Posts Tagged ‘scary stuff’

Before we start, I would like to thank Lucy A. Snyder and the team at Tor Nightfire for providing me with an ARC copy to read (and a special thank you to Lucy for the awesome galley copy she gave me a few months back).

Set a few years after our current COVID-19 pandemic, Sister, Maiden, Monster follows three separate women as their lives are affected by a terrible new disease raging across the planet. Known as polymorphic viral gastroencephalitis, or PVG, the disease is like the stomach flu from hell. For those who are lucky, it kills them very quickly. For the rest, it changes them, making them unable to eat most sources of nutrients. They have to get their nutrition through rather macabre means. And that’s only the start of the apocalypse that’s going to come.

So, it looks like there’s still an appetite for pandemic fiction, even after a real pandemic. At least, if the release of Sister, Maiden, Monster, the airing of “The Last of Us,” and one or two of my own stories, among other works, areanything to go by. And everyone telling those stories are making sure the hypothetical future pandemics are even more terrible than COVID-19 was. Which, honestly, I gotta respect.

Alright, onto the story. Sister, Maiden, Monster was great. I really enjoyed it. For one thing, the three main characters are really well-developed, which is great in such a character-driven story. There’s Erin, who’s seeing her life implode and strange new desires growing inside her after becoming infected; Savannah, a prostitute and dominatrix who discovers she has a talent for causing death in the name of new masters; and Mareva, a sickly woman who has been chosen for a terrible purpose. I really got to know these characters and get inside their minds. Which, by the way, was not always the most pleasant ride, believe me.

Speaking of which, Lucy Snyder does not shy away from showing what Stephen King calls the “gross-out” factor of horror. There are bloods, brains, gore, and plenty more body horror to make more squeamish readers feel faint. Add in the isolation and paranoia of living through another pandemic, this one worse than the one preceding it, as well as some good and delicious cosmic horror, and it makes for a rather scary read.

I did think that the time spent with each narrator was unbalanced. Somewhere between a third and half the book is from Erin’s perspective, and while I get why, I would have liked to see more from the other two narrators. Especially Savannah. That lady is wild and a lot of fun to read, even if you would be horrified by her if she were real.

I also noticed that something that appeared later in the book and which I loved seeing was foreshadowed earlier in the story, but I felt it could have been foreshadowed a bit more. Hell, I nearly forgot about the foreshadowing until the reveal, so that says something.

All in all, Sister, Maiden, Monster is a great, body horror-filled ride and I’m glad I got to be among the first to read it. On a scale of 1 to 5, I’m giving it a 4.3. The book releases this Tuesday, February 21st, so go preorder a copy, settle down when you get yours, and get ready to see the horror of the pandemic go through a terrifying metamorphosis.

Until next time, my Followers of Fear, good night and pleasant nightmares.

The photo that started it all.

So, I freaked out for a moment earlier this week. I found out that a Hollywood studio was making a movie out of The Backrooms.

If you don’t know what the Backrooms is, it’s an Internet urban legend/creepypasta about a maze that looks like a never-ending office building with the most horrid yellow wallpaper. Supposedly, there are things in the Backrooms that will come after you if you fall, or “noclip,” into them. They were birthed by a photo that was posted anonymously to 4chan, followed by some lines of text that were posted by another anonymous user, so the Backrooms are technically public domain. Anyone can use them to tell stories.

I wrote a novella taking place in the Backrooms: “It Changes You: A Backrooms Story.” And I’ve been planning on editing it throughout the week. However, earlier this week, something came up that made me wonder if I even could or should edit the story. You see, one of the most–if not the most–popular iteration of The Backrooms was created by YouTuber Kane Pixels. He’s created his own mini-mythology through a highly successful YouTube series, the first video of which having over forty-four million views at the time I’m writing this.

Yeah, the new movie is going to be based on his take on the Backrooms, and he’s likely going to be writing and directing as well.

So, my first reaction was like, “Oh shit! Way to go, you’re barely out of high school! Good luck, I can’t wait to see it!” And then I was like, “What does this mean for ‘It Changes You?’ Will it even be worth editing and trying to find a home with a movie on the way?”

In times like these, I look to the experts I know best: my fellow horror writers. So I asked them in one of my Facebook groups. And they pointed out some things that I’d almost forgotten.

First off, plenty of writers and creators are making stories and videos and whatnot off the Backrooms, not just Kane Pixels and myself. Hell, I’ve seen one author posting photos of his own story on Twitter and Hive. I won’t be the last one. And so long as I don’t steal anything to someone else’s interpretation of the Backrooms, it’s fine if I want to release my own version of it.

Yeah, a movie might make things more difficult. But it wasn’t as if they weren’t difficult before. Let’s face it, everybody’s putting out their own versions everywhere they can. So long as I keep trying, my version is well-written and compelling, and

And it’s not as if the movie will be a surefire thing. It could end up in development hell or just never get made. Look at the Five Nights at Freddy’s movie. That thing has been in development since 2015, and it reportedly only just started filming this month! And the Bartimaeus Sequence by Jonathan Stroud? One of my favorite fantasy series from childhood and still beloved. It was supposed to have a movie years ago! But twenty years after the idea was first floated, still no movie out, even though some new studio bought the rights four years ago.

Who’s to say the same thing won’t happen with the Backrooms movie? It might spend several years in development before it actually gets to the production stage, let alone gets filmed and released.

In the meantime, that’s plenty of time for me to make a mark with my version. Not sure if that’ll be on its own as a standalone novella or as part of a collection, but that’s part of the fun of the search: getting to find out what happens and where your stories will end up.

So, this weekend, I’ll get started on editing “It Changes You.” Some friends/colleagues read the first five-thousand words and gave me feedback, so I’ll look over their notes, and then get to work. By the end of the weekend, maybe I’ll have it off to beta readers, and then maybe next month off to publishers.

But for now, I’ve got work. Until next time, good night (no matter what time it may be where you are), pleasant nightmares, and–watch out! There’s a killer behind you as you’re reading this!

Take a good look. This temporary cover may not be around for much longer.

So, as many of you know, I have a new collection of short stories coming out at some point this year. This collection, Hannah and Other Stories, features stories with terrifying delights such as carnivorous horses, budding serial killers and a couple of very creepy ghosts. And earlier this evening, I had a meeting over Zoom with BSC Publishing Group, the company that will be releasing Hannah. There was me, two of the major players at BSC, and the other writers contracted with BSC.

Get this, by the way: everyone at the meeting had glasses! But of the men in the meeting, I was the only one who was cleanshaven. Everyone else had a beard!

Anyway, we talked about what would be happening over the course of 2023, what the company will be doing to hopefully make our books a success, and some other stuff that needed mentioning to the writers.

And with that, there came some bad news. Because of developments in the publishing industry these past couple of years, and because of the cost of producing paperbacks, even just for print-on-demand, Hannah won’t immediately be released in paperback.

Yeah, you read that right. Unfortunately, it’s just the way things are. You may have read something about Barnes & Noble last year? How the chain, as well as a lot of smaller brick-and-mortar stores, only stock bestsellers these days, and will return the books that don’t do so well to the publishers. BSC realizes this and is reacting to this.

There is a silver lining, however. If Hannah gets enough sales and reviews, and if the latter are positive, print paperback will become possible. And I’m determined to make that happen. Not only do I believe in this collection and the stories within, but I’m putting together a marketing plan to ensure that, alongside what BSC is going to be doing to help me out, this book gets as wide a reach as possible. My goal is to have fifty reviews by the first publication anniversary. Is that a lot? Yes. Is that more than Rose has gotten in three and a half years? Also yes. Do I think I can do it? HELL YES!

And why? Because I believe in the Followers of Fear. Over the years, you’ve not only grown by leaps and bounds as a group, but many of you have become close friends and colleagues whom I’ve supported and who have supported me right back. And I think, once this collection is released, enough of you will be eager enough to check it out and help me get to that goal.

And if not, there’s still a chance of an audio book. Apparently that’s possible even without a paperback with this company. Imagine that!

And now, for the good news: while another draft is likely, we’re moving forward with release. I’ve even been given homework, such as colors I want for the cover, covers to influence the cover, and a few other things. I’m excited. I can’t wait to show you all what we’ve been working on this past year and a half.

In the meantime, I’ll be working on this stuff, then working on a blog post regarding my Backrooms story (so expect more updates soon). So, until that blog post, my Followers of Fear, good night and pleasant nightmares. I hope you’re as excited for Hannah to be released as I am.

Temporary placeholder artwork for Hannah.

Well, that took less time than expected. Still took awhile, but it didn’t take two months as I predicted.

So, for those of you who are unaware, I have a short story collection called Hannah and Other Stories being released some time this year. It contains seven original stories of varying lengths and covers the following subjects: a rumor about a figure on the Internet who is targeting vulnerable teens; carnivorous horses; and budding serial killers, just to name a few. It’ll be released by BSC Publishing Group, whom I’ve worked with before through their magazine The Dark Sire.

And since New Year’s, I’ve been editing the last four stories in the collection, trying to expand on certain things such as showing rather than telling and cutting out stuff that doesn’t do the story any good. I think between that and all the other edits I made, the collection is that much stronger and will make for one hell of a read upon publication.

Of course, I doubt it’s finished yet. We’re probably going to have to go through and make another round of edits before we can set a release date, let alone format everything, create a cover, and make one hell of a marketing plan. But I think that at this point, we’ll just be making some minor alterations to make sure the stories are well-edited and the plots flow well.

Then again, they do say writers are their own worst judges of their work, so who knows? We may have more than cosmetic work up ahead.

The page and word count as I finished the manuscript. It’s going to be a long book.

Well, it’s with the publisher now and they’ll hopefully let me know what they think very soon. In the meantime, I”ll be taking the next few days to relax and catch up on some movies I’ve been meaning to catch and some reading I’ve been meaning to do. I’ll probably also celebrate finishing the latest draft with some good food and some wine. After that, and with my creativity replenished (plus, I’ll likely feel like I need to work on something or I’ll die), I’ll get to work on some other stories that require another draft. These stories are Forever Young, about an unusual child actress; It Changes You, taking place in the Internet phenomenon known as The Backrooms; and They Sleep Within the Rock, the story I wrote about neo-Nazis getting their just desserts.

You can tell why I call all this editing The Great Editing. It’s a lot!

Anyway, after those stories are edited, I haven’t made any commitments yet. It’ll depend on whether or not BSC Publishing Group has sent me back any decisions regarding Hannah and whether or not I need to do further edits. But I do hope I can work on some new stuff by that point. I’ve a bunch of new story ideas I want to work on, so I’m hopeful.

In the meantime, however, I’m going to make a late dinner, maybe open a bottle of homemade wine, and figure out what I’m going to do for the rest of the night. Until next time, my Followers of Fear, I look forward to sharing Hannah with you and hope you enjoy it as much as I have enjoyed working on it.

Good night and pleasant nightmares!


Oh, one more thing: you may have noticed, but at the top of the blog there are a lot less pages. In fact, I recently consolidated all my books onto one page, simply titled Books. I figured that would make things easier for both new and old readers to find my works and the links to them, rather than having to scour fifteen different pages for them.

Just wanted to mention in case you hadn’t noticed. Good night!

So, you’ve probably heard of Winnie the Pooh: Blood and Honey. If you haven’t, let me give you some background, because it’s important to talk about. So, Winnie the Pooh predates Disney and was originally some stories written by AA Milne. Some of those stories became public domain back in 2021, so now anyone can make a story about Pooh Bear so long as they don’t use anything exclusive to the Disney version. A British filmmaker took advantage of that to make a horror film based on the characters, Winnie the Pooh: Blood and Honey. And ever since its announcement, this film has gotten a ton of buzz, so even if it’s terrible, it’s likely going to make bank.

I’m actually going to see it at the one night screening at my theater. I can’t wait.

Unfortunately, not all of the buzz is positive. Recently, one of the actresses in the film, Danielle Roland, said the cast and crew got a lot of hate for being part of the film. Rhys Frake-Waterfield, who directed and co-produced the movie, even got emails saying he should die. You can read the original article here.

Now, I can understand if people are upset about this film being made, let alone the phenomenon it’s become. Winnie the Pooh is a popular character and childhood icon for many people around the world. Seeing him and Piglet used in a horror film might be upsetting. But death threats? That’s going way too far! You’re threatening to kill someone over a fictional character! Might as well threaten to kill someone over the Easter Bunny!

And here’s the thing: no one is forcing any of these people to watch the film. It’s not like men with guns are going to go into people’s homes and kidnap them to the movie theater for the one-night screening, or force them to put it on their various streaming platforms to watch in their living rooms. If you don’t want to go see it, don’t see it. Even better, pretend it doesn’t exist! You can continue to enjoy your childhood bear without having to acknowledge the one that’s going to be taking an axe to a bunch of college students next month.

Unfortunately, death threats like this, as well as over-the-top reactions to fictional media of any sort, have become more and more commonplace over the year. Or maybe they’re being reported by news outlets more. Either way, it’s bizarre to read about. When I was in college, I read about people threatening to ruin Charlaine Harris’s career or kill themselves depending on what she wrote into one of her Sookie Stackhouse books. After college, when Marvel had a storyline in the comics where Captain America was revealed to be a Hydra agent, I read articles about people threatening Marvel’s writers for this storyline. One person alleging to be a Marine even said he was going to abandon all his values because of Cap’s betrayal and even become a killer (I seriously hope that was hyperbole). In 2020, when The Last of Us Part II released, people review-bombed the game based on leaked plot points. Part of this was fueled by homophobia (several of the characters in the game are openly LGBT), but a lot of this was due to fans hating the supposed direction of the game. Not only that, but one of the actresses for the game received death threats for playing a villain.

People got way too upset over this one scene.

And now people are threatening to kill folks associated with this new horror film because it’s about a beloved childhood character.

I don’t care about the circumstances or the reasons why. I don’t even care if the people making the threats are serious. I’m more concerned that anyone thinks reacting like this is appropriate. No matter why, you shouldn’t threaten people’s lives like that.

Let me share you a story from my high school days. Back then, I worked for my gym teacher selling tickets to volleyball and basketball games at the door. When I wasn’t taking tickets, I did homework, ate dinner from the snack bar, and read. It was a good gig. One day, however, I was steamed because I had just finished a Dean Koontz novel and absolutely hated its resolution. After the game, I was picked up by my stepmom, who proceeded to drive me home. And as I’m complaining about the book’s ending, my anger radiating off me like heat from a space heater, my stepmom turned around and said, “Rami, it’s fiction! It’s not real! Don’t get so upset about it!”

Well, that shut me up. And it turned out to be very helpful for me, because it made me realize something: as much as I love stories and characters, none of it is real. The absence of these characters and stories from the world wouldn’t change much, let alone their presence. And among all the things to get mad about in the world, a book resolution or how a character is portrayed isn’t one of them.

Since then, as wrapped up in fiction as I get sometimes, I don’t allow myself to get emotionally out of hand because I don’t like the direction. Yes, I’ll share my thoughts on it, but I’m not going to threaten people over it! And if I really dislike it, I just won’t have anything to do with it. My stress levels stay down and everybody stays happy.

And I wish more people would react that way. Or maybe not react at all. If they did, I guarantee we would all be much happier.

(WARNING: The following post discusses some recent movies that not everyone has seen yet. I’ve tried to avoid spoilers, but if you’d rather see these movies without knowing anything, then stop reading now and come back later. You’ve been warned.)

It’s no secret that I’m an eccentric, and I channel that eccentricity into my fiction all the time. I mean, my most popular novel is about a young woman who’s turned into a plant/human hybrid. If that’s not an example of weird fiction, then I’m a high school girl in an anime. And I’m not!

Skinamarink’s poster displayed outside my usual movie theater.

With all that expertise, I can say with certainty that there is plenty of room in fiction, especially in horror fiction, for weird. The novel House of Leaves by Mark Z. Danielewski, is a prime example of this. It’s a story about a documentary about a recounting of one family’s experience living in a home that has a giant labyrinth hidden inside it. The novel is full of footnotes, some of which have footnotes, as well as pages with only a few lines of text, or the text laid out in an odd manner, forcing the reader to hold the book at weird angles. From what I’m told, it makes for an experience both agoraphobic and claustrophobic.*

No wonder that book has an enduring relevance among horror readers, despite the author and some readers seeing it more as a love story than a horror story.

All that being said, there is both a good way to make a story weird and a bad way to make a story weird. Especially in the horror genre.

Some of you may have heard of the new Canadian horror movie Skinamarink. The movie revolves around two children who wake up one night to find that their father, as well as the doors and windows to their home, have mysteriously vanished. There’s been a lot of talk about the film online, with some loving it and others reviling it. I went to see it on Friday, knowing that one way or another, I would get a weird experience.

Well, I did get that weird experience. It’s filmed in a way meant to evoke a child’s perspective and reflect their nightmares, with the majority of shots focused on hallways, things high overhead or on the television in the den. Anything but the characters themselves. The entire film is also filtered to look like a home movie from the 80s or 90s, and the use of effects is minimal and mostly reliant on practical effects. A lot of the dialogue is told in whispers, so subtitles are used throughout the film. There’s no music, and plenty of surreal moments throughout the film, especially near the end.

That being said, everyone in my theater, including me, hated it. I even spoke to someone who was in the theater with me afterwards, and he told me he fell asleep during the film. I can see why: except for a few effective jumpscares, there was nothing to actually unsettle the viewer or keep them tense or focused, let alone scare them.

Since seeing the film, I’ve been characterizing it like someone took the cursed videotape from The Ring and tried to make it into a feature film, but took out what made that video so scary in the first place.

Now, I’m not saying anyone who enjoyed Skinamarink or found it scary is wrong or bad. The wonderful thing about horror is how subjective it is and how there are many different niches to suit every fan. Nor am I shitting on the director for the choices he made. I reserve that for the Friday the 13th remake and its creators, because that film is trash that gets everything good about the franchise wrong. Most of the people involved in it should get a good kick in the pants!

No, what I’m saying is that the weird is emphasized at the expense of the horror. Online, Skinamarink is characterized as “an experimental horror film” and that feels like an apt way of putting things. From the way the film is shot, to the use of subtitles and the story (flimsy as it is), you can tell that it’s all been an experiment by the director to conjure up a unique viewing experience. And in that respect, his experiment was a success. However, in terms of creating an effective horror film, the experiment was a bust.

Hatching is, in my humble opinion, a great example of weird horror done well.

Now, compare that to another recent horror film, Finland’s Pahanhautoja, or Hatching. The film follows a girl who finds an egg in the forest and incubates it, only to end up the caretaker of a large bird/dinosaur monster that she calls Alli. Yeah, that’s weird, especially when you see the ugly-ass creature, which is brought to life mainly with practical effects and puppetry. But it also helps to tell a story about a very repressed girl who is struggling as part of a toxic family dynamic and being ruled by a narcissistic, social media-obsessed mother. Rather than overtaking the story, the weird aspects help drive the story and explore its deeper themes.

And that’s where the big difference between Skinamarink and Hatching is. The former’s weird aspects overtake the film and drown out the horror, while the latter’s weird aspects help out the horror and the story in order to be told more effectively.

To summarize, when telling a story of the weird variety, it’s important to remember that you’re telling a story first and foremost. Thus, while you can add as many weird elements as you want, if they overwhelm the story you’re trying to tell, you risk alienating rather than engaging your audience. And that’s something every storyteller wants to avoid. Including eccentrics like me.

*It’s on my TBR list, but that list is long and I only have so much reading time. Thus, it’s going to have to wait a while till I get to it.


Just a reminder, my Followers of Fear: this coming weekend I’ll be at ConFusion at the Sheration Detroit Novi in Detrot, Michigan. This is a big science fiction and fantasy convention that’ll be held from Friday, January 20th to Sunday, January 22nd. I’ll be there selling books and doing Tarot readings, so if you’re in the area, feel free to stop by and say hi. I’d be more than happy to see you.

You can find out more information about the convention by checking out its website here.

That’s all for now, my Followers of Fear. Until next time, good night and pleasant nightmares.

So, how’s 2023 treating you so far? Is it unbearable yet? Or has it been a grand old time? Me, I can’t handle it anymore and want to go back to bed right now! Just kidding, the year’s actually been pretty good so far.

Anyway, as many of you know, I’m going to be spending the next couple months only editing stories, not writing anything new. At least four of these stories will be in Hannah and Other Stories, the collection I’m releasing with BSC Publishing Group later this year. And as of yesterday, I’ve finished the second draft of one of my non-Hannah stories, They Sleep Within the Rock.

If you’re not familiar, They Sleep Within the Rock is a novella I started at the tail end of 2021 and finished in early January 2022. The story revolves around a bunch of neo-Nazis who try to establish an all-white enclave in the middle of rural Idaho, unaware that the land they’re living on is anything but ordinary (no, there isn’t a Native American curse or burial grand on the land, that’s way too cliché). At the time, I was feeling a lot of anxiety over the rise in anti-Semitism in the nation and world, so writing this was really therapeutic. However, for various reasons, I never got around to editing the story until late December 2022, about a year after I originally started writing it. And the editing was finished up about a year after the initial draft was finished.

I can’t say if that’s a coincidence or if there’s a significance there, but it is interesting.

Anyway, with the first story of the Great Editing out of the way, I’m going to see f I can find a writer friend to beta read/critique the story and give me some helpful feedback for the next draft. After that draft is done, whenever that is, I might see about finding it a publisher. Either on its own or as part of a collection, I definitely think there’s plenty in the story to interest readers and publishers alike, so hopefully it finds a home quickly.

And in the meantime, I’ll get started on those stories for Hannah that require my attention. These include the stories “Fuselli’s Horses,” about some carnivorous horses that might have a taste for human flesh; “What Errour Awoke,” about how a class reading brings people into contact with an ancient god at the beginning of the COVID-19 pandemic; “The Red Bursts,” about a town that goes insane because of a pulsing red light; and “Poor, Unfortunate Souls,” about a party in the catacombs underneath Paris.

After they’re done, I’ll send the completed manuscript back to the publisher, and then…well, let’s not get ahead of ourselves. There’s still plenty to do before we get to that point.

Anyway, I’ll keep you all posted on my progress, both with getting Hannah to publication and the Great Editing. I start editing those four stories tomorrow, so tonight, I’ll take it easy, try to go to bed early, and hopefully be fully energized to tackle these stories after work tomorrow.

I can’t wait to share with you the final results of my hard work.


One more thing before I sign off, my Followers of Fear (yes, I know I just blogged about this, but that’s advertising for you). Right now, most of the ebooks of my stories are on sale through the end of the week. This includes my first collection of short stories, The Quiet Game: Five Tales to Chill Your Bones; my slasher novel Snake, about a serial killer hunting members of a mafia family; and The Pure World Comes, a Gothic horror novel about a maid going to work for a mad scientist. In addition, the audio book for The Pure World Comes is on sale from certain retailers as well. So if you’re interested in my stories, or are looking for something spooky to start the year with, this is a great time to do so.

And if you like what you read, please leave me a review online somewhere. Positive or negative, I love reader feedback, and it helps me as a writer and helps readers figure out if I want to read the book.

That’s all for now, my Followers of Fear. Until next time, good night and pleasant nightmares

The Pure World Comes: Amazon, Barnes & Noble, Apple Books, Kobo, Goodreads, Chirp, Spotify

Snake: Amazon US, Amazon UK, Amazon Canada, Barnes & Noble, iBooksSmashwords, and Kobo

The Quiet Game: Amazon, Barnes & Noble, iBooksSmashwords, and Kobo.

Agoraphoboia: Amazon

Mother of the King: Amazon

I’m sure this is the last thing you want to read on the first day of the year, but what the hell? I’m doing this sale, so might as well make sure everybody and their grandmother knows about it.

So, in the hopes of starting 2023 off on the right foot, I’m having a sale on most of the electronic versions of my books, of which I’ve listed below. This includes such terrifying tomes as my first collection, The Quiet Game: Five Tales to Chill Your Bones; my slasher novel Snake, about a serial killer hunting members of a powerful mafia family; and The Pure World Comes, my Gothic horror novel about a maid going to work for a mad scientist and getting wrapped up in his odd science.

All these and more will be available for the first week of 2023 for only ninety-nine cents. And get this: the audio version of The Pure World Comes will be on sale as well from certain retailers. Not for under a dollar, but enough that it’ll make a considerable difference.

So, if you have been wanting to read my works but costs have been prohibitive, or you want some new horror to start the new year right, this is a great opportunity for you. I’ll post the links down below. And if you end up purchasing a book and reading it, and you like what you read, please leave a review to let me know what you think. Positive or negative, I love reader feedback, it helps me as a writer, and it helps readers figure out if the books are worth their time.

Anyway, that’s all for now, my Followers of Fear. I promise, my blog posts during the rest of the year will be the same stuff that you’ve come to expect and love (hopefully). Until next time, Happy New Year, good night and pleasant nightmares!

The Pure World Comes: Amazon, Barnes & Noble, Apple Books, Kobo, Goodreads, Chirp, Spotify

Snake: Amazon US, Amazon UK, Amazon Canada, Barnes & Noble, iBooksSmashwords, and Kobo

The Quiet Game: Amazon, Barnes & Noble, iBooksSmashwords, and Kobo.

Agoraphoboia: Amazon

Mother of the King: Amazon

I’ve been hearing about this one in one of my Facebook horror groups, so I got interested and got the audio book. And on the ride home from work, I finished it today.

Set in 1994, The Exorcist’s House follows the Hill family as they move into a farmhouse in West Virginia with the goal of flipping it for a profit before the new baby arrives. However, the house used to belong to a local exorcist who spent much of his life fighting demons. And there’s plenty to suggest that while the exorcist is no longer living there, or even living, something else is. And if the family doesn’t do something soon, they may not live much longer.

So, I couldn’t help but see this as kind of Conjuring-esque. I mean, it feels like something that would be inspired by The Conjuring. A family moves into an isolated home in the middle of the country with a history of the paranormal, demons start to oppress and try to possess them, it all takes place in an era that’s starting to become nostalgic in the public’s memory, an exorcist or two are involved in the story, and plenty of Catholicism to boot. Near the end, I couldn’t help but think that the author could do a whole shared universe around some of these characters, especially the exorcist of the title.

That’s not detracting from it, I’m just saying that’s how it feels.

All that being said, it was an enjoyable read. The story is well-written and the characters are quite fleshed out, especially mother Nora who has a strong character arc in regards to her own inner demons (pun intended). Even daughter Alice, who is a stereotypical teenager, is more than just a flat stereotype. There’s also some really scary scenes, such as the scene with Nora in the basement in the first half of the book (I got shivers while listening to that chapter in the car), as well as a few twists that I didn’t see coming.

And that ending! Not sure if the author really is setting up for a sequel or a shared universe al a The Conjuring, but even if he isn’t that ending left me satisfied as only a horror fan can be.

That being said, there are some tropes that we’ve seen a hundred times, such as an exorcist being brought in during the third act for the big confrontation, so at times it does feel a little predictable.

On a scale of 1 to 5, I’m going to award The Exorcist’s House by Nick Roberts an even 4. Plenty of good scares, a decent story and possibly the launching point for a shared universe. Also, the audio book has a great narrator with a ton of range. Pick the format of your choosing and get settled in for a nice read.


That’s all for now, my Followers of Fear. This will, in all likelihood, my last review of the year, and likely my last post of 2022 (unless something comes up between now and Saturday and 11:59 PM). Thank you all for your support in 2022 and I look forward to sharing with you my adventures, trials and accomplishments in 2023. Until next time, happy new year, good night and pleasant nightmares!

I did say in my last post that I would be talking about my upcoming plans in another post, didn’t I?

So, you’re probably aware that I have a collection of short stories coming out sometime in 2023 from BSC Publishing Group. That collection, Hannah and Other Stories, has been going through a lot of editing over the course of 2023, though we took a break for the holidays in November and December. Starting January 3rd, I’ll be starting work again on the collection. BSC sent me notes for four of the stories, so I’ll be working through those for the first couple of months of 2023.* After those edits are done, it’s back to the publisher, where they’ll hopefully give the okay to move onto the next stage and start getting things like the cover and the marketing push ready.

It also means I’ll be editing “Forever Young” and “It Changes You,” the stories I wrote in November and this past month. I think if I can find the right publishers or magazines or anthologies, I can either get them published individually or as part of another collection, but they’ll need work before I can send them out. Hence, editing.

And between now and January 2nd at 11:59 PM, I’ll be editing “They Sleep Within the Rock,” the novella I wrote where I put neo-Nazis through Hell. I wrote it last year, but have not touched it since then for some reason, so I want to get that done before I get back to work on Hannah. It’s about twenty-six thousand words, so it’ll definitely take more time than a single evening writing session to finish. However, it’s divided into ten chapters if I remember right, so I think if I knock two sections a night out, it should be fine.

Anyway, given all that editing, it’s no wonder I’m calling this the Great Editing, like it’s some dramatic event that could shape history or something. Then again, as a writer, isn’t part of my job making mundane things dramatic? Yeah, pretty sure it is.

In the meantime, however, it’s late and I have work in the morning, so I’ll be taking the rest of the evening off. So, until next time, my Followers of Fear, good night, pleasant nightmares, and, if I don’t post again before Saturday, December 31st, 2022, Happy New Year!

*I assume. Hard to tell how long all this will take. Life is unpredictable, isn’t it? For all I know, I could get it all done in a few weeks, or I could be finishing it all up in June. You just never know.


One more thing: I know I posted this in the last post, but I might not post again this week! Might as well repeat it so the message gets heard.

Anyway, for the first week of January, the electronic versions of most of my books will be on sale, as well as the audio book for The Pure World Comes from certain retailers! It’s my hope in doing so that it’ll be a great kickoff to 2023. Anyway, if you would like to read any of my books at a discounted rate, this would be a great opportunity to do so. So between January 1st and January 8th, go to the retailer of your choice and you’ll find most of my books there on sale. I hope you enjoy reading them, and if you do, please let me know what you think. Positive or negative, I love reader feedback and it helps me out in the long run (as well as other readers).

Well, that’s all for now, my Followers of Fear. This time, I’m serious. Good night and pleasant nightmares!