Posts Tagged ‘editing’

Review: Poltergeist (2015)

Posted: May 22, 2015 in Review, Scary Stuff
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I’m going to tell you right now, I’m a little disappointed with this film. That might be because I hyped myself over this film due to the trailer being so awesome. However, I think a lot of it was because…well, it was a bad film. Not kidding. There was a little girl in the audience, I thought she was brave for coming to see this. She didn’t need to be brave. It just wasn’t scary.

I should’ve known a Poltergeist remake wouldn’t be good.

We all know the story, so I don’t think anyone will mind if I spoil this movie. If you don’t know the Poltergeist story, then spoilers ahead, and I wonder what rock you’ve been living under. Basically the filmmakers decided that since almost everyone knows the story about a family moving into a haunted house and the cute, innocent kid being abducted by the dead and her family having to go after her, they’d just update it for 2015, change some minor details, and throw the mythology at the audience, who will hopefully find it scary. Really, they would’ve done better going in a new direction, which Insidious did with a new mythology and some slight twists on the familiar formula, adding atmosphere, mystery, and surprise to scare us to death.

Here, like I said, they just throw the mythology at the audience. We’re drowned in it so that we  aren’t scared at all and the moments that actually halfway close to being scary were either included in the trailer and don’t have the same impact, or the sense of danger is just not there. For instance, there’s a moment with a power drill that could’ve been very scary, but the way it’s done you just know things will turn out fine before it does.

The thing about the original Poltergeist was that it took its time. It slowly built up the strangeness and horror and helped us wade into a mythology that would be expanded in the later two films. Here, the filmmakers are so concerned about paying homage to the original film that they rush us into it and pay homage to all that made the original scary in ways that just don’t terrify. “Look here!” “Here’s this reference!” That’s literally what they do.

Another thing is the humor in this movie. They try and insert humor at various times in the movie, and while humor in horror does help in some horror stories in-between terrifying moments, the ones here are all at the wrong places and seemed forced. They’re only barely funny. I think they would’ve done better not to insert humor at all the wrong places and instead try and expand on the character development of these barely-developed characters. Maybe show how the dad is trying to be a good provider even though he’s jobless and refuses to allow his wife to get a job and then show how he fixes that?

Also, why does the the little boy have a sink in his attic bedroom? There’s no bathroom up there, so why’s there a sink? Is it an unfinished bathroom or something? And I don’t care how much wiggle room there is on a house in a neighborhood with plenty of foreclosures and that was built on a cemetery. You don’t buy a freaking huge house like that when you have no steady income! Move into an apartment until you can find something better! You’ll avoid the ghosts too!

There are some good points to this film though. The few variations they make from the original are inventive and interesting, and the scene in the afterlife is much more visually interesting and creepy than the weird green screen effect they had in 1986’s Poltergeist II. And I like how the movie incorporates the ghost-hunting field and how some ghost hunters have become famous through reality TV. As a fan of some of those shows, I had a little laugh at that. Plus I don’t think this version has a curse on it (unless the curse either left the movie alone because it was so bad or it made the movie bad, in which case it’s a very intelligent curse we’ve got here).*

But other than that, not much going for this film. Even the “They’re here” falls flat where it should soar, which is just sad. On a scale of 1 to 5, I’m giving the Poltergeist remake a failing grade of 1.4. It’s almost as bad as the Friday the 13th remake. Almost as bad. Poltergeist wasn’t ruined by Michael Bay, and it didn’t use sex to try and utterly fail to liven things up (which is good, because two of the main female characters are under the age of 18).

All for now, my Followers of Fear. I’m signing off for the night. Let’s hope I find a good horror film next time around. I’ve gotten so many duds lately.

*If you didn’t know, the original Poltergeist is supposedly cursed because during one scene it cost too much to make fake skeletons and instead they used real ones dug up from actual graves. Between the first and third films, several members of the cast and others associated with the film died strange and/or violent deaths. Well, if you let monetary considerations overshadow your respect for the dead, you have to expect some sort of karmic backlash. Too bad it came down on the ones who didn’t deserve it.

It’s Official! I Have a Job in Germany!

Posted: May 21, 2015 in Living and Life
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Guten morgen, mein Anhanger der Angst. Translation: Good morning, my Followers of Fear.

Well, it’s official. I’ve found a job. I was going to wait to announce this when I had all the full details, but I was like, “F*** it,” and decided to post it. Besides, this is such good news, I can’t keep it under wraps for long.

So, if you haven’t seen my Facebook post or tweets yet, I’ve accepted a job with the US Army Civilian Corps, and I’ll be working through some point in September with them (possibly longer, but no guarantees). To be specific, I’ll be working with their Equal Employment Opportunity Office in Wiesbaden, Germany. Yeah, that’s right. I’m heading to Deutschland! It’s been a year since I’ve been to Germany, when I was in Berlin with my study abroad trip, and I’ve been wanting to go back to Europe ever since. I can say with great happiness that opportunity is come.

As for what work I’ll be doing, it’s mostly going to be dealing with policy changes, as well as a newsletter. Yeah, that’s right. I’m working on a newsletter. I actually landed a writing job. Can you say, “OH YEAH!”? Writing is my life, and this will help me work on my skills and build a portfolio.

I leave for Germany May 31st–ten days from now–and will arrive in the evening on the 1st in Frankfurt, which is not too far from the base I’ll be staying at. Some of the details are still being finalized, but that should be coming along soon. In the meantime, today I’m doing a lot of stuff related to getting ready to move out of my apartment and get ready to fly to Europe. Trust me, it’s going to be crazy!

And does anyone remember that Tarot metaphor I used back when I graduated? Well, it looks like that next cycle of my life is starting. How long it lasts or where it’ll take me, nobody knows. Still, I’ll be having a ton of fun as I dive right into this next challenge, and I hope you’ll stick with me as I enter the next phase of my life. Wish me luck, Followers of Fear. I’ll see you next time (probably in my review of Poltergeist).

Outlining Short Stories & Novelettes: A Writing Experiment

Posted: May 19, 2015 in Living and Life, Novelette, Reflections, Writing
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I might’ve mentioned this a few times on this blog and on my Facebook and Twitter pages, but I’ve been trying something new with my writing. As you probably know, I’ve been working on a couple of shorter works, a short story and what will likely turn out to be a novelette, since I finished the second draft of my thesis/novel Rose. Unlike previous shorter works, where most or all of the story has been laid out in my head and I’m just transmitting it to the page, I’ve been actually outlining these stories on paper so I have a better idea of where I’m going and to see if doing so improves the stories overall.

I decided to try this because of two things I’ve noticed with my shorter works. For one thing, I’m always worried about the final word count. Many fiction magazines only accept stories of a certain length, and I’m always worried I won’t be able to tell a compelling story within that space, so I try to wedge it in. Usually that doesn’t turn out the results I wish.

Another reason I’m trying outlining is that when I usually write shorter works, most of the story is mapped out in my head. But when I try to get the rest on the page, I sit there wondering which direction to go, how to tell the story just right. And depending on the story, this sitting and wondering can take a while before I actually figure something out and start writing.

For both of these reasons, I’m trying to outline my shorter works. The outlines themselves are just basic summaries of the events of the story, which works for me. It’s just enough information that I can work with it to write the actual story.

And the results have been very interesting. Having a clear direction of where I’m going by writing it all down beforehand not only cuts down on the time I spend on sitting wondering where to go, but having a definite idea of where I’m going makes me less anxious over the word count. It’s kind of…decompressing, in a strange way. I can just write the story as I intend it in the outline and not worry how long or short it is.

As for the stories themselves, the results have been rather mixed. For the first story Streghe, which I finished not too long ago, the outline didn’t help as much, but that was mostly because I kept going back and rewriting or changing the direction of the story. I’d like to write another outline for the second draft though, especially since I think there will be a lot that will change between the first and second drafts. We’ll just have to see what I come up with in-between drafts though and what direction I want to go with that story.

As for the story I’m working on now, a science-fiction story currently at about sixty-seven hundred words, the outline has been very helpful so far. I have a very good idea of where I’m going with the story, and in-between sessions of writing I’m able to lay out what I’m going to put down on the page next in my head, rehearsing whole scenes before I write them down. It’s been a lot of fun working on this one.

Based on what’s happened so far, I think I’ll continue to outline my shorter works along with my longer works for now. As long as it works for me, why not use it? It just goes to show that no matter what stage of your writing career you are in, you’re never too old or too late to learn a few new tricks. And boy, am I glad I learned this one.

Do you or have you ever outlined your shorter works?

What’s been the effects of doing so on your stories?

Where’s Your Creative Space?

Posted: May 15, 2015 in ideas, Reflections, Writing
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I’ve been away from the blog for the past few days. Between working on a really awesome new story and the job hunt and everything else, I’ve been a busy guy lately. But since I’m here, I have a question for you all: where do you go when you want to feel creative?

Now, I define being creative as two different things: either when you’re having a lot of ideas for stories and projects you’d like to do, or when you have the energy to produce those ideas into reality and you can’t stop writing/painting/whatever it is you are doing. And with those definitions, you might have multiple places where you go to have either of these happen. For me, if I’m stuck for an idea or if I’m having trouble moving forward in a story I’m working on, I go take a shower (I might also do that because I’m sweaty or it’s been a long day but that’s beside the point). For some reason my mind unwinds in there and I’m able to come up with new ideas for stories or on how to modify existing stories so that they’re better on the next draft. I also often come up with new ideas during and after a group meditation. If you’ve known me for a while, you know I’m a big believer in the benefits of meditation, and I often find the energy produced during a group session helps my mind make new connections, perfect for coming up with stories.

As for the the latter definition, I like to spread out on either of the couches I have in my apartment and work on my laptop. Usually that’ll get me producing a couple of pages per session, depending on how into the story I am that day and how many distractions there are to keep me from writing. I also tend to favor one couch over the other, depending on the time of day. Not sure why, but I think it might have something to do about where the sun is shining during the day.

But how do we creatives find our creative spaces? That’s something that each individual has to figure out on their own. Some people make a single room in their home their creative space or map out a single space as the place where they get the most ideas and/or work done. I heard one novelist liked to sit on the rim of her bathtub while worked through her stories. Others go out of their homes to coffee shops or parks. And some will make do with anywhere they can get a moment, be that on the way to work each morning or on an airplane or in the laundry room while the kids are zoned out watching TV. A lot of it depends on the person in question, their circumstances and temperament, the places they go to write or whatever they do, the time of day, and a whole bunch of other factors.

It’s really interesting when you think about it. Where someone goes to be creative–either of the definitions I supplied above–can tell you a lot about what sort of person they are. The places I go are at home and where I might try and unwind after a long and stressful day, so you could say I like to be relaxed or unstressed when I’m working on something. And frankly, that’s true. When I don’t have a lot on my mind, I tend to find it easier to tell a story or come up with a new idea.

Where do you go when you’re trying to have a new idea or when you’re trying to create something extraordinary? Why do you think that place resonates with you so well?

By the way, working on a new science fiction story right now, and it’s coming along great. I’ll post about it when it’s done. I think a lot of people will enjoy this one, it’s got a very interesting premise to it.

Spring Semester 2015: Post-Semester Wrap-Up Report

Posted: May 7, 2015 in Living and Life, Progress Report, Reflections, Writing
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Well, finals are done and I’ve gotten all my grades back. You know what that means? It’s time for my last ever post-semester report (unless I decide to go to grad school, but at this point I wouldn’t bet on it). Normally I’d have to wait another week or so to receive all my grades back, but I’m a graduating senior and our teachers have to give us our grades earlier than others so that we can graduate without any problems.

And you know what else? I ALMOST GOT ALL A’S THIS SEMESTER! I was so close, but I got a B+ in British Literature. Little annoyed about that, but in all my other classes I got A’s, so I guess I can let it slide. And I’m sure I’m not the only one who’s ever been to college and never gotten all A’s. Besides, if you count my study abroad trip, which counted for class credit during the summer session, I got all A’s–or only one A–that term.

Anyway, back to the report. I had a really good time this semester. I had three classes–Restoration and 18th Century British Literature, Business & Professional Writing, and History of Witchcraft in Medieval Europe–and they all had something to offer that made them interesting and fun. Yes, even the British Lit course had something to offer. You’d be surprised how risque 18th-century plays and novels can actually be. And I got a lot of inspiration for stories from these classes, especially the History course (as my post from last night made apparent). I’m glad I got through them okay, and I’m sure some of what I learned will help me in the future.

This semester I also finished the first and second drafts of my novel-as-a-thesis Rose and argued it in front of my advisor and one of my teachers. Working on Rose was both a joy and a pain in the ass. It took up a lot of time, and I had to change so much of the story over the course of the year. And judging from some of the feedback I got, I’ll have to do some more editing. But besides giving me credit and looking good on my resume, Rose is a very good novel, even though it’s still not ready, and I had a lot of professional help that got it to this stage of its development. I can’t wait to see what happens when I work on the third draft (whenever that may be. Trust me, I’ve got a heavy schedule, so it might take a while to get to the third draft, let alone through it. Them’s the breaks of the biz, I guess).

And work…oh my God, I nearly cried at the office this week. The staff came up to us yesterday, me and this girl who had both worked at the Financial Aid Office for our entire college careers and gave us signed cards and little gifts. It was the sweetest thing ever. I’m so glad that I got to meet these people. The office has been more than just a job, it’s been a place where I’ve grown and made great friendships. Heck, these guys helped get me to Europe a year ago! You have to love them for that. I hope we can stay friends even after I’ve left the office for the last time.

Graduation in the Stadium. It’ll be here soon. And I can’t wait.

 

And on that front…well, someone recently advised me not to speak too much online about my job search, and there was some truth to their reasoning. I will say though that there is hope on the horizon, and the moment I have something, I’ll be screaming it from the top of a mountain, you can trust me on that.

Well, that’s all for now. I’m going to get started on a short story, so let’s hope I make some progress on that. Have a good one, my Followers of Fear.

Streghe: Finished

Posted: May 6, 2015 in ideas, Novelette, Scary Stuff, short story, Writing
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Another late night of writing, and it’s paid off. I’ve just finished my latest first draft of a story, and this one’s a whopper. Tonight we’ve got Streghe (which, by the way, is also the Italian word for witch) and is based on one of the witch mythologies we learned about in History of Witchcraft (that class is already coming in handy). Ever since I heard about the mythology, I’ve been fascinated by it, and I knew I had to incorporate it into a story. So as soon as I could, which meant right after Rose‘s second draft was done with, I started working on it.

I did a few things differently with this story. For one, I wrote an outline of events for it, even though it’s only a short story. I’m trying to see if writing outlines for shorter works makes a difference in how I write them. And it does, because even though I went back several times to change the direction of this story, I felt I had a better idea of where it was going and I wasn’t too worried about word counts this time around.

Still, that nonchalance kind of led to this story getting a bit long. In fact, it’s no longer a short story, it’s a novelette! Over ten-thousand words total. I’m not sure if I want to try and shorten it in the second draft or see about expanding it. There were definitely elements in the first draft I didn’t get to include, so I’d like to see about getting those in during the second draft. It really depends on what ideas percolate in my head between the first and second draft.

Well, it’s a good first draft, I think. And once I’ve had some time, I’ll make a (probably) better second draft. In the meantime, if I have time tomorrow I’ll start a new story that’ll most likely also be novelette length (yeah, I never stop writing) and then I’ll get back to editing Video Rage, and see if I have some ideas on how to rewrite and improve Laura Horn.

Until next time, my Followers of Fear. Things are just going so well for me lately. I could just dance. In fact, I think I might (and I’ll terrify everyone who sees it, which is not a problem for me).

The Super Dilemma: Women, Race, and The Marvel Cinematic Universe

Posted: May 1, 2015 in Living and Life, Reflections, Writing
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[Writer’s Note: The following post does contain some slight spoilers about the new Avengers movie, but it’s all very minor stuff, nothing that would ruin your viewing of the film if you plan to go and see it. Just wanted to let you know.]

So last night I went with a friend of mine to catch Avengers: Age of Ultron. It was fantastic, great action scenes, some really dark moments of character development, and plenty of that humor we’ve come to enjoy from the MCU films. If I were to give this film a rating, I’d probably put it between a 4 and a 5.

However, there were some things that bothered me, and I want to talk about them here. One of those things, as said by Maria Hill during that party (which we’ve known about for months, so it’s not a spoiler): “Where are all the women?” Yes indeed, where all the women? If you think about it, while there are plenty of women in these movies who hold their own against the men, the women are still underrepresented in the MCU. Black Widow has shown up in four films so far and set to appear in the next Captain America film, but a solo film isn’t even in the works (though a treatment apparently has been written) and she’s only got 24 action figures compared to over a hundred various Iron Man toys.

It’s even more sad when you consider how she’s such a great, well-rounded character who can be a great role model for girls, and Scarlett Joahnnson’s costars make fun of her and call the character “a slut” and “a whore”. Yeah, they did that. Women are so much more than their sexuality and gender, and yet these guys reduce a character to being sexually promiscuous just because she’s comfortable around a bunch of testosterone-high males. Seriously, half or more of the audiences of these films happen to be female, as I understand. At least half the people in the theater with me last night were women, and I don’t think they were there just for Captain America and Thor’s good looks. You’d think the people making these films would remember that more often before saying something so hurtful and wrong.

Seriously, where’s her time? Where’s her solo film?

 

Now, there is a Ms. Marvel film in the works, Agent Carter was a real hit when it came out as a TV miniseries earlier this year and AKA Jessica Jones is being made into a series on Netflix, but the Ms. Marvel film isn’t due out until late 2018, a full year after DC plans to release a Wonder Woman film. Really Marvel? You’ve been doing this for way longer than the other studios, and you’re going to let DC get a superheroine flick out before you? I’m ashamed. You could’ve at least put more priority on getting more female characters out there.

Another thing that gets my goat (and again, this won’t ruin your experience of the movie, so don’t bite my head off), is that while Nick Fury, James “Rhodey” Rhodes/War Machine and Sam Wilson/Falcon make appearances, the latter two’s involvement in this film is minimal at best. War Machine shows up near the very end but ends up contributing very little. And Falcon is maybe in the film for a little over forty seconds, making me wonder why he was in the film at all if they weren’t going to really use him.

Really? Look, by 2050 minorities are going to be the majority in this country, and shows like Scandal or How To Get Away With Murder and movies like the Fast & Furious franchise are popular partially because of their extremely diverse casting. People like seeing characters like them that they can look up to in these stories, and these franchises and shows give that to so many people who have been shut out of the entertainment industry for years. Yet the most diverse casting so far in these films is the group from Guardians of the Galaxy. And I think with so many different non-white heroes in the Marvel universe, the filmmakers are making a big mistake by not trying to have more diverse casts in their movies.

Then again, there is room for hope. A Black Panther film is in the works with Chadwick Boseman as the character, there are rumors that the new Spider-Man might be black or Latino*, and hints from Age of Ultron that the next couple of movies will feature more diverse casts, which I can only say is a good thing. And with Marvel planning on putting out more of these films at least through 2028 as long as people are still willing to see them (my God, this franchise will never end!), so there’s still opportunity to make sure the women of the MCU get their chance in the spotlight as well.

They’ve got plenty of time, so I hope thy use that to put out a few films with more diverse casts.

 

We just have to hope that Kevin Feige and the folks producing these films take the hints their audiences are sending them.

What’s your take on this? Is it a big problem, or are critics taking this issue way too seriously?

Which character would you like to see given a solo film?

*I’m sorry, I’m going to take the end of this post to rant a little and blow some steam. I kind of liked the Marc Webb Spider-Man films with Andrew Garfield. He was funny, they were clearly setting up a cinematic universe of their own, and I liked the characters very much. But Rise of Electro makes less than $750 million at the box office and what does Sony do? Cancel all immediate plans for a sequel and sell out to Marvel so that Spidey can join the Avengers! I mean really! Why even bother making the films in the first place? I just hope Spidey 3.0 is funny and engaging, otherwise one of my childhood heroes is going to be ruined for me.

Review: “Thrice Burned” by Angela Misri

Posted: April 27, 2015 in Review, Writing
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Let me just say, it’s always a pleasure reading books by friends, especially because they’re usually really good. And this is no exception. Thrice Burned, the second book in Angela Misri’s Portia Adams Adventures series, has the young detective now living at 221B Baker Street taking on some twisty new cases, while at the same time adjusting to her growing social circle and trying to find the answers to her own deep and complex personal dilemmas.

As expected, the mysteries in this volume are hard to decipher and make you want to read late into the night just to find out the answers (I was able to make some guesses on one of the mysteries that turned out to be true, but that was about it). The resolutions are also fun to watch, and sometimes can be a little touching, usually coinciding with Portia finding something new about herself or making an important decision in her life. Praise should also go to the new characters of Annie Coleson, an energetic and free-spirited journalist, and Gavin Whitaker, an ambitious forensic pathologist with a mind to match Portia’s, who challenge our protagonist in so many fun ways.

And of course, there’s Portia. Honestly, I can see why so many readers identify with her. Her struggles feel more real than many YA heroines, most of whom have to deal with nothing bigger than which boy they like more. Portia Adams has to contend with so much in her life, including where she wants to go with her career, having to adjust to the presence of new people in her life who take her out of her comfort zone in so many ways, earning the respect of her peers in law enforcement, how to be an introvert when society doesn’t always allow for that, the travails of having a mind unlike anyone else’s, and so much more. It’s good to see such a well-rounded character, and I think the character of Portia is going to grow in popularity as more people find her and feel like they they’ve gone through what she’s going through at some point in their lives.

My one complaint would be that at times it feels like the story emphasizes Portia’s personal problems more than the mysteries she’s supposed to be solving, but then again this is technically a YA novel, and they’re supposed to be big on character development, so I can see why.

In any case, this is a great second installment to a series I can see going on for several books, and I can’t wait for March 2016, when the third book in the series comes out (okay, I can wait, but it’ll be agonizing). For great storytelling, characters you feel can come off the pages, and for mysteries that will leave you on the edge of your seat, I rate Thrice Burned a 4.3 out of 5. If you can, definitely check this series out, especially if you like yourself a good mystery.

For more on Portia Adams and her adventures, read my interview with the author, as well as my review of the first book Jewel of the Thames and the interview I had with Angela prior to that one’s release.

Considering Double Narrators

Posted: April 22, 2015 in Reflections, short story, Writing
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I’ve two short stories, one that has had two drafts already and another that I’m trying to get through the last act of. Both stories involve the supernatural, and both focus on two characters, a man and a girl (though in each story the relationship dynamic is quite different). As I’m thinking of the different things I could do with each story in order to improve it, one thing comes to mind for both of them and it’s really got me thinking about the possibilities.

One story is State Fair, which I’ve mentioned here before and is about fairgrounds haunted by ghosts. The other is called Streghe (that’s Italian for “Witches”) and is based off a witch mythology I learned about in my History of Witchcraft (that class is already pretty useful). At their current stages, both short stories are told mostly from the male character’s point of view. So I’m thinking to myself, one of the ways to improve them might be to tell part of the story from the female character’s point of view.

Two narrators in a single story isn’t unusual. I’ve read a couple of well-known short stories that were told in this manner, one of which immediately comes to mind is The Falls by George Saunders (boy, is that one a trip). And the Bartimaeus books, which I loved as a kid, often had two to four narrators, depending on which book you were reading. And most of my novels are told from multiple points of views (and people tend to like those). So I’m wondering why I haven’t tried that with my short stories. Heck, I’m wondering why I haven’t tried it with either of these short stories. I mean, State Fair‘s main character spends most of the story following a girl named Lizzy around the park, so why did I not get her POV on being followed around? And the events of Streghe happen as much as to my young female protagonist Sarah as it does to my nasty male antagonist Tom. Not sure why I’m saving her POV to the end.

Well, it’s something I’ll definitely try. Since I’m still working on the first draft of Streghe, I’ll see about getting Sarah’s POV in this thing, maybe heighten the mystery element of the story by including her. When I get around to another edit of State Fair, I’ll see where where I can put Lizzy’s point of view. It’d be interesting to see how she reacts to a ghost following her around.

But what do you guys think? Am I onto something? Do you use multiple narrators in your short stories? And if so, how does it usually work out for you? Let me know, I’d love to discuss.

Do These Characters Seem Real to You? Or Are They More Like Robots?

Posted: April 20, 2015 in Reflections, Writing
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The main fear of every fiction writer is whether or not they’re telling a good story, usually meaning they hope they have an interesting story or they’re telling it in the best way possible. After that those, there’s another fear that is just as important and just as scary: you fear your characters aren’t relatable, that they don’t feel real to the reader. The last thing any author wants to read in a review is that the characters seemed “artificial” or “their actions and words felt forced” or instead of seeming like real people, they were “more like robots.”

Unless all or most of your characters are actually robots, of course. Then those reviews might actually be compliments.

But in most other situations, you want to avoid getting these sort of reviews, and there are a number of ways to do that. One is to fill out a full character bio for each of your characters, even if you don’t plan on using everything on that bio in the story. I’m talking full educational history, childhood experiences and traumas, hobbies, likes and dislikes, dirty little secrets, all that good stuff. Having a full picture of your character can help you bring them to life. You can tell a lot about a person just by knowing the full story about them, and you can do the same by knowing everything about your characters, getting in their heads and figuring out everything from reactions to certain situations to their decision-making processes.

Some of these involve writing, which I think adds to the fun.

One of the best parts of some of these is you get to write them out. If you’re one of those types who write a certain amount of words a day, this may help fill it out on a bad day.

Another thing you can do, if you’re wondering if something your character says or does seems believable or not, is to do what I call split-mind writing. I forget where I got this (it might have been a Stephen King novel), but it’s a pretty interesting way to work out problems, if rather schizophrenic. What you do is take a piece of paper, and pretend to have a conversation with someone on that piece of paper. Basically it’s a game of question-and-answer where you bounce ideas off of the person you’re writing to, see if you can work out what’s bothering you about your character and find a solution through this process.

There’s also acting it out, which is as the name implies (and with the perfect partner, is as fun as it sounds). If you have someone to act it out with, fill the in on a scenario in the story and act it out. If you or your partner’s reactions and words are different than what you’d expect or thought might happen, examine why. There might be something in that difference that can help you in your work.

A fourth one, and one that I feel is always worth a try, is to look at your favorite characters in literature. Examine them and ask yourself why those characters feel so real to you, or what about these characters that you identified with. Often we’re inspired by these sort of characters and the stories they’re in. We want to write stories that are just as inspirational as those ones that inspired us. Going back and figuring out why can be very helpful with putting those same qualities into your stories.

And of course, there’s my favorite option: would I do that in the same situation? I find asking myself this sort of question of myself actually helps. Often our characters have a bit of ourselves in them (as they should, seeing as we created them). Asking if we would do the same thing as them, and then exploring the answer, may help you make these characters seem real. After all, if you consider yourself at least fifty-percent normal and your reactions too, then maybe those thoughts and reactions should apply to your characters as well.

Sometimes it’s just a matter of thinking and puzzling it out.

Sometimes it’s just a matter of thinking and puzzling it out.

While making characters seem real to your audience can seem daunting, it’s not impossible to do. We all start out having trouble making our characters seem real, but with time we improve, make them real not just to us, but to our readers. And part of that is just asking a question: why or why does this character not work? The answers you get can be the key to writing something–and maybe even someone–truly awesome.

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