Posts Tagged ‘horror’

Life is crazy, there’s a lot going on, so here’s some quick updates on what’s going on in my life and writing career.

Hannah and Other Stories

So, the next draft has already begun on Hannah. Currently, my editor is sending it to me story by story every couple of days, with “Hannah” itself arriving yesterday. (And yes, differentiating the two in email conversations with my editor was a hoot). I actually got the story done in one evening and sent it back, with the biggest change to the story just being that I changed some names of brands and public institutions. For example, YouTube became WeTube, Ohio State University became Aurelian University, and Disneyland in Anaheim because Mueller Land in San Dimas. Fun fact, took me about half an hour to rename Disneyland, but given that they’re a brand I don’t want to owe money to for using in a story, it was a half hour well spent.

I should receive the next story, “Queen Alice,” in a few days at most. When I get it, I’ll get it edited as quickly as possible and get it back to the publisher. With any luck, we’ll be done with this draft by the end of the month.

They Sleep Within the Rock and other projects

I finally got around to doing a third draft of this novella last week. With my beta reader’s help, I’ve been able to improve the story immensely, and have edited about seventy percent of the story. Unfortunately, while working on it, I realized the last thirty percent doesn’t have the oomph this story needs to be great. I mean, it’s a story about giving neo-Nazis some epic karma! You would think the story would have an ending on par with the explosiveness of Die Hard or the finale of The Little Mermaid (say what you will about that movie, but that finale is nothing to sneeze at).

So after a lot of messaging back and forth with my beta reader, I think I came up with a new ending that might be closer to my vision. I’ll be working on it in-between stories of Hannah, so it may take time, but I’ll get it done and back to the beta reader before too long.

After that, I would like to edit “The Underground Kings” and “It Changes You: A Backrooms Story,” as I’ve received some great feedback on how to improve those stories and I want to see what I can do with them. With any luck, they may even find homes!

And as for new stuff…well, I would like to get back to my mummy novel Crawler. And I do have some short stories, novelettes and novellas I might want to work on later this year. But really, nothing definite at this point. Just a ton of editing.

Horror Writers Association news

You may not be aware of this, but I’ve been the Chairperson for the Ohio chapter of the Horror Writers Association, HWA Ohio, since around its inception. I didn’t volunteer for the role or anything in the beginning, I just kept reserving meeting rooms for our meetings, and as we got more organized, I just kind of became the chair.

This year, the HWA implemented a system to elect chairs every two years organization wide. And I can officially say that I’ve been elected to serve the role two more years. I’m looking forward to serving as the Chairperson again, and to growing both the chapter and its members. If anything exciting pops up in that regard, I will let you know.

Anything else?

As you know, this Saturday I will be selling books and doing Tarot readings at the Hidden Marietta Paranormal Expo in Marietta, Ohio. It’ll be at the Washington County Fairgrounds from 10 AM – 4 PM. If you’re in the area this Saturday, please stop by, because it’s going to be a ton of fun.

I’m also going to be doing a flashlight tour and a ghost hunt at the local Anchorage Mansion this weekend with a friend, so hopefully we come across some spooky stuff. If we do, and I can, I’ll record it so you can see it!

And I finished Every Woman Knows This by Laurel Hightower, and thought it was a strong collection of scary short stories. 4 out of 5, won’t disappoint readers who give it a read.

Other than that, there’s nothing I can talk about. At least nothing that’s relevant to this blog right now or that I can talk about without getting into trouble. So, I’ll take this moment to bid you all a good night. Until next time, my Followers of Fear, pleasant nightmares!

You know the drill. Junji Ito, currently the biggest name in horror manga right now, released a new collection of short manga in North America. I got my hands on a copy from the library, read it, and now I’m reviewing it.

In Tombs, Ito brings together some old and some new stories to terrify us. From a town where tombstones show up wherever someone dies, to a strange neighbor who calls to a young man at night and a town where everyone appears to be anemic, there’s something for everyone in this collection. And all of it is guaranteed to stick in your mind.

This was probably the most solid collection of Ito’s shorts that I’ve read. Not a bad one among the group. Obviously, Ito’s art is always well-done and extremely evocative, with every line made to scare the ever-living daylights to you. And the ideas of these stories are all very inventive. I often found myself envying some of the ideas he had to come up with these stories, my favorites being the titular story “Tombs,” as well as “The Bloody Story of Shirosuna.” The former story is the one I mentioned where tombstones show up whenever someone dies, while the latter is the one about the town being anemic.

Close runner-ups were “Floaters,” a story where people’s inner thoughts manifest physically as these little hairballs that float in the air and speak your thoughts when you touch them, and “Bronze Statue,” which follows an old woman’s obsession with her youth and commemorating it in bronze.

It was also great to finally read “The Window Next Door,” which I’ve only heard about and have never read (I didn’t want to read it illegally online). That particular story has some of the most disgusting and off-putting art I’ve seen from Ito, all without using blood or gore.

The only issue I really had with the collection was that the story “Clubhouse,” which is a ghost story with a fun and clever concept, ended a bit too abruptly for my tastes. I honestly felt like it could have had a better resolution if it had a few more pages. That being said, the story is still pretty awesome as it is.

All in all, Tombs by Junji Ito is a great collection with some amazing and creepy stories worth reading. On a scale of 1 to 5, I’m going to give it an even 5, a top score. Definitely go out and read a copy if you can get your hands on it. Hell, I might buy myself a copy to own if the opportunity presents itself. It’s that good.

Also, I think “The Bloody Story of Shirosuna” would make a great live-action movie. Can someone please get on it? And yes, please do live action, not anime. I’ve sort of given up on anime adapting Junji Ito well (two series have been really sub-par and the Uzumaki adaptation has been delayed forever, so what does that tell you?). And don’t make an American version of it, I’m sure that would ruin it by adding all the wrong elements to make it more local. But yes, please make a live-action adaptation of it.

Alright, that’s all for now, my Followers of Fear. Until next time, good night and pleasant nightmares!

As I mentioned in a previous post, BSC Publishing Group’s editors and I had several Zoom and email discussions regarding the content in my upcoming collection, Hannah and Other Stories. During the discussion, I realized a lot of things about my stories and my writing in general that needed improvement. And this led to some discussions with one of the editors about my writing, writing horror in general, and what directions I could go with my writing.

I won’t go into details, because some of it is for stories that you have yet to read, and I really want things to be a surprise. But the biggest conclusion I came to was that there’s still so much I need to learn as a horror writer.

I mean, I kind of already knew that, but I think part of me thought I’d become some sort of authority on horror writing, and the content meeting, as well as all the discussions that followed, really made me see the light. All of a sudden, I’m understanding why some of my stories haven’t been accepted, what fatal flaws I’ve allowed to slip into my storytelling, and what needs to be fixed so I can write not just effective horror stories, but publishable horror stories.

Honestly, it’s been rough to realize how much I still have to learn and how many ways I’ve actually been sabotaging my own stories. It’s been enough to make me doubt my own abilities as a writer…for a second. Then I remembered this is why we have editors and beta readers and why authors are their own worst judges and how we also need this feedback so we can grow and become better writers. If we never learn from others or discount what our editors and beta readers say, we end up writing really bad stories that never get published.

So, this whole experience, while slightly disheartening, has been a good eye-opener for me. Hopefully I can learn from this past week and write some stories that magazines and publishers will want to release and readers will want to read. I’m already thinking of ways to improve the stories I still need to edit, including “They Sleep Within the Rock” and “It Changes You,” and stories I might want to tackle next. I’ve also thought of ways to change Toyland and Crawler, and, of course, I’ve had plenty of thoughts of how to improve the stories in Hannah. With any luck, I can put these thoughts into practice and edit these stories so that they’re worthy of the promise at the top of this blog and on my business cards: “Scared yet? My job here is done.”

I look forward to updating you all on my progress.


One last thing, my Followers of Fear: I know I got into all the events I’ll be attending yesterday (you can see that post here), but I got confirmation on one more today, so I’ll add it to the end of this post. So this summer, I’ll be a guest at Gem City Comic Con on July 22nd and 23rd, 2023 in Dayton, Ohio! I’m really looking forward to this convention, so if you can stop by, please do so. I don’t know if they’ll let me do Tarot readings yet, but I’ll be happy to sign your book.

Until next time, good night and pleasant nightmares!

I’ve been hearing about Philip Fracassi here and there for a little while now and was curious to try one of his stories. One or two of his books have even made it onto my TBR list. This one became available to me on Audible, so I snapped it up. And today, while cooking dinner, I finished the audio version of Gothic. Obviously, I have to share my thoughts.

Gothic follows Tyson Parks, a middle-aged horror author who was a big seller in the 90s but hasn’t turned out a hit since and needs one to stay afloat. It doesn’t help that he pitched one book to a publisher and turned in something entirely different to his agent. However, when his wife gets him a new writing desk for his birthday, one with a black stone top and lots of terrifying designs in the wood, he finds himself inspired to write something dark and violent. However, this inspiration, and the source of it, turns him dark and violent as well. And that’s because the desk isn’t just a desk. It’s something old and evil. And it has a terrible purpose in mind for Tyson.

I liked Fracassi’s writing style. He goes into the trials and troubles of a writer, especially one with bills, with both realism and a strong sense of humor. Not to mention, the story itself is dark and intriguing, moving along at a steady clip as you watch Tyson’s descent and how those he loves are pulled along for the ride. Honestly, there were some parts that made me cringe when I read them, they were just so brutal.

And the source of the horror, the writing desk, is a pretty cool concept. Yeah, at first glance it sounds like Christine gone silly, but the damn thing’s scary in more than just looks. Especially as it begins to exert a stronger and stronger influence on Tyson. And in the last fifth or so, elements of In the Mouth of Madness are incorporated, which I enjoyed.

That being said, I was disappointed by the ending. I thought it felt rushed, like Fracassi was trying to meet the same deadline as his character, and he just slapped on an ending that wouldn’t require another ten to twenty thousand words. Part of me wonders if the intention is to give this story a sequel where some of the plot threads are wrapped up and the desk’s influence can be further explored, but I don’t know if that was the intention.

On a scale of 1 to 5, I’m giving Gothic by Philip Fracassi an even 4. With plenty of pain and horror, it’s an entertaining read and worth taking a look at.

Just don’t read it near any antique desks. And if you do, make sure you have the desk’s history and you’re sure it’s not dangerous before you do.

Earlier this week, my publisher got in touch with me and asked me to pick some excerpts from each of the stories in Hannah. Specifically, they were looking for excerpts that reflect the theme of the collection. And that really made me think, because up till then, I hadn’t thought there was a theme to Hannah. It was just a bunch of stories I’d been working on at the same time that I thought might make a good collection if included together.

So, I had to ask myself: is there a theme to Hannah and Other Stories?

Now, if for some reason you’re unfamiliar, Hannah and Other Stories is a collection of short stories that I’ll be releasing later this year in the fall (exact date to be determined). It’s a collection of seven strange and unique stories, ranging from ghost hunters investigating a haunted school, to budding serial killers, to even carnivorous horses. And BSC Publishing Group, the company that will be releasing Hannah, and I have been working hard so as many people as possible are interested to read this book when it releases.

Which brings me back to the point of this post: BSC wanted me to pull excerpts from the stories inside that really speak to the theme of the collection. So, I had to sit back and really think about if there was a theme to the collection. And if so, what was it? There certainly wasn’t when I wrote and released The Quiet Game. That was just me writing stories that interested me and which I thought people would enjoy. I thought with those five stories, I’d be making a good foray into the world of publishing, self-publishing, and horror fiction.

And as mentioned above, I was working on some stories I liked and thought would make a great collection when I put Hannah together. So, was there a unifying theme below it all? Maybe something I only noticed subconsciously when I was choosing which stories to put together? Because there were definitely a few I rejected for one reason or another.

Well, after some rumination, I did realize something: in all the stories, there’s a senselessness to the world. The violence and horrors that occur don’t seem to occur because of some greater plan, or a good versus evil struggle like you see in horror. Shit is happening, and even when you go back through events and see how they start and how inevitable the endings are, you don’t feel like there’s anything guiding the world. It’s just a cruel, indifferent world with cruel or indifferent people and cruel or indifferent circumstances leading to horrific results.

And for many, that’s scary in and of itself. Even those of us who aren’t necessarily religious like to think there’s a higher power or guiding force or principle in the universe. The idea that the universe has none (except maybe a writer with a penchant for dark, sinister and macabre storytelling) is sure to chill more than a few readers.

So, I chose excerpts I felt reflected that. Sure, some of those excerpts featured people being awful (and those scenes are incredibly violent), but in the end, that senselessness and lack of guidance or purpose is at the center of the excerpts.

Hopefully, the excerpts chosen help with the marketing campaign we’re going to do in the months leading up to Hannah‘s release. As I said, I have high hopes for this collection, and I think many readers, whether new to my work or fans for years, will find plenty to enjoy.

And maybe, if I put out more collections in the future, I’ll think harder about themes before I put it together and try to shop it around.


That’s all for now, my Followers of Fear. I actually woke up sick today, so my weekend plans kind of fell by the wayside. Hopefully I can do some of the stuff I wanted to do this weekend. At least I was able to get a blog post out. That was something I wanted to do at some point this weekend.

Anyway, I’m off to heat up dinner. I hope this post got you excited or more interested in Hannah and Other Stories. And while you wait for its release, if you’re looking for something spooky to read, if you want to support my career, or if you want to help me feel better, maybe consider checking out my Published Books page and finding your next read there. Trust me, there’s plenty there to enjoy.

Until next time, good night, pleasant nightmares, Shabbat Shalom, and only 200 days till Halloween! Yes, I’m keeping track, that should surprise none of you.

So, I’m reading Every Woman Knows This: A Horror Collection by Laurel Hightower, a collection of horror short stories I won in a Twitter giveaway. Not very fast, because I get through print books so much more slowly these days than I used to, but I’m making my way through it. And I am in awe that some of these short stories appear to be shorter than five thousand words. Hell, some of the earlier stories in the collection appear less than four thousand.

And I’m sitting there, reading the stories, and I’m like, “How does she do that and make them still so damn good?”

I actually posted that question on my personal Facebook and my Twitter feed. Laurel responded to the Facebook post (we’re friends there), thanking me for posting about the book and being glad that I’m enjoying it. Did not share her secrets with me, though.

I wish she had, because I would love to be able to write stories that short and still be effective. After all, I grew up on Harry Potter and the Bartimaeus Trilogy, followed by books like Interview with the Vampire and IT. The shortest of those books is seventy-seven thousand words. By the time I started regularly reading and writing short stories, my brain was already primed for sprawling plots with deep twists, multiple layers of themes and secrets, and complex character relationships that are explored through multiple pages, chapters and books.

Taking all that out and trying to tell an entire story in less than seventy-five hundred words (what the Horror Writer Association says is the maximum word count for a short story) was a huge switch for me. And honestly, I’ve had varying success. Occasionally, I manage to get a story less than seventy-five hundred words, and sometimes those stories get published, but more often short for me is a novelette between 7,500 and 17,500 words. Not as long as a novel, not by far, but allows me more room to work with those plot elements I like.

Still, I do try to come up with and write those shorter stories, what Stephen King calls “a quick kiss in the dark from a stranger.”* Yeah, it’s difficult to do, but most publications are looking for stories of that range, and I want to get my work into them. And, I like the challenge. It’s another hill for me to climb on my journey as an author. And, occasionally, something I write in this vein is really good.

That being said, if it looks like a short story is destined to be a novelette, or even a novella or novel, I will let it be the length it’s going to be. No sense trying to maim a good story so it can fit somewhere, right?

But I still try. And I’ve gleaned some things in my attempts, like instead of big plots or huge happenings, you focus on small instances or events that may happen to one or two people. Rather than the big moments, like the destruction of It in the sewers of Derry or the fallout of four writers visiting a haunted house on Kansas during Halloween for a publicity stunt (Kill Creek by Scott Thomas, if you don’t know), I should focus on maybe a ghost at the Ohio State Reformatory trying to get information on what happened after he died, or a young man dealing with something evil that’s appeared intermittently in his life. Those might manage to become the kisses given in the dark by a stranger.

Actually, one of those was a kiss in the dark, and some of you may remember it. It’s “Is Anyone There,” which was published last year in That Which Cannot Be Undone, and got mentioned in several reviews as a highlight of the anthology. So maybe I might be closer to my goals than I think.

Just don’t kiss me in the dark. I’m more likely to punch you for that than enjoy it or put it into a story.

What are your tips for writing short stories, Followers of Fear? Do you struggle with keeping them under 7,000 or 5,000 words? Let’s discuss.

Also, be sure to check out Every Woman Knows This by Laurel Hightower. So far, it’s a great collection, and I hope I’ve learned some things by the time I’m done.

*Which, by the way, is a weird idea, isn’t it? You walk down an alley or into a room and it’s really dark and suddenly someone plants one on your mouth before disappearing? Actually, the scenario with the room is the plot of an Anton Chekhov short story, and the character who gets the kiss does have an impression left on him. So, I guess it’s a good metaphor.

Well, I’m feeling pretty good. Tired, but good.

As many of you know, I’ve been caught up in editing a bunch of stories, both for my upcoming collection Hannah and Other Stories, and others I hope to submit to various publications and magazines. For all the obvious reasons, I’ve been calling this the Great Editing, and it’s been a lot! I think I’ve edited about six stories by now, and that was just in the first two months of 2023.

Needing a break, I decided to write some new stories. Sure, they’d become part of the Great Editing at some point, but it just feels good to work on new stuff sometimes. Anyway, I wrote “The Hunting Party,” a Christmas horror story (you can read all about that here), and I just finished “Mother of Spiders,” a novelette set in the 1950s and about a town whose history comes back to bite them in the worst way: with eight legs and some scary fangs!

Yeah, it’s a spider-based horror story. I did say in previous posts that this story would tap into a common phobia, after all. And I think the overall concept of the story is good.

That being said, I really struggled with this story at times. Not because I didn’t know where it was going, because I’m an obsessive plotter. I always know where my stories are going. I think it was just finding the right words for the story and figuring out how to convey it. That was a struggle, and it wasn’t until the final scene of the story that I really felt like the story was flowing out of me. I have a feeling that when I edit this one, it’s going to take several drafts before I can start submitting it for publication. And most of it will just be figuring out how to better tell this story.

But hey, it’s a good sign when you recognize your own story’s shortcomings and are already thinking of ways to improve the story. Hopefully that means when I get around to the second draft, I’ll be prepared to turn this story into something worth reading.

For now though, I think I’m ready to get back to the Great Editing. Let’s face it, the number of stories requiring my attention have only grown since I started my break, and I want to get at least one or two out of the way before the next draft of Hannah lands in my inbox. I’ll start with “The Hunting Party,” because there are a couple of Christmas anthologies already looking for stories and I want to submit this one before they fill up. Then I’m going to get into the third draft of “They Sleep Within the Rock,” AKA the novella where I put neo-Nazis through some well-deserved hell. After that, if it isn’t time to work on Hannah again, I have a few stories to choose from.

For now though, I’m going to chill the rest of the weekend. I have some scary movies from the library, so I think I’ll have a double feature before bed. So, until next time, my Followers of Fear, good night and pleasant nightmares. And if I don’t catch you before Passover starts this Wednesday, may the matzo monster get you and ruin your digestive system with more cracker-like bread than you could ever want to eat.

Cheers!

It’s time! It’s here! After working with BSC Publishing Group’s graphic designer and waiting for days, it’s here! The cover for my new collection of short stories, Hannah and Other Stories, has been released! And you can look at it below.

What do you think? The cover depicts a moment from one of the stories in the collection, a rather macabre moment that made even me shiver (imagine what it will do to readers). I gave BSC the idea of the cover, as well as other covers I love, and they ran with it. From there, we worked together on fonts, added and subtracted elements, and eventually got to the beauty above. At which point, I emailed BSC and was like, “We’ve got it! By George, I think we’ve got it!”

But that was only the beginning. Not only did they create a cover with my input, but they went and created a book trailer too! A freaking book trailer! I’ve tried my hand at creating book trailers before and was thinking of trying to make a new one with Hannah, but they did something even better than anything I have in mind. Check it out below.

How about that? Having a publisher create this book trailer and work so hard to make it as creepy and enticing as can be shows how much they believe in this book and want it to succeed.

So, what happens next? Well, as the trailer states, Hannah will release in Fall 2023, so at least five months and a few days away. In the meantime, BSC and I will work together to make sure the final manuscript is as polished and clear of mistakes as possible. We’ll also work together to build as much buzz for the book before it releases. That way, when it releases, as many people as possible are reading it.

And I may do a little voodoo on my end. What can I say, I like the idea of friendly supernatural entities helping me out with my dreams. And I have reason to believe it’s worked before. Why can’t it work with this book?

Anyway, I’m just so excited for you to read the stories within. They’re all original stories I’ve been crafting over the years and I’m so excited for you to finally read them. There’s Queen Alice, about an internet legend that takes on a life of its own; Fuselli’s Horses, about a horse ranch with some unique stallions among its residents; and What Errour Awoke, about how a simple English literature class leads to a dangerous situation during the early days of the COVID-19 pandemic. And that’s just three out of seven! But trust me, the other four are just as creepy and as fun.

But in the meantime, if you’re interested in supporting me, or if you’re just looking for something spooky to read, you can check out my Books page and then check out any of my already published work. And if you like what you read, consider leaving a review online somewhere. Not only do I appreciate your feedback, but it helps me grow as an author and helps other readers find my work.

That’s all for now, my Followers of Fear. I’m off to celebrate the reveal. Until next time, good night, pleasant nightmares, and are you scared yet? Because if you are, then my job here is done.

Two posts in one day. My Followers of Fear, you either did something very good in your past life or very bad. Either way, I finished Grady Hendrix’s latest novel on audio book today, so I’m going to review it here.

How to Sell a Haunted House follows Louise Joyner, a mother of a five-year-old who has a complicated relationship with her family. When her parents die unexpectedly, she flies from San Francisco to Charleston to take care of their estate and put them to rest. However, things are complicated by her younger brother Mark, whose lifestyle and choices puts him in conflict with Louise from day one. As the two argue like children and try to get the estate settled, they soon find that something malevolent is alive within their childhood home. And unless they get their shit together, it may claim not just the both of them, but Louise’s little girl.

The amazing thing about Grady Hendrix is that he can take a concept that sounds ridiculous on paper and write a whole novel out of it that’s both darkly comic and quite terrifying. From an IKEA knockoff built on the grounds of a former prison, to a teenage girl becoming possessed in 1980s-saturated Charleston, he just makes it work. And it’s no different here. Honestly, I found myself laughing quite a bit listening to Mark and Louise act like me and my sisters at our worst times ten. And as you get further in and see just how dysfunctional this family is, you find yourself glad you’re not part of the same family.*

And when you figure out who/what is going to be the main antagonist of the story, you find yourself laughing…only to see how terrifying said antagonist is. And as you see episodes from Louise and Mark’s childhoods and adulthoods that formed them as people, you see elements as these moments come back to literally haunt them in their parents’ homes. It’s freaky, and there were actually times I found myself wincing or shuddering as I listened to these moments.

And underneath all the darkness and comedy, you get some great themes about the effects of generational trauma on family and family dynamics, about learning to deal with death (and explain it to children), and what family actually is. It’s heavy stuff.

I do have some problems with the book, however. I did see a certain twist regarding the antagonist very early on, and I’m sure I’m not the only one. I also thought the resolution of the climax could have been a bit darker and might have ended too sweetly. And I would have liked to see Mark and Louise explore and resolve their issues a bit more. I feel like during the last third of the book, a lot of stuff was skipped over so the novel could reach its end.

But all in all, How to Sell a Haunted House is another awesome release from Grady Hendrix, whom I’m sure will only continue to grow in stature as a storyteller. On a scale of 1 to 5, I award his latest outing a 4.2 out of 5. It’s funny, creepy, and an all-around thrilling story. Grab a copy, settle down, and get ready to either feel grateful for your own family or feel like you’re reading about your relatives (it’s either one or the other, for better or for worse).

That’s all for now, my Followers of Fear. Until next time (which will be sometime before the week is done), good night and pleasant nightmares.

*I actually texted my own sisters to let them know how much I loved them and was glad we got along despite our childhood rivalries and disagreements. They were touched, as well as concerned about me because I was sending that text. Anyway, that’s how I reacted to this family’s malfunction.

When I attended the Columbus Witches’Ball back in November, a Druid priest approached me after the ancestor’s ritual. This man, who had never met me before and had never read my biography, told me that he could tell certain things about people, and that I wasn’t human. My body may have been human, but my soul was anything but.

My response: “It’s about time somebody realized it!”

A couple of months later at ConFusion, on the first night, a little boy of about four years old walked past my booth with his mom and older brother. He took one look at me, wearing a cloak and top hat, and asked, “Are you evil?” Mind you, the kid couldn’t read the sign at my booth, tell what kind of books I wrote, or see my cane with its winged skull handle. To him, I was just a funny adult in a costume.

My response after I stopped laughing: “Yes, but in all the best ways.”

And this past weekend, I stayed at my dad and stepmom’s place in Cleveland so I could do some Passover shopping (they have a huge selection up there, way bigger than Columbus). While I’m there, we sit down to watch the movie The Vigil (see my review of that film here). The film’s opening explains the concept of a shomer, someone who watches the body of the deceased overnight and reads prayers over it to comfort and protect the soul of the deceased.

Sometimes, if no family or friends are available, someone else is paid to be the shomer.

As we pause the film so we can all read the text, I complain how I was never given such a job, even when I was job hunting after graduation and my internship in Germany. Not only could I have used the money, but I would have loved that job, macabre as it was.

My stepmom, without missing a beat, responded, “Are you kidding me? The shomer is suppose to protect the body and soul from evil! You’d only bring it with you!”

I had to admit, she had a point.

All this goes to show is that, whether or not they know me, these people know me. They know what I am and what I’m about. And some of them know to be very, very afraid.

To which all I can do is laugh like the madman I am.