It’s no secret that disability has had a troubled portrayal in our media. There’s inspiration porn in the news, which tries to make able-bodied people feel “inspired” to achieve their goals at the expense of making the disabled seem pitiful and hopeless. People with dwarfism are often equated with fantasy settings or fantastical elements. And, of course, there’s horror. Horror’s history with disability has been, to say the least, fraught.
Look, I love this genre. That’s obvious. But it’s no secret that, when the genre was coalescing, a lot of horror came from stereotypes of minorities, and the disabled were no exception. Most often, disability was used as a shorthand for sinister or evil. The original Phantom of the Opera was a manipulative groomer, and his later portrayals have added plenty of murder. From Psycho to Split, people with DID are often portrayed as dangerous and even magical. And most of the famous slashers have some form of disability! It’s not the focus of the characters, but it’s definitely there.
That being said, it hasn’t always been bad. The 1932 film Freaks was actually pretty progressive for its time, with many of its disabled characters getting humanizing portrayals. American Horror Story‘s fourth season, Freak Show, was heavily inspired and influenced this film. A Quiet Place and its sequels have been very disability-positive.
The problem is, sometimes even the positive portrayals are problematic. I still cringe over the characters of Duddits from Stephen King’s Dreamcatcher, and the autistic kid in 2018’s Predator somehow being an important factor in human (and Predator) evolution felt…well-intentioned but missed the mark. And just earlier this year, I read a recent book by an author I like which included a character with mental disabilities who was kind of psychic/magical, a secondary antagonist with a cleft palate, and a main antagonist with an eyepatch!
That’s why I’m glad that, as both the community and the genre evolves, more disabled writers join it and include disabled characters like themselves in their stories. I’m among those writers. The Shape of Evil‘s three main characters all have various disabilities, and in two short stories I wrote recently, the major characters all have disabilities as well. The stories themselves are still not published, but I’m working to get The Shape of Evil out there, and the other two stories will hopefully find homes soon after I edit them.
And as those stories, as well as other stories by disabled writers, get published, perhaps there will be ripple effects. The fiction we consume can have a noticeable effect on our perception of the world. Perhaps with portrayals that are just not more positive, but also realistic, we can make the world a nicer place for the disabled.
And given that 1 in 5 people have or will get a disability, but most of the US is still not accessible and laws aren’t always disabled-friendly, that would be nice.
Rami Ungar The Writer 