Posts Tagged ‘scary stuff’

I came across this book while looking for something new and scary to read. It looked and sounded good, and it apparently had only just come out in the US, so not many people were talking about it yet. I figured I’d give HEX a try.

And it definitely didn’t prove boring.

So, what’s it about? HEX is about the small town of Black Spring, New York, which is under the curse of an apparently immortal witch named Katherine van Wyler, who wanders around town with her eyes and mouth sewn shut (nightmares right there). Anyone who lives or moves to Black Springs is trapped there by the witch, with attempts to leave longer than a week or two leaving residents feeling depressed and suicidal. With every attempt in history to get rid of Katherine meeting with tragedy, the town has isolated itself from the rest of the world, with the HEX office controlling who moves into town and what Outsiders see when they visit, as well as monitoring the witch’s movements at all times using the latest and greatest in technology. Unbeknownst to HEX and the townsfolk, however, some teens in town are trying to study the witch with the hope of breaking the curse and leaving town. The results of that meddling cause a chain reaction leading to something no one in Black Spring will ever forget.

I thought that HEX had a lot going for it. For one, Heuvelt tells the story beautifully through the POVs of four of the townsfolk: Steve Grant, a doctor and father who tries to live in a rational world despite the fact that there’s a witch in his town; his eldest son Tyler, an idealistic youth and YouTube vlogger who leads his friends to study the witch; Robert Grim, HEX’s irritable leader (whose description in the book makes me think of Mitch Pileggi of X-Files fame); and Griselda Holst, a woman with a past who practically worships Katherine as much as she fears her. They’re all very well-written characters, and you really come to sympathize with each and every one (though occasionally I wondered if Griselda might use some therapy).

Heuvelt also knows how to tell a story, taking it in directions I didn’t think the story would go, and making the surprises genuine, even if some of them, in retrospect, could be seen coming. He also manages to create this atmosphere and dread that sticks with you and makes you want to know more, punctuating it with these moments involving the witch and her magic that really gets you.

I can’t really think of anything bad about this book. Nothing about it particularly struck me as bad or as needing improvement. I could nitpick that it may be a little too perfect, or that it could’ve dealt a bit more with the social media aspect of the story, but like I said, it’d be nitpicking.

The interesting thing about HEX is that the English version is really the second version: Heuvelt is a Dutch author, and HEX was originally published in Dutch with Dutch characters and a Dutch setting back in 2013. But in the acknowledgments section at the end of the book, Heuvelt explains that he was asked to make some changes for the America edition, and he ended up doing a sort of HEX 2.0, as he called it, rewriting the novel in English (apparently he’s fluent), giving it an American setting with American characters, and even a new ending.

So of course, one would wonder after reading the English version what the Dutch version is like. Well, Heuvelt won’t tell. His only advice is to “go bribe a Dutchman” (and oh darn, mine just happened to disappear in a flash of bright light). But even if you never find out what the Dutch version is like, you can be satisfied that the English version is pretty awesome as well.

All in all, I’m giving HEX a 4.3 out of 5. It’s creepy, has a great premise and characters, and is brilliantly written. I highly recommend it to anyone looking to read something new and different and scary and happens to see this on the shelves.

That’s all for now. Remember, today’s the last day to submit questions for a Q&A in honor of my five-year blogging anniversary (details here). You’ve got till midnight, and then I’m working on that post.

Until next time, my Followers of Fear!

So this film has had some buzz around it for a while. It was made on three-million dollars, earned forty-million at the box office, and apparently scared the likes of His Royal Scariness, Stephen King. Naturally, when it hit theaters back in February, I wanted to see it, but no theaters near me were playing it. When I found out last month that it was on DVD, I immediately went to my library’s website to reserve it…only for some punk to steal my copy when it came to me (a curse upon them, preferably involving witches!). But this week I got my copy, and I sat down over dinner to see what the big deal was.

The movie follows a family of 17th-century Puritans–parents William and Katherine, teenagers Thomasin and Caleb, and twins Mercy and Jonas–as they’re banished from their Puritan settlement because apparently Will’s interpretation of the Bible is too extreme for the community (not sure how that is, but maybe I’m too Jewish to notice). They settle in a field on the edge of a vast forest, unaware that there’s a witch living in the woods.

What surprised me most about The Witch is how it differs from other horror films. It’s not a traditional film, in the sense that there’s a central evil that’s pretty obvious and the majority of the horror comes from that villainous evil. In fact, the titular witch is pretty peripheral in the story, acting more as a catalyst for the horrors of the film. I actually struggled to find the terror in the film until I realized that it wasn’t the witch that was the source of the terror (though she is pretty powerful, visceral, and primordial), but the family itself. Once the witch interferes with this family, they start to slowly implode upon themselves. It’s a really dark, psychological descent into hatred, fear, and suspicion, with the occasional intervention of the witch and a lot of heavy Bible speak. And it is scary to watch what happens to this family.

I also really liked the attention to detail. The filmmakers went to great lengths to find a remote location for the setting, and from there hand-build the house and farm, as well as the clothes the actors wore, and just about everything else. They even had museums consulting on this project, which goes to show their dedication. The authenticity, coupled with sparse lighting and the dirty feel of the place, adds to a very creepy atmosphere. And the music, usually involving a fiddle or zither, invokes 2001: A Space Odyssey in its ability to place us in the story.

Despite how scary it was and the research that went into the film, The Witch did have its problems, though. There are some scenes that felt more like they belonged in a novel, rather than in a movie, quiet moments where characters are thinking and not speaking, and we can’t read their minds.It’s in these scenes that we have trouble connecting to the characters, which is bad when this film is so reliant on its characters to begin with.

There’s also an unresolved subplot involving Caleb and his relationship to his older sister Thomasin that’s never really resolved, and I would’ve liked to see where that could’ve gone.  And like I said, it took me a while to realize what sort of horror film this was, though maybe that’s just me going in with certain expectations and being confused that they’re not being met.

And the old-fashioned dialect, plus the heavy accents and sometimes raspy voices, can make it difficult to understand what they’re saying. I had to turn on the subtitles about ten minutes in just to make sure I wasn’t missing anything.

Other than those points, though, The Witch is a terrifying descent into religious mania and terror in a dark situation, with supernatural twists and a lot of religious overtones worthy of discussion by theologians (which apparently has happened). I’m going to give this film a 3.8 out of 5, and recommend you watch this one with the lights on while you’re at it. A wonderful debut from writer and director Robert Eggers. I hope I get to see more of his work in the future.

That’s all for now, my Followers of Fear. Make sure to read about the giveaway and submit your questions and comments for the Q&A happening on August 2nd (details here). I’ll check in again very soon, believe me. In the meantime, a good night to all.

Hopefully free of supernatural beings, right?

It’s Friday again, so you know what that means. It’s #FirstLineFriday!

So if you don’t know what #FirstLineFriday is, let me explain. On Fridays, you:

  • Create a post on your blog entitled #FirstLineFriday, hashtag and all.
  • Explain the rules like I’m doing now.
  • Post the first one or two lines of a potential story, a story-in-progress, or a completed or published work.
  • Ask your readers for feedback, and urge them to try #FirstLineFriday on their own blogs (tagging is encouraged but not necessary).

This week’s entry is from a story I had earlier this week. As usual, it’s creepy and weird, which is standard Rami Ungar. Anyway, enjoy:

The locals say that the hospital, which was built about forty miles from where the government tested a couple nuclear bombs, absorbed some radiation in its bricks during construction, and that’s why so many horrible things happened in the children’s ward. My daddy disagreed; he said that evil got root in there, and then the evil festered.

Ooo-ooo-ooo!

So what did you guys think? Pretty catchy? Scary? Any errors? Let’s discuss in the comments below.

And while you’re at it, why not try #FirstLineFriday on your own blog? It’s eas, it’s fun, and for authors it’s great practice working with different openings. I’m not going to tag anyone this week (unless you want to do this, so consider yourself tagged). Hey, occasionally I need occasionally I need a break from looking through my list of followers and seeing who I haven’t tortured yet.

And if you haven’t heard already, my five year blogging anniversary is coming up, so click here to learn about how you can participate in a Q&A with yours truly, and enter for a chance to get an autographed copy of one of my books. Trust me, you do not want to miss out on that.

That’s all for now, my Followers of Fear. I’m going to try to get a ton of editing and whatnot done this weekend. And if you want to ask me any questions for my five-year blogging anniversary on August 2nd, click here for details on that.

Have a good weekend, everybody.

tqg cover

Three years. How time flies.

On June 17th, 2013, my first book, The Quiet Game: Five Tales To Chill Your Bones, was published on Amazon and Smashwords. The book, a collection of original short stories I wrote while I was working through the editing process of Reborn City, actually did pretty well for itself, with eight paperback copies printed and quite a few e-books downloaded in the first month, which, for a first-time self-published novelist, was actually pretty good. And I had a much smaller reach then than I do now.

Now it’s three years later. A lot has changed since then: I’ve published three more books, I graduated from college, had an internship in Germany, and I’m working for the government again in a position I hope I will work in for several years to come, among other things.

And The Quiet Game still gets some readers every now and then, plus it has the distinction of having the most reviews of any of my books. Most of those reviews, I’m happy to say, have been rather positive. Here are a couple of them:

5 wonderfully crafted tales! I purchased this as an eBook originally and put off reading it for quite a while, I really wish I hadn’t waited. Sometimes when one purchases a collection of short stories you expect some of them to be less entertaining or of lower quality than the others, but none of these disappoint. Well worth the money, especially considering after you read each story the author gives you creative insight into what inspired him to write each tale, which is really wonderful.

–Jeff D

I liked that each story was unusual. I think that the book was appropriately named. I prefer chilled bones rather than scared out of my whits since I am a bit of a chicken

–ENJ

Imagine if you will a young Stephen King penning dark scenarios inspired by his youth, and what you get is this anthology. Through this collection of short stories, Rami Ungar brings us into the world of dark urges, childhood traumas, ghosts, phantoms, and dark psychological thrillers. An inspired creation, and definitely a good intro to this indie author’s world!

–Matthew Williams, author of Whiskey Delta and Papa Zulu

I always enjoy being called a young Stephen King. It makes me feel like I can someday catch up to him and be regarded as a great horror author like him some day.

So if you’re interested in a quick collection of short stories, and you like them short, sweet, and to the creepy point, perhaps you’ll like The Quiet Game. From ghosts to dybbuks to ogresses and a few other things besides, you’ll have a scary good time. I’ll include the links below, if you’re interested in at least checking out the book.

And if you do end up getting a copy and reading it, I do hope you give me your thoughts, whether in a message, a comment, or a review. Positive or negative, I love feedback from my readers, and I would be happy to hear from you (especially since I become a better writer when I get feedback from folks).

That’s all for now. Got a busy week ahead of me, so I’m going to get to that. Have a great day, my Followers of Fear!

Links: Amazon, Createspace, Barnes & Noble,iBooksSmashwords, and Kobo

It’s Friday again, so you know what that means. It’s #FirstLineFriday!

Now if you don’t know what #FirstLineFriday is, let me explain the rules. On Fridays, you:

  1. Create a post on your blog entitled #FirstLineFriday, hashtag and all.
  2. Explain the rules like I’m doing now.
  3. Post the first one or two lines of a potential story, a story-in-progress, or a completed or published work.
  4. Ask your readers for feedback, and encourage them to try #FirstLineFriday on their own blogs (tagging is encouraged but not necessary).

As I said in my last post, I’ve been having a lot of great ideas for stories. And on Monday, I had this rather strange and unique idea for a novel, inspired by Japanese mythology and culture (one of my best sources of ideas, by the way), and has an interesting structure to it that would be unusual and fun to write. Obviously, I can’t go into more details without giving away the plot (and I hate to give that sort of thing away). But I can hopefully give you a very good opening for this story, while maybe adding a hint in that opening.

Anyway, enjoy:

Almost everybody has a bucket list, along with something on that list that they want to accomplish before they graduate or leave town or die: to learn how to code (the dream of my somewhat nerdy brother Eric, as well as my somewhat cool boyfriend Luca), to go to a heavy metal festival and see their favorite bands perform (my friend Rudy, who plans to do just that after graduation), or to confess their feelings to the rebellious, cool-as-hell River Fuhrmann (my friend Lavender Murphy, who has no idea that the rebellious, cool-as-hell River also has a thing for Lavender, but is too proud to admit it). I have my own bucket list, but mine is rather unusual, as at the top of my list was ghost stories.

Thoughts? Overly long? Any errors? What’s on your bucket list*? Let’s discuss in the comments below.

And while you’re at it, why not try #FirstLineFriday yourself? It’s easy, it’s fun, and it’s great practice for authors of all stripes. Sadly, I’m taking a small break from tagging, so you’re safe from my torture for now. But if you want me to tag you, consider yourself tagged. Or better yet, let me know. I’ll catch you next week.

Anyway, that’s all for now. I’m hoping to see a movie this weekend and maybe write a review of it. If not, you can expect a blog post this Sunday.

Until the next time, my Followers of Fear!

*Mine involves meeting and/or having my books read by Stephen King and/or Anne Rice, going ghost-hunting with the Ghost Adventures Crew, having a custom car made from a hearse, and writing for Doctor Who. Does that surprise any of you?

My writing space

My writing space

As many of you know, I’ve been living in my own space for a little over a month, and I’ve been working at my new job for about the same amount of time. I’d been wanting to move into my own place for ages after I moved back in with my dad, but it took a paying job to finally make it happen (hopefully the job keeps going for quite a while). And I love it here. I can do my own thing (which is actually pretty weird, truth be told) without having to hold back for other people; I can cook my own meals, including some fun meat recipes (my dad’s a vegetarian, so I’m having a blast expanding my chicken recipes); and I finally have my own spot where I write my stories, something I haven’t had in years. Plus the neighbors are quiet and I’m in a pretty nice partof the neighborhood, so it’s pleasant to live here. And close to work, too. I’m happy about that.

There are only three things I can really complain about:

  • Laundry is almost as expensive as it was in my college dorm. Maybe more.
  • I don’t have a dishwasher, so I have to hand-wash everything. That’s not so bad, but when you’re sure you’ve scrubbed something as hard as possible, and then you find there’s some grease left…
  • As far as I know, my building isn’t haunted in any way, shape, or form. Yes, I consider that a con. It’s a minor con, but it’s a con, nonetheless.

On a somewhat related tangent, I took an AP Psychology course in my last year of high school, and I actually remember quite a bit from that class. One was that some very interesting things happen when you move house or change jobs, mentally. You are better able to break bad habits (though I can’t seem to lose my sweet tooth, no matter what I do), and something in your brain frees up, allowing for the easy formation of new habits and routines, and even heightened creativity.

Well, I’m definitely doing that heightened creativity thing pretty well. In fact, I haven’t been this creative since my first time in Europe! Since I moved into my new apartment, I’ve had a multitude of new ideas, and I’ve gotten even more ideas since I started working at my job. They’ve mostly been short stories, which are the most common ideas I have (and the ones I struggle with the most to get right, weirdly enough), but I’ve had a couple of novel ideas as well, really good ones. Like, really good. Like, the kind that I think people will compare to Stephen King novels someday, really good. I had one of those the other day while putting away my groceries. I was pulling Dr. Pepper out of a box and onto the top shelf (I think I formed a new bad habit, over consuming caffeinated sodas. What can I say? I need caffeine to get through work some days), and I had this idea for a story involving an actress and reincarnation. And I was like, “That’s a good idea. It could work.”

Ouroboros, a symbol of reincarnation to some. I may try to integrate it into that story idea I had.

Of course, with the many ideas I’ve had over the past six weeks or so, I’ve had less time for actually writing and editing. I’ve been working on Rose for a couple of weeks, but I’ve only gotten through Chapter 2 so far. I think that’s partly because I’m rewriting a lot of the first couple chapters based on the suggestions I got from my advisor and second reader after the second draft (and that’s a lot of material to work with), but on most weekdays I only have a couple of hours to write. Once I get home, I check my email and everything else I didn’t have access to while at work, I make and eat my dinner, I make a lunch for tomorrow, I shower. Anytime left over is for writing, editing, or blogging before I go to bed (unless I have to make a midweek shopping trip to the grocery store or something. Then I have even less time).

Honestly, I wish I could divide myself in two during the day. One Rami stays home and works on the stories, the other goes to work and gets the assignments done.

Yeah, I know. Bad idea. One Rami Ungar is a sign of the Apocalypse. Two of me would surely cause calamity and discord just by our very existence (kind of like a certain American presidential candidate I could name).

But I digress. The point is, these new environments re getting my brain going, giving me all sorts of ideas for stories that I hope to write as soon as possible. In the meantime, I’ll keep working, and I’ll keep riding this creativity wave for as long as possible.

And I hope that you all get to enjoy the ideas I come up with during this period someday. I would very much like that indeed.

So I recently got back into reading The Complete Fiction of HP Lovecraft, after about a year’s gap since I last dove into his work on my Kindle. I actually got from 15% to 32%, which for a 1112-page book is pretty good, if you ask me.

Now, if you don’t know who HP Lovecraft is, he was kind of the King of American Horror between the reigns of Edgar Allen Poe and current monarch Stephen King, though he didn’t really achieve any sort of fame or influence until after his death. When I read him last year, I found his style old and outdated, and while some of his stories were actually pretty creepy, others were just strange or boring (see my thoughts in Thoughts on Lovecraft: Part 1).

So what were my thoughts one year later, having read several more stories? Well, he still prefers to write like a contemporary of Poe, one of his main influences in writing, which I find still rather irksome (I could parody it here, but I did that well enough in Part 1, so why try and repeat it?). I’m not that big a fan of that style, as I find it stuffy and somewhat boring, so occasionally that made for an annoyance to get through.

And Lovecraft is still a proud and unrepentant racist and xenophobe. Seriously, “The Horror at Red Hook” manages to drag so many non-white ethnicities, including Kurds and Yazidis, through the mud.

And he’s the only author I’ve ever met who’s used the word “eldritch,” meaning sinister or creepy (why didn’t he just use those words?).

But other than those problems, the tales I read in this section of the book were much better than the ones I read in the last one. Sure, the short story “Azathoth,” which was the first mention of the Elder God, is actually just a fragment of a novel Lovecraft never got around to finishing, which was annoying. Imagine, I get to the end of that short piece, and I was like, “Wait, that’s it?” Thank goodness for Wikipedia, which explained to me why I shouldn’t be so angry.

And there was that story, “Imprisoned with the Pharoahs,” which got a little dense with the language and made it annoying to get through, though as a fictional account of one of Harry Houdini’s adventures, it is pretty cool in retrospect.

But other than those two, these were very good stories. They were creepy, dark, and had some pretty nice twists and turns in them. I can see why a few of them have been adapted several times into movies or radio plays and the like. “Herbert West–Reanimator” is a fun tale about one man’s growing obsession with overcoming death and extending life (very Frankenstein), and how that obsession causes a domino fall of events that shows the readers the price of obsession. “The Lurking Fear” felt like a Stephen King novel from an earlier age, filled with elements of insanity, the supernatural, and insane tastes. And “Shunned House” needs to be made into a movie by Blumhouse Productions, because it is freaking scary! It’s a vampire novel that hearkens back to the days when vampires were barely human, and is probably the best of the stories by him I’ve read so far. Imagine a movie version, with James Wan in the director’s seat! No one would see it and think of vampires with Twilight or any of that other sentimental crap out there ever again.

Eek! Rats in the walls! Now I can’t sleep.

Also, “The Rats in the Walls” is great if you want to scare anyone around a campfire. Just saying.

You know, the more I read of Lovecraft’s work, the more I see why he’s been so influential. Sure, his early stories could be rather pointless or silly, and never approached scary, with the exceptions of a few, like “The Tomb” and “The Temple.” But as time went on, as tends to happen, he got better. He figured out what worked and what didn’t. He learned how to get into our heads and make us tremble, make us wonder. He pushed the envelope for his day, introducing elements of cannibalism, satanism, gods that care nothing for us except maybe as snacks. And he did it so well.

And even now, after I’ve decided to take a break from him, I still find myself getting inspired by him. I’ve already gotten a few new novel and short story ideas from his stories, particularly “The Lurking Fear.” I have no idea when I’ll write them, but I think that when I do, they may even chill me.

So yeah, I think I’m definitely a Lovecraft fan now. Last year I wasn’t so much of a fan, but now I think I am. He’s definitely grown on me. And I think I may visit him again someday, perhaps even before the end of the year. Especially if he gives me so many good ideas. And if you like a good scary story and can handle some old-timey writing style, then I suggest you visit Mr. Lovecraft too.

Well, that’s all for now. I’ve got my own stories to work on, so I’m going to get on that. In the meantime, I hope you have a scarily good time, my Followers of Fear. Until next time!

It’s Friday again, so you know what that means. It’s #FirstLineFriday!

So if you’re unfamiliar with what #FirstLineFriday is, let me lay it down for you. On Fridays, you:

  1. Write up a post on your blog entitled #FirstLineFriday, hashtag and all.
  2. Explain the rules like I’m doing.
  3. Post the first one or two lines of a potential story, a story-in-progress, or a completed or published story.
  4. Ask your readers for feedback, and encourage them to try #FirstLineFriday themselves (tagging is encouraged but not necessary).

This week, I’m doing things a little different. Because I have more ideas than time to write them into stories, I usually write the potential first couple of lines of  potential story. This week though, I finished editing the first chapter of Rose, and I think I’d like to post that. Speaking of which, I think after I get a bit further into the third draft, I’ll post more about the editing process. This draft is going to be radically different from previous ones, that’s for sure.

Anyway, enjoy:

I open my eyes, feeling as if I’ve been asleep for a long time. Light stings my eyes, and I close them again until the pain subsides.

This is the sort of story where the whole first paragraph is needed to be an effective hook (or maybe the first two), but whatever. Rules are rules (though really they can be changed if so desired. I just choose not to).

Anyway, what did you think? Anything you’d change? Does it sound like an interesting story? Let’s discuss.

And while you’re at it, why not try #FirstLineFriday yourself? It’s easy, it’s fun, and for novelists it’s great practice on openings, no matter what your level o experience is. In fact, I’m going to tag some. I choose Kat Impossible from Life and Other Disasters, who recently intimated to me that she could use some #FirstLineFriday tags these days. Hope this helps, Kat.

That’s all for now. I have a lot of blog posts I want to write over the weekend so I can release them later. Let’s all have a nice, relaxing weekend, shall we? Have a nice day, my Followers of Fear!

It’s Friday again, so you know what that means. It’s #FirstLineFriday!

Now, if you don’t know what #FirstLineFriday is, let me explain it to you. On Fridays, you:

  1. Create a post on your blog entitled #FirstLineFriday, hashtag and all.
  2. Explain the rules like I’m doing now.
  3. Post the first one or two lines of a potential story, a story-in-progress, or a completed or published story.
  4. Ask your readers for feedback, and encourage them to try #FirstLineFriday on their own blogs (tagging is encouraged but not necessary).

For this week’s entry, I’m doing another novel I’ve had the idea for since…I can’t remember when. A long time. And this Monday I finished reading a book on living in Victorian England, which is when this novel would take place (I’ve got several ideas taking place around that era, it’s just such a fun, fertile era for stories), and I felt like posting potential lines from that book. Especially since I know a lot more about that era now (speaking of which, if you ever have the luck to get a time machine and head back to Victoria’s reign, STAY AWAY FROM DOCTORS AND PHARMACISTS! The stuff they give out is usually full of opiates or poison. You’re better off not taking anything, or just packing some OTCs from this age before you go). Anyway, enjoy:

When I found out I was the daughter of a noble family and was rescued from the West End, I almost expected something out of a popular novel, with a love triangle between me, a rough but kind old boyfriend, and a roguish but gentle young duke; a rival who would try to bring me down for being beautiful and somewhat naive about upper society; and all that other tosh that people love in their books.

If only that had happened, because what actually happened continues to haunt me even to this day.

Thoughts? Errors? Let me know in the comments below.

I won’t be tagging anyone this week (I feel like giving you all a reprieve from my torture), but I still encourage you to try #FirstLineFriday on your own blogs. It’s easy, a lot of fun, and for us writers, it’s great practice for writing openings. In fact, I think I’ll tag someone–oh wait, almost went back on my word there. Sorry folks.

That’s all for now. I’l probably have another post out later today or tomorrow, so keep an eye out. In the meantime, have a great weekend, my Followers of Fear. I plan to, though I don’t have any plans at the moment.

(Again, slight spoilers on this one, so be careful going own. You may learn something you were hoping to be surprised about)

Well, we’re back. I’m listing the five greatest villains I’ve seen throughout the past year. Will your favorite appear on the list? Who will win the number one spot? And will I use a real person or one of my own villains (no on both of those)? Let’s dive in!

Also, check out #10-6 if you haven’t already.

5. The Society (Red Rising trilogy)

The society pyramid

Big thanks to Kat Impossible for introducing me to this series and getting me hooked on it.

Now, if you’re not familiar with this trilogy, let me explain the premise: imagine about 700-1000 years in our future, mankind has evolved and divided itself into colors: Blue, Green, White, Pink, Red, Obsidian, etc. And on the very top are the god-kings, the Golds, who use the system they helped create to become rich and powerful.

But even if the Golds are the ones who benefit most from this system, and even if there plenty of Golds who alone would qualify for this list (I’m looking at you, Jackal!), none of them on their own are the true villains. If you ask me, the Society as a whole–one that enslaves some of its citizens, and kills others in order for the strongest to survive and rule–is the true villain. It’s a system that takes the very essence of humanity and destroys it for the sake of economic power and prosperity, where those who are compliant can get power even if they’re not Golds or any of the other High Colors. The Society molds the monsters it creates, and the people who fight against it, all at once.

For that reason, I’m nominating an entire civilization for #5 on this list.

And if you haven’t read this series, I highly recommend you do. The characters are awesome, you never see where the story will go, and it constantly finds ways to surprise you and keep you reading. I highly recommend it for anyone who has a thing for science fiction, or just good stories in general.

4. James Patrick Marsh (American Horror Story: Hotel)

I said in my review that AHS: Hotel was my favorite season of the series so far, and March was a big part of that. Played by perennial series mainstay Evan Peters and based partially on real-life serial killer HH Holmes, March is a serial killer who builds the Hotel Cortez to be the ultimate murder palace. After his early death, he mentors other killers as a ghost, inviting people to stop in his hotel to learn the art of murder from him, and even doing a few kills here and there as well.

There are so many reasons to love him as a villain. For one, he’s just so much fun! He’s like Walt Disney turned into a murderer, full of old-fashioned charm and bravado. He’s literally the sort of person you would want to meet in a bar and have a drink with. Whenever March appears on screen, he steals the scene, and no one seems to have more fun with him than Peters himself, who looks like he’s having so much fun playing this murderous hotelier.

Another good reason to like this guy is that everything that happens in the show, you can trace back to him. Even when he was alive, a lot of his actions tended to have far-reaching effects, some of which are felt in the modern-day events of the season. I love a villain who only needs to flip a single domino and then sits back to watch the chaos unfold, and March does it with just a few words and a charming smile. His spot on this list is well-deserved.

3. Whitney Frost (Marvel’s Agent Carter)

Season 2’s villainess is definitely a unique woman, and that’s why she’s so high up on the list. An actress who moonlights as a world-class genius physicist for her husband’s company, Whitney has always been told that, as a woman, her value is in her looks, not in her brains, and is upset when her film roles start to dry up because she’s considered “old” (though if you ask me, her best days are still ahead of her). Because of that, she helps to develop, study, and eventually become one with a strange and destructive substance known as zero matter, which allows her to break down and absorb the people and objects around her. After that, she starts using zero matter to gain power, creating even more so that she can become even stronger.

What’s interesting is how she’s such a contrast from series’ lead Peggy Carter, and yet so very similar. Both are women, very pretty women, and because it’s still a male-dominated age, men continually underestimate them and think they’re better off as secretaries or housewives. However, Peggy proves herself time and time again by taking on the cases and getting the bad guys, while Whitney uses crime, her looks and brains, and zero matter as a way of gaining power in order to validate herself. She’s kind of a dark Agent Carter, in a way, and her evolution through the season and her war with Peggy Carter make for a fascinating battle of the beauties. For that, I give her #3 on this list.

2. Helmut Zemo (Captain America: Civil War)

The penultimate entry on our list is another Marvel villain, this time Baron Zemo’s film portrayal in Captain America: Civil War. Now, I know that the film version, portrayed by Daniel Bruhl, is extremely different from the comic book version. The thing is, I don’t read the comic books (too many continuities and canons to keep track of), so I really have only this version to go on.

And what a version it is. He goes to great lengths and does such elaborate things to carry out his plan. And what is his plan? Simple: to manipulate the Avengers so as to fracture them. And he does it! He breaks the Avengers apart with more fireworks than any boy band could muster, and he almost gets away with it! In fact he does, he just gets captured at the end. This probably makes him the most effective villain in the MCU, and definitely worthy of the Number Two spot on this list.

And he does it all because his family was murdered in Age of Ultron. That’s anger and dedication mixed with patience and intelligence. Seriously, the #2 spot is definitely deserved.

1. The Dread Doctors (Teen Wolf)

Teen Wolf has produced three members of this esteemed list, including last year’s #1 spot. And this year, without a doubt, goes to Season 5’s villains, the well-named Dread Doctors, who I knew as soon as I saw them were going to be somewhere high up on this list.

A group of long-lived mad scientists who have taken the supernatural powers of the world and bent them to their own purposes, they produce hybrids of humans and the various creatures that the show’s famous for. A mix of steampunk fashion, Dr. Frankenstein, Venice plague doctors, Darth Vader, and a few other things, they take teens from Beacon Hills and experiment on them. And all for a very sinister purpose.

Creepy, ephemeral, and willing to go to any lengths to reach their goals. I seriously wish I’d created the Dread Doctors before the show did (or wrote the novel about the Dread Doctors that appears in the show). They deserve the #1 spot, and if you haven’t already, I seriously think you should go online and find some footage on them. You might get some nightmares from it, but it’s definitely worth the risk.

 

That’s this year’s list. But tell me, what did you think? Did you enjoy the list? Any entrees you disagree with? Who do you think should’ve made the list? Let’s discuss.