Posts Tagged ‘living and life’

Reborn City

I don’t know if book trailers really increase book sales. I’m pretty sure that when I did the book trailer for The Quiet Game (see it here, if you dare). So when I finally had a release date for Reborn City, I had to ask myself, “Do I really want to spend an hour or two making a freaking video that probably create a viral sensation, let alone bring in some revenue for me?”

But then I discovered that you can make videos on your YouTube account. Yeah, I found that out just this week. I have no idea if that’s a new thing or if that option’s been around for a while and I’ve just been oblivious. But yeah, I sat down today, I pulled up YouTube, started creating a video on YouTube. Took me about twenty minutes and then all I had to do was upload it onto YouTube while I went to have Shabbos dinner.

This video is about twenty-five seconds long and features music by the rap group “Triple C’s”, with there song “Where Ya From?” Hey, they even have a song that uses the West Reborn dialect! I just noticed that. Also, the photo of “Reborn City” is actually a shot of the Las Vegas strip. I know, I know, but what do you want from me? I can’t afford to create my own original picture of my conception of Central Reborn. I do what I can.

In any case, I’m very satisfied with the results. Heck, I’ll try and make another video some time, see if I can improve for the next book trailer. Yes, I said the next book trailer. If I can get one done in twenty minutes, imagine what I can get done with an hour and some practice! Snake‘s trailer will be the s**t!

So, without further ado, here’s the official trailer for Reborn City. And subscribe to my channel…as it is. Comments welcome.

I first heard about this film from my boss at work. Her fiancé apparently was a cop in Alaska back in the eighties, and a certain case he’d worked was being made into a movie. It was the story of Robert Hanson, a serial killer who had taken several girls up to the woods in his plane and then killed them. The girls he took were prostitutes, whom he raped and murdered, and then took trophies from. He’s now serving 461 years plus life for his crimes.

Did I mention that the movie stars John Cusack as the killer, Vanessa Hudgens as the prostitute who escapes him and later identifies him, and Nicholas Cage as the cop who takes him down? If I haven’t, than I think I just did.

This movie is only available through select theaters and on-demand, but it could be good enough for a national release. Watching it, I find it hard to tell what’s Hollywood BS to spice up the story and what’s actually happened. It’s done so convincingly. You see actual emotions, characters who feel so real to the point that you forget you’re watching actors. Hudgens especially pulls off the role of a prostitute with a hard life very well. As she says at one point to Cage’s character, “I’ve had things happen to me…things no little girl should have happen to them.” For many girls on the street, that’s how they start out. Bad things happen to them, and it warps them, putting them into a role they don’t want but can’t shake. And the whole instinct of survival at any cost drives a lot of their actions, which is why Hudgens’ character does a lot of what she does, even if it defies logic sometimes.

At least, the logic of you or me.

The Frozen Ground also gains points for its dark and realistic portrayal of the police process back in the eighties. It’s a tough job, with sometimes very few leads and several roadblocks to getting justice. You can feel the frustration mounting as at certain points, these cops find themselves blocked in trying to take down Hansen. It’s like Law & Order, but only deeper and with even less Hollywood crap.

My few complaints is that many of the characters are undeveloped. We don’t really get a chance to understand Hansen or Cage’s character, and many of the other characters, especially characters on the force, don’t get their names used once in the movie (so I could not tell which character was my boss’s fiancé, sadly). It’s a cop drama, so not a lot of room to get into character development when a killer’s out on the loose, but still, could you spend a few hundred dollars filming some scenes that show us what motivates some of the other characters in this story? The only other characters whose heads I can get into is the pimp character played by 50 Cent, and that’s such a stereotype, it’s not even funny. Because hey, the black pimp has been used so much it’s a cliché.

Anyway, I was going to give The Frozen Ground a 4.3 out of 5, but Hudgens’ performance and the realism of the movie elevate it to a 4.8. If you get a chance, do go check out the movie. And stick around after the closing shots. You’ll see the captions “This film is dedicated to all the victims, known and unknown”, followed by photos of some of the known victims of Hansen.

And one more thing before I wrap this review up. The next time you see a girl on the streets turning tricks or you hear some pundit make some comment about prostitution on TV or the radio, remember that these girls aren’t doing what they’re doing, with little or no legal protection, health insurance, retirement plan, or guarantee of safety, just for the fun of it or the money. Many are forced into it for a variety of reasons. The least you can actually do is show these girls some compassion, and remember they are real women too.

Today we had a rather interesting discussion in my Science Fiction and Fantasy class (for those of you new to the blog, yes there’s such a thing. Apparently Ohio State’s English Department has been studying the foundations of nerd culture since 2007. And possibly there’s a grad student in the Sociology Department who’s studying the actual people of nerd culture, but that’s an investigation for another time). Anyway, we were talking about the differences between heroes in science fiction stories from pre-WWII and the stories written after WWII.

In the pre-WWII stories, the heroes were always larger than life, able to overcome evil and fight off any villain with ease. In a sense, they were Supermen without superpowers, and they still won every battle, got the girl, saved the world, and were home in time for tea. Some great examples were John Carter of Mars from the Barsoom novels by Edgar Rice Burroughs and Freder from the movie Metropolis.

But then you have World War II. There you see death camps, POW marches, bombings, jungle warfare, beaches that run red with blood, mortars and claymores and bullets, racism and nationalism, beheadings, and several other bits of Hell made incarnate. Those who came back from the war were given a darker outlook on the world, and those whose talents were more geared to the written word and who in turn enjoyed a little space travel incorporated that new world view into their work. The best examples I can give you of the sort of hero that became popular after WWII are Barton from the short story The Cold Equations and Han Solo from Star Wars. They are not Supermen. They are simply men. They have problems, conflicts, flaws. Barton is haunted by what his job requires him to do when he finds a stowaway on his ship. Solo is looking out for himself and his ship and nobody else, though the Expanded Universe of Star Wars says that he’s like that because his lover died leaving him cynical and jaded. And then he met Jabba the Hutt.

The point is people liked these characters. A lot. They’ve been around since then in some way or another. Look around at science fiction and fantasy stories today. Harry Potter admits he’d be lost without his friends, and as Hermione is fond of pointing out, he’s useless with girls. Katniss Everdeen is troubled by her feelings for both Peeta and Gale and her memories of the Hunger Games, and is only in the situations she’s in so that she can protect her sister and stay alive, in that order…though she does love a little revenge every now and then. Max de Costa from Elysium is trying to be a better man, but with his life on the line he becomes the definition of a survivalist, willing to do anything to live. And Buffy Summers from Buffy the Vampire Slayer has a host of issues that inhibit her life, especially in season six of the series. Jeez, that season was psychologically dark!

And it’s not just science fiction. Other genres of speculative fiction have these sorts of character. My own fiction has these sort of flawed characters:

Zahara Bakur (Reborn City): low self-esteem and a sometimes overwhelming timidity and fear of violence.

Rip (Reborn City): recovering drug addict with image issues.

Snake (Snake): highly disturbed serial killer due to abusive childhood.

Laura Horn (Laura Horn): pathological shyness, social anxiety and general anxiety due to sexual assault.

Why are these characters so popular when they are so far from perfect? I think it has something to do with the fact that’s what they are: imperfect, They care deeply and try hard, but occasionally they fail and they fall and the consequences are terrible. To the readers, that makes them real. We don’t want to read about infallible heroes, because we know all too well that they don’t exist. We want heroes who are a little more like us. They depend on people, they hurt, they need a good smack occasionally to see that what they’re doing is hurting both themselves and their loved ones. We’ve all been in positions like that to some degree in our lives. And that makes these characters relatable to us, and our problems, even if they don’t involve magic or spaceships or fighting in an arena with other young kids.

Not only that, but these protagonists tend to grow in the story. They tend to become better than what they were before. And I don’t mean better warriors or fighters or healers or wizards or whatnot. I mean better people. They learn what’s really important in life, or how to express their love for others, or they come back as true leaders who put the lives and interests of those who depend on them first. In other words, the sort of people we want to be.

I personally prefer using these characters with their flaws and warts and troubles. I used to be more into characters that were impervious, Granted, I was a kid at the time, and all my favorite TV, movie, and book heroes seemed impervious to me. But I’m older now, smarter, wiser, and a bit more aware that the world doesn’t usually produce such heroes. So I like to use the heroes with problems, with something that’s keeping them back. Along with the conflict of the story, it gives me something to grapple with and for the characters to grapple with as they fight onwards. After all, a story is not just getting from Point A to Point B, it’s also about letting the characters grow and become better people.

“I’m not even perfect, and I’m bloody brilliant in all my forms.”

Now are these sorts of characters here to stay? I’m tempted to say yes, at least for the meantime. If you look at the latest movies, TV shows, novels, and comic books, the main characters all have problems of some sort that makes life difficult for them. Watching them grow, take on these problems, and overcome them is part of the appeal of the story. And I certainly plan to use these flawed characters in the future, as do other writers I know. So yes, it’s quite possible these flawed protagonists will be staying for quite a while.

How do you feel about flawed characters? And are there any that you particularly like above all others?

Spooooky!!!

Last night I had an idea during my evening meditation for something I could do to help improve my writing. I would’ve done it earlier in the day, but I’ve been busy since today was the second day of classes. But now I have some time since I finished my homework and I thought I’d share my idea and its fruits before I start cooking dinner.

My idea was to write a short little piece of writing–maybe 1-3 paragraphs–whose sole purpose was to tell a scary story in as few words as possible. Basically, it’s an exercise in scaring people in as few words as possible. BOO!

Why am I doing this? Several reasons: one is that if I can write these vignettes and see how people react, I can get a better grasp on how to polish up my craft in terms of writing and scaring. The second reason is that any one of these little vignettes could lead to a full-length story, should I find them helpful enough in the story writing, if I particularly enjoyed the story depicted within, and if reader response is positive enough. And finally, it’s also a marketing ploy. Yes, a shameful marketing ploy. I’m hoping that if people react positively to these exercises, I can get them interested in my longer works, like The Quiet Game or Reborn City (out November 1st).

I hope to get these out once a week, giving me time to come up with new ones and so that people don’t get sick of them. I also plan to list all the Weekly Exercises on its own separate page, with every exercise listed with the most recent first. I hope at least I’ll benefit from these exercises, and so will my readers in the long run.

So without further ado, here’s Weekly Exercise #1:

She was awoken by the baby screaming and immediately closed her eyes, hoping it would quiet on its own. When it didn’t, she threw the covers off and got her robe on. Was there a night that it would just leave her be? She’d never wanted this stupid thing that couldn’t take care of itself, and it was reminding her of that every night with its ceaseless screaming. Well no more. Either it shut up tonight or she would shut it up for it!

She reached the baby’s room, her fingers clenching and unclenching, ready to strangle it or snap its neck for some decent sleep. But then she saw the baby floating in the air, fast asleep. And then she realized that the screaming she’d heard wasn’t coming from the baby’s room anymore. It was coming from behind her.

If you see a pun in that title, you’ll realize it’s one of THE worst puns in existence. I’m not even sure why I made it.

Earlier today I had an idea for a story that I’m tentatively calling “Rose”. I’m not going to get into details about it, though I will say that flowers and plants do play a big role in the story, if the title didn’t give it away, and when I write it I’ll probably listen to a lot of songs about obsessive love and stalkers. I somehow came up with it while sitting in my Science Fiction and Fantasy class today (I’ll probably be able to recall the thought process behind it better at a later date, because it’s a bit of a mystery now), and I wrote it down when I got home today.

Now at first I thought it would make a great short story. But then…I realized that this story would be longer than your average short story. Then I thought, “Perhaps it could be some weird, creepy novel.” But that was too long. So I thought to myself, “How about a novella?”

Now, I’ve never had any definite opinions on novellas. I’ve only read a few in my entire lifetime, most of them by Stephen King (anyone familiar with “N.” or “Everything’s Eventual”, by any chance?). I’d never considered writing one before. Short stories, which are the foundations for a career in fiction writing, are hard enough to write for me, and novels are my true passion. Why would I have time for a novella, that strange middle-ground between the art of short stories that is sometimes so elusive for me and the novel that is my freedom and passion?

But when I thought of this story, it somehow clicked that a novella format would be best. I wouldn’t have to struggle to extend the story, and I wouldn’t have to pack it into a neat little package. The story would fit in the format of a novella. And from there I formed my first real opinion on novellas: they are perfect for those stories that can’t fit into the format of a short story but would suffer as a novel.

I’m not exactly sure when I’ll write this novella–though I have an idea or two–but I look forward to writing it, like I look forward to writing all the stories I come up with. Until then, I’ll probably churn this one in the bowels of my imagination until I have a better idea of the story I’d like to write with it. After all, my stories are usually a bit better when I’ve given them a little time to mature in my imagination.

Oh, fun fact before I finish this post: this novella is the 60th idea for a story I’ve had, not counting short stories or articles I’ve written. With the amount of ideas I have, I’ll at the very least never run out of ideas for stories to write, and at the very best I’ll be very prolific. Either way, it’s good news.

tqg cover

Today I logged onto The Quiet Game’s Amazon page and was surprised and pleased to see a new review there. Not only that, but it was a review from my grandfather, Richard Warren. Knowing him it probably took 20 minutes and plenty of coaching from either my grandmother or my mom to help him post the review, but thanks for taking the effort Grandpa. I always appreciate feedback.

Here’s what my grandfather had to say on The Quiet Game: Five Tales To Chill Your Bones, which he entitled five tales can be stronger and gave a 3-star review:

“These five tales are interesting. I read 3 stories one day & two the next. They held my interest, but I feel they could better, longer.”

Well Grandpa, the good news is that I’ve improved a bit from the time I’ve written these short stories, so the next time you read my work, I hope it’ll be a bit better then than it is now. As for the length, they’re short stories. They can only be so long before they turn into novellas. If I write another collection–and there’s always a possibility of that, so be on the lookout for future announcements–I hope to include more stories and possibly make them of a longer length. Who knows?

As for The Quiet Game, it is now currently holding a 4-star average and is still doing well. I’m pretty sure more copies will be sold by my next expected update, which will be September 17, exactly two months after the book’s publication. Until then, I’ll have plenty of things to occupy myself. Speaking of which, I have homework and laundry to take care of, so I’m going to get on that.

Until then, I’ll blog on you later, and once again, thanks to Grandpa for writing a review and giving his honest opinion. I appreciate it.

Some philosophers and psychologists will say that memory is what makes us who we are, and it’d be hard to say they’re wrong. The retention of past experiences plays a great deal in shaping our personalities, our sense of selves, and how we interpret and react to the world around us. As I’m writing Laura Horn, one of the novels I’m working on at the moment, I’m beginning to understand this concept of memory and what it has over us.

My protagonist and titular character Laura Horn is a victim of sexual assault. Her dark experiences have never been dealt with and she’s still affected by not only the experience of what she went through, but by the memories she has of the assault.

I think for most people, good memories tend to sleep below the surface of our consciousness, always there but not at the forefront of our thoughts until we need them. For example, someone could be driving down a road they hadn’t traveled down in a long time could remember the last time they travelled down the road, maybe with a lover or someone they really liked and what they did that day. Immediately they may feel happy. less stressed, or more excited about their life and their day as the memory returns to the sea of our consciousnesses.

Bad memories though, tend to act like monsters. Fresh memories or those that were formed relatively recent, tend to be worse. They latch onto your consciousness with their teeth and claws, reminding you of their presence, of dark experiences and horrible mistakes, and they never let go, upsetting your day and causing you terror, anger, anxiety, and other negative emotions.

I have more than a few memories I would rather forget, and this is reflected in the way I write Laura’s interactions with her memories. Whenever her memories surface,  she tries to push them away and berates herself for bringing those memories forward in the first place. I feel the same way whenever my bad memories surface, though I learned that instead of pushing them away and berating myself over them, I’ve learned it’s just much healthier to accept the memories as they are and not get too upset over them.

Like I said, Laura hasn’t dealt with her experiences and her memories of those experiences, let alone how to healthily deal with her memories. Because of this, she’s still very stuck in the state of mind she had when she was attacked. She’s terrified of the world around her and most of the people in it. She wishes for the past to change and to return to a happier time, even though she knows this will never happen. Her life is dark and she is terribly unhappy.

I’m hoping as time goes on and I continue writing, I hope I can help Laura move past her experiences to a happier state. To me, this story is more like Laura telling me what her story is about rather than me making up events as I go along, so I’m hoping as time moves along, our collaboration on her tail will yield some positive results.

Until such a time, I have to examine how Laura interacts with her memories of her assault and how those memories be affected as she gets ever closer to the main events of the story, which will change her life forever. And maybe, while doing so, I’ll come to understand my own life and experiences, especially the bad ones, a little bit better.

At Ohio State, the two professors in the English department who are published and celebrated authors (at least locally celebrated) are literary authors. In the two fiction workshops I took last year, the focus was on literary writing. As my undergraduate advisor tells me, “Ohio State is mostly about literary.” And whenever genre is brought up, I hear a lot about how it’s not OSU’s thing, or there’s more of a focus on literary fiction, or that there are no professors who write genre fiction among the staff.

As a genre writer, particularly one of horror, I have to disagree with this. Yes, literary fiction is more focus on character development and on character-driven stories than genre. I am willing to admit that. However, I find it somewhat hypocritical that contemporary genre fiction isn’t worth examination and study in the English department. Yes, there’s a couple of classes that examine science fiction and fantasy, or famous monsters from literature, or YA fiction (I’m taking that first one this semester). But that’s not an acceptance of genre fiction. Ohio State still doesn’t accept genre fiction, at least not any within the past fifty years.

Personally I find that strange, considering how much genre fiction is used in required courses and in general scholarship. I mean, look at it: Shakespeare’s Hamlet and Macbeth are examined in classes all the time. If those were written today, they’d be classified as psychological thrillers with supernatural elements. And A Midsummer Night’s Dream and The Tempest would most likely be fantasy stories.

Ever read Beowulf? That’s in early British fiction courses all the time, and it is fantasy if ever I’ve seen fantasy. Rip van Winkle? Definitely a ghost story, seeing as Captain Hudson came back and put the titular character to sleep for twenty years. Edgar Allen Poe and H.P. Lovecraft? Horror writers and, at least in the case of the former, mystery writers. Frankenstein? The first modern science fiction novel. Dracula, anyone? It’s the basis for the modern vampire legend. Ever read Fahrenheit 451, or 1984, or Atlas Shrugged? They may be philosophical and full of character development, but they are certainly dystopia stories!

So why not contemporary genre fiction, if all this older genre fiction is worthy of attention? Perhaps because it’s popular, or maybe because some of its authors’ fame may not last a hundred years after their death. Maybe the stories haven’t had as much of an influence on literature as others have. Who knows?

But to exclude modern genre fiction just seems wrong. After all, the majority of people see literary fiction as boring or too elite. If English Studies is supposed to examine the English language, how it is used and how it affects the common man, and how it should be used, shouldn’t genre fiction be given as much consideration as literary fiction? Because honestly, genre fiction can have as much an effect on English literature as literary fiction, and sometimes even more.

So don’t exclude it. Include it, with all your academic heart and soul. You may find something there that is worth studying and makes including genre fiction more than worthwhile.

It’s happened folks, I finally did a post about my school life that doesn’t have a sports metaphor or analogy to it.

In four days, I will start my third year at the lovely Ohio State University. Yes, my Michigan relatives, I said “lovely”, and don’t use the fact that we’re without a president to troll. Our football team will still kick your butts come Thanksgiving weekend, so go watch Downton Abbey and be glad the people on that show never get hit by giant football players wearing scarlet and grey!

So now that I’ve sent some wolverines running with their tails between their legs, let me tell you what I’m looking forward to this semester: first, I’m taking five classes this semester, though it feels like six since one is split up into a lab and a lecture. That class happens to be Introduction to Biology, which I’m predicting will be my most challenging class this semester. However I’m determined to get all A’s this semester, something that I’ve been trying to do ever since I got here. On the off-chance that doesn’t happen, I’m making sure to come away from this class with at least a B.

Another class I’m taking is an online Introduction to Sociology class. It looks like it’ll be a challenge as well, but if it’s anything like my Anthropology and Psychology classes of past terms, I’ll most likely get anywhere between a B- and an A, which is what I plan to work towards. I’m also taking an English class required by the English department called Writing For English Majors. You think with a title like that the class would be self-explanatory, but it’s not. Trust me, I’ve read the description and it probably won’t make sense till I read the syllabus. How typical is that?

And there are two classes that I’m really psyched up for this semester: a class called Science Fiction and Fantasy that’s a literature course, and Holocaust as History. The first one is as its title suggests, a class that examines themes in sci-fi and fantasy fiction and applies it to what we read and our world. There are some very interesting books in this class, and we’ll also be watching 2001: A Space Odyssey for class. Looks like I’ll be able to pull out my HAL 9000 impression for this class. And it’s also a chance to possibly advertise Reborn City.

The other class is also pretty obvious from its title. The Holocaust is the focus of my History major, so I’m looking forward to the subject matter. We’ll be reading, among other books, both volumes of the comic book Maus, which if you haven’t read I seriously suggest you do. I’m hoping to learn a lot about the Holocaust from this class, more than I already know, though I don’t think you can read or learn anything about the Holocaust without learning something new.  I can’t wait for it!

Some other things are coming up that I’m looking forward to: my roommate Morgan and I moved into our new apartment a couple days ago, so it’s going to be an adjustment for the both of us, paying rent and bills, cooking and cleaning, getting along with another person in the same living space (though we seem to get along pretty well already). Plus we’re the resident managers of our building, so there are responsibilities for that. Hopefully we can hack it!

Also there are the usual things with classes, getting homework done and doing all my requirements for my classes and whatnot. Plus I have work three days a week, so I want to get a lot done with that and keep my paycheck, maybe earn a little extra with a few extra shifts. And I want to finish Video Rage and Laura Horn, get RC out and finish the final edits on Snake.

And there’s some new stuff this semester: in September I’ll be applying for a trip abroad to see some of the most important sites of World War II Europe, and trying to get as many scholarships for said trip as possible. And I want to be a bit more sociable this semester, instead of spending every evening in front of the TV. Meet new people, make friends, and maybe go out on a date or two. Who knows? I just want to see what happens.

But of course, the ultimate goal is to get good grades. And I will work hard for that, believe me.

Finally, I would like to leave you with a little poem in honor of Morgan and I moving into our new apartment. It’s called “Night-Night Flat” and if you can’t guess what it’s based on, then you’ve been missing out, my friend.

Nighty-Night Flat:

In the land of the Bucks,
There is a two-bedroom flat.
It’s apart of a building
Which may have bats.

In the flat there’s a novelist and an engineer
The novelist writes scary stuff,
But his roommate has nothing to fear.

There’s a Doctor in the fridge,
He doesn’t travel through time or space,
His last name is Pepper,
And he has an excellent taste.

There’s a very creepy ghost over there,
Who we hope will be good to his hosts.
You see, it’s not the renters,
But the ghost who should beware.

On the TV there are four funny nerds.
The tallest one is very absurd.
And in a large rectangular box,
Is a vacuum cleaner that totally rocks.

There are several characters running out of the novelist’s imagination,
They somehow become physical and fill the room with their talk and animation.
And in the engineer’s room is a bunch of books,
Each with a very special opening paragraph for a catchy hook.

Nighty night flat.
Nighty night bats.
Nighty night building.
Nighty night other flats.

Nighty night novelist.
Nighty night engineer.
Nighty night to all their friends and peers.

Nighty night Dr. Pepper,
With your wonderful taste.
Nighty night ghost, who won’t disturb his hosts.
He just learned that the novelist’s parents are rabbis,
And quite possibly also exorcists.

“Oh, so you’re the one who stole my boxers! You’re going to get it when I sick the cheerleading team on you!”

Nighty night nerds on the TV,
We’re not really sure what the really odd one’s girlfriend sees.
Nighty night vacuum that totally rocks.
You are powerful in the way that you suck.

Nighty night characters from the novelist’s imagination.
Nighty night engineer’s books, which are good enough to cause sleep deprivation.

Nighty night Buckeyes everywhere.
And nighty night Brutus Buckeye’s underwear.
Yes, I said that, and I went there.

tqg cover

It has exactly been one month since The Quiet Game: Five Tales To Chill Your Bones came out. Yes, one month. Feels like a lot longer, but it’s only a month. A pretty crazy month too. I moved into my new apartment with my roommate Morgan, I worked most days, I saw some old friends and met some new ones, and in four days the fall semester starts (more on that later).

I’ve sold 25 print paperback copies and ten or eleven digital copies so far (there’s a guy I met who said he’s going to be downloading the book tonight. Depending on how long it takes for KDP to register a download, I may not find out till tomorrow). Also, I’ve gotten another review on Amazon, this one from Jason Haxton, owner of a box that is said to be possessed by a dybbuk, a demon from Jewish folklore. You may also know him as the author of the book The Dybbuk Box, a book detailing his experiences with the box, and the movie The Possession, which is based on Haxton’s book.

Here’s what he had to say on the book, which he gave 5 stars. The title of the review is Nailed It:

I happened across The author Rami Unger about a year ago when he was researching the paranormal online.
He nailed the Dybbuk story. Write more… soon! Jason Haxton Author of “The Dibbuk Box:.

Pretty awesome, huh? And coming from an author of a really excellent book and someone who’s experienced the supernatural before, I take it as a compliment. Plus his review has brought The Quiet Game‘s rating to a 4.5 average. I cannot complain. Oh and Jason, I have a book coming out in November. If you want me to let you know about that one too, I will.

If you’re interested in reading The Quiet Game, check it out on Amazon or Smashwords. And however you feel about the book, please write a review if you have the time. I always appreciate feedback, whether it be positive or negative feedback that I’m hearing.

Hope things are going well with you tonight. I’ve got another blog post and some writing to do before I go to bed tonight. Wish me luck.