Rami Ungar The Writer

In horror, it’s often about the monsters.

Obviously, horror often centers around the monsters. Saying that is like saying in economics, it’s often about the supply and demand. But still, it needs to be stated. Whether they be demons from Hell, ghosts haunting an old house, a serial killer stalking a young woman during a holiday, a collection of corpse parts stitched together and brought to life through high levels of electricity, or ancient entities from the stars whose forms are difficult to describe, horror is often about the monsters.

And as horror creators, it’s up to us to make each monster we create different from all who came before.

Let’s face it, the people who consume our work expect a little variety (unless you’re working on a series like Supernatural or the Sookie Stackhouse books, in which case your readers would hope there would be some internal consistency in the monster design from episode to episode and season to season). They don’t want the same story every time, and neither do we. So, we write new stories and try to make them distinct from previous works.

Same goes with the monsters we design. Unless we have a special reason for doing so, like a series, it’s important to make our monsters different from story to story. Sure, there may be common characteristics. HP Lovecraft’s monsters were always covered in tentacles and eyes and gloopy fluids (when he could describe them), but you could tell Cthulhu from Yog-Sothoth from Azathoth. And in James Wan’s more supernatural horror movies, the ghosts and demons do share some characteristics, but how they work in the Conjuring franchise is different from how they work in the Insidious franchise.

But the point is, you do have to try to ensure the monsters don’t closely resemble one another too much from story to story. Otherwise, you have people confusing what happened in one story with what happened in another story and being like, “Can you blame me? They’re so similar, they just kind of blend in after a while!”

I was reminded of that this weekend while working on the climax of a killer fairy story (yes, that’s what I’m writing, and it’s probably going to be a novella when it’s done). I was making great progress yesterday, heading towards the climax, and then I realized that the monster the protagonist encounters during this scene resembles one appearing in a different novella. Thus, I had to redesign the monster for the killer fairy story, which I only finalized today.

So, how do you ensure that your monsters are different every time? For the first time in forever on this blog, here are some tips:

• Look to mythology for inspiration. Mythologies from around the world are rife with monsters. You have the Hekatonkeries and Typhon from Greek mythology; the Jorogumo and the Onryo from Japan; the Chupacabra from Latin America; and more (did you know some Amazon tribes believe in furry cyclops creatures that protect the forest?). If you look deeply enough, and keep it varied, you’ll find all sorts of interesting monsters you can use in your stories.
  Just be careful that you don’t do anything that might be considered exploitative or offensive by certain cultures. Nobody needs that kind of bad karma.
• Draw from the works of your favorite authors. I’m not saying copy your favorite authors, because that’s plagiarism and is generally frowned upon. But look at the monsters in your favorite novels. What about that monster scared for you? Draw on that and see if you can create something terrifying.
• Take something ordinary and make it scary. This is something I see a lot more in horror fiction these days, where writers find a way to make something ordinary and make it terrifying. If you are familiar with the works of Junji Ito and Bentley Little, you know what I’m talking about. Uzumaki by Junji Ito makes spiral shapes terrifying, and I never thought a resort could be scary until I read Little’s Resort. And what about Siren Head, a giant humanoid with two giant megaphones full of teeth for a head? I wonder where that came from?
• Look to your own fears and anxieties. Plenty of times, it’s easy to draw on those to create a monster. Have a phobia around rats, snakes, spiders, lightning, death, or your grandfather? Maybe something you remember from childhood struck you as creepy but no one else seemed to think so, like a character in a children’s movie or a toy you were given at Christmas? Use that to form something new and horrifying. You’d be surprised how often that works.
• Keep track of your monsters. Nobody knows your stories better than you do, and that includes the monsters. If you’re having trouble coming up with a good monster, look what you’ve come up with before. Go through them like a catalog. Perhaps seeing what came before will help you come up with something new that you’ll enjoy writing.

Coming up with new monsters each and every time isn’t easy, even if you work in multiple genres and subgenres. Still, as creators, it’s our job, and it can be a lot of fun. And when you hear people praising your monsters for how clever the idea is or how terrifying they are to think about, it makes the work worth it.

And hey, don’t get bummed if one monster is too similar to another and you only realize after the fact. The antagonist in The Library Policeman by Stephen King bears some similarities to It, but they’re both still great stories. So, it happens. Nothing to get worked up over.

That’s all for now, my Followers of Fear. Good night, pleasant nightmares, and RUN! THERE’S SOMETHING RESEMBLING A MURDER HORNET AND THE SIZE OF A SMALL DOG BEHIND YOU!!!

What are your tips for coming up with monsters for your stories? Let’s discuss in the comments below.