Posts Tagged ‘Devil (2010 film)’

The post that got me thinking about this subject.

So, if you weren’t aware, Rosh Hashanah, or the Jewish New Year, starts tonight. This is the beginning of the High Holidays, or the most important holidays in the Jewish calendar, and there’s a couple of traditions around this time of year that religious Jews practice. A lot of those traditions have to do with forgiveness. Specifically, we go out of our way to forgive those who might have upset us in the past, ask for forgiveness ourselves, and maybe even gain God’s forgiveness for our weaknesses. Forgiving ourselves is also on the menu, but that’s something that’s up to us and can require more work than just what can be accomplished around a holiday.

I do these traditions myself, and about a week ago, I posted on my social media, asking for forgiveness and forgiving everyone else as well. However, I added as a sort of postscript that I might still add someone who’s seriously crossed a line with me to one of my stories, which would mean their portrayals would not be flattering, and that their deaths would probably be horrifying. As I said in the post, “Hey, every action has an equal and opposite reaction. That’s life. Get used to it.”

This and other events got me thinking, and I realized that horror is not a genre where forgiveness is front and center a lot. In fact, it’s a genre where anger and vengeance is often a major factor! Think about it: most of the killers in slasher movies are motivated by rage and revenge. In a lot of ghost stories, the spirits are stuck on this mortal plane because they have some sort of baggage keeping them trapped here and they’re lashing out because of that baggage (this is especially true in Japanese horror movies like Ringu and Ju-On: The Grudge). Carrie White in Carrie gets revenge on all her tormentors by setting the prom, the high school, and most of the town on fire, followed by killing her biggest bully and her mother, and Leland Gaunt in Needful Things takes advantage of people’s fears, grudges and relationships to cause all sorts of chaos.

In all of these stories and many others, forgiving anyone is almost nowhere to be seen. In fact, in many cases, even after the reason for the anger is gone, the anger and need for vengeance continues on. Perhaps Needful Things has some moments of self-forgiveness, where characters like Alan Pangborn, Polly Chalmers, and Norris Ridgewick realize they’ve been duped and/or done horrible things and are able to start on the path to forgiveness and redemption, but it’s not a large part of the story. In fact, those moments are overshadowed by the rest of the events of the story and the need to stop Gaunt.

Snake is not a novel I would associate with forgiveness.

The lack of forgiveness extends to my own work as well. And quite often, too. Snake is a novel about a serial killer motivated by both love and revenge against an organized crime family. “Disillusionment and Trauma Sometimes Go Hand-in-Hand,” AKA the dragon bat story (releasing next month in the 14th volume of the Ink Stains horror anthology series, if you didn’t know), is driven by several characters’ needs for revenge and being unable to let go of the past (whether they are right or wrong in doing so, I’ll let you decide). And one or two stories I’m working on now may be motivated by characters’ need to release their anger on others, whether deserved or not.

Given all that, you might be wondering if any horror stories might include forgiveness, or if all of them are unforgiving. Actually, quite a few stories with religious themes include forgiveness. Swan Song by Robert MacCammon and Imaginary Friend by Stephen Chbosky, both of which deal with Christian Apocalypse scenarios and the Devil, feature scenes where the protagonists forgive others, including the Devil himself, who usually can’t take being forgiven for their evil by a mere human and run off to hide in their own misery. And in the 2010 movie Devil, forgiveness plays a huge part in the resolution of the story and in one of the leads being able to avoid being dragged down to Hell.

This is a movie where forgiveness and sin are major themes for the horror.

All of these stories feature the Devil, but there are likely other stories with religious themes where forgiveness features but the Devil doesn’t. And perhaps there are stories where forgiveness is a big part of the story without religious themes as well. In fact, Cujo by Stephen King ends with the Trentons patching up their marriage and forgiving each other after the death of their son. But, at least in my experience, forgiveness tends to stay in horror stories with strong religious themes. The rest of the time, it seems to be “let out your wrath upon all those who have wronged you!”

But is that necessarily a bad thing? Even for the religiously inclined among us (including Jews around the High Holidays)?

I don’t think so. Whether we are misfits because we like horror, or we are already misfits and find a home in horror, both we and our genre of choice have often been maligned by the majority of society. Obviously, this can build some anger in us misfits, as we do nothing wrong but be ourselves. Where better to channel that anger than into our genre, where people often get what’s coming to them? It’s honestly rather therapeutic.

That’s why, even if I forgive someone, I’ll often find some way to write them into a story. It’s a healthy way to get rid of any lingering resentments and build something creative and meaningful while I’m at it. In fact, one could say I’m symbolically or metaphorically purging myself of hate and finding forgiveness for those who’ve wronged me, which I’m sure any rabbi would approve of, especially around the High Holidays.

As to whether I’ll ever write a story where forgiveness is a main topic…I’ll never say never. But it might be a while before we see me write something like that. Forgive me if you were hoping for one!


That’s all for now, my Followers of Fear. Sometimes I like getting my thoughts out like this, even if it leads to an essay-length blog post. In any case, I want to wish you all a Shana Tovah, or a Happy New Year. May we all be inscribed in the Book of Life and blessed with a sweet year.

Until next time, good night, pleasant nightmares, and 36 days till Halloween! Ask your doctor if sacrifices to the old gods is right for you!

Photo by Pedro Figueras on Pexels.com

I’ve heard this term thrown about a few times since January, first in the new Scream movie and most recently in an analysis of a horror film on YouTube. “Elevated horror.” And the speakers, whether in in the Scream movie or in the YouTube video, made it sound like it’s a recognized subgenre of horror with its own staple of tropes and trappings. Like slasher and its killers and gore, or Gothic with its ancient, diseased settings and corrupting influence.

The thing is, it isn’t. Elevated horror isn’t an actual subgenre of horror. I’ve consulted with dozens of writers on this (thank you, Twitter and the Horror Writers Association Facebook group) and it’s not a subgenre. It seems like a subgenre of horror at first glance when you look at works referred to elevated horror. In movies, films referred to as elevated horror include The Witch, Babadook, It Follows and Get Out, among others: they’re horror stories that focus more on probing psychological drama, characters and metaphor than blood and gore or supernatural horrors. Often, there’s a powerful social commentary being presented through the narrative, such as Get Out‘s commentary on race.

In terms of literature, “elevated horror” might have all of these as well as flowery language. It might be almost called “literary horror,” because there’s an emphasis on wording the story nicely and making it just too dark to be called “literary fiction.” Examples include The King in Yellow by Robert Chambers, Interview with the Vampire by Anne Rice, The Deep by Alma Katsu, and A Cosmology of Monsters by Shaun Hamill.

And, most importantly, “elevated horror” can sometimes cross over into other genres, such as thriller, literary, or even comedy.

Can you really say The Witch and Get Out belong in the same subgenre?

Sounds like a subgenre, doesn’t it? But it’s not. The works called elevated horror are all as different from each other as roses are to tulips are to primulas. All flowers, but all different kinds of flowers. Let me explain: The King in Yellow and The Deep are cosmic horror mixed with deep psychological themes, The Witch is some cross between folk, religious and historical horror, and Get Out‘s searing satire makes it borderline horror-comedy. In fact, it was nominated at the Golden Globes under categories for comedies or musicals!

Yet all of them are given the designation of elevated horror. So, if it isn’t a subgenre, what is it?

The conclusion I’ve come to after speaking to numerous other writers is that elevated horror is actually horror films taking place in elevators.

Just kidding, that’s elevator horror, and the only example of that I can think of is 2010’s Devil.

No, “elevated horror” is a marketing term. And like all marketing terms, it’s directed towards a specific audience. Who is this target audience? It’s people who normally wouldn’t check out horror because they fear it’s low class, dangerous, or degenerate. They may want to check out horror or be curious, but the stigma still attached to the genre keeps them from doing so. Either that, or they won’t check it out unless a work is given a specific designation.

Calling something “elevated horror” is basically saying, “This isn’t like other horror stories, where half-naked teens are voyeuristically killed with tons of blood and gore, or where supernatural entities menace children in sewers. No, it has nuance and social commentary! There’s psychology and drama and fleshed out characters! You can be respectable while enjoying this!”

In other words, it’s another way of something is high-brow. “There are no explosions and superheroes here. No aliens or elves. No star-crossed lovers up against the odds. Only real people having real life situations, or real people in situations that are absurd but it’s okay, because it says something important about society.”

I almost wish it was a subgenre. I might have found a home for my ballerina-meets-the-King-in-Yellow story already (still working on that, give it time).

Pinhead may not be from an elevated franchise, but that doesn’t make him or Hellraiser any less awesome.

And the problem with this marketing term is it’s misleading. By calling certain movies or books “elevated horror,” it’s labeling all other horror as “trash,” or at the very least “common.” Either way, the designation puts other horror stories down. And that’s a shame, because there’s such good horror out there. Dark Harvest, Kill Creek and Salem’s Lot aren’t high brow, but they’re great stories that thrill and can leave their readers up late into the night. Same with The Thing or the Hellraiser franchise: they may never win Oscars, but goddamn are they scary, and the latter has led to one of the most memorable characters in the slasher genre.

I’m not trying to put down the term. I’m just saying we should understand what it means, both for works designated as such and those that aren’t. And if it lets you enjoy horror, great. Just make sure to check out works that aren’t “elevated” and whose creators don’t really think or care if their work is called that.

Personally, I can see some of my work being called elevated, but I’ll just say that I was trying to write a fun story and wanted others to enjoy it as well.

That’s all for now, my Followers of Fear. After getting my thoughts on this topic out, I’m off to dream of beasties and ghosts. Until next time, good night and pleasant nightmares.

Today, I saw a full Halloween display in a supermarket. You know what that means. As of today, the Halloween season has officially begun! That’s right, it’s here! Break out the candy, dress up as something scary, carve up your pumpkins, and decorate your house like the Addams are coming to visit! Who cares if there’s a pandemic right now? We can still celebrate the season.

That being said, you’re probably wondering to yourself, what horror films should I watch this year? I’m sure plenty of you will be watching classics and beloved staples of horror/the season. Believe me, I will be too. But there are a bunch of films that don’t get as much love as they should. So I’ve come up with 11 films I feel would make great viewing for this year. Why 11? Because THERE’S SOMETHING WITH FANGS BEHIND YOU!

Anyway, on with the list. And in no particular order, might I add.

11. Overlord

A team of American soldiers parachute into Nazi-controlled France hours before D-Day to take down an operations center inside a church. However, the church is also being used to perform inhuman experiments in life after death. And if the soldiers don’t do something, the fate of the world might be at stake.

Whenever somebody talks about Nazi zombies, it’s usually in humorous terms. That, and the trailers for this film were all over the place, so nobody was really sure what audience this film was meant for. Horror? Action? War? Which is a shame, because Overlord is one of the best horror films I’ve ever seen. Its sets are atmospheric, the zombies are only used enough to be scary, and there’s an emphasis on psychological and war horror rather than guts and gore (though there’s plenty of that).

Make sure to check Overlord out. You won’t regret adding it to your watchlist.

10. As Above, So Below

An archaeologist leads a team into the Paris catacombs to find an ancient artifact. However, they stumble upon a gateway to hell, where their worst fears and guilt are used against them.

Coming out at the tail end of the found footage craze, this film was lost among audiences who were tired of shaky cameras and home video-style films. However, it’s found new life on home media, and it’s not hard to see why. The film takes advantage of its setting to deliver a claustrophobic and unnerving atmosphere. Not only that, but there’s a philosophical bent to the film that I spent discussing with friends for about an hour after we saw the film. It’s not everyday you meet a horror film that makes you think.

9. Carrie (2013)

I know the original Carrie is beloved, but I’ve always preferred the remake with Chloe Grace Moretz and Julianne Moore. Not only are the special effects much better, but none of the strange editing (like that infamous fast forward) and odd creative choices are present. For example, in the original, when Carrie starts her revenge, the students start panicking because the doors won’t open. Yeah, nothing overtly psychic has happened yet, just the doors won’t open. And yet everyone is screaming in terror. Whereas in the remake, the progression from students laughing at Carrie to screaming in fear is much more natural and believable. And Julianne Moore’s interpretation of Margaret White gets her crazy factor across way more than any actress before her. Those factors are why I prefer this version of Carrie, and why I’m recommending it for this Halloween.

8. Underwater

This came out earlier this year and didn’t receive that much fanfare. That being said, it’s become something of a hidden gem within horror. It’s a pretty compelling disaster flick set in an underwater base, with a Lovecraftian twist about halfway through. While it’s not as effective as scaring people as Hereditary or as memorable as 2017’s IT, it’s still a film I recommend you see.

7. Annihilation

Based on the book by Jeff Vandermeer, Annihilation follows a team of scientists into the Shimmer, a strange zone on the West Coast where nature mutates and changes, and perhaps our own selves are at risk of changing. It’s a creepy film with a great group of female leads, as well as a Lovecraftian angle in its approach to body horror and the final twists. In the end, you may have more questions than when you started, but you’ll enjoy the thrill ride along the way. As well as the dark truth hidden in the conclusion.

6. The House of the Devil

A film made to look like it came right out of the 1980s, House of the Devil follows a college student taking on a babysitting job, only to find something very dark at the heart of her assignment. You’d never guess it was filmed in 2009. Also, it’s damn hard to look away. A supernatural slow burn that lures you in and ends up surprising you with how terrifying it can be. I’m sad that it’s flown under the radar so much, but that’s why I’m happy to post about it and recommend it this Halloween season.

5. The League of Extraordinary Gentlemen

Based on the graphic novel by Allen Moore, several of the greatest figures from 19th century literature come together to stop a terrorist from causing WWI fifteen years early. It didn’t do as well in theaters, but it’s become rather beloved since it came out on video. Action and horror, intrigue and steampunk/Victorian aesthetics. I swear, if this came out today rather than in the early 2000s, it might be something of a hit (though I do admit, its slow moments do bring down the film a bit).

Hell, my siblings and I nearly had a fist fight over our mom’s DVD copy when she was downsizing, we loved it that much. And half my sisters don’t even like horror! Given that, shouldn’t you check it out?

4. Van Helsing

Bram Stoker’s vampire hunter is reimagined as a badass monster hunter played by Hugh Jackman, going up against Dracula as the latter tries to bring a terrible plan to fruition.

A lot of people give this film flack, but I love it. It’s a great action-horror flick along the lines of the previous entry, and was one of my favorites as a teenager. It may be over the top, but if you’re looking for popcorn horror at its best, you could do a lot worse than Van Helsing.

3. Devil

Five people get on an elevator, only for them to get stuck and picked off by a supernatural entity. The devil has come for sinners, and it’s not going to stop till it has all of them.

This was originally supposed to be part of a trilogy, but M. Night Shamaylan, who directed the first film, was unable to follow it up. That being said, I find this film to be creepy and a lot of fun to watch. It takes an interesting concept and adds a time-is-running-out element to it. I loved it when I first saw it, and I still kind of like it. Maybe you will too.

2. The Reaping

A professional debunker of miracles is called to a small town in Louisiana when a little girl is accused of killing her brother and bringing the ten plagues upon the town. There, she finds a Satanic cult devoted to bringing about the end of the world, and this girl may be the vehicle to do so.

The mystery of the film isn’t that hard to figure out, but the film has its moments and its got some great performances from Hillary Swank, AnnaSophia Robb, and Idris Elba before he was famous. Plus, when you reach the end of the film and realize the final twist, 2020 as a whole makes a lot more sense (you’ll have to watch the film to get what I mean).

1. Clown

Released three years before 2017’s IT, Clown follows a man who puts on a clown suit he finds for his child’s birthday. However, what he doesn’t know is that the suit is cursed, and is slowly transforming him into a child-eating monster. This is a bloody and terrifying monster movie with lots of effective body horror, and I’m honestly surprised more people haven’t heard of it. Hence why I’m recommending it here.

 

That wraps up my list. I hope it gave you some ideas of what to check out this year. But tell me, what are you planning on watching this Halloween season? Any other films I missed that should be on this list? Let’s discuss.

That’s all for now, my Followers of Fear. Until next time, stay safe, pleasant nightmares, and no opening doors to Hell without me there. I make it a lot more fun.