Archive for the ‘Progress Report’ Category

For my earlier posts on Cockygate from May 5th and May 28, click here and here, respectively.

I’m just going to skip over all the preliminary stuff and just get to the good news: the Romance Writers Association and the Authors Guild won a court ruling on Friday against Faleena Hopkins, the notorious romance author who put a trademark on the word “cocky” and then sent letters to authors who had books with “cocky” in their titles, threatening legal action if they didn’t take their books off Amazon or change their books’ titles.

Now, if you read my post from last week, you may remember that Hopkins’s lawyer had sent Kevin Kneupper, the novelist and retired lawyer who’s leading the fight against Hopkins, along with author Tara Crescent and publicist Jennifer Watson, a letter with intention to sue them, as well as filing a Temporary Restraining Order (TRO) against the Petition of Cancellation for the trademark. Since then, it’s also come out that Hopkins was asking for another TRO against the publication of a collection of stories called Cocktales: The Cocky Collective, which was named as an obvious protest against her trademark (Jennifer Watson was incorrectly named by Hopkins as the publisher of the book in the papers filed for the TRO).

On Friday June 1st, several things happened:

  1. Kneupper was dismissed as a party to the lawsuit Hopkins’ lawyer filed, meaning he’s free to continue fighting against the trademark.
  2. Hopkins did not get her restraining order, so the petition and all the other legal battles against her can continue.
  3. Finally and most importantly, for the moment books with the word “cocky” in the title can be published, including the Cocktales anthology.

In other words, Hopkins lost, and she lost big. And while there’s another court date in September, and presumably this is when the decision on her trademark will be decided once and for all, it’s still not looking very good for Hopkins. As stated in the article the Authors Guild put on their website:

In ruling against the author Faleena Hopkins, who claimed exclusive rights to “cocky” for romance titles, Judge Alvin Hellerstein of the Southern District of New York, stated that he did not believe that Hopkins was likely to succeed on the merits.

In other words, the judge says that Hopkins’s trademark is on pretty weak legs.

Now, there’s still a lot of work to do. For one thing, while people can still publish their books with the word “cocky” in the title, the final decision won’t be made till September at the earliest. That gives Hopkins, her lawyers, and her supporters (yeah, there are some out there) to come up with legal strategies for the trial and for any potential appeals, both from her side and the other side. And unfortunately, there are a number of copycats out there trying to get trademarks on common words used in titles. It’s a hot mess.

But this is a bright spot in the ongoing saga of #Cockygate. I’ve heard from many authors who have expressed fear over the outcome of this controversy, and what it could mean for them if they couldn’t write because they could incur legal repercussions for using an everyday word in their story’s title. Hopkins’s defeat on Friday gives us all a little bit of hope that we can continue to not only write our stories, but give them almost any title imaginable and not have to worry about getting sued for it.

So with the trial not till September, what can we do now as authors? Well, we can continue to show our support for Kneupper and the legal team fighting Hopkins, as well as the RWA and all of the authors who’ve been affected by Cockygate (remember, if you’ve received a letter from Hopkins, contact carol.ritter@rwa.org for assistance and guidance). This can be something as casual as sympathetic messages online, or buying, reading, and reviewing the books of those involved/affected (a single sale and review can do an author a ton of good, believe me), or even donating your time and skills to the legal battle.*

You can also spread the word on Cockygate and any developments in the scandal. The more people who know what Hopkins is doing, the more we can rally against her or anyone else trying to copy her. The louder our voices, the stronger we are, and the better positioned we are to affect positive change.

And finally, if you’re a writer, continue writing. Don’t let fear get in the way of telling the stories you were born to tell. Like the people behind Cocktales, when we decide to put something out in defiance of bullies, we make a statement that we’re not going to take this sitting down.

That’s all for now, everyone. If there are any other significant developments, I’ll post about them. Until next time, pleasant nightmares.

UPDATE 6/3/18 @ 7:18 PM EST: Erica Unsophisticated Blood Thirsty Wolf Fisher (@monet5280) informed me over Twitter that both Ms. Crescent and Ms. Watson’s lawyers are working on a motion to dismiss, which will be due in on June 22nd. In addition, Ms. Hopkins has to respond to the Petition of Cancellation from Mr. Kneupper no later than June 23rd. So it looks like things will be heating up longer before it starts to get cold again. Here’s hoping the end of June brings more good news like what we saw on Friday.

*Just be careful before you donate to any legal fund for those affected or claiming to be for any legal teams against Hopkins. There are a ton of people out there who have no qualms against taking advantage of those suffering in order to make an easy buck.

Before I give you the news I hope you’re all eager to hear–the latest on my novel Rose, which is to be published by Castrum Press–I want to first share something I was told recently. Now, I’m not sure if this is true and I haven’t been able to find any corroborating evidence, but according to someone I talked to online, in the first draft of Carrie by Stephen King, Carrie actually grew horns and sent bolts of electricity from her eyes at some point in the story. This was later dropped during the revision process of the novel.

Okay first off, I kind of want to see that version of Carrie, not just in book form but in movie form as well (I still maintain that the 2013 film is the superior adaptation, and you know the horns and lightning bolts would’ve looked awesome in that film). Second, it shows that even King’s works, including one of his greatest, require extensive revisions. And that made me feel a whole lot better about the revisions I have to do for my own story.

Now, if you’re unfamiliar with Rose, it’s a novel I’ve been working on since my senior year of college, when I wrote it as my thesis project. It follows a young woman who finds herself turning into a plant creature (and that’s just the start of her problems).

I’ve mentioned before that my publisher asked me to do nix the many flashback sequences in Rose, essentially throwing out one-third of the book, and another third that was dependent on that first third. Although I was understandably more than a little disappointed about that, and it even brought my mood down quite a bit at times, I decided to try and find a new direction for the story that didn’t rely so heavily on flashbacks. Somehow, after a lot of head-scratching and extensive use of a method of brainstorming I’ve been wanting to try for a while (I’ll write an article about it for Self-Published Authors Helping Other Authors soon enough), I managed to find a new direction and plot for Rose that I thought made for a good supernatural thriller.

I sent a new outline for the story to my publisher, and just today they got back to me. I was really worried that they might not like the new direction, but the tone of the email was really enthusiastic. They just asked me to keep in mind some things about chapter length and a few other things, and wished me luck.

I can’t tell you what reading that feedback did for my confidence. The closest I can get to is by saying that it felt like a weight had been lifted off of my shoulders.

And since I’m on vacation for the first third of June (not going anywhere, I’m just having a relaxing stay-cation at home), now is the perfect time for me to get back to work on Rose. I plan on getting through at least the first seven chapters of the novel, and then start on the new material for the novel. All that, along with more than a few blog posts I’ve been wanting/meaning to write for a while, and of course the normal stuff one does while on vacation (sleep, watch TV & movies, read, hang out with family and friends, run errands, have tea and scones with a succubus you’ve been seeing on another plane of reality, etc.), should keep me pleasantly occupied during my vacation.

So as you can see, Rose is still coming along. It may take some time, but I still think we can get the book out before it starts to turn chilly again (though in my state, that can happen even in summer). And I think when I get it done and on the shelves, it’ll surprise more than a few people. Especially those who’ve read earlier versions of the story.

That’s all until morning, my Followers of Fear (got another post I need to work on after I’ve gotten my much-needed sleep). Until then, pleasant nightmares. I’ll see you soon.

I was really eager to publish this earlier, but I felt like the #Cockygate issue deserved more attention, so I wrote about that first. That being said, I’m so happy to announce that I’ve finally reached a thousand followers on my blog!

And, oh my God! I have no idea where to begin talking about this. I mean, I’ve been writing this blog for nearly seven years, through school and job-searching and travels and working and ups and downs and so much more. And yesterday, during the tail end of a family thing, I just got a notification. Someone had decided to be my one-thousandth follower, even if they didn’t know it. The feeling of surprise was enough that I didn’t know how to respond (especially considering my family and I were trying to get somewhere while in the midst of a huge crowd). I’m still not sure how to respond.

Well, I guess the best way to respond would be to do the polite thing and say, thank you. Thank you to every one of you who has followed me for these nearly seven years. A big reason why I’ve been able to make it this far, in blogging and writing in general, is because I’ve had the support of so many people, especially the many people who’ve followed my blog over the years and have become this group I love to call the Followers of Fear. You’ve been there for me, encouraged me when I needed it, discussed with me issues ranging from the mechanics of writing to the simple day-to-day life to questions of right and wrong, and so much more. Some of you have even become good friends to me, and a few of you I’ve even had the pleasure of meeting offline. One of my earliest followers/friends even introduced me to my publisher, which I’m so incredibly grateful. And some of you even read my books when they’re published, which means a great deal to me. Hopefully you’ll want to read Rose as well when that comes out.

So thank you to all of you who’ve subscribed to my blog over the years. It means the world to me. And an especially big thank you to Bette A. Stevens, Maine Author, who was the thousandth follower to subscribe. Thank you so much for signing on, Ms. Stevens. I checked out your blog just now, and it is very colorful and lovely. I hope you and everyone else reading my blog enjoy my posts for ages to come.

I wish I had something else for you guys. I don’t really have a contest or anything like that prepared. I’m planning on doing one for Rose when that comes out, but nothing for this particular event. However, I’d instead like to hear from you. There are a thousand from you now, and I only regularly interact with a small fraction of you. So tell me, whether you’re a frequent commenter or just someone who hasn’t had much to say, who are you? How are you? What do you blog about? What do you like about my blog? What’s exciting going on in your life? Please tell me, I’m very curious to know.

Well, that’s all for now, my Followers of Fear. Thanks again for following me, and I hope I continue to give you quality reading material for ages to come. Until next time, pleasant nightmares.

I wasn’t planning on writing another post about this subject, but I got so many updates about the subject, I felt I should chime in. And I would’ve published this post earlier, but I had a family thing to attend, so that took up a bit of time. Well, no time like the present. Let’s talk Cockygate.

Now, for those of you who don’t know, or don’t have time to read my last post on the subject, let me give a bit of background: Faleena Hopkins is a romance author who writes a series of books called the Cocky Brothers series (though apparently it’s gone by several names in the past). Recently she applied for a trademark for the word “cocky,” with somehow got approved by the Patent & Trademark Office. Technically speaking, this only allows her to have control of the word using a particular kind of font on her book covers, but she’s taken this to extreme levels, and has sent cease and desist letters to authors who use “cocky” in the titles of their books, telling them to either change the names of their books, take them off Amazon, or face legal action. The authors targeted are mainly self-published writers who can’t afford a legal battle, and changing a book’s title is hellishly hard (imagine the insanity that might come from trying to change the name of the Harry Potter books, for instance). This puts them in a really difficult position.

As you might expect, when word got out about this, things escalated quickly: authors quickly called out Hopkins on this move, calling it extortion and bullying; the hashtags #cockygate and #ByeFaleena (ha! that’s still funny) started trending on Twitter; the Romance Writers Association asked anyone affected by Hopkins to send proof to them and started consulting with an IP lawyer; and Hopkins, who apparently once said that anyone who uses stock photos after she uses them is copying her (that still boggles my mind), posted a video online trying to defend herself and instead dug herself deeper into a hole.

Among other things. Yeah, this is one screwed up situation. And this has not only people angry at Hopkins, but afraid of the future: if you can trademark any word in a title, it’s possible no one will want to publish stories because they’re afraid they could get sued by a trademark owner for using a common word.

However, people have been fighting this, and keeping the story alive. And as time has gone on, there have been further developments in this case. Here are just a few:

  • A novelist and retired lawyer named Kevin Kneupper has come together with a bunch of other authors/lawyers to try to get the Patent & Trademark office to toss out Hopkins’ trademark using a petition for cancellation, which I applaud them for doing and hope they are successful.
  • The creator of the font Hopkins uses for her books came out and stated that anyone who uses his fonts isn’t allowed to apply for trademarks using his font. So, Hopkins is telling people they’re infringing on her trademark while at the same time breaking the rules of usage for the font she uses. Someone needs to read the fine print before telling someone else to do so.
  • Amazon has stated they won’t kick books off its website that have been targeted by Hopkins while they wait to see how this whole thing unfolds.
  • A company called Rebellion Games tried to get a trademark on the word “Rebellion,” (just the word, as far as I can tell), and Mr. Kneupper apparently convinced them to reconsider (and suddenly I want to interview him for my blog and/or name a character in my next novel after him).
  • Hopkins uploaded a video that’s since been taken down (but this is the Internet, so nothing ever goes away), where she said people were calling her and her fans stupid, and then said that meant they were calling her and her fans autistic. Um, say what? As far as I can find, no one brought up autism being mistaken for stupidity before you did. And as someone who’s on the spectrum, would you kindly leave my community out of this? IT HAS ABSOLUTELY NOTHING TO DO WITH WHAT YOU’VE BEEN DOING!!!
  • In the same video, Hopkins also said someone had insinuated that she was part of the KKK (proof please?), and said she would never be a Klansman, as she’s descended from a slave. Again, what does that have to do with you trying to trademark a word? And from what I’ve been hearing, some of the authors that have been targeted by the cease and desist letters are writers of color. And you’re not immune from criticism just because one of your ancestors was a slave. Heck, some of your critics may also be descendants of slaves.
  • Hopkins’s books have apparently slid from the bestseller lists. Apparently there are consequences to doing something like this. Who knew?
  • And most recently, Hopkins’ lawyer has sent Kneupper, along with fellow authors/lawyers Jennifer Watson and Tara Crescent, a letter stating that he’s going to be filing a lawsuit against them and seeking a Temporary Restraining Order against their Petition of Cancellation.

Now, this last one happened on Friday apparently, so with a three-day weekend, I have no idea what might develop before Tuesday, if anything. The legal process for this sort of thing can be frustratingly slow. However, this latest development just goes to show just how far Hopkins will go to try to keep her trademark and the power she feels this has given her. She’s determined to make herself seem like an innovative businesswoman who’s being victimized by a mean gang of authors trying to protect her brand.

Well, let her. She may have some supporters (some, but not many), but the longer this drags on and the more she tries to make herself seem like the victim, the more we’ll see her for the bully she is. And with the movement against what she’s doing growing and gaining allies every day, even if God forbid she does succeed in getting her copyright, she’ll just find herself isolated and hated. And in the end, that’s a victory no one wants.

I would like to applaud everyone who’s come forward about Hopkins targeting them. Your bravery is a true testament to your resiliency and spirit. Remember, if you’ve been targeted, email carol.ritter@rwa.org and share your story. Together, we can protect your hard work from what’s happening.

I’d also like to applaud all the other authors and readers out there who have said they won’t stand for this chicanery, and are fighting it every day, on and offline. And I’d like to give an especially big hand to Kevin Kneupper, Jennifer Watson, Tara Crescent, and the other writers/legal experts lending their talents to this case. Words cannot express what you’re doing to defend authors and fiction writing in general. Thank you for all you’ve been doing.

When further updates come along, I’ll likely put out another post. Until then, keep your eyes peeled for more chicanery, and remember, we do have the power to fight back against this. We just have to be brave enough to use it.

I’m not sure if I’ve ever mentioned this, but Rose has a lot of flashback sequences and other dips into the past within the story, especially in the last two-thirds. I did this for a number of reasons: exploring the characters’s pasts; making them more complex; and just an opportunity to write some sequences to add to the horror element of the story. And there are a lot of horrifying things in those sequences, things that I can’t go into without revealing too many plot details, but they did make my beta readers gasp and stare at the page wide-eyed. They were horrifying moments in the story.

Not to mention, I think that flashbacks can be scary if done right. A good example of this is Gerald’s Game by Stephen King: while the protagonist’s current situation is scary enough, going into her past midway through the story and seeing how her father abused her as a kid was horrifying in its own right. Another good example would be the movie Oculus: that film flashes between the present and the past throughout its runtime, and it’s freaky no matter what year it is (see my Rewatch Review of that film).

Well, it looks like I didn’t do the flashbacks right for Rose. In the notes on the fourth draft from my publisher, they mentioned that all those flashbacks are just bad stuff happening to those characters, and while that stuff is horrifying, it’s not scary. I’ve had a lot of back and forth with them on this, and after a lot of thought, I can see where they’re coming from. After all, while in the real world “horrifying” can be a synonym for “scary,” especially in relation to current events, in fiction that’s not necessarily the case. Think about it this way: Harry Potter is horribly mistreated by his relatives, and what he goes through is horrifying. But if you ask any normal Potterhead what person or creature from the books they would be scared to face, the Dursleys wouldn’t rate very high on that list. The dementors, Voldemort and his Death Eaters, or the basilisk, sure. But the Dursleys? Considering most Potterheads are Muggle in biology and can’t perform magic, anyone who had to face them would probably be invited into Privet Drive and served tea and cookies in front of the TV!

So while showing how many terrible things happened in the characters’ pasts may be horrifying, it might not be scary. And considering how much experience my publisher has and how well-received their books are (have you checked out The Cronian Incident by Matthew Williams yet?), I’m taking this piece of feedback to heart.

I won’t lie, though, I’m a little disappointed, and I’ve been wondering where I went wrong. Or maybe to phrase it better, I’m wondering how I might have done the flashbacks better.

Well, in the case of Gerald’s Game, whose flashback is most similar to mine, they only do one big flashback sequence, not several. That way, it doesn’t become a repetitive cliche or trick. That, and its connection with the current events of the story: the protagonist’s abuse by her father is very much connected to her current predicament, on psychological and symbolic levels as well as literal levels. And with Oculus, the horror behind the story–a cursed/haunted mirror–is scary no matter when it happens. Spinning a tale of two siblings who experience the mirror both as children and adults, and then going back and forth between those two experiences, makes for some great psychological/supernatural horror.

And maybe that’s the thing: connection. In both those examples, the flashbacks, no matter how they’re staged, have very strong connections to what’s happening in the story’s present. Of the ones in Rose, while they do have connections to the characters’ pasts, only one of them has a direct correlation to the current events of the story. And that one’s told to us by the antagonist rather than shown in flashback. And that’s why the flashbacks in this story didn’t work as well as they could have.

So what’s next? Since so much of the novel is in flashback, I may have to do a whole lot more revising. Hell, I may even have to rewrite a good chunk of the novel. Which isn’t something I’m unfamiliar with: as many of you may recall, I had to go back and start over on the first draft back in college because the first attempt went in a direction that didn’t help the story.

Still, it’s a little annoying, and I haven’t figured out exactly what I’m going to do for these changes (though I have ideas). Hopefully, whatever I come up with, it’ll come out for the novel’s betterment, and bring it one step closer to publication.

Fingers crossed.

Last week I had a dream that started pleasantly and ended up being kind of nightmarish: it involved me and a friend of mine from high school navigating an area with lots of rivers and creeks on surfboards. We were looking for a mythical golden treasure trove that many had searched for and failed. We’d heard the treasure we were looking for was cursed, but we went searching for it anyway, because nothing bad has ever come from seeking and finding cursed objects. Somehow we found the treasure where so many others had failed, split it up between us, and go home. However, soon after that, weird stuff starts happening: things move on their own, the faces on the coins change shape, and that’s just the start of our problems. Well before it gets really bad though, my friend and I realize that we have to return the treasure to where we found it.

At some point, someone in the dream says I could write a story about what’s happened to us. To which I replied, “Someone already did. It’s called Pirates of the Caribbean.”

After we agree to take the treasure back, I woke up. It didn’t take me long to figure out the main message of the dream (besides the fact that I can point out when my situation resembles a famous film in my dreams). You see, the night before I’d taken a swipe at starting the fifth draft of Rose, based on my publisher Castrum’s comments and suggestions. I got about a page in, and I hit a metaphorical roadblock. I couldn’t figure out how to advance. So I ended up going to bed not sure how to move further in editing this novel while at the same time integrating my publisher’s suggestions (many of which I agree with and think could elevate the quality of the novel).

That dream was my subconscious giving me a rather creative presentation of my doubts and anxieties regarding the editing and publishing process for Rose: that signing with a publisher was a really bad idea, that there’s nothing I’ll be able to do to make this novel publishable, that even if I somehow get it released, it’ll suck and anybody who reads it will leave bad reviews. A dark side to achieving my dream and finding a publisher, represented expertly by cursed gold.*

And then on Saturday, I tried again. And it went extremely well. I got thirteen out of sixteen pages in that chapter done. Yesterday, I got the last three pages done, plus all eleven of the next chapter (and while taking in a double feature on the Blu-Ray Player in the afternoon). And then today, I got another chapter done within a couple of hours. That’s an average of a chapter a day! Take that, conscious and subconscious fears involving working with a publishing process.

Obviously, these are still early stages of the fifth draft, and I’m going to encounter moments where I’m not sure what to write or how to integrate a suggestion from the publisher. Luckily though, my publisher has been great about answering any questions I have (thank God they don’t see me as a pushy American) and offering feedback to my ideas on how to integrate their suggestions. And with these last three chapters, I’ve been able to move forward mostly on my own. And with time, I’m sure I can get through the rest without trouble, and well before May 16th. I just have to keep being creative and persevere.

Obviously, doubts about what I’m doing and where I’m going will plague me throughout my writing career from here on out. I’ve passed a new turning point in my career, and it’s a whole new playing field from here on out. But the next time I feel those worries start to get to me, I’ll remember the dream about the cursed gold, and the productive weekend that followed. And I’ll just keep editing through my doubts.

And while I still have your attention, I’d like to give a shout out to my good friend and fellow novelist at Castrum, Matt Williams. He just finished writing his novel The Jovian Incident, Book Two of the Formist series, and will hopefully have it out later this year. I can’t wait to read it, as I really enjoyed the first book, The Cronian Incident, which currently holds a 4.7 out of 5 on Amazon based on 12 reviews. If you would like to read some hard-boiled detective fiction in a futuristic universe, this series may be the one you’re looking for. Check it out and leave Matt a review while you’re at it.

Until next time, my Followers of Fear, pleasant nightmares (hopefully none that resemble popular contemporary movies, though).

*Still not sure why I was using a surfboard to navigate rivers and creeks (obviously a reference to the various paths we authors take to finding a publisher), as well as why that particular friend was with me (I love the guy and it always seems like no time has passed at all when we see each other, but he’s not a fiction writer, so I can’t think of why he would be in the dream).

Last Monday, I announced that my novel, Rose, is getting published by Castrum Press. And amidst all the excitement and a little extra alcohol (because of course I’ve been celebrating), there has been a lot of correspondence between me and the publisher (and how cool is it that I can say that now?). Some of what we’ve talked about is how the publishing process works, what each of us can do in terms of marketing, etc. But one of the big things we’ve talked about in the past week is the fifth draft. And trust me, there’s going to be a fifth draft. Because as nice as the fourth draft was, it’s still got a few problems here and there that can be cleaned up.

I’ll be honest with you guys: as excited as I am about all this, I’m a little terrified. Okay, maybe a lot terrified. Before last Monday, this dream of being an author with a publisher was just that: a dream. And as much as we want our dreams to be accomplished, when they’re still dreams, there’s only so much damage that can be done to them. But once they’re brought into reality, like when a publisher wants to release your book, then there’s all sorts of damage that can be inflicted: negative reviews and/or poor sales, the process to publication can be beset with difficulties, etc. (I don’t think that those things will happen, but my overactive mind tends to consider every horrible possibility out there).

On Friday, my publisher and I agreed to catch up again in mid-May to see how my edits are going. After that, we’ll see where we go for there. And I’m scared that when they see what I’ve done there, they’ll feel I haven’t lived up to their expectations and rescind the publication deal. Again, I’m pretty sure this is more my fear than an actual possibility, but like I said, I have to consider all possibilities. And that one has gotten kind of big in my head.

Of course, me being me, I take what’s scaring me and turn it into a fuel for my confidence, motivation to produce good work, and a means to scare others (I believe psychologists call this sublimation). I even gave myself a pep talk a few minutes ago in front of the mirror, using a scary voice to convince myself how powerful I am and that I can accomplish what I set my mind too. And it worked very well. Weird what I can do when I tell myself that I am the Devil, Azathoth, Nyarlathotep, and Death all rolled into one, and that I can be my generation’s Stephen King while sounding like I’m possessed. Yes, I do that. Don’t judge me.

So I’ll get started on a fifth draft of Rose very soon, finishing up a couple of tasks before I do so. I’ll also be leaving for the library in a little bit to print out some of the editors’ notes. Hopefully I can take enough from those notes to better the manuscript before the deadline in mid-May. Fingers crossed.

As always, I’ll keep you guys informed of any developments that occur. Until next time, my Followers of Fear, pleasant nightmares! (I know it’s not even two in the afternoon yet. But that’s never stopped some people from having nightmares during the day.)

I’m really not sure where to start with this one. I mean, how do you tell people about the realization of your childhood dream in one blog post, let alone be coherent? I feel like going in fifty different directions with this post, that’s how excited I am!

Well, I guess I’ll start at the beginning. Or what I think makes a good beginning, anyway: back in March of last year, my friend and fellow novelist Matt Williams (check out his blog HERE) announced that his novel, The Cronian Incident (which I recommend if you’re into science fiction and detective stories, by the way)  had been accepted for publication by Castrum Press, a company based out of Belfast in North Ireland which, in the year since Matt’s been accepted, has gained a bit of a reputation for publishing great speculative fiction and treating its authors very well. Later that year I did an interview with Matt and then received an eARC copy of Incident from Castrum to read and review. After hearing how Matt liked the company and seeing how well his book was doing, I asked if he’d make an introduction for me to the company’s editor. He said yes.

I talked with Castrum’s owner, Paul, and he asked to see some of Rose. This was after the third draft had been finished, if I remember correctly. I sent him the first ten pages, letting him know I planned to do one more draft after the beta readers were done with the manuscript. He sent back some notes and asked to see more of the book when it was done. One draft later, I sent him the fourth draft of Rose, hoping against hope that they’d like it enough to publish it.

Cut to last Friday, and I receive an email when I get home from work. It was Castrum: they wanted to discuss publishing Rose. After jumping up and down like a kangaroo and screaming high enough to break glass, I replied saying I’d be happy to work with them. Paul sent a contract yesterday, and after having some of my questions answered, I signed the contract and sent it back to him this afternoon, with the realization that my dream has been accomplished. A novel of mine is getting published by a company.

To which there’s only one thing to say:

By the way, if you’re unfamiliar with Rose, this is a novel I first wrote as my college thesis during senior year. It follows a young, amnesiac woman who starts turning into a plant woman. And that’s just the events of Chapter One. And trust me, it’s a full-on horror novel from there, complete with psychological and supernatural terrors galore. I tried editing it again in 2016 and couldn’t make it work, tried again in 2017, and after that things kind of just snowballed from there. And now it’s getting published.

Obviously, I’m feeling a number of emotions right now. Excitement about the publication process and seeing Rose out in print, nervousness about how it will be received by the book-reading public, satisfaction that this dream has been achieved, hope for the future, and a feeling of goodwill about things to come. Especially that last one. Since at some point during the third draft of Rose, I had a feeling that things were about to change, that something big was about to start. And since the New Year, I’ve had this very strong feeling that not only was 2018 going to go slower than 2017 did, but that 2018 was going to be my year. And so far, it seems I was right on both counts. And I hope I can continue to be right on both counts.

Rose will appear in this medium very soon.

There’s so many people to thank for this wonderful event. Firstly, my friend Matt Williams for connecting me to the company, my beta readers Joleene Naylor and Dr. Black (my chiropractor, believe it or not), as well as Paul Camper, Maura Heaphy, and Manny Martinez for looking at the book back in college, and of course to Castrum for taking a chance on this indie author from Ohio. But most of all, I’d like to thank you, my Followers of Fear. For nearly seven years, you’ve stood by me and supported me through my various writing endeavors, my college experience, finding and getting a job, my ups and my downs, and so much more. You’ve all supported me and helped me get this far, and I can’t thank you enough for that. I hope you continue to support me (and maybe even read Rose when it comes out) as I continue down this road and try to make sure Rose is a huge success.

So what happens next? Well, I’ll work with Castrum to produce a fifth and hopefully final draft of the novel. We’ll get to talking about cover art and at some point we’ll set a release date (I’m hoping before Halloween, but we’ll see). And of course, I’ll make sure to let you know of any major developments.

Until next time, my Followers of Fear, I wish you pleasant nightmares (I’ll, of course, be having nothing but pleasant dreams)!

I have not been blogging much in the last week or so, though I’ve read just about every blog post that shows up in my inbox. This is partly because I haven’t had anything I’ve felt passionate enough to blog about and because of time constraints, but it’s mostly because of the story I’ve been working on lately. You see, this story is challenging me as a writer, and the challenge has me engrossed, more so than a test engrosses Hermione Granger around exam time (oh Harry Potter, you always give me something when I ask). It’s so engrossing, that it’s taking up all my creative energies, leaving me unable to blog or even come up with new ideas for stories (though I already have more ideas than I know what to do with, so that’s not a huge problem).

Some of you may remember that I started working on a story I thought might become a novelette or novella in between drafts of Rose back in October or November. After finishing the short story Do-Over the other day, I started working on this story again, and as I said, it’s been challenging. On a number of levels, actually: for one thing, there’s an anthology I’ve heard about that’s looking for stories of a certain word length, so I’m trying to write this story to keep it within the anthology’s word limits. Yeah, I know I should let the story be whatever length it’s meant to be, but after expanding Rose to twice its word length last year because it was suggested I do just that, I feel like I can aim for a certain word count and still get a good story out of it.

Another reason it’s challenging is because of the narrator. Like Rose, I’m telling this story through the eyes of a first-person narrator, which means I’m reliant on her as a narrator to tell the story and to create a good horror ambiance. But at the same time, she’s got a history, a personality, and observations that she’s putting into her story. It’s less like I’m writing the story and I’m channeling my narrator as she’s telling the story, though I do have the power to go in and make changes as needed. And creating that horror ambiance while balancing my narrator’s voice and what she feels is necessary to put into her story, such as her interactions with her husband, isn’t that easy.

Did I mention that this story also takes place over thirty years before I was born, in a state I’ve only visited once? Well, it does, so in addition to being a horror story, it’s also historical fiction, and I’m working hard to recreate an age and place I’ve never experienced, with all the fashions, technology, and attitudes in place. It’s a lot of work, to say the least.

And on top of that, you have all the normal challenges of storytelling: making a story interesting, pacing, showing vs. telling, dialogue, word choice, et cetera, et cetera. I’ve got my work cut out for me.

But honestly, I think it’s all worth it. Because in my experience, if a novel challenges the writer, it’s going to be a better story in the end. Look at Rose: that novel challenged me every time I worked on it. The first draft alone, I had to go back to the very beginning and start over again because I had to totally reroute the path the story was taking. During the third draft, I added forty-thousand words, a whole new plot line, and even a character or two just to make the story not only longer, but better. And in the end, I created one hell of a story that I feel has a great chance of publication. Hopefully with this story I can get a similar outcome.

Stories can be challenging to write sometimes. It may be difficult to get the words on the page, but in the end, with a lot of work, I think it can lead to a really compelling story. And I’m looking forward to seeing if, after a lot of blood, sweat and tears, I can wrangle out a good story here.

Well, I didn’t expect this to happen today. I figured it would happen at some point this week, but I never expected to get through the last three chapters so fast (especially since one of those three is thirty-three pages long). But yeah, I finished the fourth draft of Rose, the one edited with beta reader feedback! And all in a single month. Damn. I’m kind of proud of that rate of progress.

So if you’re among the many new Followers of Fear who are hopping onto this blog recently (hi! How are you? Are you enjoying my ramblings and opinions?) and you have no idea what Rose is, it’s a novel I started writing in college as my thesis project. The story is about a woman wakes up with amnesia and starts turning into a plant creature (and that’s just Chapter One). I did two drafts of it during my senior year of college, left it alone for a year, tried to pick it up again after I got my job, found progress very slow and dropped it, picked it up again this past summer with a new plan of going about editing the story, got through the third draft in four months, had some great beta readers look at the book and give me their feedback, and then somehow edited the book in a month (still gotta toot my horn on that one).

And you know what? This has been the most challenging story I’ve ever had to work on. I know I’ve said that before, but it’s the truth. Throughout the writing and editing process, this story has mutated more than the titular character does (because how else are you going to describe what she’s going through?)! Even during the very first draft, the story went through major changes. I initially had a different direction entirely for the story, which involved a lot more elements of Japanese folklore than appears in the novel (already heavily influenced by Japanese folklore), and involved some apocalyptic elements too. Thankfully, my thesis advisor helped me see how unfocused that direction would’ve been, and how much more intimate and scarier it would be if I went in another direction. This ended up being the route the story took, and if my beta readers can be believed, it’s a good thing I did, because the novel works the way it is now.

But honestly, that’s just the tip of the iceberg. So much changed with each draft, sometimes during the editing of a draft. Elements were added, subtracted, moved about, propped up and knocked down every day as the writing and editing needed. I added an entirely new plot element to the third draft to both add some length to the story and to foreshadow something that would be revealed later about one of the character. In the fourth draft, I changed the location of one minor element just so it wouldn’t seem unnecessary. I even wrote a whole new chapter for the third draft because I I needed it to do some necessary revelations about the antagonist.

Hopefully this happens to Rose very soon.

I keep thinking of those weird metal amalgams where if you add the right sort of current to it, you can change its structure (I’m pretty sure that’s a thing). Rose is very much like that: ever-changing with each new iteration, and hopefully becoming better each and every time.

Now that I’ve made that deep metaphor, I think I’ll talk about page and word counts, because I like talking about that. And while the shift from second to third draft was pretty dramatic, owing to the fact that I added about forty-thousand words of material to the story, third to fourth wasn’t that dramatic. If anything, it’s a bit smaller: the third draft was 266 pages (8.5″ x 11″, 12-point font, Times New Roman, double-spaced) and 84,677 words. The fourth draft was 264 pages and 84,390 words. A total drop of two pages and 287 words. I honestly thought it’d be a bit more, but I guess I was wrong.

So what’s next for Rose? Well, after four drafts and great feedback from my beta readers, I’m going to try looking for a publisher. I’ve been doing my research and I’ve got a few leads that I think could pan out, so hopefully I’ll have news within the year to share. And in the meantime, there are a couple of short stories, one novelette, and a blog post for Self-Published Authors Helping Other Authors I’ve been waiting to work on till I was done with the fourth draft, so I’ll likely start on those tomorrow. Hopefully I can get them all done before any publisher takes an axe to my door in their eagerness to publish me (I wish!).

Well, Followers of Fear, that’s all for now. It’s getting late, I’m tired, and I’ve got a big day tomorrow. I’ll let you know how things are going as they happen. Until next time, pleasant nightmares!