The Lighthouse is the latest film by Robert Eggers, the same director who brought us The Witch. I went in hoping for two things: to be scared and that it would be easier to understand what everyone was saying than in The Witch.

On both counts, I can say it was a success.

The Lighthouse follows Robert Pattinson as a young man who signs up to be an assistant lighthouse keeper at a remote island. There, he works under Willem Dafoe, an irascible lighthouse keeper who forbids his assistant from going up to the light at night for some reason. As time goes on though, both men, particularly Pattinson’s character, start seeing strange sights and creatures. Madness and isolation begin to set in the longer they stay together, leading to an irreversible outcome.

This is the first horror movie I’ve seen in theaters since Us where I’ve been truly terrified (I enjoyed Scary Stories to Tell in the Dark, but I wasn’t that terrified). There’s a very claustrophobic feel to the film, which is helped by the fact that there are only two characters with speaking roles, and the film is filmed in black and white. Shadows seem bigger than they are, and the occasional blaring of a horn has almost a psychological effect on the viewer. The use of dialogue, which is only at times is slightly difficult to understand, is never excessive, instead deepening the feelings of madness and our inability to trust the characters and what they say.

It’s a very Lovecraftian sort of film: while it doesn’t involve space gods or giant monsters from the depths, the ocean, as well as what’s in it, do have a negative effect on the characters. They’re dealing with madness, isolation, claustrophobia, forces they can’t understand, secrets, questions without answers, and each other. And there’s this sense, especially near the end of the film, where what’s behind the curtain will only appear to be what you’re seeking. In reality, it’s going to ruin you.

Also, speaking of the characters, Dafoe and Pattinson are great! You can hardly recognize them as actors, they just totally envelop themselves in these characters. Granted, Pattinson’s accent changes quite a bit (is he Irish? Brooklyn? I can’t tell). But you actually start wondering if these actors are going as crazy as their characters may or may not be.

I can’t really think of anything negative about the film without being nitpicky. It’s a great film, technically well done and psychologically unsettling. On a scale of 1 to 5, I’m giving The Lighthouse a 4.7. It’s a vast improvement from The Witch, weird and disturbing, and I think it’ll be an instant Halloween classic. Dive in and check it out for yourself.

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As many of you are aware, I am a member of the disabled community, having autism, ADHD, anxiety, and more things than I can name. What many of you might not be aware is that October is National Disability Employment Awareness Month (NDEAM for short) in the United States. And this year’s theme (which I think is decided by the Department of Labor) is, “The Right Talent, Right Now.”

And at work today, we had an observance of NDEAM which included a panel of employees with disabilities and a video showing the audition of this year’s winner of America’s Got Talent, Kodie Lee, who is blind and autistic. You can watch the video down below.

I am crying, and so are you. You can’t help it.

And what this video demonstrates is that, despite certain issues and centuries worth of stigma, people with disabilities do have plenty to contribute to the world. In fact, they contribute every day. At my workplace, my main job duties involve helping employees with disabilities get accommodations so they can continue their jobs. This doesn’t just include disabilities from genetics and brain chemistry, like mine, but people who gain health problems like back issues or vision problems as they grow older, among others. And despite their disabilities–or sometimes because–they do amazing things at their workstations. They just need a few accommodations and an accepting environment to do so.

And you know what? This isn’t a new phenomena: people with disabilities have been contributing to the world for years. Beethoven, like Kodie Lee, made the world a better place with his music. Isaac Newton and Albert Einstein changed our understanding of the universe in their lifetimes. Harriet Tubman had a head injury that caused headaches, seizures and hypersomnia. John F. Kennedy may have had Addison’s or a similar condition.

Despite all these famous examples though, there are still a lot of barriers to people with disabilities getting work and living full lives. A recent article from Phys.org showed that many blind people face unemployment or underemployment, even though they can be just as capable as able-bodied people of doing job-related tasks. And it wouldn’t surprise me to see similar numbers to that quoted in the article from other groups in the disabled community.

So let me take a moment to address anyone in a position to hire someone with disabilities: we are capable of basic tasks. Hell, sometimes we do very complex tasks too, like write programs or design skyscrapers or perform surgeries or defend clients in court. I’ve even been known to write a decent story from time to time, and that’s not the easiest task. All we need to do our jobs is a few accommodations, which usually don’t cost that much, and an accepting atmosphere.

And remember, this is a group anyone can join at any time. Including maybe you, if you’re not already there. Life has a way of making that possible. So in a way, by encouraging hiring peoples with disabilities, you’re not only helping them, you’re helping yourself.

As well as your employer by ensuring they get the most talented people from the most diverse workforce. Let’s not forget that.

So this October, while we’re all enjoying the season of fear and screams, let’s also remember that there is an entire pool of untapped talent out there. One that has been subjected to and overcome stigmas multiple times to prove us wrong. So why not let them show you what they’re made of?

Having read, reviewed and enjoyed the author’s previous works–A Head Full of Ghosts and The Cabin at the End of the World–I was interested to read a collection of short stories by Paul Tremblay. And after I got my latest Audible credit, I downloaded it and started listening. And whoo-boy was that a collection.

Now as I stated in a previous post, with every collection or anthology you’re going to get some stories you like, some stories you don’t, and a couple you just don’t get. Thankfully, the majority of these I liked, and wow, they were good. My favorite stories, “Notes for ‘Barn in the Wild'” and “It’s Against the Law to Feed the Ducks,” hint at much bigger and darker events than what you’re reading on the page (or hearing in your earbuds, in my case). It’s kind of like cosmic horror, where only a little bit is peeled away for the characters and audience, but that one peek is terrifying. And those stories could be cosmic horror, depending on the source of the trouble (I won’t give anything away).

Another great story is “Notes from the Dog Walkers,” which is out-and-out hysterical! I was really surprised to find that story in there, given that this is a horror collection, but once I got into it, I couldn’t stop listening. It’s hysterical, and has some interesting twists to it. And there’s one more story titled–get this–“Untitled.” Not sure why, it just is, and I found it wonderfully weird. Definitely recommend for a laugh, especially if you’re familiar with Tremblay’s work and/or you’re aware of just how weird people can be sometimes.

And after the last story, Tremblay has a bunch of notes about each individual story, which I love seeing in a collection and don’t see enough.*

There was only one story I didn’t like, but it was pretty unique. It was kind of like one of those pick-your-own-adventure books from when I was a kid, only it’s a short story or novelette in a horror collection for adults. Not in itself bad. I actually find taking that sort of story for a horror story not aimed at the Goosebumps crowd an intriguing concept. I just have never been into pick-your-own-adventure stories. Might have something to do with the fact that I, as an author, like to control everything that happens in a story when I’m given power over it. Not just a character’s choices.

And as far as stories I didn’t get, there was just the one, revolving around a teacher and an AP class. I think it was supposed to hint at the effect teachers can have on students, but I guess I missed something, because I left it more confused than anything else. Or was that the point?

But the rest of the stories were really good, and I’m glad I got to listen to them.

On a scale of 1 to 5, I’m giving Paul Tremblay’s Growing Things and Other Stories a 4.5 out of 5. Creepy and entertaining, you’ll enjoy it from cover flap to cover flap. Pick up a copy and see if it…grows on you too.

That’s all for now, my Followers of Fear. I’m off to summon dark spirits from the nether realms and work on a story for my own gestating collection. Let’s hope it comes out somewhat decent.

Until next time, pleasant nightmares!

*And Mr. Tremblay, if you’re bored and happen to be reading this review, let me just respond to the comment about authors who have more ideas than time to write: I’m one of those authors, I’m only nicely dressed when I have to be, and be careful what you ask for!

From left to right: Anton Cancre, Tim McWhorter, myself, and Lucy Snyder.

So as many of you are aware, this past Thursday I attended an event with other members of the Ohio Chapter of the Ohio Writers Association. And let me tell you, it was a lot of fun.

First, the Bexley Public Library were great to have as hosts.* They were so enthusiastic and went out of their way to make sure everyone was comfortable and that the space looked great. And hoo boy, what a space! Their Quiet Reading Room looks like what you would expect a room in a historic library to look like. Bookcases lining the walls with big tombs, fancy light fixtures, a fancy carpet. I almost expected to see an elderly British man with a pipe sitting in an armchair reading a newspaper!

And the event itself was a lot of fun. Excluding the library staff, there were about ten or twelve people who showed up, which is good for a niche genre like horror fiction. Plus there were the other authors: Anton Cancre, who was at the reading in Cincinnati a couple weekends ago; Lucy Snyder, who has been Bram Stoker-nominated for her work; and Tim McWhorter, who recently went down to a haunted bridge tunnel in Ohio for an event. I’m not jealous at all.

Anyway, for those of you who weren’t able to attend, Anton was able to film the event via Facebook Live, and then uploaded it onto YouTube today. I’ve embedded the video below. And yes, that is me as undead Alexander Hamilton and Anton in a lovely Renaissance dress. What can we say? It was a Halloween reading. And yes, that was me blowing an Aztec death whistle once or twice. What can I say? It’s a great prop for opportunities like this.

Overall, the event was a lot of fun. We had a great time reading, the attendees asked some great questions, and we may have a few new fans. And the library staff enjoyed having us as well. It made both parties want to do it again some day. Which might happen. I’m not saying it will, but there has been discussions of possible dates. So who knows what might happen?

Anyway, I just wanted to post about this and let everyone know what a blast it was. And thanks to everyone who was able to show. It means a lot that you came.

Anyway, that’s all for now. My sleep schedule is a little off, owing to the fact that I slept fifteen hours straight and didn’t wake up till three in the afternoon. So I’m going to do a little late night writing. Wish me luck on a new short story. And until next time, my Followers of Fear, pleasant nightmares!

*For those of you unaware, Bexley is a small neighborhood in the middle of my home city of Columbus. Just thought I’d mention it.

As it’s the most wonderful time of the year (and remember, I have a good argument for that), I thought I would show off this year’s Halloween costume. Especially since I really like this one and think it’s going to be quite the hit.

So without further ado, ladies and gentlemen, let me present this year’s Halloween costume: undead Alexander Hamilton!

🎵 “Alexander Hamilton. My name is Alexander Hamilton. And there’s a million things I haven’t done.🎵… because Aaron Burr shot me in 1804. The asshole.”

What do you think? I got the idea for it after seeing Hamilton earlier this year and having my mind blown by it. Of course, I put in a special Rami Ungar twist.

I will be wearing it tonight at the reading at the Bexley Public Library (which, if you can stop by, please do), and at any other events I can. Hopefully people like it (and maybe help me film a short video while I’m wearing it).

And while we’re on the topic, what are you wearing this Halloween? Let’s discuss.

That’s all for now. I have a busy day ahead of me, so until next time, pleasant nightmares!

A poster from a play from the Grand Guignol.

*Trigger warning: this post goes into a lot of dark and uncomfortable topics. If talk of gore, murder, sexual assault and similar subjects upset you, stop reading now. You’ve been warned.

Have you ever seen any version of Sweeney Todd? Whether you saw a stage production or watched the movie, Sweeney Todd is somewhat of an outlier among famous Broadway musicals. It’s dark, bloody, and deals with subject matter other plays don’t, such as rape and cannibalism. It’s basically a slasher story with singing.

Now, if you’re like me (and I assume most of you are, if you’re reading this blog), you not only wish there were more plays like Sweeney Todd, but that some of these plays went further in terms of gore and terror. Well, recently I found out that there was a theater dedicated to plays just like that. And it ran for nearly seventy years.

The Grand Guignol Theater was a theater set up in an old Paris chapel in 1897. To summarize its history, the theater at first performed naturalistic plays centered around prostitutes, street thieves and alcoholics. A typical evening at the Grand Guignol would feature five or six short plays, alternating between cynical slice-of-life comedies, horror shows, and more traditional comedies. However, after a change of ownership, the theater began to focus more on horror.

And as time went on, the theater became famous for it. In fact, the Grand Guignol performed over twelve-hundred plays in the course of its existence, focusing on subjects such as insanity, strangulation, rape, leprosy, hypnosis, eye gouging, stabbing, rabies, and so much more. One actress, Paula Maxa, estimated she’d been “murdered” at least ten thousand times in sixty different ways, among other things. To enhance the terror, the theater staff developed a number of techniques to make the horror onstage seem as real as possible, and actors acted as if everything onstage was actually happening.

It wasn’t uncommon for audience members to puke or faint during performances.

This was all to the delight of Andre de Lorde, one of the Guignol’s writers, who judged his plays based on how many people fainted during a show. Along with psychologist and friend Alfred Binet, he wrote over a hundred plays, all particularly gruesome.

And audiences kept coming back. Like many modern horror fans, they were seeking a thrill. And the Grand Guignol provided. At its peak, celebrities and even royalty visited for shows.

So why did it close? Well, there are a number of theories. By the 1930s, the theater had shifted away from gory shockers to psychological dramas, and attendance began to dip. The rise of movies and TV shows, some of the former being quite gory or sensational themselves, may have also played a part. Theater management even believed revelations about the Holocaust may have played a role, saying “We could never equal Buchenwald.”

Whatever the case, the Grand Guignol closed in 1962. Today it’s a theater space for a deaf acting troupe.

But while the theater closed, its legacy still exists. Many small theaters and troupes around the world have been formed to preserve the Guignol’s legacy and produce their own Guignol-style plays. The Guignol’s also made its way into popular culture, and has been referenced in music, movies, books and more.

Still, wouldn’t it be amazing if the Grand Guignol was truly revjved? If one of the groups inspired by it managed to achieve the same popularity and staying power as the original theater?

Perhaps someday it will come back. And then perhaps Mr. Sweeney Todd won’t be so lonely anymore.

Hello, my name is Rami Ungar, and I’m pretty much in the best mood ever. Not even that sacrifice getting loose and running to the police station can’t bring me down. Why? Well, the sacrifice’s warrants are going to prove problematic and I’m merciful with my cultists. But the real reason I’m so happy is because I’ve been receiving so many new reviews of Rose!

Now if you’re unfamiliar with Rose, first off, hi, welcome to the blog. Second, Rose is my first novel with a publisher, a fantasy-horror novel about a young woman turning into a plant creature (and that’s just the start of her problems). I wrote it as my college thesis originally, edited it on and off over five years, and then somehow got it published about four months ago with Castrum Press.

And as I said, a lot of new reviews have been popping up lately. Many of them have come from book bloggers, some of whom have left their reviews on Amazon and Goodreads as well. In fact, on Amazon Rose has over twenty reviews. Which, is a huge deal. Not only is that more reviews than any of my other works, but once you get past twenty, Amazon includes your books in that little space that says, “Customers Who Bought This Book Also Bought.” So thanks to everyone’s reviews, Rose will have slightly more visibility on Amazon in the future.

And what reviews they’ve been, too! Most of them have been extremely positive.* One blogger said, “Ungar has created a new horror monster that isn’t quite like the rest.” Another said, “Don’t let the beautiful, delicate cover fool you–this is out-and-out horror.” My job here is done.

Anyway, I’m just really thankful for all the reviews. I’m still trying to establish myself and carve out an audience. And with all these reviews, I’m hopeful Rose will be read by more people, and help me build my audience for the next book I put out there, whatever that is.

If you want to read any of these reviews, I’ll post the links below and update as more bloggers post reviews. After all, they deserve just as much exposure for giving Rose some much-needed exposure. I’ll also include links for those who want to read Rose themselves. And if you do end up checking it out, let me know what you think. Positive or negative, I love feedback, and it helps me out in the long run.

Also, thanks to Blackthorn Book Tours for putting Rose in the hands of so many reviewers. You’ve been such a big help for me lately. I hope we can do this again someday with whatever I publish next.

That’s all for now, my Followers of Fear. Until next time, pleasant nightmares!

Rose: Amazon US, Amazon UK, Amazon Canada

Review Sites: Goodreads, Isobel Blackthorn, Alison’s Catty Book Corner, Power Librarian, The Book Review Hub, Whispers and Wonder (great interview), The Bookwormery, #CupidIsWatchingMe, Alex J Book Reviews, Unwrapping Words, Book, Blog & Candle, Bookshine and Readbows, A Little Fool Reads, Book Reviews & More, Tattooed Bibliophile, Iseult Murphy, Literary Retreat, Megan’s Haunted House of Books (interview and review).

*Actually, I’ve been really lucky in the review department. I’ve only had one lower than three stars, and the person who left that on Goodreads said she wouldn’t leave a full review because she only gave it two stars. Which honestly only makes me curious. What did she dislike about the novel? It’s going to bug me for a while.