to lead you into a dark room, and someone were to leap out and shout, “Boo,” you’d be startled for maybe a moment. If, however, I were to lead you to that dark room and tell you that someone died in that room, that their spirit haunts it, and that they sometimes reach out and touch people, and then I left you locked in that room, for hours on end, in the dark…that is horror.

That’s about as exact a quote I can give when I only have my memory of the audio book and no hard copy to look up the quote prior to the presentation.

I finished by thanking everyone for coming to my TED talk (apparently that’s something people say when trying to be academic nowadays, so I thought I’d use it), and wished the all pleasant nightmares before asking if anyone had any questions (someone asked me what my favorite horror movie is. I couldn’t think of one). And after the presentation, I got some really great feedback from my classmates. One or two even told me they’d never thought of horror like that before, and it was really eye-opening.

To which I bowed and said, “My job here is done.”

When I got home, I immediately went to upload the video onto YouTube. Took about an hour, as it was nearly two gigs worth of data, but it’s up there, and it’s not half-bad. So if you do get a chance, I’d really appreciate you checking it out and letting me know what you think. Was my argument convincing? Were there counter-points you’d like to make? And will I get sued by any companies for using their images, specifically Warner Bros. for using footage from the trailer for The Nun? Let’s discuss!

That’s all for now, my Followers of Fear. I’ll be going to see Glass this weekend, so you should hear from me again then. Until next time, thanks for reading/watching and pleasant nightmares!

Well first off, I did order a hard copy of The Complete Works of HP Lovecraft. That should arrive by Thursday. In the meantime, now that I’ve finished reading his entire body of work,* I thought I’d take a moment to list my favorite stories of his work. Why? Because A) I want to, and B) despite the overuse of 18th century language and enough racism to make me want to punch the guy, there are some good stories here worth reading. And if anyone ever wanted to try HP Lovecraft but didn’t know where to start, and if they trust my reviews at all, I think this would be helpful.

So starting from Number 8 and working our way up, let’s go over my Top 8 HP Lovecraft Stories.

#8: The Lurking Fear

You ever go hiking or driving through a mountain range at night and expect something like Jason Voorhees to pop out? I have, and it’s enough to make you really question your decision to ever set foot in those areas. Such is the force behind The Lurking Fear, about a reporter who goes into the Catskill mountains to investigate reports of monster attacks on local villages, and comes across something much more sinister. It’s a story that takes advantage of its setting and using a monster unseen to create the sense of horror. And while the twist might be slightly predictable, it still does add to the sense of horror you feel reading it. Fans of the movie The Descent should especially like this one.

 

#7: Pickman’s Model

Art can both exhilarate and terrify, move people to tears and to action. And in some cases, it can even haunt us forever. Pickman’s Model follows an artist who becomes friends with the titular Richard Upton Pickman, an artist whose work tends to lean more towards the horrific, and how that art seems to have an effect on both the men and their environment. This is a scary story with a fun twist at the end that shows just how the world and art can play with each other and change each other in unexpected ways.

Also, I think if anyone wanted to update the setting to a high school art club and Pickman as an angsty teen, it would make a great student film. Someone please make that happen!

 

#6: Cool Air

Written during Lovecraft’s brief stay in New York City and considered by some to be one of his best stories from that period, Cool Air tells the literally chilling tale of a young man who becomes friends with a doctor living in the apartment above him who always keeps his apartment cold. The twist at the end of this story is also kind of predictable, but it’s got a great atmosphere and is engaging from beginning to end. Plus it’s one of the few times Lovecraft depicts non-white people in a positive light, which makes it worthy of a read in and of itself. Remember to read with a warm blanket handy.

The Colour out of Space

#5: The Colour out of Space

One of Lovecraft’s most memorable and beloved stories, this story about a crashed meteor and the strange colorful substance inside it that affects a farming family that can’t leave their old homestead has terrified generations of readers. It’s especially memorable for the unsettling atmosphere it creates and for being a great early example of the sub-genre of science-horror. I’d consider it perfect reading for Halloween and you’re in the mood for something creeping, agoraphobia-inducing, and just slightly weird.

 

#4: The Temple

This early Lovecraft story isn’t as well-known as some of his other works, but it’s a favorite of mine. When a WWI German submarine sinks a British sub, they start experiencing strange phenomena that slowly drives the crew members to the brink of sanity, as well as a place only seen in nightmares. Claustrophobic and full of just enough strange elements to make you feel very creeped out by the inexplicable nature of it all, it tends to stick in your mind once you read it. I hope someday there’s a big budget adaptation of the story, or even a small budget that maximizes atmosphere without excessive CGI. That would be the shit!

Or maybe it would just be shit, but I can dream, can’t I?

 

#3: The Call of Cthulhu

I bet many of you were wondering where this one would be on the list. The most famous of his stories and the one where the entity Lovecraft’s mythos is named after, it follows a professor who becomes aware of a dangerous, worldwide cult while going through his late uncle’s effects. Weaving its story slowly to make you really consider that this cult and its horrible god may not only be dangerous but very real, it’s endured for a reason. I would recommend this one to anyone looking to get the essence of Lovecraft in one story, as well as to check out the silent film adaptation from 2005, modeled to look out it came out around the same time as the story was published (though much better than your average silent film).

And remember, Ph’nglui mglaw’nafh Cthulhu R’lyeh wgah-nagl fhtagn.

Spelled that correctly the first time around! Yeah baby!

Shunned House

#2: Shunned House

This Gothic horror story follows two professors who investigate a house where every previous occupant has come to an unfortunate end and discover a terrible entity within. While not as well known as his more cosmic-horror works, this story absolutely entranced and terrified me while on a car ride home from Detroit in the summer of 2016. Blending a setting whose rot you can practically smell with a welcome twist on an old monster (let’s just say, no sparkling here), Shunned House used to be my favorite story prior to the #1 choice, and I would recommend it to any horror fan out there.

Also, I have an idea for a ballet based on this story. Yes, you’ve read that right, a ballet. And I would help in any way I can to bring that to life. BalletMet (or any other ballet company) email me. Let’s talk and make it happen.

 

#1: The Shadow over Innsmouth

I only read this story last week, but it immediately became my favorite of his work. A young man makes a side trip to a small fishing village in New England, and discovers that the strange townsfolk all share a terrible secret. Gothic, unnerving and with more action than your average Lovecraft story, it’s a great story about how the desire for prosperity can lead to damning consequences for both you and your descendants. If you want Lovecraft at his best, this is the story I’d recommend above all others. Definitely check it out.

 

That’s my top 8 Lovecraft stories. And while, as I’ve said before, his works don’t really age that well, there’s plenty to pick up from these stories for even causal horror fans. And if you do, I hope you–holy crap, a portal from another world just opened up in my apartment. Excuse me while I go greet an entity from another universe and keep it from either eating all of humanity or impregnating everyone in my apartment building, I’m not sure which (I’m a little rusty on this universe’s language).

Until next time my Followers of Fear, pleasant nightmares!

Have you read any of these stories? What did you think? What others would you put on this list?

*Well, the official canon, anyway. Lovecraft also did a lot of ghost-writing and collaborations that aren’t normally included in collections of his work. Considering Through the Gates of the Silver Key is one of them, I can see why.

It took me nearly three and a half years of on-and-off reading, but I’ve finally done it. Through wordy paragraphs full of outdated language, enough racism to make me want to punch a dude, and an increasing amount of multi-sided shapes and magical angles, I have finished reading the copy of The Complete Works of HP Lovecraft on my Kindle. And of course, after such a momentous occasion, there’s only three things I want to do: drink a beer; peruse hard copies of the same book; and blog about my thoughts on Lovecraft’s later work and its influence on the horror genre, as well as on my own writing. This is that last thing on my list.

So if you are unfamiliar with who Lovecraft is (and I find most people are), he was an early-20th century writer based in Providence, Rhode Island. While not very well-known during his lifetime, his creation of the sub-genre of cosmic horror has ensured that his work has lived on and influenced other horror creators and enthusiasts such as Stephen King, Alan Moore, Guillermo del Toro, and myself. What really appeals about this genre is the idea that the universe is a dark and uncaring place full of forces that have no care for humanity or other minor species in the cosmos and can destroy lives and civilizations (as well as usually having a vaguely fishy smell).

When you consider the dude was a sickly bundle of nerves who dealt with anxiety and depression his whole life, had a classist-type of racism where skin-color and social background were very important, was frustrated over his inability to finish his education, and felt more comfortable letter writing and staying in Providence than actually interacting with people and going to crowded places, it makes sense. And while his stories have each aged differently, there’s plenty you can get out of them, especially when it comes to the mechanics of cosmic horror.

This time around diving into his work, I finished out reading his work with some of the most famous of his latest work, which included At the Mountains of Madness (which was also the nickname for the summer camp I went to), The Shadow over Innsmouth, and The Shadow out of Time. By this point, Lovecraft was consciously trying to add scientific concepts to his work wherever he could, especially in Mountains of Madness and Shadow out of Time. Sometimes that works very well, such as in Mountains, but other times, like Through the Gates of the Silver Key, I just found myself scratching my head in confusion (not sure angles work like that, dude). You can also see that by this point, he’d really gotten a grasp over this fictional world of his, throwing casual references to numerous recurring elements in the course of a single story. For once in his life, he was comfortable with something.

Also, while the racism is still evident, it’s kind of mellowed out at this point. Not much, but enough that I don’t feel so uncomfortable reading during certain passages of his work. Progress, I guess.

So were any of these stories any good? Well, old HP’s work has always been hit and miss with me, but there were some good things here. At the Mountains of Madness, while not my favorite, did have a great premise and kept me engrossed for most of the story (he probably could’ve cut parts about the Elder Things’ history and city, though. That went on forever). And Shadow over Innsmouth is probably my new favorite Lovecraft story: it’s this freaky Gothic tale of a town whose citizens have basically sold their souls and their humanity for prosperity and long lives, and the one person who ends up upsetting that arrangement. I’d totally check it out if you’re interested in a different sort of Gothic horror story.

Elder Things from “The Mountains of Madness!” They’re not pleasant!

That being said, I was not a fan of Shadow out of Time. I know that one’s pretty beloved by his fans, but I just thought it was too wordy, to the point where I would look over entire sections and forget most of what I’d just read. The Thing on the Doorstep had an interesting premise, but I felt it wasn’t as scary as some of his other works. Dreams in the Witch House also had a great idea, but I think a couple of changes could’ve been made to improve it. And I’m never going to get back the hour I spent reading Through The Gates of the Silver Key. Seriously, only real enthusiasts should try that one, and only if they’re really sure about it.

Still, it was all worth the dive, in my opinion. I’ve learned a lot by reading the work of HP Lovecraft over these few years, and getting a grasp of why people still read him and write cosmic horror today. And I think over time, it could lead to me writing better stories. Hopefully. I’ll let you be the judges of that, though.

In the meantime though, I’m going to continue working on my own stories and start reading some work by an author who’s older than Lovecraft but somehow easier to understand. Who is that, you ask? The Bard of Stratford-upon-Avon, William Shakespeare.

That’s for all now, my Followers of Fear. I’ll hopefully have a new review for you guys soon. Until then, Hail Cthulhu and pleasant nightmares.

 

For my other examinations of HP Lovecraft’s work, check out Parts 1, 2, 3, and 4. Also, I highly recommend this video from the YouTube Channel Overly Sarcastic Productions. They look over Lovecraft and five of his most famous works with fun illustrations and hilarious commentary. Trust me, it’s worth a look.