Posts Tagged ‘ideas’

Video Rage, Book 2 of the Reborn City series

So as I promised in my last post, I have another post out today. And this one is a special one. Two years ago today, I published Video Rage, the second book in my Reborn City series.

If you’re not familiar with the Reborn City series, it’s a science fiction trilogy that I started writing back in high school. The story follows street gangs living in a dystopian future, in particular a gang called the Hydras whose leaders have very unique abilities. The novels explore themes such as prejudice and self-fulfilling prophecies, gang violence and drug addiction, and overcoming the expectations of others and of yourself. I published the first book, Reborn City, back in November 2013, and the second book, Video Rage, came out on June 1st, 2016, right before I started working in my current position.

While the books only have a very small following, those who’ve read them have had very enthusiastic things to say. Here’s are some of the reviews for Reborn City:

It’s a neat exercise in trying to see through the eyes of someone different from oneself. It incorporated a lot of fly comic-book-esque tropes. A good beginning effort of an up an coming new author who has some cool ideas to explore.

–Amazon Customer

This is not a genre I typically delve into, but I took this book on vacation and couldn’t put it down. The plot had me turning pages at quite the clip. The characters were unique and interesting and the imagery had me creating my own visual of what Rami’s interpretation of the future looked like. For first time novelist, Rami Ungar, this was an outstanding showing of talent and commitment to his passion of writing. Looking forward to seeing what he comes up with next!
–MU
This was really a page-turner; I was hooked from the start and read it in a day. While not perfect, this is an auspicious debut novel from a good author. I look forward to reading the rest of the books in this series when they come out!
–Josh M
And while it doesn’t have as many reviews, Video Rage has also received a warm reception:

From what I understand, this is book 2 in a series. That being said, I had expected a cliffhanger of an ending. I’m not a fan of cliffhangers, but in this particular book, I think the author did an excellent job of finding the balance between making the story stand complete within itself while ending the story on a note that let you know another book was coming. Personally, the ending was one of the most intriguing ones I’d read in a long time. It didn’t leave you to figure it out for yourself (which is something I hate). The author let you know what was happening and why while leaving enough to be answered in a future book.

That all being said, the overall book was an enjoyable read. I especially liked that a former bad guy turned things around and redeemed himself. Those types of characters are one of my favorites. I had hoped in Reborn City (Reborn City series Book 1) that he would, and it was very satisfying to see that fulfilled. I also liked the underlying theme in the novel that what the media tells people through the major outlets is slanted by government agendas. In this book, it was up to the main characters to find an alternative way of getting the truth out.

I think this book is best read after reading Reborn City (Book 1) because it really helped to have the background on the characters, and I think this book is far more effective if you have the foundation Book 1 gives you. The science fiction geek in me really loves the genetic aspect. And so that I don’t spoil anything, I will say the real bad guy in this series does a nice twist in this book along that line.

–Ruth
I was really looking forward to the continued journey of the Hydras and Rami was able to produce. Zahara is my favorite character and her development from an insecure girl into a strong woman came out clearly in this book. Some other character development was really unexpected but the book moves at such a fast pace that it didn’t hold me up at all. The story line is quite imaginative and, as usual, there isn’t much predictability there. I think that is what draws the reader in – you just need to keep going to find out what weird twists and turns happen next! Looking forward to continuing this journey with Rami and the Hydras.
–Michele

Reborn City, Book 1 of the Reborn City series.

If any of this has piqued your curiosity, I’ll post the links for the books below. Please check them out if you’re interested. And if you do end up reading them, please let me know what you think. Email, blog comment, review online, I’d love to hear your feedback, positive or negative.
That’s all for now, my Followers of Fear. I’ll probably have another post out tomorrow. Until next time, happy reading and pleasant nightmares.
Reborn City: 

Available on Amazon, Createspace, Barnes & NobleiBooksSmashwords, and Kobo

Video Rage:

Available from Amazon, Kindle, CreatespaceBarnes & Noble, iBooks, Smashwords, and Kobo

Before I give you the news I hope you’re all eager to hear–the latest on my novel Rose, which is to be published by Castrum Press–I want to first share something I was told recently. Now, I’m not sure if this is true and I haven’t been able to find any corroborating evidence, but according to someone I talked to online, in the first draft of Carrie by Stephen King, Carrie actually grew horns and sent bolts of electricity from her eyes at some point in the story. This was later dropped during the revision process of the novel.

Okay first off, I kind of want to see that version of Carrie, not just in book form but in movie form as well (I still maintain that the 2013 film is the superior adaptation, and you know the horns and lightning bolts would’ve looked awesome in that film). Second, it shows that even King’s works, including one of his greatest, require extensive revisions. And that made me feel a whole lot better about the revisions I have to do for my own story.

Now, if you’re unfamiliar with Rose, it’s a novel I’ve been working on since my senior year of college, when I wrote it as my thesis project. It follows a young woman who finds herself turning into a plant creature (and that’s just the start of her problems).

I’ve mentioned before that my publisher asked me to do nix the many flashback sequences in Rose, essentially throwing out one-third of the book, and another third that was dependent on that first third. Although I was understandably more than a little disappointed about that, and it even brought my mood down quite a bit at times, I decided to try and find a new direction for the story that didn’t rely so heavily on flashbacks. Somehow, after a lot of head-scratching and extensive use of a method of brainstorming I’ve been wanting to try for a while (I’ll write an article about it for Self-Published Authors Helping Other Authors soon enough), I managed to find a new direction and plot for Rose that I thought made for a good supernatural thriller.

I sent a new outline for the story to my publisher, and just today they got back to me. I was really worried that they might not like the new direction, but the tone of the email was really enthusiastic. They just asked me to keep in mind some things about chapter length and a few other things, and wished me luck.

I can’t tell you what reading that feedback did for my confidence. The closest I can get to is by saying that it felt like a weight had been lifted off of my shoulders.

And since I’m on vacation for the first third of June (not going anywhere, I’m just having a relaxing stay-cation at home), now is the perfect time for me to get back to work on Rose. I plan on getting through at least the first seven chapters of the novel, and then start on the new material for the novel. All that, along with more than a few blog posts I’ve been wanting/meaning to write for a while, and of course the normal stuff one does while on vacation (sleep, watch TV & movies, read, hang out with family and friends, run errands, have tea and scones with a succubus you’ve been seeing on another plane of reality, etc.), should keep me pleasantly occupied during my vacation.

So as you can see, Rose is still coming along. It may take some time, but I still think we can get the book out before it starts to turn chilly again (though in my state, that can happen even in summer). And I think when I get it done and on the shelves, it’ll surprise more than a few people. Especially those who’ve read earlier versions of the story.

That’s all until morning, my Followers of Fear (got another post I need to work on after I’ve gotten my much-needed sleep). Until then, pleasant nightmares. I’ll see you soon.

My friend, journalist and all around cool person Caitlin Kelly published a post earlier today on her own blog, Broadside (definitely check it out, it’s some of the most intelligent and thought provoking blogging on WordPress). In it, she took 20 questions and answered them. Kind of like the game, only not like the game. Anyway, I enjoyed reading her post and thought it’d be fun to try myself, so I decided to write my own post using the same questions and my own answers. Hopefully some of you will feel the same and answer some questions of your own, either in the comments or on your own blogs (either way, I’d love to read your answers).

So without further ado, let’s begin!

What are some of your passions, hobbies and interests?

Well, most of that is out there already. Obviously, I love horror fiction, both reading and writing it. I also love horror art and culture, stuff my blog often touches on. I love Japanese culture, particularly manga and anime. I love learning new things, especially from books or audio books. I love TV and movies, 80’s music and ASMR (Google it, I’m not going into it here). And I love going to the theater when I can, particularly for ballet. And I like collecting dolls and figurines.

What were you known for in school?

Scaring the heck out of people, writing, and being a total and utter goofball. I used to make terrible jokes and puns, sing Lady Gaga in the hallways, sneak up on people to scare them, and write incessantly during my free time. It was a nutty time.

Scariest moment?

It’s not easy to scare me, but I do have one experience. I thought that I’d lost the flash drive containing all my stories on it, and nearly had a panic attack. Thankfully I found it, but that taught me a lesson. I back up my stories once a month now. Really calms my nerves.

Best job?

Well, I’ve only had a few in my young life (I turn 25 very soon, that’s how young), but if I’m going to pick just one, I guess I’ll have to go with the one I have now, working an HR job for a supply organization. Sure,, my high school and college jobs let me do my homework while I worked, being a resident manager put a roof over my head, and interning in Germany was just lovely. But unlike those jobs, I’m now a full employee with good pay and benefits. Sure, sometimes it’s exhausting or frustrating, but I get to help people with disability in the organization, and I’m able to live a comfortable life without having to worry too much about bills or anything like that. You have to love that.

Stuffed animals or dolls or something else?

Dolls and figurines. I’ve got a huge collection of them, in a variety of types, and it just keeps growing (see here and here for the blog posts about them). I also have a small collection of scary masks (a post for another day), and more books than I know what to do with. They’re fun to have.

Do you have any siblings? Are you close to them emotionally?

That was two questions.

But I have four younger sisters, three biological and one step-sister. I love them, but I think we get along better when we’re able to have our own space and not constantly rubbing up against each other.

Do you like the outdoors, or do you only go out when you have to?

Yeah, I’m not a huge fan of the outdoors. I only really have to go out when I have to go somewhere. Beyond that, I definitely prefer the indoors. In fact, if I were a cat, I’d be an indoor cat. Meow!

Are you married or partnered? If not, do you enjoy being single?

That was also two questions.

I am single, and I’m happy being that way. I’m not really that big into romance personally, so I’m happy to be on my own and have my own space. Maybe someday that will change, but right now, I wouldn’t change that for the world.

What’s your nickname?

Rami is my nickname. Didn’t you know?

What would we typically find in your fridge?

Food. What were you expecting? The remains of my victims?

Do you enjoy entertaining friends and family?

At my place? Sure! When it’s prearranged, of course. I don’t like people dropping by unannounced too much.

Are you outgoing and highly social, or do you prefer to be on your own?

Both, actually. I love to go out and be friends, but at the same time, I need my alone time to unwind, or I just go crazy.

Most beautiful place you’ve visited?

Oh, that’s a tough one. Honestly, there are a lot of beautiful places I’ve had the pleasure to go. Paris is lovely, even if it’s a little too opulent. Germany has some very beautiful hills and towns and cities. I really enjoyed visiting Boston, and the Massachusetts coastline in Salem and Fall River are lovely. But if I have to pick, I’m going to go with the Golan Heights in Israel. Beautiful mountains and hills and cities. One day, I’d like to go back and see them again.

Secret hope?

It wouldn’t be secret if I told you. You’ll just have to guess.

Have you achieved the goals you set for yourself when you were younger/went to college?

I’ve achieved some of them, certainly.

What was it/what were they?

I’ve got a stable income, I write nearly every day, and I’ve got a book on the way, with the opportunity to write several more in the future. Hopefully they’ll be well-received and a lot of people will read them. That would make me extremely happy if that happened.

If not, are you OK with that?

N/A

Do you struggle with/manage a chronic medical condition?

Autism spectrum disorder, ADHD, acid reflux, and a few others. I’m a mess! Still, I take care of myself and don’t use any of them as an excuse or a reason not to live my life. I’ve learned to turn my disadvantages into advantages. In the end, that’s all that really counts.

Don’t let your health ruin your life. Take control, and let yourself be the judge of what you can or can’t do. Don’t let your medical conditions do that for you.

Are you religious or do you follow a spiritual path/faith?

I’m Jewish. I’m more spiritual than religious, but I keep kosher and follow major observances (Shabbat Shalom, by the way). It gives me a guiding path, though I don’t base all my beliefs and morals around the Torah.

What makes you laugh loudest and the most often?

Probably something stupid on YouTube or on TV. Either that, or just something that happens in the moment that I find extremely hilarious.

 

What are your answers to these questions?

Well, that’s all for now, my Followers of Fear. I look forward to reading your answers soon (especially if your names happen to be Kat Impossible, Joleene Naylor, or Ruth Ann Nordin). Until next time, pleasant nightmares and have a great Memorial Day weekend.

Back in December, I posted about how I was collecting dolls, figurines, and statuettes. Since then, I’ve collected quite a few more for my collection, so I thought I’d write another post about the collection and show off my new acquisitions (as well as have another go at giving my parents more grey hairs and making them wonder where they got such an unusual son. What can I say? I am a nasty little devil).

First, let’s talk about those Nightmare Before Christmas pixies. Remember when I said there were about four of them? Well, turns out there’s a lot more than four:

So apparently the line comes with its own little Halloweentown display. I got that not too long after the last doll/figurine-related post.

After that, they sent me Oogie Boogie’s character.

And then Zero the ghost dog.

And I thought that was it, but then they sent me Lock, the kid in the devil costume.

And then they sent me Shock, the witch girl.

And that’s where we are so far. I’m assuming Barrel, who I think is some sort of skeleton kid, is on the way at some point. I’m not really sure how many characters are in this collection, but I’m happy to keep paying for them and seat them in a circle in my apartment.

Also, I recently bought another, very special figurine from The Hamilton Collection, the company that makes those little statues. This is the Guardian of the Underworld.

Yeah, pretty scary. And I’m pretty sure that’s an old Rolls Royce hearse she’s sitting on. I wanted to bring that into work, but my supervisor put the kibosh on that one. Too bad, it would’ve been such a great talking point for anyone who came to visit my office. Then again, given what we do in my office, it might put people off and give them the wrong idea.

Of course, not all my new additions have been from The Hamilton Collection or look like pixies from Hell. Remember in my last post I mentioned that my very first figurine was one I made of the character of Zero from the anime Code Geass? Well, I finally got a real Code Geass Zero figurine!

This was one of my most anticipated acquisitions when I bought it. And it’s so cool! You can change heads and arms depending on whom you want to wear the costume (spoiler alert: different characters in the anime wear that costume at different points), and take on and off the sword around his waist. But I’m telling you, lining the real figurine next to the one I made all those years ago was a big moment for me. It felt like I was showing myself how far I’ve come in life that I can actually collect these things for myself, and I don’t just have to make them.

I’ve also made a few acquisitions that coincide with another love of mine, ballet. The first acquisition of this type is a figure of Asuka Langley Soryu from the anime Neon Genesis Evangelion (I already have two figurines of her, as she’s my favorite character, but this one is probably my favorite), dressed up as a ballerina. I absolutely adore this figurine. It looks like she’s about to break out into dance, which would be very cool if it could happen.

I also got two figurines based on Odette and Odile from Swan Lake. I was really psyched to get these, especially since I saw that ballet last November.

These figurines comes with their own individual stands, as well as a shared one for a pas de deux (not something that ever happened in the actual ballet, but whatever). They look so graceful and their eyes are so expressive, I just love it. They’re so wonderful, they gave me an idea for a novella a while back that I’d like to write at some point. They also came with a lithograph of an illustration that I believe inspired these figurines (I think that’s what the figurines are based on), which I hung up not too long ago after finding a picture frame that was the right size, right by where I keep the actual figurines.

My third ballet-related acquisition is a proper doll, a Liccca-chan doll. Licca-chan is like the Japanese equivalent of Barbie, and this one was so up my alley, that I couldn’t help but order it. The arms aren’t as movable as I thought they’d be (so no fifth position posing), but I still like it and I’m glad I bought it.

Of course, not all of my collection is so pretty. You guys know I’m a Lovecraft fan, right? Well, I recently acquired a Cthulhu statue from Chile. I’ve been wanting a statue of Cthulhu for quite some time now, so to finally get one was pretty awesome. I’m actually not really sure what this statue’s made of, to be honest: I bought it off Etsy, and it’s supposed to be made of some sort of clay, but at times it feels like wood, and other times like stone. Which, considering this is a statue of a powerful god in the Cthulhu Mythos, does not surprise me in the slightest. My supervisor may let me keep this one in the office, which I would find cool, but others might freak over. Of course, that’s the intended effect, so let’s hope he says yes.

Also, the store I bought it from included a free Cthulhu keychain because he’d been on a hike when I made the order and didn’t get it until when he came back a week later. I told him that wasn’t necessary, but he included it anyway. Such a nice guy, and I love the craftsmanship. Also, I’m not sure what this is made of either. Fuh-reaky!

And finally, we get to my last and possibly my favorite acquisition, as well as the one most likely to be haunted. This is a Pullip doll, which is a brand of South Korean fashion dolls known their big heads and equally big eyes.  This particular one is from the Alice du Jardin series, so I call her Alice, and she is the “Mint” version. Sometimes I feel like she’s really watching me while I’m writing or watching movies on the couch, and that she’s trying to influence me. If she is, I think she’s trying to influence me in positive ways though. Easing my stress and that sort of thing.

So that’s the latest on my collection. What did you think? (Yes, I’m aware that some people find my collection very weird, but since when have I ever been interested in being “normal?”). I’m personally very proud of it, and hope to add to it over time. I’d especially enjoy getting the entire main cast of Sailor Moon in figurine form, though that’ll have to wait until I get some new cabinets (someone’s letting me have his when he moves out of town). In the meantime, I love what I got, and I don’t ever want to part with them.

Do you collect dolls and figurines? What are your thoughts/suggestions on collecting them?

Writers write. If it’s possible to boil our craft down to one simple truth, no matter what our backgrounds or specializations are, it’s this: writers write. And often, we really love doing it.

Occasionally though, there are times where we writers hate writing, or find ourselves becoming disillusioned with it. This can happen for a number of reasons, but in my general experience, writers tend to go through these phases where they just don’t want to write when the business side of writing, or things in our personal lives, starts having a negative effect on the act of writing itself. Recently, a friend of mine talked about how, for a while, writing was starting to lose its appeal to her, to the point where she wasn’t enjoying storytelling and was thinking about quitting. She later realized that was because, in order to keep her sales up, she was writing stories that she wrote to sell well.

Of course, all writers who sell their work write stories they think will sell well, but it’s not usually the main goal. Usually, we write stories we ourselves want to read or stories we feel we need to tell and would have fun doing it. My friend was writing stories that were designed to sell, but were not necessarily stories she enjoyed writing. Her field was becoming so crowded, she felt she needed to write this way in order to compete. But all it really did for her was make writing less of a fun activity but a chore.

It was only when she realized that she needed to get back to writing stories she felt passionate about and decided to stop doing stories calculated to do well in a crowded field that she started to enjoy writing again.

Similarly, I’ve been feeling a little out of sorts with writing for a while now. I still enjoy the act, and I’m not sure there’s anything that would make me hate writing, but then some things came up:

Back in March, when I found out Rose was going to be published by an actual publishing company, I was ecstatic. I was on a high that lasted for a whole week and a half, like pure joy had somehow been pumped into my bloodstream. But soon after that, the company sent me back my manuscript with notes, and the feedback they gave me…well, they noted many issues with Rose. Issues that really brought down my high. I’ve been working on this novel for about four years now, and just seeing so many problems pointed out wasn’t pleasant.

The fact that the novel needed so many rewrites didn’t help either.

Not only that, but there was some stuff in my personal life that I was dealing with, personal stuff that I’m still dealing with. I won’t go into details (not because I’m not comfortable talking about it, it just doesn’t feel like the right time to do so), but the first couple of months of 2018, while still full of good things for me, had some unexpected obstacles and issues that weren’t widely reported outside of a close circle of a select number of individuals.

It’s crazy how this anime could get me out of my funk so easily. God, I love you, Sailor Moon.

Those obstacles and issues, as well as seeing all that needed fixing with Rose, just sort of brought down my enjoyment of writing in general. And I wondered how I would get it back.

This evening though, I had the weirdest pep talk from the most unexpected source: Sailor Moon (bare with me here). As you guys know, I LOVE Sailor Moon. It’s one of my favorite anime ever, and I’ve loved it since I was a kid. Recently, the first half of Season 4 was released on DVD with a new, more faithful dub (meaning original Japanese names and no editing to make the story more appropriate for children), and this week my copy from the library came in, so obviously I’m bingeing it this weekend.

Here’s where the pep talk comes in: one of the episodes from that season involves a friend of Sailor Jupiter who happens to be a novelist. The novelist has recently suffered some personal setbacks, and they’ve made it difficult for her to write. But by the end of the episode, through the intervention of Sailor Jupiter (and a vision of a winged unicorn, but that’s beside the point), she regains the will and inspiration to write.

All throughout that episode, I felt like it was talking to me. I saw myself in the writer, and every time a character offered her encouragement, I felt like I was the one getting the encouragement. By the end of the episode, I felt like a huge weight had been lifted off of me. Yes, I still have personal things to deal with, and Rose still needs a lot of work, and they’ll continue to plague me for the foreseeable future. But I’ve got it in me to keep writing and editing and get this story to the point where my publisher will put it out there. And after that, I have over a thousand stories I could pick from to tell, with a few more coming to me each month. The possibilities are endless!

And all because I decided to binge-watch Sailor Moon this weekend (one of these days, I’ll have to blog about how much this show and its characters mean to me).

So what’s next? Well, I’m going to go back and rewatch that episode, and I’ll see if I can keep myself from crying while I watch it. And after that? I think I’ll email my publisher, and we’ll talk about my proposed edits for Rose. And then I’ll get back to writing. Because after all, I am a writer. And what do writers do? Why, write. That’s what we do.

And that’s what I’m going to do, now with a renewed sense of purpose. And I can’t wait to get started.

I try to be a regular blogger, one or two posts a week. But since Saturday, I haven’t really had anything to talk about. Which is crazy, because I usually always have something to talk about. And sometimes, people like to read what I have to say.

But there’s just nothing these past couple of days I’ve wanted to get out there. There’s been no development with Rose or any of my other stories worth mentioning. I haven’t seen or read anything to review lately. I haven’t come up with anything involving the art of writing or the art of horror. There’s nothing big in my life that I feel like making announcements about. And there’s no issue or current event I feel angry enough to speak about (and before you mention “Cockygate,” I’m getting to that).

There were things I thought I might blog about. I finished rereading The Shining, the first time I’ve read it since my teens, but I didn’t feel like I had enough material to make a full post like I did with To Kill a Mockingbird. The same with a post about feedback from readers and magazines; I started it, but in the end, the words just wouldn’t come to me. Cockygate is still ongoing, but there hasn’t been enough new developments that I want to write a post. I have a post for Self-Published Authors Helping Other Authors, but I’m saving that until after I’ve spoken with my publisher about some proposed edits for Rose. And I’m waiting on a few other things to happen before I do some other posts I’ve been thinking of writing.

I could do an entire post about how one of my favorite shows Lucifer was canceled (yes, that happened, and I’m very upset about it!). But that feels too clickbait-y for me, especially after devoting an entire post to Cockygate. That being said, it would do me and an entire fandom a huge favor if you could help us keep the hashtag #SaveLucifer trending on social media. As of the time I’m writing this post, it’s a trending topic on Twitter, with over three-hundred twenty-seven thousand tweets. Believe me, we don’t want this show to go anywhere, so please help us out.

But other than that, I really have nothing special to say at the moment. I’m as quiet as a mouse.

Except…

Except that I can assure you I am still working on stories. Rose is coming along slowly but surely, and I have other stories in the wings. I certainly haven’t run out of ideas for stories or blog posts. And I am as devoted and energetic towards these projects as I’ve always been.

So even if I drop off the blogosphere from time to time, know this: I will come back, and it’ll be with plenty of good news to share. So stay tuned.

Until next time, my Followers of Fear, have a good weekend and pleasant nightmares.

I’ve been reading a lot of articles about how Hollywood is coming to see big horror films are, and that they are looking into making more. It’s even been compared to the explosion of superhero films that came about after the Dark Knight trilogy and Iron Man showed how popular and profitable superhero films could be. Since I am a horror fan in addition to a horror writer, I thought I’d weigh in on the subject.

First off, this explosion in horror is not exactly out of the blue. Studios have been making horror films since the early days of film, and they keep making them every year. There’s obviously always been an interest and a profit to be made in horror. It’s just lately we’ve had a slew of horror films that have shown studios and audiences that horror can be extremely profitable, mainstream, and even deeply thematic. We actually first started seeing this trend years ago with films like the Paranormal Activity series, which kicked off a huge fad of found-footage horror films, and with Blumhouse Productions, which proved you can make horror films cheaply and still have critical and box office success. This is especially so with their Conjuring film series, which in itself is a cinematic universe.

But late 2016 and 2017 brought on a slew of horror films that really brought these points home. Split, with its surprise ending technically making it a superhero film, and Get Out, with its commentary on race on par with some Oscar-nominated films, brought horror into the mainstream in new ways. Later in 2017, Annabelle: Creation and It proved massively successful beyond anyone’s wildest dreams, and in 2018, films like A Quiet Place are raking in the dough and proving how powerful horror can be in creating terrifying atmospheres and emotional narratives.

And this is just scratching the surface: Stephen King stories are being optioned at record rates (where’s my adaptation of The Library Policeman?); some of Netflix’s biggest recent original films have been horror movies; and studios are developing more horror movies than ever before. It: Chapter Two starts filming this summer, and a new Halloween film is getting released this year. So while I may say yes, horror is kind of the new superhero film, it’s not because they suddenly became profitable. The potential has always been there, it just took some very specific successes with deeper cultural resonance to really bring that potential to the attention of studio heads.

Remember, don’t do what The Mummy did. Not if you want your horror movie to actually be successful, let alone spawn a franchise.

So yes, the horror genre may be the new superhero film, with every studio wanting its own successful films, film series, or film universe. But to steal a superhero film quote, “With great power comes great responsibility.” So while I have no pretensions that studio heads or directors or writers or whatever will see this post, let alone take its message to heart, I thought I’d offer some advice advice on getting into this horror boom. After all, as a horror fan and a creator, I want the horror boom to continue. The more good horror out there, the better. So here are some of my ideas for ways to make sure the boom doesn’t fizzle out:

  • Focus on telling a good scary story. This seems obvious, but some companies get so caught up in having a successful film or franchise, they forget to make a good horror film. Remember last year’s The Mummy? That film was convoluted, packed to the brim, and not at all scary. Not a good start for a film that was supposed to be the launching point for an entire cinematic horror universe. Which was the problem: Universal was so concerned with getting their franchise off the ground, they forgot what let Iron Man get the MCU off the ground: a good film in and of itself. If Iron Man had not led to the MCU, it still would’ve been an excellent superhero film. The Mummy should’ve been made that way, but unfortunately, it wasn’t, and now the Dark Universe is sunk.
    So remember kids, focus on a good story first, franchise a distant second. At least said franchise is up and running, of course.
  • Take chances on new/indie directors and stories. A lot of great horror films have come from the indie scene and/or from new/emerging directors. It Follows and Babadook were both very successful horror films from directors with less than three films under their belts, and the former was from the indie scene. Get Out was from Jordan Peele, who had never done a horror film before in his life.
    And all these stories are original plots. In an age where every other movie is a sequel, remake, or some variation on a familiar story or trend, adding something new to the horror canon has the ability to draw in a diverse audience, rather than just the smaller audience of devoted fans and some possible new ones.
    So take a few risks. It could lead to some big returns.
  • Adapt more than just Stephen King. Yeah, I’m happy for the many Stephen King adaptations being made (Library Policeman movie, please?). But there is such a thing as too much of a good thing. Even his Royal Scariness: I got sick of him back in high school because I read too much King and had to take a break for a few years. I still make sure to space out my dives into his stories nowadays. And if that could happen to me with his books, imagine what it could do to audiences with too many of his movies.
    The point is, there are a number of horror writers out there whose works should be adapted. Scott Thomas’s Kill Creek is one of the best novels I’ve read so far this year; Ania Ahlborn’s Within These Walls would make a great Blumhouse movie; Junji Ito has plenty of stories that could make great films; and as I noted in a previous post, HP Lovecraft is in the public domain and would make for great cinema. It’s something to consider.
    And before you ask, “What about your works, Rami?” I would be flattered if someone showed interest in adapting one of my stories. However, I don’t think that’s a possibility at this stage of my career, so I’m not going to get my hopes up. Still, I’d be flattered.

Horror is finally being given the attention it deserves from Hollywood, and I couldn’t be happier for it. However, it’s going to take a lot of work, and a lot of good stories, for horror to continue to thrive. I hope that filmmakers old and new are up to the task.

Just like the last time I posted about this subject, I’m pretty sure someone is reading that post title and is very, very confused.

So if you’re unaware, there are two styles of writing fiction that most writers can be divided into: pantsers and plotters. To put it simply, plotters like to plan out as much as they can before and during writing, while pantsers tend to plan out only a few things, and leave the rest up to whatever they come up with in the moment. Some people do a mix, but for the majority, they usually fall into one camp or the other.

I’m a big plotter, but for a while I’ve been experimenting with more seat-of-my-pants style writing. I wanted to see if that led to situations within stories that felt more natural, more “organic” than something that might feel forced for the sake of the plot. And my experiment yielded an interesting conclusion: except for some short stories (and not many, mind you), I can’t pants for the life of me. And believe me, I tried. I tried to let situations rise as organically as possible and go with the flow. However, what ended up happening more often than not is that I would just sit there in front of my computer, trying to figure out what comes next. Then I’d get distracted, and I’d end up watching a few videos or reading clickbait articles, and then I’d realize that it’s time to make tomorrow’s lunch and get ready for bed, and only a little work has been done, and that just sucks!

I didn’t fully realize how bad I was at pantsing until I was writing an email to my publisher. We were discussing changes I could make to Rose, and I mentioned that I’d really have to think about what changes I would make, as, and I quote, “I can’t pants to save my life.” It wasn’t until I really wrote out those words that it dawned on me how true they were. I can’t pants to save my life. Except for the rare short story, I need an order and an idea of where I’m going. Otherwise, I just can’t write, let alone make a compelling story.

So I’m back on mainly plotting out my stories. But I’m not sad about that. Like I said, I’m a plotter, so it feels good to be writing in a way I know that works for me. And I’m happy for another reason: this experiment in pantsing was a success in a different manner than what I expected. Thomas Edison once said that his thousand failed light bulbs weren’t actually failed light bulbs, but discoveries on how not to make a light bulb. Similarly, I discovered some more of my limitations when it comes to writing, and how I can improve in the future. Far from a complete and total failure.

And if you have a specific way you write, don’t feel pressured to change it because other writers write differently. We all have our areas and our methods that work for us. If you want to experiment and try something new, go ahead and try it. You never know what’ll happen. But never feel that you have to change how you do things. You could end up going from quality work to not getting anything done at all.

Have you tried both pantsing and plotting? How has it worked out for you?

That’s all for now, Followers of Fear. I know my posts have been a bit more spaced out than usual lately, but I’m hoping to have more to post about in the new month. Hopefully even a couple pieces of good news (fingers crossed). Until next time, pleasant nightmares!

In my last update on Rose, I mentioned that I was probably going to do a whole lot of revisions and possibly a ton of rewriting, owing to the fact that the flashbacks were deemed unnecessary to the story and I had to throw them out or modify them. Well, I am rewriting a good chunk of the novel. It’s not what I’d hoped for, but sometimes you have to do what you have to do. And while I’m still trying to figure out the final third of the novel, I have figured out the second third for the most part, as well as other things that I plan to include in the story. And one of those things I plan to use is something I call mini-anecdotes.*

Mini-anecdotes are something I’ve noticed a lot in fiction, particularly fiction aimed for adults. They’re not like flashbacks or mini-flashbacks, but they’re related. A mini-anecdote is when a character briefly thinks of a past experience, usually something that can be associated with the current moment in the story. It’s not a flashback, as it’s not going into the character’s past in order to show them something. It’s more like a quick summary of a flashback. A good example would be in The Shining (which I’m rereading now), when Jack is doing handyman work around the hotel’s playground and park, and thinks back to the park he went to with his dad growing up. This not only gives us a bit more on Jack’s past and who he is as a person, but also gives us a brief illustration about his relationship with his dad, which we learn further about in the novel.

Other great examples of mini-anecdotes can be found throughout the Harry Potter books. In the first book, we learn how Harry’s life has been strange since he was small: ending up on the school roof, his hair growing back overnight, a sweater shrinking as his aunt is trying to force it on him. This isn’t a full flashback, but it gives us a very good idea of what Harry’s life has been like up until Dudley’s eleventh birthday, as well as what he’s like based on his reactions to the strange things around him. And in the third book, we get a brief glimpse of Harry’s relationship with his Aunt Marge, how she also mistreats him and spoils Dudley, and once let her dog chase Harry up a tree while laughing at his misfortune. It’s an illustrative moment on how awful Marge is and gives us an idea of what we can expect from her during her appearance in the story.

Now, I’ve only just started identifying mini-anecdotes in fiction, so I’m not an expert at using them yet. Just as you can”t really be a great writer even if you’ve read hundreds of novels, you can’t immediately use mini-anecdotes even if you’ve seen them in hundreds of books. However, I think I’ve identified a few things that might make using them in Rose a bit easier:

  • They’re brief. Seems rather self-explanatory, but it needs to be stated. Mini-anecdotes are usually only a couple of sentences or paragraphs at most. The longest may be only two pages at most, but they don’t go on for several pages. That, ladies and gentlemen, is a flashback, and as I stated in a previous post, flashbacks can be difficult to use effectively.
  • Little dialogue or details. Mini-anecdotes tend to be very bare bones. They may have a few lines of dialogue, but no long speeches. And certainly not enough detail like the shape of a building or all the thoughts going through a character’s head. It’s more summary, telling vs. showing, than anything else. Going into anything more would be going into flashback, most likely. And as I said, those have strings attached.
  • They’re connected to the present. Like Harry’s early experiences with magic or his aunt, these mini-anecdotes have to connect to the story’s present, either to illustrate a point, give us further insight into a character, or just to help us connect to them more. Having one for the sake of having one will do you no favors. After all, you wouldn’t want to have a romantic scene that suddenly goes into a character’s dislike of geese, do you?

While these won’t help a writer (let alone me) use mini-anecdotes well, they can be a starting point for their use. And if we as writers can learn to use them well, then we can use them to make our stories better and more memorable to readers. And in the end, isn’t that part of the reason we write in the first place?

Do you use mini-anecdotes in your stories? What tips do you have for writing them?

*At least that’s what I call them. I don’t know if there’s a technical term for them. If there is, please let me know in the comments below.

A portrait of King Arthur by Charles Ernest Butler. Probably not what he looked like at all.

So this is a bit outside my normal wheelhouse, but I decided to write a post about it because I’m all fired up about the subject (and really, isn’t that the reason we write anything anywhere?).

Recently, I’ve become very interested in King Arthur. Specifically, I wanted to know whether or not he was real, and how this whole story of him, Merlin, Lancelot and Guinevere, his sister/lover Morgan le Fay and his nephew/bastard son Mordred came to be. I mean, do we really believe a guy who didn’t know he was the bastard son of the previous king was taught by a magician, pulled a sword from a stone, had an idyllic kingdom stretching across Europe for a few years, only for it to be undone by his affair with his sister and his wife’s affair with one of his knights, to be gospel historical fact? I wanted to know the truth, and I wanted to know it as in-depth as possible.

This new obsession of mine started after one of the YouTube channels I follow, Overly Sarcastic Productions, produced a video about Arthur lore, and how that got built up over the past fifteen-hundred years (click here to watch the video, as well as here for their follow-up on some of Arthur’s lesser-known knights). These laid the groundwork for me to get interested in the subject, and to want to find out a bit more. From there, I downloaded a lecture  series from The Great Courses company (college level lecture series you can listen to while you work or drive. Definitely check them out, they’re very informative) on Arthur, narrated by Professor Dorsey Armstrong of Purdue University, and an expert on the subject of Arthuriana.

If you don’t have time to watch either video or to listen to Professor Armstrong’s lecture series (though you should at least spend a half hour on that first video), let me do my best to put it really simply: probably ninety-five percent of what you think you know about King Arthur is complete and utter fiction. There’s some evidence to suggest that during the late 5th and early 6th century, the invasion of the Saxons in England was stopped and in some places reversed, keeping the peace for a few generations, and that someone probably lead a war effort that caused that peace.

This figure was probably the basis of Arthur. The name Arthur, by the way, doesn’t appear until after this time period, but then becomes quite widespread among Bretons. This possibly means that the name “Arthur” wasn’t this figure’s real name, but maybe an acronym, abbreviation, or nickname based on a Celtic or Latin name. A number of figures listed in history annals from around or after that time have been pointed to as possibly the inspiration for Arthur, but documentation from that time is scarce, so no one really knows if any of these figures were Arthur or given that name as a title or nickname.

So, Arthur was possibly real. We’re not sure, because there’s only so much evidence. He could be as made up as Harry Potter, and was a folklore character adapted by the Bretons for their current predicament.

Pages from the Historia regum Britanniae, the first King Arthur bestseller ever written.

At the very least, the legend of Arthur cemented itself and grew over time. From a local warlord to king of all the Bretons, and then other elements started getting added on, such as Merlin, who was probably based on a mad bard who lived a couple of centuries after the Arthur figure. Eventually, a man by the name of Geoffrey of Monmouth wrote this huge book called Historia regum Brittaniae, a pseudo-history of Britain that dealt quite a bit with Arthur. It was spread across the European continent, where other writers from as far as Italy, Scandinavia, and Russia started adding their own spins on Arthur’s story and adding their own elements. These elements include Lancelot, who was the invention of a French writer, Excalibur and the Holy Grail, and Mordred being Arthur’s incestuous offspring. And as years passed, storytellers just kept adding elements and remixing the already-available tales until we have all the Arthur stories available today.

It’s like what might happen if, a thousand years from now, George Washington was known as Walsh; his historicity was debated; he was credited not only with defeating the British but conquering the entire continental United States; had Superman’s powers; and was taught by Mark Twain, who’s been combined with Nikola Tesla and has lightning powers.

Yeah, kind of crazy. Also a huge simplification, but it’s a blog post. What do you expect of me?

Like I said, anyone can add to the Arthur canon. Doesn’t mean it’ll be good.

Anyway, it’s just mind-blowing how great an influence one man who may or may not have existed and probably only ruled a small area of land if he did exist has had on Western society. Most likely, if you’ve lived anywhere English culture has reached, you’ve heard something about Arthur. You just probably never realized that there was so much debate around him or there’s no real canon about him, because so much about him is in flux from storyteller to storyteller.

It’s also very inspiring, in a way. You can write almost any sort of story about Arthur, and it can be considered part of the canon (whether or not it’s any good though, is left up to the storytellers and their audiences). The possibilities are kind of endless, as long as you keep an open mind. I’ve already had an idea for a short story involving the historical Arthur figure and the subsequent works written about him. I plan to write it at some point this year and then submit it to my publisher, Castrum Press, for one of their anthologies (they’re doing some anthologies, BTW. Check them out here if you’re interested. All are welcome to submit). Hopefully it gets accepted, and maybe some people will like it. We’ll see.

Whatever you know or believe about Arthur, it’s undeniable that he’s had an influence on the world. His legend is constantly growing, morphing, and mutating. And all from one man, a man we don’t even know if he was real or not. It’s definitely a mind-boggling, cool, and inspiring subject, and I’m so glad I decided to dive into it.

I hope, if anything, this post makes you curious enough to dive in too.