Posts Tagged ‘Reborn City’

It’s Friday again, so you know what that means. It’s #FirstLineFriday!

Now, if you’re new here and don’t know what I’m talking about at all, let me break it down for you. On Fridays, you:

  1. Create a post on your blog titled “#FirstLineFriday”, hashtag and all.
  2. Explain the rules like I’m doing now.
  3. Post the first one or two lines of a potential story, a story in progress, or a completed or published work.
  4. Ask your readers for feedback and then encourage them to do #FirstLineFriday, tagging them if necessary.

This week, you can probably guess what lines I’m posting. That’s right, the first two lines from Video Rage, my new novel, coming out this June 1st. Enjoy:

The sunbaked concrete and metal in the hundred-plus degree heat, the many cars and trucks reflected light off their chrome bodies like blinding beasts zooming down the highway. As truckers listened to country and rock music and children played video games on the backs of their parents’ car seats, some occasionally looked out to see a marvel of the modern world on the road.

Thoughts? Errors? Does this get you excited in any way for the new book? Let’s discuss in the comments below.

And while you’re at it, why not try #FirstLineFriday yourself? It’s a lot of fun, and it’s great practice for openings in stories.

That’s all for now. I’ve got a big weekend ahead of me, so I’m going to get right into it. If anything happens in the meantime, I’ll let you know. Have a good one, my Followers of Fear!

And make sure to check out Reborn City, available on Amazon, Createspace, Barnes & Noble, and Smashwords, and soon on iBooks and Kobo, before Video Rage comes out. Trust me, you don’t want to miss the new book when it comes out, so why not check out the one that came before?

I’ve been dying to make this announcement since last week. Well, better now than never. As many of you know, I’ve been working on getting out Video Rage, the sequel to my science fiction novel Reborn City, out some time this year. I recently finished the final draft, and at last update I said a friend of mine was working on the cover art for VR. Well, today I finally got the art that will be gracing the cover of VR. Even better, I now have a release date!

Yes indeed, very exciting. Now before you scroll down and check out the amazing cover art, let me tell you about how it was created. My friend Joleene Naylor (check out her blog here) does covers on occasion, and when she does she does amazing work. After carefully describing what I wanted for the cover, she did a couple of drafts and sent me the mock-ups, adjusting with my feedback. When she gave me the final draft, it was like it was something right out of my imagination. I was so amazed with Joleene’s work, which was compiled using the works of artjazz, welcomia, Maltaguy1, kirstypargeter, and Joleene herself.

Pretty sure I’m legally or at least ethically obligated to list all that.

So without further ado, here is the cover art of Video Rage!

VIDEO RAGE - HIGH RES

Pretty cool, huh? And if you look closely at the image, you might see a familiar American monument. Yeah, that’s what you think it is. And something’s happening to it. What? I will say that it involves events that occur near the climax of the novel. Want to know what exact events? You’ll have to read the book to find out.

And speaking of which, I promised a release date for Video Rage, didn’t I? Well, there’s good news on that front. I’ll be releasing VR on June 1st. Yes, in one month and nineteen days, Video Rage will be available from as many platforms as possible, paperback and e-book. I’m sending the manuscript off to the US Copyright office tonight for the extra added protection. Then I’ll finish up getting all my other books onto other platforms, and then I think I’ll do a great big blog tour. I’ve never done one, so it should be interesting. I hope it’ll get people interested in reading Reborn City and Video Rage.

Reborn City, the book prior to Video Rage. Available now.

Speaking of which, if you’re interested in reading Reborn City before Video Rage comes out, I’ve lowered the price on the e-books. The paperback costs the same as ever, can’t change that much, but it’s now available on Barnes & Noble as well as Amazon, Nook, and Smashwords. And I plan to add it to iBooks and Kobo as soon as possible, so if you use those platforms I should have some updates on that soon.

That’s all for now. I’m going to get to work on making sure the book is ready for June 1st. If there are any updates, I’ll make sure you all know it. Get excited, my Followers of Fear. I know I am.

As many of you know, up till now my books were only available from Amazon and Smashwords. I didn’t do other platforms for a number of reasons. One was that Amazon and Smashwords are two major retailers (though the majority of my sales come from the former), so I thought that they were all that I needed. Heck, I even thought that I could be successful using those platforms.

Mostly though, I’m just lazy. I didn’t want to go through the extra trouble of uploading books onto so many platforms. Yeah, I admit it. But recently I realized that if I really want to get as many books out to as many people as possible, I really should diversify the platforms my books are on. For all I know, there could be a lot of people who want to read my books but can’t because they are not on their preferred shopping site or e-book platform. That is something, as an author, I can no longer allow. Not if I’m serious about being an author.

So, before Video Rage comes out (more on that in a future post), I’m making sure my books are available on as many different platforms as possible. Starting with Nook, Barnes & Noble’s answer to the Kindle and one of the most popular brands of e-reader. And as of today, The Quiet Game, Reborn City, and Snake are available to readers through Nook.

And if you’re unfamiliar with my books, here are some short summaries and the links:

The Quiet Game: Five Tales To Chill Your Bones

tqg cover

In his publishing debut, Rami Ungar brings us five terrifying stories of darkness in magic. You can experience the strange visions of a man battling sex addiction in “Addict”. Or feel the wrath of an enraged dybbuk in “Samson Weiss’s Curse”. Face your fears in Gene Adkin’s Murder House in “I’m Going To Be The Next James Bond” and then journey with a young autistic “In The Lady Ogre’s Den”. But most of all, prepare to play the most insidious game of all: The Quiet Game.

Now Available on Amazon, Createspace, Barnes & Noble, Nook, and Smashwords

Reborn City

Zahara Bakur is a Muslim teenager recently moved into the gambling town of Reborn City. After her parents are killed by gang violence, Zahara is forced to join the Hydras, an interracial gang whose leaders have supernatural abilities. As the violence in Reborn City escalates and Zahara becomes closer to the Hydras, including the quiet but stern Rip, she finds herself drawn into a dark conspiracy involving the origins of the leaders and the shadowy corporation that rules over Reborn City.

Available on Amazon, Createspace, Nook, and Smashwords

Snake

Cover of Snake by Rami Ungar

How far will you go for love and revenge? When a young man’s girlfriend is kidnapped by the powerful Camerlengo Family, he becomes the Snake, a serial killer who takes his methods from the worst of the Russian mafia. Tracking down members of the Camerlengo Family one by one for clues, the Snake will go to any lengths to see the love of his life again…even if it means becoming a worse monster than any of the monsters he is hunting.

Available from AmazonCreatespace, Nook, and Smashwords

My next mission–besides getting VR ready for publication some time in the next couple of months–is to get Reborn City and Snake available in print through Barnes & Noble (The Quiet Game is already available on that platform, a story for another time). After that, I’ll work on getting all three onto iBooks and then on Kobo. After that…well, if there are any other platforms I should know about, I hope you will remind me.

That’s all for now. I’ve got a meditation class to prepare for, so I’ve got to go. I hope you all have a great day, and I hope that the new platforms help you enjoy a new story that maybe you’ve been looking forward to for quite some time. Until next time, my Followers of Fear. Happy reading.

If you’re not on my Facebook page or Twitter feed, then allow me to let you know that on Saturday night, I finished the final draft of Video Rage! And a friend of mine is designing the art for the cover, with the promise that she’ll get it done by Sunday. So all that’s left is to get the copyright (I wonder if I’m the one who gets the copyright for the cover image?), set up everything on the various websites I’m selling VR through, and set a release date! Oh, and see bout doing a blog tour.

In short, there’s only a few months until Video Rage is released!

I know! Exciting, right? Fourth book is finally on the way. Woo-hoo!

In the meantime though, I’m…not really doing anything. Seriously. I’m just kind of this in this funk where I don’t feel like writing or editing. I plan to. At least, I plan to do plenty of editing on Rose. God knows I need to. But not just yet. I’ll have a lot of work to do once I get that cover. And I just don’t want to do anything big, like write or edit or even blog, during that time. Yeah, even writing this post is something of a chore. Which is weird, considering that I normally love blogging.

I think we all go through this sort of thing every once in a while. After a very big project, we don’t really feel like diving deep into the next big project if we can help it. After all, we’ve poured all this energy into getting the previous project done. Who wants to go straight into a new thing? We’d rather just relax for a little while. Which is what I’ve been doing. I’ve watched a couple of movies, caught up on some reading (I’ve got a book on Jack the Ripper I’ve been trying to get through for a while), and just chilled. And unless I’m doing something to prep for the new job (more on that in a later post), I’m just taking it easy.

However, it’s just a lull. Lulls are just that, quiet periods between great periods of activity. And as soon as I get that cover back, I’m going to get right back into work. And I plan to get a whole lot done.

Until next time, my Followers of Fear!

I came home from the grocery story just a little while ago, and logged into my email after I put the groceries away. I was surprised and pleased to see an email from my fabulous editor, Britney Thompson Mills, with her marks and remarks on the third draft of Video Rage. You know what that means! One more draft and we begin the publication process!

Now if you don’t know what Video Rage is, it’s the sequel to my first novel, Reborn City.  And if you don’t know what Reborn City is, it’s the story of street gangs in a dystopian city-state in Earth’s near future, and a conspiracy involving the leaders of a rising gang known as the Hydras and the leaders of the city. The novel features themes of Islamaphobia, racism, drug addiction, gang violence, and overcoming other people’s expectations. It’s also a bit more realistic than other dystopian stories, with problems that mirror problems of today’s world, and a society that you can actually imagine forming.

Reborn City, my very first published novel.

Reborn City, my very first published novel.

The sequel to Reborn City, Video Rage, follows the Hydras soon after the end of the first novel, as they face the same problems made that much worse, and deal with new threats that are intent on taking their lives. I’ve been working on VR since my third year of college, and I’m glad to see that we’re finally just one step away from publication. So I’ll take a break from working on Rose–I’ve only gotten a tiny bit of that edited, anyway, so no big deal–and get through VR as fast as my little fingers can type.

In fact, I think I’ll start tonight! Look forward to seeing a post with a release date some time in the next couple of weeks. In the meantime, why not check out Reborn City? A lot of people have told me that they really enjoyed reading the book, and that they cannot wait to read VR. So if you think it sounds interesting and want to check the novel out, you can find copies in paperback and e-book from Amazon, Createspace, and Smashwords. And whatever your thoughts, please let me know what you think. Review, comment, I love some good feedback, and I would love to hear yours.

And if you’re an author looking for someone to edit your book, why not check out Britney’s website? She’s got great skills and she’ll give your book the touch-up it needs. I speak from personal experience, and I highly recommend her.

That’s all for now. See you in a few hours, when it’s Friday (you know what that means). I’m off to edit!

Earlier today, Brussels was hit by a wave of terrorist attacks. An airport and a metro station were hit by explosions that killed thirty and injured one-hundred and thirty more. ISIS has claimed responsibility, making this the second attack in Europe the group has perpetrated in the past year. And once again, we are reeling from the horrors caused by these monsters, and coming together to stand firm against them.

In these troubled times, it is good that we come together. ISIS and those who think like them hope that there actions will cow the Western world, fill us with fear and make our governments and our societies collapse. Instead, the Western world comes together in support of our fallen and wounded, vowing to stand against and increase our efforts to destroy vicious cancers like these terrorist groups.

However, at times like these it is tempting, even in our solidarity against terrorism, to give into fear and turn on those whom we should stand with because of a misplaced association. Already in the wake of Brussels, increased calls to monitor Muslims have been sounded from all sectors, including from presidential candidates here in the United States. On social media, the hashtag #StopIslam has been trending, associating Islam with terrorism. And although this hashtag has been condemned by both social media companies and users, the outcry has seemingly only grown the trend. Once again, it seems a lot of people feel that Islam and Muslims are to blame for what happened in Brussels today.

I have met and made friends with plenty of Muslims in my time. I’ve studied the religion, out of curiosity and for my own education. And as many of you know, my first novel featured very prominently a main character who is Muslim. And I’ve maintained for years that the people who commit these horrible acts of barbarism, no matter what they may believe or claim, are not Muslims. Or if they are, they are very poor examples of Muslims, like Westboro Baptist is a poor example of a Christian church, or the man who murdered Israeli Prime Minister Yitzhak Rabin is a poor example of a Jew.

And yet it saddens me that so many people disagree, and that the world is slowly beginning to look like the fictional landscape of my novel Reborn City.

In these times, it is important to not turn on each other and look for scapegoats. The only people to blame are the actual members of ISIS, the terrorists who set off the explosions and the people who funded them and helped to coordinate their attacks. Not the people who worship in peace, who go to work every day and bring home money for their families and want only to live a good life, and condemn every act of terrorism that is done by these monsters. We must remember this as we move in the coming months to prevent further attacks and to beat back this menace. Only together can we truly stand together in solidarity and win this war.

So in the future to come, let us not give into fear or hate. Let us not blame people who have never done an aggressive act in their lives or just want to live in peace and harmony with their neighbors. Let us not listen to those in power who make it seem acceptable or even smart to give into this hate and fear. Instead, let us come together. because only together are we strong enough. Let us embrace love, unity and kindness, and say to those who dislike our way of life, “You shall not tear us down! We are working together, we are embracing our neighbors, and because of that you shall not win!”

Because only together, only through love and through reaching out and not giving into fear can we beat back this evil and make tomorrow safer. If we give into our fears, we’ll only divide, and victimize, and maybe feed the phenomena we are trying so hard to destroy.

And that cannot happen. We cannot let it happen.

So let us come together. Let us stand together. And let us come out of this so much stronger than we did coming in.

So I’ve been working on the outline for a new novel that I plan to write for National Novel Writing Month in November (I know, it’s early for that, but I need to work on something original because I’ve been doing nonstop editing since last NaNoWriMo, and if I don’t work on something new before I work on Rose I’m going to scream). And while I’ve been working on it, building the story chapter by chapter, I had the feeling that there was something missing from the story.

About two nights ago, I hit across what was missing. It was personal problems! Good horror stories often deal with issues that the characters are dealing with both internally and in their own lives! In great horror stories like Cujo and the novel I read and reviewed the other day, the main characters are trying to keep their families alive in some state and not lose their livelihoods in addition to trying to survive rabid dogs or a haunted house. In the TV series Supernatural (which I’ve been binging on lately, it’s so good!), in addition to dealing with evil entities and the oncoming Apocalypse, the protagonists Sam and Dean Winchester have to deal with the fact that they’re brothers, with all the issues that family can have when living and working in proximity, and then some.

And I don’t do enough of that exploring–or indicate that I will be doing that sort of exploring–in the outline for this new project. Which is actually a very big issue if I think about it.

There are several reasons why this is. One is having these personal issues helps the audience identify with the characters. Everybody has problems, and seeing people with relatable issues in their life–recent loss, money troubles, relationship issues, addiction, etc.–even if they’re just characters in a story, make people feel for them. In American Horror Story: Asylum, the character of Lana Winters is thrown into Briarcliff as a patient because she’s a lesbian. We of the present day know she was born that way and there’s nothing wrong with her, but back then, the LGBT community was seen by many as immoral or insane, and faced all sorts of discrimination. This immediately makes her a lot more sympathetic to us than if she was just a regular ambitious reporter, and helps draw us into the story as well as makes us identify with the characters.

Another reason creators explore these deep, personal issues in horror fiction, even when you’ve got everything from ghosts to serial killers to aliens to vampires and everything in-between, is that it keeps the characters interesting and the audience interested. Going back to Supernatural, what would the show be like if each episode was about the Winchester brothers facing a new monster and defeating it, plus a few quips? Well sure, it’d be entertaining for a while, but with no change in that formula things would’ve gotten stale probably ten seasons ago. Part of the draw is seeing these two very-different brothers go through ups and downs in their relationships, figuring out right and wrong in a world full of grey areas and just trying to be good people and good to each other at the end of the day, in addition to stopping the end of the world and all the things that go bump in the night.

And third, we writers like to explore these characters, their problems and traumas, and how the characters deal with them over the course of the story. Some good examples of this come from my own work. If you’ve read Reborn City, you know that protgonist Zahara Bakur doesn’t really start out as heroine material. She’s as far from a Wonder Woman as you cn get. But through the story, I explore both the problems she deals with as a Muslim gangster in an environment that isn’t very nice to Muslims and Zahara’s doubts and fears. And I love doing that, I love watching characters like Zahara grow from someone whom you’d never expect to be a hero to someone whom you’d willingly follow into a tricky situation.

So yeah, exploring personal problems with our characters, whatever those problems are, is definitely something we authors do a lot of. And I need to do it more with this new project I’m working on, even if I’m not picking it up again until September or October. Actually,I’m a little surprised I’m not doing more exploration. There’s a whole big problem with the protagonist’s relationship with another character–let’s just say they shouldn’t be an item for a very good reason–and I’m so not exploiting that enough. I really have to explore how this relationship could mess with the characters while at the same time something evil is attacking the town.

In fact, I’m going to get on that right now. Wish me luck, my Followers of Fear. Hopefully by the time I’m done going over this outline, it’ll be as good as it needs to be for November.

About three years ago, I wrote a post on in media res, a plot device often utilized across various media of fiction. I’d like to revisit the subject, because I’ve had some thoughts on this particular writing tool since then and I wanted to write about them. And since I’m running this blog, talk about it I shall!

So if you’re not familiar with in media res (Latin for “into the middle things”), it’s a plot device in literature where the story opens in the middle of the action, rather than beginning with exposition. Background information is usually filled in through dialogue, flashbacks, or having a nonlinear narrative. An example of a story that starts in media res is Raiders of the Lost Ark: you don’t get a Star Wars screen crawl, or an opening narration, but you just hop into Indy heading into a temple to get a famous statue. Another great example of the usage of the plot device is A Game of Thrones by George RR Martin. No history on the Seven Kingdoms, just getting plopped into a patrol with three brothers of the Night’s Watch, and some Others attacking them.

I’v used this device in a lot of my works. Reborn City starts out with Zahara and her family going out to dinner, with backstory and world-building reserved for Chapter 2. Snake begins in a church, with information being dropped through exposition and flashbacks throughout the book. My short story Travelers of the Loneliest Roads literally starts on the road, and a lot of works that I’m working to get out to you, dear Followers, start out this way.

Overall, I feel it’s a good way to start a story. In fact, it might be my favorite way to start a story. Rather than doing a bunch of backstory, like “Forty years from now, the war on terror spirals into a chaotic Third World War that leads to a bunch of new countries and city-states. In one city-state, Reborn City, which is ruled by the Parthenon Company, there’s a powerful gang called the Hydras. Now onto the story of Zahara Bakur,” we start with Zahara and the events that lead her to becoming a Hydra.

However, in media res has to be done delicately. I realized this as I was editing a short story of mine last night.The story started out with the protagonist running for her life, then flashed back rather quickly to how she ended up running for her life, and then went back to her running her life. I was like, “Why did I think this was a good idea in the first draft?” I actually had to go back and rearrange the story so that everything goes into chronological order. The story moves much better now (though I may nix that beginning part and have it start in the meat of the story. We’ll see after the second draft’s done).

So with that in mind, I thought I’d list some tips to starting a story in media res and doing it well, with the hope other writers might avoid some of my mistakes with this plot device:

  • Make it easy to slide in for the reader. When I first read A Game of Thrones, I had to go over the first chapter twice just to make sure I understood what was happening. After a bit of examination, I understood what was happening a bit better, though I still was a bit confused. Not a good way to introduce me to Westeros, but the rest of the novel made up for that.
    Point is, when starting a story in media res, make sure that all readers, whether they’re expecting one thing or another thing or nothing at all, that they can dive into the story without wondering what the heck they’re reading or if they missed something. You don’t need to be overly-simplistic with your language or story, you just have to make it easy to follow so that readers have a good idea what is happening while they’re reading.
  • Don’t move too quickly into the information. Remember that short story I just mentioned? I had a quick beginning, and then I dived right into a flashback. Made no sense on a second look. Wait for a moment where it won’t throw people off, and then try and make the segue into the flashback make sense.
  • Whatever’s happening has to hook the reader. By definition, in media res starts a story in the middle of the action, so you want to make sure that the first line is catchy. It doesn’t have to start with running for your life, gunfights, or anything like that, but it has to be somewhat catchy. This could be something as ordinary as a girl walking into a classroom with soda in her hair (my own short story, Tigress Lizzy), as long as it’s interesting to read. How you do that depends on language and skill as much as what is happening in the story, though with practice you can get very good at it.

However you want to begin a story, the point is to hook your readers so that they’ll read the rest of the book. In media res is just one way to do that, but it’s a fun way to do it. And with time and experience, you can get better at it. You might even learn a thing or two in mid-edits.

How do you feel about in media res? What tips do you have for doing it well?

As you know, I’ve got a billion different projects going on all at one time. I mean, I’ve got four books at various stages of the editing/compilation process, and I know that some of you are very interested in getting your hands on at least one of these books. So here are some updates on a few of the projects I’m working on getting out to you, the Followers of Fear.

Video Rage

I already mentioned this on my Facebook page and Twitter feed (which, if you are not on, I suggest you check out), but as of last night the third draft of Video Rage, the follow-up to my debut novel Reborn City. As many of you know, I had an editor, Britney Mills, help me look for any problems that I’d missed while working on the second draft. I’m pleased to say that after all the work on this draft, VR looks even better than before and may soon be ready for publication.

But first, I’m sending the manuscript back to Britney for another look over. Together we’ll catch any other problems we might’ve missed, and after all that’s been taken care of I can start working on getting this book out to you guys.

In the meantime, why not check out the first book, Reborn City? It’s the story of a Muslim teenager forced to join a street gang in a dystopian city-state, and the strange connection between the gang’s leaders and a shadowy organization that rules over the city. It’s also currently my most popular book. which I guess means I did a good job writing it. Anyway, if you’d like to check out Reborn City, it’s available in paperback and e-book from Amazon, Createspace and Smashwords. Happy reading, and let me know what you think when you’ve finished reading it.

Teenage Wasteland

No, that’s not a song by the Who. The title might be similar, but it’s not the same thing. It’s also not about teenagers high on acid at Woodstock, but my upcoming collection of short stories revolving around teenagers. And I’m happy to say that I’m making good progress on the collection.

As I’ve stated in previous posts, I’d like for TW to have at least thirteen short stories. So far, there are seven confirmed to be in the collection. Some, like Buried Alive or Travelers of the Loneliest Roads, have already been published and are just getting touch-ups. Others are originals that haven’t been published anywhere else (yet), such as Cult of the Raven God and A Project in Western Ideals. Some of those are getting touch-ups as well, but others, such as Project, will require more extensive editing.

Anyway, I plan to get through the last two short stories of those seven, and then I’ll take a break to get through another big project that needs some work. And after that, I plan to work on the other stories in TW until it’s time to prep for National Novel Writing Month (more on that when we get closer to November).

Rose

That big project I just mentioned? This is it. And if you don’t know what Rose is, it’s a novel I wrote as my thesis project during my senior year of college. The story follows a woman with amnesia whose body is undergoing some strange changes and her relationship with a strange young man who says he loves her. The story is pretty dark and strange, and I’m quite proud of what’s been done with it so far. However, there’s a bit more work to be done, so I’ve got at least one or two more drafts to go on this, and I plan to get started on the next draft after I finish with the stories from TW. Hopefully I’ll be done with it by the summer.

 

That’s all for now. If I have any more updates, I’ll make sure to let you know. Have a good rest of your day, my Followers of Fear. I know I will.

 

As many of you know, I’m a self-published author. I decided to go this route after finding not a lot of doors opening by going the traditional route and hearing a bunch of stories from fellow writers and bloggers on how they self-published and found success as writers. Since I made that decision, I’ve published three books, started writing for a website devoted to helping self-published authors, made lots of friends and found lots of new followers who went the same route as me, and am working on publishing a fourth one the same way I published the first three, though I like to think that with every book I get a bit wiser on how to go about publishing and marketing the books.

Do I like self-publishing? Yes, very much. For one thing, I’m the boss. I get to work on what I like, when I like it. I also get to meet and work with all sorts of interesting people and work on exciting projects with them, like anthologies and Self-Published Authors Helping Other Authors. We independent writers also tend to share information with each other, working to figure out what works and what can help us reach new readers. It’s pretty nice, being able to do all this and not rely on a publishing company.

But lately, I’ve been considering going traditional again. Or rather, other people are making me consider going traditional again, despite the fact that I never had much success the traditional way to begin with. At first, it was only my advisor on my thesis, who asked me, “You don’t want to stay self-published forever, do you? You want to move up eventually, don’t you?” Or something to that effect.

Now, I could brush that off, he’s traditional and a professor at a university, which isn’t exactly big on the self-publishing craze (though maybe some sociologists and business professors study it for academic purposes). But then a friend who’s helping me look for work suggested that I look into getting with a publishing company. And even my mother suggested something similar.

Now normally I wouldn’t even consider these suggestions. Like I said, I like self-publishing. I’ve even gone as far as to say that it’s the way of the future.

But even if it is the way of the future, that doesn’t guarantee I’ll have that many readers. In fact, I don’t have that many, or at least not as many as I would like. For a guy who hopes one day to write full-time, that’s pretty sad.

Plus I’m still between jobs these days (yeah, I know. I expected to be working by this time too), and while I’ve made headway in the job search, it really sucks that I’m not working and making money. Plus while I’m between jobs, I’m living with my dad, and while we’re good friends and love each other, we can rub each other the wrong way sometimes. Plus I just need my own space to spread out, act my own eccentric self without wondering who’s watching. Maybe get a couple of cats too while I’m at it.

Add all this together, and yeah, a contract with a publishing company sounds enticing. To many authors, that’s like winning the lottery. And it would be nice to have the support and distribution that would come from having an agent and an editor and a company with maybe it’s own marketing team. And the royalties from all of that? To say the least, it sounds like a golden deal. Heck, even folks like E.L. James, Andy Weir, and Christopher Paolini–bestselling novelists who all started out as self-published–took that deal when they got big.

But that’s the thing. They got big. Publishing companies saw them and saw profit. Truthfully, it’s still very hard even with a big company to make it a success. The Martins, the Rices, the Kings, the Rowlings, they’re rare. Most writers, both traditional and self-published, still have to have day jobs in order to pay their bills. And funnily enough, because of the self-publishing boom, publishing companies are even more selective about who they take on than ever before.

And if one does manage to get with one of the publishing companies, you don’t always get the marketing team to make sure people know your books. No, you still have to do most of the advertising yourself. And with the company, you don’t always get to publish what you write. No, they publish what they feel is profitable. At least with self-publishing, there’s still the chance that you’ll publish an unexpected hit that the companies rejected as a surefire fail.

Still, I wonder if maybe I gave up the traditional route too soon. And if I want to, I have the stories and the resources to try again if I want.

But at the same time, with every year I’m learning new tricks that allows me to reach more readers and get books out there. I could still make it as an independent novelist, and find myself writing full-time either way.

And maybe I’m only wondering this because I’m in a not-so-great place in my career right now, and some people who don’t really know the industry or doubt the power of the independent writers are speaking in my here. Or maybe they’re onto something and I really should try a career change.

I don’t know. What do you think?