Posts Tagged ‘Ohio State University’

I’ve done the last of my pre-semester shopping, so it’s time to write a post about what’s going to be happening to me this semester at Ohio State University. My college life and my writing have often been intertwined since I got to school here. When my grades are good and life’s going my way, my writing has done well. When life’s tough and I’m not doing so well grade-wise, my writing has suffered (or worse, my writing hasn’t even happened because I just don’t have the time or energy to write! That happened last semester). Which is probably why I write these posts at the beginning, middle, and end of each semester, because both are so essential to each other as I try to become the writer I’ve always dreamed of being.

In terms of classes, all but one of them are devoted to the study abroad trip I’m going on this summer. The study abroad trip visits England, France, and Germany, and we’ll be intensively studying World War II. With that in mind, many of my classes are focused exclusively preparing for the trip. I already took a general World War II class and a History of the Holocaust class in past semesters, so the number of classes I have to take have been pared down. Still, there are a few I still need to take: one is a special History research seminar, in which we’ll be covering various WWII-related topics and then do research projects around that (I’m assuming). Another History class is devoted to the rise of America as a world superpower from 1921 to 1963 and hinging around the US’s involvement in WWII (I guess a semester of prep for studying World War II abroad just wouldn’t be complete without one course that’s America-centric in nature). The other two classes are French classes: one is a course on French-American relations throughout the years. I’m pretty sure this’ll involve everything from the various wars the US and France have both been involved in since the French and Indian War as well as such silly topics as “freedom fries” (the latter is actually in the title of the class, if I remember right). The second course is a course in learning everyday French and learning how to say “Thank you for your help”, “Where is the bathroom?”, and “I would like a Belgian waffle. Oh your wife is Belgian? Cool! Tell her I love the waffles and chocolates!”

 

The beach of Normandy. We’ll be studying D-Day this semester and visiting the beach during the trip. Can’t wait!

 

In addition to the French class, I ordered some software off Amazon last night that’ll teach me to speak German. Not only will this be relevant to the trip, but it might be relevant for a future story and it doesn’t hurt to be able to speak Hebrew, French and German when I apply for jobs in the future. I’m actually looking forward to learning the language, and the software I got received some very good reviews on Amazon, so I hope I’ll really be able to utilize it. I also plan to apply for several scholarships and get the funds I need to travel abroad. I hope I can get a ton of scholarship money! Otherwise it might be difficult to go on the trip!

The only class I’m taking this semester that isn’t related to my study abroad trip is an English course for my English major. Specifically, it’s an English 4597 course, which is one of those courses all English majors are required to take at some point late in their college careers. Fortunately they offer several different varieties of this class, so I ways able to choose one that worked with my other classes and sounded interesting: Deaf Literature and Deaf Culture (when I tell people I’m taking this course, they ask me if I mean “deaf” or “death”. Considering that it’s me they’re asking, it’s a relevant question). It looks pretty interesting, and we have some very interesting books, including a children’s book that intertwines illustrations with prose into two different narratives. Not your average children’s story, to say the least.

I’m also working about ten to twelve hours a week at the Financial Aid office this semester, just like I did last semester. With busy season over, the office should quiet down a little. Still, there’s a literal mountain of work to get done, and I’ll be working through some of that mountain every time I step into the office. I don’t mind though: the work usually isn’t too bad, the people are great, and I’ve come up with some great ideas for short stories and novels while restocking the copy paper or sifting through some recently-scanned documents (so if you think a job will sap you of your creativity as you try to create the ultimate story/painting/poem/etc., here’s an example to the contrary).

And finally, I just want to fill everyone in on my social plans and my writing goals for this semester. I hope to be able to hang out with my friends a bit this semester, just like I did last semester, but I also want to socialize more and do new things. Last semester I joined the science fiction club on campus, but I was so busy I was only able to come to two meetings. I hope to attend more often this semester. I also would like to go to events in and around campus and meet new people. And who knows? I may even try to start a relationship of the romantic nature this semester. Don’t know if that’s possible or if I’ll have time for that, but I can try.

So looking forward to finally getting Snake done and published. I hope plenty of people read it.

And as for my writing, I plan to finish Video Rage‘s first draft either this weekend or in the coming week. I’m almost done with one of the chapters and after that there’s only two more to go. I already have the ending planned out, I just need to get there. And after I finish VR, I’ll take a short break from writing before getting to work on several short stories. Over the past semester I’ve come up with over sixty ideas for short stories, but I’ve been so busy with school, work and VR I haven’t had the time to write any of them, so I want to get some of them out of the way this semester. And after I’ve written enough short stories that I’m satisfied and submitted a few of them to magazines and other publications, I’ll take another break before I get back to work on my other WIP Laura Horn, which I hope to finish up before the fall when I start a new novel for my senior thesis.

I also have plans to edit VR when the time comes, start the basis of a new collection of short stories, write several articles to Self-Published Authors Helping Other Authors, and of course to finish the final draft of Snake and get it ready for publication. My friend Angela Misri is almost done giving me feedback on the book, and after she’s done I’ll interview her about her work, including the publication of her novel Jewel of the Thames, which is coming out sometime this spring. It’s going to be a great semester!

Now though, I have to go on a short shopping trip and then make dinner for myself. Afterwards I plan to do some last-minute preparations for the new semester before retiring for the evening. So with this, I wish you a good night and I’ll see you tomorrow, my Followers of Fear. Wish me luck in the new semester as I take on the world, prepare for my trip, and try to fulfill all my dreams. It’s going to be hard work, but I’m so ready to take up the challenge.

See you in eight weeks when I let you know how I’m doing.

Happy New Year!

As always, WordPress sent me an email letting me know how my blog did this past year. This year, my blog was viewed enough times to fill the Sydney Opera House about four times. That’s great…but I wish I was good enough to fill the Sydney Opera House just once! Honestly, where do they get these statistics?

But I digress. The point is, another year has come and gone. And to quote Dickens, “It was the best of times, it was the worst of times.” That sums up just about every year I know, but it’s pretty accurate. A lot happened this year to me, including two of my books getting published; I moved into an apartment with a friend and learned some more of the tribulations of the adult world; I was accepted into the study abroad trip I’ve been aiming for; I started my third year of college; I began writing and then administrating for Self-Published Authors Helping Other Authors; and a whole lot more that I won’t put on my blog but were important nonetheless.

All in all, a crazy year. Sometimes all that was going on threatened to bury me, while at other times I felt like I could do anything. I had my highs and my lows, like anyone else. But I managed to get through them and I came out stronger for it.

Reborn City

And now for my new year’s resolutions: I resolve to be a better writer. I resolve to get more people interested in my work and even in reading it. I resolve to finish Video Rage (probably happen in the next week or so), get back to Laura Horn and finish that up (shouldn’t be too hard, considering how quickly I tended to write the chapters), finish the final draft of Snake (hopefully sometime in the next couple of months) and publish it by the end of the year (I hope), write a whole ton of original short stories and publish some of them (fingers crossed on that one), start whatever novel will end up being my senior thesis in the fall and maybe a few other projects. I resolve to improve my craft and to help others improve their craft in my own small way. I resolve to grow this blog and Self-Published Authors Helping Others Authors. I resolve to fulfill my dreams of being a successful novelist.

I resolve to be a better person. I resolve to work on my personal flaws and try to improve. I resolve to be a good student, a good scholar of English and History, a good roommate, and a good worker. I resolve to be good to my friends and family and love them as much as they love me. I resolve to go to Europe for my study abroad trip this summer and learn as much as I can on World War II and the Holocaust. I resolve to keep my grades up. I resolve that my conduct in life is exemplary.

With any luck, you’ll be reading about a guy called the Snake soon.

I resolve to read a lot of books, see a lot of movies, and binge on too much TV. I resolve to keep my bank account in order. I resolve to eat healthy and stay healthy. I resolve to…are you still reading this list? If you are, you have the patience of a monk.

All in all, I plan to make 2014 better than 2013. So this year, my Followers of Fear, I wish you luck and I hope we get to share a ton of great experiences together. Happy New Year!

tqg cover

Another review has come in at Amazon for my collection of short stories, The Quiet Game: Five Tales To Chill Your Bones. This one comes from Jeff D., who is a fellow Ohio State student, a coworker, and a friend of mine. He finally got around to reading The Quiet Game, and he wrote a review on Amazon tonight, which he gave five stars (Thank you Jeff D., if you’re reading this!). The review, which he titled 5/5, read as such:

5 wonderfully crafted tales! I purchased this as an eBook originally and put off reading it for quite a while, I really wish I hadn’t waited. Sometimes when one purchases a collection of short stories you expect some of them to be less entertaining or of lower quality than the others, but none of these disappoint. Well worth the money, especially considering after you read each story the author gives you creative insight into what inspired him to write each tale, which is really wonderful.

Jeff D., this is probably one of the best reviews I’ve ever received! I’m glad you think they’re all extraordinary stories. And best yet, Jeff D. says he’s going to buy a print copy of Reborn City when his next paycheck comes in. Oh, I can’t wait to sign that copy!

If you’re interested in checking out The Quiet Game, it’s available on Amazon and on Smashwords in both print paperback and e-book formats. And whatever you think, please let me know by leaving a review. Good reviews, bad reviews, I don’t care. I love getting feedback from readers. And if you like The Quiet Game, check out Reborn City, also available from Amazon and Smashwords.

Yesterday I visited my advisor’s office in the English department and discussed doing my senior thesis in the fall. Normally I would talk to her about this after spring semester had started, but I wanted to get a jump on things before I was busy with homework from five different classes. Plus I had the day off yesterday so I thought to myself, why not?

During the course of our meeting, I was outlining what I’d like to do for my senior thesis, mainly to write a novel. For this novel, I chose five different ideas for stories from the list of novels I keep on my flash drive and gave a brief synopsis of each one to my advisor Ruth. Around the third idea, Ruth noticed a trend with two of the stories I’d mentioned: they both involved young girls as protagonists in the story (one was a story based on Alice in Wonderland, the other involved demons). She then asked me, “Why young girls? Why are they used so much in horror?” To my surprise, I realized I hadn’t thought of it much, and at that moment I didn’t have a very good answer for why, when children are used so much in scary stories, young girls are more dominant than young boys (notable exceptions include Danny Torrance from The Shining and six out of seven protagonists in Stephen King’s IT, the two boys from Monster House, and Hansel from Hansel and Gretel).

And guess what? The question’s been bugging me since that meeting yesterday. So between writing, work, applying for scholarships, and my household chores, I thought I’d take a moment to examine why young girls are more dominant in these sorts of stories. First, we need to examine why children in general are used so much in horror stories:

1. Children are very innocent creatures. It’s the most obvious reason, but it still needs to be stated. Children are very innocent human beings. They still believe that good usually wins against evil, that bad guys get beat up and thrown in jail by superheroes and cops, and the world is a safe place where they are loved and are protected from evil, at least until they’ve been warped by some of the harsh realities of the world. In horror stories, that innocence is tested and sometimes completely broken by the events of the story, whether it be monsters under the bed, abusive parents/teachers/bullies, or whatever else you may be using as the antagonist in a story.

Even the man/child/sponge has more imagination than most adults.

2. Let’s face it, kids are more imaginative. As we grow older, we tend to think less in terms of the fantastic and more in terms of what is real and reasonable. But as children, we really believe in Santa, the boogeyman, fairies, aliens and ghosts with little doubt that they are actual, concrete beings. This means that kids are usually the first to come to the realization that something evil is at work. They don’t realize it through any leap of logic or reason, but through gut feeling and belief. This is also usually why they are more likely to survive than that one guy in every horror film who insists with fatalistic stubbornness that there’s a logical reason for everything and then when they realize something’s up, they still insist on handling it themselves as men, even if it leads to their heads getting bitten off.

3. Kids are dependent on others. Until sometime between ten or twelve, children are dependent on adults for most of their basic needs, and even when they start to become independent, they still require a good portion of help from adults. When in a horror story, most likely a child can’t recieve help from an adult because they’re less likely to be believed by adults. This means they’re basically adrift in a metaphorical sea that wants to kill them painfully and mercilessly. How they survive without the security of an adult is something that keeps the reader drawn into the story.

4. Children are also not as resourceful. Or to be more specific, it’s rare for children to have access to the knowledge or tools they need to defeat the enemy of the story. They wouldn’t know how to set up a trap for a mutant monster, or how to draw a vampire into the sunlight without being totally obvious of their intentions, or even how to set a windigo on fire with nothing but a set of matches (which they shouldn’t be playing with anyway). If the characters are adult, all they need to do is get out their smartphone and Google “How to make a molotov cocktail” or “how to set up a tripwire alarm system”. Kids wouldn’t even have a smartphone, and even if they did they probably wouldn’t know what to Google. How do they survive with nothing to really help them? That is another draw of a horror story.

Look at that face! You know that hotel gave that kid some big therapy bills.

5. Children are easily influenced. Lastly, children are easy to influence, for better or for worse. Has anyone seen Friday the 13th Part IV? Right at the very end we see just how the events of being around Jason have influenced and hurt little Tommy, who will be dealing with his issues for the next two films. A horrific event can stay with a child for a very long time, corrupt their innocence or make them aware of their own abilities. Either way, the events of the story will stay with the child likely throughout their lives. From what I hear, the Overlook Hotel certainly stuck with Danny Torrance (I haven’t read Doctor Sleep yet, though it’s on my reading list).

Okay, so we’ve established why children in general are used so much in scary stories. But still the answer of why young girls are used in the stories has still to be answered. Often, like Carol Anne from Poltergeist, they are persecuted and kidnapped by beings we can’t really understand. Or, like Samara from The Ring, they are the stuff of our nightmares. And occasionally they are both (anyone watch The Exorcist recently?).

This morning I spent some time trying to figure out and I think a lot of it has to do with socialization and the roles we assign to the female gender. In other words, what we expect from young girls and how we believe they should act, behave, and think are why young girls are so popular in horror stories.

Please note that the suggestions I’ve listed below are for fictional girls and are just based on my own reading and viewing of many different horror novels, comics, TV shows, and movies. There may be several stories featuring girls that are the exact opposite of these reasons, I just have yet to be exposed to these stories. The reasons I’ve listed do not necessarily apply to real girls either, as I’ve made clear below. Here are the reasons I was able to come up with and which back up my beliefs on gender roles making female characters popular:

1. Fictional girls are more prone to sweetness, harmony, and nonviolence. Most boys when they’re young like to get wild, scrap a bit, use their fists and compete with each other through acts of physical prowess and aggression (when my cousin was younger, you could not stop him from acting like this). Young girls though are often portrayed as preferring to be friends rather than fight. They like doing cute stuff and they don’t like to get their hands dirty or do anything too wild. The only exceptions I can think of are Beverly Marsh from IT and my sisters, but then again my sisters are from my crazy family, so go figure. So since these fictional girls are less likely to use their fists and more likely to try to harmonize, they’re at more risk for whatever evil is after them in the story.

2. Young girls have yet to enter into the realm of maturity and sexuality. A lot of criticism with horror comes with how it sexualizes its female characters (please see my article Sex and Horror for more on this topic).However young girls have yet to reach that stage where people begin to see their sexuality. There’s an innocence in this lack of sexuality that young boys don’t get from their ignorance of sexuality, though that might have something to do with the fact that, like I said, a lot of women in horror are defined by their sexuality, whereas men don’t usually receive this sort of sexualized image no matter what age they are.

3. It’s adorable when young girls cry. Because of the pre-assigned roles that differentiate between boys and girls, at some point boys are taught that crying is not a manly thing to do, so they stop crying if they want to retain whatever form of manhood a young boy can have. On the other hand, it’s considered okay for girls to cry throughout their lives. And instead of pitying these girls or questioning their maturity like we would with boys, our hearts go out to the girls and make us want to hug them. This contributes to the popularity of young girls in horror stories.

And if these points haven’t hammered home my belief on gender roles playing a major role in the popularity of young girls in horror, here’s my final point:

In the end, the princess mentality takes a toll.

4. Young girls want to be princesses. It’s no understatement that plenty of girls in our Western society want to become princesses when they grow up and have a handsome prince rescue them from evil so they can live happily ever after, and our media perpetuates this to no end  (even Once Upon a Time and Frozen couldn’t leave this cliché out of their storylines, though they both do something rather original with the trope in each their own way). In horror stories, typically it’s up to a female character to either rescue herself from her predicament or to let a strapping young man save her and then sweep her off her feet. With young girls, that choice isn’t always available, and often the writer will write the story so that we wish for someone to come and save the little girl, while holding us with baited breath to see if she will be saved by a dashing prince…in the case of horror stories, most likely an older male relative with an axe or baseball bat.

So the reason why young girls are so popular in horror stories, as I’ve listed above, is that they fulfill certain gender roles that we’ve come to expect and work nicely into not just the plot of the story, but certain preconceived notions we unconsciously have in their minds. However, not all young girls fall into these roles. Beverly Marsh from IT plays a big part in stopping the demon clown when she’s a little girl by being the more aggressive fighter of the Losers Club. Coraline from the book of the same name is able to release the souls of the eaten children and save her parents all on her own. And even creepy Samara coming out of the TV is an exception, as she doesn’t fulfill any traditional roles, not even the one about needing saving. She’s the freaking villain!

Yeah, don’t mess with her.

So I think I’ve answered the question Ruth posed to me yesterday in her office. I’m not sure it’s the best answer or the right answer, but it’s what I was able to come up with. If you have any ideas about why young female characters are so popular, examples of girls who buck the trend, or any other points relevant to the discussion, please let me know.

Also, in a somewhat related note to children and horror, I finally watched the film version of Battle Royale. It was actually much better than I expected, almost as good as the novel. However there were a couple of creative choices I disagreed with, and that’s why it’s not on equal footing with the book. I also won’t see the sequel, because apparently it’s not based on the original story, its anti-American message goes beyond criticism of America to full-on attack mode, and nearly every reviewer who’s seen it has hated it, apparently.

All for now. Write on you later, Followers of Fear.

Another semester passes by, and with it the realization of two things: one is that I have enough credit to be considered a senior now that the semester is over. The other is that I now have a year and a half left of my time at Ohio State University. Boy, way to make my time here feel finite.

Every semester is different and not just because of a set of new classes. For example, this semester I moved into an apartment with a friend about two blocks from campus, meaning we both had to take on a whole lot of different responsibilities. I also started taking five classes in a single semester, more than I’ve ever had in a single semester. At times the homework load was almost unbearable. I hope that next semester will be a bit easier, though judging by the amount of reading I’ll be doing that doesn’t look like the case.

This semester was also significant because two major events happened to me: I published my first novel Reborn City and I got accepted into a study-abroad trip to Europe for three weeks in May. The latter so far has taken up more of my attention, because I’m going to be spending all of next semester preparing for it. And I mean all of next semester: four out of five of the classes I’m taking are in preparation for what I’m going to study in Europe (by the way, the trip is about studying World War II). Still, RC has taken up a bit of attention too. I’ve had to advertise everywhere I can. I’m actually looking into putting an ad into the student newspaper if it doesn’t cost too much.

And as for my classes this semester, I took Introduction to Sociology, Introduction to Biology, Writing for English Majors, Science Fiction and Fantasy Literature, and History of the Holocaust. The latter two were my favorite classes (despite the dark subject material in the Holocaust course) and they were also the classes I did the best in, getting As on most papers and tests. All told, my grades added to a total 3.263 GPA. I’m happy with my grades (they’re all passing grades) but I’m going to aim for higher next semester. Especially since going on the trip and keeping my scholarships will require me to keep my grades up!

Well, I hope to have more good news later. Watch out for my Spring Semester 2014 Pre-Semester Report. It’ll probably be showing up in the next couple of weeks. In the meantime, I’m going to make dinner and finish Ch. 28 of Video Rage. Wish me luck.

The final article in my series of the various common themes (aka “beauties”) found in science fiction, fantasy, and horror. What started as a discussion in class led to these three posts: The 7 Beauties of Science Fiction, The 7 Beauties of Fantasy, and now the 5 Beauties of Horror.

Now, as to why there are only five beauties in horror, I have an explanation for that: simply, horror often crosses genre. When it features supernatural creatures or monsters from another planet or realm, it’s horror crossing over into fantasy or science fiction. When the story features more human monsters and less of a supernatural aspect, it tends to cross over into the suspense and thriller genres. In that sense, it’s very difficult to get into pure horror, because that’s so difficult to define. So instead, I opted to go into some general themes you find in all forms of horror, no matter what genre they cross over into.

If you have any ideas on how these could be expanded, please let me know. I’d love your opinion on these beauties, since I came up with them on my own (not a lot of horror fans in my science-fiction lit class sadly, or at least not any fans who are as into it as I am).

1. The antagonist–the starting point of the story. Often you can define a horror story by its antagonist. because that’s often what comes first in planning a story and what you use to describe the story: “it’s a story about a murderous ghost”, “it’s a vampire novel”, “there’s a serial killer terrorizing this small farming town”, etc. And in this capacity, I’d like to mention that the antagonist can count as something else if there’s no real human antagonist. For example, in my short story “Addict”, there wasn’t a human or demon up against the narrator. Instead his own addictions were the antagonists of the story. So the antagonist would be more like the evil in the story that wants to do the characters harm or is already doing them harm, I guess.

2. Characters and setting. Usually after I’ve come up with the villain of a story, I start to create the other characters and the setting. The latter can also be a character, such as a haunted house or a forest (if you have trouble believing me on that watch the first season of American Horror Story to see what I’m talking about). I ask myself, who are the characters? Why are they opposite or beside the antagonist? Where is this all happening? What is each character like? All important questions that the author goes into in creating the story.

3. Conflict–there’s going to be one. If there’s a vampire in town, there’s either a vampire hunter or some townsfolk who are going to try and kill the vampire. If someone’s girlfriend has been kidnapped, expect someone’s going to try and get her back. If there’s an evil ghost trying to claim the lives of a family, there might be an exorcist or a paranormal investigator or a really angry mom trying to keep the kids safe from whatever is menacing her family. That conflict is the driving point of the story, and it sets up for the next beauty.

4. Fear. This one seems obvious, but it needs stating anyway. In a horror story, the point is to get the reader or viewer scared silly by telling a story and using the various elements within to terrify. Whether it’s a feeling of being watched, of something out fo the corner of our eyes, of something jumping out, or something just damn strange that we can’t put our fingers on, the whole point of the story is to scare, to create that fear, and it’s up to the storyteller to figure out how to do that and do it well. Otherwise the storyteller has to rely on silly gimmicks like sex or too much blood or watching teens get drunk, stoned, and naked.

5. Rules–there is an MO to what’s happening. Vampires can’t walk in the sun, the killer only goes after people who enter his father’s old prison, the ghost tries to take the souls of children from their parents. There are rules to how the antagonist operates and how it can be taken down. And for the most part, those rules are concrete, or else the story makes no sense and the reader/viewer will lose interest due to disorientation and confusion.

I hope you found these helpful. And once again, if you have any suggestions on how to improve this list, let me know. I do better on this sort of stuff in a group setting sometimes.

In his book The Seven Beauties of Science Fiction, Istvan Csicery-Ronay Jr. explains some of the most common themes of science fiction. He did this in order to examine how these themes could apply and impact our lives as we navigate a world that relies increasingly on technology and information. However, they also make great guidelines for examining science fiction and for writing your own stories that take place somewhere far off in time and space.

We went over these seven beauties early in the semester in my SF/Fantasy literature course, but today we went over them again. It was an optional class today that focused more on fantasy than science-fiction, and we came up with our own seven beauties of fantasy because the two genres overlap and are entwined in so many way. After class, I came up with my own list the horror, but could only come up with five beauties. Oh well.

Anyway, I thought I’d do a trilogy of posts that focused on the different beauties for each genre, because they are related genres and because they overlap in so many ways, so it’s interesting to examine some of the mores and common themes of these three genres. First, I’d like to start with the seven beauties of science fiction, because that’s what I learned first and it’s from these that my class created the seven beauties of fantasy, and I created the five beauties of horror.

With each beauty, I give a definition and an example, some from books and movies I’ve read/watched, some from my own work, and some that I’ve just heard about. If you have any examples, please let me know. I may just add them into the list.

1. Neologisms–new words or phrases that are exclusive to the world of the story. Every term that refers to something that only exists in that world, that’s a neologism. Consider the term twanking from the short story Mr. Boy, or warp in Star Trek. Those terms are a part of the story, and outside the story don’t have any relevance (unless, for the latter term, you’re a theoretical physicist trying to figure out how to warp something from one end of the room to the other).

2. Novums–technology or inventions that exist only in the story of the world. Take the ansible from Ender’s Game, or the lightsaber, or the TARDIS. These are technologies years ahead of us, only existing in stories and as imitations we see sometimes at comic book conventions. One can consider the flying saucer a novum, because as far as we know, real flying saucers don’t exist.

3. Historical extrapolation–referring to events that happened in the past in order to explain the world as it is now. You know how in Episode IV of Star Wars Obi-Wan explains how the Empire rose and the Jedi Order was destroyed thanks to Darth Vader? That’s historical extrapolation. It’s referring to events not always seen in the actual story to explain how the world we are in came to be. Other examples include how the first invasion of the Buggers in Ender’s Game creates Ender’s world and the aliens coming to Japan during the Meiji era in GinTama.

4. Oxymoron–implausibility or absurdities that only work in the story. An example of this would be crossing a human with a housefly to get a man-fly or radiation causing the dead to rise, like in the original Night of the Living Dead. Another way to look at this would be the idea that the human species develops in other regions of the universe at the same time, and when all the species come together, they find out they are all similar. It’s not likely, is it? Yet we see it in science-fiction and we don’t question it.

5. Scientific Impertinence–when laws that are deemed “unbreakable” by science are broken. Travelling at light-speed without expanding your mass to incredible sizes or traveling through time and space all in the course of a second without any aftershocks or side-effects might count as this. Scientifically, they can’t happen, but they do in these stories.

6. Sublime chronotopes– the space/time of the story. A science-fiction story is our world with added elements of scientific nature. Therefore, Star Trek and everything in its franchise are technically taking place in this world, but in the future and on other planets or in the void of space. Therefore, defining the sublime chronotopes of a story is defining its time and space relative to yours.

7. Parable–what’s the story about? Most sci-fi stories, we will find, is a parable that explores a certain issue. District 9 is about apartheid and racism. Do Androids Dream of Electric Sheep? explores what it means to be human. 2001: A Space Odyssey is about mankind’s dependence on technology. And A.I. Artificial Intelligence explores what could happen if robots and humans learned to bond with each other.

Whether you agree or disagree with these 7 Beauties of Science Fiction, they are useful in exploring the genre. And sometimes you can even use them as a tool in the endless debates that seem to come from popular franchises and stories.

Thanks for reading. I hope to have the 7 Beauties of Fantasy and the 5 Beauties of Horror up soon.

What do you think of the 7 Beauties listed here? Do you agree or disagree? Why? Do you have any examples?

Today there’s more good news to celebrate. Since October 22 I’ve been on a bit of a hiatus from writing because of how busy I was with school and work. However, things have eased up a bit since then. For the first time in a while, my homework load this weekend is a bit lighter than it’s been, and I don’t have that many books-for-pleasure piled up waiting for me to read them like I did when my hiatus started.

So guess what? That means pretty soon I’ll be able to actually sit down and do some writing! And thank God, because I’ve been itching to do some fiction writing, rather than the writing of numerous essays and papers tht have been my the bulk of my fare lately. And writing Weekly Exercises once a week–a thousand words at most every week–is definitely not enough to scratch that itch.

I don’t know when I’ll be able to start writing–might be today after classes, might be Sunday after homework and before dinner, might even be after I turn in my second-to-last essay next week–but it should be soon. And when I start writing, you can expect some very odd weather around central Ohio, because I’ll be writing up a storm! I plan to finish the first draft of Video Rage and get several more chapters of Laura Horn under my belt. Plus an article or two for Self-Published Authors Helping Other Authors, and my usual Weekly Exercises, and I’ll feel as close to normal as I can get again.

So watch your weather bulletins, people. Until then, I wish you all a wonderful weekend. Good luck to the Ohio State Buckeyes as they take on Illinois tomorrow, and I hope we all get the chance to sleep in and rest a little.

Blog on you later!

Last month I posted about how I was raising money for the Children’s Miracle Network through the Buckeyethon fundraiser at Ohio State. Well, I’m still raising money for the event, which is Valentine’s Day 2014, and since I didn’t lose any followers after I asked for donations in that last post, I’m posting again to try and get donations.

What Children’s Miracle Network does is that it raises money around the country for research into curing juvenile cancers. They host a number of events designed to raise money, one of which is Buckeyethon at Ohio State, where students raise money in order to attend a 12-hour dance marathon. I attended last year, where we raised over six-hundred and twenty-three thousand dollars, and I’m doing the event again because I want to be part of the effort again, and this year I’m hoping to raise past my minimum of $100 and get as many donations as possible.

If you wish to donate, you can follow this link here to my donation page. And if you want to donate but you don’t have the time to do it at the moment, I’d recommend writing yourself a reminder so that you don’t forget. I can think of a couple of people who promised to donate last month but haven’t done it yet (you know who you are).

Of course, you don’t have to donate if you don’t want to, but I’d appreciate it if you did. It would mean the world to me, even if you donated just a dollar.

Thanks, and have a lovely evening.

Today at work I logged into my email and got the official confirmation message that this May, I and a number of other students from the Ohio State University will be studying abroad this May in Europe! I’ve known for actually a couple weeks that I’d been accepted onto the trip, but I was waiting for an official email before I crowed about it on every single social media platform I could find.

The trip specifically visits England, France, and Germany over a 3-week period, and we’ll be visiting some of the more important sites of World War II Europe, including London, Normandy, Paris, and Berlin (among other places). I’m super-excited about it and I can’t wait to go. Specifically, well be there from May 7-29, so if you happen to be there in Europe during those times and want to meet up, let me know (just make sure I know who you are first and that we’re friendly enough to meet up. Also, if you have a copy of my book and you want me to sign it, it can’t hurt your chances of meeting me).

I haven’t gotten a lot of information on the trip yet, as the trip’s in May and they just sent out the acceptance emails. I do know that the cost is just under four grand and that the History Department, who runs the trip, guarantees that each participant gets a bit of financial aid, that I’ll be attending an orientation session in the next couple months, and that most of my classes next semester will be devoted to preparing for this trip.

Anyways, I’m really excited to share this news with you. I’ll let you know more details as time goes on and I learn more, including if I get any big scholarships (God-willing!). Wish me luck. I’m really excited for what is to come.