Posts Tagged ‘review’

On the Possible End of “Hannibal”

Posted: September 3, 2015 in Living and Life, Review, Scary Stuff
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It’s been one week since what could very well be the series finale as well as the third season finale of Hannibal, based on Hannibal Lecter and other characters created by Thomas Harris, premiered. NBC has declined to keep the show going, and while the show’s producers Bryan Fuller and Martha De Laurentiis, as well as series star Mads Mikkelsen and the many, many fans of the show (“Fannibals” or “Lecterites”, if you will), would love to see the show go on in some form, there is a chance that the show will have to hang up the carving knife and that everyone associated with it will have to move onto new projects.

Personally, I hope that the show is still able to go on, maybe as a feature film as Fuller has hinted at, or maybe moves to Starz or Amazon (though if it’s the former and not the latter I may have to wait till the show is on DVD or Netflix, depending on my financial situation). Also, I think it’s a good investment to keep the show going. Yeah, Hannibal has always been ratings-challenged, which is why NBC cancelled it in the first place. However, they knew a show focusing on a serial killer was a risk to begin with, and they still went with it for three years, as did huge legions of fans.

Why? Well obviously Hannibal Lecter is a famous character who was already well-known because of Harris’ novels, the movie Manhunter, and the three Anthony Hopkins films. But that only drew people to the show in the first place. The reason they stayed is because the show’s creators managed to take the concept of a serial killer show, and elevate it to art. Fuller and his team could’ve simply created a simple procedural show with serial killers like The Following with a famous literary and film character in the mix. Instead they built on that premise and made most of the sets exquisite to the eye, turned ordinary conversations into psychologically and philosophically engaging character explorations that could evolve into verbal tennis matches sometimes, and gave every shot a purpose in how it was filmed.

Add into all that the brilliant characters: Hugh Dancy as the socially-troubled empath profiler Will Graham, Lawrence Fishburne as the ends-justify-the-means, will-do-anything-to-catch-the-killers FBI director Jack Crawford, and of course the quiet gentleman devil with a love of grilling up those who are rude or offensive, Hannibal Lecter himself. Every character brings something to the table, making you want to watch them interact with each other right up until the very (sometimes bloody) end. And of course, the brilliant writing. Even at the show’s less exciting moments, the writers till were able to make you want to keep watching, to find out what happens next. From the growing relationship between Will and Hannibal in the first season, to the terrifying flash-forward at the beginning of the second season, and Will’s struggle to truly rid himself of Hannibal in the third season, it just kept you watching.

Hannibal is art. Creepy, bloody, psychologically strange and terrifying art, but it is art nonetheless, and that’s something you don’t usually see with television shows. I honestly can’t say if Hannibal will go on in some form or another (I’m not psychic), but if it doesn’t, at least we know that it had an ending that tied up most of the loose ends of the story, and the ones left behind we can easily guess at. And with streaming and DVD releases, fans could still watch it and relive the beautiful psychological horror that the show was.

Still, I hope for more. The show was awesome, and Fuller had a vision to continue the show, even if he couldn’t get the characters from Silence of the Lambs (I would’ve loved to see how they changed up Clarice Starling and Buffalo Bill, seeing as I found one annoying and the other slightly comical). If allowed to continue, we could see some award-worthy horror on our screens someday.

So while we wait and squirm and wonder at the show’s fate, I’ll continue to hope. Because if the story of the strange relationship between a man and a monster in a man’s skin can intrigue me and so many other people, then surely it can attract a TV executive or two. And the story that ended too soon won’t end at all.

Oh and NBC, why do you keep doing this to me?! First Dracula, then Hannibal? Stop cancelling these creepy genre shows I really like!

On the Passing of Wes Craven

Posted: August 31, 2015 in Living and Life, Reflections, Scary Stuff
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Rest in peace, Wes Craven. You will be missed.

The word craven means “lacking in courage; cowardly.” I’m hard-pressed to find a man who embodied the exact antithesis of the meaning of his last man, and who instead managed to pass it onto the rest of us. Wes Craven was a filmmaking genius, a horror maestro who helped to create some of our most iconic movie monsters, including Freddy Kreuger and Ghostface. It is with great sadness that I have to admit that he passed yesterday after a lengthy battle with brain cancer at the age of 76.

I remember the first time I watched the original Nightmare on Elm Street. I was somewhere in my teenage years, and I was in my dad’s basement watching it on DVD. From the very beginning the movie set itself apart from other horror movies I’d seen in the past. The small box displaying Freddy preparing his trademark clawed glove, as if he were coming out of a long retirement to start some marvelous work again. That first dream sequence and death, and everything that came after it. Nightmare was visceral, it was scary, and at the end you wondered what was dream and what was reality, or if maybe they were all one and the same. For a guy who hadn’t had that much exposure to the horror classics of the 1980s (I might’ve only recently turned seventeen at that time and gotten access to my library’s collection of 80’s horror, most of which was rated R), it knocked me off my feet and made me want more.

You see, horror is my drug, and the Nightmare movies were really good blow. In Wes Craven, I’d found a powerful dealer, someone who could give me what I needed when I needed my horror fix. I would later find terror when I saw the Scream movies, and quite a few more (I really liked what he did with the North American remake of Pulse). You could go to him and usually he could provide the goods. Occasionally Craven produced some bad stuff—every filmmaker does occasionally, and in horror bad stuff is pretty common—but on the whole he did great work.

And how did Craven feel about these many fans, these people who saw him as a person who fed their inner desires for terror and probably gave more than one child nightmares for the rest of his or her life? To use his own words, “I come from a blue-collar family, and I’m just glad for the work. I think it is an extraordinary opportunity and gift to be able to make films in general, and to have done it for almost 40 years is remarkable…If I have to do the rest of the films in the [horror] genre, no problem. If I’m going to be a caged bird, I’ll sing the best song I can…I can see that I give my audience something. I can see it in their eyes, and they say thank you a lot. You realize you are doing something that means something to people.”(1)

Indeed Mr. Craven. You did something to many people. You gave us iconic characters like Freddy or Ghostface to haunt our dreams. You helped launch the film careers of Johnny Depp, Sharon Stone, and Bruce Willis (no seriously, he did). And you inspired generations of horror fans, from your protégé Nick Simon, whose new movie The Girl in the Photographs will premiere at the Toronto Film Festival next month, to me, a self-published novelist who, while not exactly famous yet, is working hard to create his own stories that maybe one day will scare people far and wide.

So while you may no longer be with us in Mr. Craven, you are very much alive. Like one of your creations, you haunt us in our imaginations and our dreams, making those you inspired take to their pens or computers and create their own wonderful nightmares. And as long as people fear Freddy or Ghostface or those Hills that have Eyes, you will continue to walk among us, leaving your mark wherever you go and giving us our fix when we ask for it.

So tonight, I will raise a toast to Wes Craven, a man with a vision, taken from us when we didn’t want him to go. I will get online and see if I can get a fix from one of his movies. And then soon, possibly tomorrow, I will get to work on my next terrifying creation and hope your ghost whispers in my ears while I do.

Review: Someone Behind You

Posted: August 30, 2015 in Review, Scary Stuff
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You know, my experience with Asian horror films has been rather hit-and-miss, and even some of the hits have had their share of problems. This one however, at least in my humble opinion, is a hit with very few problems, if any. And considering that I found this film by accident, with no idea what it was about or what most of the critics thought, I’m really glad I decided to watch it.

Someone Behind You (also known by its North American title, Voices) follows a South Korean girl by the name of Ga-in, a happy and pretty girl on her school’s fencing team whose life suddenly takes a turn for the worse when her aunt is brutally murdered in an act of rage on her wedding day. Whispers go around that Ga-in’s family may be under a curse, and when Ga-in is attacked herself, she has to unravel where the curse comes from if she wants to survive.

From the very beginning, this movie has you terrified and on your toes. The filmmakers create a great atmosphere using lighting, music, and scares to really immerse you in the film, and the actors are great. When they are sad or angry or murderous, you feel the emotion behind it. And the story itself, with its many twists and turns, will keep you guessing about what will happen and about the nature of the curse (is it caused by rage? Jealousy? General resentment over something? Is there even a curse at all, or is it just a metaphor for letting your emotions get the better of you?) right up until the final scene.

My one criticism is that Ga-in comes to trust Seok-min, a mysterious transfer student who in horror terms is “the creepy outsider character” and seems to know something about the curse’s nature, a little too quickly. Why doesn’t she question him about his knowledge more? Why is she so willing to take him up on his advice? Makes no sense to me.

Overall though, this is a creepy film, and I’m very glad I stumbled upon it. You’ll get scared, you’ll be trying to guess what’ll happen right up until the very end, and when the final secret is unveiled, it’ll blow you away. On a scale of 1 to 5, I give Someone Behind You a 4.5 out of 5. I hope I find more Asian horror films like this one, because nothing lifts my mood like a good scary story.

Now if you don’t mind, I have to go hide. I think that curse is after me now! AAAAAAAH!

“Stuck in the Horror House”: Finished!

Posted: August 30, 2015 in Novelette, Scary Stuff, Writing
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I’ve just finished a new story, “Stuck in the Horror House” (not to be confused with a previous short story of mine, “Hunt in the Slaughterhouse”). I’ve been working on this story for weeks, and at one point I had to go back and start rewriting it because I was dissatisfied with the way the story was progressing. But now I’m glad that the first draft is finished. And it’s a long first draft too, 12,607 words, making it a novelette. Boy, when I have a story to tell I just don’t care about word count these days, do I?

“Stuck in the Horror House” is a story inspired by an episode of Ghost Adventures. In one episode, the GA Crew investigates a factory that has been converted into a haunted attraction, and one of the hauntings there was purported to be an actual demon, summoned by an actor there dressing up as Satan and reading verses out of an actual Satanic Bible and attacking said actor whenever he had the chance. That story stuck around with me, and so I ended up adapting it into a story. In this case though, I made the story about a bunch of teenagers who sneak into a haunted attraction during the off-season and one of them does a summoning ritual on a lark, which leads to all sorts of trouble. The protagonist of the story is telling his story to a psychiatrist, leading to questions about whether or not he’s imagined everything or if there’s truly a demon afoot.

Now, as far as first drafts go…I’ve had better ones. Even in the writing I could see places where this story can be improved in future drafts. But, like Ernest Hemingway said, most first drafts are shit. A lot of writing is revision, and that’s when the story really starts to shine and entrance. The first draft is laying down the bare bones so that they can form something extraordinary later on.

In the meantime though, I’m excited for where this story could go in future drafts. I definitely feel like with subsequent drafts it could make for a very terrifying story. Maybe it’ll even go into Teenage Wasteland, seeing as most of the main characters are 18 or 19 years old. We’ll see what happens.

In the meantime, I’m taking a break to watch a scary movie I recently found online. I might even write a review of it later. I also would like to write a blog post or two for my other blog, From the Voice of Common Sense, and I think I’ll take the time to write an article for Self-Published Authors Helping Other Authors before starting another story and then working on editing Laura Horn.

Yeah, I’m busy. And that’s not even including work or searching for whatever comes after my internship is over. And the way I work, I doubt I’ll ever slow down. Until next time, my Followers of Fear. Have a great rest of your weekend!

Doubt: An Unusually Powerful Weapon

Posted: August 25, 2015 in Living and Life, Novel, Reflections, Scary Stuff, Writing
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Lately I’ve been reading Stephen King’s Revival on my Kindle, and I have to say, while a bit more on the science-fiction side and a bit less creepy than other King novels like The Shining, Misery, or IT, I find Revival to still be a very interesting read and I’m looking forward to seeing how it ends.

While I do believe Revival’s not as creepy as other King novels, there is one part of it that is very unsettling: early in the book a lot of time is spent on the question of whether God exists or not. I’m not going to say what any of the main characters decide one way or another in case you haven’t read this one and want to read it sometime soon, but the way they question their beliefs in God and some of the conclusions they come to, coupled with King’s ability to immerse us almost completely in the minds of the narrator, causes us as the reader to question our own faith in whatever god or gods we choose to believe in, if we do.

Doubt. In some ways, a little bit of doubt in our strongest-held beliefs can be one of the most anxiety-inducing things in the world. All we’ve known or believed is called completely into question, and the power of that can send us completely reeling, make us terrified of the possibilities if we come to the conclusion that our beliefs are as false as a three-dollar bill. Even worse is that this doubt is housed entirely within our own minds, so outside attempts to erase that doubt are not always very effective. It’s like standing on the very tip of a structure that until now you thought was completely solid, but suddenly you discover cracks there and that the structure is in danger of caving in on itself. Your friends, your family, your religious leader, and even your favorite YouTube stars (why not?) can put some wood beams under the stones and put sand in the cracks, but they’ll only last so long. Fixing the structure, or letting it fall to ruin, has to come from within.

This makes me think of the lengths people will go to silence doubt. Anyone doubts America’s exceptionalism in the world (which I admit is a philosophy I find silly, seeing as many nations have said the same things about themselves and have later lost power or disappeared from the face of the Earth), those in favor of the philosophy will shout out those who oppose it and say they are un-American or even trying to ruin the country. A parent thinks their kid doesn’t believe in the religion that will get them into heaven, they will surround them with prayer and texts and church music until those kids sing with joy of God. Someone suspects their partner is being unfaithful to them, they will go to any lengths to either prove or disprove this theory, sometimes to the point of paranoia. A member of a secret group or spy ring thinks another member might be disloyal, they make that member go through some sort of bizarre and often sadistic test to ensure loyalty to the cause (at least in espionage novels; I have no idea if this happens in real life, though I wouldn’t be too surprised if it did).

What doubt can do to you.

What doubt can do to you.

Doubt is powerful, its effects on us are powerful, and our efforts to eradicate doubt can border on the extreme sometimes. You can see why a writer like King would use it in the first part of a story. He knows how scary it is, the effect it can have on people. And over the years and through age, experience, and reading, I’ve come to the realization of how powerful doubt can be as well. I even have an idea for a novel where religious doubt plays a major role. I have a feeling it’s going to be quite the unsettling story, whenever I get around to writing it. I doubt it’ll be anytime soon though.

Yeah, I went there.

In any case, it’s pretty obvious that doubt might be as much a part of the horror writer’s toolbox as any of the other fear-inducing tools and devices we have on hand. In a way, it’s also much stranger, because unlike the other fear-inducers, you can’t fight it or flee it for survival. After all, doubt is a product of the human mind, it exists within you. And you can’t outrun your own mind, can you?

And that, my Followers of Fear, might be the scariest part of all.

Some Very Big Announcements

Posted: August 7, 2015 in Living and Life, Novel, Progress Report, Scary Stuff, short story, Writing
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Well my Followers of Fear, I have to get up extra early if I’m going to get to Munich on time tomorrow, so I have to make this super quick. I just want to let everyone know some very big things they can look forward to in the coming months. So if you’re wearing hats, hold onto them. Or don’t, but be aware that a wind might blow them away while you’re not holding onto them.

Reborn City will become an audio book

Yeah, it’s happening. After a lot of deliberation, asking a ton of people (including all of you a couple of posts ago), and listening to Battle Royale on my phone at work (my favorite novel these days, read my review here), I’ve decided to produce an audio book of Reborn City, which is probably my most popular work among my current published books. In truth, I’ve wanted to do an audio book for a while, but I think now is the best time to start working on one. And with ACX being such a great company to do it with, I think I can trust them to help me make this a reality.

Now of course this’ll take some time to do, so I wouldn’t get your hopes up that this’ll be out by the holidays. I may not even start work on it till I get back to the States. But it will happen eventually, and if the audio book is successful, I will produce Snake and The Quiet Game as audio books as well, as well as any future novel or short story collection.

So get ready for some awesome sci-fi gangster action during long car rides, because this is going to happen.

I’m putting together a new short story collection

This is something I’ve been wanting to do for a while and it did seem for some time that I was going to put out one known as The Dead and the Dying (which still might happen someday, who knows?). But now I’ve actively begun to put together a new collection of short stories and novelettes I’m calling Teenage Wasteland. And you don’t need to be a detective to guess what the theme of this collection is: teens in horror stories!

Even if you’re only just mildly acquainted with horror,you’re probably aware that horror stories often feature teenagers as protagonists (or as easy victims). And I have a lot of stories, both published or otherwise, that have teenagers in them. I think a collection featuring teenagers in horror situations would be very interesting and fun to assemble, so I’m going to work hard to make that happen. Already I have four stories, and I hope to get between eight and thirteen stories in this collection, each featuring protagonists between the ages of twelve and nineteen. And as this collection is assembled, I’ll post updates on my progress, so keep an eye out for Teenage Wasteland, coming soon!

And yes, it’s like the song. I’ve always been rather partial to that song. But as long as I don’t put “by The Who” or quote lyrics in any of the stories, I can’t get in trouble, right? Right?!

 

Well, that’s all for now. I’ve had a pretty good week, which was needed after the disaster that was last week. I even made a new friend today (Oh good for you! You made a friend! thinks everyone as they unintentionally do an impression of my mother). And tomorrow I’m heading to Munich, so I’ve got to head to bed so I can be ready for that. With that, good night and pleasant nightmares, my Followers of Fear. See you on Sunday, when I tell you all about my time in one of Germany’s most famous cities.

My Top Villains 2015 #5-1

Posted: June 25, 2015 in Review, Scary Stuff, Writing
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2015: 10-6
2014: 10-6, 5-1
2013: 10-6, 5-1

Well, it’s time for the Top 5 Villains of 2015. These are the baddest of the bad, the freakiest of the freaky, the ones you have to watch out for. Are you ready to take on this list? Then let’s dive in!

A reminder that these villains are fictional and none of them were created by me. Otherwise it’s me taking a swing at politicians I don’t like or plugging me own books.

5. Mary Wells/The Weeping Lady (Sleepy Hollow)

People had some differing opinions on Season 2 of Sleepy Hollow, but honestly I think we can all agree this is one of its best episodes, and one of its most memorable villains. Mary Wells was Ichabod Crane’s fiancee, their marriage arranged for them as children. However while Mary was infatuated and obsessed with Ichabod, the latter only felt brotherly feelings for her. When she died in an accident involving Ichabod’s future wife Katrina, she became a ghost forever weeping for her lost love. When she is raised by Henry, the Horseman of War, to cause chaos, she goes after every woman close to Ichabod, including Katrina and Lieutenant Abby Mills. When she reveals Katrina’s role in her death, it is the wedge that begins the end of the Cranes’ marriage. Sad and spooky, we love this woman, feel for her and can’t get her out of our heads. Her spot on the Top 5 is well-deserved.

4. Annabelle (Annabelle)

I love creepy dolls, but even I would hesitate to have this one in my house. Originally from The Conjuring and based on a real haunted doll, Annabelle was popular enough to get her own prequel movie exploring how she was a woman in a satanic cult who died and possessed a rare collectible doll along with her demon master. The result was that she got the chance to cause chaos for a young family, with the intent to take an innocent soul and send it to Hell. And she nearly succeeds too. Creepy to look at and dangerous to have in your house, Annabelle will inhabit your nightmares for years, which is why she’s Number 4 on this list.

Oh, fun fact: the real Annabelle doll is actually a large Raggedy Ann doll. However the makers of Raggedy Ann (or whoever owns the copyright these days) would never consent to have one of their dolls portrayed in a horror movie like that, so the filmmakers designed a creepy looking doll for the part. And that doll has been creeping us out ever since. Yikes!

3. Ultron (Avengers: Age of Ultron)

Actually more like Couple Days of Ultron, but that’s another story. No matter how long he was around though, Ultron is still a terrifying force to be reckoned with. He seems genial and funny at times, but his humor and reasoning, along with his fascination for religious philosophy, are only a cover for his true sinister nature and his plan to cause an extinction event that will wipe out humanity and allow his clones to take over the Earth. With a silky smooth voice provided by James Spader, you won’t want to be anywhere near him when he starts singing classic Disney songs. Definitely deserving of the Number 3 spot.

2. Isaac Heller/The Author (Once Upon a Time)

Now, if you watch the show you may not think he’s much of a villain. But in actuality he’s definitely real villain material. A wannabe F. Scott Fitzgerald who is chosen to become the chronicler of great adventures through out the many different worlds, he abuses his power and starts directing events, earning himself the punishment of being sealed in his own book. When he escapes, he uses his weak attitude and his power to weasel his way out of any situation, not caring who gets hurt or what has to happen in order for him to receive his fifteen minutes of fame. And the crazy thing is, he still considers himself one of the good guys! Yeah, he does. Even when he traps the residents of Storybrooke in a fiction novel and tries to kill the one guy who escaped, he still thinks he’s a good guy. This sleazy character will justify his actions no matter what, and his spot at Number 2 is perfect for him.

1. Meredith Walker/The Benefactor (Teen Wolf)

Sometimes the greatest villain is someone who is sweet and innocent, but has been influenced by the wrong people. Meredith Walker is a banshee, one who predicts death. Years ago she overheard the thoughts of Peter Hale, one of the show’s recurring villains, where he had an insane plan to kill off the weaker members of Beacon Hills’ supernatural community and remake it in his own image. Meredith, who is already a little unhinged but normally very nice, carries out his plan, paying assassins and hunters to go after the supernatural community. Even worse is she doesn’t think this is wrong, she just thinks she’s doing what she’s supposed to do because Peter implanted the idea in her brain. Only when she realized that she’s caused the deaths of many innocent people and that Peter was more unhinged than her does she regret her actions. Kind and afflicted, Meredith’s turn as a villain was terrifying and stunning and I’m seriously hoping she has a role in Season 5. Bravo Meredith, you’ve earned the top spot.

What are your thoughts on my Top 5 villains this year? Do you agree or disagree? Let me know in the comments below. Tune in next summer for 2016’s Top 10 villains. By then we might have a few new entries or maybe some old ones will resurface. One can only hope.

Until next time, my Followers of Fear!

My Top Villains 2015 #10-6

Posted: June 24, 2015 in Review, Scary Stuff
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2014: 10-6, 5-1
2013: 10-6, 5-1

It’s that time of year again! When I list the top villains who have scared and/or impressed me over the past year. And this time around we’ve got some pretty interesting and unexpected entries on this list. So let’s dive into the first half of the list and see who was the baddest of bad guys this year! Remember, these villains must be fictional and they can’t be any of mine (otherwise it’d just be me plugging my books, and this isn’t where I want to do that).

Honorable mention goes to Dandy Mott from American Horror Story: Freak Show. That guy was a psychotic man-child with a love for attention and a greater love of killing. I’m looking forward to what his actor will be up to next season.

10. The Mummy/The Boneless (Doctor Who)

Yes we have a tie for entry #10! And both from the same show, well done. Appearing in the episodes Mummy on the Orient Express and Flatline, these creatures are scary and mysterious and their spots are well deserved. First, let’s start with The Mummy: an ancient warrior from a long-ago war, the Mummy has since become a legend, a moving skeleton wrapped in bandages who can only be seen by those it targets. They then have 66 seconds to live, during which the Mummy will get them. And kill them. It is a very creepy creature, and the Doctor was only just able to stop it, making Mummy on the Orient Express my favorite episode of that season.

The Boneless, as the Doctor names the species, is a 2-D alien species from another dimension who invade our world with the intention of taking over and becoming three-dimensional as well. The moment they or their energies touches anything, it’s as good as two-dimensional and (if it’s living) it’s dead. Heck, the Doctor nearly dies facing them, which goes to show how much of a force they are to be reckoned with. These unfathomable monsters are simply amazing and terrifying to watch, which is why they go alongside the Mummy to earn the Number 10 spot.

9. Missy/The Mistress (Doctor Who)

Another DW villain, and definitely one of the most lovably bad! If you’re unfamiliar with the show, Missy is the female version of the Master, one of the Doctor’s oldest and greatest enemies (yeah, characters on this show can change their genders). Watching from the shadows, she only reveals herself at the end with a plan to convert the world’s dead into Cybermen and then give the Army to the Doctor. Why? Because she wants to see if she can make him as bad as her! I know, crazy right? But that’s Missy’s charm: she’s playfully mad and wants nothing more than to rope her best friend into some crazy fun scheme, and will do anything bad to get her way. Plus she has an awesome theme song, which makes her spot at Number 9 well deserved.

Okay, I said something nice Missy, please don’t kill me, okay?!

8. Kim Jung-Un (The Interview)

I know, I said fictional villains, but this is a fictional version of the character, so I think I can make an exception. Plus he’s just so funny! In this controversial and provocative movie, Kim Jung-un at firsts comes off as a shy and sweet guy who had a lot of responsibility thrust upon him at a young age and occasionally just wants to rock out to some Katy Perry in a Russian tank. However as you get to know him, you realize that he’s about as nice as sulfuric acid, and that he’s actually quite the sociopathic tyrant. Seeing him go from a crying wreck to having a tantrum to trying to murder the world and then get blown up is well worth watching, and secures his place at Number 8 on the list. So North Korea, please don’t hack me, okay? There are some things the world is not ready to learn about me!

7. The Babadook (The Babadook)

If it’s in a word it’s in a look, you can’t get rid of the Babadook. Thus starts the picture book out of Hell, as depicted in this creepy Australian indie. The Babadook is a terrifying reimagining of the boogeyman, a creature that wears a top hat and sticks to the shadow, stalking its victims until it drives them mad and kills them dead. When it sets its eyes on struggling single mom Amelia and her behaviorally-challenged son Samuel, you’ll experience ninety-four minutes of pure terror! And the freakiest part of it is, you can’t tell if the Babadook is a real monster or if it’s all in the heads of the characters! Even all this time later I still can’t tell! Yikes!

6. The Creature (It Follows)

The writer/director of this creepy gem said he based the story on nightmares he had as a child. Indeed, the Creature is nightmarish. Only seen by those affected by the curse and able to take any form, the Creature delivers a promise: that no matter how long it takes, no matter how far you go, it’ll follow you. It will find you. And it will kill you, one way or another. And this promise is delivered to everyone affected by the curse, going from the latest victim and heading down the line to the beginning of the curse. We don’t know why, but to say the least, the how of it is enough to make us all stay away from one night stands forever.

 

Like the list? Have any thoughts? Let me know in the comments! And join me for the Top 5 later on, when we’ll see who 2015’s Baddest of the Bad are! Until next time!

Review: “Prince Lestat” by Anne Rice

Posted: June 21, 2015 in Novel, Review, Scary Stuff
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My crazy, busy life finally gave me time to read the continuation of Anne Rice’s Vampire Chronicles, so I downloaded it to my Kindle at the first opportunity and started reading. And it was awesome, and shows that even over a decade later and after a fad of sparkly vamps that many wish had never surfaced, Anne Rice and her vampire characters, particularly that rascal Lestat, can still tell a mesmerizing and heart-pounding story.

In Prince Lestat, the vampires have proliferated all over the world and the vampire world is in chaos. There is a need for the Children of Darkness to come together, and Lestat’s name has been floated as someone who could lead the change. Of course, the Brat Prince, between wandering in isolation and trying to figure out his iPhone, would rather not have that sort of responsibility thrust upon him. That is, until a horrific tragedy, worse than when Akasha rose from her sleep, strikes the global vampire community, and Lestat may be the one to put an end to this cataclysm, whether he wants to or not.

The book starts out with a quick guide to the world of the Vampire Chronicles (perfect if you’re like me and you haven’t read the books in a number of years) before sliding into the story. And at once, you are transported by Anne Rice’s storytelling, which is poetic, prosaic, melodic, sometimes erotic, and a few other -ics all at the same time. It’s wonderful seeing all these characters again and how they’ve changed over the years, and meeting a few new ones who impress themselves upon your hearts almost immediately.

The plot is also fun, exciting and mysterious, with each twist and revelation making you pause to take it in. And it’s interesting to read how the vampires have adjusted to the Internet Age. Some have adjusted quite well: Benji Mahmoud from The Vampire Armand has his own Internet radio show, which has become like a staple of vampire culture in this day and age. Others, like Lestat…well, you saw my summary above.

It’s also interesting to see some of the evolutions taking place in Rice’s style. In previous reviews of her books, I’ve mentioned how she’s incorporated science into her books where before she’s preferred to use magic and the supernatural. In Prince Lestat, she brings science into the story through two new characters who act as vampire doctors and scientists with the goal of studying vampires. You read that right, she has vampire scientists! Not what I expected either, considering how many vampires have been or are musicians or patricians or artists or whatnot. They and their work are a fun twist in the whole saga that lead to some interesting plot points, as well as making the reader rethink the whole series through their perspective.

There’s much more I could say about the book, but I’ll wrap up by saying that if Anne Rice is looking to write a whole new series of vampire books, she’s done a great job launching it with Prince Lestat. As magical as any of the other books, with enough characters to make you think you’re having a reunion with old friends and a plot that not only is intriguing and holds up on its own but with an ending that sets up for future books, which from what I hear we can look forward to.

On a scale of 1 to 5, I’m giving Prince Lestat a perfect score of 5. It’s a moving cannonball back into an intriguing universe, and I cannot wait to find out what happens in Blood Paradise when it comes out.

And I wouldn’t mind another werewolf novel. And I would really like to know what happens next to Toby O’Dare, so when can we expect the next book in the Songs of the Seraphim series? Just asking.

Character Depth in Horror Stories

Posted: June 21, 2015 in Reflections, Scary Stuff, Writing
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Last night as I was dropping off to sleep and feeling happy about setting up that new blog of mine (thanks to everyone who’s already signed up to follow that, by the way), my mind started to wander, as it usually does right before I fall asleep. This time around my mind went to horror stories (yeah, it does that quite often too), and I started to ponder character depth and development in horror stories. At some point I realized that in horror, you often have either characters who are very well-rounded and developed, or you have characters that are little more than archetypes, e.g. the Skeptical Dad, the Final Girl, The Psychic Child, The Expert, etc. And you know what else I realized, what made me get up out of bed and write this revelation down before I fell asleep and forgot? Sometimes these stories require different level of character development, depending on what the story is.

Let me explain. In certain scary stories, such as Stephen King’s The Shining (the book, not that poorly adapted Kubrick film), the characters are more than just archetypes and we get to know them very well. This is because their inner conflicts are just as important to the story as is the outer conflicts happening with the hotel. Jack Torrance is trying to keep his cool and be a good husband and father for his family after so many screw ups, while also fending off his desire to drink and the mental assaults of the hotel. His wife Wendy is trying to keep her family together while also keeping an eye on Jack in case he reverts to bad habits. And Danny, psychic and wise beyond his years, is trying to stay strong and endure the hotel’s attempts to kill him because he knows a lot is riding on his father taking care of the hotel through the winter. How they react to situations and grow as characters is just as important as what is happening within the hotel, so King makes sure they are well-developed.

Part of the terror (in the book, anyway), comes from the conflicts these characters wrestle with inside themselves as well as the ones the hotel sends them.

Meanwhile other stories don’t need as much character development. Take Insidious 3, for example (yes, I’m using the third entry in a horror film series, but bear with me). Besides main character Elise Rainier, most of the characters in the film do not get much character development. In the Brenner family, who are experiencing all these supernatural happenings, you don’t see much beyond the roles they play in the story: Quinn is a pretty girl with dreams of acting and is being victimized by a spirit, her dad Sean is the scatter-brained parent trying to keep his family together through grief and tragedy, and the annoying younger brother Alex is…well, the annoying younger brother. Despite not getting a lot of characterization though, these three characters do actually get some growth in the story: Quinn’s car accident and the spirit attacking her causes her, her brother, and her father to get out of their own little worlds and come together as a family to save Quinn’s life.

And of course, there are those stories that require little or no characterization or growth at all. This is common in slasher films, where the characters are often reduced to archetypes or roles (anyone who’s seen Cabin in the Woods knows what I’m talking about). This also happens in a short story I had an idea for recently (and that I might write as soon as I finish editing Video Rage). In this story, I decided that I wouldn’t spend time going over why the protagonist’s younger brother is a bratty kid or why the antagonists are as freaky as they are. The reason I decided this is because the events of the story are where the terror and intrigue come from, not from any inner growth. This is usually the case with slasher films as well: the events of the story are where we get our terror and excitement from, so more attention is pointed towards telling the story than going over any inner conflicts of the characters.

Half the fun of this show is seeing these two interact with each other.

What I’m driving at here is that how much character development is required from a story depends a lot on where the excitement and fear is coming from and how essential developing a character is in order to keep a reader or viewer invested in the story. In the case of a Nightmare on Elm Street film or the story I mentioned above, we’re reading or seeing the story because we know that the story’s events is where we’re going to get the excitement we paid to read/see. In the case of stories like The Shining or most episodes of Hannibal though, a major reason why we’re investing time into the story is because of the characters, not just what’s happening around them. This is especially so in Hannibal, because most of the conflicts and intrigue comes from the characters, their psychological states, and how they play against one another. We’re there not just because Hannibal Lecter is a famous and charismatic serial killer, we’re also there because we like seeing how Will Graham’s relationship with Lecter changes and evolves over time.

And knowing how much to balance of these two elements–character development and story-focus–is very important. Look at the remake of Poltergeist that came out recently. It was an awful film, and one of the many problems it had was that they tried to insert character development near the beginning of the film and failed miserably. Early on it focused on the dad losing his job and trying to find a new one, as well as mentioned something about the wife being a writer. I think the filmmakers were trying to translate this into an arc where the family tries to stay together and come together through rough circumstances, but ultimately the whole thread of the dad looking for a job and the parents trying to keep the family together fails to really get resolved or come together and ends up feeling unnecessary to the story. You’d think that it would just be enough to say the dad got promoted or transferred or a new job and leave it at that!

So whether it’s a zombie flick, a novel about a haunted house, or a psychological horror TV show, knowing the balance between character development and story-focus is just as important as creating a memorable and creepy villain or writing the story in such a way so that the story actually remains scary rather than goofy or just plain stupid (*cough* Friday the 13th remake *cough*). If you do, you’re more likely to write a good story worth remembering than you are to write garbage that horror fans sift through trying to find a nugget of gold.

I’ll certainly keep the balance in mind with the next story I write.

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