You know, I’ve written a lot about my identity on this blog. Or rather, because every person is highly multifaceted and puts themselves under several labels (even when they eschew all labels), my identities: writer; horror fan; bisexual man; autistic individual and disability advocate; total nerd; Ohio State Buckeye; feminist; liberal; possible entity from another dimension; and many more. But there’s one identity I’m only realizing now that, while I’ve mentioned it more than a few times on this blog, I’ve never really gone into detail about it in relation to my life and my writing. Not in six-plus years of blogging (believe me, I checked).

Considering that I was not only raised Jewish, but raised Jewish by two rabbi parents, went to synagogue nearly every weekend for years, went to Jewish day school from fourth grade through high school, attended youth groups and summer camps, was a frequent attendee at the Ohio State Hillel, and a whole bunch of other things than is listed in this run-on sentence, that is weird. And I’m not entirely sure why I haven’t really ever gone into detail about it. Maybe I thought I’d covered it in one of my 1300+ blog posts at some point, or maybe I just thought it wasn’t important enough to cover at any point. I have no idea.

Well, I guess better now than never (especially since this is my blog and you’re all hostages to whatever I feel like writing each day). How does Judaism affect my life and my writing?

Well for my life, it affects a lot. I’m more spiritual than religious, like many millennials, but I still practice certain rituals. I keep kosher and eat vegetarian when I’m out. I bring in Shabbat every week, and light candles on Hanukkah (you like the picture of my menorah? I’ve had it since I was a kid). I have a mezuzah on my door frame that marks my apartment as Jewish, and the only jewelry I wear is Jewish in theme (Jew-elry, if you will). I don’t attend services at my synagogue that much (I tend to sleep in on Saturdays because the week drains me. Sue me), but I pray often and keep in touch with friends through social media and hanging out. I’ve been to and support Israel, though at times the words and actions of its government concerns me. I pay attention to how my people are portrayed in the news and popular culture (I get seriously annoyed by how most Jews on TV and movies are like, “We’re like the rest of you, we just say some funny words and talk about our health issues a lot.” Seriously, we’re more diverse than that!), and get really psyched when I find stuff on it that educate people about our beliefs:

No need to post that video. I just like spreading it around. Especially since so many people know what Christmas is but so few outside the Tribe know what Hanukkah is.

So Judaism does affect my life. Does it affect my writing?

Well, yes and no. I don’t write what’s known as typical “Jewish literature,” which in my experience is usually about Jewish characters dealing with persecution from non-Jews or dealing with their Jewish faith and identities. I know my dad wished I would write those sorts of stories when I was younger, probably because he was afraid I’d be the next Ted Bundy if I kept reading and writing Stephen King-style horror, but that sort of story never interested me (thankfully, he’s come to like my fiction as is). I do feature Jewish characters in my work on occasion (my Lovecraftian short story “The Red Bursts,” which I’m trying to get published, features a gay Jewish couple who are active in their synagogue), but their religious background isn’t usually a big part of the story. Their are stories I’ve written or plan to write where Jewish characters are featured prominently, and where their background can be emphasized, but like I said, they’re not a huge focus in my fiction as a whole. I like telling a scary story first and foremost.

But my Jewish identity does feature throughout my fiction in a different way. Like every author, I insert my worldview, my morals and beliefs into my stories, and a good lot of that is shaped by Judaism, especially this phrase by one of Judaism’s greatest scholars: “Love thy neighbor. All the rest is commentary.” It’s why I like to use diverse casts in my stories, not just Jewish characters. People unlike me are my neighbors as well as those like me, so I give them all a fair shot in my stories. And this is just one of many ways I emphasize my faith in my writing (I’d go into it a bit deeper, but this article is getting long).

So yeah, my faith is still very important to me. And it even shows up a little in my stories. It may not show up overtly in my stories, but it does show up in the subtext. And for my particular style, that works pretty well. It might even get me somewhere as a writer someday. One can only hope.

That’s all for now, Followers of Fear. Until next time, pleasant nightmares.

My latest article from Self-Published Authors Helping Other Authors, How to Write an Interlude, has just gone live on the site. I don’t see a lot of discussion on this topic, so I thought I’d write an article on the subject (it beat writing another article about Lani CSarem and her con job, anyway). Click on the link, and learn all about writing interlude chapters in your novels.

And while you’re at it, why not check out the rest of the site? Self-Published Authors Helping Other Authors is a wonderful site that is written by authors for authors to help them write, edit, publish, and market, no matter their background, budget, or story. It’s great, it’s free, and it’s quite edifying. Believe me, I’m not just a contributor, I’m a client (so to speak).

That’s all for now, my Followers of Fear. I hope you enjoy the article, and I hope to have another post on this blog out very soon. Until next time, pleasant nightmares.

So good news, folks: as of around 6 PM today, I’ve received feedback from both of my beta readers for Rose, which means I can start the fourth draft of the novel! Why is the fourth draft so significant, you may be asking. Well, this is the last draft I plan to do until I get an agent and/or publisher! And I think that is significant enough to write a blog post (which would’ve been written earlier this evening, but I was at my dad’s for Hanukkah dinner).

Now if you have no idea what Rose is, it’s a novel I wrote as my thesis in college, which I started working on again earlier this year and finished editing back in October. The story follows a young woman with amnesia whose body starts going through incredible, magical changes. The only person she can rely on for help and information about these changes and about herself is a young man who says he’s her boyfriend, but he’s keeping things from her, and things are not at all what they seem.

Yeah, it is not a fun story. Not by a long shot. But I think it’s a good story, made even better after the most recent draft, which fixed a few issues with the story and doubled the word count (don’t less that scare you, it’s shorter than the second Harry Potter book).

Of course, before you start submitting it to publishers or agents, you want to make sure your novel is actually good. Not just good in your opinion, but in others’ opinions, and that’s where beta readers come in. They take a look at stories you write, and let you know what works, what doesn’t, and give you feedback on what can be made better.

One of my beta readers for Rose was my dear friend, Joleene Naylor.  She read the novel in about a month, and got back to me with a ton of notes, as well as plenty of feedback. Overall, she enjoyed the novel. She thought my characters and their development was deep and reminded her of anime characters, which are often complex and never completely good nor completely evil, but often a mix of both (you can now tell who inspired that post about why writers should check out anime). That made the characters within Rose not only multilayered, but often very surprising. For one particular character, Joleene hated him at first, but then she found out some things about him and actually became kind of sympathetic towards him. Then she learned some more things about that character, and her feelings changed again. It’s very hard to do that in fiction, to have your emotions about characters change that rapidly, and Joleene liked that.

However, she did have some thought about a few things, including grammar and word usage, and she thought some things could be fixed, changed, or worked around in order to make the novel that much better. Her feedback makes a lot of sense to me, so I’m going to be incorporating a lot of it into the story.

My other beta reader got back to me earlier today, and I was very glad to see his feedback. Who is this beta reader? Believe it or not, he’s my chiropractor. As many of you know, I have back problems, so I’ve been seeing Dr. Black since June to remedy them (and the progress has been amazing!). You see someone so much, you get to talking, and it turns out Dr. Black is a huge horror fan, so obviously we got to talking about Stephen King, HP Lovecraft, and my writing. When I was getting close to finishing Rose, he offered to read it as a horror fan, and I said I’d like that.

This is what a beta reader or two can lead to: a published novel.

Now, Dr. Black is not a writer, but a reader. However, it is important to have the feedback of readers, as they are who we write for. And Dr. Black did give his reader approval. He thought the novel kept his attention throughout, and that he especially enjoyed the flashbacks in the novel. I’m glad he told me that, because those were parts I actually worried about. Flashbacks are difficult to do, and different readers and writers react to them in different ways. I’m glad Dr. Black enjoyed them, and what they added to the story.

He also mentioned one issue he had in the story while reading one chapter, which I hadn’t realized was a problem, so I’ll make sure to fix that up so that the end result won’t have that same problem.

So I have both of my beta readers’ feedback, and I can start on the fourth draft. To be honest, I’m really glad I finally have all that feedback. I haven’t really been in a writing mood lately, waiting on getting that much-needed feedback. Sure, having my laptop in the shop for over a week didn’t help, but even when I had it, I just wanted to work on Rose (even if I was working on a great story in the meantime. A story I’ll have to put on hold for now, but whatever. I’ll get it done eventually). When you put this much work into a novel, and you think it has so much potential, you really want to see that potential fulfilled, I guess.

And now that I’ve gotten my feedback, I’ll put out a couple of blog posts I’ve been meaning to write for a while, and then I’ll get to work. I doubt it’ll take very long to get through this time, so hopefully that means I’ll have some good news soon.

Thanks to Joleene and Dr. Black for their valuable feedback. It means so much to me that you took the time to do this for me.

And thanks for keeping in touch with me, my Followers of Fear, and following my progress of this novel. I hope that if it comes out, that you decide to pick up a copy and that you enjoy it. Until next time, pleasant nightmares and Happy Hanukkah!

Today I’m doing something different, and showcasing one of my favorite things: collect dolls and figurines! I’ve mentioned it maybe two or three times on my blog, but I have a growing collection of these, coming in a variety of styles and themes, and from a number of franchises. Why am I showing this off, when this is a blog about a horror author? Read on, I might get into that later in this post.

First off, plenty of anime figurines. As many of you know, I’m a huge anime and manga fan, so it’s no surprise I have figurines based on anime characters:

From left to right: Homura Akemi from Madoka Magica; a cutesy chibi Christmas version of Asuka from Neon Genesis Evangelion; and Madoka Kaname, also from Madoka Magica.

Hatsune Miku, a famous Japanese music persona; Nina Wang from My-Otome; and Asuna from Sword Art Online.

Asuka from Neon Genesis Evangelion, outitted in a Gothic Lolita style (this one partially inspired a novel).

Except for the Nina Wang figurine, which I bought on Amazon, all of these figures were purchased at Akiba Arcade, a local place that caters to the Japanese game, manga, and anime fans in Columbus (which are many). They have a ton of Japanese games and merchandise, and I visit as often as I can. Yeah, they can cost a lot (most of these cost between $40 and $60), but they’re well worth it.

Of course, not everything I have that is Japanese in origin is anime/manga-related. For example:

This is a maneki-neko, or a lucky cat statue. In Japan, these babies are supposed to bring good luck, especially financial luck. I don’t know if it has, but I’ve noticed my life has improved bit by bit over time, so maybe it’s having an effect?

Of course, not everything I have is Japanese. True, a lot of it is, but not everything. Like these:

Ninth Doctor Funko Pop doll

Sailor Moon and Luna Funko Pop dolls.

Jason Voorhees Funko Pop doll

Lizzie Borden bobblehead doll and a raven statue. Nevermore! Thwack!

The barfing gnome from Gravity Falls; a Grinning Jak from The Nighmare Before Christmas; and Waddles the Pig from Gravity Falls

Yeah, the Sailor Moon one is technically Japanese, but Funko is American, so it evens out. And you’ll notice, a lot of these are related to franchises or pop culture properties I’m a fan of. The exceptions in this group is the Lizzie Borden bobble head doll and the raven. The former is related to an amazing experience I had earlier this year, while the latter is just a fun Halloween decoration that I have out all year because for me, every day is Halloween. Not to mention, they’re creepy.

And now for some of my most recent acquisitions:

 

These are Sally and Jack, and they’re pixified versions of the Sally and Jack characters from The Nightmare Before Christmas. In fact, you can see them holding doll versions of their namesakes in their arms. These are first-edition figurines made by the Hamilton Collection. There are two more figurines in the series, and I hope to collect those two in time. For now though, I’m really happy with these two. Thy’re very pretty, based on a truly awesome movie, and I just love to see them when I walk in the door each day.

And finally, here’s the oldest figurine I own.

This is Zero from the anime Code Geass, which is still one of my favorite animes ever. I made it in art class back in high school, because I couldn’t afford figurines or dolls at that time, and not for several years afterwards. Zero was my way of saying that one day, I would be able to own these sort of things I’d always wanted. And I think I can say I’ve accomplished that goal.

And my collection is growing every day. I’m probably going to get the other two figurines in The Nightmare Before Christmas series from Hamilton, as well as many more figurines from various anime (including an actual Zero figure), and maybe even some of the more traditional kinds of dolls, the ones that wouldn’t look out of place in Victorian England, among others. I’m saving up for them, and for a cabinet to put them all in so they don’t get dusty. And when that happens, maybe I’ll post about those new editions too. We’ll see.

That’s all, Followers of Fear. Just wanted to post about my weird hobbies and show you all how proud I am of them. Until next time, pleasant nightmares.

Going with a classic this time around, as well as one of the most polarizing films in horror. Some love it, some hate it. I hated it at first, but I think it’s time I see if my opinion needs to change. After all, this was one of the earliest slashers and is considered a staple of horror movies. Maybe it’ll give me a jump.

WHAT’S IT ABOUT: A pair of siblings and their friends go to the former’s ancestral home to make sure their grandfather’s grave wasn’t a victim of recent grave-robbing in Texas. They later come across a house filled with a cannibalistic family, including the chainsaw-wielding Leatherface.

WHY I DIDN’T LIKE IT: In high school, I had heard this movie hyped so much among horror fans. When I finally could get Rated R movies on my own library card, I was disappointed. I didn’t jump, or feel any atmosphere. I wasn’t scared. It just felt over-hyped.

WHY I REWATCHED IT: You learn more about its production and legacy, you see some remakes and one sequel. You wonder if you missed something. Hence a rewatch.

THOUGHTS: I didn’t care for it.

Yeah, I was more aware of the film’s importance in the horror genre, but I still didn’t find myself enjoying it. It took the film forever to actually get going and become interesting. And even then, it was cheap to the point of noticeable (I refer you to the meat hook scene), there were lots of awkward close-up shots of girls freaking out, and more shouting and screaming than was probably necessary…from the villains. When damsels in distress scream, it’s fine with me, it’s kind of expected. But villains being so loud and annoying…yeah, I don’t care for it.

Yeah, it was quite the shocker in 1974, and that was the point. The film was meant to shock the 70’s movie-going audience. And it did, which lead to it becoming so famous and getting so many sequels and remakes. But to me, who is used to more gore and shock and terror from later slashers, it just feels tame and boring.

JUDGMENT: 1.5 out of 5. Watch it to see what it did for horror, but honestly, once you’re past a certain age and seen enough horror films, you’re just not going to get scared.

Don’t kill me in the comments for hating my opinion. It is what it is.

 

Next time around, I’ll be taking a look at a film that has become a staple for Halloween, but I had one particular problem with it that ruined the experience for me. It’s time to rewatch Oculus.

I haven’t read the original Ramses the Damned novel since I was bar mitzvah age, but I remembered enough of the details (and remembered more during the reading of the book) to be very excited upon learning earlier this year that Anne Rice had written a sequel twenty-eight years after the original with her son, author Christopher Rice (whose books I need to put on my reading list one of these days). And now that I’ve read the Rices’ first collaboration, what do I think?

Well, you know how George Miller revisited the Mad Max franchise with Fury Road several years after the last entry, with a new cast and crew to help shape his vision, and the results were pretty awesome? It’s kind of like that.

 Ramses the Damned: The Passion of Cleopatra revisit Ramses and Julie Stratford shortly after the events of the last novel, preparing for their engagement party and their lives as globe-trotting immortals. However, news that Cleopatra is still alive reaches their ears, and there’s a chance she still holds a grudge against them. And as if that weren’t enough, new forces threaten the immortal couple, including an ancient queen whose very existence will turn the immortals’ world upside down.

Honestly, I could not tell this was a collaborative work. This may be because I’m unfamiliar with Christopher Rice’s work, but it’s more than likely he’s very good at imitating his mother’s style. Whatever the reason, the novel has a great story and moves along at a nice pace. The expansion of this fictional world to include new elements and characters didn’t feel forced or weird, and the twists and dramatic moments really allowed you to feel the surprise and attention when they occurred. You can’t complain about that.

And let’s talk about the new characters, because they were great! Bektaten’s addition to the cast was a real shake up, as was her companions Enamon and Aktamu (I hope I didn’t butcher those names trying to spell them). There’s a gravitas to them that leaps off the page and commands respect not just from characters, but from readers. It’s as if their many centuries have allowed them to transcend many human flaws and become something more. Imagine what they could be like in our modern world! It’d be truly something to see.

But of course my favorite new character (and possibly my new favorite character) is the aptly named Sybil Parker, an American author whose dreams cause her to be roped into this strange and magical world.* From the moment she appears on the page, she is just so interesting to follow, as her part in the story is so full of mystery and a bit of intrigue. And her arc, going from this timid homebody to this brave young woman who doesn’t bat an eye at immortals, was masterfully written. 

I don’t have any real problems to point out with this story. Possibly a bit more of Elliot Savarell would have been nice, but that is probably nitpicking on my part.

All in all, Ramses the Damned: The Passion of Cleopatra is a great return for a story we had thought finished long ago. On a scale of 1 to 5, I give the novel a 4.8. Pick it up, and get wrapped up in the story (been waiting a week to make that pun, and it was worth it).

But tell me, what did you think of this novel? What immortal creatures will we get from Anne (and possibly Christopher) Rice next year (I’m hoping angels)? And which Christopher Rice novel should I put on my reading list? Let’s discuss.

*Sounds like my dream life right there. Well, hopefully the former will be achieved someday soon.

“The Power of Friendship!” as symbolized in Yu-Gi-Oh’s famous hand smiley face.

So yesterday I watched a YouTube video about a common trope in fiction (you can check it out HERE), which is (say it in your heads with a big, echo-y voice) “The Power of Friendship!” Now, if you aren’t familiar with the trope and you didn’t have time to watch the video, “The Power of Friendship” is a trope in which the bonds of friends is so powerful, it becomes a power in and of itself, capable of cosmic-like acts such as giving heroes power ups, stopping psychic mind readings, snapping people out of brainwashed states, and occasionally even defying gods. This power shows up in a ton of popular media, including a ton of anime and manga (the Fairy Tail series  practically is nicknamed “The Power of Friendship” manga).

Now the video I linked to goes into much more detail about the various intricacies of this trope (go watch it if you do have the time, the channel that produced it is awesome), but I wanted to focus on one particular aspect of “The Power of Friendship” trope that the video didn’t go into: how it surfaces in the horror genre. Or rather, how it doesn’t surface in the horror genre. At least, not all that much.

So if you didn’t watch the video (and you’re missing out!), the trope works like this: you have friends, and those friends can help you out of a bad situation, whether that be isolation or a powerful demon overlord is about to destroy the Earth and your power alone is not enough to destroy the demon’s power. It can be a metaphorical power to help a character out during a bad patch, like the former situation, or it can be a literal power and the equivalent of taking one of those mushrooms in a Mario game, like the latter situation. Thus, “The Power of Friendship!” And you can kind of see why it shows up so much: we all wish we have that power, or believe our relationships are that powerful.

But horror doesn’t feature this power as much as other genres, and there’s a reason for that. Horror is horror. It incorporates the darker aspects of the world around us and sometimes amplifies them for maximum effect. And in real life, friendships aren’t as powerful and as lovely as in fiction. In the stories, friendship is powerful and unyielding. It can overcome all sorts of obstacles, and the more you try to destroy it, the more it bounces back and kicks bad guys in the ass. But in reality, friendships grow, cool, and break all the time. It can take only a little bit to destroy a friendship, and a lot to repair it once it’s broken. Horror writers not only recognize that, but incorporate that into their stories. And it’s such a well-known fact about life, writers don’t draw attention to it, because it’s so well known among readers.

That’s not to say that “The Power of Friendship!” doesn’t show up in horror fiction at all. For example, Stephen King’s It pretty much says that the friendship of the seven main characters is what allows them to fight the malevolent entity in their town.* It just doesn’t say it as loudly as other media does, and also tells the reader that the characters’ friendship, while powerful, can be broken or is less effective if they aren’t all in sync or allow their fear to divide them. This is what leads to that one infamous scene in the novel, and is also shown in the new movie after the first fight with It.

Weirdly enough, the power of love or family is shown more than the power of friendship in horror, and I’m not quite sure why. Perhaps it’s because love and family, unlike friendship, has a more powerful evolutionary purpose, and therefore is given more power in fiction in general. If you’re willing to do more to save your perfect partner for creating offspring or the lives of your offspring, it’s going to show up more in stories than the grouping of creatures of the same species to ensure survival.** Hell, a lot more of my stories revolve around romance and family than friendship. One of my stories even involves a friendship gone bad, but that’s about it.

If “The Power of Friendship!” can be portrayed as it was in It, you can include it in horror stories more effectively.

That doesn’t mean we can’t include “The Power of Friendship” in horror stories. It can be used, but it’s more effective if used as it was in It: not overstated and a bit more realistic.  Showing a friendship form, grow, and overcome obstacles in a story, without drawing too much attention to it and showing how fragile the friendship can be under certain pressures, will work fine for the horror audience. If you go for overblown storytelling and basically say, “The Power of Friendship can overcome anything,” it will take the audience out of the story. Let the friendship’s strength demonstrate itself, rather than shoving it in through dialogue or just outright stating it. In other words, show, don’t tell.

While still not that common a trope in horror, “The Power of Friendship” can be part of horror. It may require being handled differently than in other genres, and with a bit more realism (weird for “realism” to show up in horror, but there you go), but it’s not impossible. You just need the right touch, and “The Power of Friendship” can best even shapeshifting entities that take the form of clowns.

That’s all, Followers of Fear. I’m in a bit of a blogging mood right now, so expect more posts from me soon. Until then, pleasant nightmares!

*There’s also some sort of power up thanks to a turtle from another universe, but let’s not get into it, shall we.

**Best explanation I can come up with given my aromantic nature and already jaded worldview.

Well, I’m back at this again, with an odd film for my third outing. You see, I watched this film last July, and I even wrote a review. So why am I watching it again and making it part of the Rewatch Review series? Well, here’s why:

WHAT’S IT ABOUT: A Puritan family is forced to move out into the wilderness and start a farm on the edge of a forest. There, a witch sets into motion events that will change the fate of this family, especially the teenage daughter Thomasin, forever.

WHY I DIDN’T LIKE IT: Well, I actually did like it. I gave the film a 3.8 out of 5. That’s a good score. However, I went into the film with different expectations based on the title (the titular witch is actually very peripheral to the story), and I had a hard time without subtitles understanding what anyone was saying, which affected my enjoyment of the film.

WHY I REWATCHED IT: Over the past year and however many months, I’ve thought a bit about this film, and how my enjoyment of it was skewed by the fact that I had totally different expectations going in. I wondered if maybe, f I rewatched the film knowing what it’s really about–not the witch, but the family she affects–I’d enjoy it more. So when I decided to do this series, I put this film on my list.

THOUGHTS: I guess I did enjoy it a bit more, but I wouldn’t raise that 3.8 any higher.

The Witch is a good film, and I go into detail why in my review. It’s faithful to the time period in all the best ways, the psychological aspects are handled very well for a first-time writer/director, and the actors are all good in their roles. With great setting and music, it’s a pretty damn good horror flick. And if you watch it with the subtitles and don’t get miffed by the witch only being in the film for about two or three minutes, you’ll enjoy yourself thoroughly.

I did notice this time though that sometimes the lighting makes it hard to make out what’s going on, though. Like seriously, I know you’re in the middle of the woods, but maybe still use some lights so we can see the characters? Thank you!

JUDGMENT: My opinion doesn’t change, but I’m glad I watched it the way it was meant to be watched. It’s still a good movie, and if you get the chance, check it out. Just remember: subtitles! Those thick accents will puzzle you to death if you allow them to.

 

Well, that’s all for this entry in the series. Honestly, it was shorter than I expected it to be. The next one will probably be a bit longer, at any rate. After all, I’m watching one of the first slashers ever. That’s right: The Texas Chainsaw Massacre. Bring it on!

Recently, someone familiar with my writing compared some aspects of my story with anime. This, for me, was a huge compliment, because I am a hee-yuge fan of anime and manga. I’ve read and watched more series than I can count, and I consider some of the stories I’ve read over the years as having a very beneficial influence on my writing style, allowing for better storytelling and characterization. And I believe wholeheartedly that anime and manga can up the game of other fiction writers out there, even experienced ones with plenty of novels or short stories under their belts.

“But wait,” I hear my readers saying, “how can silly Japanese cartoons up my writing game?” Well, my dear Followers of Fear, just like Harry Potter is more than just children’s fantasy stories, and just like I’m more than a dude who enjoys scaring people silly (I actually have a growing doll/figurine collection and enjoy the ballet and the theater), don’t let first impressions about the media get in the way of looking a bit deeper. Anime and manga have so much more to them than meets the eye:

1. It’s an art form. We see literature as important creative works that are a reflection of and an influence on society. So is painting and illustration. But for some reason, the combination of the two mediums are never treated as highly, even when they lead to huge box office and critical success with movie adaptations. And in my opinion, that’s just wrong. Creating decent literature or decent art is extremely difficult, no matter the genre or what is being portrayed. Imagine what must go into doing both well at the same time! If one is good but the other is bad, the series, comic book or animation, will suffer, so these artists are basically combining the two art forms in order to create something appealing to audiences. That is worthy of respect (especially when you consider that manga and anime don’t always get to rely on characters that have lasted 80+ years and have established fanbases).

That being said…

2. There are a multitude of stories to choose from. Despite often going into very deep subject matter, comic books and animation have this reputation for being more family or child-oriented than adult-oriented. And although comic books have been recognized for their serious and mature themes and content, for the most part it’s hard to find animation that, even when aimed at adults, isn’t comedy or relies a lot on comedy. I can only think of one or two off the top of my head.

Anime and manga, on the other hand, span a wide multitude of genres and age ranges. Yes, some are comedic or have lots of comedy elements, but there are plenty of stories that are extremely serious or even plain portrayals of normal lives. Death Note (not the crappy American version) goes deeply into questions of whether the ends justify the means, especially in terms of curing societal ills, all while presented as a psychological cat-and-mouse thriller. Great Detective Conan (or Case Closed, as it’s known in the US), has nearly a thousand chapters/episodes focusing on a kid solving murders a la Sherlock Holmes observation and deduction. With the Light tells the story of a family raising a child with autism. Tell me if any of that sounds like silly cartoons for children.

And that’s just the tip of a very big iceberg. There are all sorts of stories out there, romantic to comedic to scary to inspirational to musical to educational to even some where you wonder who was mad or indecent enough to make them (I’m looking at Makura no Danshi for the former and Kodomo no Jikan for the latter. Google at your own risk). If you can think of it, there’s a chance there’s an anime or manga based around it.

So if you’re looking for inspiration for a new story, try the Japanese. Chances are, there’s a story that could inspire your next work.

3. Characterization. In Western stories, characters are often pretty much defined from the moment you meet them as good or bad guys. Within a few minutes, you not only have a pretty good idea of where they align, but how you feel about them: love, hate, support, fear, root for them to get the girl. This doesn’t usually change, except perhaps if they’re a twist villain revealed in the third act. Rarely do you see a character whom you aren’t sure whether to love or hate, whether they’re good or bad. A character who straddles the fence, in other words, and you’re never sure where they stand until near the end.

If a medium can make me wear this sweatshirt 25 years after a show’s premiere, shouldn’t you at least consider checking it out?

Anime and manga, however, do this very well. They’re very good at telling stories about characters whom you’re not sure how to feel about them, because they’re able to take the time with these characters and show various sides of them over the course of the episodes or chapters. Sasuke Uchiha from Naruto is a prime example: at various points he’s a hero, a villain, a tragic antihero, etc. And you’re never sure whether to hate him or cry for him or what (generally I don’t like him, but that’s just me). And even when a character isn’t given this treatment, they’re often given great character development. Often characters are all good with a few flaws, or all evil with a few good qualities, but anime tends to branch out. You’ve got protagonists who are defined by their anxieties, or heroes who do horrible things but are doing it for good reasons you even sympathize with.  It ranges quite a bit, and it’s done quite well.

4. And finally, it’s entertaining. We all write stories for a variety of reasons, but at the core of it, we want to engage and show people a character worth following, a story worth getting into. And anime and manga do that a majority of the time. Sure, some stories do fail in that regard (looking at you, Clannad), but the vast majority have been tales that have endured the test of time and continue to pull in new audiences. Pokemon is twenty years old and Sailor Moon is twenty-five, but they still continue to entertain and even produce new content. Clearly, there’s something about these mediums that pull people from around the world in far past childhood.

And any medium that can have that sort of influence is worth checking out, if you ask me. Even if it’s not normally up your alley.

 

And that’s just a few of the reasons writers should check out anime (there may be a Part 2 someday). But tell me, were there any reasons I missed? What series do you find entertaining or influential? Or do you need a recommendation on where to enter the medium? Let’s discuss in the comments below.

Until next time, my Followers of Fear, pleasant nightmares.

At the time this post is being published, it is the American holiday of Thanksgiving. Despite the holiday’s questionable origins (a discussion not for this blog), this is a holiday for being thankful for all you have. And while a lot of us are surprised by how fast this year has gone by (seriously, how the hell is it already late November?), for many of us it has been a stellar year. I know that’s the case for me. I’ve got plenty to be thankful for this year.

And if it’s not too much trouble, I’ll run down some of those things I’m grateful for (I swear, this won’t be too long, and I’ll try not to turn it into bragging):

  • I’ve published two stories, the sci-fi novelette Gynoid and the fantasy romance short story What Happened Saturday Night, on Wattpad, and both were very well received. I also wrote half of the novel Full Circle, edited the entirety of Rose (and will probably edit it again, as soon as I have feedback from both my beta readers), made good progress on a new story, and had more ideas for other stories than I could ever write.
  • While I work on my writing, I also have a good job that allows me to do really rewarding work with a great team. That job also has great pay and benefits, so I can afford to pay my rent and my bills, never go hungry, and even put away some cash into savings. And every now and then, I can even afford a little splurge for things like wall art, a new addition to my doll/figurine collection, or even awesome shows (heck, sometimes the job gets me discount to awesome entertainment in town).
  • Speaking of rent, I have a great apartment in a good area near where I work. I can afford to live on my own, and do what I want within my apartment, so I don’t have to worry about anyone seeing me at my kookiest. And since I’ve lived here for nearly a year and a half, I’ve had time to settle in and make it my happy place, a great place to relax, be creative and occasionally entertain friends (Joleene Naylor knows what I’m talking about).
  • My health has improved greatly since the New Year. I’ve been eating healthier, cutting back on the sweets, and so have lost about thirty extra pounds. My back problems have also improved, thanks to the ongoing treatments of a really good chiropractor and my improved diet. I feel better than I have in ages, and as long as I keep things up, I’ll continue to get better (though I doubt I’ll ever be fit enough to be a prima ballerina or a bodybuilder).
  • I don’t have a driver’s license, but I’ve made incredible progress towards getting one. And with a bit more practice, especially with maneuverability and parking, I could have my license within the next year (though whether a car comes with that is another issue entirely).
  • I live close to my family, and we’re all on good terms for the most part (though I would not want to live with any of them again if I can help it). I also have plenty of friends, and I’m glad to have their love and friendship everyday. I know that if I need them, they will give me their support, and help me through another day.
  • Finally, I have you, my Followers of Fear. Over the six-plus years I’ve been blogging, you’ve stood by me, seen me at some of my best and worst moments, and posted your thoughts and encouragement, and even bought some of my published work. And over this past year, Rami Ungar the Writer has grown significantly, to the point where I’m less than fifty followers away from hitting the thousand follower milestone. It gives me such joy to write for and interact with you guys every day, and I hope I can continue to do so for ages to come.

Of course, this is just a fraction of the many things I’m thankful for, but I’m thankful for them all nonetheless. And I’m glad I’m aware of them and thankful for them, because I can think of a number of people who are just as lucky as me, or even luckier, and yet are miserable. They’re not satisfied with what they have and they constantly want more.

My mother and me when we went to see Swan Lake this past weekend. Not only was it an incredible show, but I got to experience it with someone I dearly love and who gets me on so many levels. I’m incredibly thankful for her and our relationship together. Also, I’m looking at the button on my phone camera, in case you’re wondering where my eyes are looking.

 

Now, there’s nothing wrong with wanting more than what you have. I want to expand my readership, write more stories, and get more of them published. Heck, I wouldn’t mind being able to write full-time if I could. But some people, they just don’t appreciate what they have. They could have a loving family, a big house (or several), a nice car (or several), and enough money for vacations abroad and fancy gadgets and whatever. But they aren’t happy. They want more. More stuff, more sexual partners, more fame and prestige. A friend once told me he talked to a man who was depressed because he didn’t receive as big a Christmas bonus as someone else in their office, even though he felt they did the same work and the same amount of work. Both bonuses were in the five-figure range, which boggled the both of us. How could anyone be in a position where that sort of money is given as a Christmas bonus and NOT be happy?

And that’s why I’m thankful for one more thing: I’m thankful that I can recognize what I have. Some people can only recognize what they don’t have, and that bites deeply into their happiness. They may feel good when they get a promotion or they bed someone deeply attractive or they get that new house on the Italian coast, but it’s only a temporary drug high, and the crash they feel after the high wears off just leaves them as empty as before. It’s not a true happiness, not at all.

And that’s why I’m grateful for one more thing: that I’m capable of recognizing all that I have and that I’m grateful for. Yeah, I’m not rich or famous (though I could be someday), but I’m glad for everything I have. I worked hard to get it, and I know it could be taken away all in an instant with one bad day. So when something new comes into my life–a new follower, some good news on the writing front, the chance to do something fun with friends or family, or even a new doll for my collection–that drug high will go away, but a good feeling will remain. I’m grateful for it all, and I hope I remain that way for the rest of my life.

So this Thanksgiving, my Followers of Fear, let’s all be grateful for what we have, and express that gratitude as best we can. Because we could have nothing at all, or we could have plenty and not realize it. I prefer to have some stuff, and be glad that I do have them. And if you ask me, that’s a good way to go about things.

Happy Thanksgiving, and until next time, pleasant nightmares.

Me being thankful for all that i have. And thank you, Sailor Moon, for constantly giving me so much to work with, from entertainment to story ideas to illustrative GIFs.