Posts Tagged ‘Gothic fiction’

Before I start this post, I just want to let everyone who read that title and got concerned, thinking I was going to talk about something negative like giving up on my dreams or whatnot, that that’s not what this post is about. It’s actually a happy post.

Anyway, as many of you are aware, I’ve been making tremendous progress with the novel I started last month, Toyland. If you are unaware, Toyland is a Gothic horror novel about a boarding school haunted by a ghost obsessed with a children’s book. Yes, I’m writing a story with a premise that bonkers. Bonkers premises tend to work for me (click here for further proof). And as I said, I’ve been making tremendous progress on it. Or as my Grandma told me on the phone last night, “You’re just zipping along with it!”

(If she reads this post, she’s going to plotz over seeing herself mentioned here.)

I’ve noticed that zipping along myself, and I’ve wondered about it. Past novels I’ve worked on, as well as some short stories and novelettes, have taken months at a time to write. Occasionally, they’ve taken years (especially if I find myself stuck and have to take a break from the story). What’s so different about this one? A dark premise and some weird things occurring is not unusual for me, so it’s not the plot. And I’ve done National Novel Writing Month before, so that this novel started out as a project for that probably hasn’t affected much.

If I had to guess, I think it might be that I’m fooling myself by underestimating how long the chapters are going to be. Let me explain:

Although I’ve been writing this novel since January, I’ve been planning and researching it far longer than that. Going back months, or years, if you count when I started learning what constituted Gothic literature. Consequently, I’ve had some scenes in this story in my head for a while, and they always seem very short when I play it in my head.

What’s short in your head doesn’t necessarily translate as short once you put it down on paper. In fact, you can spend about twelve-hundred words or more describing a new setting, especially if it’s fantastical. Add in dialogue, action, exploring the characters’ emotions, etc. and what you’re imagining will be maybe sixteen-hundred words at most turns out to be nearly twice that! And yet, I still think to myself as I write, “Just a few hundred words more. Can’t be more than three hundred. Almost at the end.” Over and over, until the chapter ends, and it’s a lot more words than I expected.

Given that I’ve figured that out, however, there’s a chance that strategy won’t work for me after a while. I’ll know what to expect now and the spell won’t work. On that other hand, these past two months has been illuminating as to how much I can get done when I apply myself, so that may make up for it. At this time, I’m over halfway through the book, and on my way to two-thirds. A couple of years ago, this sort of progress in a few months would be confined to the realms of the imagination.

Now I know what’s in my imagination can exist in the real world.

If you need me, this is a great representation of what I’m up to these days.

In the meantime, I’ll use that knowledge, and keep fooling myself until I can’t anymore, and eventually, finish this book. As well as any story that comes after.

That’s all for now, my Followers of Fear. I’ll hopefully post something again before December 31st, but if I don’t, thank you for everything this fantastic 2019!* Have a fantastic New Year, and I’ll see you next week/month/year/decade.** I’m off to go finish a chapter.

Until next time, pleasant nightmares!

*Fantastic on a personal level, anyway. On a national and global level, while there were signs of improvement (looking at you, Greta Thunberg), this year has been a bit of a dumpster fire.

**Yeah, let that sink in. After Tuesday next week, not only will it be a new month, but a new year and a new decade. Crazy, right?

So, I’m sick again. I didn’t want to be sick today, especially because I had some things I wanted to do today during and after work. Now, the only things I can really do is binge-watch anime and write. Thankfully, I didn’t let my lazy side take over too much and finished Chapter Fifteen of Toyland, putting me halfway through the first draft.

So if you’re not aware, Toyland is my latest novel, and started out as my project for National Novel Writing Month. It’s a Gothic novel about a boarding school haunted by a ghost obsessed with a children’s book. Or at least, that’s what it’s supposed to be. As predicted, it’s going from a Gothic horror story into weird territory the farther in I get. Not sure if that’s a good thing or bad at this juncture, but I’m sure if it’s bad, I can fix it in subsequent drafts.

As I was saying, I’m halfway through Toyland. Chapter-wise, anyway: I’m fifteen out of thirty (it was twenty-nine, but I split Chapter Thirteen in two for better narrative flow). So I think I’m still on track to finish the book by the end of January. Maybe a little longer if things get crazy between now and January 31st. Always a possibility when you’re trying to be an adult in today’s insane world.

I’m rambling, aren’t I? Blame it on the sickness.

Anyway, as of the completion of Chapter Fifteen, Toyland is 46,776 words long (for context, the first Harry Potter novel is seventy-seven thousand words or so). So my prediction that this first draft will be eighty-thousand or more words seems to be spot-on so far. I hope by the time it’s over, it’ll be a good first draft. Bonkers, but good too.

But until then, it’s time to call it a night. I’m going to work tomorrow, come heck or high water. Until next time, Followers of Fear, pleasant nightmares!

The audiobook cover for Rose. Available now from Audible and Amazon.

Oh, one last thing before I forget. As you know, the audio book for my previous novel, Rose, was just released Tuesday. It’s the Kafkaesque horror story of a young woman named Rose Taggert who wakes up in a greenhouse with no memory of how she got there or why. Soon after, her life and her body undergoes a strange transformation. One that can’t be undone.

You can check it out by using the links below. Available in e-book, paperback and, of course, audio book.

Rose: Amazon US, Amazon UK, Amazon Canada, Audible

Well, November is over. And so, by the way, is NaNoWriMo. So you know what that means. Time to give you all my final report of how this past month went!

Now, if you’re unfamiliar, National Novel Writing Month, or NaNoWriMo, is an annual challenge in November where authors around the world try to write a fifty thousand word novel in thirty days, or about 1,667 words per day. The last time I participated was in college, but I decided to participate this year and even took time off work to get a good start on the novel. My project this year is called Toyland, and is a Gothic horror novel about a boarding school in Ohio that’s haunted by the ghost of a girl obsessed with a children’s book.

Yeah, the premise is as bonkers as that of Rose. But hey, that’s kind of the way I like it.

So now that November is over, how did work on Toyland go?

Well. I think it went well. I managed to get quite a bit of work on the novel done in a short span of time. Yeah, my ADHD often led me to distraction, and the normal things that come up in life–errands, social events, and all the stuff you do as a functioning adult and member of society–took away from writing time. And after I went back to work, things only got more hectic. But I still managed to write and discovered just how much I can write when I really set my mind to it. And during the time when I was off work, I got a glimpse as to what life could be like if I ever am able to write full time (fingers crossed someday that happens), which was neat.

Anyway, time for the final word count (I won’t go into page count because that varies depending on a number of factors). At the time midnight rolled around, I was halfway through Chapter Ten of Toyland. As of my stopping to write this post, Toyland is now 34,284 words long. Last time I participated, I think I wrote about thirty thousand words, so this was some positive growth. So while I didn’t reach the fifty thousand word goal, I do consider NaNoWriMo 2019 a huge success.

Hell, I might do it again next year, and take time off as well. I already know what novel I’d like to work on next, so it’d work out, and I earn a lot more time off at work these days, so it could happen.

Still have plenty of writing to do on this book. And I plan to keep at it.

In the meantime, though, I’m still not done with Toyland. I have a feeling this novel’s going to be somewhere around eighty thousand or more words,* so I still have plenty of writing to do. I’m aiming to have it done by the end of January, but we’ll see what happens. You can’t rush perfection, after all. And even if my work is far from perfect, the sentiment stands.

That’s all for now, my Followers of Fear. I’m not sure when I’ll provide another update on Toyland or post again, but I can assure you it’ll be very soon.

But before that, have you considered a gift for the lover of the strange and macabre this December?** Why not give them a copy of Rose? The novel follows Rose Taggert, a young woman who wakes up in a greenhouse with no memory of how she got there. She soon finds her life, and her body, irrevocably changed forever, and with it comes many dark forces and powerful secrets that will lead to a desperate fight for survival. It’s dark and engaging Kafkaesque horror novel that will leave you glued to the page until you reach the end. Available from the links below (with an audio book link coming soon).

Rose: Amazon US, Amazon UK, Amazon Canada

Until next time, Followers of Fear, happy reading and pleasant nightmares!

*For context, the first Harry Potter book is about seventy-seven thousand words.

**Yes, I’m doing this. Can you blame me? It is that time of year, after all.

Thomas’s previous work, Kill Creek, is an excellent piece of modern Gothic fiction and is currently my favorite novel (read my review here). When I heard Mr. Thomas had another book, Violet, on its way out, I immediately requested my library buy copies, and then got on the reserve list. Due to my crazy life, it took me two check-outs to finish the book, but I finally did so this evening. And now, it is my solemn duty and great pleasure to do a review. Let’s get to it.

Violet follows Kris Barlow, a veterinarian and mother of a young girl. After the death of Kris’s husband scars her daughter Sadie, she decides to pack the family up and retreat to her childhood lake house in the heartland of Kansas in an effort to heal. The same lake house, by the way, where Kris’s own mother died years ago. However, in-between the home improvement projects on the long-neglected home and Kris’s own fears, something in that house awakens. And it has a special interest in Kris and Sadie, one stemming all the way back to Kris’s buried childhood.

While I didn’t react as enthusiastically to Violet as I did to Kill Creek, I did find it a great slow-burn horror story.

Thomas does a great job job taking his time so we can get to know our main character Kris. By the time I was halfway through the book, she felt like a real person to me. Especially in terms of her anxieties; while what she’s worried about is different from my own anxieties, the emotion behind them felt like my own anxiety when its ugly head rears. That’s not easy to do.

You also get to know the town of Pacington, kind of like you get to know the town of Derry in IT. The atmosphere and melancholy of the town, as well as its citizens, all of it becomes very real to the reader.

All this with the same sort of storytelling Thomas displayed with Kill Creek, allowing the story with its secrets and intrigue and twists to fully take form over the course of 400-plus pages. For about two hundred pages, I was sure I knew what the big reveal was. Turns out, I was very wrong, and I was so glad for it.

That being said, there was one aspect of the novel I didn’t care for. While the slow-burn aspect worked for the most part, allowing for the reader to become embroiled in the town, in Kris’s life, and in the strange events occurring, at times it did drag a bit. I found myself thinking at times, “Come on! Something extremely creepy, please happen!” That may just be my quirk, though. Anyone who’s read my work may have noticed I like to get to the horror and the strange going-ons sooner rather than later. So maybe it was just a little too slow at times for me and me alone.

All in all, Violet is a great follow-up to Kill Creek that takes its time and helps immerse you in the story. On a scale of 1 to 5, I give the novel an even 4. Check it out and settle in. You’re in for a ride.

I’m a little amazed how quickly the month has gone by. As of today, there are only nine days left in the month. And after that, a different kind of countdown will commence.

But onto the main subject of this post. As you all probably know by now, I’m taking part in National Novel Writing Month, or NaNoWriMo, this year. My project this year is called Toyland, and it’s a Gothic horror novel about a boarding school haunted by a ghost obsessed with a children’s book. And while the goal of NaNoWriMo is to write an entire fifty thousand word novel, I’d be happy to make it halfway, or even more than thirty thousand words (how much I wrote the last time I participated).

So if you read my post from last week, I was over twenty-one thousand words and six chapters into the novel. I guess it was inevitable that there would be a slow-down after getting so much done in two weeks, because this past week I only made so much progress. I didn’t even get any writing done on Monday or Tuesday, in fact, and that might’ve been the case yesterday if I didn’t wake up sick and had to stay home. Yeah, that happened. And for all I know, it may happen again (it is that time of year).

So how much progress did I make? As of last night, I’m in the middle of writing Chapter Eight and the novel is currently 26,746 words. Which is still good progress, but I was hoping for more by the time I typed up this report.

At least I’m close to making that thirty thousand word goal.

I’m also at the point of the first draft where I am questioning A LOT of my creative decisions. Should I include this? Should I write out that? Does that sound too preachy? Am I getting away from the point of my novel? This is something every creator goes through at least once while working on a project–I went through it every day during some of the later drafts of Rose–and it’s never fun. For the most part, I’m just trying to move past those feelings and make more progress on this novel. Because at the end of the day, even if this novel is totally bonkers, it’s my kind of bonkers, so at least I’ll be happy with it.

Anyway, I’m going to try and get some more progress on this chapter done tonight. However, I’m also going to try to go to bed early tonight, because as I said I’ve been sick recently and I don’t want a relapse.

With that said, I’ll sign off now, my Followers of Fear. The next update for Toyland will likely be December 1st, after NaNoWriMo’s done and I have the latest tally on the numbers. But don’t worry, you’ll hear from me in the meantime. And until then, pleasant nightmares!

So yeah, Toyland is going to be a lot longer than Rose, and way more than fifty thousand words. I always did like an expansive story.

So as you’re probably aware by now, I’m participating in National Novel Writing Month, or NaNoWriMo, this month and I’m trying to write a fifty-thousand word novel before the month is out. This is my second time participating, and I’m writing a Gothic horror novel called Toyland about a boarding school haunted by a ghost obsessed with a children’s book. And while I’ve set myself a deadline of January 31st, I’ll try to get as much of it done this month as possible.

In my update last week, I wrote about how I was a little over eleven-thousand words and 3.5 chapters in. As of last night, I’m in the middle of writing Chapter Six and am currently at 21,566 words. So this story’s already into the novella word range, and it’s still going! I bet by the time I done, I bet this book will be four times its current length. Maybe more.*

And honestly, I’d be fine if that turned out to be the case. While it’s still a first draft and there’s still plenty of work to do (not even thinking about editing at this point), I feel like this is some of my most mature writing yet. By this, I mean my voice as a writer has matured. It’s reached a new level, gained from so many years of writing and editing and experimenting. I’m giving up the last of the clumsy bits that mark me as a new or young writer. I’m breaking out of my chrysalis.

Is this making any sense to you? I hope so, otherwise the points above are all meaningless.

Anyway, we’ll have to wait till the final draft comes out before we know for sure just how much I’ve improved as a writer. But in the meantime, I’m enjoying working on this story and seeing it take form. Even though I wrote an outline and I know what’s going to happen, I’m discovering new things with every word. Hell, what words I use are part of the discovery, and they come together to show me just how these scenes I’ve outlined actually shape out.

That’s all for the moment. I’ll be sure to update you all next week, but in the meantime, I promise there will be more than just a review in the meantime. I mean, there will be a review, but there will be more than that.

Anyway, until next time, my Followers of Fear, pleasant nightmares!

How’s your NaNoWriMo going? What’s the writing process for you been like?

*For context, the first Harry Potter book was around seventy-seven thousand words, so that should give you an idea of what we might be dealing with in the future.

Hello, Followers of Fear! It’s been an entire week since I last posted. Did you miss me?

As many of you know, this year I’m participating in National Novel Writing Month, or NaNoWriMo, this year. For those of you who are unaware, the goal of NaNoWriMo is to write a fifty thousand word novel in thirty days, or about 1,667 words a day. There’s no prize for actually making the goal (and it’s doubtful the resulting novel will be any good, as it’s a first draft), but it’s a good way to see what you’re capable of and push yourself. At least, that’s how I look at it.

So this year’s project is called Toyland, and as you may remember, it’s a Gothic horror novel about a boarding school terrorized by a ghost obsessed with a children’s book. This is my first Gothic horror story, as well as my second time participating in NaNoWriMo. How’s it going so far? Well, as of last night, I’m a little over eleven-thousand words in over three-and-a-half chapters. Over a fifth of the way there!

That’s my update. See you later.

Just kidding. I have more I want to discuss.

I have to say, it was a good idea to take some time off from the office to work on this novel. I’ve had a lot more time to write, which means I was able to get through three chapters in just under a week. It might’ve taken a month to get the same amount of progress if I didn’t take time off work and just wrote in the evenings. If I do NaNoWriMo again next year, I may take time off again to get a good head start.

As for writing in the Gothic sub-genre, that’s been a learning experience. As I mentioned in my post on Gothic horror (click here to read the full article), the genre has a very particular set of tropes that sets it apart from other genres of horror. However, there is more to the genre than I had room to include in that article. For example, you have to devote a lot of space to describing your main location. After all, Gothic horror is very place-centric. Hill House, The Overlook Hotel, the house at Kill Creek, your mother’s house (yes, I went there, and in more ways than one). All those locations are described in detail. Lots of detail. Gothic tries to make you aware of the place the story is in at all times, especially the darker aspects of it.

In that vein, I’ve spent a good chunk of Chapter Two just describing Auckland Academy, the main setting of the book. And I’ll be further emphasizing the location as the book goes on, as well as in subsequent drafts.

Of course, I’m still early in the novel. Including the chapter I”m in now, I have twenty-six more to go, and plenty more to learn about Gothic literature. I’ll let you know how things go when we reach November 14th. Hopefully I’ll have made plenty more progress by then. Even if I have to go back to work on Tuesday.

Well, that’s all for now. I’ve got some errands to take care of, so I’m going to get on that. I promise though, you won’t have to wait a week before I post again. Until next time, my Followers of Fear, pleasant nightmares!

Are you participating in NaNoWriMo? How’s it going for you?

 

I made a little design for this year. It’s how you can tell I’m serious.

Recently I announced the subject of my next novel/my NaNoWriMo project, Toyland. And with November 1st fast approaching, I thought I’d go into the novel a bit more before I start posting once a week about my progress. Plus, I’ve had two reviews in the past week and possibly two tomorrow, depending on how close to my territory Joker lands. Gotta break things up with some variety or I just don’t feel right.

First, let’s go a bit more into what Toyland is actually about. As I said before, Toyland is a Gothic horror novel taking place in a boarding school in southern Ohio. The protagonist’s name is Mason Prather, a teenager who enjoys anime, wants to be a lawyer someday, and is the stepson of the boarding school’s headmistress. However, the autumn semester of his sophomore year proves challenging in many ways, and not just academically. Odd occurrences keep popping up at school, and people are either getting hurt or in danger of getting hurt. All this seems to emanate from a strange girl with dark hair seen around campus by Mason and his friends, as well as from a children’s book Mason finds in the school library.

I’ll give you three guesses what the name of that book is, and the first two don’t count.

Next, let’s talk about researching this novel, because that was a lot of fun. Looking back, I’m not sue when I first settled on doing this book, let alone for NaNoWriMo (curse you, slippery memory!), but I’ve definitely been becoming more familiar with Gothic fiction and its trappings for at least a year. Some of you may remember my post from last summer on what Gothic fiction is, and I’ve continued reading Gothic stories since then, including The Haunting of Hill House by Shirley Jackson, Hell House by Richard Matheson, and rereading The Shining by Stephen King this past winter.

Yeah, lots of fun research that felt more like play at times. But once I decided to work on Toyland next, I started taking in a different kind of media: anime. To be specific, I watched the anime Puella Magi Madoka Magica, Princess Tutu, and Ringing Bell (I also tried to get Made in Abyss, but it’s not streaming anywhere, and I didn’t want to shell out for the Blu-Ray). There are two reasons why I chose to watch these anime as research, but I can only go into one without giving away spoilers. Now these anime, especially the first two, are known for their dark and surreal imagery (especially Madoka). Imagery that’s supposed to be pleasant to the eye but instead comes off as dark, strange and surreal are going to be big parts of Toyland, so I felt watching these shows would be good research.

That, and you can’t go wrong with watching these anime. They’re popular and have even won awards.

They’ll probably show up in an anime recommendation post at some point.

And now that I’ve watched all those series, as well as researched different styles of architecture for the school (I’m going with Queen Anne revival) and have watched a film I will never watch again or let my kids watch, I think I’m ready for November.

Well, almost ready. The other night after reviewing the outline and posting on Facebook and Twitter that I hadn’t “found any plot holes,” I may have found a plot hole. And I’m not sure how to fix it. I hate plot holes in my stories. I spend hours making sure my stories don’t have any (or many). So I’m at the drawing board, looking for fixes or work-arounds. Hopefully before November, something pops up.

Well, if you need me, I’ll be sleeping off my exhaustion from the past few days. Until next time, Followers of Fear, pleasant nightmares.

I did say I would announce this when we got a bit closer to November. And my intuition, which is right about eighty percent of the time when it comes to this sort of thing, says now is the time to make the announcement.

As many of you know, I’ve been planning to take part in National Novel Writing Month for the first time since college, or about seven years. For those of you who are unaware, National Novel Writing Month, or NaNoWriMo, is a yearly challenge where authors try to write a novel of fifty-thousand words or more, just under seventeen-hundred words a day. This challenge is usually held in November, though sometimes authors will attempt to do it in another month when it’s more convenient for them (in which case, it’s known as Camp NaNoWriMo). I’ve been wanting to take a crack at it again for years, but college got busy, and things never quite added up in the years 2015-2018 for me to do it.

But since last November, just a few days after finishing a novel called River of Wrath at three in the morning on October 30th, I’ve been considering it. I even picked a novel out to write about. Since around early summer, I’ve been doing light research for this story. And in a little over a month, I’l be taking a bit of time off from work so I can devote as much time as possible to writing (and maybe de-stressing a bit while I’m at home). So without further ado, let me announce my next novel, a story I like to call Toyland.

Don’t let the name fool you, Toyland isn’t whimsical or cute at all. It’s a Gothic horror novel following students at a boarding school in southern Ohio. They start noticing some weird going-ons during their fall semester. A girl with dark hair, as well as strange creatures, are seen around the school. Several odd injuries, some close to fatal, fall upon students and even faculty. There even seems to be a world within the school, one in which the laws of reality have no say whatsoever. All of it seems to trace back to a children’s book discovered in the school’s library. A children’s book called Toyland.

How’s that for a setup? Granted, there’s a good chance it’ll veer away from Gothic fiction and straight into weird territory (trust me, I outlined the whole thing back at the beginning of the summer and have done subsequent drafts since). But I tend to enjoy writing stories that stray into weird territory, so it works for me.

Anyway, I’ve just about finished up the research for the book. I’ve even watched the 1961 Disney film Babes in Toyland just so I could make a comparison between that film and the kid’s book in the story.* All that’s left is to write it. And while I doubt I’ll get anywhere near the fifty-thousand word mark (I’m many things, but not a miracle worker), I do think when the first draft done, it’ll at least be a decent first draft. Maybe something worth publishing one day.

Well, that’s all for now, my Followers of Fear. There’s a bed calling me in the next room, and I so desperately want to sink into it for a few hours. Until next time, pleasant nightmares!

Are you participating in NaNoWriMo this year? Why or why not? Whatever you’re doing, what sort of story are you writing?

*By the way, that was my first time watching that film, and I didn’t like it at all. Yeah, the setting looked spectacular and the villains and side characters were enjoyable, but the plot was really unfocused and the main characters were really boring. Hell, you can see the boredom on Annette Funicello’s face as she plays the female lead! She’s like “Oh my God, someone get me out of here so I can go make beach party movies. Anything would be better than this shiny lack-of-substance.”

Also, one or two of the songs feel kind of sexist nearly fifty years after the movie’s release. Especially the one where Annette complains about being unable to do her finances. Yeah, there’s a song like that. It’s kind of cringey.

And no, I won’t watch any of the other movie or television adaptations of the Babes in Toyland operetta. I won’t even watch the operetta! I suffered enough watching the most famous adaptation, thank you very much!

In the past couple of years, Riley Sager has made a bit of a name for himself among horror-thriller writers. Final Girls was a great debut novel with a new twist on an old trope, and his second book The Last Time I Lied gave new life to the sleep away camp horror story by making a twisty thriller out of it. So I had high hopes for his third book, Lock Every Door, which just came out.

And you know what? It has all the hallmarks I’ve come to expect from a Riley Sager novel. A young woman with a past negatively affecting her present as the lead? Check. A situation out of an old horror movie just ripe for a new spin? Check. Lots of flashbacks? Check. A whole ton of twists to keep you guessing? Check.

You know what else? Dude still knows how to write a good horror-thriller.

Lock Every Door follows Jules Larsen, a young woman recently laid off from her job and out of a bad relationship. Life’s been hard for her: her sister went missing, her parents are dead and she’s got nowhere to go. So when she’s offered a job as an apartment sitter at the Bartholomew, an upscale Manhattan apartment building for the rich and famous that also happens to be the setting for Jules’s favorite novel, she jumps on it. But once she moves in, she finds a disturbing side to the Bartholomew. Another apartment sitter goes missing in the middle of the night, and Jules suspects someone at the building is responsible. As she investigates, she uncovers a web of intrigue and murder that may claim another life very soon. Her own.

Mood-wise, Lock Every Door is semi-Gothic: it takes place in a fancy apartment building with gargoyles and a dark and sordid history. There’s not enough emphasis on the building itself as a character to really make it a Gothic novel, but there’s enough there to give it a feel of that genre, and that works in the book’s favor. It gives horror fans some expectations, but at the same time leaves room to defy them in a spectacular manner.

I also liked Jules as a character: she’s damaged and somewhat pragmatic, but she’s fiercely loyal to those she cares about and that’s what drives her throughout the story. She’s the kind of person you’d want as a friend through thick and thin, as well as the sort of character I like to write into my own stories.

On top of that, the story is quick-paced and full of the usual twists. I spent a good chunk of my reading wondering, “Where’s this going to go? Where are you taking us?” And just when you think you have it figured out, the carpet is pulled out from right under your feet. I had to struggle to put the book down sometimes, which could be an issue as I mainly read it on my lunch break.

If there’s one issue I had with Lock Every Door, I felt like characters other than Jules felt underdeveloped to me. You could feel them wanting to be more, but they weren’t really allowed to be, and this made them a bit easier to predict as to what their final fates would be (usually I’m not good at guessing these sorts of things in these types of books. Not so with Lock Every Door. I was making early predictions that turned out to be right each and every time).

But on the whole, Lock Every Door is a fast, engrossing, and chilling read that will have you thinking one thing and then totally throw you for a loop. On a scale of 1 to 5, I give the book a 4.7. Check in and hope you’ll come out unscathed.

Makes me wonder what Mr. Sager will be doing for his next book. What horror trope will he flip on its head for a new thriller novel? I hope it’s not a school. I’ve got plans for November, after all…