Posts Tagged ‘race relations’

Well, I didn’t think I would get it done, and especially not today. But get it done, I did, and now it’s time for a blog post.

As you well know, earlier this month I started working on the second draft of River of Wrath, a novel about a small town in 1960s Mississippi whose dark history is dredged up when one of the circles of Hell described in Dante’s Inferno appears in the town. I’ve been meaning to get to this draft for forever, but the deaths of George Floyd, Breona Taylor, and Ahmaud Arbury, among so many others, forced me to pull this one off the flash drive and get to work on it again. One of this story’s main themes is racism and racial violence, after all, so I can’t think of a better time to work on this story.

And I’m honestly amazed I got this story finished. For one thing, I didn’t think I’d get to keep to that goal of getting one story done a month, but I guess I did, after a fashion. And I didn’t think I’d finish it today. After all, I had about 75 pages left to edit when I got up this morning. However, a lot of work and I just kept going. Before I knew it, I only had 30 left, and I just couldn’t stop. Now it’s a bit after midnight and I’m done with the second draft. Imagine that.

On another note, this draft is now longer than the first draft! When I finished the story the first time around in October 2018, the novel was 192 pages (8.5 x 11 inches on MS Word, double-spaced, 12-point Times New Roman font) and 60,059 words. The second draft…is 204 pages and 63,843 words! I added twelve pages and nearly four-thousand words! I’m not sure if most of those words came from adding more in-depth explanations about Dante’s Inferno, as one of my beta readers advised, but it’s quite an addition. One, hopefully, that’s well worth the work.

So what’s next, both for River of Wrath and for myself? Well, before I start a third draft of River, I’d like to get it looked at by some sensitivity readers. As I said, this story deals with racism, and I want to make sure it’s not accidentally hurtful to African-Americans despite my best intentions. Hopefully, they’ll give me some insight to improve the novel and make it so that the only people who find it offensive are people whose offense I don’t care about, aka white supremacists.

As for me, I’m going to take a break for a short while. You know, watch some movies, read some books, prepare for my upcoming trip to Iowa and South Carolina. However, I’m sure I’ll get in front of the keyboard and start banging out a new story soon enough. I have an idea that’s been rattling in my head for awhile now that I think I can do a lot with, so I’m looking forward to working on it.

But for now, it’s late and I need to sleep. Good night, my Followers of Fear. And until next time, stay safe, be kind, and pleasant nightmares!

I found this on Netflix, and after I saw it got good reviews online, I decided to check it out. And I think I got what I asked for with a series called Slasher.

Now, a little background. Slasher is a Canadian-American TV series partially inspired by American Horror Story (and believe me, it shows), as well as Agatha Christie novels and classic slasher movies. The production company’s plan with this show is to do it anthology style with a new story every year, possibly with a similar cast each season (see? The AHS influence shows). The first season’s story follows Sarah Bennett (Kate McGrath), as she and her husband Dylan (Brandon Jay McLaren) move into the house where her parents were brutally murdered by a man dressed like a medieval executioner back in 1988. In traditional slasher fashion, someone copying the original killer’s MO starts killing people, and Sarah finds herself forced to work with the original killer (Patrick Garrow) to figure out who the new killer is.

So how does it stack up?

Well, the first season does have a bunch of problems. The biggest problem is that it’s really derivative. Like I said, you can see the inspiration from AHS. In fact, it feels like an AHS knockoff, and not exactly a stellar one. The killer is also very derivative, his whole MO a ripoff of the movie Se7en with every victim being killed because they committed one of the Seven Deadly Sins. And the killer’s design? It actually reminds me of the protagonist of my novel Snake. I’m actually wondering if that’s not a coincidence! There’s also a character that I’m told is similar to one iconic character from Twin Peaks, an incompetent police department out of just about every film ever, and a few other things I can’t mention without spoiling the story.

Did anyone ever tell you that you look like a character I created this one time?

Another problem is the protagonist, and the actress who plays her. Kate McGrath’s acting in this series is wooden and emotionless, to the point where I want to pull out my phone and find something a bit more animated. Not to mention McGrath’s Irish accent breaks through her attempts at whatever the Canadian equivalent of the General American accent is. As for her character, I find it hard to sympathize or connect with her. I get that her parents were brutally murdered, and that she’s got more than a few reasons to investigate these murders, but other than that there’s not much to her character besides her ability to make and act on connections the police can’t. She feels more like a construct or an idea of what the final girl in slasher stories can be than a real person.

So with all that, is there anything positive about Slasher? Actually, quite a bit.

For one thing, it’s interesting. Fault it for how derivative it is and for the wooden lead, but the show’s writers know how to set up an interesting story. Every character has secrets, and it’s fun to watch those secrets get opened up and divulged to the other characters and the audience. You’re also kept guessing on who the killer is until the final reveal, and there are a bunch of other twists that keep the story feeling fresh and exciting. And there are scenes that are both heartwarming and heart-wrenching. There was one scene in the seventh episode that particularly got to me, and the way it was done was just so artful and well-done. So despite it’s derivative nature, it’s good to see that they can keep an audience interested in the story. Especially an audience that goes through a lot of trash trying to find gold and therefore knows all the cliches.

And while the lead isn’t that great, some of the other characters are just a lot of fun. Dylan Bennett has an interesting character arc in relation to his job as a journalist, the events unfolding around him, and their effects on his marriage. And Christopher Jacot as gay real estate agent Robin is always a blast to have on screen. I think I fell a little in love with his character. Patick Garrow’s incarcerated killer Tom Winston is surprisingly likable and sympathetic. And Dean McDermott as Police Chief Iain Vaughn is also a nasty character I love to hate, and the twist his character takes in the show is thrilling, to say the least.

And this is just a small thing that I really liked, but there’s an interracial couple in this story that’s actually somewhat functional and doesn’t make race the focus of their drama. Whenever I see interracial relationships on American television, it’s always portrayed as something filled with drama, and the race thing comes up in a big way at least once. There’s none of that here. Even better, it’s a black man and a white woman. I’ve seen the reverse a couple of times on TV, but this might be the first time I’ve seen it in any medium. Props to the show for portraying diverse backgrounds and experiences and not making it a huge deal. That’s still something others are having trouble with, as the fact that I’m pointing it out makes evident.

So what’s my final verdict of Slasher? Well, I think a 3.0 out of 5 seems right. Yes, it’s not the best horror show out there, nor is it the best attempt to turn a slasher into a TV series (*cough* Scream was awesome, and I’m so excited for season 2 *cough*), but it keeps your attention and has more than a few things going for it. Assuming there’s a second season (no word at this time if there will be one), there’s a good chance that the people behind the show will learn from the problems of the first season and fix them for the next one.

Oh, and for those of you who’ve seen AHS: Hotel, you may notice more than a few similarities between this show and that season, enough to make you wonder if there was plagiarism involved. Turns out, both shows’ stories were conceived and filmed around the same time. It’s just that one aired after the other. It’s a weird coincidence, but a totally innocent one.