.

I think I’ve mentioned how busy I am lately. But things have kind of calmed down a bit, so unless I hear back from a beta reader, figure out how best to edit this story I’m working on, or am lucky enough to get a story accepted somewhere, I know what I’m working on next.

You may recall back in the spring, I started writing what I thought would be a novella, but ended up being a full blown novel. This novel, The Pure World Comes, follows a maid in the Victorian era who goes to work at the manor of a mysterious nobleman, only to find mysterious and terrifying events occurring there. I haven’t touched it since then, but I haven’t stopped thinking about it and how to improve it. And now feels like a good time to get to work on a second draft.

As such, I’ve been prepping to journey back to Queen Victoria’s reign. I’ve been listening to audio books and watching movies and TV shows in that era to get that flowery, polite way of speaking down. I’ve been learning new bits of information, such as etiquette and dating advice (yes, the Victorians had dating advice). And I’ve been reviewing what I already know. After all, this isn’t just Gothic horror (or is it Gothic horror/gaslamp fantasy?) I’m working on. This is historical fiction! And historical fiction requires a lot of work to make the reader feel they’re in that bygone era.

All that being said, I have a few goals with this draft. Obviously, I’ll be looking to clean it up, fix any plot holes I notice, and cut out anything extraneous. However, I have a few other goals. This includes:

Victorian fashion. It was a special kind of extravagant.
  • Improve the dialogue. I feel like when I wrote the first draft, I made my characters speak like modern-day Americans. This draft, I’m going to go through the whole book and make sure they sound like Victorians! Eloquence and flowery language, fewer contractions, a focus on politeness and how to address different classes. Not sure I’m going to mad on the expressiveness like characters in Dracula did (oh my God, even when people were dying, they had to be so wordy and full of praise for people they admire!), though. That might be too silly and melodramatic.
  • Explain the era better. One of the problems I have as a writer is that I forget that not every reader knows the same things as me. So, while I know a lot about Victorian England and can put an odd detail peculiar to the era in, knowing exactly what that means, the average reader won’t. It’s my job as the author to explain the minutiae to the reader, be it the ritual of mourning (click here for more on that), how much a pain in the ass cleaning was, or how ice cream was made back in the day (they used to use cucumbers!).
  • The little details need to be inserted. By this, I want to include more things special to the Victorian era. You write about the 1980s, you include Walkmans and big hair and the latest pop songs. You write about the 1950s, you include Cold War concerns, soda shops in pharmacies, televisions and record players, and early rockers. You write about the Victorian era, you mention steam engines, Mudie’s Lending Library, penny dreadfuls, and so much more. I want to include more of those details in the story, so that others familiar with the era can say, “Aha! That makes it feel authentic.” And trust me, there are a lot of details like that to include.

So, that’s what I’m up to lately. Or what I’m about to get up to, most likely starting this week. With any luck, I can make a damn good draft and get this story one step closer to publication. And believe me, I aim to get this story published, one way or the other. After all, this story includes both my love of the Victorian era and my theory of who Jack the Ripper is! You know I gotta get that out there!

That’s all for now, my Followers of Fear. I’m off to dream dark dreams. Possibly taking place at balls with huge dresses and polite conversation. Still dark dreams, though. Until next time, pleasant nightmares!

Audible’s audio edition of Dracula by Bram Stoker. Turns out, it was just what the Count ordered.

Everyone has heard of Dracula. Most likely, you’ve seen some version of him in a movie or a TV series .* But how many of you have ever read the original novel? Not many, surprisingly. Besides the fact that Dracula’s melted so thoroughly into pop culture, the source material is a Victorian novel written in the form of diary entries and letters. Even veteran bookworms have to steel themselves for those!

I tired once or twice in my younger years to read Dracula, but found it harder to get through than some Lovecraft stories and had to stop reading. Last month, however, Audible offered its own audio version for free as part of my subscription. I was like, “Maybe I’ll enjoy it more in audio form” and downloaded it.

Turns out, while Audible may have a dumbass exchange policy (and yes, fixing Audible and Amazon’s issues are still works in progress), the audio book was just what I needed. Great cast that brought the story to life and allowed me to get into it while driving or working out or cooking.

And let me tell you, Dracula the novel is good! It’s a slow burn Gothic story that takes its time building up an atmosphere as well as a conflict. By the time the action really gets rolling, the suspense and dread is so well-constructed that you actually feel a bit of worry with every encounter or setback the characters endure.

I also liked how a lot of my expectations were subverted while listening to the novel. Yes, his name’s on the cover, but Dracula himself doesn’t show up that much in the story past the first act. He’s mostly on the edge, only showing himself every now and then. While this may upset some readers who expect the Count to be front and center, it’s actually pretty effective. Whenever Dracula shows up, you know shit is likely to get real, and you’re waiting for that shit to happen.

Contrary to what the movies portray, Dracula is more on the edges and backgrounds than front and center.

Another surprise: while I expected Dr. Van Helsing to be an important character, Mina Harker (nee Murray) really stole the show. She’s easily smarter than most of the other characters, including the doctor, and could almost be seen as a proto-Buffy. The only reason she doesn’t do any slaying is because Victorian mores made it impossible for anyone, including Mina herself, to see her taking on a more active role against Dracula (much to their regret later). Kind of makes you wonder if Stoker was making some sort of feminist statement there. I’d love to see an adaptation where Mina’s the one kicking ass. You know, instead of falling for the Count and/or being totally helpless.

And there were some details in the story that I found fascinating, simply because they never make it into any adaptation. For example, Van Helsing hints that Dracula, for all his power and evil, has a very childlike brain when it comes to planning or deep thinking, and that hinders him when he comes to England. It’s amazing what never gets translated to the adaptations.

All that said, the novel isn’t without flaws. The character of Renfield, Dracula’s faithful madman, is pretty extraneous to the plot. He’s really just a vampire radar, and other than that, he doesn’t do much beyond be crazy and help develop Dr. Seward’s character. Then there’s Quincy Morris, a character from Texas who feels more like a parody of Texans from Western novels than a real Texan. And yeah, I would have liked to see a bit more of Dracula, as well as him being a big bad. That might just be my pop-culture image not lining up with the novel, but can you blame me?

All in all, though, I think Dracula is deserving of a 4.8 out of 5. It’s moody, well-written and worth the read if you find a format that works for you. Hell, I think I might go on a binge of Dracula-related media: some essays on the story’s deeper meaning, some adaptations, that novel co-written by Stoker’s descendant (yes, that’s a real thing). I might also write a story involving Dracula and characters in the novel. Who knows?

That’s all for now, my Followers of Fear. If you need me, I’m celebrating the first night of Hanukkah with vampires and jelly donuts (weird combination, I know). Until next time, happy holidays and pleasant nightmares!

*Speaking of which, I’m still sad that the 2014 NBC TV show was cancelled after one season. All because they didn’t give it the advertising it deserved. The fact that this might be the first you’ve ever heard of it unfortunately proves my point.

My, how time flies when you’re defending Britain!

No, wait. That’s what my characters are doing. I’ve been busy with a million other things. But time has flown since December began and “Mother of the King” came out. And in that time, I’ve gotten a few sales, some great feedback and reviews, and a lot of ideas on the future.

So, for those of you who don’t know, “Mother of the King” is my Arthurian fantasy story that I released as an ebook exclusive. The story centers on the fabled return of King Arthur, as told through the perspective of the woman chosen to be his mother. The story delves deep into Arthurian lore, while also showing how the legend might evolve in the near-future.

And I’ve gotten a lot of good reviews so far on Amazon, Amazon UK and Goodreads. Here’s what some people have said:

What an interesting story! Part history and part futuristic. The legend of King Arthur plays in the forefront while the post apocalyptic England is developing a scientific plan to protect the British Isles from the advancing end of the world. A present young leader Arthur is a top position of protecting the young queen, most likely the last of the royal family and hopefully launch the successful application of the Camelot System that will save them all. The story of the historic King Arthur plays over current events in an interesting way and the story is told first person by Misty Adams [sic], the mother of the king (to be).

This is a well crafted novella and I really wanted to know what eventually happed. I was yelling “No! More now!” On the last page but the story definitely perks up your imagination. Rami Ungar is absolutely one of my favorite writers and look forward to more adventures from him soon. Enjoy!

Kimberly Napolitano, Amazon US and Goodreads

I had the pleasure of reading this book before it came out, it was an amazing read for me, love the main character Misty and the mystery behind her is amazing love it Rami

Kyle Baird, Amazon UK

A short and sweet tale that is inventive, modern, and relatable of a woman and her destiny in raising a King who would rise again. Loved her characterization and witty voice. She could easily be a mother next door and the reader gets swept away in her daily love and struggles of raising her son in coming to power. One of the most down-to-earth and relatable tales about a woman, unbeknownst to her, comes to find herself grabbling with motherhood of one of the most extraordinary kings in mythology.

Leslie, Goodreads & Amazon

And my friend and colleague Allen Huntsman made a video on his channel, DeathGroundReviews, on the story. HE made it sound so amazing both narratively and thematically, and I want him to narrate a future audio version if the future is kind. Check out what he said:

Ooh, I got shivers!

Yeah, it’s been good this week. However, I’ve noticed a trend in the reviews: you guys want more. That you want to know what happens afterward, or see more from Arthur Addison’s point of view. Some were even suggesting that I was laying the basis for a new connected literary universe or sub-universe, or that I was laying groundwork for a TV pitch.

Well, I don’t think a TV show is anywhere near a possibility in my life right now. But a connected universe? That might not be a bad idea. What would I call that? The New Arthur series? The New Arthur Universe? As long as nobody gets the central character confused with my Uncle Arthur, it should be fine…

Oh, alright! Fine! It sounds fun! I’ll do it! I’ll continue the story of Field Marshal Arthur Thomas Addison, AKA the new King Arthur! Like HP Lovecraft’s Dream Cycle, a series of short stories, novelettes, and novellas (and maybe a novel, who knows). It might take time. A lot of time. I’m not going to just write a story and put it out. I have to feel like it’s a good story to add to the major story. But I’ll write further stories in this world.

And when I do, I’ll let you know.

In the meantime, if you want to check out the story, “Mother of the King” is available to download and read. I’ll post the links below if you’re interested. And if you do read the story, please give me some feedback and/or a review. Positive or negative, I love what you have to tell me, and it helps me and other readers in the long run.

That’s all for now, my Followers of Fear. I’m off to make dinner and maybe chill, maybe write. We’ll see. Until next time (which will likely be within the next few days), happy reading and pleasant nightmares!

Mother of the King: Amazon US, Amazon CAN, Amazon UK

How I’m feeling most days. Photo by Marcus Aurelius on Pexels.com

This won’t be a long post. Nor will this be a rant or a long list of complaints. It’s just to say one thing: Goddammit, I’m a busy non-human entity!

In addition to writing, editing and trying to find publishers for my stories, I’m also organizing events and meetings for the Ohio chapter of the Horror Writers Association. And I’m trying to put together an anthology with some other Ohio horror writers for writers in our state. And I’m tracking sales/reviews and making decision for “Mother of the King” (more on that in a later post). And I’m doing some research before I try to edit my Victorian Gothic novel The Pure World Comes.

Add in the work from my day job, the many tasks a responsible adult has to do to keep a roof over their heads, trying to stay healthy, finding time to relax so I don’t burn out, and a few things in my personal life that I can’t talk about yet. Oh, and let’s not forget about time to eat and sleep.

And I have to ask: when did my dance card get so full? I feel like I either need more time or another me to get all this work done!

Ooh, another Rami Ungar. There’s a scary thought. Imagine just what sort of terror we could get up to while we were out and about!

Well, with any luck, things will ease up a bit as I continue to cross things off my list. There have been hiccups along the way–kid you not, I may have double-booked myself for some stuff at work tomorrow–but I’m dealing with them. I realize that it might be easier if I took on less responsibilities, but some of them can’t be given up so easily and others I took on because this is all part of the path of the writer. You gotta take what opportunities you can sometimes.

Thank you for supporting me while i work on these stories.

Still, it’s a lot. Perhaps if I’m ever able to write full-time, it’ll get easier (especially if writing does become my day job). For now though, I just gotta keep on keeping on and hope I don’t get sick from exhaustion or something.

In the meantime, I want to thank you, my Followers of Fear. Whether I’m traveling at the speed of light or exhausted from work, you’re always there to support me. It means a lot to me that I have this growing community around me who like what I write and support me in my quest to make my dreams come true.

Also in the meantime, it’s the holiday season, so you’re probably wondering what to get your friends and family who like spooky stuff, why not consider some of my stories? Fans of horror are always looking for new scares to devour, so they would probably appreciate something they might not have found otherwise. I’ll include the links for them, as well as for “Mother of the King,” below.

That’s all for now, my Followers of Fear. I hope you’re having a good month so far. Until next time, stay safe, pleasant nightmares, and tell Santa to stay out of your chimney until he’s had his temperature checked!

The Quiet Game: Five Tales to Chill Your Bones: Amazon, Createspace, Barnes & Noble, iBooksSmashwords, and Kobo.

Snake: AmazonCreatespace, Barnes & Noble, iBooksSmashwords, and Kobo

Rose: Amazon US, Amazon UK, Amazon Canada, Audible

Mother of the King: Amazon US, Amazon CAN, Amazon UK

Yep, I’m doing this again. But I just released a story, so can you blame me?

So, if you’ve never seen me do one of these before, #FirstLineFriday is a tag that was popular for a split second among writers online for a split second, and that I still do here on the blog from time to time. On Fridays, you:

  1. Create a post on your blog titled #FirstLineFriday, hashtag and all.
  2. Explain the rules like I’m doing now.
  3. Post the first one or two lines of a potential story, a story-in-progress, or a completed/published story.
  4. Ask your readers for feedback and try to get them to try #FirstLineFriday on their own blogs (tagging is encouraged but not necessary).

The story whose lines I’m showcasing today shouldn’t be any surprise to anyone. Yes, they’re the first lines from “Mother of the King,” my Arthurian fantasy novelette which was released earlier this week. The story revolves around the fabled return of King Arthur, as told from the point of view of the woman chosen to be his mother. Enjoy:

I want to tell all this to my son. After so many years, I feel like I owe him this, the story of how he came to be.

Well, it’s not much, but it sets up the story nicely in my opinion.

Mother of the King. Available now from Amazon.

But what do you think? How would you improve this? Or is it fine as it is? Let’s discuss.

And if these opening lines got you at all curious about the story itself, “Mother of the King” is available to buy as an ebook now. It’s only been a few days, but it’s already gotten some good reviews. If you haven’t checked it out yet and would like to, I’ll include the links below. And if you read it, please let me know what you think. Positive or negative, I love reader feedback, and it helps me and other readers in the long run.

And as for who I’m tagging, I TAG YOU, READER! YES, YOU!!! I’m tagging you all, my Followers of Fear, plus any unfortunate who has come across this post by accident. You must now do the #FirstLineFriday, and tag back to me when you’re done! Mwa ha ha!

Sorry I’m so extra this morning. It’s Friday, and I just want it to be the weekend.

Well, that’s all for now, my Followers of Fear. I’ll see you all very soon (most likely to push this story a bit more). Until next time, stay safe and warm, pleasant nightmares, and don’t let Krampus down your chimney tomorrow night. I hear tomorrow night’s his night…

Mother of the King: Amazon US, Amazon CAN, Amazon UK

I’ve mentioned a few times that “Mother of the King” and any other short(er) stories I self-publish over the next year will only be available in print as chapbooks to be sold at conventions and other events. The conventions and other events part is easy to understand, but I’m sure some of you have wondered what a chapbook is. Well, as promised, I’m going to explain what those are and why authors make them.

To put it simply, a chapbook is a small pamphlet or booklet of 40 pages or less, either folded from a giant piece of paper or stapled together from several sheets of paper (fun fact: the latter is known as saddle-stitching). The practice of making and selling chapbooks began around the 16th century and were named after the men who sold them, chapmen, who were early traveling salesmen and dealers. Modern chapbooks are often made by authors using printers and staplers, or assembled in print shops and sold at events or sometimes in specialty bookstores.

So, that’s what a chapbook is. Why do we have them? Why would an author make them?

Well, chapbooks were originally printed for working class families who could read but couldn’t afford books on their own (even with the printing press, those things were expensive). They were easy to transport and helpful in disseminating ideas, information, entertainment and (often inaccurate) history into popular culture. They were also used to develop literacy, much like comic books and graphic novels help teens and people who don’t speak a nation’s native language learn and develop language and reading skills.

“The Chapbook, promotional poster” by MCAD Library is licensed with CC BY 2.0. To view a copy of this license, visit https://creativecommons.org/licenses/by/2.0/

Fast forward to today. Books are cheaper and libraries exist, but chapbooks are still around. They’ve been especially popular during the past couple of decades in certain circles thanks to copying and printing technology. For the first time, people could sell their stories and poetry directly to the people without the aid of a major publisher or someone who owned a printing press. It was kind of an early form of self-publishing, if you think about it.

With people making chapbooks and small circulation magazines from home, the chapbook has made something of a comeback. And though it’s still not as popular as the your regular hundred-plus page book, they’re still being put out every year. Authors and poets like how easy and cheap they are, and how they can make something of a profit from them while also giving potential fans something quick to enjoy and maybe get hooked on their work. Like I said, a form of self-publishing, though some presses also do chapbooks alongside regular books.

And presses and authors aren’t the only ones who have seen value in these little booklets. There are bookstores that sell chapbooks alongside regular paperbacks, events devoted to them as an artform (looking at you, NYC/CUNY Chapbook Festival), and major publishers using them as advertising tools for their catalogs. And sometimes, depending on the chapbook, who made it, the method of production, and how many exist, these babies can go for quite a bit of money. Sometimes hundreds of dollars.

Not bad for a cheap little booklet that was often recycled as toilet paper after the buyers were done with the story (yeah, that’s true. As well as strips of old newspapers. Beats a stick or a corn cob though, right?).

Anyway, I don’t expect to make hundreds of dollars off chapbooks of my work. Especially when they’ll still be available as ebooks online. But as I said above, they’d be a good way to get my work out to more people. For events out of town, they could help fund those trips. And let’s face it, they could be fun to have and to show off at my next convention. Whenever that is. Damn you, COVID-19!

Anyway, that’s a chapbook. A form of literature with a cool history and a revival in an age when people can control when stories come out. A diverse artform that takes very little time to make and enjoy. And I hope I can start making them (or going to the print shop to make them) very soon.

In the meantime, I already have one story out in a digital format, so it’s kind of like a chapbook. Yeah, you knew this was coming. My Arthurian fantasy novelette, “Mother of the King,” is out now and available as an e-book. The story is about the fabled return of King Arthur, told from the point of view of the woman chosen to be his mother. It’s been out barely two days, and it’s already garnering some great reviews! I’ll include the links below, so check it out!

That’s all for now, my Followers of Fear. I’m off with a priestess, a dragon and a Deep One to find Arthur’s casket. Until next time, good night, happy reading and pleasant nightmares!

Mother of the King: Amazon US, Amazon CAN, Amazon UK

Good morning and happy December, Followers of Fear! We’re almost done with 2020 (and I think we’re all excited about that). However, while we’re still stuck in this year, there’s still much to do and look forward to. And I hope you’re including the release of my latest story, “Mother of the King,” in your list of things to look forward to!

For those of you who don’t know, “Mother of the King” is a fantasy novelette about the return of King Arthur, told from the perspective of the woman responsible for his return. It’s being released as an e-book exclusive on Amazon, and guess what? Today’s the release date!

(And sorry for those who prefer physical copies, but those will only be available as chapbooks at events like conventions or book readings. Just got to hope you can come to a future event I’ll be attending someday. And yes, I’ll be releasing a post about what chapbooks are as soon as I can.)

A story about the return of King Arthur. Sounds cool, doesn’t it?

I’m very excited to release this story. I first got interested in Arthurian legend about two years ago, and went down a rabbit hole of research. The result was this story, which incorporates a lot of what I learned into the story while still being a (hopefully) entertaining tale.

I’ll include the links down below for anyone who’s interested. And if you do end up buying a copy and reading it, please leave a review and let me know what you think. Positive or negative, I love reader feedback. Plus, your reviews help other readers know whether or not they should check out the stories themselves.

That’s all for now, my Followers of Fear. I’ve got a busy day ahead of me. Until next time, happy reading, pleasant nightmares, and LOOK OUT FOR THE MACE TO THE HEAD!!!

Mother of the King: Amazon US, Amazon CAN, Amazon UK

So, you just finished a short story. It might be a short story or a novel. Either way, it’s finished and you love it! You think it’s great, that it has potential, that it could even get published somewhere. Hell, you even dream of it getting awards and adaptation offers and so much more! With all that in mind, what do you do with this awesome story of yours?

If you said, “Rush to get it published,” I’m only going to say that that’s not the answer I was going for. If, however, you said “I’m going to get a beta reader or two to look at the story,” then congratulations! You got the answer I was going for.

As you likely already know, beta readers are readers who look at a story somewhere along the editing process and give critiques and feedback. They may also give help with the spelling/grammar/punctuation issues of the story, depending on what they can offer. And over the past year or two, I’ve made sure to use beta readers for every one of my short stories.

Let’s face it, authors can be our own worst critics, and our own worst editors. We can see a lot, but occasionally things slip by our notice. In fact, a lot of things can slip by our notice. Typos, plot holes, inconsistencies in character development or backstory, implausible situations or things that don’t jive with reality. Beta readers point out things authors miss, or don’t want to think of as problems because they love their stories too much (it happens).

Take my recently-completed short story Afternoon Tea, the one about the cursed silent film. I found two beta readers who were willing to read the story and give me feedback. Both of them got back to me really quickly, and they said the story had a lot of potential and that they liked it. They did, however, both notice something that made no sense to them. One actually wrote quite a bit in their notes about why that plot point made no sense or was confusing.

Seeing that they both mentioned it made me realize that they had a point. That single plot point did have its issues. I had to take it out, which made me realize I needed to rewrite that section of the story. Which I was able to do with a bit of brainstorming. And I think it makes for a much better story. One of those same beta readers has already gotten back to me about the second draft and said there’s a lot of improvement, so listening to them was a good decision.

Not only that, but sometimes beta readers bring their own life experiences to help improve a story. Earlier this year I wrote a short story called Primordial Nuclear Soup, which involved a number of military characters. My beta reader happened to be a veteran, so in addition to pointing out numerous flaws with the early draft, they gave me their military experience to help with those characters and scenes.

Without the strong eye of a beta reader, you can miss much. Photo by Wallace Chuck on Pexels.com

None of this stuff I would have known or spotted without the help of my beta readers.

Of course, you do meet the occasional beta reader who turns out to not be so helpful. They send back a lot of praise for the story, but they don’t point out that much that you don’t realize needs fixing. Which can be an issue further down the line when you’re trying to get the story published. What can I say? The majority of them are human (I’m an exception).

But after a while, you do figure out how to spot a helpful beta reader from an unhelpful one. It usually shows in the notes they send back. If that happens, keep looking for more beta readers. You eventually will find someone who can give you the feedback you’re looking for. And sometimes, you even create a circle of beta readers who will gladly look at your work when you need them to and provide the feedback you need. When you do that, you know you’re in good hands.

Suffice to say, beta readers are a great help in making sure your stories are the best they can be. It may not be easy seeing all the problems in a story you’ve poured sweat and tears into, but in the end, listening to them and fixing the story based on what they said helps out immensely.

“Mother of the King.” Available Dec. 1st

Getting the stories published afterwards, however….that’s another fight altogether.

What are your experiences with beta readers like? How have they been helpful with your storytelling endeavors? Let’s discuss.

And before I forget, my Arthurian fantasy story “Mother of the King” releases day-after-tomorrow! If you haven’t preordered a copy of the ebook yet, you can check it out with the links below! Believe me, both beta readers and eARC readers have been raving about this story, so why not check it out? And if you do, let me know what you think. I’d love to hear your thoughts on the story.

Mother of the King: Amazon US, Amazon CAN, Amazon UK

Audible company logo.

If you’re not familiar with Audible and Audiobook Creation Exchange (aka ACX), let me fill you in. Audible is Amazon’s audio book wing. They distribute thousands of audio books and have just as many subscribers (I’ve been one since 2015). ACX is part of Audible: it’s a places where authors and publishers can hook up with narrators, produce audio books, and then upload them to Audible.

With me so far?

Recently, Audible and ACX have been in a bit of hot water. It’s come to the attention of several authors that Audible has a rather questionable policy on the books. Audible Premium Plus subscribers have the option to exchange an audio book they’ve bought through their subscription within 365 days of purchase! And get this: if an audio book is exchanged within that time frame, the authors or publishers get their royalties deducted for it!

You read that right: somebody can exchange any audio book they buy within a year of purchasing, and the author gets punished for it.

Most people’s reactions to the exchange policy abuse. Photo by Andrea Piacquadio on Pexels.com

And lately, this has become a huge problem. Many authors, mostly indie authors, have noticed an increase in exchanges and deducted royalties over the past several months, In fact, some have speculated that use of the exchange policy–or should I say abuse of the exchange policy?–has boomed because Audible’s been using the policy in some of their advertising to attract new members.

Spurred by reports of this, the Authors Guild, along with a whole bunch of other author organizations, have drafted a letter to Audible and ACX to get them to, among other things, change the policy and create a more reasonable exchange policy. At the time I’m writing this, the letter has over twelve thousand signatures, and it’s still growing. To quote the letter,

This policy is in clear breach of the duty of good faith and fair dealing implied in the authors’ agreements with Audible and ACX as it allows books to be purchased and listened to without paying the authors and narrators their royalties.

Authors Guild Letter to Audible and ACX

Now, I have only have Rose‘s audio book on Audible, and so far as I know, it hasn’t suffered from this exchange policy much. However, I have heard from a couple of colleagues, including some I consider good friends, who are upset by the policy and are considering pulling their works from Audible and ACX because of the policy.

And even if I didn’t know anyone affected by this policy, once I learned about it, it was hard for me to sit still. This is a terrible policy that hurts authors and publishers alike! These are the people that Amazon needs to continue selling through Audible, and yet they treat them this way?

And why is the exchange window a year long to begin with? That’s a terrible business strategy. Can you imagine if a hardware store allowed you to exchange a tool within a year, even if it’s likely been used? Or a shoe store? Or a computer business? They’d be out of business within a year with a policy like that! What the hell, Amazon?

The letter I received from Audible about the change in the exchange policy. Feel free to enlarge and read it in full.

Thankfully, it seems that news of the abuse and the letter made Audible realize their mistake. While they’ve defended the policy, saying that they do monitor for abuse and that such abuse is rare, they are changing the policy effective January 1st. After that, the exchange window is limited to 7 days, and Audible will pay for any exchanges made after that timeframe. They later confirmed this in an email to ACX creators, which I got as well.

And that is good. That is a good change. It’s harder to abuse an exchange policy limited to only a week instead of a year. Still, some aren’t satisfied. In fact, the Authors Guild letter suggests shortening the window to 48 hours. And I like that idea: not only is it even harder to listen to multiple audio books over the course of two days than it is to do over a week, but it should be easier to spot abuse when an account is making multiple exchanges within a two day period.

So, what can you do? Well, you can sign the letter, which at the time of writing is only 440 signatures away from the Authors Guild’s goal. Even if Audible has changed the policy, every signature is a reminder to the company that this sort of malarkey won’t be tolerated by the very people the company needs for products if it continues.

You can also share with other authors and readers. The more people who are informed about the issue, the more people who will be weary and on the lookout for policies and abuse like this. People, and companies, are more likely to be better behaved if they know they’re being watched and kept under pressure.

And finally, if you have or plan on getting an Audible subscription, don’t be the kind of subscriber who does this sort of crap. I’ve only exchanged a book on Audible once, and that was because I thought it was one kind of story, and it turned out to be another. Otherwise, I would never rob another writer of royalties! Instead, keep the book once you buy it, and wait for your next credit. Don’t make someone else lose money just because you want more listening material!

And if Audible doesn’t address the problem, maybe consider giving up your membership. Yeah, it’ll suck to not get that credit for an audio book each month, but it’ll sure send a message to Audible.

And if you do enjoy an audio book purchased through Audible, make sure to review or at least rate it afterwards. Trust me, ratings and reviews left by readers help both new readers and the writers who put their books on the site. I speak from personal experience on that!

That’s all for now, my Followers of Fear. Thank you for reading this far and giving a damn about this problem. I hope you’ll consider helping out authors and stopping abuse of Audible’s exchange policy.

Until next time, Happy Thanksgiving and pleasant nightmares!

Time is flying by, so I’m writing a reminder to you all. As you probably know, I’m releasing my fantasy novelette “Mother of the King” on December 1st as an ebook exclusive. Which, as you’re probably aware, is a week from today.

For those of you who don’t know, “Mother of the King” is a take on Arthurian legend. It talks about the fabled return of King Arthur, told from the point of view of Arthur’s mother. It’s the result of my months of diving into Arthurian legend and history in 2018, and I’m looking forward to seeing what people think of it.

And yeah, I know it’s not horror, but I like to jump outside the box every now and then.

And apparently it wasn’t a waste of time doing so. While I haven’t gotten any full reviews yet, I’ve heard back from some of the advanced readers and they’ve apparently loved the story. I look forward to hearing what their full feedback says, as well as how many of them learned something new about Arthurian legend (trust me, when you dive as deep as I did, you learn some things that make you look at it in a whole different light).

If you would like to check out “Mother of the King,” it’s available for pre-order now. I’ll include the links below. You can also take a look at my other available work–The Quite Game, Snake and Rose–if you like. I’ll include those links as well.

And if you do decide to read my work, I hope you’ll leave a review. Not only do reviews tell me how my audiences reacted to my story, but they help me out in the long run and let people know whether or not to check the story out themselves.

Anyway, that’s all for now, my Followers of Fear. I’m sure I’ll be putting out another post soon. In the meantime though, I’m off to turn people into turkeys (I won’t say who, only that they deserve it).

Until next time, Happy Thanksgiving and pleasant nightmares!

Mother of the King: Amazon US, Amazon CAN, Amazon UK

The Quiet Game: Five Tales to Chill Your Bones: Amazon, Createspace, Barnes & Noble, iBooksSmashwords, and Kobo.

Snake: AmazonCreatespace, Barnes & Noble, iBooksSmashwords, and Kobo

Rose:  Amazon US, Amazon UK, Amazon Canada, Audible