No, you didn’t read that wrong. That’s not a misspelling on my part of “Halloween.” That is the name of the novel, and since I heard of it, I’ve wanted to read it. I mean, with a name like that, how could I not? And with the audio book just getting released recently, I decided to give it a listen and see if this would become a new classic for spooky season.
Taking place during the Halloween immediately following the September 11 attacks, several strange things are happening in the small town of Crook’s Corner, Massachusetts. A famous scream queen is kidnapped in town while filming a new horror film. A science teacher is putting together a machine that causes those near it to see strange shapes. A Goth teenager and her little sister use the latter’s psychic abilities to play pranks on their grandmother. All this and more herald the coming of something evil: a cosmic being who wishes to become a god over all humanity. And this Halloween, they may get their chance.
This book was so hard to put down (or should I say put on pause?). The first chapter, where the scream queen is kidnapped, is shocking enough, but then the novel jumps back several hours, showing what the main characters–a group of high schoolers filming a horror movie for a class–are up to. And with those opening chapters, you get several different plot threads and you wonder how they’re all going to wrap up into one neat little package.
Which, much to my delight, they did come together nicely, leading to a harrowing story with a strong atmosphere of dread and tension. In fact, that’s probably the book’s biggest strength: the atmosphere. Once the horror part really gets going in Helloween, it’s just nonstop threat to the characters. Even in the pauses to the horror, there’s so much tension, it’s hard to relax. Add in some of the events in the latter half of the book, and you start to wonder if the characters can even triumph over the great evil.
And that’s the book’s second biggest strength: it’s characters, particularly the antagonist Geth. Geth is an ancient entity who schemes to become a god, and when it–or they, I should say–gets the ball rolling on their plans, you better believe that shit will hit the fan! And the way Geth is written, this alien being who thinks differently than us but plans to become a god over us, just makes them fascinating to follow. Even as you fear their victory due to their overwhelming power and disregard for both human life and human autonomy.
The other characters are great, too. Ralston manages to make almost all of the supporting characters– from kooky science teacher Ernie Combs and the Catholic priest to would have been right at home during the Crusades, to scream queen Darla Knight and the annoying kid who annoys almost all the other characters–feel real and fleshed out. And yes, there are a lot of them, but at no point did I ever feel like I was overwhelmed with the number of characters I encountered in the book.
Of course, our six main characters were no exception. At first glance, they do feel like your typical high school stereotypes: Cody the jock; Britney the popular girl; Jay the computer geek; Walden the film buff; Cassandra the Goth and her sweet little sister Taylor. But early on, we see that they all have deep dimensions to them, and that only grows as we get deeper into the story. Before I knew it, I couldn’t help but root for and love these characters dearly.
All in all, Helloween by Duncan Ralston is scary AF and sure to become a Halloween classic in time. On a scale of 1 to 5, I’m awarding it a 4.8. Consider picking up a copy and adding it to your reading list this spooky season. If you’re a horror fan, you won’t regret it.
This isn’t my normal review. But then again, this is far from a normal graphic novel.
So, when you think of tiny, humanoid people, what do you think of? Fairies? The Borrowers? How about tiny people living inside you (and I don’t mean the emotions from Inside Out)? Not with Beautiful Darkness, a graphic novel by Fabien Vehlmann and Kerascoet.
The graphic novel starts out prettily enough. A girl named Aurora, who is like a Cinderella in a 1950s housedress, is being courted by a princely character named Hector. She’s helped by a short little friend named Plim. In the first page and a half, their romance is going just like a fairy tale…until the cutely drawn characters’ home starts dissolving around them, forcing them to leave.
And then it’s revealed that home is the body of a little girl, left abandoned in the woods to rot. Her name, who she might have been, and how she died, never revealed.
And that’s just the start of a very dark saga dressed up in art that, in another graphic novel, would fit nicely in the children’s section at your local library.
This image is so disturbing, I almost didn’t include it in this review.
Aurora quickly finds herself trying to be a leader as she and the other survivors learn to grasp their new surroundings. However, Aurora, who might be the most realistic, as well as the most idealistic, of this community of tiny people, do not have it easy. Except for one mouse, all the animals and insects are as wild as you’d expect, and do what animals do best. The elements take their toll as well. Schemes to survive lead to further deaths or maiming, such as when one character tries to sneak into a nest full of baby birds and eat with them. The result is that her mouth gets torn open by the mother bird’s large beak, leading her to throwing up blood and running away.
But worse than animals, or nature, or survival attempts, are Aurora’s compatriots. Perhaps because they lived inside the body of a little girl, they are almost oblivious in their innocence and naivete. They see each other die, and move on to fish or fly kites or dance like it was nothing. They scheme against and backstab one another. They even kill each other, and do it with such callousness, never once sparing a thought for the lives they’ve taken!
All this betrayal and disappointment wear on Aurora, especially after her leadership role, and her lover, are usurped by rival leader Zellie. She later thinks that she’s found a friend in a loner survivor named Jane, but events soon force her to make the ultimate choice.
A prime example of how dark and uncaring the world of these characters is.
I’ve written before about “corruption of the innocent” before. The idea that the horrors one faces through a horror story destroys whatever innocence you have left and transforms you into something new. It could be childhood innocence, or that you thought the world was a rational place full of rational people, or that the world is ruled by a loving and merciful god. In some subgenres of horror, like Gothic, it could be considered essential. I certainly consider it essential, to the point I have a tattoo on my back representing it.
And it’s been such a long time since I’ve seen it done so well. Aurora tries to stay strong, but her innocence is destroyed in a world where she and her people are as inconsequential as dust motes, and those she should be able to rely on smile innocently while they betray her. In a way, it’s like cosmic horror, only instead of Cthulhu and the Great Old Ones, it’s a forest full of hungry animals and violent nature, as well as your own community.
(That’s not my observation, BTW: it’s the YouTube channel Tale Foundry, where I first heard of this graphic novel and which I highly recommend. You can check out their video about it here, but beware of spoilers.)
Anyway, it’s probably only a matter of time till this graphic novel appears on my personal shelves. In the meantime, I’m awarding Beautiful Darkness by Fabien Vehlmann and Kerascoet a 4.8 out of 5. It’s dark, it’s disturbing, it’s possibly the prime example of a new subgenre called “innocent horror,” and I think you should check it out.
Just don’t show it to young children afterwards. It’ll mess them up in all the wrong ways.
I was watching the movie adaptation of My Best Friend’s Exorcism with my sister the other day. And, right before they’re about to do the exorcism, the exorcist asks the main character if she’s been baptized. And the main character, a high school senior at a Catholic school, taking catechism classes and attending evangelical events at school, says in a deadpan voice, “I’m Jewish.”
My sister and I, as well as her roommates (it was movie night at her place), burst out laughing, because it was great comedic timing. Plus, it wasn’t something about the character that was in the book, so I hadn’t seen it coming. But looking back on it now, I can’t help but feel like it’s the latest example of an issue of Jewish portrayal in media.
I said in a previous post that I might be talking about problems of portrayal I see in media, thanks to the panel I was on last month. And I’ve noticed that portrayal of Jews in the media–at least the media I’ve been consuming–has been problematic. This is because, generally speaking, I have noticed Jews tend to be portrayed in one of three different groups:
The religious types. They’re Orthodox, with black coats and beards. At least one of the men is a rabbi, and if the story is speculative in nature, Kabbalah shows up somewhere. I’m not too upset about this portrayal, because I have seen some good and nuanced portrayals of this group since Fiddler of the Roof. I’ve even used it myself. Still, it’s done A LOT.
The barely-Jewish portrayal. They say they’re Jewish, but the characters eat bacon, have barely any connection to their ancestry, and their religious affiliation is only used as a joke or a quirk of their character. Examples include Howard Wolowitz from The Big Bang Theory, Rachel Berry from Glee, and, most recently, Abby Rivers in My Best Friend’s Exorcism. There are Jews like this, but it’s nuts that this is the biggest alternative to the religious types I see in media.
Jewish equals some weird behavior or stereotype. The fact that they’re Jewish usually translates to some silly behavior or conglomeration of behavior or traits that defines their entire character and is equated with their Jewishness. Maybe they’re clownish wimpy goofs that are always going “Oy vey” and speaking in funny voices, like Krusty the Clown in The Simpsons or Mort Goldman in Family Guy. Or they’re hypochondriacs, like Stan Uris in IT. Usually satirical, but sometimes it’s meant to be taken seriously or realistic, like in IT.*
Ziva David. So far, the most unique portrayal of Jew I’ve come across.
Honestly, the only character I’ve seen buck this trend is Ziva David from NCIS, a former Mossad agent from Israel who was tough, somewhat religious, and very connected to her Jewish heritage and faith. When I watched NCIS, I absolutely loved her, and was so sad when she left the series for good. That was a great and different portrayal of a Jew on media. (As for her being portrayed by a Catholic actress…well, she’s still a great character.)
But that’s the only one. And honestly, I think that’s a damn shame. There are so many different kinds of Jews out there: Jews who are religious but enjoy listening to the Ramones and going out for drinks and bowling with friends; non-religious Jews who are connected to their heritage and use it to make art; Jews who are both Israeli, Jewish, and Arab (just read about him yesterday in an article a friend sent to me); and the disabled Jewish horror writer who lights Shabbat candles on Friday night and keeps kosher while also seeing plays on Saturday afternoons or getting tattoos of Tarot cards all over his body.
Me, if you couldn’t tell.
This is why I’m not just writing an increasing amount of Jewish characters in my work, but also a wider variety of Jewish characters. There’s the married and heavily connected Jewish gay couple in “The Red Bursts,” one of the stories in Hannah and Other Stories; the rabbi, his less-religious but still Jewish best friend and his secular daughter in “The House on Lafayette Square” in Symphony for Walpurgis; and in The Shape of Evil, a Jewish teen on the spectrum (who’s only partially based on me). And I hope to write many, many more.
It may be only a drop in the water. But mentioning those stereotypes at StokerCon did make one or two writers consider how they were writing their Jewish characters. Perhaps mentioning them here, and writing all those characters, might cause some positive ripples. Which, in these scary times, would be most welcome.
I very much prefer this version of Stan than the one in the book.
*In all honestly, I hate Stan Uris. At least Stan in the book. I love King and I love IT. Hell, I’m a horror writer because of them both. But Stan was barely connected to his Jewishness, except in how it made him different, and he was more defined by his clean-freak nature and his almost worshipful adherence to logic and a normal world. In fact, it’s stated in the book that Stan’s suicide was because he wanted to “stay clean,” rather than get “dirty” and jump into a world completely outside of normal. I hated that.
This is why I prefer Stan’s portrayal in the movies. In the first movie, he’s the son of a rabbi studying for his bar mitzvah (I can relate) and, while being religious and connected to his heritage, is still pretty much a normal kid. And as an adult, his suicide is portrayed as him ensuring that the others are able to defeat It. A true sacrifice for the greater good. No wonder I prefer that version.
From left to right: Rob Costello, Gaby Triana, Tamika Thompson, me, Aaron Dries, Rae Knowles, and Logan Johnson.
I’ve been wanting to write this post ever since I got back from StokerCon, but life has been very, very busy. But hey, better late than never, am I right?
So, as you probably recall, at StokerCon I was on the panel Representation in Horror, where we explored the topic of including marginalized voices in our community, as well as writing characters from those communities. I was very excited about the topic; not just because it’s one that’s near and dear to my heart, but because it was my very first time sitting on a StokerCon panel. You know, one that wasn’t pre-recorded.
And I figured I would be bringing something to the panel. I’m Jewish, bisexual, and have some disabilities, including being on the spectrum, after all. With the amount of time I spent just thinking about the things I would say in response to the questions, I thought I could help my fellow panelists blow some minds and get our audience (which nearly filled the room) thinking.
I did not expect to have my mind blown as well. But there were several moments just like that.
Just for a couple of examples, I remember Rob Costello mentioning that fat people were the only group that it was still cool to beat up on and how he was sick of it, and while the audience responded positively to that (apparently they noticed that, too), I was like, “Whoa! How have I never noticed that?” And Tamika Thompson mentioned how much Stephen King uses the trope of the Magical Negro, and I was like “Huh, she’s right. Dick Halloran, Mother Abigail, that dude from The Green Mile. He does use that trope a lot.”
And I’ve been thinking about that panel and all we discussed since then, as well as all the things we didn’t have time to discuss. For example, we didn’t have a chance to discuss various communities and their inclusion in the community or in our literature, such as Muslims, Native Americans, or the Roma community (seriously, even when it’s not overtly negative, I can’t think of a portrayal of the Romani that doesn’t lean on stereotypes). And I forgot to mention how not-helpful the portrayal of mentally disabled people as being magic because of their disability is (examples: Dudditts from Dreamcatcher by Stephen King, the autistic kid from 2018’s The Predator).
I think we could all use further conversation in this topic. Photo by nappy on Pexels.com
And it’s made me realize something: the discussion needs to continue. Because this sort of subject, the kind of stuff certain people call “woke,” requires constant learning and further conversation. That way, we can continue to think about what sort of stories we are creating and foster better understanding between people.
So, don’t be surprised if I have a few more blog posts like this one in the near future, ones where I discuss portrayal in horror and problematic stereotypes and whatnot. I may even reach out to some of my fellow panelists to help with that (I managed to find most of them on social media). But hey, if they feel the same way as me, they might want to continue the conversation as well.
And who knows? We might see Representation in Horror become a regular topic at StokerCon. And I don’t think anyone could see that as a bad thing.
These past two months have gone by so quickly, it’s hard to believe we’re already in July. Not surprising, given how busy I’ve been lately. I mean, I just got done with another con, and I’m preparing for another one the weekend after this!
And yet, two months have indeed passed, and that means that Symphony for Walpurgis is two months old now.
Now, if you don’t know (though at this point, you’re probably so familiar with Symphony, you’re sick of it), Symphony for Walpurgis is my newest collection. It is a collection of nine novelettes that include tales of cryptids, malevolent spirits, and even a Jewish exorcism, and has plenty of LGBT, Jewish, and disabled representation.
And I’m very happy to say that it’s slowly growing a readership. Just the other day, I received fan art from my fellow horror writer and Follower of Fear, Louise C, for one of the stories, “Disillusionment and Trauma Sometimes Go Hand-in-Hand.” It’s of the Akolouthos, the main villain of the story (or one of them). Isn’t it awesome?! I mean, look at it!
And at Big Ohio Book Con this past weekend (which went better than any event I’ve done before, which is even more amazing when you consider that this was the first year this event happened and nobody knew how it would go, but I digress), I sold so many copies, I even sold out on the first day! The same day, someone bought a copy online, which means they were interested enough to get it for their Kindle.
Given all that, plus some glowing reviews and some authors I admire with copies of the book, I’d say that’s been a good first two months. And it makes me hopeful for month number three (especially with the Columbus Book Fest just around the corner). I mean, who knows? Maybe I’ll get to that goal of five-hundred sales and fifty reviews by May 1st, 2026, the one year release anniversary.
And if you enjoy or are curious about scary stories involving cryptids and giant bats, spirits plaguing families with parasites, mermaids, untold masses of spiders, mutating viruses, and, again, a Jewish exorcism, then you should check out Symphony for Walpurgis. It’s nine amazing and terrifying novelettes, and I’m working hard to make sure as many people discover it and enjoy it as possible. And I would love it if you were among those people who discovered and maybe even loved it.
I’ll include links for the book below. And if you end up getting a copy and read it, I hope you’ll let me know what you think. Positive or negative, I love reader feedback, and it helps me out in the long run.
That’s all for now, my Followers of Fear. I’ve got a busy couple of days ahead of me, but I hope I can have a few more blog posts (including a few I’ve wanted to write for a while now) out soon. Until next time, good night, pleasant nightmares, and I hope you have a great month of July. It’s what I’m planning on.
It’s the night before the Big Ohio Book Con, and earlier today, I went and set up my table. This is what it looks like.
I hope it looks great. I think it looks great, even if my stickers and bookmarks and whatnot aren’t out yet (I’ll do that in the morning). But one thing’s for certain: it’s cramped, about five feet total. And I have to make do with what space I have.
This lack of space, and trying to make a good booth for myself, made me appreciate all over again what goes into making an eye-catching booth. I thought I’d figured that out after my first ParaPsyCon, and a friend advised me to get at least some kind of sign for next year so people knew what I do at my table. Solid advice, and it made me realize that I need to be a lot more eye-catching if I want people to come check out my table. This has led to various changes to my booths over the year, including that big banner you see behind the table, which I got in December 2023.
But this tiny space, and the other booths around me, made me realize that all over again. My neighbors are romance authors, and they have such eye-catching booths, with banners and signs and little decorations like fake vines or flowers or game wheels or whatever. And just about every table I saw today was just as decorative and eye-catching. Made me think to myself, “Shit, I gotta be careful if I want to stand out, too!”
And that’s something I got to keep in mind from now on: I just can’t just have a simple template for my tables. I have to adjust based on space, the kind of con I’m at, and who I’m next to or near. That way, readers will be interested in coming closer and reading my work.
Sucks that I have to basically turn my table into a peacock just to get people interested in reading my work. However, I’ve long accepted that I need to be something of a carnival barker to get people to come over and find what I hope will be their new favorite book. So, adjusting my display as needed shouldn’t be too much more work.
Anyway, we’ll see how it goes. Tomorrow’s the con, and I’ll be there for most of the weekend. There will hopefully be plenty of opportunities for me to meet new readers, and to change my display as necessary. Should be interesting.
That’s all for now, my Followers of Fear. If you happen to be in Medina, Ohio this weekend, please stop by the Big Ohio Book Con at 735 Lafayette Rd. I’ll be there signing books and doing Tarot readings, and would love to see you.
If you can’t be there but still want to support me, you can support me by buying one of my books online. From plant/human hybrids and strange gods to Mafia-hunting serial killers and carnivorous horses, I have something for every horror fan. So why not check out a book or two? I’ll leave the link to my Books page below.
Until next time, my Followers of Fear, good night and pleasant nightmares.
The folks of StokerCon waiting for the Final Frame competition to start.
Here’s a riddle for you: what took place in Connecticut last week, had nearly 800 people in attendance, and I was among the attendees? StokerCon! Yes, last week, horror writers from around the world descended upon Stamford, Connecticut. There, we had panels, a short film competition, and our annual awards show, the Bram Stoker Awards, noting superior achievement in horror from the previous calendar year.
(There was also apparently dripping goo and weird liminal spaces out of the Backrooms in the hotel, and somehow, I missed both! I’m annoyed about that, especially the weird liminal space. That would make a great YouTube video!)
As I said in a previous post, my goal for this StokerCon was to level up my writing career and get that much closer to writing full time. This would be achieved by going to panels that I thought would help me reach that goal, being on my first ever panel, and, of course, pitching The Shape of Evil to agents and editors. (Plus meeting new people whom I could network with, but I try to make that more about making new friends than trying to make new business connections.) Did I accomplish my goals? Well, let’s talk about the con and we’ll see.
Hanging with Logan Johnson, one of the organizers of this year’s StokerCon, the moderator on my panel, and a new friend, at the banquet cocktail hour.
Seeing all my friends (meeting new ones). One of my favorite things to do at StokerCon is just to see all my horror-writing friends. Many of us only know each other through social media, so it’s nice to meet in person or to catch up with one another when the last time we saw each other could be a year or two ago. So, of course, I did plenty of that. The hotel had a lobby and a restaurant/bar, so outside of panels, we would gather there or on the second floor (that was where most of the con stuff happened) and just talk. We catch up, discuss our lives and our projects, and just shoot the shit. It’s lovely!
Plus, there’s always new people to meet. I actually got to know quite a few people whom I’d never met before, and it was fun to ask how they were enjoying the con and what they were working on or up to with their horror writing careers. Obviously, some were already well-known within the community, but most were just like me: working stiffs who enjoy horror and hope to make our marks in the genre. I’ve connected with a lot of these people now, and I’m hopeful we can continue to be friends and support each other as we work on our stories.
Going to panels. As I said, with a few notable exceptions, the panels I went to were ones I thought would be helpful for me as I move forward in my writing career. This included a panel on getting your stories adapted for film (it nearly happened once to me, so I thought I’d get some tips in case it happened again), and on how to get along with others as a professional. This one was particularly important to me, because being on the spectrum, I often feel like everyone but me was given a rule book on social interaction at birth and I have a lot of catching up to do. I actually brought this up during the Q&A section at the end of the panel, and what I should do in case I made a mistake. The answers I received were very reassuring. Not just to me, but, as I learned afterwards, to others in the audience who also were neurodivergent and felt the same way. I even got thanked a few times for bringing the topic up, which surprised me but also made me glad I asked.
As for the other panels I went to, one was about a Jewish writer who, while not a horror writer, had some dark themes in some of his work (I’m going to have to read that at some point), and a panel on using public domain characters and stories in horror (as someone who’s seen the Winnie the Pooh and Steamboat Willie horror films, I couldn’t resist). All in all, they were very educational, and I’m glad I went to them.
The signature scavenger hunt. As you might expect, I went a little crazy in the dealer room and bought way too many books. One of the books was The Rack, edited by Tom Deady, which is pictured above. It’s an anthology of stories inspired by those vintage horror paperback covers from the 70s and 80s. I bought it directly from the editor, Tom Deady, in the dealer room, and he signed it. And then I ran into one of the writers in the anthology, Erick Nunnally, a little while after. On a spur of the moment, I asked him to sign the book where his story began, which he did. And then he suggested I get the other authors in the book who were in attendance at StokerCon to sign. Which I did.
Ultimately, I think I managed to get half the authors to sign their stories. Most of those were done during the Mass Author Signing, where you can go around a big room and get your books signed by the authors who wrote them all at once. That was fun, because I also had them sign other books they’d written I’d bought, and then got signatures from other authors whose books I had copies of. The rest were just during random meetings during the con, and they were always happy to sign.
So yeah, I spent a good portion of StokerCon on a bit of a scavenger hunt, but it was still a lot of fun, and I only missed three of the authors who were in attendance (maybe next year?). And now, I have a cool knickknack in my personal library, which I’m currently reading through and loving! So, no regrets whatsoever.
From left to right: Rob Costello, Gaby Triana, Tamika Thompson, myself, Aaron Dries, Rae Knowles, and Logan Johnson.
Being on my first live panel. I’ve done a few StokerCon panels in the past, but they were always pre-recorded on Zoom for the virtual audiences. And while that is great, I’ve always wanted to tackle being on a live one. Not only did I get to do just that last week, but it was on a topic I am passionate about: Authentic Representation in Horror, which was about including marginalized communities and voices in horror and how to do so. And wow, did a lot of people show up! By the end, nearly all the seats were taken. I guess other people wanted to talk about this as well.
To say the least, the conversations were illuminating. I even had a few moments where I was like, “I never thought of that.” Honestly, I want to give this panel its own blog post, so I’ll stop there, but I’ll say this: it was great being on a panel like that. I look forward to doing it again someday soon.
The pitches. I’m sure a few of you skipped ahead just to find out how this went. Yes, during StokerCon’s annual session dedicated to connecting authors with agents and editors, I did get to pitch The Shape of Evil. And you know what? I got results. Three agents and one editor asked me to send them part or all of The Shape of Evil, which I did on Monday after taking a little time to recover from all the travel (and that traveling is worth a blog post on its own).
To say the least, I am beyond happy about this result. It went way better than I thought it would go, even with practicing pitches beforehand (always recommended), and I am hopeful that at least one of them will want to help me get The Shape of Evil published. I’ll likely know something by the end of the summer. And, of course, if it all goes well, I’ll be sure to let you know.
***
Ultimately, StokerCon was an amazing time for me. Sure, this year’s hotel was weird, but I had fun with friends, accomplished my goals, and made sure to celebrate everyone else’s accomplishments with them. And next year, we’re doing it again: at the end of the awards banquet, it was announced that, to control costs and to ensure StokerCon continues to go in a direction that’s as good as possible for as many people as possible, it’ll be in Pittsburgh for the next two years.
Obviously, I’m stoked, since that means I can drive there. In fact, I’ve already bought my ticket! And next year will be the 10th annual StokerCon, so it should be extra special. (Yeah, I thought it’d been around for longer, too. Color us both surprised.)
Members of HWA Ohio at StokerCon. I have a feeling next year, we’re going to have a much bigger showing.
I wonder what will happen. Will I sit on another panel or two? Do a reading? Somehow get on the ballot and get to be a nominee? I guess we’ll see. In the meantime, I’ll work on getting my stories out there and meeting new readers and having plenty to talk about when I drive to Pittsburgh next year.
In the meantime, I’ll have a new blog post out Monday, so keep an eye out for that. And until then, my Followers of Fear, good night, pleasant nightmares, and have a wonderful start to your summer. I know I am.
Grady Hendrix telling us about the history of witches and having us in stitches.
Recently, I went to see Grady Hendrix, author of Witchcraft for Wayward Girls and My Best Friend’s Exorcism, speak here in Columbus. It was an exciting event: the venue was an event space usually reserved for wedding receptions and the like, but it was packed, with possibly around 500 people inside the space! I was lucky just to find a table with a good vantage point.
And I’m glad I did: at 7 PM, Hendrix came out and spent the next hour using humor and a PowerPoint slideshow to tell us the history of witches as he saw it, as well as depictions of witches through history. It was hysterical! He made us laugh as he went through some of the ridiculous and not-so-ridiculous stuff that happened in witch trials, the plots of the wild books throughout the years revolving around witches, and why we keep having these witch scares. And I had a great seat to see it all.
It was an amazing night, and I could go on and on about it, but what I want to focus on is just how Hendrix, and other authors, use humor in their work.
I’ve written on this subject before, but horror and humor often go hand-in-hand, much to the surprise of some non-horror fans. You can see this quite prominently not just from Hendrix’s talk, but from his work, which is normally as funny as it is scary (Witchcraft is a rare exception, but then again, it doesn’t have much to laugh about). Not to mention, there’s a whole subgenre of horror called “horror comedy,” which is pretty self-explanatory. Some prominent examples include Clown in a Cornfield by Adam Cesare, where humor adds plenty to the slasher novel’s plot, and my friend D.M. Guay’s “24/7 Demon Mart” series, about a guy who works at a convenience mart with a talking cockroach for a manager and a portal to Hell in the beer cooler.
My friend D.M. Guay’s book. The series has quite a lot of followers.
And if you’ve seen a production of the musical Sweeney Todd (and I guess maybe the movie version), you’ll notice that despite the dark subject matter, there is plenty of humor. Hell, the musical’s most famous song is full of cannibalism puns! It’s almost sad how the movies cuts out most of those jokes.
Why is humor such a big part of horror at times? Well, part of it is for alleviating tension in the story, especially for non-horror fans who may not like stories that are so dark. But I think another part of it is that we need humor. Laughter is the best medicine, as they say, and it can help alleviate dark situations by shining a light on them. In fact, if you think about how horror is therapeutic for some readers (like me), the humor aspect really can pair well with the cathartic aspects of horror.
It also explains how a room of approximately 500 people could laugh so hard about stuff like witch trials, where people got murdered for bullshit reasons.
And it can’t be understated how helpful humor is in getting people to like each other. I certainly found myself liking Hendrix after an hour of his jokes.
Makes me wish I could put more humor into my own work. I love to laugh and joke around, but that doesn’t usually extend to my stories, where the stories I write are usually quite serious. Humor tends to pop up by accident or just evolves organically when I write it. In The Pure World Comes, for example, protagonist Shirley is practical and at times slightly condescending or sardonic, so humor kind of evolved naturally around her. And there’s a naughty joke appears in The Shape of Evil, but that’s because I’ve been in similar moments and made similar jokes.
Still, my style of writing tends to work for me. People like my stories for what they are, and I won’t force humor in when it doesn’t suit the story. And plenty of writers write amazing stories that have endured through time without a laugh. Who’s to say I have to add a laugh to join their ranks?
All that being said, if I find a place to put a bit of humor into one of my stories, and it doesn’t work against said story, I might add it. After all, a little laughter never killed anybody…as far as we know.
And in the meantime, I think I’ll just keep using humor as I have all my life: in my interactions with others, when appropriate and hopefully to great applause.
Do you use humor in the stories you write? Have you noticed any rules to writing humor or humorous passages? And what is your favorite horror story with comedic elements?
Lately, my life has been nothing but growing excitement. Well, that’s not entirely true: there’s a bunch of other stuff. But work has been getting better lately after several months of insanity, and I’ve been balancing my life very well, which has allowed me to notice the excitement more clearly than if life was too busy and I was super exhausted.
And it’s not surprising that life feels like it’s nothing but excitement. For one thing, StokerCon is fast approaching, and there’s plenty I’m looking forward to with that. For one thing, as you know, I’ll be pitching The Shape of Evil to agents and editors there, and I’ve done the majority of my prep in that respect (a friend of mine who will also be pitching, and we’ll be practicing our pitches together as we get closer). Not only that, but I’m involved with a couple of panels, which I wasn’t the last time I went.
One is a virtual panel, “Understanding Historical Horror,” which I was the moderator of. I say “was,” because we filmed the panel ahead of time. As I suggested the panel (I blame “Sinners” inspiring me), I was asked to moderate and film it. And it went well! We had some great panelists–Philip Fracassi, John Langan, Alma Katsu, and John Kachuba–and we had an enjoyable hour and a half of filming and talking about historical horror: what it was, how to go about writing it, and the ethics of writing it. It will premiere during StokerCon, and will be accessible for those attending virtually.
The second one is “Authentic Representation in Horror,” which will focus on including marginalized communities in the horror community and in horror stories. As you probably know, that’s a subject near and dear to my heart, so I’m eager to talk about it with some like-minded writers in front of an audience. We’ve already spent some time emailing each other, suggesting topics for discussion and what we need as individuals to be more comfortable. That panel will also be livestreamed, so we’ll hopefully get a lot of people tuning in online as well as attending in person.
(And hopefully the anti-woke police won’t show up and cause a problem, lol.)
Add in getting to see so many friends, and it’s no wonder I’m excited for StokerCon!
Pretty much how I feel these days.
But StokerCon aside, there are other reasons I’m excited. For example, Symphony for Walpurgis is doing well. It’s only been out a little over three weeks since my latest collection released, but it’s been selling well and a lot of people have been telling me they’ve been enjoying it or expressing interest in getting copies of their own. One person in the horror community I really admire actually reached out to me yesterday to ask if she could have a review copy, which made my day! I’ll be seeing her at StokerCon, so I’ll give her a copy then.
And then there’s so much more! For one thing, we’re in the middle of Memorial Day weekend, and I’m already enjoying all the things I’m planning on doing this weekend, including getting some much needed sleep and doing a lot of projects I’ve put off till now. In fact, I’ve already made some progress with those projects, and I’ll tell you more about them when the time is right.
My Tarot cards say that for June, all troubles will pass, and lots of good things will happen in time. I can’t wait to see if that comes true!
And my birthday is coming up, which is another reason to get excited. I’m already arranging to get a nice massage on the day of, eat ice cream, and hang out with friends (not necessarily in that order and definitely not at the same time). It’ll be a nice celebration of my life and my inevitable inching towards death before heading off to a certain convention I’ve mentioned a hundred times already.
And a hundred other things are happening or will happen that just get me excited and full of zest for life and so glad I’m at this point in my life. Hell, even my Tarot cards seem to have caught something, because lately the majority of my readings have been super-positive! And if there’s something more to the cards than just pure randomness, then that’s significant!
And I’m looking forward to seeing how all these things play out. Whether it’s StokerCon and what I plan to do there, or the Doctor Who season finale, or even just trying out a new recipe this weekend. It’s nice to not only have so much to look forward to, but also to experience it when it arrives.
Makes me wonder what else I’ll get excited about as the stuff I mentioned above happens. I guess we, and especially I, will find out soon enough!
Well, we’re at another anniversary. Today’s the three-year anniversary of when The Pure World Comes was released in paperback and ebook.
(It’s also the ten year anniversary of when I graduated college, and I will talk about that eventually, but not in this post.)
So, if you weren’t aware, The Pure World Comes is my most recently-published novel, a Gothic horror novel about a maid who goes to work for a mad scientist and what happens once she starts working at his estate. Think Frankenstein and Crimson Peak had a baby together. The novel is my love letter to the Victorian era and the dark stories that came out of that era. It was originally published in 2021 on a book reading app, but then it was released on May 10, 2022, which I count as the real release date.
And in the years since the book came out, TPWC has had its fans, I’m happy to say. Here’s what people are saying:
I love it when I’m pleasantly surprised by a book. Rami Ungar is not a debut author, (according to the back of the book, this is his fourth novel), but his work is new to me and so I went in not knowing what to expect. What I got was a short novel so perfectly Victorian and utterly Gothic that it made my old-fashioned self giddy as a schoolgirl…Mixing classic-romantic Victorian elements with early science-fiction, tales of Jack the Ripper/Spring-Heeled Jack, and a bit of the occult, this book gives the reader a truly chilling and also slightly fun little Gothic adventure.
Heather Daughrity, author of Tales My Grandmother Told Me, Goodreads
This was a lot of fun! Shirley Dobbins longs to be a head housekeeper. She is at once (and perhaps in contrast to a lot of period set stories) relatable…She is level-headed, pragmatic, the sort of woman everyone would get on with…This feels like a traditional science romance for the modern age, but much easier to engage with. I listened to the audio version of this and must say the narrator was well-chosen here (even if, at first, I thought it was Jenna Coleman!)
MG Mason, author of Residents of the James Hotel, Goodreads
There were quite a few things I liked about this book – the attempt to make it historically accurate (required a lot of research), the author’s take on a possible Jack the Ripper scenario (no spoilers!), And the Big Reveal itself. I quite like the idea. I think it has many possibilities and potential uses as a plot device for future (possibly non related) stories…A little darker, a little more philosophical. Exceptional work.
Ronald Gillepsie, author of Inside My Nightmares, Amazon
Jenna Coleman. I wish a former Doctor Who companion would narrate one of my books. However, the narrator of the audio book, Nikki Delgado, did an extraordinary job with the narration, and I’m glad I got to work with her. And yeah, it took a lot of research into the Victorian age to get it right. Five years, to be exact. Everything from the history of the age, to how to run a Victorian home, to bathroom habits from the day, to Jack the Ripper, who makes an appearance in the novel. I did not skimp on anything.
And I’m happy to say, the results came out better than I’d hoped.
And moving into the book’s fourth year, I hope more people discover TPWC and that they come to love it as much as I do. I’m going to do my best to make that happen.
If you would like to check out The Pure World Comes, I’ll post links below. It’s available in paperback, ebook and audio book, so whatever you’re reading preference, you’ll find it. And if you like what you read, please leave a review so I know what you thought. Positive or negative, I love reader feedback, and it helps me out in the long run.
That’s all for now, my Followers of Fear. I’m off to a convention where I hope to put my books, including The Pure World Comes, into the hands of many readers. Until next time, good night and pleasant nightmares.
Rami Ungar The Writer 