Posts Tagged ‘scary stuff’

It’s Friday, which means Shabbat, the weekend, enjoying what might be the last real week of summer while you still can…and oh, #FirstLineFriday! Here are the rules: on Friday you write a post with the title like I have above, and you post the first or first two lines of a potential story, a story-in-progress, or a published story. Then you invite people to give their thoughts on the story.

Last week I did the first two lines of the second novel in a trilogy I hope to write someday (I did the first actually a while back, if I remember correctly). Here’s the third book’s opening:

A girl who looked to be about sixteen, slim and lithe, dressed in jeans, a dark jean jacket and a glowing neon mask, stepped into the DJ booth twenty feet above a crowded dancefloor. The club’s patrons roared for New York’s hottest young DJ, unaware that in reality this girl had been considered middle aged when their grandparents were probably still in high school.

Thoughts? Grammatical errors? Sentences too long? Let me know in the comments below.

All for now. I hope to be around later in the weekend, so keep an eye out for me, my Followers of Fear. Not a literal eye though; as cool as eye patches are, I don’t want you to have to get one on my account.

Lately I’ve been reading Stephen King’s Revival on my Kindle, and I have to say, while a bit more on the science-fiction side and a bit less creepy than other King novels like The Shining, Misery, or IT, I find Revival to still be a very interesting read and I’m looking forward to seeing how it ends.

While I do believe Revival’s not as creepy as other King novels, there is one part of it that is very unsettling: early in the book a lot of time is spent on the question of whether God exists or not. I’m not going to say what any of the main characters decide one way or another in case you haven’t read this one and want to read it sometime soon, but the way they question their beliefs in God and some of the conclusions they come to, coupled with King’s ability to immerse us almost completely in the minds of the narrator, causes us as the reader to question our own faith in whatever god or gods we choose to believe in, if we do.

Doubt. In some ways, a little bit of doubt in our strongest-held beliefs can be one of the most anxiety-inducing things in the world. All we’ve known or believed is called completely into question, and the power of that can send us completely reeling, make us terrified of the possibilities if we come to the conclusion that our beliefs are as false as a three-dollar bill. Even worse is that this doubt is housed entirely within our own minds, so outside attempts to erase that doubt are not always very effective. It’s like standing on the very tip of a structure that until now you thought was completely solid, but suddenly you discover cracks there and that the structure is in danger of caving in on itself. Your friends, your family, your religious leader, and even your favorite YouTube stars (why not?) can put some wood beams under the stones and put sand in the cracks, but they’ll only last so long. Fixing the structure, or letting it fall to ruin, has to come from within.

This makes me think of the lengths people will go to silence doubt. Anyone doubts America’s exceptionalism in the world (which I admit is a philosophy I find silly, seeing as many nations have said the same things about themselves and have later lost power or disappeared from the face of the Earth), those in favor of the philosophy will shout out those who oppose it and say they are un-American or even trying to ruin the country. A parent thinks their kid doesn’t believe in the religion that will get them into heaven, they will surround them with prayer and texts and church music until those kids sing with joy of God. Someone suspects their partner is being unfaithful to them, they will go to any lengths to either prove or disprove this theory, sometimes to the point of paranoia. A member of a secret group or spy ring thinks another member might be disloyal, they make that member go through some sort of bizarre and often sadistic test to ensure loyalty to the cause (at least in espionage novels; I have no idea if this happens in real life, though I wouldn’t be too surprised if it did).

What doubt can do to you.

What doubt can do to you.

Doubt is powerful, its effects on us are powerful, and our efforts to eradicate doubt can border on the extreme sometimes. You can see why a writer like King would use it in the first part of a story. He knows how scary it is, the effect it can have on people. And over the years and through age, experience, and reading, I’ve come to the realization of how powerful doubt can be as well. I even have an idea for a novel where religious doubt plays a major role. I have a feeling it’s going to be quite the unsettling story, whenever I get around to writing it. I doubt it’ll be anytime soon though.

Yeah, I went there.

In any case, it’s pretty obvious that doubt might be as much a part of the horror writer’s toolbox as any of the other fear-inducing tools and devices we have on hand. In a way, it’s also much stranger, because unlike the other fear-inducers, you can’t fight it or flee it for survival. After all, doubt is a product of the human mind, it exists within you. And you can’t outrun your own mind, can you?

And that, my Followers of Fear, might be the scariest part of all.

*Warning: this post contains spoilers on a recent novel. Read with caution.*

I heard something very interesting yesterday that I, as a writer, a Jew, and a scholar on the Holocaust have to comment on. When you read that title and saw the words “Nazi Romance”, what popped through your mind? Probably nothing good if you haven’t heard yet, and probably a ton of controversy and maybe some simmering anger if you have heard yet. In case you’re among those who haven’t heard, let me explain:

The controversy centers around a Christian romance novel called For Such a Time by a woman named Kate Breslin that came out last year. The novel has received nods for awards and positive reviews in that time, including a few from the Romance Writers of America. However, a lot of people are taking offense at the subject matter: it’s a retelling of the Biblical story of the Book of Esther set in a Nazi concentration camp with a Jewish woman with Gentile looks and a Nazi commandant as the heroes. Long story short, the commandant thinks this blonde beauty can’t be Jewish and puts her to work in a supervisory role in the camp under a false name. Thus begins a strange, tension-filled romance that some have likened to sexual harassment coupled with Stockholm Syndrome (sounds a bit like my thesis Rose) that ends with the two heroes getting together despite all obstacles and, because this is a Christian romance novel, the heroine converts to Christianity (not like my thesis Rose at all).

Now I have not read the novel–I only found out about this yesterday, I’m not interested in reading a romance novel, let alone one trying to get me to look at Jesus in a new light, and even if I was by the time I finished it the Internet’s short attention span might have moved onto something else–but you can see why this sort of story might cause some upset feelings. The major criticism is that the novel co-opts one of the greatest tragedies in modern history, and the biggest tragedy in modern Jewish history, so as to advance a particular religious aim.

At the same time, some have come out in favor of the book. Anne Rice actually defended the novel, saying that writers should be able to experiment and that the almost extreme outcry rising on the Internet around this novel is akin to censorship and a lynch mob. The organization Romance Writers of America has said something very similar in response to For Such a Time getting two nods for major awards they hand out.

Now, I don’t like Internet confrontation. But like I said, I’m a writer, a Jew, and a scholar on the Holocaust, so I feel some need to weigh in on this subject. First off, I understand the point of view about experimentation vs. censorship. In several stories I’ve written over the years, including Rose, I’ve pushed boundaries of my own comfort zone and maybe the comfort zones of my readers in order to create a better story. Writers should be able to do just that, experiment and push boundaries in the name of creating a great story. To regulate what writers work on or threaten them if they write something someone finds offensive, which is made all too much easier by the anonymity of the Internet, does smell of censorship and makes me think of extremist vigilante justice using a new medium to intimidate people. Almost like a lynch mob, in fact.

Can you really make fiction–let alone romantic Christian fiction–out of a subject like this?

However, I do see why people are outraged over this book. Like I said, the Holocaust was a tragedy. Of the estimated 12 million victims of the Nazi genocide, around half were Jews. To take what was a horrific and defining moment for modern Jewry and use it as a backstory for a romance meant to draw readers close to Jesus is very insensitive to victims and survivors of the Holocaust who lost their lives because of their heritage, as well as those who carry that heritage today. The conversion to Christianity at the end is also very disturbing, because many Jews were forced to convert before, during, and after the war for survival and it sometimes caused trouble for them later in life. To portray it as an act of love…to say the least it seems unsettling.

Ultimately, I feel the best way to view For Such a Time by Kate Breslin is to view it as a teachable moment. While writers should be able to write and experiment as they wish, they should also be cognizant that writing about some subjects (like the Holocaust) requires more sensitivity and caution than others. When dealing with a subject such as this, it’s important not just to know your facts, but how people–particularly those affected directly by said subject–feel about it. That way when you write about it, you are writing it in a way that, while it may not please everyone, it will not cause the sort of outrage this novel has caused.

This was what I did with Reborn City when I wrote it. I’m as far away from the gangster lifestyle as possible, so I did my research to make sure I represented gangsters in a way that would do the lifestyle justice . So far, I haven’t had any complaints.

Thankfully Breslin has already issued an apology, saying she wrote it with the best of intentions and she’s very sorry for any offense or pain she caused to the Jewish people. And while others may not forgive her, I think I can. I think she’s learned form this experience. And when she puts out her next book, perhaps it’ll get the attention that every author wants their book to have, rather than the nasty kind her first received.

What’s your take on this subject? Is Ms. Breslin out of line or was she just trying to write a good story?

Should authors be more sensitive when experimenting with their stories? And is the uproar over this book overblown or justified?

Let’s discuss.

It’s that time of the week again, Friday. You know what that means! It’s #FirstLineFriday! On Friday, I post the first or first two lines of a potential work, a work-in-progress, or a published work here on the blog, titling the post #FirstLineFriday (like just now). It’s actually a lot of fun, and I’m hoping that other bloggers will get into it as well and make it a habit.

Today’s entry comes from a novel I might potentially write someday. Remember that short story I was struggling with for over a year before I decided it’d be best if I turned it into a novel someday? Well, here’s what that novel would open with if I were writing it today:

If you are reading this, then it probably means I’m dead. Not an unexpected fate for someone from Whitechapel at the time I knew it, but considering how abnormal my life became after I joined the staff of Strong Manor, my death was probably just as abnormal.

I bet at least a couple of people here see the word “Whitechapel” and are thinking of just one person. Well, I’ll give you this much: you’re on the right track.

But what are your thoughts? Sound interesting? Are there grammatical errors or something I should correct? Let me know.

Well, the weekend’s coming up, and I’ll be resting at home this time around. Hope to get out a few blog posts, work on that audio book, finish a story, and upload a bunch of photos online. And get my laundry done too. Can’t wait to see how I do.

Have a good weekend, my Followers of Fear!

The building where Kristallnacht was planned.

The building where Kristallnacht was planned.

I’m telling you, I had quite the day yesterday. Besides spending half the day traveling between my apartment in Wiesbaden and the train station in Munich, I mean. That was just a pain in the butt, as well as a strain on my wallet (I will not be traveling for the next few weeks because of it most likely).

Well, let’s skip over the long, mostly uneventful train rides, and get right into my day in Munich. I got there a bit before noon despite several delays along the way and managed to grab a bite to eat and some extra water before meeting up with Taff Simon, my tour guide. Taff, a Welsh archaeologist who works on WWII-related sites when not in the midst of giving people tours (and whom I highly recommend for a tour if you’re interested in WWII stuff), was the best tour guide. Since we both were well-versed in Nazi history, he didn’t have to spend a lot of time filling me in on basic Nazi history. Instead, he took me to various locations around the city that had Nazi history attached to them.

For example, our very first stop was the place where Kristallnacht was thought up. Yeah, that place still exists, it’s an old, church-like building with two arched tunnels built into it for through-traffic. Kristallnacht was thought up during a dinner party for the fifteenth anniversary of the Beer Hall Putsch being held inside. To this day there are memorials in one of the tunnels commemorating what had happened.

The coffee shop where Hitler would come up with his speeches. The Devil's Column is in the back.

The coffee shop where Hitler would come up with his speeches. The Devil’s Column is in the back.

I also got to see the places where the German Worker’s Party, the forerunner of the Nazi Party, met, as well as the meeting place of the Thule Society and the building where the SS was founded. We also visited the spot where the Beer Hall Putsch was stopped by police and an alleyway that was used to avoid the memorial that would later be set up there and became pretty famous consequently. We also visited a few beer gardens that had some history with the Nazis (though no one likes to admit it), including the Hofbraushaus, where Hitler would often give speeches after writing them in a coffeehouse down the street (to this day, the column in that shop he’d sit next to while preparing his speeches is known as The Devil’s Column).

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The Hofbrauhaus, where Hitler gave some of his speeches in Munich.

Really, one of the big things you take away from this tour of Munich is that Nazism really was born here. This was the city where the German Worker’s Party grew and evolved into its more terrifying form that we know so well today, where major events shaping the party took place, where the Thule met and where the SS was born. You even see pieces of that history today, not just in memorials but in buildings and architecture, in pieces of art, and just in the stories told about certain places. It’s quite fascinating.

Taff also took me to the University District of Munich, and brought me to the place where the White Rose, a small resistance group that operated during the early forties, would distribute leaflets hoping to get their fellow students and intelligentsia to resist the Nazis. To this day there are stone copies of their leaflets embedded in the courtyard in front of the medical school and memorials to the group within for their heroism and martyrdom.

He also took me around that area of town, showing me a building where the Nazis used to hold offices and where Hitler signed the 1937 “peace accords”, a square with Greco-Roman buildings set up where rallies were held, the remains of a temple decided to the people who died on the night of the Putsch, and quite a few others. Believe me, when he showed me the building where the Gestapo used to be headquartered, I had a bit of a chill.

One of the stone leaflets in memory of the White Rose.

One of the stone leaflets in memory of the White Rose.

By the end of the tour we ended up back where we started, in the square near the building where Kristallnacht had been planned. As I was hot and nursing a small headache by that time, I thanked Taff for showing me all that I described above and more and asked him to send me information of any future tours he might be doing (including one about some rather gruesome witch hunts and other nastiness that had happened in the city). Taff also directed me to the Hugendubel, a five-floor bookstore that had several books on Nazism and Munich’s history within its walls. I bought a very large tome and headed home after that, feeling like I had definitely made the most of my weekend.

All in all, it was a very exciting and edifying tour. I took somewhere between sixty and seventy-five photos in total, most of which I deemed good enough to send to myself (uploading them to Facebook, Twitter, and Instagram is going to be a pain in the ass). I also got to see locations I didn’t know existed, let alone were still standing, and I felt like I was getting to step right into history thanks to Taff’s expertise and storytelling. And I got to see the city of Munich, which in itself is just wonderful.

The old headquarters of the Gestapo. Actually took a step back in fear when I found out what it was. You can guess why.

The old headquarters of the Gestapo. Actually took a step back in fear when I found out what it was. You can guess why.

And I even got some help with my writing here. As you can imagine, I’ve got plenty of ideas for stories that involve World War II and the Holocaust, including a book series I plan to write someday that I think could be my Dark Tower series (though probably not as complicated). Going to Munich yesterday certainly helped to give me a sense of what living back then was like and helped flesh out the setting for those stories, and I even had an idea for a new short story based on the info Taff told me.

It was just a wonderful trip and I’m glad I went. I’lm definitely going to try to do another post or two about my day in Munich, one showing some more of the photos I took and one about some of the really cool souvenirs I got from the city (trust me, that’s worth doing another post about).

Well, that’s all for now. I’m going to get off the computer and get some other work done. I hope you have a wonderful rest of your day, my Followers of Fear.

And if any of you are ever in Munich and want to go on a tour like I did, I highly recommend giving Taff Simon a call. He’s a great guy, he knows what he’s talking about, and you’ll definitely come away feeling it was worth the trip.Here’s the link to his website if you’re interested.

Well my Followers of Fear, I have to get up extra early if I’m going to get to Munich on time tomorrow, so I have to make this super quick. I just want to let everyone know some very big things they can look forward to in the coming months. So if you’re wearing hats, hold onto them. Or don’t, but be aware that a wind might blow them away while you’re not holding onto them.

Reborn City will become an audio book

Yeah, it’s happening. After a lot of deliberation, asking a ton of people (including all of you a couple of posts ago), and listening to Battle Royale on my phone at work (my favorite novel these days, read my review here), I’ve decided to produce an audio book of Reborn City, which is probably my most popular work among my current published books. In truth, I’ve wanted to do an audio book for a while, but I think now is the best time to start working on one. And with ACX being such a great company to do it with, I think I can trust them to help me make this a reality.

Now of course this’ll take some time to do, so I wouldn’t get your hopes up that this’ll be out by the holidays. I may not even start work on it till I get back to the States. But it will happen eventually, and if the audio book is successful, I will produce Snake and The Quiet Game as audio books as well, as well as any future novel or short story collection.

So get ready for some awesome sci-fi gangster action during long car rides, because this is going to happen.

I’m putting together a new short story collection

This is something I’ve been wanting to do for a while and it did seem for some time that I was going to put out one known as The Dead and the Dying (which still might happen someday, who knows?). But now I’ve actively begun to put together a new collection of short stories and novelettes I’m calling Teenage Wasteland. And you don’t need to be a detective to guess what the theme of this collection is: teens in horror stories!

Even if you’re only just mildly acquainted with horror,you’re probably aware that horror stories often feature teenagers as protagonists (or as easy victims). And I have a lot of stories, both published or otherwise, that have teenagers in them. I think a collection featuring teenagers in horror situations would be very interesting and fun to assemble, so I’m going to work hard to make that happen. Already I have four stories, and I hope to get between eight and thirteen stories in this collection, each featuring protagonists between the ages of twelve and nineteen. And as this collection is assembled, I’ll post updates on my progress, so keep an eye out for Teenage Wasteland, coming soon!

And yes, it’s like the song. I’ve always been rather partial to that song. But as long as I don’t put “by The Who” or quote lyrics in any of the stories, I can’t get in trouble, right? Right?!

 

Well, that’s all for now. I’ve had a pretty good week, which was needed after the disaster that was last week. I even made a new friend today (Oh good for you! You made a friend! thinks everyone as they unintentionally do an impression of my mother). And tomorrow I’m heading to Munich, so I’ve got to head to bed so I can be ready for that. With that, good night and pleasant nightmares, my Followers of Fear. See you on Sunday, when I tell you all about my time in one of Germany’s most famous cities.

It’s Friday, so you know what that means: it’s #FirstLineFriday! And it’s our tenth #FirstLineFriday in a row, to boot. Wow, hard to believe ten weeks have gone by (five of them here in Germany, I think). Thanks everyone for reading these posts and giving your feedback on them. It’s really appreciated.

For those of you who don’t know, #FirstLineFriday is something that originated in a writers group on Facebook that I’m trying to spread through the blogosphere. What you do is you label a post #FirstLineFriday, then you post the first or first two lines of a potential work, work-in-progress, or published work and ask for feedback from your readers. This week’s entry comes from the short story that I mentioned a couple posts back, the one that’s quickly turning into a novelette. Here’s how I start it off:

Let me just start out by saying that besides computer programs and exam essays, I’ve never been very good at writing, so my apologies if my attempt at memoir narrative sucks.

Funnily enough as I was writing this, I was thinking to myself, “Exact opposite of me.”

But what do you guys think? Critiques? Errors? Let me know.

That’s all for now, my Followers of Fear. Tomorrow I’m finally going to Munich, which means I’ll probably be out all day and won’t come back to blog about my experiences till Sunday. I hope the wait isn’t agonizing for you until then.

Until next time, have a pleasant weekend!

What do you call a writer cut off from Wi-Fi, has too much time on his hands, and a lot of stories he wants to get out of his head and into the heads of others? If you guessed Rami Ungar, you are correct. Last night the Wi-Fi was still out, so I decided to work on rewriting one of my short stories where I was really dissatisfied with the first draft and wanted to change things up. The result was that this morning I finished rewriting Streghe, with phenomenal results.

Now if you don’t know about or remember Streghe, let me give you some background: during my last semester at Ohio State I took a class on the history of witchcraft to fill out the last requirement of my History major (yes, a class like that was offered, and it was awesome). One of the witch mythologies we studied in that class was that of the streghe, which comes from the Umbrian region of Italy. Now in Italian streghe means “witch” and comes from the word for owl, but in that region the word takes on an entirely different meaning. Rather than involving women who assembled to worship Satan, eat the flesh of children, and cast spells with the help of demon familiars as in traditional European witchcraft mythologies, Umbrian streghe usually worked alone or in pairs, did not consort with demons that often, if at all, drank blood from children as a form of sustenance like vampires, and had their own powers, including the power to transform into owls, which normal witches were said not to have (and that is your free history lesson for the day).

Hearing this mythology, I was inspired immediately and wanted to tell a story based on it. So over the last month of school or so, when I wasn’t busy with my thesis project, I wrote a short story that grew to the size of a novelette. And when I finished it, I found that I hated it. The story was way too long, the plot was all over the place, and at times the story actually felt like it was dragging itself along just to get to the ending. During the writing of the first draft I went back several times just to try a different angle, so I knew something was off even then.

I decided to let it sit for a few months and work on other projects and see what ideas to fix the story to me. Well, something did come to me recently, thanks to time and some Lovecraft stories I’ve been reading recently (I’ll have to write a blog post about that later when I’ve read more of his work). So as soon as I finished editing Video Rage (which was two days ago, by the way), I decided to dive back into Streghe and see what I could do with it.

The result was fantastic. I cut the story by about half to just under five-thousand words, reduced the backstory of antagonist Tom in favor of expanding protagonist Sarah’s backstory (he’s an ass anyway, so I don’t think people will care if they don’t know how he became that way), as well as reducing the number of characters in the story, and added more elements from the original mythology, among other things. And as of this morning, I feel I have much tighter, creepier, and more exciting story than what I had before. Maybe in a draft or two I get it published in a magazine (I know of one that might be interested in this one, depending on the final word count).

For now though, I think I’ll let this one lie for a little while, so that when I edit it I can look at it with fresh eyes. In the meantime, I think I’ll recharge my batteries a little before I tackle my next project. If the Wi-Fi’s back when I get home tonight, I’ll probably watch some Netflix and YouTube and plan that trip to Munich. If it’s not, I’ve got a couple of books, including one from my boss at the office, so I’ll dive into that.

In the meantime, I’m feeling pretty good about myself and about life. I’ve gotten a lot written and edited, I’m gaining valuable work experience and some language skills while here in Germany, and even if this job doesn’t last beyond the three months, I have some more prospects I can look into, so there’s plenty to be hopeful for. Things are going well for me lately, and I plan to ride that good wave for as long as possible.

Until next time, my Followers of Fear. Ein schonen tag!

It’s Friday again! You know what that means! It’s #FirstLineFriday!

It also happens to be my 1000th blog post. Yes, you read that right. This is my one-thousandth blog post. Nearly four years after I started blogging, I’ve reached this momentous milestone. And I couldn’t have done it without all of you. In the early days, when I only got one or two views every couple of days, I thought a lot about giving up. But you guys kept coming. From the far reaches of the globe and the farther reaches of the Internet, you came, read, liked, commented, and even followed. So thanks everyone. Without your help, I would not be here today.

And now, it’s #FirstLineFriday, so let’s dive right into it. Here’s what you do: on Friday you post the first or first two lines of a potential work, a work-in-progress, or a published story. This week’s entry comes from a novel involving ghosts I might work on after I get through Video Rage, Laura Horn and Rose (yeah, I’m planning that far ahead, apparently). I’ve had an idea for what the opening lines would be for awhile now, so here’s a good way to test them out and see how people react to them. Enjoy:

I awoke, feeling very uneasy, though why I couldn’t say. Sitting up, I scanned my bedroom, sure I’d heard somebody scream just a moment before.

Thoughts? Errors? Critiques? Let me know.

Well, that’s all for now, my Followers of Fear. This weekend I’m spending time at home just relaxing (especially since Sunday is Tisha B’Av, a big holiday with a fast in the Jewish calendar. Don’t want to do anything crazy, do we?), maybe planning a trip to Munich, maybe cleaning and doing laundry and editing Video Rage. If I have something to post about, I’ll let you guys know.

Ein schonen tag, mein Anhanger der Angst! Let’s stick together for another thousand posts, shall we?

Two months ago, I published a post about problems only horror fans have and understand. Since then, I’ve thought of more problems that face the horror community, so I’ve decided to write a post about those problems and try being funny as well as educational. And I’ll probably fail miserably while I’m at it.

And now you’re thinking, “He’s going to try to be funny and educational and fail at it too? EEEK!” I wish you wouldn’t think that, I put a lot of work into this blog post!

1. Not enough Slender-Man media. If you live under a rock, Slender-Man is an Internet meme I’ve visited before on this blog, a faceless being with a tall body and long, lanky arms wearing a suit. The myth varies depending on who’s telling it, but usually he lives in the woods, occasionally has tentacles, and likes to kidnap/scare/sometimes even kill children. It started as a couple of photos made for a contest on an Internet site and has since grown and become a modern piece of Internet folklore.

Sadly, Slender-Man’s copyrighted, and not by the guy who originally created him (who is fine with any adaptations as long as they’re good), but by a third party whose identity is unknown to the public. So if you want to make a for-profit work based on good ol’ Slendy, you need to find this third party and ask them for permission. Which sucks because how can you negotiate a deal with someone you can’t find? Such is the quest to make Slender-Man merchandise.

2. We’re getting our IT adaptation…with a catch. Last time I wrote about this, I mentioned how Cary Fukunaga’s two-part adaptation of the Stephen King classic was cancelled because Fukunaga and New Line couldn’t see eye-to-eye over budget and creative directions. Well, good news, looks like New Line is still trying to make the adaptation. Just two problems: one is it’s probably going to be a single movie. Really? This is a thousand page book! Even a three hour movie will hardly get most of what made one of King’s scariest creations very good.

Even worse, the guy being courted for director is Andy Muschietti, who directed 2013’s Mama. Now a lot of people found that movie scary, but I felt that it was overall not very good. Started out great, but got slow and cliched near the end. So you can see why I’m a little hesitant over this directing choice, especially with only one movie to work with.

Seriously, why not two parts? The Hobbit got three, and it’s one book! And when Peter Jackson adapted the LOTR trilogy, it was a big, risky move. Look at how that paid out!

*Sigh* I really hope I’m surprised by this movie if it comes to be.

3. “Why not a happy story?” This actually happened to me today. I was talking to my boss and we were discussing an ice cream truck that passes through the base every day. I was trying to think of a short story involving an ice cream truck with an original and scary twist. She just looked at me with this funny face and asked, “Why can’t you write a happy story?”

Who says horror stories can’t have happiness in them? Seriously, some of them do end with the monsters gone and the main characters still alive and actually stronger for their struggles against evil. Yeah, some of them end in tragedy. But there are happy endings.

And besides, would a happy story really be that interesting? Once upon a time a bunch of schoolchildren went to play in the flower fields. They picked flowers, and one of the ones they picked turned into a handsome prince. The prince said a witch had turned him into a flower after he refused to marry her, and he would’ve died with the first frost if the kids hadn’t plucked him among the flower fields. So the prince made them all honorary princes and princesses and they were forever allowed into his castle to eat ice cream and ride the horses and learn how to dance like they do at Viennese balls.

I think I might vomit if I don’t fall asleep from boredom.

4. “But don’t you get nightmares?” Another one from my boss (in her defense, I think she ordered a copy of Reborn City today, so at least we know she’s got good taste). Yes, I do get nightmares occasionally. It’s estimated that all adults get at least two nightmares a year. Rarely do I get them from the movies I watch and books I read, though. And I’m willing to risk the possibility that one day I’ll be scared in my dreams because of one of those books or movies. Just means someone’s doing their job in making something super-scary, right?

I’ll even dream about him if it means a good scary story!

5. Horror’s so cliched. Actually, no it’s not. True, a lot of horror stories do have their tropes and conventions that appear a lot: the virgin girl, the slutty girl, the campground, the sin factor, etc. But hey, have you seen people who get upset over Bible films if there’s even a single deviation from even the most obscure text? They want the same story every time! Now that’s a lot of cliches.

And horror doesn’t always rely on cliches. There’s a lot of originality in horror, if you care to look. It Follows, I Am a Ghost, Carrie, Dracula, Interview with a Vampire. All of those were very original, thank you very much.

6. Horror has no depth. Oh, so there’s no depth in a ghost or heads getting cut off? Really? Well, where’s the depth in comedies with fart jokes? Or stories where we all go in knowing the hero and heroine will eventually hook up and that’s the only reason why we paid money for this? Where’s the depth in that?

You’d be surprised how deep a horror story can go. Anne Rice’s early Vampire Chronicles are known for their poetic philosophy and imagery. Some, including the author, has described them as “the agnostic’s search for the truth” (this is a rough quote, I may have phrased it wrong). IT, which I discussed above, deals simultaneously with the loss of childhood innocence and the rediscovery of childhood belief. And don’t you dare tell me that The Shining doesn’t explore the struggle of personal needs and desires versus the good of the group! Think about it!

7. No, I’m not sex-starved and that’s why I enjoy horror. Yeah, horror sometimes is dirty. Doesn’t mean we’re making up for something. Unless you’re the filmmakers behind the Friday the 13th remake, in which case you packed in as many boobs as possible because you wanted people to see the movie AND it was a dry spell (Ooh, new slam on that shitty movie!).

And why are you wondering about our sex lives? It’s none of your business, you perverts!

Yeah, I like these guys. So what?

8. Ghost hunting. Okay, this might just be my problem, but just bear with me, because it’s related. Plenty of people believe in ghosts, interest in horror or not. Some of us believe that it is possible to find out about ghosts using modern-day technology, which is why we support ghost hunters and even watch some of the ghost-hunting teams that have their own TV shows.

So what’s the problem? Some people think ghost hunters are snake oil salesmen and make fun of them and their shows whenever the subject comes up. For those like me who believe in ghosts and maybe even base our ghost mythologies on what ghost hunters may uncover in investigations, it’s hurtful.

Yeah, this isn’t strictly a horror problem. But it’s a problem nonetheless.

~~~

Did you identify with any of these problems? Did I miss any? Was I funny? If not, did you at least learn something?

Well, hope you enjoyed this whatever your reaction. Just thought I’d get out another list. Hopefully I won’t find any more reasons we horror fans have it tough. Have a goodnight, Followers of Fear!

The wait till DVD…oh dammit!