Posts Tagged ‘authors’

I know this won’t be relevant to a lot of you, but if you happen to be in Columbus, OH tonight, consider coming to Kafe Kerouac at 2250 North High Street at 6:30 PM. You know, instead of the Columbus Arts Festival or the touring production of Finding Neverland at whatever theater that’s playing at. Several members of the Ohio Chapter of the Horror Writers Association will be reading from their work. This includes yours truly, doing his first public reading for Rose. I expect a lot of people to run out of the place screaming their heads off while peeing their pants at the exact same time, but who can tell?

Anyway, I hope you’ll be able to come. And if not, rest assured I’ll try to get my reading on video so I can upload it to YouTube (I’m becoming a regular YouTuber these days, aren’t I?). That way anyone interested can get a sample of what to expect from Rose prior to buying the book (or reading the advanced copies).

Anyway, hope to see some of you there. And until the next post, pleasant nightmares!

 

Well, I just finished another short story, if that title doesn’t clue you in. And honestly, I’m glad I did: I didn’t think I’d get this one done before the final edits on Rose come in (those are hopefully going to be sent to me later this week).

“Pinochle on Your Snout” is a short story that came from me wanting to work two very different things into a single story. The first is The Hearse Song (video of that song here), which includes this famous verse: “The worms crawl in, the worms crawl out, the worms play pinochle on your snout.” That song also provides one of the best titles I’ve ever given a story. The other thing I wanted to combine was the De Vermis Mysteriis, or Mysteries of the Worm, a grimoire created by author Robert Bloch and later incorporated into the greater lore of HP Lovecraft. The book is supposedly able to summon all sorts of nasty things, and has appeared in a whole bunch of other media since then, including stories by Stephen King revolving around Salem”s Lot.

It took a bit of brainstorming, but I was able to come up with a story based on those elements. How is it? Well, it’s a first draft, so it’s shit. But I think there’s potential there. It reminds me a lot of “The Boogeyman” by Stephen King, in that it’s mainly told as a confession between a man and someone whose job is to listen to other people’s stories (though not a shrink like in the King story). And I think it has a way of drawing people in. Perhaps it could be something someday.

Of course, I’ll need to do A LOT of editing on this one before I even consider sending it to publishers. How much, I’m not sure. Fiction is the only type of alchemy where you can turn shit and other worthless materials into gold. You just can’t tell how much tinkering you need to do before the alchemical transformation is done.

In the meantime, and while I’m still waiting for the final edits of Rose, I’ll edit a novella I think has plenty of potential and may only need a few edits. It’s one of the most disturbing stories I’ve ever written, so it has that going for it. I may even know a press that’ll consider publishing it.

And speaking of Rose, there’s only three days left if you’d like to be an advanced reader for this upcoming fantasy-horror novel from Castrum Press and yours truly. The novel follows a young woman who turns into a plant creature (and that’s just the start of her problems). If you’d be interested, send an email to ramiungar@ramiungarthewriter.com. All I ask is you read the book and consider posting a review after its release. Thanks, and I look forward to hearing from you.

Well, that’s all for now, my Followers of Fear. Until next time, pleasant nightmares!

I know that the majority of people who read this post will NOT be in central Ohio (and that is a damn shame, in my opinion), but I have to post it anyway. The Ohio Chapter of the Horror Writers Association, which I am a proud member of, will be having a reading at Kafe Kerouac, one of the coolest places in the University District in Columbus, this Saturday night at 6:30 PM. There will be scary stories to tell, chances to meet some great authors, new reads and friends to discover and meet, and a few drinks to have while you’re at it.

Did I mention they serve alcohol at this place? Well, they do. It’s not a reason to go in and of itself, but it’s icing on the proverbial cake.

Anyway, by this point Rose will likely be edited, so this could be the very first reading for the final version of the novel. If you’re able to, I highly encourage you to make it out and hear it. And if you can’t, I’ll try to get it filmed for YouTube. After all, I want as many people as possible to check out my novel as possible, and I’ll do whatever it takes to make that happen. Hope to see you there!

And in the meantime, Friday, June 7th is the last day to sign up to be an advanced reader for Rose, the story of a young woman who turns into a plant creature (and that’s just the start of her problems). If you or someone you know would like to sign up, send me an email at ramiungar@ramiungartherwiter.com. All I ask is you read the book and consider posting a review after the novel is released. Thanks, and I look forward to hearing from you.

That’s all for now, my Followers of Fear. I’ve got a ton of posts to catch up on, so I’ll hopefully have those up at some point soon (though between editing and everything else, who knows when I’ll have the time?). Until then, pleasant nightmares!

Are you annoyed with me mentioning Rose yet? You’re not? Well, that’s a first. They’ve already told me to curtail talking about it at work. I guess it’s a good thing I’m on vacation, then. Now I can crow about it from the rooftops!

So if you have no idea what I’m talking about for whatever reason, my fantasy-horror novel Rose is set to be published three weeks from today, on June 21st, 2019, by Castrum Press. Here’s the description I’ve been using lately (subject to change depending on feedback from my publisher):

When Rose Taggert wakes up in a greenhouse, the past two years missing from her memory, she has no idea what is in store for her. Her body changes, transfigured into a new, plant-like form by Paris Kuyper, a student and her self-proclaimed lover who used an ancient family grimoire to save Rose’s life. While Rose is at first willing to trust Paris and work with him to recover her memories and the supposed love they shared, it soon becomes clear her lover is not all he seems. In a short time, she decides to put love and memories aside in favor of survival.

But a rose may be defenseless when a storm surrounds it. And Rose may only be able to stand for so long against the forces swirling around her.

I love that word, “grimoire.” There’s a power in it. I should use it more often, but it’s so hard to insert into daily conversation!

Anywho, things should move pretty quickly from here. Starting Sunday or Monday, I’ll be neck-deep in the final edits for the novel. The final cover art and font will also likely be finalized pretty soon, and links on Amazon and other sites will also go up for anyone who wants to preorder a copy. And of course, this marketing machine I’ve set up will be working. If I’m lucky, word will spread far and wide enough to get enough people interested in Rose.

And I’d be very happy if people did read and enjoy the book. I’ve been working on this thing since it was a college thesis, and in the nearly five years since I first started writing the book, it’s gone through so many changes and revisions. To see all that hard work pay off would be a dream come true.

And in the meantime, if you’d be interested in getting an advanced electronic copy of Rose, then we’ll be taking advanced readers up until June 7th. Just send me an email at ramiungar@ramiungarthewriter.com, and I’ll add your name to the list. All I ask in return is that you read the book and consider posting a review after the release date. Thanks, and I look forward to hearing from you.

That’s all for now, my Followers of Fear. Hopefully my next post on the book involves cover art. Until next time, pleasant nightmares!

Erin McGraw, author of Joy

I’ve had the good fortune to learn from a variety of different authors. And sometimes they’ve had the bad fortune–I mean, they’ve been kind enough to teach me in person instead of through the medium of a book. Recently, I had the good fortune to go and listen to one of my professors, Dr. Erin McGraw, do a reading of her new book Joy (which is also my next read, by the way) at the bookstore near me. We got to talking afterwards, and I asked if she wouldn’t mind letting me interview her.

This is the resulting interview. Ladies, gentlemen, and non-binary people of manners, let me introduce Erin McGraw!

Rami Ungar: Welcome to the show, Erin. Please tell us something about yourself and your published works.

Erin McGraw: I’ve written seven books of fiction, three novels and four story collections.  Whenever I’m writing stories, I’m convinced that novels are easier.  When I’m bogged down in a novel, I long to be writing stories.

RU: Your latest book is Joy, a collection of 53 short stories. Please tell us how the project came about and what sort of stories are inside the collection.

EM: Joy happened largely by accident.  I had just retired and finished two novels back to back, and I was tired.  I thought I was writing tiny little stories—3-4 pages—just to keep in practice until I could figure out what my next book was going to be.  It took embarrassingly long to realize that these tiny little stories were the next book.

The stories are dramatic monologues, meaning that the main character steps out of their life to directly address the reader, explaining why they’re doing what they’re doing.  Since these are people acting as their own defense attorneys, they often lie.  That’s what makes things interesting.

RU: Obviously, there are a number of different voices within Joy. Did you do any sort of research for any of the voices you wrote?

EM: I researched almost all of them to some degree.  The ones that come from actual people, like Ava Gardner or Patsy Cline’s dresser, required that I read books to get the facts and background right, but even a story from the point of view of a nameless songwriter wannabe required that I look up some of the facts of the songwriting business, to make sure I got my guy right.  It only takes a paragraph or so before I start feeling responsibility toward my characters, and I want to treat them with respect.

RU: Were there any voices you tried to write but couldn’t? What were the reasons?

EM: I tried for a year and a half to write a story about a man who searched out his spirit animal on the internet.  People do this all the time, I reasoned; it should be easy.  And funny.  But the story stubbornly refused to get funny or easy, and eventually I parked it in my ever-growing “Undead” file, where I put things that I can’t get right but still seem like good ideas.  Maybe I’ll get this one right someday.

It’s funny, right?  Going to the internet to find your spirit animal?

RU: I think so. I mean, it’s trusting an algorithm created by interns and programmers to tell you something profound about yourself. Says something about the people who use it, I’m sure.
Anyway, you also taught for a number of years at Ohio State University. Were any of the stories in Joy based on your teaching experiences?

EM: Not any teaching experiences, no, but a lot of the stories exist, at least in my mind, in central Ohio.  I lived in Columbus for 15 years, and 10 years before that in Cincinnati, so I spent a lot of time thinking about Ohio and pondering its aggrieved status as a fly-over state.  Recent politics have changed that some, which I think is a good thing.

Joy by Erin McGraw

RU: What’s next for you? Are you working on any projects now?

EM: I’ve got a few more very short stories; I think they’re the leftover energy from finishing Joy.  A new project has floated to the front of my mind, but I’m superstitious about talking about things too early.  If it happens, it will be another book with a lot of voices.  I like to hear people talk.  It gives me a break from my own company.

RU: What are you reading these days?

EU: I’ve been on a tear for two years reading about the socio-economic divide in the U.S., and I’m still reading those.  Also books about the development of a recognizable U.S. cuisine, a subject of ongoing interest to me.  Also a superb book about climbing vines.  Don’t laugh.  It’s good.

RU: What is advice you would give to other writers, regardless of background or experience?

EM: The advice I was given by my teacher, John L’Heureux, regarding character:  Complicate the motive.  Simplify the action.

RU: I’ll have to meditate on that one a bit. Final question: if you were stuck on a desert island for a little while and could only take three books with you, which would you take?

Since they would have to be books I could bear to read over and over, the first would be Eliot’s Four Quartets.  Then King Lear, which I’ve never known well enough.  Then the collected Emily Dickinson.  She wrote enough to hold me for quite a while, in case the rescue ship gets held up.

RU: Ah, King Lear. That was an interesting read. Anyway, thanks for joining us, Erin. I hope you’ll join us again someday soon.

If you would like to check out and maybe get signed copies of Joy, you can click on this link. I’ll be checking it out myself very soon. And if you would like to know more about Erin McGraw and her work, check out her website here.

If you would like to see some of the other interviews I’ve been lucky enough to do, click on my Interviews page to check those authors out. And if you yourself are an author with a book you’d like to promote, send me an email at ramiungar@ramiungarthewriter.com

That’s all for now, my Followers of Fear. Until next time, pleasant nightmares!

I was going to wait until I got an update from my publisher* or until Tuesday, one month from when Rose is released, but I got impatient.

So as you probably know by now, my upcoming fantasy-horror novel Rose is on target to be published June 21st, 2019 by Castrum Press. The story follows a young woman who turns into a plant creature (and that’s just the start of her problems). Yes, that trippy subject is what the novel’s about. Yes, I sold that to a publisher. And yes, it is coming out in a little over a month.

Obviously, I’m over the moon with excitement. I’m also dealing with a lot of nervousness and a touch of anxiety, but I’m working a multi-pronged approached to make sure the novel is a success. One of those prongs is through advanced readers, people who receive electronic copies prior to the book’s official release with the hopes they’ll read it, like it, and maybe help spread the word by telling friends or writing reviews online (encouraged, but not required).

And you know what? I’m still looking for more advanced readers.

I’ve managed to build up a pretty big list of advanced readers, but I could always use a few more. So from now until June 7th, if you or someone you know would like to get on the advanced reader list, all you have to do is send an email to ramiungar@ramiungarthewriter.com. Once I have that, I’ll add your name to the list and then we just have to wait. Once I know the advanced copies are being sent out, I’ll notify you via email to give you a heads-up.

Thanks, and I look forward to hearing from you all.

That’s all for now, my Followers of Fear. I should have more updates on Rose as we get closer and closer to the release date. You may even get a little annoyed with me talking about the book so much (but can you blame me?). But of course, it’s all in the name of making sure plenty of people get to read the book, so why not?

Until next time (which, for all I know, might be anytime between today and Tuesday), happy reading and pleasant nightmares!

*Speaking of which, Castrum Press has just released a new anthology, Alien Days, featuring a variety of authors writing about what our first contact with extraterrestrials might be like. A terrifying subject, even if it’s not horror. Please make sure to check it out on Amazon. I’ll be downloading a copy very soon, and I can’t wait.

I’ve been meaning to write this post for over a week. But as you know from my last post, this past week has been predictably crazy for me.

I heard about Hallie Rubenhold’s The Five and was immediately interested. The book retraces the lives of the five victims of Jack the Ripper: Polly Nichols, Annie Chapman, Elisabeth Stride, Catherine Eddowes, and Mary Jane Kelly and proposes to shed a new light on them. I’m no Ripperologist (someone who studies the Ripper murders), not even an amateur one, but I’ve done a fair amount of reading on the subject and am always interested if someone has discovered something new about the case. And the lives of the five women who made the Ripper famous finally being told? I’m in.

I dove in as soon as I got my copy from the library…and the resulting read blew my mind. You see, for over a hundred and thirty years, the consensus–the one thing that every Ripperologist agrees on–is that the victims were confirmed prostitutes. But is that really the case? Diving into historical records and her understanding of the nineteenth century’s social beliefs around women and barely mentioning the Ripper at all, Ms. Rubenhold provides a convincing case to support that we may have been looking at the “Canonical Five”–and thus the Ripper–all wrong.  In fact, only the final victim, Mary Jane Kelly, was confirmed to make a living through prostitution, and there’s evidence she may have been trafficked at some point.

In fact, Polly Nichols was a wife and mother whose family gained lodging in public housing reserved for families with high moral standing; Annie Chapman was upper-middle class with an upwardly-mobile husband; Elisabeth Stride was a Swedish immigrant from a religious background who ran a coffeehouse with her husband; and Catherine Eddowes was educated for most of her younger life and often made life choices on what would allow her the most freedom. Mary Jane Kelly, we don’t know, as many of the details she gave of her life were contradictory and possibly fabricated, but she could’ve come from a respectable background, as she started out as a high-end courtesan, and they don’t let just anyone into those circles.

How did these women end up as prostitutes in the popular mind?

Well, in the eyes of nineteenth-century society, any woman who wasn’t, by all appearances anyway, a successful wife and mother with the temperance of the saint, a clean and happy household, and only had a sexual side when her husband desired sex, she was a failure as a woman. She was “broken.” Which often was equated as a “fallen woman,” which was often equated with prostitution. Often, women in these positions had to take up with men who were either not their husbands or had common-law marriages, which was also considered a sort of prostitution.

And for a number of these women, circumstances in their lives forced them to leave families and husbands and often take lives on the streets, without husbands or homes, which meant in society’s eyes they were fallen, and therefore likely prostitutes. The newspapers at the time, more concerned with selling than telling the truth, did little or nothing to dissuade that notion, even when friends and acquaintances for the victims came forward and swore in inquests the victims did not resort to prostitution. Thus a belief, and the theory shaped around it, was formed.

This is significant for a number of reasons. From the perspective of history and Ripperology, it totally changes everything we know. Ms. Rubenhold presents a good case that the Canonical Five were actually incapacitated or sleeping and not in any state of mind to fend off an attacker, rather than attacked while soliciting. This changes the entire MO of the Ripper, the field of study around the murders, and over a century’s worth of media on the subject (though some of the latter we can still find entertaining, as long as we remind ourselves how much of it is fiction).

But more importantly, this is a feminist triumph in history. For a hundred and thirty years, The Five have been dismissed and looked over except in the context of their deaths and whoever killed them. Even my copy of The Complete Jack the Ripper doesn’t go into much detail on their lives. But this book and its author, through hard work and looking over every scrap of documentation available out there, reminds us these women were just women, more often at mercy to forces beyond their control and the double-standard Victorian women faced than willful participants in the world’s oldest profession. At least three suffered from alcoholism. One got pregnant out of wedlock and developed syphilis, and was demonized for it. They did everything they could to stay out of the workhouses, which could forever ruin someone who was forced to enter them. They tried to find love and happiness. They tried to get by in an age and place where women on their own had it very hard.

Imagine if AA had been available to the Five and sobriety was understood to be not a choice but hard work. Imagine if, instead of being demonized for leaving their husbands or getting pregnant/diseases out of wedlock, the authorities looked at the men in their lives. Imagine if they were allowed to pursue lives they wanted, rather than what was expected of them, and not shamed for not fulfilling expectations.

This is especially relevant in today’s age. Despite a lot of progress, women still have their sexuality used against them socially and legally. Since I finished reading The Five, I’ve seen several articles and tweets about men getting little or no jail time for rape, simply because there was only one victim and they were unlikely to reoffend. Here in my home state of Ohio, a minor who was raped and impregnated can’t get an abortion because of a new restrictive abortion law. Clearly, on some level, society still feels women should be punished for being anything other than the ideal wife and mother, and it’s their own fault if they’re not.

This is why you should be reading Hallie Rubenhold’s The Five: not only does it present convincing new evidence on a century-old case and force us to reevaluate everything we knew, but it’s a call to remind us just how much has stayed the same since 1888, and what we can do to improve that in the future. And in the future, if I ever write my own Ripper-themed story, I’ll call back to The Five as I write the story, and keep in mind the lives of these women.

So please, check out The Five‘s page on Amazon, and consider reading it. You’ll find it a revelation as much as I did.

I’ve been waiting all day–since yesterday, when Castrum made known to me their intentions–to announce this. Through a long work day, social media posts and devouring a pizza to celebrate/get out of cooking tonight, I’ve been waiting for the moment where I can make this announcement. After fifteen months of edits and quiet planning and not-so-quiet planning, my novel Rose, being released by Castrum Press, has a release date.

Now, if you’re new here and you don’t know what Rose is, first off, hello! Welcome to the Followers of Fear! Second, Rose is a fantasy-horror novel that follows a young woman who starts turning into a plant creature (and that’s just the start of her problems). I wrote the first draft as a thesis project for college. Four years after finishing the first draft, the book is finally getting ready to be released. After so many changes and numerous rewrites, it’s finally coming out.

But Rami, I hear you all thinking, when is it coming out?

Well, Castrum has quoted to me a target date for June 21st, 2019. At any rate, we’re going to try to get the book out right around then, with the advanced copies being sent a couple of weeks prior. So yeah, it’ll be a little over a month and a half till Rose hits the digital and (hopefully) physical bookstores. And between now and then, I’ll be doing marketing work and doing final edits for the manuscript. At some point in the next couple of weeks the cover art will be finalized, and we’ll put everything together in an awesome little package.

Honestly, I’m both excited and nervous, and my anxiety is trying to bite and tell me all the things that could go wrong. I’m keeping it in its place and letting it know those things won’t happen in all likelihood, and just trying to remind myself all the big things ahead to get excited for. A dream I’ve held for almost twenty years is finally coming to fruition. There’s only one thing to do, and that’s to alternate between celebrating and working hard to ensure it goes well.

With that in mind, Castrum says the last date to get on the advanced readers list is June 7th. So if you’d like to get an early electronic copy of Rose before anyone else, send your email now to ramiungar@ramiungarthewriter.com. In exchange, all I ask is you read the book and then consider posting a review after the book comes out. Thanks, and I look forward to hearing from you.

That’s all for now, Followers of Fear. I’m off to start a Rube Goldberg machine of marketing. Thanks again for supporting me through these many years of work. It’s been a crazy ride, but I’m about to reach a huge goal I’ve longed dreamed of. And I don’t think I could’ve gotten this far without you. I hope when Rose comes out, you’ll all consider checking it out.

Until next time, pleasant nightmares!

I listened to The Stranger Beside Me by true crime writer Ann Rule, who actually knew Ted Bundy, on audio book to prepare for this movie (and that’s the extent to my knowledge of Bundy). In the days leading up to this film’s release on Netflix, I was excited to see this adaptation. Nearly thirty years after the man’s death, would this film, along with the Netflix documentary (I know, I need to watch it, I just haven’t gotten around to it yet), introduce a new generation to the shocking murders of Ted Bundy?

Well, I went in expecting a different kind of movie, but I came out satisfied with what I got.

Based on the memoir The Phantom Prince: My Life with Ted Bundy by his real-life girlfriend Elizabeth Kloepfer (known as Liz Kendall in the film and Meg Anders in The Stranger Beside Me), Extremely Wicked follows the romance of Bundy and Kloepfer, how they got together, how Bundy’s arrest in Utah, his two escape attempts in Colorado, his final trial in Florida, during which he marries one of his groupies but (seemingly) still has feelings for Liz, and finally his execution in Florida.

I think what I like the most about this film is its star-studded cast. Everyone embodies their characters so well. Zac Efron as Bundy comes across as a sympathetic, lovestruck man who finds his life falling to pieces around him and the one good thing in it drifting away, while Lily Collins as Liz Kendall does a great job as a woman who put so much into her relationship with this seemingly-perfect man, only to grapple with his crimes. John Malkovich as Judge Edward Cowart did the man an honor, combining the judge’s Southern gentility with his own deadpan acting method (finally, a film from this year that doesn’t waste the guy’s talent). And Jim Parsons made me forget at certain moments that I was watching Sheldon Cooper. I actually had to watch the scene where he delivers his opening remarks as prosecutor Larry Simpson twice, it was so chilling. Parsons could lead a legal drama now that The Big Bang Theory is done.

I also like how the film balances a romantic storyline with what is mostly a courtroom drama. Unlike other films, Extremely Wicked doesn’t go to great lengths to show Bundy’s depravity or murders, but instead hints and flits around it until the final scene of the film. Its focus is showing how the ongoing legal saga affects Bundy and Kloepfer’s relationship and vice versa, as well as the psychological toll on Bundy. The director knew what they were going for with this film, and in that aspect it succeeded.

If I have one gripe with this film, it’s that romanticizes Bundy a little too much. Bundy’s always had a number of female fans who find him attractive despite what he’s done.* Even actors portraying him have awakened the wrong kind of fascination in teenage and young women (Ann Rule relates some of the phone calls she got after The Deliberate Stranger with Mark Harmon aired in 1986 in her book). Zac Efron is a very handsome actor, no doubt of that, and in the interest of focusing on his romance and courtroom battles, Extremely Wicked glosses over the evil in its title and makes Bundy out to be more of a sweet, hurt man than a calculating serial killer. And I’m not sure that was the best decision.

I also would’ve liked to see Ann Rule make an appearance in the film, but I think I can live without that.

On the whole, I give Extremely Wicked, Shockingly Evil and Vile a score of 4 out of 5. While its POV Is slightly skewed, its an entrancing thriller that draws you into the story and the bloodless battle occurring on screen. Take a look, and prepare yourself for a ride.

That’s all for now, my Followers of Fear. I hope to have one or two more posts out before the weekend is done.

In the meantime, I’m still looking for advanced readers for my upcoming fantasy-horror novel, Rose, about a young woman who starts turning into a plant creature (and that’s just the start of her problems). In exchange for an early electronic copy, all I ask is you read it and consider posting a review after the release. Anyone interested should send me an email at ramiungar@ramiungarthewriter.com.

Until next time, pleasant nightmares!

*The scientific name for attraction to dangerous partners, by the way, is called hybristophilia. Theories to how it arises range from evolutionary desires for strong and capable partners to romantic notions of wanting to change/help a damaged partner to wanting fame or even just knowing the partner is stuck in a jail cell and won’t go anywhere. The more you know.

As I said in a recent post, I’ve had to scale back on how much writing I attempt to get done each evening because I try to go to bed earlier. To be more specific, I used to aim for at least a thousand words a night, or about four pages. However, I get tired more easily and need more sleep, so I go to bed earlier. Thus instead of a thousand, I aim for at least five-hundred or two pages.

Which to us wordsmiths can seem like quite the downgrade. One of the ways we measure our progress with our stories is by word count. So when you have to aim for lower word counts every day, it means you make slower progress and possibly make people wait longer for new stories.

However, that disappointment quickly evaporates when you realize something: while getting a thousand words out is nice, five hundred words is also momentous in and of itself. And that’s because you can say a lot in five-hundred words as well (and I don’t mean in the sense that even a small paragraph is composed of thirty to fifty words).

Let’s flash back to last night. I’m working on a story I’ve been writing on and off for about a year now and which I’m barely halfway through. I could’ve let the amount of writing left to do with this story get to me and keep me from getting a single word down on the page. Instead, I started writing. And lo and behold, I got seven hundred words in. Of those, the first five-hundred are about the narrator’s evolving mental state. And even though it’s still only a first draft, it was actually pretty good. I mean yeah, it could use plenty of cleaning up, but it was still a good passage of story, diving deep into what the narrator has been feeling at that point in her life, and how it’s affecting her relationships with her loved ones. Those two pages or so felt really emotional, almost as if a reader would feel the same emotions as her just by reading about it.

And somehow, I doubt that if I was aiming for a thousand words, I could write such a good section. I think when  was aiming for a thousand words, a part of my brain was urging me to rush on, to get that huge number out of the way so I could claim significant progress. The work I did while aiming for that big number was still good work, or at least I like to think so, but it might still be rushed. With five-hundred words, I recognize on some level that I can take my time, there’s no goal to rush to, and that allows me to write better.

And if I somehow make it to a thousand words? Great, I’m just glad I wasn’t panicking internally about getting there in the first place.

Of course, I would like to get to a point in my life where I aim for a minimum of a thousand words a day, but I want it to be under circumstances where I don’t feel so pressed for time and I can really explore the story and the character while working to reach that word count. That might not be for a long time, seeing as how much time in the day I would need to devote to such a goal conflicts with how much time I actually have to write sometimes. But who knows what the future holds?

Anyway, my point is that you don’t need to go crazy trying to rack up a huge daily word count. What matters most is what is written down during that daily struggle to write. If it’s meaningful and tells the reader a lot and sticks in their heads and ignites all sorts of marvelous images, then wonderful. You’re making great progress on your WIP. If, however, you’re getting a lot down on the page but it’s just a lot of fluff…well, that’s what the editing process is for, after all. Get’s rid of that fluff and replaces it with words of substance.

Either way, it sounds like a win-win. And by the way, this blog post is 814 words. Did I manage to say anything of substance in that amount, do you think?

 

And while I still have your attention, I’m still looking for advanced readers for my upcoming fantasy-horror novel Rose, being released from Castrum Press. The story follows a young woman who starts turning into a plant creature (and that’s just the start of her problems). In exchange for an early electronic copy, all I ask is that you read the book and consider posting a review online once it’s released. If you’re interested, please send me an email at ramiungar@ramiungarthewriter.com. Thanks, and I look forward to hearing from you.