Posts Tagged ‘Jack the Ripper’

You may have seen some news reports that Jack the Ripper’s identity has been solved. A lot of those reports include mentions of DNA evidence, which gives the claim an air of legitimacy. However, that raises the question: has Jack the Ripper’s identity been found? And if so, who is it?

First, for those of you who don’t know (thought at this point, I’d be surprised if you didn’t know), Jack the Ripper is the name given to a serial killer who murdered five women in London’s Whitechapel and Spitalfields neighborhoods in 1888, though it’s possible many more died. The women killed by the Ripper were supposedly prostitutes, though in recent years, doubt has been cast on that (check out The Five by Hallie Rubenhold for more on that).

As for the killer’s name, it comes from a letter sent to a local newspaper supposedly by the killer where the “killer” identifies himself as such. Jack, however, was never caught, leading to over a century of speculation as to whom the killer is.

As to this latest news story, historian Russell Edwards has claimed that DNA found on a shawl supposedly belonging to Catherine Eddowes, one of the Ripper’s victims, matches both Eddowes’ living descendants, as well as DNA belonging to descendants of the older brother of Aaron Kosminski, one of the top Ripper suspects. Based on this, Edwards believes that Aaron Kosminski was the Ripper, beyond the shadow of a doubt.

This leads to the question: was Kosminski really Jack the Ripper?

Honestly, I have my doubts. This isn’t because I have my own suspect I believe was the Ripper (though I do believe it was this person to the point I made him a character in my Victorian Gothic novel The Pure World Comes). It’s just that there are some serious problems with Edwards’ claims, and I shall try to go over all of them here.

First, who was Aaron Kosminski? He was a Polish Jewish immigrant who worked as a barber/hairdresser in Whitechapel in 1888 and who was one of the original suspects of being the Ripper owing to a violent mental disorder. He was committed to an asylum a few years later and died in custody in 1919. To this day, he’s still one of the most popular picks for the Ripper’s true identity.

The DNA evidence is way more problematic than it appears at first glance.

First, there’s the DNA. While this method is a lot more reliable than other methods of forensic crime solving (you would not believe how unreliable fingerprinting actually is), DNA isn’t infallible. In fact, DNA is subject to contamination, incomplete samples, and degradation over time. It would take incredible luck for both samples to remain intact and uncontaminated enough so that they could be used to match with the victim and suspect’s descendants.

But sure, let’s say the DNA found on the shawl, which Edwards bought from an auction house and which passed through a few hands before then, really did have enough intact DNA for the scientists to do their work. While Eddowes’ DNA probably came from bloodstains, the DNA linked to Kosminski was mitochondrial DNA from semen. Mitochondrial DNA is a lot smaller than regular DNA found in cell nuclei and isn’t as handy in identifying people as is regular DNA. (See this YouTube video where a DNA expert explains it much better than I ever could).

Also, semen being present on the shawl only proves that someone had sexual contact with Eddowes (if it was her shawl). As I said, whether the Ripper’s victims did or did not engage in sex work regularly has been called into question in recent years, but whatever the truth, it doesn’t prove that Kosminski killed her. All it really says that he may have had some sort of sexual contact with her.

All of these factors might be why the study in which Edwards makes his claims hasn’t been published in a peer-reviewed journal, and that’s a problem. “Peer-reviewed” means that the experiments and the results can be reliably replicated, and the fact that no peer-reviewed journal has published Edwards’ study is concerning.

The identify of the Ripper, to put it simply, is still an open question.

Finally, there’s the issue of whether Aaron Kosminski was actually the suspect the police were referring to! You see, Kosminski’s name came to prominence because the name “Kosminski” was mentioned in police memos and in the diaries of investigators from the original case, and that eventually led to the identification of Aaron Kosminski. However, these same policemen may have been referring to one Nathan Kaminsky, also known as Aaron or David Cohen, another Polish Jew with mental issues and a violent personality and who was held in the same asylum as Kosminski before his death in 1889. The police may have confused one man for another, and the asylum may have named him Aaron Cohen because Kaminsky or Kosminski was too difficult to spell or understand. Whatever the case, we can’t be sure which man the police were referring to, given the similarities and lack of reliable records.

So perhaps Aaron Kosminski did have a sexual encounter with Catherine Eddowes, but Nathan Kaminsky was the real Ripper. Or maybe he wasn’t. There’s no way to tell.

And that’s the main problem. Even if the DNA results aren’t problematic, there’s no way to know 100% for sure who Jack the Ripper was without a time machine. I’m sure we would all love to put to bed who the Ripper was, even if our personal choice of suspect was wrong. But it’ll take a lot more than sketchy DNA results to do so. And, like many infamous cold cases, it may never be truly solved.


Thanks for reading through my rant on this subject, Followers of Fear. I just really disliked how many publications were taking Edwards’ announcement like the gospel. Hopefully this put the whole matter into perspective for some of you.

If you’re at all curious whom I think is the Ripper, you can find out by reading The Pure World Comes. As I said, I included him as a character in the novel, and I included some of the historical knowledge I found on the guy in the story. Plus, it’s a great Victorian Gothic horror novel, if I do say so myself. I’ll leave links below if you’re curious. And be sure to leave a review if you read it!

I also highly recommend if you’re curious to check out The Five: The Untold Lives of the Women Killed by Jack the Ripper by Hallie Rubenhold. Ms. Rubenhold does an excellent job exploring both the lives of the five canonical Ripper victims and the contemporary attitudes that may have unfairly led to them being labeled prostitutes. Reading it made me look at the Ripper case in a whole new light and helped me ultimately come to whom I believe the Ripper is. (See my article on it here.)

That’s all for now, my Followers of Fear. Until next time, good night and pleasant nightmares!

Raise a glass in celebration! Unless it’s before five or you have some other good reason to not be drinking alcohol right now, then instead lift a Diet Coke or glass of orange juice or coffee or something.

So, as I said last week, my Victorian Gothic horror novel The Pure World Comes came out two years ago today. The novel follows Shirley Dobbins, a maid who thinks she’s getting the job of a lifetime when she’s offered a position at the manor of the Baronet Hunting. However, strange things are happening at the manor, known as the Hunting Lodge. Things that terrify and bring back things from Shirley’s past that she would rather forget. In addition, the baronet is researching some very strange science and Shirley gets wrapped up in it. All this will have an explosive conclusion that will threaten not only Shirley’s life, but those she loves as well.

It’s kind of like Frankenstein and Crimson Peak had a baby together. With an appearance by Jack the Ripper for some added terror.

Anyway, to celebrate the two year anniversary of The Pure World Comes releasing, I’m doing a sale! From today, May 10, through May 17, the book will be on sale in multiple formats from multiple retailers. Even the audio book will be on sale from select stores (I can only do sales on the audio book from Spotify, B&N, Apple and Chirp)!

This is a great opportunity to check out the book if you’re interested, so why not do so? I’ll leave links below so you can purchase from the retailer of your choice. And if you do, and you end up reading the book, I hope you’ll leave me a review letting me know what you think. Positive or negative, I love reader feedback, and it helps me grow as a writer as well.

Anyway, that’s all for now, my Followers of Fear. I hope you’re looking forward to this book as much as I am looking forward to you reading it. Until next time, good night and pleasant nightmares!

The Pure World Comes: available from Amazon, Barnes & Noble, Apple Books, Kobo, Goodreads, Audible, Chirp, BingeBooks, LIbro.Fm, Storytel, Palace Marketplace, Hoopla, Vivlio, Smashwords, Thalia, Scribd, Spotify, Fable


Two more things, my Followers of Fear:

  1. If you have read and have a copy of Rose, one of my other novels, please take a photo of yourself with the copy and send it to me with a single word to describe the book. I’m gathering photos for a project in honor of Rose‘s own anniversary next month, so if you can contribute one, it would make my day.
  2. Next week is ParaPsyCon! If you’re in or around Mansfield, OH on May 17-19, please stop by the Ohio State Reformatory for the biggest convention of ghost hunters, psychics, and more around. I’ll be there selling books and doing Tarot readings, and I would love to see you there. You can find out more details here.

That’s really all for now, my Followers of Fear. Until next time, good night and pleasant nightmares!

Hello, Followers of Fear. There are sixty days till Halloween. What have you done to prepare?

Artwork produced by artificial intelligence, or AI art, has become kind of a thing as the technology has advanced. In fact, some months back, there was an app that became a fad for horror writers to generate images and even book covers. And earlier this week, John Oliver featured it on his TV show, Last Week Tonight with John Oliver. Here’s the video, if you’re interested. It’s hysterical.

John Oliver’s wife and children must have such a blast telling people who don’t know who he is what he does for a living. “Oh, my husband/dad? He sexually harasses Adam Driver and marries cabbages on TV once a week.”

Anyway, it got me interested enough to want to play around with AI art, so I made an account with one of the recommended companies, Midjourney, and went to work. The results were not only fascinating, but gave me some thoughts on the nascent AI art industry.

First, here are some of my successes. As it turns out, Midjourney’s AI program does very well with Lovecraftian/cosmic horror entities. For example, here’s Cthulhu destroying Las Vegas because I’m not a big Vegas fan (though under the right circumstances I’d visit again).

Then, in order, we have Yog-Sothoth, Shub-niggurath, Nyarlathotep, Azathoth, two pictures of the Deep Ones, the Color from Outer Space, and the King in Yellow.

And portraits of famous people tended to go well with the program. Here are Stephen King, Anne Rice, and HP Lovecraft, three of my biggest influences as a writer, as well as one of Lizzie Borden with an axe. Because why not?

And because I love ballet and try to put dancers in my stories when I can, I made a series of ballet posts, with their titles in the captions.

Dancer and Wolf on the lake
The Little Ballerina Ghost
Dancer in the Egyptian Temple
Dancers on a Moonlit Beach
Little Dancers Running from Lava
Little Dancer and Anubis

Pretty cool, right? Most of them look really good. However, those were success stories, like I said. Here’s what happened when I tried to create Jason Voorhees from the Friday the 13th films.

Yeah, I know. None of those come close to looking like Jason! He’s arguably more famous than Cthulhu, but these were the results. And then there was my attempt at Freddy Kreuger from A Nightmare on Elm Street. Oy freaking vey!

Yeah, who is that? Not Freddy Kreuger, who is definitely more famous than Cthulhu! Honestly, it looks more like my conception of Leland Gaunt, the antagonist from Needful Things by Stephen King. How could the AI get our favorite subconscious serial killer so wrong?

And those are just a few examples. I went through several failures trying to get anywhere close to a specific idea or image, only to give up when I realized the program just couldn’t create it. I couldn’t even create a decent Sailor Moon or an accurate tiger image, and both those prompts have enough references out there that they should have been easy to create something accurate.

Even some of the successes took a lot of work and experimentation, such as The King in Yellow or Little Dancer and Anubis. I won’t even go into detail about how hard it was to get a good Alice in Wonderland pic that wasn’t too trippy. I mean, I know the source material is plenty weird, but not all art based on it has to be super-surreal!

And while I call some of them successes, they aren’t perfect. You can especially see it in the ballerina series, where features like the head and limbs look odd or bent in ways you wouldn’t see on a normal dancer or a Degas painting. Only the tutus and bodices come out well. The rest of their bodies can be a mixed bag.

It kind of reminds me of that scene in 1986’s The Fly, where Jeff Goldblum puts steak through the teleporter and it comes out tasting weird. He figures out that the computer hasn’t learned how to move organic materials, and is instead creating an interpretation or bad imitation of what it thinks steak is. That’s what we have here: the AI has learned how to mimic and create, but it’s still leagues away from making certain things.

And honestly, I’m glad. Art is art because there’s someone behind it with a vision or a passion. You can program a computer to recreate famous art pieces or original pieces, including Batman comics and scripts or horror screenplays. And the computer might even do a good job at times. But there won’t be any passion or soul behind it. Art is art because we’re putting our love and soul into our creations.

And getting to work with a creator? That’s even more special. Believe me, I’ve done it before, and it’s amazing to see your vision come to life with their help. Especially when working on art pieces like book covers. That truly is something special.

That being said, I can see AI-generated art being used for cheap book covers as the technology improves, and the services of artists becoming more expensive. This could especially apply for small presses or independent publishers who need to lower costs while maximizing profits. The only time publishers may use a real artist is if the author is big enough to warrant it.

Hopefully that doesn’t happen, because it would mean we wouldn’t get to see some really amazing collaborations. So, for the meantime, I’ll stop with the AI art (I’ve scratched that itch and I don’t want to pay a subscription for Midjourney, anyway), and continue supporting the artists who create amazing art. Especially horror art.

And now, here are some more pieces I created. Except for a few I’m waiting to reveal till the time is right, here are my other successes. You can ask what was going through my mind when I created these in the comments below. Enjoy, and until next time, my Followers of Fear, pleasant nightmares!

Vampire Mothers and Child
Jump Rope with a Ghost
Jack the Ripper in an Alley
Flaming Giraffe #1
Flaming Giraffe #2
The Necronomicon
Bunny Girl and Hammer
Spooky Alice in Wonderland
The cover’s typo is finally fixed. In case you hadn’t noticed.

Do I need an introduction? The Pure World Comes, my Gothic horror novel, has been out a week. And I am really happy with the results.

The Story

Shirley Dobbins wants nothing more than to live a quiet life and become a head housekeeper at a prestigious house. So when she is invited to come work for the mysterious baronet Sir Joseph Hunting at his estate, she thinks it is the chance of a lifetime. However, from the moment she arrives things are not what they seem. As she becomes wrapped up in more of the baronet’s radical science, she realizes something dark and otherworldly is loose within the estate. And if left unchecked, it’ll claim the lives of all she holds dear.

That blurb on the back has gotten some people interested, so I’m proud of it. Along with the whole book, of course. It’s kind of a love letter to the Victorian era and the literature that came out around that time (particularly the scary books). And for all the glitz and charm that era has in our memories, it was actually a pretty dirty era, especially if you lived in London. I actually included a lot of the grosser stuff of the era, such as shit-filled streets, crazy theories about pregnancy and childbirth (trust me, they had some wacky beliefs), and Jack the Ripper.

Yeah, he appears in the novel as well. Anyway, I worked hard to make the age feel real to readers while at the same time delivering a terrifying novel. And I think based off the reviews, I did just that. More on that later, though.

Trivia about The Pure World Comes

I’m not lying, I’ve kind of wanted to do some trivia for this book for a while. And now that it’s been out for a week and a lot of people are reading it, I think I’ll do some trivia:

The Westover plantation. See the resemblance?
  • If TPWC were to be made into a movie (I can dream), I think I know whom I’d like to play the two leads, Shirley Dobbins and Sir Joseph Hunting. At least, using the current roster of actors out there. First, for Shirley, I’d want Millie Bobby Brown. If you’ve seen Enola Holmes, you know why.
    As for Sir Joseph, I’d like either Robert Carlyle (Rumpelstiltskin in Once Upon a Time) or Julian Richings (Death in Supernatural). I kind of based the character on both men and integrated parts of the characters they played into Sir Joseph, so it would be awesome if either of them were to play the character.
  • As for the Hunting Lodge, Sir Joseph’s home (and technically also a character, as tends to happen in Gothic stories), I based it on the Westover Plantation in Charles City County, Virginia. The red brick, symmetrical house just struck me as having a lot of character, so with some mods I made it into the Hunting Lodge.
  • I originally had ideas for more characters around Shirley’s age, and there was going to be a whole lot of love triangles and unrequited loves and whatnot. You know, kind of like what goes on in Bridgerton (which is Regency rather than Victorian, but you get the idea). However, that got complicated pretty fast and distracted from the main plot, so I whittled it down to just one and stuck with it.
  • Finally, I added a whole lot of references and Easter eggs to the story for kicks. Some of you might have realized that the character of Nellie is named after the character from Wuthering Heights, a classic of Victorian literature (even if I do hate it). But I also included references to Doctor Who, Once Upon a Time, and even the anime Overlord. Points to everyone who can find them all!

Reviews

As I said above, I’ve been getting some great reviews on TPWC. At the time I’m writing, the book has four on Amazon and thirteen on Goodreads. Here is what people are saying:

I really like Gothic stories, so I was excited to read this, and it didn’t disappoint.

I liked the protagonist very much. Shirley had many qualities that, for me, make a strong protagonist. She struck me as being a character who didn’t rely on others for approval, and while she seemed a sensitive character in many ways, I felt that she was self-contained. She was not overly emotional, and it seemed that she had a realistic view of the world around her. I liked that.

The story itself was very gripping, and there were even some moments that caused me to gasp in surprise while I was reading. However, this was something that encouraged me to keep reading.

Something else that I enjoyed about this was that it wasn’t too long or drawn out. It was a satisfying read, and intriguing read, but short enough to read in one sitting, if desired. The kind of thing that I might choose if I wanted a short book to read on the evening before my book club meeting. I have some friends who are keen on this type of story too, so I may recommend this book to them.

Kelly Marie Purdy, Goodreads

In Victorian England, Shirley Dobbins rises from lowly maid to competent scientist. The problem is, her tutor and employer is a mad scientist, and his mansion is haunted.

I loved the cast Ungar put together, young to old, rich and poor, lower class and upper class, and most dramatically, kind hearted and evil. The mad scientist’s haunted mansion is a character, too, with its secret laboratory and portals and rats and a haunted toilet.

Jack the Ripper makes an appearance. He mostly lurks in the background, but he adds a menacing plot thread to the book. It feels natural to the story and the setting, not at all gimmicky on Ungar’s part.

Meanwhile, Shirley and the mad scientist are trying to perfect animal and human imperfections, but where do they draw the line between playing doctor and playing God?

While I enjoyed this story, there’s a scene that contains a misunderstanding about the physics of vacuums. But if readers aren’t into science they might not notice. Also, the title doesn’t work for me. Thematically, it makes sense, but it neither catches my attention nor sparks my imagination. So The Pure World Comes is almost a five-star read for me, but not quite.

Gothic horror fans will love The Pure World Comes. Ungar keeps getting better and better. He has become an auto-buy author for me.

Priscilla Bettis, Amazon

The Pure World Comes by Rami Ungar
The story started with a slow build which
quickly turned into a page turner for me.
It has a bit of a Frankenstein feel to it.
It was a little out there but I really enjoyed
it.

Anette Johnson, Amazon

Fun fact, the last review is written like that on Amazon and Goodreads and I kind of love how it looks a little like a freestyle poem. But more than that, I love how enthusiastic these reviews are. And if you look online, you’ll see plenty of other people saying positive things about the book. Even the three star reviews seemed to like it, which is nice.

I hope more reviews are like this.

Links

This coming weekend in Mansfield, OH. Hope to see you there.

Anyway, if you want to check this book out, I’ll include links below, including Goodreads. It’s been a fun ride writing, editing, and publishing this book, and seeing what people think of it. i hope with time, more people come to read and enjoy it and let me know what they think. After all, reviews not only help other readers decide if a book is worth their time, they help the writers improve their craft and know what their readers are thinking.

The Pure World Comes: Amazon, Barnes & Noble, Apple Books, Kobo, Goodreads


Well, that’s all for now, my Followers of Fear. I hope you enjoy The Pure World Comes. I probably won’t post again until after ParaPsyCon this coming weekend (where I hope TPWC sells out), but the moment something comes up worth posting about, I will. Until next time, good night, happy reading and pleasant nightmares.

I made a nice graphic for “The Pure World Comes.” It’ll work till I get a proper cover for the story.

My first major achievement of 2021 occurred this morning at around 2 AM (yeah, I’m not sure how I’m functioning right now, either). After a crap ton of editing and a bit of Doctor Who, I finished the second draft of The Pure World Comes.

Now if you don’t know what The Pure World Comes is, it’s a Gothic horror novel I wrote back in Spring 2020 and started editing last month. The novel, which is set in Victorian England, follows a young maid who goes to work for a mad scientist. Beyond being a fun and exciting story to work on, it was my love letter to the Victorian era and a great opportunity to showcase my theory of who Jack the Ripper was.

Yeah, I worked Jack the Ripper into the story. And I think it worked as an addition.

Now, if you remember my post about prepping to return to Victorian England, I had some specific goals with this draft. Namely, I wanted to make the story feel more authentic by improving the dialogue, explaining all the odd ideas and customs of Victorian England (*cough* mourning rituals *cough*), and adding little details like steam engines, Covent Garden, and bath tubs heated with giant metal contraptions. While I’m still iffy on the dialogue, I think I did a great job with the other stuff. I tried to give readers some explanation or context for some of the things that were common then but would be considered odd now, and I think I added enough little details to make the story feel authentic.

Of course, I’ll leave that up to the beta readers (more on them in a bit).

Also, did I mention how much this story has grown since the first draft? The first was 214 pages (8.5 x 11 inches, double spaced, 12-point Times New Roman font) and 59,333 words. The second, however, was 228 pages and 64,269 words! That’s an increase of nearly 14 pages and nearly five-thousand words! Yes, a lot of that comes from explaining some things or expanding some sections so they’re less confusing. Believe it or not, it might’ve been more, but as I got further into the draft, I ended up cutting a ton of material as well.

So, what’s next? Well, I’m going to hand the novel off to a couple of beta readers to look over. I’ve already gotten confirmations from two colleagues who are well-versed in historical fiction (as well as my work) that they’ll take a look, and I’m reaching out to a few others who are big horror fans themselves. With any luck, I’ll find out not only if The Pure World Comes is any good, but what I can do to improve it in the third draft before trying to publish it.

And while they’re looking at the second draft, I’ll be taking a break from any serious writing for a short while. Beyond any administrative work on my various projects or the occasional blog post, it’ll just be easy street for the next week or two. After that…well, I have some ideas.

I look forward to receiving feedback for the third draft.

For now though, I’m just excited to be reaching this stage in the novel’s development and hope I get to share it with you very soon.

And if, in the meantime, you’re looking for something new to read for 2021, I have a few other projects out on the market that might fit the bill. I’ll leave the links below. All I ask is that you leave a review online somewhere if you do end up reading my stories, as they help both me and other readers.

That’s all for now, my Followers of Fear. I’m off to enjoy some dinner, some classic Doctor Who, and an early bed time. Until next time, stay safe, Happy New Year, and pleasant nightmares!

Mother of the King: Amazon US, Amazon CAN, Amazon UK

Rose: Amazon US, Amazon UK, Amazon Canada, Audible

Snake: AmazonCreatespace, Barnes & Noble, iBooksSmashwords, and Kobo

The Quiet Game: Five Tales to Chill Your Bones: Amazon, Createspace, Barnes & Noble, iBooksSmashwords, and Kobo.

As many of you know by now, I’m in the middle of editing The Pure World Comes, a Gothic horror novel I wrote earlier this year. The novel follows a maid living in Victorian England who goes to work at the estate of a mad scientist (yes, that’s my elevator pitch for the story). Since a mad scientist features prominently in the story, I thought I’d take a moment to discuss the trope, as it’s extremely common in fiction, especially sci-fi and horror.

With that being said, I decided to do some research before working on The Pure World Comes. I couldn’t find many articles on the trope (and those I did were pitifully short), so I asked one of my Facebook writing groups for help. I got way more responses than I’d expected. Some of them gave me some funny responses like including wild, white hair and a funny accent, or differentiating mad scientists, who do mad experiments, to mad engineers, who build mad things. Some were not helpful at all, like imagining them as autistic overachievers (excuse me? I’m on the spectrum and an overachiever! I take offense at that).

However, there was some good information given to go with the few articles I could find. To start with, the mad scientist trope is over two-hundred years old, with the prototypical mad scientist being Victor Frankenstein of the novel Frankenstein.* However, the stereotypical look of the mad scientist–wild hair, crazy eyes, and “quasi-fascist laboratory garb1“–as well as the outlook for the lab, was influenced by the character Rotwang and his lab in the German silent film Metropolis. Rotwang also had numerous traits we associate with mad scientists (more on that later). After the horrors of WWII, such as German experiments and the atom bomb, and the outbreak of the Cold War, mad scientists began to reflect the horrors and fears of that age, often working on projects that could destroy all or almost all of mankind.

Given the state of the world now, I’m expecting an influx of mad scientists interested in virology and/or social engineering.

Alongside their history, I found out mad scientists have some common subtypes:

Victor Frankenstein (here renamed Henry for some reason) is a great example of an unethical mad scientist.
  • Mythical scientists. These are the mad scientists who seem to be working with godlike powers, either through unexplained, futuristic science bordering on magic or actually studying/utilizing magic items. Science-colored wizardry, as one FB commenter put it.
  • Unethical scientists. These are the scientists who are actual scientists but have dropped their ethics/morals. These types are usually based on the Nazi scientists, the Tuskegee doctors who studied on unknowing black men, and so many more (sadly), though Frankenstein technically falls into this category.
  • Cutting edge obsessive scientists. These types aren’t always so bad. They are good at their work and love it deeply, but tend to get obsessive to the point it can cause trouble for them or other characters. Often, after causing a lot of trouble, they can get a redemption arc. A good example is Entrapta from the She-Ra reboot.
  • Scientists with mental illness. These are self-explanatory, and are becoming more and more common in media these days. This can be a bit of a double-edged sword, as it can be great representation for the disabled, but it can also give a bad name to the disabled by linking their evil behavior to their mental illness.

Obviously, these types can cross over with each other. And there’s probably more than what I’m listing here.

Whatever their type, type combination, or era of creation, all the types have some commonality. For one thing, they generally deeply believe in their goals or research. They also tend to think of themselves as a protagonist in their own personal story. Even the ones who acknowledge they’re evil still believe they’re a main character on the world stage. Pride, greed, or the belief that they know better is generally what drives them, and is often what leads to their downfall.

As for how to write mad scientists, it’s less having to do with the trope and with the character itself. Because of what the mad scientist can do, they’re often used to fulfill a number of needs in stories, but unless you’re making them a satire of the trope or just including them for comical effect, you need to really think about their character. What motivates them? What are their odd ticks or quirks? Think of them like you would any other character and apply the same amount of love and development. Hopefully then you can create a great mad scientist.

Entrapta in the She-Ra reboot is a great subversion of the mad scientist trope.

You can also try going against clichés. Most mad scientists are older white males with nefarious intentions, so going against one or more of these traits and then making the character your own might be a good idea. Looking at you again, Entrapta from She-Ra! You wonderful, robot-obsessed, magic-haired princess, you!

Mad scientists are common characters in fiction and for good reason. And while there’s no sign they’re going away any time soon, there’s plenty of room to innovate and make them your own. Especially if you do your science homework before you start writing.

That’s all for now, my Followers of Fear. This will probably be the last post I make for 2020. If that’s true, I’ll catch you all next year. In the meantime, I’ll be bingeing TV, sleeping and editing The Pure World Comes (I’m currently in the chapter where I reveal who Jack the Ripper is).

Until next time, stay safe (and don’t travel), Happy New Year, and pleasant nightmares!

*Fun fact, Victor Frankenstein never actually finished college, so he’s not a doctor, though people think he is. But since the discipline of science hadn’t been formalized and all the other stuff by the early 19th century, we can still call him a mad scientist.

.

I think I’ve mentioned how busy I am lately. But things have kind of calmed down a bit, so unless I hear back from a beta reader, figure out how best to edit this story I’m working on, or am lucky enough to get a story accepted somewhere, I know what I’m working on next.

You may recall back in the spring, I started writing what I thought would be a novella, but ended up being a full blown novel. This novel, The Pure World Comes, follows a maid in the Victorian era who goes to work at the manor of a mysterious nobleman, only to find mysterious and terrifying events occurring there. I haven’t touched it since then, but I haven’t stopped thinking about it and how to improve it. And now feels like a good time to get to work on a second draft.

As such, I’ve been prepping to journey back to Queen Victoria’s reign. I’ve been listening to audio books and watching movies and TV shows in that era to get that flowery, polite way of speaking down. I’ve been learning new bits of information, such as etiquette and dating advice (yes, the Victorians had dating advice). And I’ve been reviewing what I already know. After all, this isn’t just Gothic horror (or is it Gothic horror/gaslamp fantasy?) I’m working on. This is historical fiction! And historical fiction requires a lot of work to make the reader feel they’re in that bygone era.

All that being said, I have a few goals with this draft. Obviously, I’ll be looking to clean it up, fix any plot holes I notice, and cut out anything extraneous. However, I have a few other goals. This includes:

Victorian fashion. It was a special kind of extravagant.
  • Improve the dialogue. I feel like when I wrote the first draft, I made my characters speak like modern-day Americans. This draft, I’m going to go through the whole book and make sure they sound like Victorians! Eloquence and flowery language, fewer contractions, a focus on politeness and how to address different classes. Not sure I’m going to mad on the expressiveness like characters in Dracula did (oh my God, even when people were dying, they had to be so wordy and full of praise for people they admire!), though. That might be too silly and melodramatic.
  • Explain the era better. One of the problems I have as a writer is that I forget that not every reader knows the same things as me. So, while I know a lot about Victorian England and can put an odd detail peculiar to the era in, knowing exactly what that means, the average reader won’t. It’s my job as the author to explain the minutiae to the reader, be it the ritual of mourning (click here for more on that), how much a pain in the ass cleaning was, or how ice cream was made back in the day (they used to use cucumbers!).
  • The little details need to be inserted. By this, I want to include more things special to the Victorian era. You write about the 1980s, you include Walkmans and big hair and the latest pop songs. You write about the 1950s, you include Cold War concerns, soda shops in pharmacies, televisions and record players, and early rockers. You write about the Victorian era, you mention steam engines, Mudie’s Lending Library, penny dreadfuls, and so much more. I want to include more of those details in the story, so that others familiar with the era can say, “Aha! That makes it feel authentic.” And trust me, there are a lot of details like that to include.

So, that’s what I’m up to lately. Or what I’m about to get up to, most likely starting this week. With any luck, I can make a damn good draft and get this story one step closer to publication. And believe me, I aim to get this story published, one way or the other. After all, this story includes both my love of the Victorian era and my theory of who Jack the Ripper is! You know I gotta get that out there!

That’s all for now, my Followers of Fear. I’m off to dream dark dreams. Possibly taking place at balls with huge dresses and polite conversation. Still dark dreams, though. Until next time, pleasant nightmares!

My friend Kat Impossible over on Life and Other Disasters did her rendition of this tag, and it looked fun. So, let’s pretend it’s Halloween year-round and answer some spooky questions about a WIP (as well as general questions on writing)! And since last time I did Toyland, I think this time around I’ll talk about The Pure World Comes, my Victorian Gothic novel that I wrote earlier this year.

But I’m going to need a blurb first. Hmm…how about this:

Shirley Dobbins has very few wants in life: to be able to become the head housekeeper of a great house someday; to not think on her life before she started working; and to earn a reputation as a reliable maid. So when she is hired by the enigmatic baronet and scientist Sir Joseph Hunting to work at his estate after the sudden death of her employers, she can’t believe her luck.
However, things at the “Hunting Lodge,” as Sir Joseph’s home is known, are far from the ideal position she hoped for. Not only is there barely any staff at the crumbling mansion, but terrifying visions oppress those within at random moments. Those Shirley sees bear resemblances to her past. As she becomes more wrapped in the secrets of Hunting Lodge and Sir Joseph’s scientific work, she unearths a terrible threat not only after her life, but the lives of all those around her.

How’s that? Intriguing enough? Anyway, onto the questions.

GHOST: Have you ever originally put a character/scene/theme in the book and then later taken it out?

  • Character – Yes
  • Scene – kind of
  • Theme – No

I originally had this character, the eldest son of an up-and-coming merchant family, whom Shirley would have feelings for despite her practical, no-nonsense self. However, when I finally started plotting this story, I couldn’t find a place for him in the story, so I axed him out. His disappearance from the story led to some scenes that I’d originally had in mind being axed as well, but I wasn’t that fond of them to begin with, so it worked out.

BAT: Most misunderstood character in your WIP?

I had a bit of a debate on this, considering that we see things through Shirley’s eyes and once she sees someone a certain way, it can take a while for her to see them in a different light. But then I remembered that Sir Joseph Hunting is, without a doubt, the most misunderstood character. He’s not a fan of normal Victorian pastimes or conventions, and he’s squandered his family fortune in pursuit of his scientific research. And Victorians, particularly those of the noble and almost-noble classes, placed a lot of emphasis on appearances, so Sir Joseph’s anathema to them.
It doesn’t help that he’s a bit of a jerk.
That being said, once you get to know him a bit, he’s actually a very sympathetic character. You also see why he devotes himself to his research, and maybe even believe in what he’s doing. If that’s not misunderstood, I don’t know what is.

JACK-O-LANTERN: What is your most common source of inspiration to write?

Is it a law that writers get asked that question at least several times in their careers?
The obvious answer is everything. Stories I’ve read, places I’ve been, people I’ve met, conversations I’ve had, subjects I’ve researched. All these and more combine in my weird head to create stories for me. Some of them are even good and border on original. Those are the ones I try to write into something worth reading.

ZOMBIE: What is your preferred form of writerly fuel? Coffee, tea, etc.

Tea most of the time, though if it’s early in the day, I may have a diet soda. On weekends or certain occasions, I may have something alcoholic, but I’m not able to write as well as I would like when even a little buzzed, so I avoid it.

Photo by Lisa Fotios on Pexels.com

VAMPIRE: Cheesiest trope that made it into your novel?

Okay, you know that trope where two people who don’t like each other spend more and more time together and then they fall in love? It was really popular in movies and a few TV shows back in the 1990s? I may have included that one in this story, though I tried to put an original spin on it.
I’ll leave it for the critics to tell me if I succeeded.

Yeah, the trope from 10 Things I Hate About You. I used a version of it. Hopefully I used it well.

SPIDER: What’s a character in your WIP that’s fine from afar, but you would NOT want to interact with if they ever got close?

I’ve mentioned before that I worked my theory of who Jack the Ripper really is into this story. Well, that’d be my answer. And I’m not saying any more on that until this book comes out!

Famous illustration of Jack the Ripper from Punch Magazine. He figures into my story, but not in a way you might expect.

FRANKENSTEIN’S MONSTER: Ever split one character into two/combine two characters into one?

Maybe? I can’t recall! I’ve written so many characters over the years, I’ve kind of lost track.

SKELETON: Best advice for adding character baggage without info-dumping?

Ooh, that’s a tough one, especially because it’s a tough subject. I try to spread my characters’ baggage and backstories throughout the story. Think of it like walking on a path, and you find puzzle pieces every now and then. Some are big, some are small, but they fit together perfectly. As you gather the pieces, a picture starts to form. And somewhere along the way, all the pieces come together to form a full picture. That’s how I try to spread character baggage and backstory.
That being said, sometimes I drop very big pieces sometimes if the story calls for it. Not ideal, but it’s necessary. And when that happens, if I’m able to, I at least try to just drop a big chunk here and there, rather than just a whole picture. That way, the information is palatable, rather than an info-dump.

CAT: What’s a polarizing writing/book-related opinion you have?

Why cats? Most of the writers I know are cat people! Often their cats are as sweet as their owners! I plan to get cats as soon as I have a bigger space. Preferably a three-bedroom house with a nice front and backyard and an attached garage.
Never mind. I don’t really have any opinions like that. At least, I don’t think I do. I could tell you about some books I didn’t care for, but they’re the kind of books either people like or they don’t. Sorry I don’t have a scandalous answer. You’d get a better answer with my controversial movie opinion, so I’ll tell you that: I enjoyed The Last Jedi, problems and all. There, I said it. What are you going to do about it?

DEMON: Most frequent writing distraction?

Anime and TV shows. Once I get started on a binge, it’s hard to stop. Either that or my cell phone.


Well, what did you think of my answers? Do you want to read The Pure World Comes now? Let’s discuss.

Now for this tag, tagging isn’t necessary. So if you want to do it, all the power to you. I hope you have fun and make sure to link back to me so I can read it.

That’s all for now. If anyone needs me, I’ll be casting magic to save this country. Until next time, pleasant nightmares!

I’ve talked a bit about “The Pure World Comes,” the story I’m writing set in Victorian England. And yes, at this point I’m pretty sure it’s going to be another novel. But that’s beside the point. With the completion of the latest chapter, I’m two-thirds of the way through the story, so I figured I’d talk about something I’ve been wanting to blog about for a while: what it’s like writing a story set in Victorian England.

If you’ve been following this blog for a while now, you’re probably aware that I’m a big fan of the Victorian era. It’s an era of contradictions: one of vast British expansion and industrialization, of great achievements in science and literature, as well as one of the most glittery ages of British history (at least in our popular memories). However, it was also an age of deep poverty for many, an age of exploitation and horror, and one where some of the most horrific crimes of the 19th century occurred, from Jack the Ripper to the British government’s reaction to the Irish Potato Famine (and yes, I’m counting that as a crime).

I’ve been trying to channel all that love, as well as all the information I’ve gathered through years of research, to make this story of mine, about a young maid who goes to work in the home of a mad scientist, feel authentic. Like you actually stepped into the Victorian era when you read this story.

What’s been the hardest part so far? Well, the language. I’ve been trying to make the dialogue sound like that fancy Queen’s English we see in movies and on TV, and the narration sound something like Stephen King’s Jerusalem’s Lot (a prequel to his novel, Salem’s Lot), which reads like a Victorian novel or something by HP Lovecraft, who likes to pretend he’s a Victorian. It’s harder than it looks, and at times, I find myself worrying if my characters sound more like modern Americans than 19th century Brits.

I’ll admit, it’s gotten easier to make the story and the characters sound Victorian as time has gone on, but it’s still far from perfect. And I have no doubt that later drafts will focus a lot on language.

I could also focus a bit more on describing the clothing. That’s a big part of the Victorian appeal.

However, other aspects have been easy. Going into the minutiae of Victorian life, from mourning clothes and practices (which the Victorians made an entire production of), to food and garden parties has been a treat. I had a lot of fun describing both the daily lives of maids in that age and just how dirty that age could be. And, of course, I had a blast working my theory of who Jack the Ripper is into the story.

And of course, adding those little weird details of life back then has been fun. Did you know that, according to the beliefs of the time, whom a pregnant woman interacted with could influence the baby’s health and appearance? Yeah, so if she met a drunk on the street, she might spend the rest of her pregnancy fearing her kid would come out looking and eventually acting like that drunk.

I also spent a good chunk of Chapter Eleven describing Victorian bath rituals (believe me, it’s relevant). Did you know public baths were a big phenomenon back then? How much you could pay for those baths, always sex-segregated, could determine what sort of bath you could take. And showers? They were known as shower-baths, or more formally as douche-baths. Yes, douche-baths. And no, not like we mean it today.

In the end, I think what I’m dealing with are all the usual struggles of writing a sort of historical fiction (Or is it more a homage to Gothic literature and gaslamp fantasy?). Balancing the level of detail with the need to tell the story, attempting to bring the age to life for even the most unfamiliar of readers. It’s a challenge, no matter your experience or how much research you’ve done.

Trying to bring to life the age when this sort of dress was fashionable.

Still, it’s a challenge I think I’m up to, as well as a challenge I’m glad I took up. I’m enjoying working on this story, and I feel like I’m learning a lot. Hopefully at the end of this story, it’ll show.

Well, that’s all for now, my Followers of Fear. I was going to watch a movie after this post was done, but it’s past midnight, so I think I’ll hit the hay.

And in the meantime, remember that you can still participate in next month’s YouTube Q&A in honor of the 1-year publishing anniversary of Rose. Just send your name, where you’re from, and question for me to ramiungar@ramiungarthewriter.com, and your question might appear in the video (and you could win a download code for the audio book). You can also order a signed copy of Rose with that address, or head to Amazon and Audible to get copies.

Goodnight, my Followers of Fear. Pleasant nightmares, and remember, face masks are inconvenient, but ventilators are far worse.

London Bridge and Parliament in the 1890s, right around the time this story is taking place.

Evening! Or is it morning? I’m not sure, it’s a late-night writing binge and time becomes meaningless after one of those. Anyway, as you can tell from the title of this post, I’m halfway through this super-important story set in my beloved Victorian England that I’ve been hinting and mentioning for God knows how long. And now I’m halfway through the damn thing, I think it’s time I talked a bit about it.

So, first let me tell you what this story is called. After a lot of deliberation and one or two placeholder titles, I’m calling this story The Pure World Comes. The story follows a young maid named Shirley Dobbins who goes to work for a mad scientist, and what occurs while in his employ.

In terms of genre, I think it’s a mix of Gothic horror and gaslamp fantasy (a subgenre I might need to write an article about another day). But it’s so much more than that, at least to me. It’s also a distillation of everything I’ve learned over the years about the reign and age of Queen Victoria, and I think it shows in the text.

It’s also an excuse for me to reveal the identity of the man I believe was Jack the Ripper. Yeah, that’s right, I have a person in mind whom I believe was Jack the Ripper, and I found a way to make it part of the story without shoehorning it in! Who is it, you ask? Well, you’ll have to hope the story gets published so you can find out.

And now, onto the page and word count (because of course I’m including that. You guys know me, after all). In terms of 8.5×11 pages, with 12-point Times New Roman font and double-spacing, The Pure World Comes is about 128 pages at this point. And in terms of word count, it’s 36,376 words. Yeah. You know how I consider novels as stories at sixty-thousand words or higher? I have a feeling this will be a novel by the time I’m done instead of a novella. Pulling another River of Wrath here, I guess (and yes, I will edit that soon).

Whatever it ends up being at the end, I’ll hopefully have it done by the close of May. Mid-June at latest. In the meantime though, I’m heading to bed. It’s late (or is it early?), and I need my ugly sleep if I’m going to get anything accomplished tomorrow.

And in the meantime, expect something big Thursday morning, my Followers of Fear. I have something special planned, something I think you’ll be excited for. Keep an eye out and stay tuned.

Also, signed copies of my novel Rose are still available! Send an email to ramiungar@ramiungarthewriter.com to inquire about placing an order.

Anyway, that’s all for now. Goodnight, and until next time, pleasant nightmares!