Posts Tagged ‘storytelling’

Last year’s premiere of Castle Rock on streaming service Hulu garnered lots of attention and love from critics and from viewers, both longtime Constant Readers and folks unfamiliar with King’s work. When word of a second season reached fans’ ears, we got excited. Which Stephen King stories would they draw on? Would the showrunners make every season different, like early American Horror Story? Would the different stories be connected by more than just a common location, like later American Horror Story? Or would it be a continuing story with the same actors and characters, like every other TV series out there?

We sat down and watched ten episodes over the course of eight weeks. And while I can’t vouch for the rest of the fandom, I can say this season far surpassed season one.

Season 2 follows Annie Wilkes–yes, that Annie Wilkes–as she and her teen daughter Joy find themselves stranded in Castle Rock after a horrific car accident. They’ve come at an interesting time, as Castle Rock and Jerusalem’s Lot–yes, that Jerusalem’s Lot–are about to celebrate the latter’s four-hundredth anniversary, and the Lot’s growing Somali population are facing discrimination and threats of violence from the likes of Ace Merrill, nephew of pawnbroker and loan shark Reginald “Pop” Merrill. Annie just wants to have her car repaired and leave town before her past comes for her and Joy. But when someone finds out about who she used to be, events are set in motion that will bring not just Annie, but the whole town to the edge of sanity.

While Season 1 was more influenced by newer, weirder Stephen King, Season 2 was definitely more old-school King: visceral, terrifying, and at times very explosive. Drawing on elements from mainly Misery and Salem’s Lot, the storytelling is mixed with terrifying scares and fun twists (episode 7, am I right?). And even the things you see coming from a mile away (and there are a few) are told in such a way that you don’t mind seeing them coming. And you gotta love all the homages to and Easter eggs referencing King’s works, including a heartfelt tribute to The Body (aka Stand by Me) in episode 3.

Probably the best episode was episode 5, “The Laughing Place,” which gives Annie a new backstory. Honestly, I was a little unsure at first, but as the episode goes on, it just hits you with the weight of the story and the emotion behind it as Annie becomes the person she meets. Sure, Annie is changed from a metaphor for toxic fandom to a painful example of what untreated mental illness can do to a person, but here it works.

“The Laughing Place;” best episode this season.

The actors were also great. Lizzy Caplan’s Annie Wilkes is a wonderful forerunner to the character we meet in Misery, a woman trying to do right by her daughter even as she wrestles with demons that not even medication can fully contain. Tim Robbins (aka Andy Dufresne of The Shawshank Redemption) gives the character of Pop Merrill, in the books a greedy and scheming man, a human side with guilt and a history he’s trying to make amends for. Yusra Warsama is excellent as Dr. Nadia Omar, Pop’s adoptive daughter dealing with her world basically imploding due to what’s going on around her. And Barkhad Abdi and Elsie Fisher as Nadia’s brother Abdi Omar and Annie’s daughter Joy, respectively, give great performances as people trying to deal with their upbringing and at the same time move away from it towards something positive.

If there’s one thing I’m going to ntipick, it’s that I wanted to see more of John “Ace” Merrill. It’s not easy to explain this without spoiling anything, but basically we only get to see one side of the character for a single episode, and then it’s a different side for the next nine. And I kind of wanted to see more of that first side (though the second side is an excellent villain). Did that make sense? I hope it does.

Overall though, Castle Rock season 2 is a scary and tense thrill ride drawing from some of the best of King’s earlier works and then some. On a scale of 1 to 5, I’m giving the season a 4.8. Sit down and buckle up, you’re going places you never imagined going before.

And while no season 3 has been announced, I feel it’s only a matter of time before we get word on that, so let’s start speculating. Which characters will come back? What stories will be drawn on?* And can I please get a commission to write an episode for the show? Only time will tell.

*I’m hoping The Library Policeman, Needful Things and maybe Apt Pupil.

What did you think of Season 2? What do you hope to see in Season 3?

17th century engraving of a bicorn and chichevache, courtesy of Wikipedia.

You ever come across something in your day-to-day life–a historical event, a movie with an interesting premise or character, a conversation that goes into weird tangents, etc.–and you think to yourself, “I want to write a story around that!” Chances are you have. And chances are you’ve sometimes struggled just to come up with that story based on whatever you’ve run into.

That happens to me all the time. I’ve got a huge list of potential bases for stories–my “idea fragments”–on my flash drive, over two-hundred bases, and only about half of them have been turned into ideas. I’ve been known to obsess over these fragments for weeks or months until I come up with something for them. And I’m obsessing over my most recent fragment quite a lot these days: the bicorn and chichevache.

Now, for those of you who don’t know much about obscure monsters from the Middle Ages (pretty much everyone), the bicorn and the chichevache are kind of the polar opposites of unicorns (the names of all three, by the way, are French in origin). They both have two horns, and are sometimes described as cow-like chimeras, though more recent depictions tend to show them as horses with two horns curved like a bull’s. The difference between the two is what they eat (and keep in mind, these creatures normally featured in satirical works. So remember, someone or their attitudes were being made fun of with these descriptions). Bicorns ate kind and devoted husbands and were often depicted as fat to the point of obese, while chichevaches went after virtuous and obedient wives and were therefore thin and starving.

Remember, this was probably meant to poke fun of someone. I’m guessing medieval views of men vs. women. This also goes against the depiction of the unicorn, a one-horned horse or goat that affirms purity, usually by letting a virtuous maiden pet or ride them. You know, instead of destroying them by eating them.

I first came across the bicorn in an anime I was watching, and was curious enough to do a little research. Thus I came across the bicorn’s counterpart, the chichevache, and then the creative fires were lit. This was back in October. And I still can’t think of a damn story for the creatures!

So far I’ve cast aside revenge stories, a story where someone uses to prove that certain people in their community aren’t as upstanding as they thought, and a few others. I’ve tweaked the myth a bit here and there to make the creatures more viable in the 21st century, and I’ve focused on just one or the other. Nothing’s clicked so far. They don’t feel original enough, or fun enough, or like the sort of story I would write. I want a story that is different from the other stuff out there. If it feels too much like another story, what’s the point of writing it in the first place?

Thankfully, there are plenty of ways to come up with the story, and I’m stubborn enough to keep at it till something sticks. Immersing myself in a book or TV show or audio book; working on Toyland (or, if I need a break from that, a short story idea I have in reserve); doing some other activity; or just enjoying life. Just living my life, I come across new things everyday. Perhaps something will cross my path and make my idea fragment into a full story idea. Preferably before someone else writes a story about the creatures and makes any of my ideas pointless, that is.

In the meantime, what do you do when you can’t come up with a story for an idea fragment? And have you heard of the bicorn and the chichevache before?

And while you’re still here, are you still looking for something for the lover of the macabre and the weird in your life this holiday season? If yes, might I recommend my very own novel, Rose? When Rose Taggert wakes up in a greenhouse with no memory of how she got there, she soon finds her life, and her body, irrevocably changed. Thus begins a Kafkaesque nightmare of intrigue, magic and violence as Rose fights not just for the truth, but for her own survival. Available now in ebook and paperback from Amazon (and soon to be available from Audible in audiobook form). Links are below.

That’s all for now, my Followers of Fear. Until next time, pleasant nightmares!

Rose: Amazon US, Amazon UK, Amazon Canada

This has been long overdue. But as promised, I am doing another post on anime I like. After all, along with horror, anime is a huge influence on me and my life as well as my writing (anyone who’s read Rose can see that). So with that in mind, I thought I’d do another post recommending some anime I’ve enjoyed recently and that I hope other people would like to check out.

If you’d like to check out my first list, click here.

And with that in mind, let’s get onto the recommendations!

Princess Tutu

At first glance, this anime seems like it’s something aimed at little girls. A duck is chosen to become a human girl, and then become a magical girl named Princess Tutu, who uses the power of dance to restore a prince’s lost heart. And admittedly, the first couple episodes are light-hearted and comedic. But as you continue on, it becomes clear that this is actually a dark and emotional anime about fate vs. free will. The characters soon begin to realize that there are sinister forces manipulating their lives, and it becomes a struggle not just to restore the prince’s heart, but if they should restore it, as well as to find a path that allows them to control the course of their lives.

This is the sort of anime where you’ll look back at the first episode after watching the last and be like, “Holy crap? Did that just happen?” It’s a roller coaster, a thought-provoking anime that uses dance to create emotional struggle and to explore the idea of who controls our destiny. If you want a surprising fantasy anime using a beautiful art form to tell its story, you might enjoy Princess Tutu.

Also, this is an anime I watched as research for Toyland. Just saying.

The Helpful Fox Senko-san

An overworked and super-stressed office worker comes home one day to find a fox spirit in the form of a human girl in his apartment. This fox-girl introduces herself as Senko, and says she’s here to take care of and pamper the office worker. Thus starts the office worker’s new, and hopefully more relaxing, life.

At first, I was not sure what to make of this anime, or why I kept watching it. But then I had a long, exhausting, stressful day at work, and I realized the reason why I was drawn to this show. We’ve all had days where life has stressed us out and we want to scream to the heavens about our exhaustion. And on those days, we really wish there was someone waiting at home for us at home to take care of us and make things better. Maybe not a magical fox girl, but someone. Senko-san taps into that, and gives us a scenario like that. And rather than making us overly jealous, it actually relaxes you a bit. You relax vicariously.

If you’re interested in an anime that aims to soothe you (or you’re into ASMR, like I am), I highly recommend The Helpful Fox Senko-san.

Digimon Tamers

A lot of people think Digimon is a knockoff of Pokemon, but in reality they’re just very similar products that came out around the same time in the 1990s. In fact, at some points Digimon was more popular than Pokemon! Another thing people don’t realize is, unlike Pokemon, the anime is made up of several different anime revolving around the same concept, like how there are multiple coexisting versions of Marvel superheroes with their own separate universes.* And Digimon Tamers is, by far, the best of the various series.

In this version of the franchise, Digimon are fictional characters with a TV show and card game, kind of like our world at the turn of the century. However, certain children come across real Digimon. Unlike on TV, however, these are violent and wild animals who enjoy the fight and the kill as much as they enjoy the human world. As time passes, it becomes clear that a secret shadowy organization is watching the Digimon and trying to stop them as they emerge into our world. And if these kids aren’t careful, they’re going to lose more than their new friends.

A darker take on the franchise, Digimon Tamers deals with the issues of what it’s actually like to have a connection with what is essentially a sentient wild animal that needs to kill its fellows to survive. It’s a slow burn story that grows more complex as time goes on, dealing with heavy psychological issues and even incorporating cosmic horror themes at times. If you want to see how a “kids show” can be more mature than some shows for adults, while at the same time evoking 90’s and 2000’s nostalgia, this may be the show for you.

*And for those unaware, the concept of Digimon revolves around children who befriend monsters made of computer data, and together they fight evil Digimon and try to maintain the balance of both the human world and the Digital World.

Flying Witch

Makoto is a young witch who moves out to the country to live with relatives. The goal is to attend high school in an area with plenty of nature while also nurturing her magic skills. Along the way, she makes friends, sees amazing sights, and collects a lifetime of memories.

Flying Witch is a relaxing, quiet anime that focuses more on interaction between its characters and making you laugh or feel good rather than building a big, magical world. The result is a mellow series that leaves you feeling relaxed while you watch it. If you’re just looking for something wholesome to melt your stress away, Flying Witch is probably the answer.

And trust me, it’s worth it just for the “Mommy” joke in the first episode.

Puella Magi Madoka Magica

Madoka Kaname is your average middle school girl. That is, until she saves a mysterious creature from a transfer student in her class, and the creature offers to grant her one wish in exchange for becoming a magical girl and fighting evil entities known as witches. While at first it sounds like a great deal, Madoka soon learns that every wish comes with a price. And for some, it’s too much to pay.

Considered a classic of anime, Madoka Magica is a dark take on the magical girl genre, showing the psychological toll of trying to be a savior of humanity at the tender age of 14 can do to a girl. Combined with masterful twists and storytelling, beautiful backgrounds and trippy imagery, this is an anime that’s still being talked about today.

If you’re looking for an anime to surprise you (or you want to see one of the other anime I watched as research for Toyland), I can’t recommend Madoka Magica enough.

Cells at Work

You know that movie, Osmosis Jones? Imagine an anime version that’s a thousand times better, and you have Cells at Work, which portrays an anthropomorphized world full of cells working together in a human body as their city.

This series has been lauded for its accuracy as a portrayal of how blood cells actually work (albeit from a whimsical side) and has even been used as a teaching tool in universities around the world. Plus, it’s just fun to see a hapless red blood cell hanging out with a ruthless white blood cell, platelets portrayed as small kids going around and building things, and watching bacteria getting the shit kicked out of them.

Maquia: When the Promised Flower Blooms

This is one of the most Ghibli-like non-Studio Ghibli films I’ve ever seen, and I mean that in a good way. Maquia is part of the Iorph people, a tribe of long-living humanoids with blonde hair, blue eyes, and youthful appearances. One day, after a powerful kingdom invades their homeland and Maquia is separated from her people in the ensuing madness, she comes across a human baby whose mother has just died. She adopts the child, and soon begins a journey that will change the both of them forever.

While I have some problems with how the movie explains the world it’s set in, I have to admit this is a beautiful tear-jerker of a film. It captures the struggles of parenting beautifully, while also adding in the pressures of being an eternally young mother. At the same time, it deals a lot with identity, extremism, and the things people are willing to do to survive. It’s a powerful film and may make you cry. If you prefer your anime more heartwarming and Ghibli-ish, I can’t recommend Maquia: When the Promised Flower Blooms enough.

Gonna be the Twin-tail

A parody of magical girl anime, Power Rangers, and the hairstyle of twin pony/pigtails (aka “twintails”) which shows up in 80% of anime, this is one of those anime meant to make anime lovers laugh!

A high school boy with a thing for girls with twintails is approached and tasked with a humongous task: aliens are coming to Earth with the goal of stealing the world’s twintails and other attributes that cause physical attraction! Why? Because they feed on that sort of thing, apparently! And this young man must stop these aliens from messing with his beloved twintails…while at the same time transforming into a redheaded girl with twintails named Tail Red.

Yeah, this series is weird. But for anyone who’s been around the anime scene long enough, it’s basically a goodhearted laugh at what makes most of us keep coming back to the medium. I wouldn’t watch it if you’re looking to explore anime for the first time. But if you’re already into the scene, and you need a lighthearted laugh, Gonna be the Twin-tail is the series for you.

 

What anime do you recommend? Have you seen any of the ones on this list? What did you think? Let’s discuss.

That’s all for now, my Followers of Fear. I’ll have more posts out soon, believe me (though it may be another 6-8 months before I do a list like this again). And until then, goodnight and pleasant nightmares!

Well, November is over. And so, by the way, is NaNoWriMo. So you know what that means. Time to give you all my final report of how this past month went!

Now, if you’re unfamiliar, National Novel Writing Month, or NaNoWriMo, is an annual challenge in November where authors around the world try to write a fifty thousand word novel in thirty days, or about 1,667 words per day. The last time I participated was in college, but I decided to participate this year and even took time off work to get a good start on the novel. My project this year is called Toyland, and is a Gothic horror novel about a boarding school in Ohio that’s haunted by the ghost of a girl obsessed with a children’s book.

Yeah, the premise is as bonkers as that of Rose. But hey, that’s kind of the way I like it.

So now that November is over, how did work on Toyland go?

Well. I think it went well. I managed to get quite a bit of work on the novel done in a short span of time. Yeah, my ADHD often led me to distraction, and the normal things that come up in life–errands, social events, and all the stuff you do as a functioning adult and member of society–took away from writing time. And after I went back to work, things only got more hectic. But I still managed to write and discovered just how much I can write when I really set my mind to it. And during the time when I was off work, I got a glimpse as to what life could be like if I ever am able to write full time (fingers crossed someday that happens), which was neat.

Anyway, time for the final word count (I won’t go into page count because that varies depending on a number of factors). At the time midnight rolled around, I was halfway through Chapter Ten of Toyland. As of my stopping to write this post, Toyland is now 34,284 words long. Last time I participated, I think I wrote about thirty thousand words, so this was some positive growth. So while I didn’t reach the fifty thousand word goal, I do consider NaNoWriMo 2019 a huge success.

Hell, I might do it again next year, and take time off as well. I already know what novel I’d like to work on next, so it’d work out, and I earn a lot more time off at work these days, so it could happen.

Still have plenty of writing to do on this book. And I plan to keep at it.

In the meantime, though, I’m still not done with Toyland. I have a feeling this novel’s going to be somewhere around eighty thousand or more words,* so I still have plenty of writing to do. I’m aiming to have it done by the end of January, but we’ll see what happens. You can’t rush perfection, after all. And even if my work is far from perfect, the sentiment stands.

That’s all for now, my Followers of Fear. I’m not sure when I’ll provide another update on Toyland or post again, but I can assure you it’ll be very soon.

But before that, have you considered a gift for the lover of the strange and macabre this December?** Why not give them a copy of Rose? The novel follows Rose Taggert, a young woman who wakes up in a greenhouse with no memory of how she got there. She soon finds her life, and her body, irrevocably changed forever, and with it comes many dark forces and powerful secrets that will lead to a desperate fight for survival. It’s dark and engaging Kafkaesque horror novel that will leave you glued to the page until you reach the end. Available from the links below (with an audio book link coming soon).

Rose: Amazon US, Amazon UK, Amazon Canada

Until next time, Followers of Fear, happy reading and pleasant nightmares!

*For context, the first Harry Potter book is about seventy-seven thousand words.

**Yes, I’m doing this. Can you blame me? It is that time of year, after all.

Thomas’s previous work, Kill Creek, is an excellent piece of modern Gothic fiction and is currently my favorite novel (read my review here). When I heard Mr. Thomas had another book, Violet, on its way out, I immediately requested my library buy copies, and then got on the reserve list. Due to my crazy life, it took me two check-outs to finish the book, but I finally did so this evening. And now, it is my solemn duty and great pleasure to do a review. Let’s get to it.

Violet follows Kris Barlow, a veterinarian and mother of a young girl. After the death of Kris’s husband scars her daughter Sadie, she decides to pack the family up and retreat to her childhood lake house in the heartland of Kansas in an effort to heal. The same lake house, by the way, where Kris’s own mother died years ago. However, in-between the home improvement projects on the long-neglected home and Kris’s own fears, something in that house awakens. And it has a special interest in Kris and Sadie, one stemming all the way back to Kris’s buried childhood.

While I didn’t react as enthusiastically to Violet as I did to Kill Creek, I did find it a great slow-burn horror story.

Thomas does a great job job taking his time so we can get to know our main character Kris. By the time I was halfway through the book, she felt like a real person to me. Especially in terms of her anxieties; while what she’s worried about is different from my own anxieties, the emotion behind them felt like my own anxiety when its ugly head rears. That’s not easy to do.

You also get to know the town of Pacington, kind of like you get to know the town of Derry in IT. The atmosphere and melancholy of the town, as well as its citizens, all of it becomes very real to the reader.

All this with the same sort of storytelling Thomas displayed with Kill Creek, allowing the story with its secrets and intrigue and twists to fully take form over the course of 400-plus pages. For about two hundred pages, I was sure I knew what the big reveal was. Turns out, I was very wrong, and I was so glad for it.

That being said, there was one aspect of the novel I didn’t care for. While the slow-burn aspect worked for the most part, allowing for the reader to become embroiled in the town, in Kris’s life, and in the strange events occurring, at times it did drag a bit. I found myself thinking at times, “Come on! Something extremely creepy, please happen!” That may just be my quirk, though. Anyone who’s read my work may have noticed I like to get to the horror and the strange going-ons sooner rather than later. So maybe it was just a little too slow at times for me and me alone.

All in all, Violet is a great follow-up to Kill Creek that takes its time and helps immerse you in the story. On a scale of 1 to 5, I give the novel an even 4. Check it out and settle in. You’re in for a ride.

Season 9 of American Horror Story decided to get on the 1980s nostalgia train and create its own love letter to the decade which produced my favorite music, particularly to the slasher films that came out during that decade. And the very first episode made sure to saturate us with bright colors, crazy hair, a fun playlist, a murder story told around a campfire that turns out to be true. It was both a homage and a satire that I enjoyed. And I was interested to see what the rest of the season would be like.

Turns out, AHS: 1984 decided to spend the next couple episodes playing up the slasher tropes, and then turn EVERYTHING on its head for the rest.

And that’s one of this season’s strengths. For the most part, the show knew how to give us everything we expected in the first couple of episodes, especially when it came to 80’s culture, and then found ways to make our jaws drop. Characters whom we thought were good people turned out to be bad and vice versa, the cause of all the horrors is first one person, and then another, and now we don’t know what to think.

Oh, and I love all the references to famous slasher films, especially the references to the original Friday the 13th film in episode 8.

I also really liked the characters, especially the three lead females. Brooke, played by Emma Roberts, turned out to be a surprisingly strong protagonist who developed very well over the course of the season. Leslie Grossman’s Margaret was a blast to watch once you found her hidden depths. And oh God, did I love Billie Lourd as Montana. I swear, Lourd can change characters and personalities and be totally unrecognizable in each incarnation, and that’s especially true with Montana.

Of course, our serial killers were great as well. John Carroll Lynch’s Benjamin Richter, aka serial killer Mr. Jingles, went from a rather one-dimensional slasher killer to a very sympathetic character. Zach Villa as Richard Ramirez was petrifying! I would not want to meet him in a dark alley! And oh, it was nice to see Dylan McDermott on the show again!

That being said, there were some issues with this season. 1984‘s final episode opted for flashbacks to tell the ending events of the main conflict of the season, and while that worked well in season 2 for the most part, it kinda fell flat like it did in season 5. When we already have an idea of how it’s going to shake out and is over-reliant on flashbacks, it can take some of the tension out of the story. Not to mention that I felt the show didn’t give Brooke the ending she deserved. And don’t get me started on the plot hole the last episode opened up with Richard Ramirez! All I’m saying is, they better fix that in a future season, or this is going to be a never-ending gripe among fans of the series.

I want Zach Villa as Richard Ramirez back, and not just because he’s freaking terrifying!

Oh, one more thing: the make-up used to make Donna and Brooke look older did not work at all! We could all tell they were waking make-up!

But all in all, this was a solid enough season, and it delivered on the promise to make the season a standout on the 80’s nostalgia that is so rife in our pop culture these days. On a scale of 1 to 5, I’m giving American Horror Story: 1984 a 4.2 out of 5. A bloody, tension-filled season with twists to make your mouth drop and characters to draw you in and keep you watching. Get your shoulder pads and leg warmers and get ready to dive right in.

You’ll enjoy it more than the Friday the 13th remake. And no, I’m NEVER letting that go! Not until we get a better movie anyway.

Anyway, looking forward to season 10, whatever that is. I’m still hoping for an academy or orphanage setting. Maybe some references to J-Horror or K-Horror or some Lovecraftian elements too. And a fixed plothole from 1984 might be nice. Hey, a guy can hope, right?

Until next time, pleasant nightmares!

So yeah, Toyland is going to be a lot longer than Rose, and way more than fifty thousand words. I always did like an expansive story.

So as you’re probably aware by now, I’m participating in National Novel Writing Month, or NaNoWriMo, this month and I’m trying to write a fifty-thousand word novel before the month is out. This is my second time participating, and I’m writing a Gothic horror novel called Toyland about a boarding school haunted by a ghost obsessed with a children’s book. And while I’ve set myself a deadline of January 31st, I’ll try to get as much of it done this month as possible.

In my update last week, I wrote about how I was a little over eleven-thousand words and 3.5 chapters in. As of last night, I’m in the middle of writing Chapter Six and am currently at 21,566 words. So this story’s already into the novella word range, and it’s still going! I bet by the time I done, I bet this book will be four times its current length. Maybe more.*

And honestly, I’d be fine if that turned out to be the case. While it’s still a first draft and there’s still plenty of work to do (not even thinking about editing at this point), I feel like this is some of my most mature writing yet. By this, I mean my voice as a writer has matured. It’s reached a new level, gained from so many years of writing and editing and experimenting. I’m giving up the last of the clumsy bits that mark me as a new or young writer. I’m breaking out of my chrysalis.

Is this making any sense to you? I hope so, otherwise the points above are all meaningless.

Anyway, we’ll have to wait till the final draft comes out before we know for sure just how much I’ve improved as a writer. But in the meantime, I’m enjoying working on this story and seeing it take form. Even though I wrote an outline and I know what’s going to happen, I’m discovering new things with every word. Hell, what words I use are part of the discovery, and they come together to show me just how these scenes I’ve outlined actually shape out.

That’s all for the moment. I’ll be sure to update you all next week, but in the meantime, I promise there will be more than just a review in the meantime. I mean, there will be a review, but there will be more than that.

Anyway, until next time, my Followers of Fear, pleasant nightmares!

How’s your NaNoWriMo going? What’s the writing process for you been like?

*For context, the first Harry Potter book was around seventy-seven thousand words, so that should give you an idea of what we might be dealing with in the future.

Now let’s get one thing out of the way: the Doctor Sleep movie is based on the novel Doctor Sleep by Stephen King, which is a sequel to King’s previous novel, The Shining. The movie is also an attempt to reconcile the novels and Stanley Kubrick’s adaptation of The Shining, which King hates (and which I kind of agree with). And apparently King loved the script for this movie, as well as the final product. Everybody got that? Good.

Doctor Sleep follows Danny Torrance post-Overlook. He’s grown up to inherit his father’s issues with anger and alcohol, though once he arrives in a small New Hampshire town, he does sober up. At the same time, he makes a psychic connection with a young girl in a neighboring town named Abra Stone and who shines way more powerful than Dan does.* Which is good, because there’s a group of people known as the True Knot roaming around America in RVs, kidnapping kids with shine abilities and killing them to extract their power in the form of steam. In order to defeat the True Knot, as well as their leader, Rose the Hat, Dan and Abra will have to go someplace special to defeat them. A place Dan never wanted to revisit.

Well, I’m going to say this: it does feel like a Stephen King novel brought to film. In a good way.

So there are a lot of callbacks to the source material, as well as to King’s works in general. I had a private laugh at shots meant to pay homage to the Kubrick film, as well as to a field of corn and the number “19” showing up (folks who know King get it). And it’s really awesome to see the theatrical Overlook brought back to life (though degraded with age). And the novel does a great job of hybridizing the books and the Kubrick film in a way that would satisfy most King fans.

And the actors also do their jobs very well. I should mention that. The True Knot actors are particularly creepy when they’re sucking up steam or doing something else freaky, inhuman and cult-like.

That being said, there are some issues. For one thing, there is a lot of exposition, which in a novel we can get away with (especially in a King novel), but in a film it can slow things down. There are some things from the original novel that never made it to the movie that I would’ve liked to see, and there were some changes I didn’t care for.

And I didn’t find it that scary. I mean, there were a couple of moments where I jumped or was a little freaked out, but they weren’t enough to scare me. My criticisms of the Kubrick film aside, at least it’s unnerving to watch. But while the intent is there, Doctor Sleep can’t bring that unnerving feeling to life.

On the whole, I’m giving the Doctor Sleep film adaptation a 3.5 on a scale of 1 to 5. If you’re a big fan of the Kubrick Shining film, you’ll be disappointed. If you’re here for a horror movie, you’ll find it so-so. And if you’re a fan of King and the original novel, as well as interested to see how the film version can reconcile all the books and films, you’ll walk away satisfied.

That’s all for now, my Followers of Fear. I’m going to bed and getting into writing tomorrow. Until next time, pleasant nightmares!

*Fun fact, I named a character Abra in my NaNoWriMo project Toyland after reading Doctor Sleep. No psychic powers though. Not a spoiler, just a statement of fact.

Hello, Followers of Fear! It’s been an entire week since I last posted. Did you miss me?

As many of you know, this year I’m participating in National Novel Writing Month, or NaNoWriMo, this year. For those of you who are unaware, the goal of NaNoWriMo is to write a fifty thousand word novel in thirty days, or about 1,667 words a day. There’s no prize for actually making the goal (and it’s doubtful the resulting novel will be any good, as it’s a first draft), but it’s a good way to see what you’re capable of and push yourself. At least, that’s how I look at it.

So this year’s project is called Toyland, and as you may remember, it’s a Gothic horror novel about a boarding school terrorized by a ghost obsessed with a children’s book. This is my first Gothic horror story, as well as my second time participating in NaNoWriMo. How’s it going so far? Well, as of last night, I’m a little over eleven-thousand words in over three-and-a-half chapters. Over a fifth of the way there!

That’s my update. See you later.

Just kidding. I have more I want to discuss.

I have to say, it was a good idea to take some time off from the office to work on this novel. I’ve had a lot more time to write, which means I was able to get through three chapters in just under a week. It might’ve taken a month to get the same amount of progress if I didn’t take time off work and just wrote in the evenings. If I do NaNoWriMo again next year, I may take time off again to get a good head start.

As for writing in the Gothic sub-genre, that’s been a learning experience. As I mentioned in my post on Gothic horror (click here to read the full article), the genre has a very particular set of tropes that sets it apart from other genres of horror. However, there is more to the genre than I had room to include in that article. For example, you have to devote a lot of space to describing your main location. After all, Gothic horror is very place-centric. Hill House, The Overlook Hotel, the house at Kill Creek, your mother’s house (yes, I went there, and in more ways than one). All those locations are described in detail. Lots of detail. Gothic tries to make you aware of the place the story is in at all times, especially the darker aspects of it.

In that vein, I’ve spent a good chunk of Chapter Two just describing Auckland Academy, the main setting of the book. And I’ll be further emphasizing the location as the book goes on, as well as in subsequent drafts.

Of course, I’m still early in the novel. Including the chapter I”m in now, I have twenty-six more to go, and plenty more to learn about Gothic literature. I’ll let you know how things go when we reach November 14th. Hopefully I’ll have made plenty more progress by then. Even if I have to go back to work on Tuesday.

Well, that’s all for now. I’ve got some errands to take care of, so I’m going to get on that. I promise though, you won’t have to wait a week before I post again. Until next time, my Followers of Fear, pleasant nightmares!

Are you participating in NaNoWriMo? How’s it going for you?

I don’t have work tomorrow, and I wanted a horror film to watch on Halloween while still saying I went out for the evening. I’ve seen everything else playing that’s considered “horror,” so I went into this with low expectations. I only knew of it because of some commercials showing audiences reacting like Paranormal Activity and a promotional app popular among teenagers and young adults.

Countdown follows a nurse named Quinn who downloads an app she hears about from a patient, which supposedly predicts the very date and time of your death. When people try to change their fates based on the app’s predictions, they end up stalked by a demon that taunts them before killing them at the appointed moment of their death. Now Quinn has to find a way to cheat death or she and those dear to her will die in the worst possible way.

So, we’ve all seen this sort of movie before. It’s like a simple recipe. People take part in something that seems harmless, it turns out to be real, supernatural in nature and very deadly. Someone becomes affected, finds an expert to help them identify where the evil comes from and possibly how to beat it. After a showdown with a CGI evil and a few deaths, the protagonist manages to beat the evil, which lives on one way or another. Throw in some jumpscares and some creepy imagery, and you have a cheap horror film trying to get in butts in seats because somebody knows how hungry horror fans are.

But Countdown didn’t even manage to meet my expectations for this kind of poor horror! Everything was predictable, and at times, it felt like the cast and crew weren’t even trying. They indulge in a lot of tropes, and not even do it very cleverly. The one trope they try to change is to have the supernatural expert be a priest who, rather than being old and well-experienced with demons, is a young man who literally calls the Bible “the world’s greatest graphic novel” and geeks out over the possibility of stopping a demon. It’s supposed to be funny, but is kind of cringey instead.

There is one thing that sets this movie apart, however. There’s a subplot where Quinn has to deal with a doctor who sexually harasses her and then tries to ruin her career when she spurns him. Now, I’m all for exploring these sorts of subjects in media, including horror. I often feel that horror is a good lens to view societal problems, and horror is a fertile ground to explore women’s issues. However, I don’t know this was the right film to have this sort of subplot. It feels more like a gimmick and a bad one too.

On a scale of 1 to 5, I give Countdown a 1.5. There are a lot better horror films out there to watch on Halloween. I suggest you go find them, especially if you want to feel scared and that you didn’t just waste eighty minutes of your life.

Well, that’s all for now. Halloween ends in forty-five minutes or so, and then something rather crazy will begin. I’ll let you know how that goes in due time. Until then, my Followers of Fear, pleasant nightmares and Happy Halloween. See you again soon.