Cover illustration of “Agoraphobia” by Don Noble and Rooster Republic Press
You know what one of the good things about February is? It’s easier to figure out what day something is in March and how far away it is by what the corresponding day is in February.
As many of you know, I’m releasing some of my shorter stories as e-book exclusives with the print versions only available as chapbooks at events (click here to find out what a chapbook is. Click here to here about future events I’m attending this year). Why? Because I’m constantly trying new things to expand my audience, and this is just one of them. Anyway, another one of my stories is coming out next month on March 16th. Which, as you might have noticed, is exactly a month away!
See? It’s the corresponding day in February. Works out wonderfully.
The story in question, “Agoraphobia,” is about a man with severe anxiety and agoraphobia who is forced to leave his home when a hurricane bears down on his area. Considering how anxious and agoraphobic people are during this pandemic, I think they’ll sympathize with the main character. I even based his anxiety feelings on my own feelings of anxiety, so I hope those parts will speak to readers.
Anyway, the story is available for preorder now from Amazon. I’ll leave the links below for you Followers of Fear to check out. And if you do end up reading the story, let me know what you think. Positive or negative, I love reader feedback, and it helps me out in the long run.
Anyway, that’s all for now, my Followers of Fear. I have work today, so I’m going to get on it. Until next time, stay safe and pleasant nightmares!
This day has been full of exciting stuff happening behind the scenes. In fact, quite a lot has been happening on and off the blog. I can’t go into all of it right now, but I hope to get a few out before this time next week. For now, however, there’s an important one I have to make.
As I announced previously, my next e-release will be “Agoraphobia,” a short story I wrote last year about a man with severe anxiety and agoraphobia who has contend with the possibility of leaving his home during a hurricane. It gets even worse when something gets into his home.
I haven’t talked about it since then, but guess what? I’ve finished looking over the manuscript, the cover’s been created and the release date is set. The gears, ladies and gentlemen, are moving and “Agoraphobia” will release on Tuesday, March 16th, 2021! Why that date? No reason. I just believe stories, from short stories to novels, should have a good lead up time so that as many people as possible can get excited/interested in reading it.
And now, for the cover reveal. This cover was created by Don Noble and Rooster Republic Press. They do some amazing cover work, if you’re interested (you can check out their design services here). And I have to say, I love what they’ve done with my ideas:
Pretty cool, right? It’s quite atmospheric and I love the title font. And it really evokes the hurricane element.
So, where do you get “Agoraphobia” if you’re interested? I’ve include the Amazon links below. It’s available for pre-order, and at only 99 cents (or 77 pence in Britain or $1.26 in Canada). And if you do decide to read it after it comes out, please let me know what you think. Positive or negative, I love reader feedback, and it helps me, as well as other readers, out in the long run.
And yes, I’m sorry that it’s only available in e-book format. Print versions will only be available at events where I’m a vendor as chapbooks. (Click here to see what events I’ll be attending and when) Yeah, it’s a marketing strategy I’m trying. Here’s hoping it pays off.
That’s all for now, my Followers of Fear. I have a marketing machine to set into motion. I hope you’re excited to read “Agoraphobia” as I am for you to read it.
And if you’re interested, or need something to read in the meantime, I’ve got some other stories available. You can check out my short story collection, The Quiet Game: Five Tales to Chill Your Bones; my serial killer thriller novel Snake and my fantasy-horror novel Rose; or “Mother of the King,” the first story in the New Arthur Universe, a series of shorter stories centering around the return of King Arthur. I’ll include the links below. And if you decide to read any of them, let me know what you think. As I said, it helps both me and other readers out in the long run.
Until next time, my Followers of Fear, stay safe and pleasant nightmares!
Funny story: earlier this week, I found out I lost some weight, even though I hadn’t expected it (if anything, I thought I gained). I’m talking to my dad about it and say, “I’ve no idea what happened. I’ll have to watch my weight carefully for a while. Make sure I’m not going through something like out of Stephen King’s Thinner.”
My dad has never read a Stephen King novel in his life. His response was, “…okay.”
Me: “Trust me, it did not end well for the guy suddenly losing weight in that book.”
And if you count that as a spoiler, remember that book is nine years older than me. What were you doing these past thirty-seven years?
Okay, onto the meat of this post. The audience on this blog has been growing by leaps and bound lately. So first off, hi everyone. Thank you for joining the Followers of Fear. We don’t (normally) sacrifice members and there are hidden benefits to joining. Namely you’ll likely survive when I start the Apocalypse. Maybe.
Second, since there are so many of you, I thought you should know something about me and my works. First off, me: I’m a novelist from Ohio specializing in horror and dark fantasy. I like reading and writing, anime and horror movies, and being an unabashed eccentric. I also have three books and a short story on e-book available right now, so if you don’t mind (and if it doesn’t make you want to unfollow me), I’d like to tell you about those books. You know, in case you’re interested.
In his publishing debut, Rami Ungar brings us five terrifying stories of darkness in magic. You can experience the strange visions of a man battling sex addiction in “Addict”. Or feel the wrath of an enraged dybbuk in “Samson Weiss’s Curse”. Face your fears in Gene Adkin’s Murder House in “I’m Going To Be The Next James Bond” and then journey with a young autistic “In The Lady Ogre’s Den”. But most of all, prepare to play the most insidious game of all: The Quiet Game.
My second foray into self-publishing. While a lot of these stories aren’t as scary or as well-polished as some of my later work, I think they’re still enjoyable to a degree. Plus, I had a lot of fun writing these stories. Give it a shot if you’re interested.
How far will you go for love and revenge? When a young man’s girlfriend is kidnapped by the powerful Camerlengo Family, he becomes the Snake, a serial killer who takes his methods from the worst of the Russian mafia. Tracking down members of the Camerlengo Family one by one for clues, the Snake will go to any lengths to see the love of his life again…even if it means becoming a worse monster than any of the monsters he is hunting.
A homage to my burgeoning love to slashers, too many James Patterson novels, and Law & Order: Special Victims Unit, this was another one I had fun with. It’s also, too date, my longest book, over 100,00 words! And yet, people still find it a quick read. Must be the fast pace. Anyway, check it out if you like unusual tales about serial killers in your diet.
Rose Taggert awakens in a greenhouse with no clear memory of the past two years and, to her horror, finds her body transformed into an unrecognizable form. Paris Kuyper has convinced Rose that they are lovers, and as Paris could not bear for her to die, he has used an ancient and dark magic to save her from certain death. But the dark magic Paris has used comes at a price. A price which a terrible demon is determined to extract from Rose. As Rose struggles to understand what is happening to her, she must navigate Paris’s lies and secrets; secrets that Paris will do anything to protect.
I wrote this novel back in my last year of college as my thesis. It took five years, and more rewrites than I care to remember, but the novel was accepted by Castrum Press, my first novel with a publisher (and hopefully not the last). And you know what? Nearly two years later, it only just got its first one-star review! Yeah, that’s a record (and something I hold as a badge of pride). I think that makes it worth a try, don’t you?
So, those are my published works. And I hope to follow them up with plenty more. And while I work on those, I hope you’ll consider not only checking out these stories, but letting me know what you think once you’ve read them. I love getting reader feedback, no matter what that feedback is, and it helps me out in the long run.
Well, that’s all for now. I’m off to get a lot of sleep. Followers of Fear, stay safe, have a great weekend, and pleasant nightmares!
In my last post, I mentioned that I was prepping to move into a bigger apartment and was getting ready to do so. While going through some stuff, seeing what I wanted to keep and what I wanted to donate, I was surprised by what I found hidden at the bottom of a box: my three contributor copies of the Winter 2011 issue of TEA, A Magazine. This is significant because this was the first time I was paid for a published story!
While my memory can be very unreliable sometimes, I remember that story, and that magazine, so well. I was still in high school then, and I was just starting to try and get into the short story market. In those days, I was regularly borrowing these annual guides on the short story market, reading the articles for anything I could use to improve my own storytelling techniques and looking at the listings of magazines and small presses I could submit my work to. One of the listings was for TEA, A Magazine. You can guess what it was focused on. Articles, ads, recipes, and even fiction centering on tea.
I was a big tea drinker even then, so I was intrigued. And I thought, Why not try to write a short story about tea and send it their way? And I did, a short story called “Summers with Grandmother Fumika.” And as you can tell from that title, I was a huge nerd for anime, manga, and Japanese culture back then. In fact, I was crazier about it then than I am now! But back to the short story. “Summers with Grandmother Fumika” was about a young Japanese-American girl who stays with her grandmother during the summers, and one summer, they perform a tea ceremony for a kitsune, a multitailed fox spirit.
Definitely more fantasy-based than Rose was, though they both drew upon Japanese culture. And it had a happier ending.
I don’t think I really expected TEA to accept my work, but to my surprise, the editor actually enjoyed the story and wanted to work with me on it. A couple of months of edits, and they sent me a contract. Not too long after, they sent me a $100 check for the story, as well as my contributor copies.
My short story in the issue, “Summers with Grandmother Fumika.”
Edgar Rice Burroughs, the creator of Tarzan, once said that he could make a million dollars in his lifetime, but he would never feel richer than he did the moment he received a $400 check for his first story, A Princess of Mars. For me, I have the same feeling about that $100. Not because I grew older and $100 didn’t seem like such a big deal as it did in high school. But because that check came with more than just monetary meaning. It came with validation.
Imagine, only 17 and someone thought that something you had written was not only good, but they wanted to pay money for it! To include it in a magazine read by hundreds, maybe even thousands of people! “Intoxicating” doesn’t even begin to cover the feeling I had then. And I’ve been chasing that feeling ever since, trying to replicate it.
Of course, like any addiction, nothing ever compares to that first high. Thankfully, with this addiction, there are plenty of other perks when I manage to publish something people enjoy. You can probably guess what they are.
I’m glad I was able to rediscover that story and those contributor copies. It’s been so long, I’d forgotten that I even had them. And with it being around ten years since that issue of TEA was released, it feels almost timely. Makes me want to do something with “Summers with Grandmother Fumika.” Maybe a reading on a YouTube video? It’d be more fantasy than horror, but I’m sure there would be some people interested in hearing me read it. We’ll see after the move.
Anyway, thanks for strolling down memory lane with me, my Followers of Fear. It was a nice, warm, nostalgic moment in my day and I wanted to share it with you. And it reminds me that, even though it’s been awhile since I’ve had an acceptance, it doesn’t mean it won’t happen in the future. Hell, if I can do it at 17, then I can do it at 27. Just a matter of time, work and finding the right publication.
Until next time, my Followers of Fear, good night, Shabbat Shalom, have a good weekend, and pleasant nightmares.
Back in November, I announced that I was going to release some of my short stories as e-book exclusives, with print versions available as chapbooks at events (click here to find out what a chapbook is, and click here what events I’ll be attending in 2021). At the beginning of December, I released the first of these stories, an Arthurian fantasy called “Mother of the King” (links below). That did very well and got good feedback. And based on that feedback, I’ve decided to tell further stories in that world.
While those are still gestating in my imagination, however, I still plan to release a few short stories over the course of the year as e-books. And, if the title of this post didn’t clue you in, I’ve decided on which story will be getting the e-treatment: “Agoraphobia,” which follows a man with severe agoraphobia and anxiety trapped in his home during a hurricane. And there’s something in his home with him.
I chose this story because I’ve gotten a lot of good feedback from beta readers on the language and portrayal of anxiety. I also think, since this is more horror than “Mother of the King” was, more people will show an interest in it and want to download it. And of all the stories I’m considering for e-release, it’s the most edited, so that’s helpful.
Before I set a release date, however, I’m going to go through this story one more time and see if I can’t fix up any typos or whatever. I’ve recently learned how to do that thing where Microsoft Word reads your document to you, so I’m looking forward to using that as an editing tool. After I’ve gone through and cleaned it up as much as possible, I’m going to commission an artist to make a cover, as I feel that there aren’t any stock photos or covers I could use like I did with “Mother of the King.”
After all that, then I’ll set a release date, let you all know, and get the ball rolling on that marketing machine of mine. I hope you’re as excited as I am for me to get this story out there.
In the meantime, I’ve got some other stories available if you want to check them out. My other e-release, “Mother of the King,” is available, of course, but so are my fantasy-horror novel “Rose;” my serial killer-thriller “Snake;” and my collection of short stories, “The Quiet Game: Five Tales to Chill Your Bones.” I’ll leave the links below if you want to check them out. And if you do end up reading them, please leave a review or let me know some other way what you thought. Positive or negative, I love your feedback, and they help me and other readers in the long run.
That’s all for now, my Followers of Fear. Until next time, stay safe and pleasant nightmares!
You know, I still remember when it took me months to write a short story. Or it felt like months. It might have been less. But it took a lot longer. I didn’t always have that great discipline when it came to writing, so projects took a lot longer than they do now. I guess that’s growing up and getting experience.
Well, at least it doesn’t take that long to get stories written now. Because, guess what? I just finished my first short story of 2021!
Can I get a GIF of Kermit the Frog being totally excited right now?
Was that necessary? Not at all. Did I enjoy putting it in there? Quite.
So, I’m sure you’re curious about the short story I’ve written. The story is called, “The Divorce from God,” and is unusual for my work because it draws very strongly on my Jewish heritage. Yeah, I may be Jewish, but that doesn’t appear in my fiction very much. Probably a number of reasons for that, but I guess there’s just not many stories I feel like telling where my heritage could fit comfortably in.
However, this story was inspired by a recent scandal in the ultra-Orthodox community, so this time the Jewish heritage fit in quite well. In case you weren’t aware, back in 2013 an ultra-Orthodox rabbi was arrested for some serious crimes. You see, in Judaism, a woman can only get a divorce if her husband gives her a document called a get. Without that, she’s forever tied to him. And sometimes, husbands will hold that over their wives, leaving them with few options. Women stuck in this situation are known as agunot, or chained women.
I bring this up because the rabbi I mentioned was being hired by these women to kidnap their husbands and torture them until they granted the divorce. And the guy charged thousands of dollars for his services, too! He got away with this for decades, protected by his victims’ unwillingness to testify or by the charges being dropped. However, after one of his victims came forward, the FBI pulled a sting and he and his cohorts were arrested. Most of them are still serving their sentences, last I checked.
I first heard about this story last year when I heard that a movie was being made about it. The story immediately inspired me with ideas. And then, about a week ago, I heard about an anthology of Jewish horror being published later this year, so I thought, “Might as well write this story now. It’s a good fit.”
It was a good night of writing, all told.
And hopefully, once I’ve done some edits, it will be. I’ve already sent it to my dad, who’s a rabbi and who’s agreed to take a first look, to give his feedback on the Jewish aspects of the story and if I do a good job explaining those aspects for a non-Jewish audience. After that, I’ll probably let a beta reader or two take a look at it and do some edits before sending it in for consideration. Fingers crossed, the editors will like it.
For now though, I think I’ll celebrate with a cup of tea and a late viewing of Die Hard 2, which is probably the best of the Die Hard sequels. Tomorrow, I’ll probably talk about my next major project. Or watch and review a horror movie. Or both. We’ll see what I’m in the mood for.
Good night, my Followers of Fear. And until next time, stay safe and pleasant nightmares!
Do any of you remember back in April, when an incident occurred near my building that the cops had to be called to take care of? And I got so inspired by it, I used it as the basis of a short story? One that I wrote in one whole evening without getting out of my chair till the story was done?
Don’t worry if you don’t. My memory has faded as well.
I bring it up because yesterday, something similar happened. No, there wasn’t an incident in my neighborhood that required the police (not that I know of, anyway). But I had a sudden flash of inspiration, and knew I had to write the story immediately. The result was six hours or so at the writing desk working on a new short story. I was done at three in the morning (I was a wreck at work today).
Anyway, onto the story, which I named Le The de l’apres-midi. Yes, I gave the story a French title. I am that pretentious. I was going to name it, “That Feeling You Can Only Say in French,” but Stephen King beat me to it, so I settled on Le The de l’apres-midi, which means “afternoon tea.”
Maybe I should just call it that.
Where was I? Oh right, the story is about a film society that gets its hands on the only extant copy of a surrealist silent short film, Le The de l’apres-midi. This film is infamous as it was considered so disturbing, its director was expelled from the surrealist movement of the 1920s. The members of the film society soon learn that not only is this reputation well-deserved, but the copy the society has may be something sinister in and of itself.
The story was inspired by Un Chien Andou, or The Andalusian Dog, a short surrealist film by Luis Burkel and Salvador Dali. A YouTuber I follow recommended it as a lesser-known disturbing piece of horror cinema, and while I didn’t find myself terrified by it, I did find some moments scary and slightly upsetting. It probably didn’t help that I was eating dinner while watching it.
Anyway, the film inspired the short story, and I started writing. At the end, it was just under thirty-eight hundred words. And next…well, I think I may give it a round of edits before I let a beta reader see it. Maybe it’s because I was up past midnight and rushing so I could get to bed, but I feel like the ending needs a few tweaks. Maybe a bit more fleshing out and a much more dramatic conclusion. We’ll see when I get to it.
Mother of the King. Releases December 1st, 2020.
For now though, I have a beer I’d like to pour, and a new project I need to get to work on. And then I’m getting some sleep so I’m not a wreck tomorrow at work. Wish me luck.
Oh, and before I forget, my fantasy story “Mother of the King,” about the woman who raises the returning King Arthur, will be released two weeks from today as an e-book exclusive. If you’re interested to check it out, click the link and you can place a preorder now. Or you can check out all my available stories on Amazon through my author page. Checking out my work not only helps me out, but it might make for a good read or for a relative/friend this holiday season. So why not?
Well, that’s all for now. Until next time, my Followers of Fear, pleasant nightmares!
One piece of writing advice I don’t often seen given is that you sometimes need to change what you’re doing. I don’t mean you need to abandon your projects to embrace a new genre or resort to crazy gimmicks like dancing in the middle of the road and passing flyers out to passing drivers about your book/website (though that does sound memorable). It’s just that sometimes, if a particular method for getting your work out there doesn’t work, it can be a good idea to examine what you’re doing and maybe make some changes.
I’ve been examining my own methods as of late, and given my own goals in the short-term and long-term, I’ve made a decision regarding my short(er) stories. While I’ll still attempt to get some of these stories published in magazines and anthologies, I’ll also be releasing some of those stories as e-book exclusives.
That’s right. There’s going to be a lot more stories of mine available now. In fact, I plan on releasing one before the end of the year, and then releasing two or three throughout 2021.
The reasons why I’m doing this are many, so I’m not going to bore you with the details. But the main reason is that I want more people to be exposed to my work, and the industry as it is now allows me to be a gatekeeper alongside publishers, so why not take advantage of that?
But wait, there’s more! I also plan to release print versions of the stories. These stories will be available as little booklets (or chapbooks, as they’re known in the industry, and I’ll have to write a blog post about those someday), and they’ll be available at events like conventions and book expos. This means anyone who has a physical copy of one of these stories will have a special, exclusive piece of fiction memorabilia!
And who knows? If these stories do well both as e-books and as booklets, then I might produce audio versions, or maybe put them out as collections. That might be fun to do. Especially if there’s a demand for it.
I hope to have an announcement out about which short story will be released first. I’ve already selected the story, but I want to give it another edit and create a cover first. So, that’s the big project today. Hopefully soon I’ll be able to post an announcement and a release date, as well as get the marketing machine up and running again.
That’s all for now, my Followers of Fear. I’ll be back before too long, believe me. Until next time, pleasant nightmares!
Also, a big thank you to our troops, both past and present, for their sacrifice and service. We here in the United States would not enjoy the freedom we do without you, and we can’t thank you enough for what you’ve done. May the memory of your great deeds live throughout time and remind us to never take what we have for granted.
Me at Center of the World, Ohio. Yes, it’s an actual place. In Ohio.
Officially titled Center of the World: A Sleepy Hollow Story, the story takes place in the community of Center of the World, Ohio twenty years after the events of the original story. There, Brom Bones meets the Headless Horseman again, and finds the events of twenty years ago, when both he and Ichabod Crane competed for Katrina Van Tassel’s hand and Crane disappeared, have a bearing on the events of his life now.
And before you ask, Center of the World is an actual place here in Ohio. It was founded by an eccentric investor in the 19th century with the hope that the name would make it suitable as a railroad hub, thereby making the investor and his community rich beyond their wildest dreams. It didn’t happen, however, and the only remnant of the community is a sign on a stretch of road, which I visited and filmed a short video of after leaving the Bellaire House a few weeks ago. Like I said, I don’t always post my YouTube videos on this blog.
Anyway, I ended up tweaking the details of Center of the World for this story. I set the found several years earlier than it would’ve been and made the investor’s reason for doing so a proposed canal system than the railroads. Had to do that in order to make the setting take place two decades after the events of Sleepy Hollow. Besides, the location was too much fun not to include it in the story.
Anyway, the story is around fifty-three hundred words, so it’s just short enough to fit the word count for a market I’m keeping an eye on. The market won’t be opening for a while yet, but that gives me plenty of time to edit and polish this story up. By the time submissions are open, it should be ready and maybe worthy of publication.
In the meantime, I’ll be editing another short story of mine to send out, and then I think I’ll start work on a novella. All that and more will helpfully keep me busy till New Year’s.
Until next time, Followers of Fear, happy November and pleasant nightmares. Remember, only 363 days and a few hours till Halloween 2021. I think we can make it.
What stories are you working on these days? How are they coming along? Let’s discuss.
“The Headless Horseman Pursuing Ichabod Crane” by John Quidor, 1858
Recently, I rewatched a movie inspired by The Legend of Sleepy Hollow that I first saw a teen. The movie was better in my memory, but it did get me interested in the original Washington Irving short story. Which, I realized, I’d never actually read. The closest I ever came was a version that had been updated for the 21st century and dumbed down for kids. As it was America’s first ghost story and I’m a horror writer from America, I figured I should correct that.
So, I read the short story. And then I did some research into the story’s background and influences, as well as some of the other adaptations (I will maintain to my death that the best version is the TV series Sleepy Hollow, and not the Disney cartoon or the Tim Burton film). And once again, following my interests has led me both down a rabbit hole and to an idea for a new story.
Still my preferred adaptation.
But first, let me tell you some things about The Legend of Sleepy Hollow that may surprise you. Turns out, there’s a lot about this story than most realize.
For instance, there really were two historical figures named Ichabod Crane and Katrina Van Tassel. Yeah, they were real people. Washington Irving liked to name characters after people he met. For Katrina Van Tassel, she was the daughter of a family Irving stayed overnight with, and was charmed enough by her to immortalize her in fiction. I wonder how she felt about her character being a flirty MacGuffin whose father’s fortunes and lands were more relevant than her appearance or lack of a personality.
As for Ichabod Crane, he was a colonel in the US Army who served for nearly five decades (yes, I believe that’s where the TV show got the idea to make him a Revolutionary soldier as well). However, his character was likely based on an actual schoolteacher, Jesse Merwin, who taught in Kinderhook, New York and came from Connecticut, like the fictional Crane did. So…yay for namesakes?
Speaking of Washington Irving, he’s buried in the real town of Sleepy Hollow. Yeah, that’s true. They even worked that into the movie I mentioned at the top of the post (though they left a lot of questions in their wake).
But the biggest surprise I found out about America’s first ghost story? It’s not a ghost story.
Now I know what you’re thinking. But hear me out: while it’s regarded as a ghost story by many, this is mostly because the Headless Horseman and his midnight chase of Crane has entered the public consciousness more than any other aspect of the story. In reality, the Horseman plays only a minor role until the story’s climax.
Disney’s Headless Horseman. Traumatizing children and contributing to the confusion over the story since 1949.
So what is The Legend of Sleepy Hollow, if not a ghost story? Why, it’s a somewhat comedic tale of two self-centered men vying for the hand of the local squire’s daughter and the cunning trick one uses to get ahead of the other.
In one corner, you have Ichabod Crane, the educated but superstitious outsider who uses his learning and guile to ingratiate himself into the town, feed his gluttonous appetite and maybe marry into a wealthy lifestyle. In the other, you have Abraham “Brom Bones” Van Brunt, the local tough who is more brawny than intelligent but is stubborn and cunning, and may be just as interested in Katrina Van Tassel as he is in her inheritance. Neither one is exactly likable, but it’s fun to see these two go to extremes just to marry Katrina.
And while most adaptations paint the Horseman as a supernatural entity, the original story strongly hints that Brom was dressed up as the Horseman to scare the superstitious Ichabod out of town, which is why the latter disappeared from Sleepy Hollow. In fact, the first feature film adaptation of the story, the 1922 silent film The Headless Horseman, explicitly shows Brom taking off the costume after Ichabod runs for his life for New York City.
As I said though, the Horseman, which is likely based on the Irish myth of the dullahan and other European myths of headless horsemen (trust me, there are a few, though the dullahan’s the most famous), is what made it into pop culture more than anything else, and may play a key role in why the story is still famous today. That, and the Disney cartoon, but mostly the Horseman.
In any case, all this has given me my own ideas for a sequel story to The Legend of Sleepy Hollow. And while I’m working hard on that, I thought I’d mention this all now. Because let’s face it, it’s all so fascinating. Also, I probably won’t have time to mention it in the post announcing the completion of the first draft. Might as well do it here.
But tell me, what’s your take on The Legend of Sleepy Hollow? Did you know any of this stuff? What’s your favorite adaptation? Let’s discuss.
That’s all for now. I’ll be at work on the story if you need me. Until next time, Followers of Fear, pleasant nightmares!
Rami Ungar The Writer 