Posts Tagged ‘novel’

As many of you know, I’m a self-published author. I decided to go this route after finding not a lot of doors opening by going the traditional route and hearing a bunch of stories from fellow writers and bloggers on how they self-published and found success as writers. Since I made that decision, I’ve published three books, started writing for a website devoted to helping self-published authors, made lots of friends and found lots of new followers who went the same route as me, and am working on publishing a fourth one the same way I published the first three, though I like to think that with every book I get a bit wiser on how to go about publishing and marketing the books.

Do I like self-publishing? Yes, very much. For one thing, I’m the boss. I get to work on what I like, when I like it. I also get to meet and work with all sorts of interesting people and work on exciting projects with them, like anthologies and Self-Published Authors Helping Other Authors. We independent writers also tend to share information with each other, working to figure out what works and what can help us reach new readers. It’s pretty nice, being able to do all this and not rely on a publishing company.

But lately, I’ve been considering going traditional again. Or rather, other people are making me consider going traditional again, despite the fact that I never had much success the traditional way to begin with. At first, it was only my advisor on my thesis, who asked me, “You don’t want to stay self-published forever, do you? You want to move up eventually, don’t you?” Or something to that effect.

Now, I could brush that off, he’s traditional and a professor at a university, which isn’t exactly big on the self-publishing craze (though maybe some sociologists and business professors study it for academic purposes). But then a friend who’s helping me look for work suggested that I look into getting with a publishing company. And even my mother suggested something similar.

Now normally I wouldn’t even consider these suggestions. Like I said, I like self-publishing. I’ve even gone as far as to say that it’s the way of the future.

But even if it is the way of the future, that doesn’t guarantee I’ll have that many readers. In fact, I don’t have that many, or at least not as many as I would like. For a guy who hopes one day to write full-time, that’s pretty sad.

Plus I’m still between jobs these days (yeah, I know. I expected to be working by this time too), and while I’ve made headway in the job search, it really sucks that I’m not working and making money. Plus while I’m between jobs, I’m living with my dad, and while we’re good friends and love each other, we can rub each other the wrong way sometimes. Plus I just need my own space to spread out, act my own eccentric self without wondering who’s watching. Maybe get a couple of cats too while I’m at it.

Add all this together, and yeah, a contract with a publishing company sounds enticing. To many authors, that’s like winning the lottery. And it would be nice to have the support and distribution that would come from having an agent and an editor and a company with maybe it’s own marketing team. And the royalties from all of that? To say the least, it sounds like a golden deal. Heck, even folks like E.L. James, Andy Weir, and Christopher Paolini–bestselling novelists who all started out as self-published–took that deal when they got big.

But that’s the thing. They got big. Publishing companies saw them and saw profit. Truthfully, it’s still very hard even with a big company to make it a success. The Martins, the Rices, the Kings, the Rowlings, they’re rare. Most writers, both traditional and self-published, still have to have day jobs in order to pay their bills. And funnily enough, because of the self-publishing boom, publishing companies are even more selective about who they take on than ever before.

And if one does manage to get with one of the publishing companies, you don’t always get the marketing team to make sure people know your books. No, you still have to do most of the advertising yourself. And with the company, you don’t always get to publish what you write. No, they publish what they feel is profitable. At least with self-publishing, there’s still the chance that you’ll publish an unexpected hit that the companies rejected as a surefire fail.

Still, I wonder if maybe I gave up the traditional route too soon. And if I want to, I have the stories and the resources to try again if I want.

But at the same time, with every year I’m learning new tricks that allows me to reach more readers and get books out there. I could still make it as an independent novelist, and find myself writing full-time either way.

And maybe I’m only wondering this because I’m in a not-so-great place in my career right now, and some people who don’t really know the industry or doubt the power of the independent writers are speaking in my here. Or maybe they’re onto something and I really should try a career change.

I don’t know. What do you think?

How many of you are fans of my first novel, Reborn City? I’m hoping a lot of you are thinking to yourselves “I am!” or “It’s something I’ve been meaning to check out”, because I’ve got some good news for you! As you know, I’ve been editing RC‘s sequel Video Rage on and off since I finished the first draft, and that I wanted to have another editor take a look at it before I get it published and into your hands.

Well, here’s where the good news comes in: I met an editor through one of my writing groups on Facebook who was willing to work within my budget. Her name is Britney Mills, and can I just say, she does great work and a fast turnaround? She read through RC within a few weeks, and then read through VR within a similar amount of time. I was like, “WOW!” And she does amazing work. I looked over three of VR‘s chapters last night with her corrections, and it’s all solid suggestions and points. Definitely what I was looking for in an editor.

So now that I have a third party’s feedback on VR, I’m going to dive right into editing tonight, making corrections and thinking about Britney’s suggestions. After I’ve done all that (and hopefully that won’t take more than a few weeks), I’ll send it back to Britney for her to take another look at. Once she gets back to me and any other problems she finds are corrected, I’m going to say “Done!” with VR, send it off to the copyright office, have a cover designed, and once all that’s taken care of, set a release date.

In short, Video Rage will be published sometime later this year.

Yeah, exciting news, right? Especially for my three biggest fans of the first book (aka my mother, my sister, and my stepmom). I can’t be more exact on a release date, but I’m hoping for a summer release. And I promise you, it’s going to be good. Britney told me in her email from last night that one of the things she liked about VR is that it “did a great job of keeping things interesting but not letting me guess ahead of time what is going to happen”. I think that’s a very good sign.

Reborn City

Reborn City

So if you’re looking forward to Video Rage and are tired of the wait, you can start getting ready for more adventures of the Hydras. And if at all you’re now interested in reading the first book Reborn City, it’s available from Amazon, Createspace, and Smashwords. From what people tell me, it’s my most popular book right now, and it’s not hard to see why. The story follows Zahara Bakur, a Muslim teenager in the dystopian city-state of Reborn City as she’s forced to join an interracial street gang known as the Hydras for protection. It’s a great book that includes themes of gang violence, racism and Islamaphobia, drug addiction, and many others (and if you’re tired of dystopian fiction that you can’t imagine actually happening in the world, like Hunger Games or Divergent, you might find RC more appealing).

And if you’re an author looking for an outside party to take a look at your book and make sure it’s up to scratch, I highly recommend Britney’s services. She gives great feedback, does a quick turn around, and I didn’t have to pay an arm and a leg for her help. You can check out her website, Writing Unblocked, if you like for more information.

That’s all for now, my Followers of Fear. I’ve got a few things to take care of today before I start editing, so I’m going to get on that. As more news comes in, I’ll make sure to update you. Have a good one, everybody!

Oh, and if any of you do decide to read Reborn City, make sure to let me know what you think, either in a comment or a review online. Positive or negative, I love feedback, and it helps me become a better writer in the end. Thanks!

It’s Friday again, so you know what that means. It’s #FirstLineFriday! And if this is your first time joining us for this most fun of traditions, here are the rules.

  1. On Friday, write a post on your blog titled #FirstLineFriday, hashtag and all.
  2. You explain the rules like I’m doing now.
  3. You post the first one or two lines of a potential story, a story-in-progress, or a completed or published story.
  4. You ask your readers for feedback, and then encourage them to try #FirstLineFriday on their own blogs.

So this week’s entry comes from an idea I had for a novel about two weeks ago, inspired by the season premiere of Ghost Adventures (people can trash that show all they want, I don’t care. I love it, I believe in what Zak Bagans and his team are doing, and I get so many ideas from it. How can that be bad?). It’s definitely a weird and creepy story, to say the least. Enjoy:

The house didn’t seem to have changed a bit since she was last here. Indeed, Anna almost expected to hear Pinocchio come running up to greet her with his wagging tail, and Miss Myrtle to call to her from the kitchen and ask her how her day at school was.

Thoughts? Too wordy? Does the story intrigue you? Let me know in the comments below.

And if you enjoyed reading this post, why not give #FirstLineFriday a try on your own blog? It’s fun coming up with new lines every week, and you get such great feedback from your readers. Plus as an author it gives you an idea of how people might respond to certain story ideas, which is always nice.

Anyway, that’s all for now. If anything comes up–and knowing my life, that’s a definite possibility–you’ll probably hear about it pretty quickly. Have a great weekend, my Followers of Fear!

The other day I met some folks at the local Starbucks. We’re all part of a group  of college students and young adults run by Jewish Family Services of Columbus which promotes physical, financial, mental, and social health for its members. As often happens when I’m talking with new people, the writing career came up. And you should’ve seen how these folks reacted. They were very impressed, going on about how three published books and four more at various stages of the editing/compilation process* was quite the talent, how they struggled to get five-hundred words together and make that sound good, let alone an entire novel. Basically it all boiled down to “We struggle with this, but you make it look easy.”

And the whole time I’m just sitting there thinking, This is all very flattering, I hope you buy the books, but honestly writing is damn hard!

This came up during a discussion I had with an acquaintance over Facebook last week. He was trying to write a story but was having trouble getting the words down on paper, so he thought he’d pick my brains on the subject. One of the things we discussed was how difficult it is for even the most veteran writers to get words out on paper. You look at that blank page, and you know that you need to get several thousand words–sometimes much, much more–on that paper. Then you realize that you’ll have to go back several times, editing and rewriting, changing passages, changing entire plot lines sometimes.** It’s intimidating, almost like every word is like a soldier in a war that you have to defeat personally. Not very easy.

Okay, this is possibly me being overdramatic, but you get the idea.

Yeah, to some people I make writing look pretty easy. That I’m making those sixty-thousand-plus words just appear on the page with barely any energy spent. But in reality, it’s hard work coming up with the stories, making them compelling and fun and interesting. Creating the characters, making them fully rounded and sympathetic, giving them backstories and a reason for the readers to root for them or at least stay invested in them. Then doing the research, working the final details out, and finally  putting the words down on paper, picking them and putting them in an order that sounds right when read aloud. And even after all that there are probably more words to add, just as many to lose, and maybe twice that amount is going to be reordered or replaced by something else.

Like the title of this post says, it’s a struggle to write. We writers may make it seem easy, or people look at us and assume that to us it’s easy (even when you tell them that it’s bloody difficult work), but it’s as much of a challenge for us as finding a way to sustain life on Mars is for scientists, or making it to the Olympics is for athletes.

And yet still we do it. We come up with the ideas, do the outlines, create the characters. We research, put down the final plot details, and get everything we need done before we actually write. And then, through fears and anxiety and everything else, we face down the blank page, like two boxers in a ring, and we start working. And after all the writing’s done, we do the countless hours and hours of editing, until the story is as good as it’s going to be.

Why do we do this? Maybe we like sharing the stories we create with our readers. Maybe we need to get these stories out of our heads before they drive us crazy. The point is, we engage in that struggle every time we open our notebooks or turn on our computers. And we do what we’ve trained and worked hard for. And it’s never easy. But for many of us, I think we wouldn’t have it any other way.

*More on that in another post.

**I may have to do that with Rose when I do the third draft. Oy!

I would like to blame thank my good friend Kat Impossible from Life and Other Disasters for tagging me in what clearly looks to be a ton of fun. It’s the Burn, Rewrite, or Reread Book Tag, which doesn’t actually involve burning but is like a book version of Kiss, Marry, Kill.

Alright, here are the instructions:

  • Randomly choose three books.
  • Choose which of these three you would burn, rewrite, or reread.
  • Do three rounds of this, and then tag someone to do the book tag as well.

Alright, here I go. Let’s see what I come up with:

ROUND ONE

Burn: Day Four by Sarah Lotz. Oh my God, what a book that promised to be good but ended up being a great waste of time. Sure, it started out okay: cruise ship stalls in the middle of the ocean, everything’s in chaos. Quick pace and lots of interesting stuff going on. But then when it slows down after the initial chaos (because things can’t always be quick-paced after a ship breaks down), it just gets boring, with little to no clear direction of where the autor wants the story to go and an ending that is just bizarre (and not a good way). It’s enough that I probably won’t ever read a book by Sarah Lotz again (and considering the reviews online, I’m better off not).

Rewrite: A Head Full of Ghosts by Paul Tremblay. If you read my review of that book, you know that I liked it but I wish it could’ve been a bit scarier. Especially since Stephen King recommended this book to me (why, Your Royal Scariness? Why did you say it was so scary? It wasn’t!). Anyway, if I could I’d rewrite this one and maybe make it a bit more on the scary side. How? I don’t know, some changes in atmosphere, a few more parts where the older sister acts like a creepy possessed girl. It’s a thought.

Reread: Battle Royale by Koushun Takami. You know what I just realized? All the books in this round I’ve listened to as audio books. Also, I’ve actually reread Battle Royale already, but that’s because it’s one of my favorite novels. The language is flowing, nearly every character in the fifty-or-so large cast gets really fleshed out, and it really makes you think on a while bunch of different levels. Plus it does in one book what the Hunger Games wishes it could do in three. So I’ll probably end up rereading (or re-listening to) Battle Royale again someday.

ROUND TWO

Burn: The Coldest Winter Ever by Sister Souljah. No offense to Sister Souljah, I admire her work, but I did not enjoy her debut novel, about the daughter of a big-time drug king who suddenly finds herself without money or connections and tries to come out on top as her world falls around her. Not only was the main character totally unsympathetic (imagine a novel narrated by an even more annoying Veruca Salt from Charlie and the Chocolate Factory, and you have Winter Santiaga), but it’s basically one big morality tale about why you should walk the straight and narrow and stay away from drugs and hustling and all that or it’ll come back to haunt you. Yeah, I think there are a few memoirs out there that told that story better.

Still, I will say that the book’s language influenced me when I was writing Reborn City and I wanted to really show the dialect of West Reborn. That’s one thing I’ll always be grateful to Sister Souljah for.

Rewrite: Destroyer of Worlds by Mark Chadbourn. This was the last book in a trilogy, the trilogy itself being the third trilogy in a trilogy of trilogies that took our modern world and placed it into a mystical universe mixing Celtic mythology with Eastern philosophy. It’s a wonderful series, but the last trilogy had its problems. Especially the last book, which felt rushed to the point that characters who should’ve gotten some character development got none at all, barely a mention in one case. I really think this book could’ve used a hundred or so more pages to really tell the story the way it should’ve been told, and if I could I might help out with that.

Reread: The Amulet of Samarkand by Jonathan Stroud. If you liked Harry Potter, you should love the Bartimaeus trilogy, which is kind of like Harry Potter but is told in three books (plus a prequel) and is slightly more grown up than HP. The story of a magician’s apprentice who summons a demon to help him get revenge on another magician and the mayhem that ensues when he and the demon get embroiled in a plot against the British government is pure fun, with a wisecracking demonic narrator and a world that is beautifully constructed and mirrors our own in interesting ways. I’ve reread the trilogy before, and I’m always entertained when I do. Check out the first book. You might just find the same gem I found as a kid.

And finally…

ROUND THREE

Burn: Wuthering Heights by Emily Bronte. Honestly, I’ve had to read this novel twice for classes, and each time I wasn’t at all surprised that Emily needed a review by her famous sister Charlotte to get this book noticed by people, because it sucks! Not only is the narration and style annoying, but the story drags, and a lot of what happens makes you scratch your head. Seriously, did the Lintons never consider calling the local sheriff when Heathcliff kidnapped his niece and tried to marry her off to his sickly son? Like I said, I’ve read it twice, and I don’t plan to read it again. It may be a classic, but it’s a classic that never should’ve been one.

Rewrite: Your Heart Belongs to Me by Dean Koontz. Koontz has written some great novels–I love the Odd Thomas series, though I’m behind on the books, and The Face would make an amazing movie, it’s that good–but this one really got me angry. It started out with promise: guy who made money off the Internet needs a heart transplant, but he’s very low on the donor list. His new doctor gets him put high up on another list, and he gets a new heart. Thing is, the person who gave up their heart for him might be coming back for it. Yeah, sounds like a ghost story, but it turned out to be some weird spy thriller tied up in a Christian morality tale. I kid you not, if Koontz had stayed with the ghost story element instead of switching things up about two-thirds in with the spy twist, I might’ve really liked this novel. And now you know how I’d rewrite it.

Reread: The Alchemist by Paulo Coelho. This is a wonderful novel about following your dreams and fulfilling your personal destiny in this grand world, as told through the eyes of young shepherd Santiago as he goes on a journey to Egypt after having a dream about finding treasure at the pyramids. I read it as a teen and it blew me away. If given the chance, I’d love to reread it again, because it’s such a beautiful story that gets you on so many different levels. If you haven’t read it, this is definitely one you should check out, especially since it’s been translated into so many different languages. Trust me, you won’t regret it.

And now, the people I tag:

Have fun! And make sure to link back to me when you post these.

That’s all for now, I’ve got a busy day ahead of me and I’m going to get to it. Wish me luck, my Followers of Fear!

I’ve been watching a lot of Supernatural on Netflix lately, and something in the most recent episode I watched got me thinking. It was stated at the beginning of the season that the main villain of the season, the demon Lilith, is breaking magical seals to raise the demon Lucifer out of Hell, and she needs to destroy sixty-six seals to do so. Based on that, I thought there were sixty-six seals in total, which seemed reasonable. According to the episode I watched yesterday though, there are over six-hundred possible seals, and Lilith needs to only destroy sixty-six to get Lucifer out of Hell.

Now I’ll admit that I’m still working my way through the season, so there may be more to these seals than what I know right now, but based on just the description I have above, that’s a pretty poor security system. You’re keeping the ultimate evil bound by six-hundred seals, but only sixty-six need to be destroyed to let him out? That’s like only needing an eleven percent passing score on a lie detector test to get access to Top Secret national security files. You’re just acting for trouble.

With that in mind, as well as my thoughts on the movie The Boy that I reviewed earlier this week,* I got to thinking. Sometimes creators do things in fiction that make absolutely no sense when the fans get to them. Obviously, there are things in fiction that are most likely impossible–the magic of Harry Potter, actual giant lizards like Godzilla, TARDISes and Time Lords (sadly)–but we forget that so we can enjoy the story. This is called suspension of belief, and it’s how we can enjoy these stories. However sometimes a creator–whether it’s a book, a movie, a comic, or a TV show–is just too hard for us to believe. When that happens, the story, and our enjoyment of the story, suffers horribly.

With that in mind, here are some things every storyteller can do to make it easier to tell a story without dong something that will make a reader/viewer say, “What the hell? That’s so stupid!”

  • Avoid the unnecessary or stupid twists. Back to The Boy again, which, if you haven’t read my review, singled out the twist that the boy Brahms was alive and a full adult as the movie’s biggest fault. I get that they were trying to distinguish the movie from others like it with a unique twist, but besides feeling kind of lame, the twist made the whole concept of the movie nonsensical (see my review for full details on that). If you plan to include a twist in your work, ask yourself a few questions before you use one, such as: is this twist necessary to make a good story? Is it predictable? Does it make the story seem silly or even make the events of the story make no sense? I’m convinced if the filmmakers of The Boy had asked these questions, they might have had a better movie on their hands.
  • What brought people to your work in the first place? I love bashing 2009’s Friday the 13th remake, because it is such a terrible film. In fact, the filmmakers even seemed to think that the movie was crap, or that they were unable to really make a great Friday the 13th film, so they packed in as much swearing, sex and nudity, drugs, alcohol, and raunchy or childish humor as possible. The result was a film that felt like it was trying to be one of those dirty teen camping trip comedies that had to remind itself every few minutes it was about a serial killer living on a lake.
    If you’re going to tell a certain type of story, keep in mind at every step what sort of story it is and don’t focus unnecessarily on elements that are only a small part of the story or even unnecessary. In the case of Friday the 13th, people watch those movies to see Jason go on a rampage. The sex and drugs and all that other stuff are just added bonuses as well as what causes Jason to target his victims, not why we pay nine dollars at the box office. And the fact that the filmmakers felt those elements were more important is why I’ll always enjoy bashing this piece of crap out of Michael Bay’s bum.
  • Could this happen in the real world? I have a lot of problems with the Hunger Games books.** One of my biggest problems is how the series ends: Katniss finds out President Coin ordered the bombing that killed her sister, so she kills Coin in revenge as Coin takes control of the nation. The new government of Panem hushes up Coin’s treachery to preserve the new order, so for all intents and purposes Katniss just assassinated the new President unprovoked. And Katniss…is portrayed as a girl gone mad with grief over the loss of her sister, she gets exiled to District 12 with weekly phone conferences with a shrink, and lives happily ever after?
    I don’t care if you’re the face of a movement, if a similar revolution occurred in America, and the face of that revolution killed the new leader, you bet that person would at least get locked up in a prison or psych ward so they couldn’t tell anyone what they’d done. Exile and getting to raise a family? Nothing bad happens to her? I don’t care if she has nightmares a lot and never tells us her kids’ names because she’s afraid of losing them, that still would never happen in real life!
    So when you’re telling your own story, ask yourself if a situation is so unbelievable, even in the wackiest of fiction, that people can’t suspend their disbelief anymore. If it is, you might want to consider tweaking it so that guys like me don’t go on a rant about it on the Internet.
  • If it needs a lengthy explanation for why it happens, you might want to rethink the why. This one comes from personal experience. When I was writing Reborn City, I had this really complicated reason as to why my protagonist Zahara Bakur had to join the Hydras. That, and another situation later in the book had really complicated reasons why those things had to happen. It wasn’t until later drafts that I realized how overly complicated those situations were and found simpler explanations for why Zahara had to join the Hydras or the other thing had to happen, explanations that were so simple but worked so perfectly I wondered why I tried to use the run-around logic that a smart reader could easily poke a hole in.
    So if you want a specific event in your story to happen for the sake of the story but the way you get it to happen is really overly-complicated, requires a lot of explanation, and from certain angles makes no sense, perhaps you should reconsider either the event or why it happens. It beats having two unnecessary pages of dialogue explaining why something needs to happen when a much simpler explanation is at hand, at any rate.
  • And finally, don’t forget what is obvious or necessary. This kind of fits into my third point, but I’m making it separate because I feel that’s the best way to present it. Anyway, in one of my fiction workshops in college, a classmate turned in a story that took place in a post-apocalyptic setting. It was a good first draft, but a major problem I had was that the protagonist apparently forgot his bow and arrow at home. I said to her, “This is a world where people dumb enough to leave their weapons at home while on a trip are likely to get killed a hundred different ways. No seasoned hunter like this guy forgets his source of food and protection.” In the same way, make sure that you avoid moves like that, where a character does something that makes no sense for someone in their position or the setting has some part of it that also makes little sense when you think about it. Trust me, it will improve the story if you avoid those problems.

In the end, the thing you want to tell is a good story. Avoiding anything that strains the credulity of your audience can be very difficult, but with trial and effort, you can get very good at it. This is also why I recommend having your stories looked at by editors or beta readers who won’t spare good advice because they’re afraid of hurting your feelings or risking your friendship. They can help you avoid these traps and improve the overall product of the story.

What tricks do you have for avoiding situations that strain the credulity of your audience?

What are some stories where they did something that really took you out of the story?

*By the way, it’s been nearly a week since I published that post, but an average of 36 people a day have been checking that post out since. I guess I’m not the only one who found that twist completely stupid.

**Especially the trilogy’s very backstory. A nation in the far-flung future had a massive civil war, and the Capitol decided that to stop future rebellions, the entire country should revolve politically, economically, and socially around an annual death game involving youth from the Districts? If Panem can genetically engineer scary monsters, they can synthesize a drug that takes out aggression and dump it into the Districts’ water supply. Problem solved, and all those seventeen-hundred and twenty people who died for the Capitol’s perverse pleasure instead grow up to be contributors to society. Yes, that is diabolical and I know I’d make a great dictator. My mother informed me of this fact when I pointed out this problem with the books.

It’s Friday, so you know what that means. It’s #FirstLineFriday! As always, I’ll be laying out the rules, while reminding everyone that you can do #FirstLineFriday too on your own blogs. Trust me, it’s a ton of fun and you don’t want to miss it.

With that being said, here are the rules for #FirstLineFriday:

  1. You type up a post with the title #FirstLineFriday, hashtag and all
  2. You explain the rules like I’m doing
  3. You post the first one or two lines of a potential story, a story-in-progress, or a completed or published story.
  4. You ask your readers for feedback on the line or lines you’ve posted.

Everybody got that? Good! On we go. Here’s my entry for this week’s #FirstLineFriday, a possible beginning for a novel I had an idea for earlier this week:

The stormy waves rose higher and higher, sometimes slipping over the side of the ferry and onto the deck. Yet despite how angry the sea was right now, it seemed too much to hope for that the ferry would capsize and they would all drown.

How do you find that? Should it be shortened? Anything I could leave out? Let’s discuss.

Well, that’s all for now. I’ve got a busy day planned for today, so I’m going to get right on it. Wish me luck, my Followers of Fear!

Norman Bates, a prime example of a man with a mental illness in horror fiction.

I’ve been wanting to do a post for a while now that examines horror or literature but wasn’t my usual Reflections or Writing post. And then I read this article not too long ago on how mental illness is portrayed in anime (surprisingly anime takes a very honest and powerful take on the subject) and it got me thinking. It’s no secret that mental illness—or its more common designation, “insanity”—has been a huge part in horror fiction since the earliest days. The problem is, most of it tends to be pretty negative portrayals.

This is actually pretty sad, to say the least. Approximately one in three people worldwide will show enough symptoms to qualify as having a mental disorder at some point in their lives. In the United States alone, that number is nearly is nearly one in two. And a majority of these people are nonviolent. I should know. I’ve known various people throughout my life with some form of mental illness, both family and friends, and I have been open in the past about being on the autism spectrum myself. None of these people I know would hurt a fly, and I could never hurt anyone outside of one of my own stories.

This is quite different from horror fiction, where we have a variety of characters with all sorts of mental illness–Annie Wilkes, Norman Bates, Jason Voorhees, etc.–who are as violent and dangerous as they come. What gives?

So I’m going to do a series of posts, over the many months, about how mental illness is portrayed within horror fiction. Now, I’m not a psychologist or psychiatrist. I’m a horror novelist. And God knows I haven’t seen or read every horror story out there. Not even some of the classics. But like I said, I will try my best to go over this subject with the respect and care it deserves. I will do case studies, maybe make some recommendations, and maybe even ask the question: is the portrayal of mental illness in horror fiction good or bad.

And if one can write characters, particularly villains, with mental illnesses. And by one, I might mean me.

In the meantime, if you, my Followers of Fear, can give me any recommendations to help me write this series of posts–whether it’s films or books to check out, articles that have already gone over the subject, etc.–let me know. I could use all the help I can get for this massive undertaking.

Heck, if you’d like to write a guest post, I’d be more than willing to consider it.

That’s all for now. In addition to this series, I’ve got a bunch of posts I plan to put out over the coming days and weeks, so keep an eye out for them! Have a good week, my Followers of Fear.

So last night, with no Wi-Fi to distract me (and someone won’t be coming by to fix that until tomorrow, dammit), and with only a few chapters left, I managed to finish up the second draft of Laura Horn, the novel I’ve been editing these past couple of months. This is actually rather extraordinary, because if you remember when I first started talking about editing LH, I was worried that certain elements of the story wouldn’t hold up and I would have to rewrite the whole thing.

Now, if you haven’t heard of LH on this blog yet, it’s a novel I wrote in my third year of college about a girl with a very dark past who becomes involved entrapped in a terrible conspiracy when she comes across some information certain powerful people would kill to keep hidden. It’s got some false-accusation-by-powerful-folks elements, a little Die Hard in the last act, and it all centers around a deeply-troubled teenage girl. Sounds a little crazy, right? And that’s why I worried I would have to rewrite it, so it sounded a little less crazy.

But I decided to try and edit it, see if this story was still salvageable in some form. And over the next couple of months, I found myself pleasantly surprised. Turns out, the story was much more salvageable than I thought. I just had to change certain details, such as how these powerful people try to isolate my main character (big thing in this story, believe me), combine a whole bunch of chapters (I think six chapters were smashed together to make longer chapters that flowed better), chuck out two chapters that were unnecessary after detail changes or were extraneous upon second read, and a few other details here and there. The result was a much better second draft, and I still managed to keep a lot of the details and plot points I wanted to keep. Not bad for a few months’ work.

I also noticed some interesting stuff with the second draft. For instance, there’s the page and word counts: with the first draft, the page count (using 8.5″ x 11″ MS Word pages, using 12-point Times New Roman font) was 356 pages and 94,774 words. Meanwhile, the second draft had 334 pages and 98,498 words. Now take a second look at those numbers. If there are less pages, why are there more words in the second draft?

Well, I’ve been thinking on that, and I think it has partly to do with how my writing style has evolved since I wrote the first draft of LH. As well as changing how I construct the sentences I use to tell my stories, I’ve come to try and limit how much dialogue I use and try to do more introspection. Now, dialogue is important for any story, but it can quickly fill up a page while leaving a lot of blank space. And in Laura Horn, I found that some of that page-filling dialogue was unneeded, especially after some of the chapters from the first draft were combined or cut out of the second draft.

And in place of this dialogue, I ended up putting in a lot more introspective segments, the kind where the characters are looking deep into themselves, figuring out things or reflecting on situations through their own unique lenses. Those segments use a lot of words, and fill up a page while leaving less blank space than before. That explains why there’s less pages but more words (and I have a feeling that this difference may show up even more in the third draft when I get around to that).

So now that I’ve finished the second draft, what’s next for Laura Horn? Well, as always I’ll put it aside for now so when I start a new draft, I can look at it with fresh eyes. And I will need those fresh eyes, since there are a few things even with the second draft I would like to change: I still think I could put in a bit more introspective stuff and get rid of unneeded portions of dialogue. I also wonder if I could bring out more of Laura’s personality earlier in the story and make her more relatable. There are also some portions near the end which are a little melodramatic, and there are places where I feel I could do more to make the reader believe what is happening. We’ll see what happens when I get into that third draft.

In the meantime, I’ll take a look at a few of the short stories for my new collection Teenage Wasteland and polish them up a bit before starting a third draft of my novel/senior thesis Rose. I’ll also be working on the final draft of Video Rage with an editor I’ve contracted to work with, so all those who have been waiting desperately for the sequel to Reborn City can calm down now because I’ll hopefully have that book out later this year. And I’d like to have enough time to do some research for a novel I want to write this November for NaNoWriMo. So yeah, I’ll be busy, and I’m not even getting into the things that normally occupy my life outside of writing.

But hey, I wouldn’t have it any other way, would I? Wish me luck, my Followers of Fear, because I’m going to try accomplish a lot this year, and I’m going to be blogging about it the whole damn way.

Well, we’re officially two weeks into 2016. Would you say your year so far is a good one or does it just suck?

Anyway, today is the last day of the 2016 New Year’s Sale, which means you guys have until late tonight to pick up a copy of any of my books, e-book or paperback, for a lower price than you would the rest of the year. And if you’re looking for something new and exciting to read this January, this is a good opportunity to see if anything I’ve written interests you, so why not go check it out and see what’s there?

Also, if you do decide to get one of my stories and read them, please make sure to write a review letting me know what you think. Positive or negative, I love feedback from readers.

That’s all for now. I’ll probably be back soon with more, possibly before tomorrow (it’ll be Friday, so you know what that means). Until next time, my Followers of Fear!

Snake

How far will you go for love and revenge? When a young man’s girlfriend is kidnapped by the powerful Camerlengo Family, he becomes the Snake, a serial killer who takes his methods from the worst of the Russian mafia. Tracking down members of the Camerlengo Family one by one for clues, the Snake will go to any lengths to see the love of his life again…even if it means becoming a worse monster than any of the monsters he is hunting.

Available from AmazonCreatespace and Smashwords

 

Reborn City

Zahara Bakur is a Muslim teenager recently moved into the gambling town of Reborn City. After her parents are killed by gang violence, Zahara is forced to join the Hydras, an interracial gang whose leaders have supernatural abilities. As the violence in Reborn City escalates and Zahara becomes closer to the Hydras, including the quiet but stern Rip, she finds herself drawn into a dark conspiracy involving the origins of the leaders and the shadowy corporation that rules over Reborn City.

Available on Amazon, Createspace, and Smashwords

 

The Quiet Game: Five Tales To Chill Your Bones

In his publishing debut, Rami Ungar brings us five terrifying stories of darkness in magic. You can experience the strange visions of a man battling sex addiction in “Addict”. Or feel the wrath of an enraged dybbuk in “Samson Weiss’s Curse”. Face your fears in Gene Adkin’s Murder House in “I’m Going To Be The Next James Bond” and then journey with a young autistic “In The Lady Ogre’s Den”. But most of all, prepare to play the most insidious game of all: The Quiet Game.

Now Available on Amazon, Createspace, Barnes & Noble, and Smashwords