Posts Tagged ‘authors’

Daisy: Amazon Reviews

Posted: December 29, 2013 in Review, short story, Writing
Tags: , , , , , , , , , , ,
2

daisy-cover

Some of you know about my short story available for ebook, entitled Daisy. I published it well before I ever published The Quiet Game or Reborn City as an experiment to see what would happen if I published something on Amazon and on Smashwords. Even I admit, I didn’t think it was one of my best works. I wrote it back high school after having a very vivid and disturbing dream, and was determined to see it published one way or another. Why would I do that if I know it’s not one of my best? Maybe because that dream was pure gold for coming up with a creepy story, maybe because I wanted the dream to be a prophecy of things to come. Who knows? All I know is I published it and sold about 219 copies, most of them through Smashwords because it’s free-of-charge there.

Well, since it’s publication it’s got a couple of reviews, most of them through Amazon, and to my surprise most of them are good. I’ve posted already about the one review that I got through Smashwords, so I’d like to dedicate this post to the ones through Amazon. The oldest review, entitled daisy-short story, is three stars and written by Richard Warren, who is my grandfather and is not afraid to criticize my work if he feels it’s inadequate. Here’s what he had to say:

Interesting, but could be better.  Holds the reader, I would like the story to be longer & a bit more in depth

I think when I wrote this, it was in the days where I was afraid to write short stories over five-thousand words because I was afraid that they’d be rejected for length regardless of the quality of the story. That might explain why it’s not very lengthy or in-depth, Grandpa. Still, I appreciate the feedback. The next review comes from Lorna Dounaeva, another independent author and blogger here on WordPress. Giving Daisy a whopping five stars and entitling her review Scary short story with some great touches of realism, here’s what she had to say:

When a young girl, Marie is abducted by a stranger, she knows she has to figure out a way to escape. She manages to get out of the room where she is being held, but the man, who calls her ‘Daisy’, thinking she is his lost love, has boarded up all exits. Marie is left with a terrible dilemma – should she make a run for it, or hide in the building and wait it out? How long will she have to wait before the man lets his guard down and she gets her chance to escape, and how will she survive in the mean time?

Sounds like the blurb for a movie, Lorna. Thank you for your review. And most recently, we have my cousin A. Frankel, who just gave Daisy a five star review (which makes me wonder if she’s just being nice or if she really feels the way she feels about it). Entitling her review Very creepy, this is what she had to say:

  This book is scary! Don’t read it late at night or you’ll be up all night! It was a good book–very well written

I like the idea of being able to keep someone up all night just by my scary writing. And I’m glad you think it’s well-written. I really appreciate it, A. Frankel.

But like I was saying earlier, I didn’t think much of this short story even though I decided to publish it. So when people actually take the time to read it and post a positive review, I not only feel grateful, but I also feel slightly bemused that people think so highly of it. I guess it’s true what they say: every author is the worst judge of their own work. But really, thanks to all the people who’ve post reviews of Daisy on Amazon. It means a lot to me and I always appreciate your feedback.

If you would like to read Daisy, it’s available from Amazon for ninety-nine cents and from Smashwords for no charge. If you like it or hate it, please make sure to post a review on either website and let me know. I always appreciate feedback, as this post has shown. Have a lovely day, everybody.

I Just Got On WattPad

Posted: December 27, 2013 in Living and Life, Progress Report, Writing
Tags: , , , , , , , , , , ,
6

As you’ve probably figured out from the title, I just got a WattPad account, which means I’ve got another way to release my written work to the world.

You are probably not wondering why I decided to get a WattPad account. However, you’re reading this post, so I’ll tell you anyway. I’d heard of WattPad before, but only in passing. I wasn’t really sure what it was. And then someone posted on Facebook an article about how this British girl a little younger than me had posted a novel of hers on WattPad, gained 19 million likes, got a publishing contract, and then two books later was put on TIME Magazine’s list of 16 Most Influential Teens. My reaction to that article: “Holy s**t, I’ve got to at least check this WattPad thing out.”

So if you haven’t heard of WattPad before, it’s a website where members can upload stories for free viewing and readers can give comments and feedback. So essentially it’s like a blog for storytellers, in some ways. And apparently some of its most popular stories are uploaded by writers in their teens, so as a writer just barely out of the teens, I think I might have a chance.

Of course, the website has its controversies. Stories uploaded onto WattPad are not copyright protected like a blog post or a story published through a magazine or a publishing company. So anything published on WattPad could potentially be stolen by some nefarious person or persons who might try to make some sort of profit or gather a following using another person’s work.

Still, I want to try and see if I can spread my work to new audiences through WattPad. And I’ve heard some other authors have had some success with the format, including a few friends of mine. If it can potentially help me further my writing career, I don’t see any reason why I shouldn’t try it out.

If I publish anything through WattPad, I’ll make sure to post about it here and include a link to the story. I think I’ll start with excerpts from my already published books, and then maybe upload a few original short stories when I have them and when I want to upload them. And with that, I ask of you all one favor: wish me luck as I try to get used to this mew platform for spreading stories and writing and try to utilize it in the best way possible.

Good night, Followers of Fear.

 

Is Amazon Going On A Witch Hunt?

Posted: December 24, 2013 in Journalism, Living and Life, Reflections, Writing
Tags: , , , , , , , , , , , , , ,
2

Normally I don’t wade into censorship debates, but this story caught my eye and I thought it would make for interesting discussion. Now, a lot of authors, especially self-published authors, have noticed that in the past couple of years there’s been an explosion in demand for erotica titles, and many self-published authors are making a lot of money by writing these works, which sometimes involve violent encounters between the characters. And lately there’s been a rising trend in what is known as cryptozoological erotica, which is sexual encounters between humans and legendary beasts such as Bigfoot and others (I know, right?). The example used in the story I’ve linked to is Virginia Wade’s Bigfoot series, which has been downloaded and read by enough people to make me wonder whether I should at least dabble in the erotica genre.

However, authors of these and other erotic works have been finding their works taken off the digital bookshelves by Amazon and other sites as of late:

In October, the online news site The Kernel published an incendiary story called “An Epidemic of Filth,” claiming that online bookstores like Amazon, Barnes & Noble, WHSmith, and others were selling self-published ebooks that featured “rape fantasies, incest porn and graphic descriptions of bestiality and child abuse.” The story ignited a media firestorm in the U.K, with major news outlets like the Daily Mail, The Guardian, and the BBC reporting on the “sales of sick ebooks.” Some U.K.-based ebook retailers responded with public apologies, and WHSmith went so far as to shut down its website altogether, releasing a statement saying that it would reopen “once all self-published eBooks have been removed and we are totally sure that there are no offending titles available.” The response in the U.S. was somewhat more muted, but most of the retailers mentioned in the piece, including Amazon and Barnes & Noble, began quietly pulling hundreds of titles from their online shelves — an event Kobo coo Michael Tamblyn referred to last month as “erotica-gate.” 

The crackdown was meant to target the obvious offenders — ebooks like “Daddy’s Birthday Gang Bang” and others that fetishized incest and rape — but in their fervor to course-correct, the online bookstores started deleting, according to The Digital Reader blog, “not just the questionable erotica but [also]…. any e-books that might even hint at violating cultural norms.” That included crypto-porn. Wade’s sexy Sasquatch, not unlike the elusive hominid beast of legend, vanished without a trace.

Now, there’s been a lot of talk about censorship such as this over the past couple of months. Authors of a lot of works that have been taken down have accused Amazon of not taking a good look at their works and using very vague criteria such as the titles of the books to judge whether or not they are offensive. Amazon’s wording of its policy as to what constitutes “offensive” doesn’t seem to help its case: “What we deem offensive is probably what you would expect.” Giving that people generally have different expectations on what is considered offensive, there’s been a lot of cries that Amazon is only answering to the expectations of a certain segment of its customers. And by having to modify titles or edit their work to be acceptable to these vague standards, they are losing customers and revenue. As one author complained:

Author Emerald Ice (a pen name) — who lives in southern Illinois with her husband, a Catholic high school teacher — is less concerned about offending Amazon browsers than being overlooked by potential paying customers. The first three books in her Alien Sex Slave Series — “Alien Love Slave,” “The Sex Arena,” and “Alien Sex Cove”— were runaway hits, she says. At least until Amazon pulled them from distribution and requested changes, once again citing content guidelines. That’s how “Alien Sex Slave” became “Sidney’s Alien Escapades.” “I hate it,” she admits of the new title. “I came up with it because I was in a panic about the books disappearing.” Her sales have since plummeted, and she isn’t surprised. “If I was a reader searching for hot alien sex books, I wouldn’t look twice at something called ‘Sidney’s Alien Escapades.'”

On the other hand, Amazon and other bookstores like it are private businesses. They can decide what items to have on their shelves and what items they want nothing to do with, especially if a large enough percent of their customers threaten to boycott the site if they hold items deemed “offensive” by whatever criteria these people use. So if Amazon deems a work or works unacceptable and uses no other reason than it threatens their own revenues, then that’s their choice, and there’s not much an author can do to fight back (unless you start a humungous letter writing campaign with a lot of your close author friends and a ton of fans, but that might be difficult to pull off).

Now, my own views on censorship is if a creative work isn’t blatantly encouraging hatred, violence, or other despicable deeds or beliefs, then it should at least be considered as a work allowed to be sold, distributed and enjoyed like any other work. And as much as I don’t like to speak badly about Amazon (mostly because it’s where most of my sales and reviews come from),  I have to admit that they should take a deeper look at their work in order to decide what is offensive and maybe revise their content policy to something that’s not so vague. At the same time, I should advise authors to be careful that the work they write might not be accidentally encouraging rape, incest, or other objectionable acts or could be misconstrued as encouraging those acts. I’m not trying to stifle your creative work, but it might avoid some grief later on if you make sure that someone can’t point to a particular passage of your work and show that it is terribly objectionable.

If you have anything to add to the discussion, please let me know. What do you think constitutes as an “objectionable work”? And do you think what Amazon and other booksellers is doing is justified, or are they overstepping their bounds or being unfair in their attempts to filter out unacceptable works?

Also, that comment I made about dabbling in erotica, in case any of you were wondering: I don’t know how I’d feel about writing an erotica story. If I did though, I’d be honest about it if I decided to publish it, even if I published it under a pen name. Anne Rice did that, and if she can do it, why can’t I? Besides the fact that she’s a huge force in the world of writing and I’m still trying to claw my way up, I mean.

“Why Young Girls?”

Posted: December 19, 2013 in ideas, Living and Life, Reflections, Scary Stuff, Writing
Tags: , , , , , , , , , , , , , , ,
0

Yesterday I visited my advisor’s office in the English department and discussed doing my senior thesis in the fall. Normally I would talk to her about this after spring semester had started, but I wanted to get a jump on things before I was busy with homework from five different classes. Plus I had the day off yesterday so I thought to myself, why not?

During the course of our meeting, I was outlining what I’d like to do for my senior thesis, mainly to write a novel. For this novel, I chose five different ideas for stories from the list of novels I keep on my flash drive and gave a brief synopsis of each one to my advisor Ruth. Around the third idea, Ruth noticed a trend with two of the stories I’d mentioned: they both involved young girls as protagonists in the story (one was a story based on Alice in Wonderland, the other involved demons). She then asked me, “Why young girls? Why are they used so much in horror?” To my surprise, I realized I hadn’t thought of it much, and at that moment I didn’t have a very good answer for why, when children are used so much in scary stories, young girls are more dominant than young boys (notable exceptions include Danny Torrance from The Shining and six out of seven protagonists in Stephen King’s IT, the two boys from Monster House, and Hansel from Hansel and Gretel).

And guess what? The question’s been bugging me since that meeting yesterday. So between writing, work, applying for scholarships, and my household chores, I thought I’d take a moment to examine why young girls are more dominant in these sorts of stories. First, we need to examine why children in general are used so much in horror stories:

1. Children are very innocent creatures. It’s the most obvious reason, but it still needs to be stated. Children are very innocent human beings. They still believe that good usually wins against evil, that bad guys get beat up and thrown in jail by superheroes and cops, and the world is a safe place where they are loved and are protected from evil, at least until they’ve been warped by some of the harsh realities of the world. In horror stories, that innocence is tested and sometimes completely broken by the events of the story, whether it be monsters under the bed, abusive parents/teachers/bullies, or whatever else you may be using as the antagonist in a story.

Even the man/child/sponge has more imagination than most adults.

2. Let’s face it, kids are more imaginative. As we grow older, we tend to think less in terms of the fantastic and more in terms of what is real and reasonable. But as children, we really believe in Santa, the boogeyman, fairies, aliens and ghosts with little doubt that they are actual, concrete beings. This means that kids are usually the first to come to the realization that something evil is at work. They don’t realize it through any leap of logic or reason, but through gut feeling and belief. This is also usually why they are more likely to survive than that one guy in every horror film who insists with fatalistic stubbornness that there’s a logical reason for everything and then when they realize something’s up, they still insist on handling it themselves as men, even if it leads to their heads getting bitten off.

3. Kids are dependent on others. Until sometime between ten or twelve, children are dependent on adults for most of their basic needs, and even when they start to become independent, they still require a good portion of help from adults. When in a horror story, most likely a child can’t recieve help from an adult because they’re less likely to be believed by adults. This means they’re basically adrift in a metaphorical sea that wants to kill them painfully and mercilessly. How they survive without the security of an adult is something that keeps the reader drawn into the story.

4. Children are also not as resourceful. Or to be more specific, it’s rare for children to have access to the knowledge or tools they need to defeat the enemy of the story. They wouldn’t know how to set up a trap for a mutant monster, or how to draw a vampire into the sunlight without being totally obvious of their intentions, or even how to set a windigo on fire with nothing but a set of matches (which they shouldn’t be playing with anyway). If the characters are adult, all they need to do is get out their smartphone and Google “How to make a molotov cocktail” or “how to set up a tripwire alarm system”. Kids wouldn’t even have a smartphone, and even if they did they probably wouldn’t know what to Google. How do they survive with nothing to really help them? That is another draw of a horror story.

Look at that face! You know that hotel gave that kid some big therapy bills.

5. Children are easily influenced. Lastly, children are easy to influence, for better or for worse. Has anyone seen Friday the 13th Part IV? Right at the very end we see just how the events of being around Jason have influenced and hurt little Tommy, who will be dealing with his issues for the next two films. A horrific event can stay with a child for a very long time, corrupt their innocence or make them aware of their own abilities. Either way, the events of the story will stay with the child likely throughout their lives. From what I hear, the Overlook Hotel certainly stuck with Danny Torrance (I haven’t read Doctor Sleep yet, though it’s on my reading list).

Okay, so we’ve established why children in general are used so much in scary stories. But still the answer of why young girls are used in the stories has still to be answered. Often, like Carol Anne from Poltergeist, they are persecuted and kidnapped by beings we can’t really understand. Or, like Samara from The Ring, they are the stuff of our nightmares. And occasionally they are both (anyone watch The Exorcist recently?).

This morning I spent some time trying to figure out and I think a lot of it has to do with socialization and the roles we assign to the female gender. In other words, what we expect from young girls and how we believe they should act, behave, and think are why young girls are so popular in horror stories.

Please note that the suggestions I’ve listed below are for fictional girls and are just based on my own reading and viewing of many different horror novels, comics, TV shows, and movies. There may be several stories featuring girls that are the exact opposite of these reasons, I just have yet to be exposed to these stories. The reasons I’ve listed do not necessarily apply to real girls either, as I’ve made clear below. Here are the reasons I was able to come up with and which back up my beliefs on gender roles making female characters popular:

1. Fictional girls are more prone to sweetness, harmony, and nonviolence. Most boys when they’re young like to get wild, scrap a bit, use their fists and compete with each other through acts of physical prowess and aggression (when my cousin was younger, you could not stop him from acting like this). Young girls though are often portrayed as preferring to be friends rather than fight. They like doing cute stuff and they don’t like to get their hands dirty or do anything too wild. The only exceptions I can think of are Beverly Marsh from IT and my sisters, but then again my sisters are from my crazy family, so go figure. So since these fictional girls are less likely to use their fists and more likely to try to harmonize, they’re at more risk for whatever evil is after them in the story.

2. Young girls have yet to enter into the realm of maturity and sexuality. A lot of criticism with horror comes with how it sexualizes its female characters (please see my article Sex and Horror for more on this topic).However young girls have yet to reach that stage where people begin to see their sexuality. There’s an innocence in this lack of sexuality that young boys don’t get from their ignorance of sexuality, though that might have something to do with the fact that, like I said, a lot of women in horror are defined by their sexuality, whereas men don’t usually receive this sort of sexualized image no matter what age they are.

3. It’s adorable when young girls cry. Because of the pre-assigned roles that differentiate between boys and girls, at some point boys are taught that crying is not a manly thing to do, so they stop crying if they want to retain whatever form of manhood a young boy can have. On the other hand, it’s considered okay for girls to cry throughout their lives. And instead of pitying these girls or questioning their maturity like we would with boys, our hearts go out to the girls and make us want to hug them. This contributes to the popularity of young girls in horror stories.

And if these points haven’t hammered home my belief on gender roles playing a major role in the popularity of young girls in horror, here’s my final point:

In the end, the princess mentality takes a toll.

4. Young girls want to be princesses. It’s no understatement that plenty of girls in our Western society want to become princesses when they grow up and have a handsome prince rescue them from evil so they can live happily ever after, and our media perpetuates this to no end  (even Once Upon a Time and Frozen couldn’t leave this cliché out of their storylines, though they both do something rather original with the trope in each their own way). In horror stories, typically it’s up to a female character to either rescue herself from her predicament or to let a strapping young man save her and then sweep her off her feet. With young girls, that choice isn’t always available, and often the writer will write the story so that we wish for someone to come and save the little girl, while holding us with baited breath to see if she will be saved by a dashing prince…in the case of horror stories, most likely an older male relative with an axe or baseball bat.

So the reason why young girls are so popular in horror stories, as I’ve listed above, is that they fulfill certain gender roles that we’ve come to expect and work nicely into not just the plot of the story, but certain preconceived notions we unconsciously have in their minds. However, not all young girls fall into these roles. Beverly Marsh from IT plays a big part in stopping the demon clown when she’s a little girl by being the more aggressive fighter of the Losers Club. Coraline from the book of the same name is able to release the souls of the eaten children and save her parents all on her own. And even creepy Samara coming out of the TV is an exception, as she doesn’t fulfill any traditional roles, not even the one about needing saving. She’s the freaking villain!

Yeah, don’t mess with her.

So I think I’ve answered the question Ruth posed to me yesterday in her office. I’m not sure it’s the best answer or the right answer, but it’s what I was able to come up with. If you have any ideas about why young female characters are so popular, examples of girls who buck the trend, or any other points relevant to the discussion, please let me know.

Also, in a somewhat related note to children and horror, I finally watched the film version of Battle Royale. It was actually much better than I expected, almost as good as the novel. However there were a couple of creative choices I disagreed with, and that’s why it’s not on equal footing with the book. I also won’t see the sequel, because apparently it’s not based on the original story, its anti-American message goes beyond criticism of America to full-on attack mode, and nearly every reviewer who’s seen it has hated it, apparently.

All for now. Write on you later, Followers of Fear.

Self-Published Authors Helping Other Authors: My Latest Article

Posted: December 19, 2013 in Journalism, Writing
Tags: , , , , , , , ,
4

I’ve written another article for Self-Published Authors Helping Other Authors, and once again I’m sharing it with you guys here. The post is called Creating A Great Antagonist, and as you can tell from the title, it’s about creating great antagonists for stories of all kinds (though in the article I kind of focus on high fantasy stories).

If you have a moment, please go check it out. And if you’re a self-published author or you’re interested in self-publishing, please check out and subscribe to the blog. There’s a mountain of good advice on self-publishing, written by authors such as myself and others such as Ruth Ann Nordin, Joleene Naylor, Janet Syas Nitsick, and Stephanie Beman.

I hope you enjoy reading, and if you have any thoughts leave us a comment. We’re always happy for feedback.

Being Time Conscientious In Fiction

Posted: December 9, 2013 in Living and Life, Reflections, Writing
Tags: , , , , , , , ,
2

One thing I struggled with early on in my attempts to become a professional writer was time, or more accurately, keeping tack of it. In my earliest stories, whether it be about lycanthropic pirates or a Harry Potter-esque story of witches, keeping track of how much time has passed was not high on my to-do list. I was more concerned with making a novel that would sell millions of copies, win me legions of adoring fans, and regularly get adapted into blockbuster hits. Why should I pay attention to how quickly a year can pass or how it’s noon on one page and then sunset on the next when I have to decide who I want to play my female protagonist and if she’s going to be my girlfriend?

But I got older, and around the time I started writing my earliest vampire stories, I started to become more aware of the passage of time in those stories. I think it first occurred to me that it seemed weird that my characters were still in school around late June. From then on I tried to keep the passage of time consistent in the stories I wrote, and as I got much older and realized there were too many vampire novels out there at the moment for me to make a name for myself with those sorts of stories, I started to put dates and even the passage of hours in my outlines, which would later end up in the early drafts of the stories I wrote.

And no one else is more aware of time than the guys and gals who write the Doctor’s adventures.

If you examine other authors who are extemely popular, you’ll notice how they try to keep the reader as well as themselves aware of the passage of time without annoying the reader with it. For example, JK Rowling structured her entire Harry Potter series around the school year in Britain. Stephen King’s It switches between 1958 and 1985 and King makes sure to note how June passes on into July and July into August during the 1958 sections. And Jean Auel’s famous Children of Earth series is very particular of marking the passing of seasons and years.

All in all, I think keeping tack of the passage of time in my stories has very much improved them, and in some of these stories  I need to be cognizant of how much time has passed in order to tell the story correctly. For example, my WIP Laura Horn takes place during the week leading up to the 2017 Presidential Inauguration. I went online to find advance calendar dates for that January, and only then did I write out the plot in my outline for the story. In addition, I have several ideas for stories that need to be very time conscientious while writing them. One takes place during World War II, meaning I’ll have to be very careful of the dates of certain events in order to tell the story correctly. And I have a science-fantasy story involving time travel that will require me to be very careful about the dates I use, should I ever get around to writing it.

The only thing I wish I was better at was keeping track of dates by making a timeline. However, doing a timeline at the outline stage isn’t always helpful because so much can change between the outline stage and in the actual writing of the story. Perhaps I can find some sort of middle ground in future stories. I might ask my writing group on Facebook if they have any tips on doing timelines.

And speaking of Facebook, I just want to remind people that I have a Facbook page and a Twitter feed, where I post on stuff that I don’t always post about on my blog. If you’re interested in checking either out, please do so.

How important is marking the passage of time in your stories? What do you do to keep track of time?

Two New Reviews!

Posted: December 6, 2013 in Novel, Review, short story, Writing
Tags: , , , , , , , , , , ,
2

Today I woke up to a wonderful surprise: I’d gotten two new reviews on Amazon, one for each of my books. Both come from the same reviewer, username Enji, which makes me happy as I’m glad that anyone would read both of my books and also review them. But then again, I know who Enji is offline and I know she’s supportive of me and my writing, so that might explain it.

tqg cover

First, let’s start with The Quiet Game: Five Tales To Chill Your Bones, which now has six reviews. Enji gave it five stars and titled the review Loved the Uniqueness of Each Story. Here’s what she had to say:

“I liked that each story was unusual. I think that the book was appropriately named. I prefer chilled bones rather than scared out of my whits since I am a bit of a chicken.”

Chicken or not, I’m glad you plucked up the courage to read the book Enji and I’m glad you enjoyed them. Also, I still get to maintain a 4.0 average on Amazon, so I’m all the happier that you read it.

Reborn City

Next, Reborn City, which now has two reviews. Enji also gave RC five stars (moving its average to a 4.5 out of 5) and titled her review Fantastic (which is the catchphrase of my favorite Doctor). Here’s what Enji wrote:

“As a reader who does not read books in this genre, I must admit that I could not put down the book. I attribute this to the talent of the author. I am looking forward to reading the next books published by Ungar. I recommend this book to readers who enjoy action with  features of supernatural powers and sci-fi.”

Oh Enji, I think I’m blushing a little. And I’m happy to hear you couldn’t put it down. It’s always great to hear that from people who read your work. And I hope to have another book out soon, I just don’t have a definite date yet. But thanks for reviewing Enji. It means a lot to me.

If you’re interested at all in reading The Quiet Game or Reborn City, or you want to give either of them to a friend, or you just want to support me because you’re extremely nice, both books are available on Amazon and Smashwords in print paperback and e-book formats. And if you like or hate what you read, please let me know. I don’t mind feedback, positive or negative (though I haven’t gotten much negative feedback yet).

I have some work to do, so I’ll be signing off now. Thanks for reading, and I hope to post again later. Have a lovely weekend, Followers of Fear.

Review: “Battle Royale” by Koushun Takami

Posted: December 1, 2013 in Novel, Review, Writing
Tags: , , , , , , , , , ,
6

The edition I got from the library. God, it was good! Blew my mind…and possibly a finger off. That explosive.

Some of you may remember from a while back I finished reading The Hunger Games trilogy and wrote a less-than-favorable review of it. It was around that time, I started to hear about a book that predated The Hunger Games and was considered by some fans to be much better than Suzanne Collins’ trilogy. And when I heard it was a Japanese novel, then I got really interested (typical me, I’m a nut for most things from Japan).

This past month I finally found the time to get the book, titled Battle Royale, from the library and sit down to read it. As I got about a hundred pages in, I started musing to myself that this was the sort of story I would like to write, well thought-out, exciting, and extremely well-written. About two-hundred pages in, I was so engrossed it was really difficult to put it down. And by three-hundred pages in I was staying up late just so I could read more! And today I finished Battle Royale, which has officially become one of my all-time favorite novels.

And of course, I had to write a review of it.

For those of you unfamiliar with the novel by Koushun Takami, the story takes place in a world where Japan is the seat of the Republic of Greater East Asia, which as far as I can tell is what would happen if Japan had come out much better from World War II as an authoritarian empire. In this Republic, junior high classes are selected randomly throughout the year to take part in survival games in which the classmates must fight each other until only one student survives. The novel tells the story of one particular class, Shiroiwa Junior High Class 3B and its 42 students, selected for the heinous Program and forced to fight each other on an isolated island in the Seto Inland Sea. The novel focuses mainly on the exploits of Shuya Nanahara, Noriko Nakagawa, and Shogo Kawada, three classmates who plan to escape the Program, despite the number of obstacles meant to keep them in the Program (not to mention classmates that are all-too willing to take part in the Program). The novel also looks at the lives of several other classmates, so that by the end of the book you feel you know at least a little bit about a majority of Class 3B.

And the twists and surprises in this story will keep you reeling until the very end. You can quote me on that and take it to the bank.

The author does a very good job managing a very large and diverse cast, giving most of the characters at least a little characterization so that those you meet seem at least well-developed, even those who only show up for one or two chapters. Takami-sensei (as he would be addressed in Japan) also manages to tell a very bleak story with engaging finesse, wasting not a single word. The action sequences are so terrifying you’ll be hearing the climax from Stravinsky’s The Firebird during the climax (at least I did), the musings on life, the government, and the meaning of the Program will pierce deeply, and the emotions of each character hit you pretty hard as you get to know these kids. And when you find out why a government would have a Program like this, you’ll think to yourself the same thing you’ll end up thinking when you read the resolution of the story: “That’s so clever! Scary, but clever!”

There was only two moments where I was dissatisfied with the story. One was I wanted to see more of a certain character that died midway through the novel. The other moment, later in the novel, was I had trouble believing that a certain character wouldn’t get treated for a potentially-fatal-if-let-untreated wound after he sustained it and the danger had temporarily passed. Why wouldn’t he get the bullet out before it killed him? There was time for it!

Other than that, I absolutely loved the story. Even the romantic subplot of the novel was woven in beautifully, and didn’t annoy me like it might’ve in a certain trilogy I could name (oh wait, I did name it! Never mind). The plot was quick-paced, terrifying, and left you with an impression that doesn’t go away.

All in all, Koushun Takami-sensei’s novel Battle Royale gets a 5 out of 5. I haven’t been able to immerse myself into the world of a novel in a long time, and after I was done, I didn’t want to leave because I’d grown to love some of these characters so much and so desperately wanted to see what would or had happened to them.

I’m going to go reserve the movie version from the library now. I doubt it’ll be as good as the book, but at the very least it should be interesting. Maybe even review-worthy (though that could also happen if the movie is incredibly terrible when compared to the book). Unless something else awesome happens tonight, I’ll blog on you later, Followers of Fear. Goodnight.

The 7 Beauties of Fantasy

Posted: November 22, 2013 in Reflections, Writing
Tags: , , , , , , , , , , , ,
1

This is the second in my series of blog posts exploring the general guidelines or common themes that appear in the genres of science fiction, fantasy, and horror (click here to read The 7 Beauties of Science-Fiction). This whole series started in my science-fiction/fantasy literature class this past Wednesday, when we examined the 7 Beauties of Science-Fiction, we also came up with an original list for the 7 Beauties of Fantasy, and I on my own came up with 5 Beauties of Horror. I thought a series of blog posts sharing and examining these various beauties would be helpful and fun to write, especially when you consider how often the three genres intertwine and overlap.

Now without further ado, here are the 7 Beauties of Fantasy, seven themes or motifs that are found in most fantasy stories, as the examples I pick will show.

1. Character–someone through whose eyes we see this mysterious world. Every fantasy story has at least one focal character, someone through whom the world we’ve been introduced is explained and explored. These sort of characters usually end up becoming heroes of some sort and we end up identifying with them very deeply in the course of the story. Examples include Bilbo Baggins and his nephew Frodo in the Lord of the Rings canon, Eragon in the Inheritance Cycle, and Nick Burkhardt in Grimm.

2. Setting and culture–the magical, mysterious world our character explores. If it’s a fantasy novel, there’s almost a 99% garauntee that the world is nothing like the world we live in, and there’s a 100% certainty that something will need to be explained to us. Be it Middle-Earth, Narnia, or Harry Potter’s Wizarding world, there’s a whole realm to explore, with its own cultures, nations, societies, geographies, floras and faunas, and so much more. It’s up to the author, through the narrator’s eyes, that we find out as much as we need to about it.

3. Novums and Neologisms–technology/tools and words/phrases exclusive to the world we are in. Just like in science-fiction, the world of the story in fantasy has words or devices that are exclusive to that world and that we don’t understand entirely. Be it the Invisibility Cloak and Apparation, or the gedwey ignasia and Eldunari, they make no sense in the context of the real world but they make plenty of sense in the context of a fantasy realm.

4. Adventure(s)–you will go on one. Can you think of a single fantasy novel that doesn’t involve some sort of quest or journey or something along those lines? Neither can I. It seems every fantasy story is predicated on the main character going off to save a princess from a dragon or to toss the One Ring into the boiling flames of Mount Doom or find the genie she’s engaged to but who has been kidnapped by an evil sorcerer. Along the way the character fights enormous perils, learns valuable lessons, and grows as a character until he or she becomes the hero or heroine we all long to be on some level.

5. There are things that can’t be explained rationally. How does magic work? Why can a dragon fly when its body is too big for its wings to reasonably lift it off the ground? How come unicorns have magic in their horns? In a science-fiction novel, television show or movie, everything is based on science, and in theory everything can be explained scientificially. Not so with a fantasy story, which are not based on science but on mysterious forces and strange new worlds to explore and are limited only by the author’s own imagination. So don’t ask how come a sword from a water maiden is more powerful than your average sword or how magic can respond to a blood sacrifice, because you’re not likely to find the answer unless the author wants you to.

6. Familiarity–the characters don’t wake up one morning going “what the heck?” The world of the character is the one they gew up in. They know it like the back of their hand, and it would take much to surprise them in this world. In other words, unless they’re a little baby the world isn’t one they are unfamiliar with. It’s the one they know like the real world is the world we know. Not only that, but the world is somewhat familiar to us. You could channel-flip to HBO and might think you’re watching a special on the War of the Roses or on the Norman invasion, and not realize you’re watching Game of Thrones.

7. Internal history–there’s a history to this fantasyland. This is similar to the “historical extrapolation” beauty in science-fiction, but very different. Sci-fi is what could be possible with our world, so the history is the same for the most part. In fantasy though, the world has a very different history than ours. Different nations, different wars, different cultures, different creatures. This world we are visiting through the story likely has its own history that has its own unique players and events. And probably the one person who knows the full extent of that history is the author of the story his/herself (or sometimes not even then: half the time I’m not sure the writers of Once Upon a Time know where there story is going, let alone the entire history of each and every character).

No matter what, fantasy is always a strange and new exploration of new territory. It’s fun to look into and it’s fun to inhabit. And in some cases, it can even become a phenomena lasting years after the new world has entered ours. Knowing how to examine and analyze such places don’t detract from the story, but they make them all the more fun, all the more beautiful.

At least, I think so. Hope you liked the post and be on the lookout for the 5 Beauties of Horror, coming soon.

I’m Writing Again!!!

Posted: November 21, 2013 in Living and Life, Novel, Progress Report, Writing
Tags: , , , , , , , ,
6

Good evening, Followers of Fear. How are you this evening? I don’t know about you, but I’m doing great! I just finished Chapter 20 of Video Rage, after working on it on-and-off for the past six or so days. This officially puts an end to my hiatus that kept me from doing any major writing, and puts me back on track to possibly finishing this novel by the end of this year or the end of January (one or the other, most likely).

It’s been over a month since I had to stop writing because of how busy I was with school and work. I just had way too much on my plate to devote any time to actually writing, but now that my schedule’s eased up a little, thanks to the semester ending soon and Thanksgiving coming even sooner, I can actually afford to sit down for hours at a time and just churn out stories. It’s a wonderful feeling.

Actually, the truth is not being able to write might’ve actually contributed to my stress levels getting worse rather than better. But being able to write these past couple of days has been just wonderful. I feel freer than I have since I began my hiatus, and now that I’ve gotten another chapter under my belt, I’m on a little bit of a writing high. In fact, the writing high made me write a longer chapter than I normally would’ve. Not that I mind though. I think the chapter the way it is right now is pretty awesome. It was a huge fight sequence, which I’m not normally good at writing. But I managed to extend it from what might’ve been a six-page chapter to a ten-page chapter, and it looks better than what I had originally planned, so it’s kind of a win-win situation.

I’ve also decided that working on two novels at once is not the best idea for me. One moment I’m yearning to work on one project but I have to work on the other, next moment I’m working on project number two but I want to work on the first project. It’s a little bit annoying. So for now I think I’ll stick to finished Video Rage, which has only seventeen chapters left in the first draft, and then I’ll get back to working on my other work-in-progress, Laura Horn. After that’s all done…well, who knows? Maybe some short stories, a new novel, some editing work. All depends on what’s on my schedule and what I feel like doing at the moment.

But to sum it all up, I’m really happy at the moment, and I look forward to finishing the first draft of Video Rage.

And while I have your attention, I also want to extend a hearty congratulations to fellow author, colleague, and good friend Angela Misri, whose Portia Adams novel Jewel of the Thames has just been accepted for publication by Fierce Ink Press. Mazel tov Angela, I’m so excited for you and I cannot wait to read all of Portia’s amazing adventures this coming spring. Keep me posted on the news, okay? Also, if your books get made into movies, who do you want to play Portia? Because from what I know of the character, I think Natalie Portman or Eve Myles would be a great early call.

All for now, everybody. Good night!

Older Entries
Newer Entries