Posts Tagged ‘publishing’

Once again, I’m updating everyone on the various projects I’ve been working on. God knows I’ve got many at various stages of completion. And only God knows why I’ve gotten myself stuck in these crazy projects. It is insane. Well anyway, here’s my updates:

Rose

I’ve just gotten two-thirds of the way through the second draft. I’d say I’ve got about two or three weeks before I’ve finished the draft. After that, I may or may not do a third draft (though I’ve gotten advice throughout the first two drafts, so that feels like a third draft). Once I’ve finished the editing process though, I’ll start the publication process (copyright, cover, what have you). Might get it out later this year or early next year. Either way, it should scare the pants off of people.

Video Rage

I’ve got a lot of people–most of them my family, I’m afraid to say–pissed at me because of the delays in this one. Sorry, my thesis has taken up a lot of my time, so I haven’t been able to devote any energy to Reborn City‘s sequel. However, I plan to get right back into VR as soon as I’m done with Rose. After that, I have a friend who gave me a great amount of help for RC, and after that it’s all publication. Like Rose, I’ll hopefully get this out late this year or early next year. Fingers crossed.

Laura Horn

I still plan to rework and rewrite this book, to make it better than the draft I finished last year. Not sure when I’ll get to it, but hopefully before the year is out. We’ll just have to wait and see.

The Dead and Dying (plus other short stories)

I know I said I’m working on another collection of short stories, but I’ve been busy with…everything and unable to actually do that much collecting. But I plan to get more short stories written after Rose and maybe include them in the collection. I’m still working on that short story involving witches, but it’s taken time to get it right. I’m exacting that way, I want as close to perfection as possible for this story. I might try to take a break with it though, work on some other ones. I have an idea for another witch story that’ll be a bit easier to pull off, so I’ll work on that instead.

Self-Published Authors Helping Other Authors

Got a new article coming out tomorrow morning, a very special one. I’ll write a post and include a link tomorrow. Trust me, it’s going to be great.

 

Well, that’s my updates. I’ll let you guys knows if anything comes up that’s worthy of knowing. And with school ending for me in a little over seven weeks or so, I’m sure there will be plenty of things worthy of posting about, my Followers of Fear. Good night everyone (or if you’re reading this over your morning coffee, good morning).

Last year Angela released her first book, Jewel of the Thames, about a young woman named Portia Adams who moves into 221B Baker Street and begins solving mysteries happening in London (see our first interview and my review of JotT). Now she’s back, and she’s here to discuss her new book, the sequel to JotT, Thrice Burned and the growing fanbase around her character Portia.

RU: Welcome back to the program, Angela. Now, in Jewel of the Thames, Portia moves into 221 Baker Street, establishes a reputation for herself, and learns some very interesting things about her family history. What can we expect in Thrice Burned?

AM: Portia spends most of Thrice Burned struggling with the idea of becoming a real detective. Up until now, her cases have been small potatoes, brought to her by Brian, or friends or in the case of the missing child on a train, just the luck of being in the right place at the right time. With the full knowledge of her heritage just weeks old in her mind, Portia is truly at a juncture in her young life. Should she follow the easy route and take her law degree, fading into relative obscurity as one of the many barristers walking the streets of London? Or should she step up and take the road-less-travelled and take up the shingle to Baker Street, becoming the latest consulting detective in London? At the same time, other choices are being thrown her way when she meets Gavin Whitaker, a man who stimulates her brain in a way no one else ever has. Annie Coleson inserts herself into Portia’s life and suddenly, she has a persistent new friend (whether she wants one or not). So, in addition to the usual mysteries to solve, Thrice Burned focuses on decisions that need to be made for your young heroine to become the detective we all know she will be.

RU: Has Portia’s character changed at all between the books?

AM: Wow. Yes, it has, dramatically so. Where in Toronto she was essentially an introverted shut-in who did her best to fade into the background, since arriving in London Portia has made friends and developed a rather dramatic habit of getting into trouble. She’s still a very focused girl with introverted tendencies, but she’s starting to recognize when those tendencies move her towards depression and is trying to get a handle on it. She’s started documenting her moods, trying to avoid the extremes that her grandfather Sherlock Holmes experienced and while she doesn’t exactly embrace the lifestyle Mrs. Jones is determined to introduce her to, she does start to see its value and the value of the new friends in her life.

“Thrice Burned” by Angela Misri. Available March 24th

 

RU:  How do you come up with the cases for your books?

AM: This hasn’t changed through three books of writing about Portia. For me, it always starts with the crime – I have an idea for a crime and work outwards from there. In the case of Thrice Burned, I had a cool idea about some unexplained fires in London that could be linked back to a firefighter. In the case of my latest casebook that I’m working on for book four, I had an idea about unexploded mines from the first world war being set off at London train stations. I have a video from my series that explains my methodology (such as it is).

[Editor’s note: Angela has a series of web videos on YouTube called One Fictitious Moment about writing fiction. You can watch the particular video she’s referring to here.]

RU: Portia’s been gaining quite a fan base. She’s gotten some fan art and even appeared in a Wikipedia entry. How does that make you feel?

AM: Incredibly blessed. I still find it surreal to meet fans who know all about my characters and talk about them like they’re real people (which in my head, they are of course!).

RU: How many more volumes of Portia’s adventures can we expect? And what’s next for you personally?

AM: Well, I have at least one more book with Fierce Ink Press (coming out March 2016) but I am well into writing book 4 in the series. I don’t know to be honest. I think as long as I enjoy writing them, I will continue to do that and hopefully find someone who will publish them! In my head I really want to make it to the Second World War in the books, because Brian is going to go off to fight, and Portia is going to have to get involved with the war as well (though I’m not positive as to how yet). What do you think? Keep going or wrap it up at three books?

RU:  I’d like to see some more of Portia. And speaking of which, you were in London recently. Was that mostly research or pleasure?

A little of both to be honest! I haven’t been in London since I started writing this series, so I really wanted to put my eyes on some of the locations I describe in Jewel and Thrice Burned. I visited Trafalgar Square, Old Scotland Yard, Regents Park, Kings Cross station and of course Baker Street. It was kind of a dream come true to take a picture of my first book at 221B Baker Street!

RU: Jealous! Finally, what are you reading right now that you’d recommend to others?

AM: I just started Moriarty by Anthony Horowitz and on the recommendation of a friend I’m also reading The Grammar Devotional by Mignon Fogarty.

Thrice-Burned comes out March 24th, and will be available from Amazon and Indigo.com. Angela will also be attending 221B Con in Atlanta this April as a special guest speaker. And make sure to check out her blog, A Portia Adams Adventure.

And if you’re an author interested in getting interviewed for an upcoming release, head over to my interview page and leave me a comment. We’ll arrange for something to happen soon.

Many authors these days start blogs or websites or Facebook pages or Twitter accounts or any of the other five-thousand different forms of social media, hoping that not only will doing so let them connect to potential readers, but these said readers will go out and buy their books. It was certainly my reason for starting this blog: I began a blog in August 2011 in order to build an audience so that by the time I published my first book I might have some readers willing to buy a copy. It’s also the reason why I started a Facebook page and a Twitter account.

Contrary to this popular belief though, having a blog or any of the other things I mentioned doesn’t actually lead to decent book sales. There are numerous reasons for this, but I’d like to quote a friend of mine who recently posted about this on her own blog:

It’s like going to a movie theater and trying to sell your books to the people around you when all they want to do is watch the movie. Even worse, there are other writers in the theater trying to do the same thing you are, so the viewers are not just focused on the movie, they are purposely shutting out everything else. The challenge is to get their attention and make them more interested in you and your book than in the movie.

And like Pat, I’m not really sure how to get people interested in my book rather than the movie. While I’m lucky in that I’ve got a decent amount of followers (thanks for following, by the way!), if I charged for every time someone read one of my posts, I think my readership would be much smaller. My books cost anywhere between one to three dollars (if e-books) and a little under six to thirteen and a half dollars (if paperback). Plus I mainly write horror and science fiction, which don’t appeal to everyone.

Still, those aren’t the main reasons that I don’t make a lot of sales through social media. Other authors have had this problem as well, from romance and erotica authors to masters of mystery to sci-fi and fantasy lords and your literary connoisseurs. Like Pat said, every author is trying to get you to buy their books. I just happen to work in a genre known for its dark and macabre nature.

I think that’s the problem though. So many authors are using social media to promote their books that it’s difficult for any single one to get heard and make a lot of sales. The first few people who used blogs, Facebook, Twitter, and any other platform did make plenty of sales (or so I hear), but so many people have caught on that social media doesn’t sell as much as it promises.

It’s not easy to get sales through social media. But you can try.

 

Still, that doesn’t mean you shouldn’t try. Otherwise, I wouldn’t be on my blog, let alone Facebook or Twitter. Each author discovers success on their own. I’ve known authors to gain many readers of the books and many more readers on their blogs. It depends on how you go about writing your posts, what you write about, and how you promote it, among other things.

Do I know what those things are? Well…I’m a bit better at writing a terrifying story. I don’t know all the tricks. But I’m learning them here and there. I let my readers know about important updates, what’s going on in my life, my viewpoints on important issues. I often share funny or reading and writing-related photos on my FB page.Most importantly, I let people know when I get a new review on Amazon, and use direct links to Facebook and Twitter in case anyone wants to look.

And it pays off. Literally: I got two tax forms from Amazon–one for paperbacks, the other for e-books–and together it wasn’t too bad. And I’ve only been published for a little over a year and a half!

So maybe social media isn’t the direct way to bestselling novels like it bills itself to be. But with practice, hard work, and a lot of luck, you can do some amazing things through it. #BelieveIt

Do you find social media helpful for selling books? Why or why not?

What tricks do you have for selling books through social media?

Well today’s been a pretty good day, despite getting up an hour earlier. I went to a carnival to celebrate the Jewish holiday of Purim, saw my parents dog, got my homework done much faster than I thought I would, edited a chapter of Rose, got in a good workout, and had an idea for a novel. So I thought I’d round out the day with a blog post, inspired by a blog post I read recently.

Do you think creative writing is a learned skill, or is it perhaps something instinctual? A lot of people, especially those who admire authors, believe that writing a novel is a born ability (yet these same people say they’ve “always wanted to write a book”, but have a hundred different excuses for why they don’t). From authors, I’ve heard different interpretations on the subject, but many feel that it’s a learned skill, while a lot also think it’s somewhat natural.

If it’s all learned, that means that with enough work and motivation, writing a story can be done by anyone. Put in enough practice, and eventually you can get at least the rudimentary skills down to weave together short stories or novels. It sounds good, but it also means that in the current state of the industry, where with the right resources anyone can publish, that we’ll see an even bigger flood of books from new writers. Some of these new books, unfortunately, will be poorly edited and even more poorly written, put out by people who might not be serious enough to put in the work needed for a book. They just want to see their name in print, to say they’ve published a book and are authors too.

On the other hand, if writing is all intuitive, then that means that likely there is some sort of gene or genes that allows for the imagination to come up with plots for stories and to transmit them to paper. I can only see downsides to this, personally: if writers are born, then that makes the realm of literature and its creation more exclusive than it already is. And writers who get rejected several times may get disheartened and give up writing altogether. Our next Hemingway, Rowling, Morrison or King, stopped by feelings that they aren’t worthy, or that they weren’t born with the right genes.

Personally (and perhaps mercifully), I tend to lean towards a combination of the two. It’s undeniable that there are things you can write that can only be learned. I’ve seen plenty of evidence of that in the past semester and a half, getting plenty of lessons in the course of doing a thesis and in my last creative writing class.  You learn through reading and writing, through getting feedback form readers, peers and professors, and from getting rejections from publishers, agents, and editors of all sorts. They give you all sorts of lessons in what writing is, and what good writing should be. And you never stop learning, no matter how much experience you may get.

Only with both can you become a writer.

 

On the other hand, you can’t learn imagination. You can’t learn how to dream, how to think “what if?” That is born, and so is the desire for the stories you come up with to appear on the page, to be shared with the world and be reborn in the minds of your readers. Without that, it would be very difficult to become a true writer.

The skill you are born with and the skill you acquire over a lifetime. Imagination and motivation, coupled with an assortment of lessons derived from the books you read and the stories you try to write.To become a writer, you need both. All writers with a passion for their craft need them in order to fulfill their dreams and set them down on the page. It’s these that make us who we are, the makers of magic.

Do you believe the ability to write is born or learned or both? Why?

The other day on my Facebook page I wrote a post about how I was doing some editing that day and I then…compared it to plucking a chicken after you’ve slaughtered it. Yeah, hearing it in my head it sounds really weird. But you’ve got to hear me out, it’s got merit as a metaphor. It even got a like or two after I posted it.

Then again, that like might’ve come from my dad, so…

Anyway, let me explain my reasoning for comparing editing to plucking a freshly-dead chicken (still sounds weird in my head). An author writes a book, edits it so that when the reader gets it it’s not full of boring speech, grammatical errors, plot holes, etc., and then turns it into a neat little consumable package that readers can pick up in stores or on Amazon for their own perusal. Similarly, a farmer will raise a chicken from the moment it hatches, feed it, make sure it grows, and once it’s ready, kills it, prepares it, and then sends it in a neat little consumable package so that grocers can eat it at home.

See my metaphor? So now that the first draft has grown to full size and been slaughtered with a butcher’s knife been written, I’m in the process of editing it. And if editing four other books has taught me anything, editing is a lot like plucking a chicken and getting rid of all the other bits you don’t want to eat. Yeah, every word, every description and every flourish of the pen (or keyboard) seem absolutely necessary when you’re writing the first draft. But then you give yourself a little bit of time to distance yourself from this book you’ve just finished and then you see that there are parts that need work. Some things could be phrased much differently, others could be shortened or expanded upon. And a lot of the work you slaved over, you just decide to get rid of it. Why? Because on reflection you find that it’s extraneous or doesn’t make sense to you anymore. So you nix it.

See, that metaphor does work! At least, I feel it works, especially in my case. I put in all these big words and beautiful flourishes and lots of explanatory stuff, and on the second draft I realize (or my beta reader points out) that a lot of it is weighing the book down. Sometimes you have to pluck them out if you’re going to make the story ready for sale in your local supermarket in bookstores and on Amazon.

What metaphor do you use for editing?

Oh by the way, Rose is coming along great. I’m a little bit over a third of the way through my novel-that-doubles-as-a-thesis and will start a new chapter after this post. And can I just say, I forgot how scary and unpredictable my antagonist can be. He can be very strange, and you never know what’ll set him off. I’m definitely trying to emphasize that in the second draft. I think people will like him very much when they meet him. Or they will fear him. I seriously hope they fear him.

I meant to write this post last night, but it was late when the opportunity to write it came along. And then I’ve been busy with one thing or another since nine this morning, so I haven’t had a chance to actually blog something until just now. Don’t you hate it when that happens? It’s even worse when you’re still recovering form a hectic weekend with not much sleep and you’re feeling a little under the weather, as I am. In fact, I’m going to be spending the rest of the day indoors most likely so I can recover. Maybe I’ll even go to bed early. I got my homework done early and applied to some jobs, so God knows I could use the rest.

Well anyway, during the past couple of days I thought I’d change things up and write some flash fiction pieces. I did this for a couple of reasons, including the short story I was working on wasn’t going in the direction I wanted it to go and I needed a break, I wanted to get some more work accomplished before I started editing Rose and I know of a website that specializes in horror flash fiction. Plus I had a few ideas for horror flash fiction stories and I thought I’d try to get them written out, seeing as they’re so short (if you don’t know what flash fiction is, it’s usually a story under a thousand words. Hard to pull off and still be compelling, but I guess that’s part of the fun).

So I went on that website and read through some of their most recent publications to get an idea of what they looked for. Once I had a basic idea of what they wanted, I started writing, and as of last night I had three flash fiction pieces written out. Two of them take famous fairy tales and kind of subvert them into tragic or scary tales (Rami Ungar, ruining childhoods since 2015!), while the third features that character trope I love so much, the serial killer.

I’m not sure if they’re any good, but I’m going to give them a quick look-over before I try to submit them to that website and see if they’ll get published. Previous attempts at getting published on that site haven’t gone so well, but I’m older and I’ve improved as a writer, so I hope that I can get at least one of them published.

Well, I’m going to get to work on that, followed by taking a break before trying to get one more blog post out before the end of the night. Hope you’re having a good day, my Followers of Fear, and wish me luck. Or renewed health. I wouldn’t mind that either.

I’ve mentioned this a couple of times, but I’ve rewritten a number of stories, especially short stories, over the course of my writing career. It’s annoying to a certain degree, to have to start from scratch while writing the same story over and over again. It’s easier to just edit a single story, but when things need to be changed to such a degree that rewriting the story is either simpler or the same as editing the story.

I’ve rewritten What Happened Saturday Night more than once (especially the last third of it), still have to rewrite Evil Began in a Bar (as soon as I figure out how to go about it) and I’m in the process of doing a major revision of Miranda’s Tempest that was inspired by one of my History of Witchcraft classes. Plus I plan to rewrite Laura Horn as soon as I have a moment. And you remember when I had to writ a new outline of Rose because the story was getting way too crazy for my advisor Manny (finally asked if I could name him here on my blog) and he told me to rethink where it was going? That was basically an outline rewrite. And it was after I had to rewrite the first four chapters because they were too light and campy for a horror novel.

Oy vey! That’s a lot of rewrites!

Still, as much as I hate having to do it, I know that a rewrite is ultimately beneficial. It makes the story much, much better. The difference between the first draft of What Happened Saturday Night, “Frauwolf” and the second draft was immense. And the third and fourth drafts showed even greater improvement. The Murderer’s Legacy improved a great deal once it became Miranda’s Tempest, though it still had its flaws. And now I’m doing another version of Miranda’s Tempest, though I’ve renamed it Strong’s Trial due to the new content and theme. It resembles Harry Potter a bit, though I think it’ll end up much removed from that. The rewrites of Rose have vastly improved it and I’m sure when I get to rewriting Laura Horn it’ll be much, much better.

And a lot of great works have been rewritten before publication. The Book Thief was apparently written 200 times before being published, and that’s a famous work. And I hear every script that gets turned into a movie in Hollywood goes through several rewrites before finally going into production. So perhaps my constant rewriting of my stories might make for a famous story someday. We’ll see someday.

Well, that’s all for now. I’m going to spend some time relaxing this evening before going to bed. I’ve done a lot of (re)writing today, so I’m going to take a break and try to relax. I’m setting up an account on my roommate’s PS4 and I’m going to play my first survival-horror game, Outlast. I’ve heard good things about it. Should be very exciting (and if I don’t like it, I’ll rewrite it!). Wish me luck!

I’m happy to let everyone know that I’ve recently been interviewed by Tricia Drammeh of Authors to Watch about the short stories I published in the Strange Portals anthology last month and which she appears in as well. If you get the chance, please check out the interview. And while I’m talking about it, I’d like to thank Tricia for featuring me. It really means a lot to me and I hope I can return the favor sometime.

All done with the first draft.

All done with the first draft.

Well tonight’s a great night for me! I’ve finished the first draft of Rose, the novel that has doubled as my thesis. I’ve already blasted “Voodoo Child” by Rogue Traders throughout the apartment, did my own choreographed dance to the song, and then had a drink with my roommate. And now I’m working on this blog post, feeling high as a kite about this achievement.

I was hoping to get this chapter started earlier today, but events didn’t allow for it. Still, I’m happy to get it done tonight, nearly six months after starting work on Rose. It’s great to know that it’s finished. Now all I’ve got to do some editing and I’ll be ready for thesis arguments in April.

The total amount of pages for Rose (8.5″ x 11″, double-spaced, 12-point Times New Roman) is 174 pages, an average of about 8.3 pages per chapter, and 50,994 words total, about 2428 words per chapter on average. That’s the length of a mid-sized novella according to the definitions I use. Not a full-length novel, but I’m good with this length. I had a feeling that it’d be around the size of a novella anyway.

Well, I’m going to go to sleep. This is a great night for me, but I’m dead tired and I need to sleep if I’m going to be able to spread the good news tomorrow. I think I’ll take a break in the next week or two from working on Rose before getting started on the second draft. Might edit a short story or two. God knows I’ve got a couple to edit still, and one for a contest soon. Plus some blog posts that I’ve been meaning to write. Boy, I’m going to be busy.

But for now, bed. Goodnight my Followers of Fear (or if you’re reading this in the morning, Good morning). Pleasant nightmares. And wish me luck with this project as it goes into its next phase. It’s going to be interesting where this ends up.

Also, scroll up. There’s a new page I’ve just set up, Stand Alones & Other Works. Rose is a stand alone novel, so it’ll need its own page. And I think Daisy and Strange Portals should be listed somewhere, so I’ll make sure they’re listed on that page. Please check it out if you get the chance. Especially if you have no idea what Rose is about and would like a basic summary to get an idea behind it (summary subject to change over time).

Once again, good night my Followers of Fear. And thanks for your support. I’m always glad you’re there to have my back. See you in the morning!

Double, double. Toil and trouble. Fire burn and cauldron bubble! Mwa ha ha ha!

I’ve just finished the second draft of The Murderer’s Legacy, which I’ve renamed Miranda’s Tempest (after trying Miranda’s Retribution and Miranda’s Reprisal). This is the same short story I had a breakthrough on Christmas after having a lot of trouble trying to figure out how to fix that one since I wrote the first version back in May. It took me a couple of days, but I got it done. This draft is about forty-eight hundred words long, it seems I can never get a short story done without it being over 4,500 words.

A lot has changed from the original draft and the second draft. The original was set in a magical version of Victorian England, was complicated and cumbersome, and my protagonist wasn’t enough of an asshole like I wanted to portray him. This version makes magic the result of one person, and my protagonist is a total asshole, like I wanted. Plus I got to add in William Shakespeare’s The Tempest. Can’t complain about that.

Like all my short stories, it could stand some editing. A lot of the story involves flashback and exposition, and I’m worried that might be less in the story’s favor than I think. We’ll see what I can do. I’m hoping that I can get a few people I know to take a look at it before I edit it, maybe get some feedback. There are a couple of fantasy magazines that I think could be interested in this one if I can polish it up a bit.

In the meantime, I have one more short story I’d like to get done before I get back to working on Rose. It’s called State Fair (might change it to The State Fair later on) and its about a ghost haunting a state fairground who becomes infatuated with a girl attending the fair one day. I’m hoping to submit it to an annual short story award they have at Ohio State every year. It’s the kind of thing they tend to like, so I’m hoping they’ll go for it. But first I have to get it finished. In fact, I’m going to start working on it now, and also through tomorrow if I can, I have the day off tomorrow so I shouldn’t have any problem working on it then.

Well, that’s all for now. Have a good night, my Followers of Fear. I certainly am.