A temporary cover for The Shape of Evil. I think it captures the idea of the novel pretty well.
‘Twas the night before Christmas (and Hanukkah, coincidentally). And all the Haunted Condo, only the Rami was stirring. Because he’d finished the second draft of The Shape of Evil, AKA the 3D Printer from Hell story, and he’d only just gotten around to drinking the celebratory wine and writing the celebratory blog post.
Doesn’t rhyme, but I’m not much of a poet, so I think it’s okay.
So, as I said before, The Shape of Evil‘s second draft is now complete. And this novel, as I also said before, is about a 3D printer from Hell. I started writing it back in March, thinking it would be a novelette or short novella, and finished it as a novel back in August. Right around Thanksgiving, I began work on the second draft, and I finished it earlier today.
I would’ve celebrated right then and there, but at that point, I had to run an errand, then grab some takeout, and then do my usual routine of watching Die Hard on Christmas Eve. But now that that’s taken care of, it’s time to let you know and celebrate!
Overall, I saw a ton of improvement with the second draft. Not just with spelling/grammar/punctuation, but in finding plot holes and fixing issues I missed in the first draft. I also took out a lot of stuff that I thought worked for the first draft but, on the second go around, didn’t work. The final result was ten pages and around twenty-eight hundred words longer, at 283 pages (8.5 x 11 inch paper with 12-point Times New Roman font, double spaced), and 75,300 words. That’s about two thousand words less than the first Harry Potter novel (no, I will never stop using that book as a good comparison, even if the author is now a TERF).
So, what’s next for The Shape of Evil? Well, I plan to find a beta reader who can also double as a sensitivity reader. As I’ve mentioned in previous posts, my main character is non-binary trans, and I’m cisgender, so I would like someone from the trans community to read the manuscript and give me feedback to ensure I’m respectful to the community. I already have a few people in mind, so hopefully one of them would be interested. And if not, I have a few other ways to find someone.
Whoever reads it, after I get their feedback, I’ll do another draft. And after that draft is done, I think I’ll be ready to pitch this novel to agents. Particularly anyone at StokerCon this coming summer.
In the meantime, I have a new short story I want to write, and I have a new collection to start the work of self-publishing. No, I am not slowing down. I’m brimming with too much drive and imagination, and am nowhere near burnout, so I’ll keep plowing on!
(That being said, I am planning on spending at least one day in the coming week or so just chilling on the couch in my pajamas and reading or watching anime. It’s something I’ve been wanting to do for a while, so no time like the present!)
Anyway, that’s all for now, my Followers of Fear. I’ll certainly be back soon with more news for you. Until then, good night, pleasant nightmares, and to all those who celebrate, Merry Christmas! May we all get visited by three spirits (whether we want them to come or not).
This year, I went with a totally metal graphic. You like it?
It probably won’t surprise you that I’m already scheduled to attend some events as an author in the coming year. And because I love it when I run into Followers of Fear at these events (doesn’t happen often, but it still happens occasionally), I try to advertise the hell out of them in the hopes that someone reading these posts will be in the area and want to come and see me.
Plus, I’m doing a lot of new events this coming year, of which most of them are horror cons, so that should be a lot of fun. So, without further ado, let’s talk about what’s happening in 2025!
First, I’ll be getting started early this year with Akronomicon. This horror themed convention, previously known as Monsterfest Mania, will be held at the Emidio Expo Center in Cuyahoga Falls, Ohio, which is located in the Akron metropolitan area (hence the name Akronomicon). It’ll be held February 1st, from 10 AM – 7 PM. I’ll be there selling books and doing Tarot readings. If you can stop by, please do. Tickets are being sold here.
Then, I’ll be back in Akron at the Akron Book Festival on March 8th from 11 AM – 3 PM at the Main Library in downtown Akron. I’ll be there with a bunch of local Ohio authors, selling books (and hopefully being allowed to do Tarot readings). If you can, please stop by. You can find out more here.
Skip forward two months, and I’ll be heading up north to Michigan for the Halfway to Halloween Expo! This is an annual event held around when we’re six months away from Halloween (hence the name), and from what I hear, it’s always popular. This coming year, it takes place on Saturday, May 10th, 2025 from 11 AM – 6 PM at the Washtenaw Farm Council Grounds (now there’s a name!) in Ann Arbor, Michigan. I’ll be there selling books and doing Tarot readings, so I hope to see you there. You can find out more on their website.
And finally, StokerCon 2025 will be held in Stamford, Connecticut on June 12th – 15th. This is the Horror Writers Association’s very own convention, with lots of panels, pitch sessions, endless ways and reasons to socialize, and, of course, the Bram Stoker Awards Dinner and Ceremony. I don’t know if I’ll be selling anything there this year, but I’ll definitely be there to enjoy myself, see old friends and make new ones, and possibly get books into people’s hands. I’d be happy to see you there, too, so do come say hi if you’re planning on attending as well. You can find out more about the convention here.
And that’s really all for now, my Followers of Fear. If I am confirmed for other events, I will let you know in case you want to come. In the meantime, I’ll try not to bombard you with reminders of events except right before the events. Unless talking about them more will get people to come? Hmm…something to think about.
Anyway, if you’re unable to come to the events and want to support me, you want to support me anyway, or you just want something to read, why not check out one of my books? From plant/human hybrids and strange gods to Mafia hunting serial killers and carnivorous horses, I have something for every horror fan, so why not check something out? I’ll leave links below.
And if you like what you read, please leave a review online so I know what you thought. Every review helps me out immensely. Not to mention, it helps other readers figure out if the book is right for them.
Anyway, it’s late and I’m tired, so I’m going to head to bed, my Followers of Fear. So, until next time (maybe tomorrow or Tuesday, depending on how things go), good night, pleasant nightmares, and happy holidays.
So, I have an announcement regarding Hannah and Other Stories. If you’re unaware, Hannah and Other Stories is a collection I wrote that was published by BSC Publishing Group on September 23, 2023. The collection contains tales of ghosts, budding serial killers, and carnivorous horses, among other things.
The collection has been well-received, if the reviews I’ve gotten are anything to go by. Unfortunately, sales have not been as good as they might have been, despite my best efforts, and, with my contract ending earlier this year, BSC Publishing has decided to relinquish the rights to publish the book back to me on January 1st, 2025.
Which means on January 1st, 2025, Hannah and Other Stories will go out of print.
Honestly, I’m going through several emotions at the moment. But the major one is acceptance. It is what it is, and I’ll always be grateful for BSC helping me get Hannah to the level it was. Trust me, I have a feeling it wouldn’t be as well received as it was without their help on the later drafts. Having to go through this kind of sucks, but I know it could be a lot worse.
And I also feel hopeful and determined. You see, once the rights are back in my hands, I can publish the book again, either with another publisher or self-publish. And I think I’ll self-publish. Not immediately, but at some point in 2025. I’ll release Hannah and Other Stories again, and it’ll be the same great book as before.
Well, with some changes. BSC’s business model called for only selling paperbacks if there’s enough demand for the ebook. Now, I’ll be able to publish a paperback, which I’m sure plenty of people who haven’t converted to ebooks yet will appreciate.
I also plan to return the Lovecraftian elements to “What Errour Awoke,” one of the stories in the collection. BSC wasn’t a fan of the Lovecraftian and wanted me to take them out. In the end, we compromised and made it semi-cosmic, but it’s never sat right with me. Now, I have an opportunity to make that story the way it was supposed to be, rather than how it was. (I may make a few more changes, but that’s the big one.)
And I think I’ll shell out for a new cover. Something I think will not only attract readers, but symbolize the book’s rebirth to a tee.
2025 is going to be full of possibilities.
So yeah, Hannah and Other Stories is going away for a while. But it’ll come back sometime in 2025, better than ever and in paperback, too. And if it does well enough? Maybe an audiobook version as well. It could happen.
For now, though, if you haven’t read Hannah yet, you still have fourteen days and about five hours to get an ebook copy. Even if you don’t read ebooks, buying a copy will help me in the long run and show me that there is plenty of demand for this book. And if you do read ebooks, please read it. And then leave me a review so I know what you thought. Not only will I really appreciate it, but it’ll help when Hannah eventually returns.
Hmm…between Hannah and the collection I’ve been working on, 2025 is looking like the year for collections. Maybe I’ll do a third as well? Well, we’ll see. However many I release, I hope they all do well.
Anyway, that’s all for now. Links for the book are below. Until next time, my Followers of Fear, good night, pleasant nightmares, and thank you for always supporting me. It means the world to me.
So, it’s been a bit of a strange week for me. Most of it was work, where my workload somehow doubled this week and a bunch of other things occurred, but the thing that I want to talk about is about Die Hard. As many of you know, there’s a big debate over whether or not Die Hard counts as a Christmas movie. This humble Jew not only counts it as a Christmas movie, but as many of you know, has the tradition of getting takeout and watching the movie every Christmas Eve.
And earlier this week, I was at my chiropractor’s office getting an adjustment and was talking to the receptionist while I was paying my bill. Here’s a reproduction of the conversation:
Receptionist: “Are you doing anything for Christmas?”
Me: “Just getting Chinese food and watching Die Hard.”
Receptionist: “What’s that? Some new TV show?”
Me: “…”
Receptionist: “From the look on your face, this is something I should know about, isn’t it?”
And that was the conversation in a nutshell. And you can imagine how stunned I was. I can understand people having never seen the film (I used to be related to someone like that), but having never heard of it? And no, she wasn’t some youngster, this woman was old enough to be a few years behind my parents in high school! You’d think she would have heard of a major blockbuster that came out in 1988.
Anyway, I explained to her what the film was, and she said she’d consider checking it out (whether or not she does, I won’t know till next month). However, that’s not where the story ends. If it was, it would be amusing, but not enough to warrant a blog post.
No, what happened next was that I posted the conversation on my social media so other people could laugh at it, too. And Followers of Fear, over on Threads (Facebook’s answer to Twitter, if you didn’t know), it went viral! I kid you not, within twelve hours, I had tens of thousands of views on that post! Hundreds of people commenting every minute, talking about how old they were when they saw the movie, incidents where young and old alike were unfamiliar with something that was supposed to be common knowledge, and a hundred other things that, more and more, strayed away from the main topic at hand.
As of writing this, that post has over 189,000 views, 2,700 likes, 1,100 comments, and twelve reposts. And I’ve still no idea why it went viral like that. I mean, I know Die Hard and whether it’s a Christmas movie or not is big around this time of year, but holy shit! If any post about one of my books gets even a hundredth of that sort of attention, I would be in heaven!
So yeah, that happened. As did a post about the Disney Princesses duking it out to the death getting nearly 17,000 views (Mulan and Merida are the favorites to win if you force the magical ones not to use their powers), and over on BlueSky, the director of the movie Suitable Flesh saw my review of it (I found it unnecessarily horny), and was pretty much like, “Oh well, I thought it was horny enough, but to each their own. Thanks for watching.” With a GIF of Elmo shrugging. I was touched.
Like this, but with “OH WELL” over his belly.
And this is only part of what has been a weird, weird week. But this is the part that I’ve been dying to tell someone all week and which I’ve only been able to do now. Really, no deeper reason than that. Thanks for indulging me while I unloaded what’s been rolling around in my head this week.
Anyway, hope you’re all doing well as the year begins to wind down. I’m counting down the days till I’m off for two weeks and working on The Shape of Evil in the meantime (nearly halfway through the second draft). And in the meantime, if you’re looking for a good scary book for yourself or for someone else this holiday season, I’ll leave a link below. From plant/human hybrids and strange gods to Mafia-hunting serial killers and carnivorous horses, I have something for every horror fan, so be sure to check them out. They’ll make the holiday gatherings that much easier.
Also, if you would like to keep up with me on Threads, BlueSky, or any of my other social media platforms, I’ll include those as well. I post more often there than here, and it’s another way to support me, so please do check me out.
Until next time, good night and pleasant nightmares.
I know, I know. And just a few days ago, I was talking about how much I was looking forward to going. But today I got an email to call the airline, and when I called, they said they and their international partners were canceling all flights into Tel Aviv for the foreseeable future. This is the second airline to cancel on me. And while I could keep searching, it just feels like I’d just set myself up for more disappointment. So, I canceled.
Again, sucks. And I was really looking forward to going to my friend’s wedding and seeing the country for the first time in nearly fifteen years.
On the bright side, I’m planning on going as soon as things calm down. Don’t know when that’ll happen, but I’ll go. And not hell nor high water will keep me from going! Especially if, by then, I have a lot of vacation time and money saved up. I WILL visit my people’s homeland again someday!
Still, sucks.
On a brighter and more immediate note: a friend and colleague messaged me out of the blue yesterday about joining her and some friends at GalaxyCon Columbus. It’s a convention for fans of anime, gaming, comics, TV, and everything else you can think of, and it’s quite expensive to get a table at. My colleague and some of her friends went in together on a table. However, one of my colleague’s friends dropped out, meaning they needed an extra author at the table (apparently they’re all horror or speculative fiction writers).
And guess whom my colleague reached out to?
Happy Krampusnacht!
A convention, especially a popular one like GalaxyCon Columbus, might just be the thing I need. New readers, new sales, and possibly a run-in with some major celebrities? Yeah, I’m in. And while it’s short notice, if any of you are in the Columbus area and planning on being at the convention, please come find me. I would love to see you, do a Tarot reading for you, or give you a nice, new book. (So long as you pay for it, of course.)
Anyway, that’s all for now, my Followers of Fear. It’s getting late and I have sugar-free brownies I want to indulge in. I’m sure I’ll have plenty of updates for you soon. Until then, good night, pleasant nightmares, and Happy Krampusnacht.
Yes, that’s tonight. And believe me when I say, I hope many, many people get whacked on the butt with a bundle of sticks, because many, many people deserve it.
Well, we’re officially in December. 2024 ends in just 29 days. I would say thank God, but I’m not convinced 2025 will be much better. Still, gotta be optimistic. Gotta keep plugging along. Gotta keep making plans, writing stories, and making things in my mind into realities.
And that’s what I’m doing now. Making plans, writing stories, and making them into reality.
First, my Israel trip. That’s fast approaching. And assuming the ceasefire with Hezbollah holds and nothing else happens, I should still be able to go. It’s been nearly a decade and a half since I was last there, so I’m really hoping things calm down a bit and move towards resolution.
In the meantime, I’ve started on the second draft of The Shape of Evil, AKA the 3D printer from Hell story. In fact, I’m already a fourth of the way through the draft! I’m averaging a chapter every time a night, starting from the night before Thanksgiving. Considering that it took me six months to get through the first draft, moving through the book this fast is a dream come true! I might be done well before I fly out later this month.
I hope so, anyway. When I started thinking up this story, and I realized that my three main characters would each have a disability, with the lead being non-binary, I felt this story would be important. And after the events of last month, I feel like this book could be timely. No, it is timely. And I’m determined to get it in the best shape so that when I pitch in June, I can find a home for it sooner rather than later.
Me every evening, working on the next big thing.
And after the second draft is done? Well, whether I go on my trip or not, I have a plan. I’ll find a beta reader/sensitivity reader for The Shape of Evil, and then work on three goals: writing a bunch of new short stories; editing three novellas; and putting out a new collection in the spring. The first two, I’ll be switching on-and-off working on. First a new short story or novelette, then one of the novellas I worked on earlier this year. Then another short story, then another novella, and then…well you get the idea.
With any luck, I’ll be able to start shopping these novellas I’ve written as a collection at some point, while also have a bunch of shorter stories to submit to every publication I can find.
As for the new collection, I’ll start in January or February by announcing the title, revealing the cover and release date, and getting the marketing machine rolling. I’m honestly very excited for you to learn more about this collection. I have a very good feeling about it.
Looking forward to doing this next year!
And if all goes well…who knows? Maybe I’ll somehow find more time for writing and even–finally!–get back to writing my mummy novel, Crawler. Yeah, I know, I know. I keep saying I will, and then something puts it further down the To Do list. But I will get it done. You’ll see. I’m making it a goal.
In the meantime, if you would like to support me while I work on all these projects, or if you’re in the mood for something scary to read, or if you’re looking for a good gift for the horror fan in your life, why not consider getting one of my books? Not only would it be a great gift for yourself or for someone you know, but you’d be giving me a gift as well.
Besides, plant/human hybrids? Strange gods? Mafia hunting serial killers and carnivorous horses? I got something for every horror fan, including free stuff! So, why not check them out? I’ll leave a button for my Books page below. Look and see what calls to you.
That’s all for now, my Followers of Fear. I’m going to at least try to start on the next chapter of The Shape of Evil (as I recall, this next one is rather long). Until next time, good night and pleasant nightmares.
AI is everywhere these days. And unfortunately, it’s making inroads into the creative industries.
In September, the organization behind National Novel Writing Month announced they would allow participants to use AI programs to write their novels for them (you can see my post about that here). Then HarperCollins, following some academic presses, announced it would be offering some of its non-fiction titles to Microsoft for training their language-learning models (LLMs), AKA the same programs that “write” fiction for people, provided the author consents. And earlier this week, Bookseller reported that AI publishing company Spine would be using AI to publish up to 8000 titles a year, while also charging authors $5000 to use their programs to proofread, publish, and distribute books. You can read both articles on this subject here and here.
This is only confirming many creatives’ worst fears about how AI may be used by companies to make money. After all, you don’t have to pay a program for their work, which means the company keeps all the profit. This could potentially make it harder for creatives to make a living or even a side hustle by writing, making art, editing, make music, or a hundred other things. And after the writers and actors guilds fought so hard last year to keep AI from cutting in on their work!
Now, I’m not necessarily against AI. I think AI has plenty of useful applications. For example, Google’s AlphaFold program is apparently predicting proteins and coming up with new ways to treat some of our worst diseases. And I think many people would be happy if AI made certain aspects of life, such as cleaning our homes, easier. (God knows I would love it if a program could clean my bathtub, rather than me.) However, I don’t think AI should be in the entertainment business!
For one thing, there’s the issue that often, the literature and art used to train the programs is used without the creator’s permission. I’ve heard from plenty of creators who found out their work was being used without permission, which they considered theft (and I can’t disagree). And it’s not just authors and artists dealing with this; some voice actors are actually suing a company for using their voices without their permission (you can watch a news report about it here).
Then there’s the problem with AI trying to create literature or art. It doesn’t actually create anything new. Unlike humans, who can learn from other creators and then learn to subvert tropes or play with ideas to try new things, AI programs can only look for patterns and then apply those patterns. It’s essentially paint-by-the-numbers. And it’s hardly perfect. In fact, it rarely is!
I’ve played around with AI (if I’m going to criticize it, I might as well). This includes writing programs. And they’re difficult to keep on track. You’re constantly having to get the writing back on track because the program forgets something it wrote before. And from what I’ve seen, the language is hardly that deep. It’s pretty barebones. No inner monologues about character feelings or philosophical discussions in-text about the nature of good and evil, love, death, etc. It can get the actions and maybe the conversations, but it can’t do anything like Stephen King’s musings on goings-on in the Lot in Salem’s Lot, or the Savage Garden in the Vampire Chronicles.
AI art is worse, including WordPress’s new AI art generator. (Yeah, that’s a thing now.) I played around with it recently, and while it is fun, it’s still problematic. Sometimes, you get some good stuff, like this image of Batman taking a kid trick-or-treating (something I could see happening in the right comic storyline).
But then you get this Spider-Man art I made.
Don’t see the problems? Spider-Man’s spider symbol looks more like a stain on his top, his neck looks like it was twisted around a hundred and eighty degrees, the webbing looks more like chains than webbing (and on the left arm is coming out of the wrong place), and the bus has an extra twenty feet on it that’s being kept up by magic.
And that’s just one example. I did a bunch of ballet-themed pictures because AI-generated ballet art shows the issues with AI programs about fifty percent of the time (and I like ballet). Half the time, the dancers had extra limbs or missing limbs. And sometimes, the program couldn’t properly reproduce something I input into the prompt. Look at this picture of Jason Voorhees, Michael Myers and Leatherface skipping through a field.
Yeah, that’s not what I was going for. Jason is wearing Michael’s boilersuit, and the other two look like a masked warrior wearing weird make-up holding a sword and…I don’t know. A random guy with a machete? I tried this prompt four different times, and not one got close to what I was looking for.
So, to reiterate, while companies are going all in on AI in the hope that it can make them a profit, they’re working with programs that are flawed, can only copy, and sometimes rely on stealing to get trained. All while threatening the livelihoods of authors and artists.
Well, the good news is, while AI is making leaps and bounds, it may eventually implode. In one scenario, AI will eventually begin to copy itself, flaws and all, leading to the programs producing increasingly subpar creations. In another, such as this video seems to suggest, the facilities needed to store data for AI programs will start to consume tons of water and electricity. Water and electricity that, more often than not, comes from the same sources as regular people’s water and electricity. That competition will eventually move in favor of people unless a compromise or solution presents itself, and may eventually lead to limitations on AI facilities.
Still, it’s a fucking pain that the real creators have to compete with ones and zeros to prove we’re the superior creators. Hell, sometimes we have to go on strike to get the message across! In addition, some creators don’t seem to see the issue. I spoke recently to a creator who didn’t see what the big deal was and even welcomed the challenge from AI. Let me tell you, she was exhausting.
So, what can we do? Well, if you work with publishers, check with them on their AI policies. I asked both the ones I’ve worked with, and one’s already gotten back to me with a definite No. Just simply ask what their policy is on AI-generated material is, so it doesn’t sound accusatory. You can also reach out to your elected representatives and ask them to support legislation that protects creatives over programming.
You should also support creators who don’t use AI. Buy their book and artwork, leave reviews online, and make sure to let people know that those you support don’t use AI. (For the record, no AI beyond spellcheck is used in my work.)
And, as always, make your voices heard. If we aren’t silent, people will notice. And if they notice, they may be swayed to help us.
As many of you know, Kill Creek by Scott Thomas has become one of my favorite novels, if not my favorite (you can read my review from 2018 here). So, when I heard Thomas was releasing a collection of four novellas, I had to get my hands on it. And while it took me longer than I wanted to get through it (I picked it up in September and only just finished it), I’m glad I got to read it.
Taking place in a fictional version of Kansas that’s part of the same universe as Kill Creek (and possibly his other novel Violet, I’m not sure), each novella follows a native who gets pulled into horrors beyond their control. Three of these stories connect to the very land and the entities, natural or supernatural or preternatural, that inhabit and make up Kansas, all of these stories deal with dark histories and hidden truths, and each story connects in some way to the authors who were the stars of Kill Creek,* enhancing the reading experience.
The first novella, The Door in the Field, follows a young construction worker with anger issues who joins his boss for a drink after an incident, and ends up spending a night in terror. This story does move a bit slow at times, but it’s a thrilling tale full of blood, violence, and cosmic horror that pays off well at the end with the reveals and the main character’s growth. My one major criticism is that the novella is kind of a story within a story, and the framing device doesn’t really add much to the story. It doesn’t take anything away, but it doesn’t add much, either.
The second novella, Wear Your Secret Like a Stone, follows a troubled young woman who, after her pick of book for the Halloween display at her job is taken down by a customer complaint, goes on a mission to get her favorite book back. Only along the way, she learns some frightening local history which is more alive than she thought. I think this might have been my favorite novella of the bunch. It’s atmospheric, the protagonist is likeable, and the ending is a dark fantasy twist that will bring you chills.
The third novella, The Boy in the Woods, is about a young boy who, on the last night at camp, finds himself in the middle of a slasher story with a rage zombie twist. It’s a wild ride of a story with a sympathetic protagonist and a the way the slasher/rage zombie aspect are approached gives both tropes new life that I wasn’t expecting. If Wear Your Secret was my favorite, then The Boy in the Woods is a close second.
The final novella, One Half of a Child’s Face, is about a mother who is able to see into her ex’s apartment building al a Rear Window. There, she frets about not having her daughter living with her full-time and gets a vicarious thrill at watching the residents live their lives…until a strange painting in an empty apartment seems to throw an evil influence over the building’s residents. Of the four novellas, I would consider this the weakest. It takes a long time to build to anything and there are quite a few plot threads left hanging at the end. However, the last fifty pages are so were hard to put down and I enjoyed reading them.
All in all, Midwestern Gothic by Scott Thomas is a worthwhile collection of novellas. On a scale of 1 to 5, I would rate it a 3.9. Pick up a copy, settle down in your favorite chair, and prepare to be transported to a different sort of Kansas.
*If you haven’t read Kill Creek, don’t worry. You can still read the collection just fine. Kind of like how you can watch The Big Bang Theory and still laugh at all the jokes while not necessarily getting every sci-fi or comic book reference the characters make. Still, I highly recommend Kill Creek, so if you’re curious, read that one, too.
Every year, I do this post. Every year, you guys seem to like it. I imagine it’s because I make sure to get good graphics for it. Anyway, with only 36 days and a few hours left in 2024 (yeah, where did this year go?), it’s time for my annual assessment of the year and what I hope will happen in the coming year.
And let’s start by being honest: 2024 was a shitty year.
Yeah, I had hoped roaring at it like a tiger would make the year too scared to fuck with me, but I think it either got mad at me or my roar had no effect. Either way, this year sucked. The war in Ukraine continues on, with no sign of an end anytime soon; the war in the Middle East continues, and that’s not likely to end anytime soon soon, either; the 2024 presidential election ended in a way most people in the world feared it would; riots occurred in England in response to a stabbing in Southport; several countries experienced unrests, coups, and God only knows what else; hurricanes pounded the US and other nations mercilessly; prices have continued to rise on necessities like food, gas, and housing; and do I need to go on?
Overall, a rough year.
Granted, there were some nice things that happened this year. From July till earlier this month, I felt intense hope for the future of our nation thanks to a certain leader whom I hope we haven’t seen the last of. And the solar eclipse, as well as the northern lights being seen farther south than usual, was cool (I only saw one of those, but still cool). But all in all, it was a really shitty year.
On a personal level, yeah, 2024 was also quite shitty at times. The return to the office three days a week at my workplace had a ripple effect which caused my office’s workload to triple, leaving us stressed and struggling to stay on top of it. As a result, several times my performance suffered, which has had far-reaching consequences. I was unable to get Hannah and Other Stories into paperback, which was a major goal for me this year, and because of the economy and some other factors, I did not do as well at certain events as I expected. I was diagnosed with diabetes in August, which was a huge upset for me and has required me to make major adjustments to my lifestyle (don’t worry, I’m doing okay, but it still sucks); and it looks like my trip to Israel is in jeopardy because every airline is cancelling flights into the country due to the war (God forbid I get to visit my people’s homeland!).
Yeah, it’s been bad. I had to actually start attending therapy due to the huge amount of crap and stress I’ve been through this year. And I doubt I’m the only one.
Life was rough, but at least I got some good writing done this year.
Still, there were some highlights, and I try to focus on them:
I wrote some of the best stuff I’ve ever written this year, including a new novel, The Shape of Evil, which I plan to pitch at StokerCon next year; my first adaptation, a radio play of “Hannah” from Hannah and Other Stories, was released on Halloween (you can check that out here); my short story, “White Leaves” was released on the same day on the Tales to Terrify podcast (you can listen to that here); and despite underperforming at certain events, I did very well at others, and will probably make a profit this year instead of a loss.
Also, I started work on a new collection, and I plan to put it out in spring next year. More to come on that later.
Outside of writing, my health has improved thanks to all the changes I’ve made in my lifestyle; I’m still in a well-paying job that allows me to cover my expenses (and hopefully I’ll stay in the job or something similar until I’m able to write full time); I was able to do some traveling and even visited a few haunted locations; I had a couple of vacations over the year that were really restful and relaxing; my sister got married, and we got to do a little celebrating with her and the new in-laws; I got two new, really awesome tattoos; and I might still be able to travel to the Holy Land later this year.
So yeah, shit year, but I still have things to be thankful for (and right before Thanksgiving, too).
And what will happen in 2025? Well, like I said, I plan to release another collection and pitch The Shape of Evil to agents and editors at StokerCon (expect me to start editing later this week); hopefully I’ll get some more stories written and published, and maybe even (finally!) get back to writing my mummy novel Crawler; I’ll be seeing some amazing Broadway shows and a few ballets; hopefully I’ll get closer to writing full time; I plan to get another tattoo in the spring; and maybe I’ll do some more traveling. I do want to go back to Vegas or New Orleans again, if I can afford them, or even go abroad.
And I expect I’ll be resisting certain things from our incoming government, but sadly, life can’t be trouble free.
In any case, I hope 2025 comes with the resolution of certain world conflicts, and that any new troubles are mild compared to what they’ve been these past few years.
How was your 2024? And what are you hoping or expecting for 2025? Let’s discuss in the comments below.
One more thing, my Followers of Fear: as you know, the holiday season is upon us. And if you’re looking for some good horror to read, or you’re looking for a gift for that horror-loving friend in your life, why not try some of my books? From plant/human hybrids and strange gods to Mafia-hunting serial killers and carnivorous horses, I have something for every horror fan. I’ll leave a button below so you can check out my bibliography.
And if you like what you read, please leave a review online so I know what you thought. Positive or negative, I love reader feedback, and it helps other readers, as well.
And until next time, my Followers of Fear, good night and pleasant nightmares.
I am not a woman. I have never been a woman. And, unless reincarnation is a thing, I probably never will be one.
However, I do write from the point of view of or stories centering around women and girls quite a bit. And while I’ve been told a few times I do the female point of view well, I would never call myself an expert. No matter how often I spend time around the many women in my family (it’s a lot), or how many times I read or watch stories about women (even if they’re by women creators), that’s never going to change.
So, when I’m writing or editing a story, occasionally I’ll think to myself, “Hold up. Could this be problematic or offensive?” This actually happened the other night, with a story focusing on an actress, and I found myself wondering if some of what I was working on might be upsetting to some readers.
In that moment, I’m glad for the existence of sensitivity readers.
If you’re unaware, sensitivity readers are readers who review a work of literature for offensive content, like stereotypes or bias. They’ve been controversial, as some feel that sensitivity readers stifle artistic license or are trying to be moral gatekeepers, and a few have been employed to go over books by Ian Fleming and Roald Dahl, thus changing the books from their original contexts. But in situations like this, where I want to tell a specific kind of story but I don’t want to accidentally offend someone by including something that I may not even realize it’s offensive, sensitivity readers are a godsend.
(I also work in a job where the goal is to foster diversity and inclusion and to combat prejudice, so maybe my views on sensitivity readers, as well as my goals in using their services, are a bit different from other writers.)
So, that story I mentioned earlier? It’s with sensitivity readers now. Two women, both of whom are writers and one of whom is already familiar with my work, agreed to help me make sure this story is as good as it can be. And I’m sure they’re going to give me some excellent feedback once they’re done with it. Feedback which will ensure this story makes it out into the world someday.
And when I finish the second draft of The Shape of Evil, AKA the story about the 3D printer from Hell, I’ll employ the services of a sensitivity reader and use their feedback to improve the story before I pitch it to agents and publishers. After all, the main character is non-binary, and while I am in the LGBT community, I am not trans. So, I will need someone from that community, preferably someone who is non-binary, who can look at the story, tell me what I did right, what I got wrong, and what I can do to improve.
After all, I want to deliver the best stories possible, and I’m aware that I have my blind spots. What better way to make sure I do the first part than by having someone who can help me with the second part?
Do you use sensitivity readers? What has your experience been like?
That’s all for now, my Followers of Fear. I’m off to bed and to get some rest before the weekend. And until next time, good night and pleasant nightmares.
Rami Ungar The Writer 