Well, I just finished editing my Backrooms story, “It Changes You,” and added two-thousand words along the way. Only took two weeks. I even improved a very squicky scene so that it will be easier to imagine. And I just reached out to a friend who expressed interest in beta reading the story before I send it out. Depending on how things play out, I may have a few others have a look at it before I try sending it out to publishers.
And now, you might be wondering (or you might not, I can’t read minds) what I plan to edit next. Am I going to go back to “They Sleep Within The Rock,” AKA the story where I put neo-Nazis through hell? Or will I do another pass on the stories in Hannah and Other Stories? Or will I edit something else?
Actually, I’m going to take a break from editing. Let me put it this way: I’m tired. And I’ve been itching for a little while now to work on something new. And I thought I could get through editing one more story. But, you know what they say: man (or whatever species I am) plans and God laughs. So, I’m going to work on some new stuff that excites me and that I think I could find homes for. One’s going to be a story set at Christmas. Yeah, it’s February, but holiday anthologies are already accepting stories. And I may be Jewish, but there are aspects of the holiday season that I enjoy. And which I enjoy putting through hell in stories. The other story will be inspired by a rather unsettling thought I had before bed one evening and which I developed into a story. It’s probably going to make people shudder. Especially my mother. This is something she’s famously afraid of.
I hope she doesn’t mind me saying so. Oh well. She knew what she was getting into when she had me.
Anyway, after those stories, if I don’t have another draft of Hannah to do, I might do that next draft of “They Sleep Within the Rock” and do a third draft of “It Changes You.” Or I may write more new stories. It just depends on what I’m in the mood for. But yeah, I’m going to get those stories edited at some point. I just need breaks from so much massive editing from time to time.
In the meantime, I’m taking the rest of the night off before I get to work on these stories. Tonight it’s dinner, a horror movie, and maybe some reading before bed. It’ll be a good way to end the weekend.
Until next time, my Followers of Fear, good night, pleasant nightmares, and enjoy this week if you can. For all we know, it could be a rough one.
For those of you who don’t know, “squicky” refers to something that is very disturbing, disgusting, and/or unpleasant. In horror, it usually refers to something out of what Stephen King calls “the gross-out factor” of horror, with lots of blood and gore and bodily fluids. Occasionally squicky scenes (or at least most of the ones I’ve encountered) also have some sexual element, though not the kind that would indicate any form of healthy sex. Squicky scenes are the ones that make readers think, “Good Lord, what’s wrong with this author?” And they make the author’s parents go, “what kind of freak did we raise that they could come up with this?”
On a personal level, I can go either way with squickiness. Sometimes, like with the Evil Dead remake in 2013, I find that’s part of the charm of the movie. And I’m looking forward to watching Terrifier 2 because its squickiness reportedly caused people to vomit and faint in the theaters (though hopefully not at the same time). But when it comes to stories like Human Centipede and its sequels, where the very concept is squicky, I run the opposite way.*
That being said, I find myself writing squicky scenes more and more in my work. There’s a scene like that in my Backrooms story “It Changes You,” and one of the stories in my upcoming collection Hannah and Other Stories has plenty of squick in it. And there’s a particular story I hope to start writing soon that will have you shuddering from the squick! It’s going to be a blast.
Why am I writing these scenes? Well, part of it is because I’ve seen other authors in the books I read writing them and that has inspired/urged me to try writing them as well. Another is that, in my continual quest to improve as a writer, I’m trying to push myself to step more and more out of my comfort zone and try things that I wouldn’t normally write. And a third part is that, when done right, those scenes make the story scarier and make the story stand out to readers.
That being said, writing those scenes isn’t easy. I’m usually thinking three things when working on a squick moment: is this too much? Is this not enough? And am I using the right words to bring out the full squicky nature of the scene? Since some of these stories haven’t released yet, I can’t be certain. You’re trying to balance several elements like word choice, time spent on a particular moment, translating that horrifying moment from your brain to the page, and how it fits into the story as a whole, among others. A single misstep and people might call you “shocking for shock’s sake” or “exploitative.”
That being said, people are going to call you that anyway. Besides Human Centipede, other films like the Saw movies or Texas Chainsaw Massacre are full of squicky moments and features. I know authors whose books are filled with squick. And you’ll find that each one has both detractors and fans. It just depends on the person, what they’re capable of stomaching, and what personally draws them to the story.
As for advice on writing squicky scenes, I don’t have much, unfortunately. Like I said, I don’t write them too often. But I do think that, unless your main thought when writing a story is, “I want readers to be shocked and grossed out and wincing with every paragraph,” only use squick when it works for the story. If it adds something to the story, great, keep it. If it doesn’t, then perhaps think about whether you should include such a scene.
This entire film is squicky and I want nothing to do with it.
Also, and while it may be stomach churning, read what others have done with squick and try to pick up what makes their takes effective. Once you do that, you can hopefully get some practice in and start creating scenes and stories that, over time, will produce the same effect those scenes produce in other readers and in you.
All that being said, if squick isn’t your thing, don’t push yourself to include it. The thing about horror, there’s a niche for everyone. You prefer things to be gory and gross and shocking, there’s something for you. You like ghosts and psychological stuff? There’s something there for you. You like cosmic beings whose very appearance causes insanity? Yep, there’s something for you.
Anyway, I just wanted to talk about these scenes I’m writing and my thoughts on them. I hope that when some of these stories with their squick-inducing moments release, they’ll be quite effective and add plenty to the story. Now, if you need me, I’m off to watch some scary movies.
Until next time, my Followers of Fear, good night and pleasant nightmares.
Do you enjoy squicky scenes? Do you write them often? What advice do you have for writing and including them in your horror?
*Seriously, you could not pay me to watch those films. Anyone tries, I will smack them into next week and make my escape in the meantime. I’m already screwed up enough, thank you very much! Don’t need to be twisted any further.
Before we start, I would like to thank Lucy A. Snyder and the team at Tor Nightfire for providing me with an ARC copy to read (and a special thank you to Lucy for the awesome galley copy she gave me a few months back).
Set a few years after our current COVID-19 pandemic, Sister, Maiden, Monster follows three separate women as their lives are affected by a terrible new disease raging across the planet. Known as polymorphic viral gastroencephalitis, or PVG, the disease is like the stomach flu from hell. For those who are lucky, it kills them very quickly. For the rest, it changes them, making them unable to eat most sources of nutrients. They have to get their nutrition through rather macabre means. And that’s only the start of the apocalypse that’s going to come.
So, it looks like there’s still an appetite for pandemic fiction, even after a real pandemic. At least, if the release of Sister, Maiden, Monster, the airing of “The Last of Us,” and one or two of my own stories, among other works, areanything to go by. And everyone telling those stories are making sure the hypothetical future pandemics are even more terrible than COVID-19 was. Which, honestly, I gotta respect.
Alright, onto the story. Sister, Maiden, Monster was great. I really enjoyed it. For one thing, the three main characters are really well-developed, which is great in such a character-driven story. There’s Erin, who’s seeing her life implode and strange new desires growing inside her after becoming infected; Savannah, a prostitute and dominatrix who discovers she has a talent for causing death in the name of new masters; and Mareva, a sickly woman who has been chosen for a terrible purpose. I really got to know these characters and get inside their minds. Which, by the way, was not always the most pleasant ride, believe me.
Speaking of which, Lucy Snyder does not shy away from showing what Stephen King calls the “gross-out” factor of horror. There are bloods, brains, gore, and plenty more body horror to make more squeamish readers feel faint. Add in the isolation and paranoia of living through another pandemic, this one worse than the one preceding it, as well as some good and delicious cosmic horror, and it makes for a rather scary read.
I did think that the time spent with each narrator was unbalanced. Somewhere between a third and half the book is from Erin’s perspective, and while I get why, I would have liked to see more from the other two narrators. Especially Savannah. That lady is wild and a lot of fun to read, even if you would be horrified by her if she were real.
I also noticed that something that appeared later in the book and which I loved seeing was foreshadowed earlier in the story, but I felt it could have been foreshadowed a bit more. Hell, I nearly forgot about the foreshadowing until the reveal, so that says something.
All in all, Sister, Maiden, Monster is a great, body horror-filled ride and I’m glad I got to be among the first to read it. On a scale of 1 to 5, I’m giving it a 4.3. The book releases this Tuesday, February 21st, so go preorder a copy, settle down when you get yours, and get ready to see the horror of the pandemic go through a terrifying metamorphosis.
Until next time, my Followers of Fear, good night and pleasant nightmares.
So, I freaked out for a moment earlier this week. I found out that a Hollywood studio was making a movie out of The Backrooms.
If you don’t know what the Backrooms is, it’s an Internet urban legend/creepypasta about a maze that looks like a never-ending office building with the most horrid yellow wallpaper. Supposedly, there are things in the Backrooms that will come after you if you fall, or “noclip,” into them. They were birthed by a photo that was posted anonymously to 4chan, followed by some lines of text that were posted by another anonymous user, so the Backrooms are technically public domain. Anyone can use them to tell stories.
I wrote a novella taking place in the Backrooms: “It Changes You: A Backrooms Story.” And I’ve been planning on editing it throughout the week. However, earlier this week, something came up that made me wonder if I even could or should edit the story. You see, one of the most–if not the most–popular iteration of The Backrooms was created by YouTuber Kane Pixels. He’s created his own mini-mythology through a highly successful YouTube series, the first video of which having over forty-four million views at the time I’m writing this.
Yeah, the new movie is going to be based on his take on the Backrooms, and he’s likely going to be writing and directing as well.
So, my first reaction was like, “Oh shit! Way to go, you’re barely out of high school! Good luck, I can’t wait to see it!” And then I was like, “What does this mean for ‘It Changes You?’ Will it even be worth editing and trying to find a home with a movie on the way?”
In times like these, I look to the experts I know best: my fellow horror writers. So I asked them in one of my Facebook groups. And they pointed out some things that I’d almost forgotten.
First off, plenty of writers and creators are making stories and videos and whatnot off the Backrooms, not just Kane Pixels and myself. Hell, I’ve seen one author posting photos of his own story on Twitter and Hive. I won’t be the last one. And so long as I don’t steal anything to someone else’s interpretation of the Backrooms, it’s fine if I want to release my own version of it.
Yeah, a movie might make things more difficult. But it wasn’t as if they weren’t difficult before. Let’s face it, everybody’s putting out their own versions everywhere they can. So long as I keep trying, my version is well-written and compelling, and
And it’s not as if the movie will be a surefire thing. It could end up in development hell or just never get made. Look at the Five Nights at Freddy’s movie. That thing has been in development since 2015, and it reportedly only just started filming this month! And the Bartimaeus Sequence by Jonathan Stroud? One of my favorite fantasy series from childhood and still beloved. It was supposed to have a movie years ago! But twenty years after the idea was first floated, still no movie out, even though some new studio bought the rights four years ago.
Who’s to say the same thing won’t happen with the Backrooms movie? It might spend several years in development before it actually gets to the production stage, let alone gets filmed and released.
In the meantime, that’s plenty of time for me to make a mark with my version. Not sure if that’ll be on its own as a standalone novella or as part of a collection, but that’s part of the fun of the search: getting to find out what happens and where your stories will end up.
So, this weekend, I’ll get started on editing “It Changes You.” Some friends/colleagues read the first five-thousand words and gave me feedback, so I’ll look over their notes, and then get to work. By the end of the weekend, maybe I’ll have it off to beta readers, and then maybe next month off to publishers.
But for now, I’ve got work. Until next time, good night (no matter what time it may be where you are), pleasant nightmares, and–watch out! There’s a killer behind you as you’re reading this!
Take a good look. This temporary cover may not be around for much longer.
So, as many of you know, I have a new collection of short stories coming out at some point this year. This collection, Hannah and Other Stories, features stories with terrifying delights such as carnivorous horses, budding serial killers and a couple of very creepy ghosts. And earlier this evening, I had a meeting over Zoom with BSC Publishing Group, the company that will be releasing Hannah. There was me, two of the major players at BSC, and the other writers contracted with BSC.
Get this, by the way: everyone at the meeting had glasses! But of the men in the meeting, I was the only one who was cleanshaven. Everyone else had a beard!
Anyway, we talked about what would be happening over the course of 2023, what the company will be doing to hopefully make our books a success, and some other stuff that needed mentioning to the writers.
And with that, there came some bad news. Because of developments in the publishing industry these past couple of years, and because of the cost of producing paperbacks, even just for print-on-demand, Hannah won’t immediately be released in paperback.
Yeah, you read that right. Unfortunately, it’s just the way things are. You may have read something about Barnes & Noble last year? How the chain, as well as a lot of smaller brick-and-mortar stores, only stock bestsellers these days, and will return the books that don’t do so well to the publishers. BSC realizes this and is reacting to this.
There is a silver lining, however. If Hannah gets enough sales and reviews, and if the latter are positive, print paperback will become possible. And I’m determined to make that happen. Not only do I believe in this collection and the stories within, but I’m putting together a marketing plan to ensure that, alongside what BSC is going to be doing to help me out, this book gets as wide a reach as possible. My goal is to have fifty reviews by the first publication anniversary. Is that a lot? Yes. Is that more than Rose has gotten in three and a half years? Also yes. Do I think I can do it? HELL YES!
And why? Because I believe in the Followers of Fear. Over the years, you’ve not only grown by leaps and bounds as a group, but many of you have become close friends and colleagues whom I’ve supported and who have supported me right back. And I think, once this collection is released, enough of you will be eager enough to check it out and help me get to that goal.
And if not, there’s still a chance of an audio book. Apparently that’s possible even without a paperback with this company. Imagine that!
And now, for the good news: while another draft is likely, we’re moving forward with release. I’ve even been given homework, such as colors I want for the cover, covers to influence the cover, and a few other things. I’m excited. I can’t wait to show you all what we’ve been working on this past year and a half.
In the meantime, I’ll be working on this stuff, then working on a blog post regarding my Backrooms story (so expect more updates soon). So, until that blog post, my Followers of Fear, good night and pleasant nightmares. I hope you’re as excited for Hannah to be released as I am.
Did you know that my first book, The Quiet Game: Five Tales to Chill Your Bones, is coming up on its ten-year publishing anniversary? And that it was around this time of year that I wrote the first drafts of the stories?
It kind of hit me a couple of weekends ago, while vending at ConFusion, that that anniversary was coming up. I was there in the Artists’ Alley, describing each of my books to an interested congoer, and as I mentioned it was my oldest book, I paused. “It’s about…wow, coming up on the ten-year anniversary.” And that really made me think about how much time has passed since that book first came out, as well as all that’s happened since then. Specifically, all the lessons and mistakes I’ve made along the way.
For example, if you look at the cover of The Quiet Game, you might notice there are two F’s in the word “Five.” It’s an error I’ve since become fond of, but it and others have been reminders to me about carefully proofreading my work for mistakes, even when I’m sure they’re perfect.
And marketing my books! I’m still learning how to do it effectively, which is probably why I still need a day job (that’s a joke). But over the years, I’ve learned that you need a lot more than a blog and a book out there to get readers. Nothing ever snowballs till you suddenly find yourself with hundreds of adoring fans. You have to work and try many different things just to get people to take notice, let alone get interested enough to read your book. I’ve learned just how ineffective Facebook ads are for anything except clicks, and I’ve learned that having some advanced readers who are willing to read your work before it comes out makes all the difference. Oh, and that you’ll get plenty more readers when you’re at conventions and you’re being your true self.
And on marketing, I’m still learning things. I think I always will.
You know, you can be reading and writing with an aim to be a professional author since the time you’re a child–like I was–but learning on how to get the work to people is a whole other ballgame. And after ten years, I think I may be in the minor leagues–or at least I’m at a point where I’m somewhat established and known thanks to all those trials and mistakes and revelations I’ve had through the past decade or so.
At least I know one thing for sure: well before The Quiet Game came out, making this blog was a good idea. I created it at a library near my house a couple of weeks before I was set to start my freshman year at Ohio State University. The goal was that I would already have some readers ready before my first book came out (always something I was sure would happen at some point). And you know what? Not only have I discovered readers, I’ve discovered friends and colleagues and interests and experiences that I never thought possible when I was just 18 and starting out in the world. Or when I was 20 and getting ready for that first collection to come out.
Makes me wonder what lessons I’ll learn in the next ten years (I’m not going to speculate on possible mistakes, because I would like to avoid those if possible). And it makes me wonder where I’ll be in the next ten years as well. I hope I’ll have learned enough to make sure that when I release a book, it’s worth the investment for not just me, but for anyone who may have helped me publish it. I hope I may even be writing full-time, or at least much closer to the point where that’s feasible.
And I hope that I have many more Followers of Fear, as well as keeping those who have stuck by me through the years.
Well, that’s all for now, my Followers of Fear. I’ll be working on various projects between now and whenever I check in again. In the meantime, if you haven’t read The Quiet Game yet and want to before the tenth anniversary of its release (when I may have to do something special to mark it), you can find links to it and my other works on the Books page. And if you do end up reading some of my work, please leave a review telling me what you thought. Not only does it help me out as an author, but it helps other readers as well.
Until next time, good night and pleasant nightmares!
Well, that took less time than expected. Still took awhile, but it didn’t take two months as I predicted.
So, for those of you who are unaware, I have a short story collection called Hannah and Other Stories being released some time this year. It contains seven original stories of varying lengths and covers the following subjects: a rumor about a figure on the Internet who is targeting vulnerable teens; carnivorous horses; and budding serial killers, just to name a few. It’ll be released by BSC Publishing Group, whom I’ve worked with before through their magazine The Dark Sire.
And since New Year’s, I’ve been editing the last four stories in the collection, trying to expand on certain things such as showing rather than telling and cutting out stuff that doesn’t do the story any good. I think between that and all the other edits I made, the collection is that much stronger and will make for one hell of a read upon publication.
Of course, I doubt it’s finished yet. We’re probably going to have to go through and make another round of edits before we can set a release date, let alone format everything, create a cover, and make one hell of a marketing plan. But I think that at this point, we’ll just be making some minor alterations to make sure the stories are well-edited and the plots flow well.
Then again, they do say writers are their own worst judges of their work, so who knows? We may have more than cosmetic work up ahead.
The page and word count as I finished the manuscript. It’s going to be a long book.
Well, it’s with the publisher now and they’ll hopefully let me know what they think very soon. In the meantime, I”ll be taking the next few days to relax and catch up on some movies I’ve been meaning to catch and some reading I’ve been meaning to do. I’ll probably also celebrate finishing the latest draft with some good food and some wine. After that, and with my creativity replenished (plus, I’ll likely feel like I need to work on something or I’ll die), I’ll get to work on some other stories that require another draft. These stories are Forever Young, about an unusual child actress; It Changes You, taking place in the Internet phenomenon known as The Backrooms; and They Sleep Within the Rock, the story I wrote about neo-Nazis getting their just desserts.
You can tell why I call all this editing The Great Editing. It’s a lot!
Anyway, after those stories are edited, I haven’t made any commitments yet. It’ll depend on whether or not BSC Publishing Group has sent me back any decisions regarding Hannah and whether or not I need to do further edits. But I do hope I can work on some new stuff by that point. I’ve a bunch of new story ideas I want to work on, so I’m hopeful.
In the meantime, however, I’m going to make a late dinner, maybe open a bottle of homemade wine, and figure out what I’m going to do for the rest of the night. Until next time, my Followers of Fear, I look forward to sharing Hannah with you and hope you enjoy it as much as I have enjoyed working on it.
Good night and pleasant nightmares!
Oh, one more thing: you may have noticed, but at the top of the blog there are a lot less pages. In fact, I recently consolidated all my books onto one page, simply titled Books. I figured that would make things easier for both new and old readers to find my works and the links to them, rather than having to scour fifteen different pages for them.
Just wanted to mention in case you hadn’t noticed. Good night!
So, you’ve probably heard of Winnie the Pooh: Blood and Honey. If you haven’t, let me give you some background, because it’s important to talk about. So, Winnie the Pooh predates Disney and was originally some stories written by AA Milne. Some of those stories became public domain back in 2021, so now anyone can make a story about Pooh Bear so long as they don’t use anything exclusive to the Disney version. A British filmmaker took advantage of that to make a horror film based on the characters, Winnie the Pooh: Blood and Honey. And ever since its announcement, this film has gotten a ton of buzz, so even if it’s terrible, it’s likely going to make bank.
I’m actually going to see it at the one night screening at my theater. I can’t wait.
Unfortunately, not all of the buzz is positive. Recently, one of the actresses in the film, Danielle Roland, said the cast and crew got a lot of hate for being part of the film. Rhys Frake-Waterfield, who directed and co-produced the movie, even got emails saying he should die. You can read the original article here.
Now, I can understand if people are upset about this film being made, let alone the phenomenon it’s become. Winnie the Pooh is a popular character and childhood icon for many people around the world. Seeing him and Piglet used in a horror film might be upsetting. But death threats? That’s going way too far! You’re threatening to kill someone over a fictional character! Might as well threaten to kill someone over the Easter Bunny!
And here’s the thing: no one is forcing any of these people to watch the film. It’s not like men with guns are going to go into people’s homes and kidnap them to the movie theater for the one-night screening, or force them to put it on their various streaming platforms to watch in their living rooms. If you don’t want to go see it, don’t see it. Even better, pretend it doesn’t exist! You can continue to enjoy your childhood bear without having to acknowledge the one that’s going to be taking an axe to a bunch of college students next month.
Unfortunately, death threats like this, as well as over-the-top reactions to fictional media of any sort, have become more and more commonplace over the year. Or maybe they’re being reported by news outlets more. Either way, it’s bizarre to read about. When I was in college, I read about people threatening to ruin Charlaine Harris’s career or kill themselves depending on what she wrote into one of her Sookie Stackhouse books. After college, when Marvel had a storyline in the comics where Captain America was revealed to be a Hydra agent, I read articles about people threatening Marvel’s writers for this storyline. One person alleging to be a Marine even said he was going to abandon all his values because of Cap’s betrayal and even become a killer (I seriously hope that was hyperbole). In 2020, when The Last of Us Part II released, people review-bombed the game based on leaked plot points. Part of this was fueled by homophobia (several of the characters in the game are openly LGBT), but a lot of this was due to fans hating the supposed direction of the game. Not only that, but one of the actresses for the game received death threats for playing a villain.
People got way too upset over this one scene.
And now people are threatening to kill folks associated with this new horror film because it’s about a beloved childhood character.
I don’t care about the circumstances or the reasons why. I don’t even care if the people making the threats are serious. I’m more concerned that anyone thinks reacting like this is appropriate. No matter why, you shouldn’t threaten people’s lives like that.
Let me share you a story from my high school days. Back then, I worked for my gym teacher selling tickets to volleyball and basketball games at the door. When I wasn’t taking tickets, I did homework, ate dinner from the snack bar, and read. It was a good gig. One day, however, I was steamed because I had just finished a Dean Koontz novel and absolutely hated its resolution. After the game, I was picked up by my stepmom, who proceeded to drive me home. And as I’m complaining about the book’s ending, my anger radiating off me like heat from a space heater, my stepmom turned around and said, “Rami, it’s fiction! It’s not real! Don’t get so upset about it!”
Well, that shut me up. And it turned out to be very helpful for me, because it made me realize something: as much as I love stories and characters, none of it is real. The absence of these characters and stories from the world wouldn’t change much, let alone their presence. And among all the things to get mad about in the world, a book resolution or how a character is portrayed isn’t one of them.
Since then, as wrapped up in fiction as I get sometimes, I don’t allow myself to get emotionally out of hand because I don’t like the direction. Yes, I’ll share my thoughts on it, but I’m not going to threaten people over it! And if I really dislike it, I just won’t have anything to do with it. My stress levels stay down and everybody stays happy.
And I wish more people would react that way. Or maybe not react at all. If they did, I guarantee we would all be much happier.
(WARNING: The following post discusses some recent movies that not everyone has seen yet. I’ve tried to avoid spoilers, but if you’d rather see these movies without knowing anything, then stop reading now and come back later. You’ve been warned.)
It’s no secret that I’m an eccentric, and I channel that eccentricity into my fiction all the time. I mean, my most popular novel is about a young woman who’s turned into a plant/human hybrid. If that’s not an example of weird fiction, then I’m a high school girl in an anime. And I’m not!
Skinamarink’s poster displayed outside my usual movie theater.
With all that expertise, I can say with certainty that there is plenty of room in fiction, especially in horror fiction, for weird. The novel House of Leaves by Mark Z. Danielewski, is a prime example of this. It’s a story about a documentary about a recounting of one family’s experience living in a home that has a giant labyrinth hidden inside it. The novel is full of footnotes, some of which have footnotes, as well as pages with only a few lines of text, or the text laid out in an odd manner, forcing the reader to hold the book at weird angles. From what I’m told, it makes for an experience both agoraphobic and claustrophobic.*
No wonder that book has an enduring relevance among horror readers, despite the author and some readers seeing it more as a love story than a horror story.
All that being said, there is both a good way to make a story weird and a bad way to make a story weird. Especially in the horror genre.
Some of you may have heard of the new Canadian horror movie Skinamarink. The movie revolves around two children who wake up one night to find that their father, as well as the doors and windows to their home, have mysteriously vanished. There’s been a lot of talk about the film online, with some loving it and others reviling it. I went to see it on Friday, knowing that one way or another, I would get a weird experience.
Well, I did get that weird experience. It’s filmed in a way meant to evoke a child’s perspective and reflect their nightmares, with the majority of shots focused on hallways, things high overhead or on the television in the den. Anything but the characters themselves. The entire film is also filtered to look like a home movie from the 80s or 90s, and the use of effects is minimal and mostly reliant on practical effects. A lot of the dialogue is told in whispers, so subtitles are used throughout the film. There’s no music, and plenty of surreal moments throughout the film, especially near the end.
That being said, everyone in my theater, including me, hated it. I even spoke to someone who was in the theater with me afterwards, and he told me he fell asleep during the film. I can see why: except for a few effective jumpscares, there was nothing to actually unsettle the viewer or keep them tense or focused, let alone scare them.
Since seeing the film, I’ve been characterizing it like someone took the cursed videotape from The Ring and tried to make it into a feature film, but took out what made that video so scary in the first place.
Now, I’m not saying anyone who enjoyed Skinamarink or found it scary is wrong or bad. The wonderful thing about horror is how subjective it is and how there are many different niches to suit every fan. Nor am I shitting on the director for the choices he made. I reserve that for the Friday the 13th remake and its creators, because that film is trash that gets everything good about the franchise wrong. Most of the people involved in it should get a good kick in the pants!
No, what I’m saying is that the weird is emphasized at the expense of the horror. Online, Skinamarink is characterized as “an experimental horror film” and that feels like an apt way of putting things. From the way the film is shot, to the use of subtitles and the story (flimsy as it is), you can tell that it’s all been an experiment by the director to conjure up a unique viewing experience. And in that respect, his experiment was a success. However, in terms of creating an effective horror film, the experiment was a bust.
Hatching is, in my humble opinion, a great example of weird horror done well.
Now, compare that to another recent horror film, Finland’s Pahanhautoja, or Hatching. The film follows a girl who finds an egg in the forest and incubates it, only to end up the caretaker of a large bird/dinosaur monster that she calls Alli. Yeah, that’s weird, especially when you see the ugly-ass creature, which is brought to life mainly with practical effects and puppetry. But it also helps to tell a story about a very repressed girl who is struggling as part of a toxic family dynamic and being ruled by a narcissistic, social media-obsessed mother. Rather than overtaking the story, the weird aspects help drive the story and explore its deeper themes.
And that’s where the big difference between Skinamarink and Hatching is. The former’s weird aspects overtake the film and drown out the horror, while the latter’s weird aspects help out the horror and the story in order to be told more effectively.
To summarize, when telling a story of the weird variety, it’s important to remember that you’re telling a story first and foremost. Thus, while you can add as many weird elements as you want, if they overwhelm the story you’re trying to tell, you risk alienating rather than engaging your audience. And that’s something every storyteller wants to avoid. Including eccentrics like me.
*It’s on my TBR list, but that list is long and I only have so much reading time. Thus, it’s going to have to wait a while till I get to it.
Just a reminder, my Followers of Fear: this coming weekend I’ll be at ConFusion at the Sheration Detroit Novi in Detrot, Michigan. This is a big science fiction and fantasy convention that’ll be held from Friday, January 20th to Sunday, January 22nd. I’ll be there selling books and doing Tarot readings, so if you’re in the area, feel free to stop by and say hi. I’d be more than happy to see you.
Remember a few months ago when I talked about how I was making wine at home and how it was a process very much like writing? Well if you don’t, here’s the link to that post.
So, as a quick refresher, I’ve been making my own homemade wine. My first batch, started in 2021, was a plum wine, and the second batch, is a pumpkin wine. Yes, you can make wine from pumpkin. You can make wine from a whole lot of things you wouldn’t expect, including flowers like dandelions and roses, or honey, or even broccoli! Not that anyone would want to drink broccoli wine, but you get the idea.
Anyway, each batch takes at least a year to be ready, most of that is aging in the bottle. That’s why the plum wine was only opened for the first time yesterday, even though I started it in 2021.The pumpkin wine will be ready in October, by the way. It took less time than the plum wine, for some reason.
Getting back to the point, the plum wine became ready for drinking on Sunday, and I had some friends and family over to the condo (“The Haunted Condo,” as some are starting to call it, though so far the only thing haunting it is me) to try the wine. And despite my worries, they liked it. It wasn’t as bad as I feared for the first wine I ever made, was a lot drier than expected, and was very full-bodied as well.
I actually tried to get a reaction video going, but not everybody wanted to be in the video, so instead I filmed one after everyone left. Below is the video. Give it a watch if you have ten minutes.
Hope you enjoyed that. I certainly did! Or I enjoyed the wine, at least.
If you didn’t watch it, I’ll just reiterate what I said above: the wine was tasty, it was drier than expected, had a nice body, and was overall pretty good. Much better than expected for my first wine (which is more than I can say for my initial writing projects).
And I’ll probably do it again for the pumpkin wine when it’s ready this fall. Maybe I’ll be able to get some people into the video for more reactions. In the meantime, I just enjoyed drinking the wine and sharing it with you (not literally, of course). And I hope you’ll take a look at my other videos on that platform. I don’t post much to YouTube, but when I do, it’s usually something I really want to post there. Usually writing-related and ghost hunting videos, but other stuff too.
Until next time, good night and pleasant nightmares. And remember, whether your alcohol is homemade or commercially bought, please drink responsibly.
Rami Ungar The Writer 