Posts Tagged ‘authors’

Video Rage: Two-Thirds Through the Second Draft

Posted: September 15, 2014 in Living and Life, Novel, Progress Report, Writing
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Well, it took me a little while (darn my school load!) but I’m finally done editing Chapter 24 of Video Rage. And since the second installment of the Reborn City series is 37 chapters long, I’m about two-thirds through the second draft.

So excuse me while I do a little happy dance…

Still here? Cool.

I think the hardest thing about editing VR is that a lot of it is rewriting. When you’re doing a first draft, you think  that a lot of what you included (including dialects in the narration) is just genius, the best thing for the English language since Shakespeare put quill to parchment or Hemingway put pen to paper or Stephen King put typewriter keys to…you know. And then you leave it alone for several months so you can look at it with fresh eyes, and then you think to yourself “What the f*ck was I thinking writing this crap?”

But I’m glad I’ve been able to take a second look at this. If I thought that the first draft was okay, I’m sure the second draft is going to impress maybe a few readers. That’s the hope anyway. In any case, I think after the second draft is done I’ll send VR to a certain science fiction writer I’m acquainted with who took a look at RC for me. I’m pretty sure his opinion on things will be very useful indeed.

Well, I’m hitting the hay. Big day tomorrow with lots to do, and I want to be well rested for it. Good night, my Followers of Fear.

Violence with a Purpose

Posted: September 14, 2014 in Reflections, Writing
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Some of you are probably reading the title of this post and are wondering, Since when is there a purpose to any sort of violence? Very true, but I’m talking about violence in speculative fiction and when it is useful and when it is just excessive.

Granted, I might not be the best person to speak on this subject. If any of you have read or are reading Snake, you are well aware that the main character is very influenced by slasher films and the Russian mafia, so violence abounds. However, in my other books I try to hold back on the violence. Why? Partly because I’m just terrible with writing fight scenes. I actually try to avoid them when I can, which is okay because in horror it’s often more about the atmosphere and character interaction than about describing a punch or a gun fight.

But the other reason is that, when I’m writing and I think about including a very violent scene in my story, I think about whether it can advance a story’s plot.

Let me explain. In Video Rage, the sequel to Reborn City that I’m currently editing when I have the chance (my time is so filled up these days), there comes a scene about midway through the book where some of the characters get into an argument and one of them ends up punching the other in the face. The actual punch occupies about maybe two or three paragraphs, but the result s of it is felt throughout the rest of the novel. Both characters in this little altercation have to reassess their relationship. One has to decide if they want to continue to be friends with someone who punched them, especially since they really cared about this person and the hurt feelings and pride hurt more than the being punched. As for the one doing the punching, he is horrified about what he did in a moment of anger. He has to take a hard look at himself and really decide whether he might need to change his actions and perhaps do some growing up.

Another example is in Rose, my work-in-progress/thesis project. As I’ve mentioned in previous posts, Rose is dealing with a young woman trapped by magic with the stalker who resurrected her. And when she tries to get away from him, he often gets violent and dangerous. While providing some very terrifying scenes, these moments also force Rose into a dark place. She becomes frightened, and, like many abused women, starts walking on eggshells because she’s afraid of arousing his rage. Over the course of the story, Rose finds herself driven into a darker and darker place spiritually because of all she suffers. At least until certain events allow her to seek a change.

So in a way, while I detest violence and I try not to use it when I can, in certain ways like the ones above violence can advance the story and allow for character development. Of course there are many other tools that allow for character development and propelling the plot forward: romantic relationships, deceit and treachery, other non-violent events in the characters’ lives that allow them to move forward in the story. But I think of all those, violence requires a delicacy that is much harder to handle than other methods (and not to mention romance can be a bit overused). You have to use it in just the right way or your readers will be overwhelmed and turned off from reading anymore. One slap or punch or explosion too many and it can really change things, and not for the better. So for the author, it’s up to them to figure out what is the right level of violence and how best to wield it in their story. And hopefully through practice one can figure out just that.

So am I good at wielding the violence? You’d have to find that out yourself or ask one of my other readers. An author can often the worst judge at their work. But I think I do okay at it. At any rate, I haven’t had any complaints about the levels of violence in my stories or how they’re used. In fact, I’ve been told that they’re rather scary, which pleases me to no end.

How do you use violence in your stories? Do you have any advice regarding including or not including violence in your stories?

Snake is on Smashwords

Posted: September 13, 2014 in Living and Life, Novel, Scary Stuff, Writing
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snake

How far would you go for love and revenge?

Before I started work on the next chapter of my thesis (or de-stressed with a shower, I can’t decide which at this point), I thought I’d take a moment to announce something that’s been in the works for a while. I’ve finally uploaded my most recent novel, Snake, onto Smashwords, where it is available as an e-book in a number of formats for only $2.99.

If you haven’t heard me mention Snake before, it’s a novel about a man who becomes a serial killer in order to save his girlfriend when she is kidnapped by the mafia. A dark, terrifying thriller with a running theme of romance, you’ll be terrified as well as entranced by this horrific lover, who is willing to become a monster himself if it means saving the love of his life from other monsters.

I had actually hesitated to put Snake on Smashwords for two reasons: 1. I wanted to try KDP Select through Amazon using Snake, and they don’t like authors distributing through other websites while their books are listed on KDP Select. 2. I don’t get that many sales through Smashwords. But I didn’t see much difference between sales on KDP Select and normal KDP, so I decided to give it a try. Who knows? Perhaps people on Smashwords will really cotton to Snake.

If you’d like to learn more about Snake, you can check out its page or go straight to Amazon (which also has the paperback version) or Smashwords to read about it. And if you decide to get Snake (which has been compared to Stephen King by one reviewer), please let me know what you think once you’ve read it, whether in a comment or in a review. I love feedback, positive or negative (though most of it seems to be positive, so I’ll let you make judgments about that).

I’ll write again if there’s time tonight. Have a good one, my Followers of Fear.

Has the Jack the Ripper Mystery Been Solved?

Posted: September 8, 2014 in Journalism, Living and Life, Reflections
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If you live in the English-speaking world and you pay any attention to scary stories, serial killers, or England, you’ve probably heard of Jack the Ripper, whose legend has become so great that sometimes it’s hard to tell what’s fact and what is fiction (and it blends more often than you think). If for some reason you’ve been living under a rock, here’s a quick overview of Jack the Ripper (even if you’re familiar with the Ripper legends, you might want to read this for a little refresher):

Jack the Ripper was the name given to a supposed killer who operated in the impoverished neighborhoods of Whitechapel and the surrounding areas in 1888 London. It is believed he killed and severely mutilated the abdomens of five women, all prostitutes, as well as possibly killing several more women. The killer gained his now-famous name when a letter, now called the “Dear Boss” letter, was sent to the Central News Agency of London, signed “Jack the Ripper” (whether the actual killer sent this letter and others is up for debate). The press  sensationalized the murders and anything even remotely linked to hte murders, and hundreds of people sent in letters claiming to be the killer (some people are really hungry for fame and attention). However, Jack the Ripper was never caught, and his identity has become one of the greatest mysteries of our modern era.

Almost immediately after the murders, Jack the Ripper became a household name and legend, appearing in numerous works of fiction over the years and becoming a sort of boogeyman for the masses. For numerous years, anything having to do with the Ripper would terrify Londoners and call out the police to investigate. And even today, authors (and more than one or two killers) have been inspired by the Ripper murders. In fact, it seems that at least one book a year is released offering a new story or fresh insight into the identity of Jack. People who dedicate themselves to trying to solve the Ripper mystery are known colloquially as Ripperologists.

One such Ripperologist, businessman and “armchair historian” Russell Edwards, claims in his book Naming Jack the Ripper to have finally figured out the killer’s identity through…DNA evidence?

Mr. Edwards book, claiming to have “definitively” identified the Ripper through DNA evidence

Apparently Edwards owns a piece of evidence from the original murders: the bloodstained shawl of Catherine Eddowes, one of the “canonical” Ripper victims, which he bought at auction a couple of years ago. According to his book, he was able to extract usable DNA from the shawl and have it analyzed by a professor in molecular biology at Liverpool John Mores University. Said professor managed to extract not just blood, but semen from the shawl and isolate DNA from his samples. The blood was eventually matched to Eddowes through a descendant of hers, while the semen was matched to Aaron Kosminski, a man suspected at the time of possibly being the Ripper, through one of his direct descendants.

On the surface, this could be credible. Kosminski, a married Plish Jew who emigrated to London with his family to escape the pogroms in Tsarist Russia. He lived in the area where the murders took place, and he was committed to Colney Hatch Lunatic Asylum in 1891 for paranoid schizophrenia, later transferring to another asylum where he died in 1899. However, there is good reason to suspect he might not have been the killer.

Aaron Kosminski, one of the main suspects of the Jack the Ripper murders.

Setting aside how amazing it is to get any workable DNA off a 130-year-old shawl and that the DNA results still haven’t been peer-reviewed by any scientific journal, Catherine Eddowes was a prostitute, so it wouldn’t have been unusual for her to have some semen on her, especially if it was from a man who happened to live in the neighborhood she worked in. And there’s also no evidence to suggest that Kominski killed her or anyone else. We lack a working timeline or any forensic evidence to possibly implicate Kominski or anyone else.  And Kominski himself, although mentally disturbed, was mostly harmless: except for two incidents while incarcerated in the asylums he lived in, Kosminski was mostly harmless. Indeed, some believe he may have been confused for Nathan Kaminsky, also known as David Cohen, another Polish Jew who was himself sent to Colney Hatch in 1888 a month after the last Ripper victim and was said to be violent and antisocial during his short stay in the asylum (he died in 1889).

The truth is, while this DNA evidence may tell us that Kosminski availed himself of Eddowes’ services prior to her death (as did  probably several other men who could all possibly be the killer), we are no closer to identifying Jack the Ripper than we were 130 years ago. Such is the case with famous serial killers who, due to time or design, have left little or no evidence behind of their murders. And that’s even if there is a killer to begin with (some have argued that some of the “canonical” Ripper victims may have actually been the work of other killers, and that maybe only three of the murders, if any, are related).

But you know what? Maybe that’s okay. A good chunk of the appeal from Jack the Ripper is that he’s unknown, that he could be a polish Jew, a surgeon, or even a member of the Royal House. And that means that there’s room for many more generations of Ripperologists and fans to come up with their own theories and stories about who Jack the Ripper is, why he killed, whom he killed at all, and where he ended up. And maybe someday someone will truly, beyond the shadow of a doubt, solve the identity of the Ripper.

Until that day, he’ll stay among the many famous serial killers whose identities are unknown, such as the Zodiac Killer, the Alphabet murderer, the killer of the Black Dahlia, the Servant Girl Murderer, the Axeman of New Orleans–God, how messed up is it that I know all this?

[Thanks to the Huffington Post for most of the information for this article as well as quick references on Wikipedia.]

Horror…As Therapy?

Posted: September 3, 2014 in Living and Life, Reflections, Scary Stuff, Writing
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I was having a comment conversation the other day with another blogger Caitlin Kelly, a freelance journalist from New York who at the moment is teaching at the Pratt Institute. Her post, which you can read here (and I highly recommend you do), was about how the effect of all the horrors going on in the world and being reported to us by the media. I mentioned in my comments that after digesting all the real horrors, it’s not uncommon for me to immerse myself in fictional horrors. Caitlin replied that one of her students, who “has seen his fair share of horrors”, also prefers the genre of horror. I said that for some people, horror acts as a kind of therapy.

Now, some of you who are reading this will probably be thinking “Horror? As a kind of therapy? We’re still talking about the genre where serial killers can be heroes, what trait your character embodies can determine whether you’re killed or traumatized, and fans debate on how good a movie is based on use of suspense, special effects, and gore, right?” Yes, we are still talking about that genre, but just bear with me.

Look at a news feed, particularly one devoted to global events or major issues facing Americans today. This is probably what you’ll see:

  • ISIS murdering Shiites, Yazidis, journalists, and anyone else that they don’t like.
  • Ukraine fighting both its own people and Russian insurgents.
  • Hamas attacking Israel and Israel firing back (and it’s only a matter of time before that starts up again, mark my words).
  • Several cases where police have shot and killed unarmed black men, with the most recent and famous case in Ferguson, Missouri.
  • Congress’s constant squabbling and bickering
  • An immigration crisis that continues unabated
  • Ebola spreading throughout West Africa and father beyond
  • Kristen Gillibrand, a well-respected senator and possible 2016 presidential candidate, being sexually harassed by older, male senators
  • The suicide of Robin Williams and the hurtful responses from people and groups such as Westboro Baptist Church, Pat Robertson, Rush Limbaugh, and Gene Simmons (my article on that is here)
  • CeeLo Green making horrific remarks on the subject of rape on his Twitter account
  • Justin Beiber is in trouble with the law again.

Depressing to read, isn’t it? What’s worse is that this is only the tip of the iceberg. All over the world, people are facing discrimination, violence, poverty, illness, corruption, greed, incompetence, and just about every other horror under the sun. And these problems are huge, multifaceted, and difficult to resolve. In fact, there are many people who may have multiple opinions on how to resolve just one of these issues. And assuming that the people in positions of power are able to come to an agreement and implement some sort of solution, there’s no guarantee that the issue in question will be fully resolved or not or will leave lingering micro-issues that will eventually grow and become major issues in their own rights.

“It’s true, I got defeated by some snot-nosed brats. I don’t like talking about it, though.”

There’s that. And then there’s the stories told within a horror novel or the latest scary movie. Let’s take Stephen King’s IT, for instance. The antagonist is a shape-shifting demon that can take on the form of your greatest fear and prefers the form of a clown. Well, that looks tricky to defeat, but it isn’t as hard to pin down or as multifaceted as an insurgency group or a virus or children brought to this country illegally fleeing violence and poverty. And guess who defeats It? Seven kids. They face their fears, band together, and defeat the monster in its own lair as kids, and then most of them come back as adults to finish the job. And after they’ve fought It for the second time, It’s dead. It isn’t coming back in any form ever again. Sure, at the end of the book the characters start to lose their memories of their war with It, but the story ends on a happy note.

In this way, horror stories–fictional horror stories–can act as therapeutic. We see very real versions of hell unfolding at home and abroad, and then we dive into a story where the characters are fighting their own hell. And we know deep down it’s fiction, but we don’t care. We sympathize and empathize with the characters. Occasionally we even recognize ourselves and our own brutal, tortured pasts in one or two particular character. And we see them defeating demons, exorcising ghosts, kicking serial killer butt, solving murders, and sometimes even bringing back the dead! Sure, plenty of people die in these stories and a good number of them end up traumatized by their experiences. But they usually defeat the enemy, they come out of the conflict stronger, and they sometimes even find romance.

What a horror novel can do for us.

And that fills us with hope. We think to ourselves, “Sure it’s fictional, but I see myself in these characters and the problems they face. So if they can take on ultimate evil and defeat it, what can I do?” In essence, horror takes the feelings of depression and jaded cynicism out of us and fill us with possibility and optimism. Weird, I know. These are stories that aim to scare us and fill our dreams with terror. But horror can do that and lift up your spirits too.

Horror is certainly one of the things that can lift up my spirits when I’m feeling down.

Has horror ever made you feel better after you’ve been feeling down? What happened? Why do you think you felt better afterwards?

Self-Pub Authors: Submitting Short Stories to Magazines

Posted: September 1, 2014 in Journalism, Living and Life, short story, Writing
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I’ve just written up and published my latest article from Self-Published Authors Helping Other Authors. Today’s article is Submitting Short Stories to Magazines. I figured that since a lot of authors, both traditional and independent, publish or attempt to publish short stories in magazines and anthologies, why not write an article that aims to help authors accomplish just that. And I plan to follow up on that article with another article about the short story submission process very soon, if I can, so keep an eye out for that.

And if you do decide to check out the article, please check out the rest of the website. Self-Pub Authors comes with many helpful articles written by indie authors for indie authors that aim to make self-publishing easy and cost effective. And you never know what sort of articles you’ll find on this website that could prove helpful in getting you some awesome reviews or a ton of readers or something.

That’s all for now. Have a good evening, my Followers of Fear. I certainly think I will.

A Multitude of Short Stories To Pick From

Posted: August 29, 2014 in ideas, Living and Life, Scary Stuff, short story, Writing
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My brain at work.

It’s been not even one full week into the new semester and there have been some interesting developments in the classes I’m taking. As I’ve mentioned in previous posts, I’m taking a creative writing course this semester. The course requires us to turn in two short stories and a revision of one of them at different points throughout the semester, though not necessarily in that order (I wanted to turn in a revision and two original short stories, but I don’t have anything to revise at the moment, so forget that). And as I’ve also mentioned in previous posts, Ohio State’s English and Creative Writing departments tend to focus on classic and literary fiction. Genre fiction doesn’t often get as much discussion in Denney Hall.

I came into class with the idea that we were going to be writing several literary short stories during the semester, and even had a list of ideas for stories I could write. Imagine my surprise when my teacher announced that we could turn in genre fiction, so long as it was interesting. Yes, she said that. As long as it’s interesting and doesn’t hold to time-honored (0r time-worn) conventions, I could turn in something from genre fiction. The following conversation then ensued:

Me: So I could write a terrifying horror story, and as long as it is interesting and doesn’t hold to conventions, I can turn it in?

My Professor: Of course.

Me: Party time.

You can probably tell I’m excited. I love writing horror stories, and with the focus on finishing the first draft of Laura Horn and editing Video Rage taking up most of my time this summer, there hasn’t been all that much time to seriously focus on writing a decent scary story or two. However, there’s been plenty of time to accumulate ideas for short stories, so at the next available opportunity, I plugged in my flash drive and started looking over the Word document that contains all my ideas for short stories.

So much to work with, so little time.

What a list that was, with 294 entries at last count. Yeah, I know. And no time to seriously work on them. One of these days I’m going to have to set aside a period of time where I won’t work on any novels and I’ll just work on reducing the amount of ideas on that list, maybe put out a couple more collections of short stories.

But the other night when I went over the list, remembering ideas I hadn’t thought of in a while (good thing I keep a list!) and trying to remember what I was thinking of when I wrote down the idea I had for certain stories, I was looking for particular stories. They had to be the right length (under 10,000 words), they had to be one of the more interesting ideas I’ve had (I like to think they’re all interesting, but I tried seeing it from the POV of someone who’s not me) and I had to look for a story that wouldn’t be tied down to the conventions of horror.

And as many of the horror fans know, that last one can be tough. As the Scream movies, Cabin in the Woods, and Behind the Mask so wonderfully point out, horror stories often work within a certain narrative framework. This gives the writers who create these stories more freedom than you’d think as we struggle to please our fans who are looking for a certain product in their story, but there has been criticism (some of it well-founded) that horror stories can get a little too predictable, to the point where you get useful advice videos like this:


He does bring up some good points. Actually, a slightly paranoid fear of a horror movie death is why I’ve never smoke weed, drink sparingly, and I’m not violent outside of the books I write (I’m not commenting on the sex and abstinence part). I don’t want to die like that. That would suck! Especially if somehow my soul gets trapped in the place where I was murdered or is digested by whatever killed me or something. That would suck even more!

So in the end, I managed to pick out about eight or ten short stories that I thought fit the bill for what I was looking for, and I selected two out of them. Neither of these stories have any particular reason as to why I chose them. I just thought they were very unique and that they would be choices my teacher and classmates wouldn’t find boring or stereotypical. In fact, I’m hoping to keep them on the edge of their seats with suspense.

And as for what those short stories are, I’ll give you some hints. This is the hint for the short story I’ll probably start work on sometime next week:

And here’s the hint for the one I’ll probably start in late September, early October:

Anyone want to hazard a guess at subject matter and plot line? There are wrong answers, but no consequences if you guess wrong.

Well, that’s all for now. I have some homework to do if I want to get any form of creative writing done, so I’m off to do that. Wish me luck, and have a good weekend, my Followers of Fear. I’ll let you know the progress of each of these short stories as there is news to report and maybe even let you know what my classmates think. Hopefully they will be terribly scared.

I Can’t Help But Put Social Themes in My Stories

Posted: August 24, 2014 in Reflections, Writing
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As of last night, I’m a little more than halfway through editing Video Rage, the sequel to my first novel Reborn City. It’s been a long and slow process, not helped by work, preparing for the new semester, and the general craziness of life itself. Still, I am making progress. And I have become a bit more cognizant of the fact that I like to make issues that are important to me part of the stories that I write.

I’ve mentioned this before, but RC and its sequel VR have a lot of themes in them that reflect societal problems we face today, including Islamophobia, racism, and drug addiction, among a few others. I thought that these were the only book I’ve written where these issues have become so embedded within the story’s narrative, but then I realized that wasn’t the case. Snake, my other novel, explores the trade in human beings and in flesh, albeit slightly less prominent due to the focus on a certain serial killer.  And Laura Horn, the novel I finished last month, stars a main character who suffers from the trauma of sexual assault. Even Rose, the novel I’ll be writing for my thesis, has a lot of themes reflecting issues that I find important, including gender dynamics and women being viewed solely for their biology, domestic abuse in relationships, and even gun violence*.

*Speaking of which, I have a post about that. Remind me to write about it later this week.

I think I write in all these themes into my stories for a number of reasons. One is because a lot of what I write is taken from today’s world. You look around you, and you’ll see the world plagued by many issues that are not easy to solve and nowhere close to being solved. Often I will write a story and the problem can either be inserted into the story or it just evolves its way in, showing up throughout the story. Another reason is that, as an author, I have the potential to influence plenty of people through the words I write and the stories I tell. If I can do some good through that, then why shouldn’t I? Third, sometimes you feel so upset about the problems yourself you can only vent about them through words on paper, which is something I sometimes do. And fourth, because I can.

In any case, I look upon this habit of mine as beneficial. Like I said, inserting issues such as racism, gun violence, LGBT rights or whatever into my stories has the potential to perhaps do some good in the world and allow for discussion that sometimes is stifled out of fear or because of strong emotions (or because being politically correct can make you feel like you’re walking on eggshells). And besides, I think it makes the plots of my stories much better. Rose originally didn’t have the gun violence aspect to it, but when I realized that it could make things in the story more interesting and allow me to flesh out the main character more, I decided to go with it, and with fantastic results too.

And if the reviews I’ve gotten on my books are any indication, people like my books better because I add in these issues.

Do you insert issues important to you in your stories? What issues and how do you put them in? What have the reactions been like?

Editing a Key Detail in “Video Rage”

Posted: August 18, 2014 in Living and Life, Novel, Progress Report, Social Activism, Writing
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I’m about a third of the way through editing Video Rage. And while I was editing Chapter 12 yesterday, I had a bit of a problem that I had to really rack my brains to solve.

Does anyone remember the Kony 2012 video from two years ago? If you don’t, here’s a quick reminder: Joseph Kony is an African warlord leading a terrorist organization that recruits children to be soldiers and sex slaves. The video Kony 2012 exposed many people to Joseph Kony’s crimes to many people in the West for the first time, amassing nearly 100 million views and becoming one of YouTube’s most viral videos ever. However, despite a powerful Stop Kony campaign, a Cover the Night event, and a sequel to clarify points made in the first video, interest in Joseph Kony and Invisible Children, the organization behind the video, waned after questions of the legitimacy of the campaign came up and the video’s narrator/producer suffered a very public mental breakdown.

Maybe it was because I was really impacted by the video at the time, going out of my way to make a Kony 2012 T-shirt and participating in Cover the Night, but when I decided to make an original viral video in Video Rage, I wanted to use Kony 2012 as an example to compare to the viral video in the story. So I wrote it in, ignoring the reservations I had about using such a famous (and infamous video).

Well, perhaps there’s some truth to the phrase “Another year older, another year wiser.” I was 20 when I wrote that chapter, but I’m 21 as I edit the novel. And I decided to cut Kony 2012 from the story. It’s just that a well-known video like that being featured in my novel might do more harm than good, especially considering everything that went on in the aftermath. So I ended up replacing it with a fictional documentary that I made up pretty much while editing. It took me a while to come up with the subject matter behind the documentary and what it did to achieve the level of fame that it would inspire a viral video in the novel’s universe nearly forty years later, but I finally managed to come up with something that I was satisfied with. And hopefully any future reader will be satisfied with it as well.

So what’s the point of this post? I’m not sure there is a point. Maybe I just wanted to tell you all a story while letting you know how the editing for Video Rage is going. Or maybe I was trying to illustrate how something that seems like a good idea when you’re younger or at an earlier stage of a project (or both) can really seem like a bad idea later on and you just have to nix it. (Strange that Stephen King didn’t think of that when he wrote in that scene in IT with the kids all having sex with each other).

In any case, I’ve fixed what I considered to be a great problem with that one chapter of Video Rage, and I think that the rest of the draft will go smoothly…if I can stay on track with finishing the second draft of the book.

Well, that’s all for now. It’s late, so I’m going to bed. Have a good night, my Followers of Fear. I’ll update you on Video Rage and anything else that needs updating as time goes on. In the meantime, pleasant nightmares.

Self-Pub Authors: Writing Reviews

Posted: August 12, 2014 in Journalism, Review, Writing
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Most of you have read my reviews (and if you haven’t had the pleasure, I’ll probably be doing a review soon, because there are some awesome horror films coming out this month). Since I’ve done so many of them, and occasionally they’ve gotten a lot of views, I decided to do a post for Self-Published Authors Helping Other Authors on Writing Reviews.

I’m hoping this post will be helpful to the many authors who would like to try writing reviews themselves. Those things can have so much influence over a person’s decision to buy a movie ticket or place a reservation at their local library for a new book. And I had fun breaking down the process I use for writing reviews and making it into a helpful article.

If you have the chance, please check out the article. And if you’re a self-published author or are thinking of pursuing self-publishing, please check out the rest of the website. There are plenty of articles written by independent authors for independent authors to make all aspects of self-publishing easy and cost efficient.

That’s all for now. If I have time later today, I’ll write another blog post. Until then, I’m busy editing Video Rage. Have a great day, my Followers of Fear.

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