Posts Tagged ‘authors’

I started my own Facebook page back in September 2013, and I logged onto Twitter for the first time nine months earlier in January of that year. I didn’t know if either of those accounts would amount to anything at the time I started them. That was partially because I’m wary of social media in general, even if I use them in my everyday life. I’d also been told by plenty of fellow authors that while Facebook and Twitter can be great marketing tools and maybe increase your following, they won’t necessarily increase your book sales by very much, if at all. I’d seen the same thing in my blog: while I’ve had a steady growth of followers over three years and a tremendous amount of views since last year, it didn’t necessarily mean that everyone reading my blog posts was going out to buy my books.

Still, I thought it was worth a try. Plenty of people had bred huge followings on both media platforms. And if they could do it, why couldn’t I?

So I started posting on my Facebook page and sending out tweets (though I kind of neglected the latter for a while save for links to my blog posts). Do I have a huge following on either yet? Not really. My Facebook page only has 126 likes at this point, and each post usually only gets a small fraction of any of those followers. And blog posts tend to get lower views than regular Facebook posts. Same with Twitter, though the amount of likes seem to fluctuate a lot. Last night I had 71 Twitter followers, then this morning it was 75, and now it’s 74.

And I’m not sure how many people check out my books through these pages, let alone buy or download copies.

Still, that doesn’t mean my forays into social media marketing have been utter disasters. I’ve found the online pages of friends of mine, and we’ve subscribed to each other’s pages/tweets/whatever. Occasionally we’ve even helped each other out, retweeting each other tweets or sharing articles that really speak to us. It’s a great opportunity to support one another and help each other out. And once or twice people I’ve had some pretty important people check out what I’m doing online thanks to Twitter: a director of a movie I reviewed once retweeted the review, and ACX, the company whom I wrote an article about a while back, not only retweeted the article, but now follows me on Twitter. To which I say, “AWESOME!”

 

So while I don’t have hundreds of thousands of followers through either platform, let alone that many sales, I think I’ve had a pretty successful run on both of them. I get to interact with friends, the occasional important company or filmmaker, and I’ve actually grown to like tweeting really unusual but funny stuff on Twitter. Like this:

https://twitter.com/RamiUngarWriter/status/514890936934215680

That one actually got a few Favorites and one Retweet.

In any case, I’m really happy with the followings I have been able to build, and while I wouldn’t mind bigger ones, I’m glad that I have people interested in what I have to say to begin with. And who knows? I’m early in my career. I could still build those followings with some hard work and plenty of optimism. We’ll just have to wait and see.

Though don’t expect me to get an Instagram (I don’t have the right kind of phone for it). Or a Pinterest. Or a Tumblr. Or a Flickr, Foursquare, Tinder, or…is there any others I’m missing? Never mind. I’m not sure I want to know.

Well, that’s all for now. I’m going to have a late lunch and then work on a short story for my creative writing class. Have a good day, my Followers of Fear.

 

0471a-fallenangels

I would’ve written this post earlier in the day, but…well, you probably can guess.

Anyway, today was my first critique day in my creative writing workshop. There were three others in the class getting their short stories critiqued, and mine was the third. And it was one of the best critiques I’ve ever had, because they pointed out numerous problems with “Evil Began in a Bar” and gave some really good suggestions on how to improve it. Yeah, the best way to judge a critique is not on how much they praise or hate a story, but on what the critics say that will help you better the story.

As I said, my classmates felt there was a lot that could be improved upon with “Evil Began in a Bar”, which is a retelling of the story of the Fall a la Milton (or a la Ungar, I guess) Some of the big ones were:

  • The tone seemed to shift wildly between dark and comical, serious and light.
  • They couldn’t tell whether this was a dystopia story or a religious fantasy.
  • People unfamiliar with the story of the Fall might be confused by this.

I think I’ve mentioned this before, but short stories are not my greatest strength. I’m much better at novels.

Still, there’s a bright side to this. After hearing from my classmates and talking to my teacher after class (in which she agreed with me on my predilection for novels: “You seem to be very expansive in your writing”), I got a better idea of what I can do to modify this story. And like a lot of short stories I seem to be working with lately, this one is going to be rewritten entirely during the second phase. I’m fine with it, really. At this point I’m becoming very used to it, and I like where I could go with this short story on the second draft. I just hope I can keep it under five-thousand words, or it’ll be more difficult to get it published in a magazine.

But before I do any revisions, I’m going to work on the next short story I’m going to write for my creative writing class. That one’s due on the Wednesday before Halloween, so you know I’m going to be bringing the terror. And as the hint I gave a while back indicates, this time it’s going to be a werewolf story. Though if I’m able to pull it off, it’ll be a very unusual werewolf story.

Here’s what’s coming next from creepy ol’ me.

And after the werewolf story…well, I may resubmit “Evil Began in a Bar” for the third time around, when I submit a revision. I guess it’ll depend on how my classmates react to the werewolf story, and how much work I have going on then, among other things. In any case, wish me luck with this and all the other projects I’ve got going on at the moment. It’s because of your support that I’m able to keep working even when stressed out.

Oh, and before I forget, this evening starts Rosh Hashanah, the Jewish New Year. According to the Jewish calendar, the Earth is now 5775 years old. So for everyone out there, I hope you have a happy and healthy new year, and I hope you’re inscribed in the Book of Life for the coming year. Also, if I did anything to upset or offend you this past year, I hope you’ll forgive me, because I’ve already forgiven you.

Have a good night, my Followers of Fear!

I know it’s been a while since I last blogged. Five days in fact. Man, I must be busy. And I would’ve blogged about this yesterday, but…well, I had biology and creative writing homework. Yeah, school’s basically taking over my life more than it usually does. God help me.

Anyway, yesterday afternoon was my first meeting with my thesis adviser. It was me, him, and another student who is also working on a novel. The idea is that we all collaborate to help each other out with these projects (of course, my adviser isn’t asking us for advice if he’s working on his own novel, but that’s beside the point). Since I’d already sent them both the first two chapters of my thesis project Rose, they had read what I’d written and had some feedback.

Let me tell you, it was very illuminating. The biggest thing about my work is that I’m always looking for holes to plug up, but they found some holes I’d missed, proving to me that I should not go into the field of repairing ships or they’d sink. What they told me was that the opening of chapter one was a little too lighthearted for a horror novel, and suggested a way to make it more of a dark, creepy story like I’d originally intended. They also gave me some suggestions on how to make our stalker much creepier and also recommended maybe I try switching to first person (and seeing as Rose is all about the main character’s point of view, that might be an idea I’ll keep).

So now I have until Friday to come up with some new material and send it to the both of them, and then we all meet up a week afterwards. I’m going to start with a little experiment to help refine the stalker’s character, and then I’m going to basically start rewriting Chapter One of Rose. The original opening, like I said, was a bit too lighthearted, so going back and redoing it should create the atmosphere I’m going for. And it’s not as if I haven’t rewritten an entire short story before on the suggestions of  my peers. What is Chapter One anyway, besides a short story that can be continued by several succeeding, interconnected short stories?

Obviously a bad analogy, but you get the idea.

Anyway, I’ve got to get to work, so wish me luck on the writing/editing front. And by the way, I turned in my short story Evil Began in a Bar on Wednesday to my creative writing class, so my classmates will be coming back to class Wednesday with feedback. I’ll be blogging about it then, but I’m hoping for good things.

Have a great day, my Followers of Fear.

Well, it took me a little while (darn my school load!) but I’m finally done editing Chapter 24 of Video Rage. And since the second installment of the Reborn City series is 37 chapters long, I’m about two-thirds through the second draft.

So excuse me while I do a little happy dance…

Still here? Cool.

I think the hardest thing about editing VR is that a lot of it is rewriting. When you’re doing a first draft, you think  that a lot of what you included (including dialects in the narration) is just genius, the best thing for the English language since Shakespeare put quill to parchment or Hemingway put pen to paper or Stephen King put typewriter keys to…you know. And then you leave it alone for several months so you can look at it with fresh eyes, and then you think to yourself “What the f*ck was I thinking writing this crap?”

But I’m glad I’ve been able to take a second look at this. If I thought that the first draft was okay, I’m sure the second draft is going to impress maybe a few readers. That’s the hope anyway. In any case, I think after the second draft is done I’ll send VR to a certain science fiction writer I’m acquainted with who took a look at RC for me. I’m pretty sure his opinion on things will be very useful indeed.

Well, I’m hitting the hay. Big day tomorrow with lots to do, and I want to be well rested for it. Good night, my Followers of Fear.

Some of you are probably reading the title of this post and are wondering, Since when is there a purpose to any sort of violence? Very true, but I’m talking about violence in speculative fiction and when it is useful and when it is just excessive.

Granted, I might not be the best person to speak on this subject. If any of you have read or are reading Snake, you are well aware that the main character is very influenced by slasher films and the Russian mafia, so violence abounds. However, in my other books I try to hold back on the violence. Why? Partly because I’m just terrible with writing fight scenes. I actually try to avoid them when I can, which is okay because in horror it’s often more about the atmosphere and character interaction than about describing a punch or a gun fight.

But the other reason is that, when I’m writing and I think about including a very violent scene in my story, I think about whether it can advance a story’s plot.

Let me explain. In Video Rage, the sequel to Reborn City that I’m currently editing when I have the chance (my time is so filled up these days), there comes a scene about midway through the book where some of the characters get into an argument and one of them ends up punching the other in the face. The actual punch occupies about maybe two or three paragraphs, but the result s of it is felt throughout the rest of the novel. Both characters in this little altercation have to reassess their relationship. One has to decide if they want to continue to be friends with someone who punched them, especially since they really cared about this person and the hurt feelings and pride hurt more than the being punched. As for the one doing the punching, he is horrified about what he did in a moment of anger. He has to take a hard look at himself and really decide whether he might need to change his actions and perhaps do some growing up.

Another example is in Rose, my work-in-progress/thesis project. As I’ve mentioned in previous posts, Rose is dealing with a young woman trapped by magic with the stalker who resurrected her. And when she tries to get away from him, he often gets violent and dangerous. While providing some very terrifying scenes, these moments also force Rose into a dark place. She becomes frightened, and, like many abused women, starts walking on eggshells because she’s afraid of arousing his rage. Over the course of the story, Rose finds herself driven into a darker and darker place spiritually because of all she suffers. At least until certain events allow her to seek a change.

So in a way, while I detest violence and I try not to use it when I can, in certain ways like the ones above violence can advance the story and allow for character development. Of course there are many other tools that allow for character development and propelling the plot forward: romantic relationships, deceit and treachery, other non-violent events in the characters’ lives that allow them to move forward in the story. But I think of all those, violence requires a delicacy that is much harder to handle than other methods (and not to mention romance can be a bit overused). You have to use it in just the right way or your readers will be overwhelmed and turned off from reading anymore. One slap or punch or explosion too many and it can really change things, and not for the better. So for the author, it’s up to them to figure out what is the right level of violence and how best to wield it in their story. And hopefully through practice one can figure out just that.

So am I good at wielding the violence? You’d have to find that out yourself or ask one of my other readers. An author can often the worst judge at their work. But I think I do okay at it. At any rate, I haven’t had any complaints about the levels of violence in my stories or how they’re used. In fact, I’ve been told that they’re rather scary, which pleases me to no end.

How do you use violence in your stories? Do you have any advice regarding including or not including violence in your stories?

snake

How far would you go for love and revenge?

Before I started work on the next chapter of my thesis (or de-stressed with a shower, I can’t decide which at this point), I thought I’d take a moment to announce something that’s been in the works for a while. I’ve finally uploaded my most recent novel, Snake, onto Smashwords, where it is available as an e-book in a number of formats for only $2.99.

If you haven’t heard me mention Snake before, it’s a novel about a man who becomes a serial killer in order to save his girlfriend when she is kidnapped by the mafia. A dark, terrifying thriller with a running theme of romance, you’ll be terrified as well as entranced by this horrific lover, who is willing to become a monster himself if it means saving the love of his life from other monsters.

I had actually hesitated to put Snake on Smashwords for two reasons: 1. I wanted to try KDP Select through Amazon using Snake, and they don’t like authors distributing through other websites while their books are listed on KDP Select. 2. I don’t get that many sales through Smashwords. But I didn’t see much difference between sales on KDP Select and normal KDP, so I decided to give it a try. Who knows? Perhaps people on Smashwords will really cotton to Snake.

If you’d like to learn more about Snake, you can check out its page or go straight to Amazon (which also has the paperback version) or Smashwords to read about it. And if you decide to get Snake (which has been compared to Stephen King by one reviewer), please let me know what you think once you’ve read it, whether in a comment or in a review. I love feedback, positive or negative (though most of it seems to be positive, so I’ll let you make judgments about that).

I’ll write again if there’s time tonight. Have a good one, my Followers of Fear.

If you live in the English-speaking world and you pay any attention to scary stories, serial killers, or England, you’ve probably heard of Jack the Ripper, whose legend has become so great that sometimes it’s hard to tell what’s fact and what is fiction (and it blends more often than you think). If for some reason you’ve been living under a rock, here’s a quick overview of Jack the Ripper (even if you’re familiar with the Ripper legends, you might want to read this for a little refresher):

Jack the Ripper was the name given to a supposed killer who operated in the impoverished neighborhoods of Whitechapel and the surrounding areas in 1888 London. It is believed he killed and severely mutilated the abdomens of five women, all prostitutes, as well as possibly killing several more women. The killer gained his now-famous name when a letter, now called the “Dear Boss” letter, was sent to the Central News Agency of London, signed “Jack the Ripper” (whether the actual killer sent this letter and others is up for debate). The press  sensationalized the murders and anything even remotely linked to hte murders, and hundreds of people sent in letters claiming to be the killer (some people are really hungry for fame and attention). However, Jack the Ripper was never caught, and his identity has become one of the greatest mysteries of our modern era.

Almost immediately after the murders, Jack the Ripper became a household name and legend, appearing in numerous works of fiction over the years and becoming a sort of boogeyman for the masses. For numerous years, anything having to do with the Ripper would terrify Londoners and call out the police to investigate. And even today, authors (and more than one or two killers) have been inspired by the Ripper murders. In fact, it seems that at least one book a year is released offering a new story or fresh insight into the identity of Jack. People who dedicate themselves to trying to solve the Ripper mystery are known colloquially as Ripperologists.

One such Ripperologist, businessman and “armchair historian” Russell Edwards, claims in his book Naming Jack the Ripper to have finally figured out the killer’s identity through…DNA evidence?

Mr. Edwards book, claiming to have “definitively” identified the Ripper through DNA evidence

Apparently Edwards owns a piece of evidence from the original murders: the bloodstained shawl of Catherine Eddowes, one of the “canonical” Ripper victims, which he bought at auction a couple of years ago. According to his book, he was able to extract usable DNA from the shawl and have it analyzed by a professor in molecular biology at Liverpool John Mores University. Said professor managed to extract not just blood, but semen from the shawl and isolate DNA from his samples. The blood was eventually matched to Eddowes through a descendant of hers, while the semen was matched to Aaron Kosminski, a man suspected at the time of possibly being the Ripper, through one of his direct descendants.

On the surface, this could be credible. Kosminski, a married Plish Jew who emigrated to London with his family to escape the pogroms in Tsarist Russia. He lived in the area where the murders took place, and he was committed to Colney Hatch Lunatic Asylum in 1891 for paranoid schizophrenia, later transferring to another asylum where he died in 1899. However, there is good reason to suspect he might not have been the killer.

Aaron Kosminski, one of the main suspects of the Jack the Ripper murders.

Setting aside how amazing it is to get any workable DNA off a 130-year-old shawl and that the DNA results still haven’t been peer-reviewed by any scientific journal, Catherine Eddowes was a prostitute, so it wouldn’t have been unusual for her to have some semen on her, especially if it was from a man who happened to live in the neighborhood she worked in. And there’s also no evidence to suggest that Kominski killed her or anyone else. We lack a working timeline or any forensic evidence to possibly implicate Kominski or anyone else.  And Kominski himself, although mentally disturbed, was mostly harmless: except for two incidents while incarcerated in the asylums he lived in, Kosminski was mostly harmless. Indeed, some believe he may have been confused for Nathan Kaminsky, also known as David Cohen, another Polish Jew who was himself sent to Colney Hatch in 1888 a month after the last Ripper victim and was said to be violent and antisocial during his short stay in the asylum (he died in 1889).

The truth is, while this DNA evidence may tell us that Kosminski availed himself of Eddowes’ services prior to her death (as did  probably several other men who could all possibly be the killer), we are no closer to identifying Jack the Ripper than we were 130 years ago. Such is the case with famous serial killers who, due to time or design, have left little or no evidence behind of their murders. And that’s even if there is a killer to begin with (some have argued that some of the “canonical” Ripper victims may have actually been the work of other killers, and that maybe only three of the murders, if any, are related).

But you know what? Maybe that’s okay. A good chunk of the appeal from Jack the Ripper is that he’s unknown, that he could be a polish Jew, a surgeon, or even a member of the Royal House. And that means that there’s room for many more generations of Ripperologists and fans to come up with their own theories and stories about who Jack the Ripper is, why he killed, whom he killed at all, and where he ended up. And maybe someday someone will truly, beyond the shadow of a doubt, solve the identity of the Ripper.

Until that day, he’ll stay among the many famous serial killers whose identities are unknown, such as the Zodiac Killer, the Alphabet murderer, the killer of the Black Dahlia, the Servant Girl Murderer, the Axeman of New Orleans–God, how messed up is it that I know all this?

[Thanks to the Huffington Post for most of the information for this article as well as quick references on Wikipedia.]

I was having a comment conversation the other day with another blogger Caitlin Kelly, a freelance journalist from New York who at the moment is teaching at the Pratt Institute. Her post, which you can read here (and I highly recommend you do), was about how the effect of all the horrors going on in the world and being reported to us by the media. I mentioned in my comments that after digesting all the real horrors, it’s not uncommon for me to immerse myself in fictional horrors. Caitlin replied that one of her students, who “has seen his fair share of horrors”, also prefers the genre of horror. I said that for some people, horror acts as a kind of therapy.

Now, some of you who are reading this will probably be thinking “Horror? As a kind of therapy? We’re still talking about the genre where serial killers can be heroes, what trait your character embodies can determine whether you’re killed or traumatized, and fans debate on how good a movie is based on use of suspense, special effects, and gore, right?” Yes, we are still talking about that genre, but just bear with me.

Look at a news feed, particularly one devoted to global events or major issues facing Americans today. This is probably what you’ll see:

  • ISIS murdering Shiites, Yazidis, journalists, and anyone else that they don’t like.
  • Ukraine fighting both its own people and Russian insurgents.
  • Hamas attacking Israel and Israel firing back (and it’s only a matter of time before that starts up again, mark my words).
  • Several cases where police have shot and killed unarmed black men, with the most recent and famous case in Ferguson, Missouri.
  • Congress’s constant squabbling and bickering
  • An immigration crisis that continues unabated
  • Ebola spreading throughout West Africa and father beyond
  • Kristen Gillibrand, a well-respected senator and possible 2016 presidential candidate, being sexually harassed by older, male senators
  • The suicide of Robin Williams and the hurtful responses from people and groups such as Westboro Baptist Church, Pat Robertson, Rush Limbaugh, and Gene Simmons (my article on that is here)
  • CeeLo Green making horrific remarks on the subject of rape on his Twitter account
  • Justin Beiber is in trouble with the law again.

Depressing to read, isn’t it? What’s worse is that this is only the tip of the iceberg. All over the world, people are facing discrimination, violence, poverty, illness, corruption, greed, incompetence, and just about every other horror under the sun. And these problems are huge, multifaceted, and difficult to resolve. In fact, there are many people who may have multiple opinions on how to resolve just one of these issues. And assuming that the people in positions of power are able to come to an agreement and implement some sort of solution, there’s no guarantee that the issue in question will be fully resolved or not or will leave lingering micro-issues that will eventually grow and become major issues in their own rights.

“It’s true, I got defeated by some snot-nosed brats. I don’t like talking about it, though.”

There’s that. And then there’s the stories told within a horror novel or the latest scary movie. Let’s take Stephen King’s IT, for instance. The antagonist is a shape-shifting demon that can take on the form of your greatest fear and prefers the form of a clown. Well, that looks tricky to defeat, but it isn’t as hard to pin down or as multifaceted as an insurgency group or a virus or children brought to this country illegally fleeing violence and poverty. And guess who defeats It? Seven kids. They face their fears, band together, and defeat the monster in its own lair as kids, and then most of them come back as adults to finish the job. And after they’ve fought It for the second time, It’s dead. It isn’t coming back in any form ever again. Sure, at the end of the book the characters start to lose their memories of their war with It, but the story ends on a happy note.

In this way, horror stories–fictional horror stories–can act as therapeutic. We see very real versions of hell unfolding at home and abroad, and then we dive into a story where the characters are fighting their own hell. And we know deep down it’s fiction, but we don’t care. We sympathize and empathize with the characters. Occasionally we even recognize ourselves and our own brutal, tortured pasts in one or two particular character. And we see them defeating demons, exorcising ghosts, kicking serial killer butt, solving murders, and sometimes even bringing back the dead! Sure, plenty of people die in these stories and a good number of them end up traumatized by their experiences. But they usually defeat the enemy, they come out of the conflict stronger, and they sometimes even find romance.

What a horror novel can do for us.

And that fills us with hope. We think to ourselves, “Sure it’s fictional, but I see myself in these characters and the problems they face. So if they can take on ultimate evil and defeat it, what can I do?” In essence, horror takes the feelings of depression and jaded cynicism out of us and fill us with possibility and optimism. Weird, I know. These are stories that aim to scare us and fill our dreams with terror. But horror can do that and lift up your spirits too.

Horror is certainly one of the things that can lift up my spirits when I’m feeling down.

Has horror ever made you feel better after you’ve been feeling down? What happened? Why do you think you felt better afterwards?

I’ve just written up and published my latest article from Self-Published Authors Helping Other Authors. Today’s article is Submitting Short Stories to Magazines. I figured that since a lot of authors, both traditional and independent, publish or attempt to publish short stories in magazines and anthologies, why not write an article that aims to help authors accomplish just that. And I plan to follow up on that article with another article about the short story submission process very soon, if I can, so keep an eye out for that.

And if you do decide to check out the article, please check out the rest of the website. Self-Pub Authors comes with many helpful articles written by indie authors for indie authors that aim to make self-publishing easy and cost effective. And you never know what sort of articles you’ll find on this website that could prove helpful in getting you some awesome reviews or a ton of readers or something.

That’s all for now. Have a good evening, my Followers of Fear. I certainly think I will.

My brain at work.

It’s been not even one full week into the new semester and there have been some interesting developments in the classes I’m taking. As I’ve mentioned in previous posts, I’m taking a creative writing course this semester. The course requires us to turn in two short stories and a revision of one of them at different points throughout the semester, though not necessarily in that order (I wanted to turn in a revision and two original short stories, but I don’t have anything to revise at the moment, so forget that). And as I’ve also mentioned in previous posts, Ohio State’s English and Creative Writing departments tend to focus on classic and literary fiction. Genre fiction doesn’t often get as much discussion in Denney Hall.

I came into class with the idea that we were going to be writing several literary short stories during the semester, and even had a list of ideas for stories I could write. Imagine my surprise when my teacher announced that we could turn in genre fiction, so long as it was interesting. Yes, she said that. As long as it’s interesting and doesn’t hold to time-honored (0r time-worn) conventions, I could turn in something from genre fiction. The following conversation then ensued:

Me: So I could write a terrifying horror story, and as long as it is interesting and doesn’t hold to conventions, I can turn it in?

My Professor: Of course.

Me: Party time.

You can probably tell I’m excited. I love writing horror stories, and with the focus on finishing the first draft of Laura Horn and editing Video Rage taking up most of my time this summer, there hasn’t been all that much time to seriously focus on writing a decent scary story or two. However, there’s been plenty of time to accumulate ideas for short stories, so at the next available opportunity, I plugged in my flash drive and started looking over the Word document that contains all my ideas for short stories.

So much to work with, so little time.

What a list that was, with 294 entries at last count. Yeah, I know. And no time to seriously work on them. One of these days I’m going to have to set aside a period of time where I won’t work on any novels and I’ll just work on reducing the amount of ideas on that list, maybe put out a couple more collections of short stories.

But the other night when I went over the list, remembering ideas I hadn’t thought of in a while (good thing I keep a list!) and trying to remember what I was thinking of when I wrote down the idea I had for certain stories, I was looking for particular stories. They had to be the right length (under 10,000 words), they had to be one of the more interesting ideas I’ve had (I like to think they’re all interesting, but I tried seeing it from the POV of someone who’s not me) and I had to look for a story that wouldn’t be tied down to the conventions of horror.

And as many of the horror fans know, that last one can be tough. As the Scream movies, Cabin in the Woods, and Behind the Mask so wonderfully point out, horror stories often work within a certain narrative framework. This gives the writers who create these stories more freedom than you’d think as we struggle to please our fans who are looking for a certain product in their story, but there has been criticism (some of it well-founded) that horror stories can get a little too predictable, to the point where you get useful advice videos like this:


He does bring up some good points. Actually, a slightly paranoid fear of a horror movie death is why I’ve never smoke weed, drink sparingly, and I’m not violent outside of the books I write (I’m not commenting on the sex and abstinence part). I don’t want to die like that. That would suck! Especially if somehow my soul gets trapped in the place where I was murdered or is digested by whatever killed me or something. That would suck even more!

So in the end, I managed to pick out about eight or ten short stories that I thought fit the bill for what I was looking for, and I selected two out of them. Neither of these stories have any particular reason as to why I chose them. I just thought they were very unique and that they would be choices my teacher and classmates wouldn’t find boring or stereotypical. In fact, I’m hoping to keep them on the edge of their seats with suspense.

And as for what those short stories are, I’ll give you some hints. This is the hint for the short story I’ll probably start work on sometime next week:

And here’s the hint for the one I’ll probably start in late September, early October:

Anyone want to hazard a guess at subject matter and plot line? There are wrong answers, but no consequences if you guess wrong.

Well, that’s all for now. I have some homework to do if I want to get any form of creative writing done, so I’m off to do that. Wish me luck, and have a good weekend, my Followers of Fear. I’ll let you know the progress of each of these short stories as there is news to report and maybe even let you know what my classmates think. Hopefully they will be terribly scared.