Posts Tagged ‘storytelling’

If you’ve been with me a while, you remember a few years ago I read this awesome horror manga called Uzumaki by Junji Ito (and if you don’t or weren’t around then, here’s the link) Since then I managed to get my hands on the movie adaptation of Uzumaki (you can read that review here), read plenty more of his works (his stories can be hit or miss, but generally I like them), and watched a couple episodes of an anime adaptation of his various short stories (which, by the way, sucked. I didn’t even bother to review it, it was sooo bad). And most recently, Ito’s adaptation of Mary Shelley’s Frankenstein was released in the United States, along with eight previously untranslated short stories, six of which are interconnected. All in one big volume.

How could I not read and review that?

Obviously Frankenstein is based on Mary Shelley’s 1818 novel, the tale of one scientist’s journey to create a living being through science and the disastrous series of events that follows, along with elements from some of the movie adaptations out there.* And honestly, Ito’s art is perfect for this story. I’ve heard he spends upwards of ten hours on illustrating a single page or frame, using ink and shadow, as well as his disinterest in making his art pretty or visually appealing in the normal sense of the phrase. I mean, look at the reveal of the Monster.

Um, yikes!

Seriously, this guy has to do more Gothic horror. His style is a natural for it. And it’s a natural fit here, really allowing you to feel the horror that early audiences felt of the original novel, especially in bringing the monster to life. There’s also some decent changes from the original text in order to make the story more compelling for the style of manga, such as when it comes to the creation of the Monster’s Bride.

Still, there are some things that could’ve been improved. A couple of Ito’s changes do make the story a bit slower near the end, and the translated text might be a little too close to the actual novel for a modern audience (if I wanted old-timey speak like that, I’d read Lovecraft). And honestly, I would’ve liked to see Ito take more liberties with the story, make it his own. His stories can be really unnerving, and I’d love to see him bring more of his style to the Frankenstein story.

The short stories added to bulk up the book (because of course they are) are decent, for the most part. Six of them follow Toru Oshikiri, a teenager living in a giant mansion by himself who starts to have a strange series of experiences, gradually leading to him making a shocking discovery about his home. Some of these stories work really well, but sometimes the build-up in them seems to lead to a letdown.

The real problems though are the unconnected stories. They don’t really add anything, and one of them is definitely from the bottom of Ito’s portfolio.

By itself, I give Ito’s adaptation of Frankenstein a 4 out of 5. If you want a really creepy visual adaptation of the original Frankenstein story, this is definitely worth a read. With the addition of the other stories, I’d give it a 3.5. Not what I’d recommend for anyone coming to Ito’s work for the first time (for that, I’d point to Uzumaki or his collection Shiver, which came out in December 2017), but for anyone familiar with his work already, this collection is probably worth checking out.

Speaking of which, Ito’s got another collection, Smashed, coming out in April. I might have to check that one out and give that a review as well. Hopefully his stories Hellstar Remina and The Bully are included. I hear those are reeeeally freaky.

That’s all for now, my Followers of Fear. If I don’t post anything within the next couple of days, then I’d like to wish you a Merry Christmas, Happy Holidays, and Happy New Year. May Cthulhu bless us, every one (because of course I would go there). Until next time, pleasant nightmares!

*Highly recommend the 1994 adaptation with Kenneth Branagh. It’s not just the most faithful adaptation of the original novel, it’s got the best “bringing-the-monster-to-life” scene I’ve ever seen.

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Lately I’ve been working on a new story that’s likely going to be a novelette or novella. It’s about ten-thousand words long at the time I’m writing this, and it’s unusual subject matter for me because it’s human-based horror.

I’ve written before on the differences between supernatural and human-based horror stories, and how authors tend to gravitate to one or the other with the stories they write. Personally, I tend to gravitate towards stories with supernatural threats in both what I read and what I write, But occasionally I do like a human-based horror story. In fact, the scariest novel I’ve ever read was human-based horror (The Girl Next Door by Jack Ketchum, and that novel still leaves me shaking!), and back in college I wrote a human-based horror/thriller novel called Snake that I had a lot of fun writing.

But this is my first time really delving into human-based horror since Snake, and I’m realizing a few things about it that separates it from supernatural horror. Specifically, the mechanics of such stories. Let me try to explain it: in my mind, supernatural horror stories work something like driving into a dark tunnel that you find out has some dangerous structural issues. Now prior to entering the tunnel, you’ve heard of structural issues, but you’ve been told to treat them like Santa Claus or the Tooth Fairy, as in they’re not real and you don’t have to worry about them. Because of that, you may only half-believe in structural issues at most. Until you start driving into the tunnel, and you come to the realization that not only do structural issues exist, but they can kill you if you’re not careful navigating them.

This is how a lot of supernatural horror stories work: people go into a situation pretty sure that nothing beyond the natural realm can hurt them, only to realize there’s a dark, second world all around them that until now they didn’t believe in, and if they’re not careful, it’s going to kill them.

Human-based horror, on the other hand, works more like a downward spiral. At the very top of the spiral, things don’t necessarily start so bad. There’s probably a hint of evil, but nothing to really alarm you yet. But as you get further down the spiral, things start to get darker. Someone starts showing violent or cruel impulses. Someone else may end up grievously injured or even dead. As time goes on, the injuries or deaths may get more gruesome, or be explored in more detail. The person or persons causing the horror may get nastier, bolder, and crueler. This will only continue to escalate as the characters (and the reader) get down the spiral, and things come to its inevitable head.

We need only look at one of the most famous volumes of human-based horror, Misery by Stephen King, to see this in action. At the beginning, Annie Wilkes is only hinted at being the monster she is. But as time goes on, she starts torturing Paul Sheldon to do as she wants. First it’s small stuff: making him drink soapy water or withholding food and medication. But then Annie gets worse, hitting his legs when he complains about the typewriter, cutting off his foot when he leaves the room, and then cutting off a thumb when he complains about the typewriter breaking down. All leading to that fateful night, after Annie kills a State Trooper, where she and Paul have the battle of (and over) their lives.

I’ll let you know how the story goes as I continue writing it, shall I?

This is the mechanic that I’m keeping in mind as I write this new story. And so far, I’m finding it works. This is quickly becoming one of the most disturbing stories I’ve ever tried writing. Hell, I felt a little uncomfortable while writing one particular scene, so I can only imagine what it’ll do to my readers if I get the story published. And I’m learning quite a bit from writing it too. I’m looking forward to how this story develops as I continue writing it.

I’ll let you guys know how it turns out when it’s finished, shall I?

What tips or insights do you have for writing human-based horror?

 

There’s a certain era of British history that writers write about maybe more than the medieval era. This era witnessed unprecedented growth and change for the British empire, as well as many of the greatest contributions to literature in the past three hundred years. Not to mention a whole lot of material for bodice rippers and horror stories.

I’m talking about the Victorian era. Named, rather obviously, after Queen Victoria, who sat on the British throne from June 1837 until January 1901. This has long been an era of interest to authors of a number of different genres, as well as among the general populace. Every year, hundreds of works of fiction come out set in that era: novels and short stories, movies, TV shows, comic books. We also have at least a couple of new books on any given topic of the era, and there are Victorian enthusiasts all over the world who research that age like crazy and even like to dress up as Victorians.

But what is it about the Victorian era that entrances people? Why do so many authors visit this age to write?* Well, I have a few guesses as to why that is:

  • The romance and glitz of the era. I think this is our first association with the Victorian age. I don’t know where or when this association popped up, but it’s the main reason. More than any other reason, there’s a romanticism to that age. Perhaps it might have something to do with the number of famous novels that came out during that era. A number of them have romance as an important plot or subplot. And as many of these books have endured the test of time, they’ve colored our associations of that age.
    Which brings me to the next point:

  • The literature. While I’m not the biggest fan of the Victorians’ writing style (racism aside, if he weren’t a halfway decent writer, I’d give up on Lovecraft for taking too much after them), it’s undeniable that many of the authors from that age left quite a mark on our modern literature. We still read Charles Dickens in classrooms across the world, and there are countless adaptations of A Christmas Carol out there. The Bronte sisters have all created works that have been held up as timeless romances for generations of readers. And as my good friend Angela Misri will tell you, no character has become more synonymous with the word “detective” than Sherlock Holmes. Truly the literature of the age has had an effect on our view of it.
  • An era of widespread change. Victorian Britain went through an amazing number of changes during Victoria’s reign. The most obvious, of course, was this was the age of the Industrial Revolution. Factories and manufacturing became the hub of the economy, and millions moved to the cities to find work. This change also contributed to a number of new work practices, as well as contributing to the overcrowding of cities and the widening gap between the rich and the poor that we still see today. This was also when Britain spread its empire across the world and into new territories, including parts of Africa and the Indian subcontinent.
    But there were other changes. For example, who was allowed to vote was widened, women gained many more rights, and education became available to the lower classes. And that’s just scratching the surface of the number of changes that occurred while Victoria was on the throne.

And of course, Jack the Ripper’s the perfect embodiment of the age’s dark side.

  • Victorian Britain had a dark and dirty underbelly. While most of us associate the era with glitz and romance, there’s a darker side to Queen Victoria’s age. Poverty was widespread, and many people struggled to make ends meet. Women often had to turn to prostitution just to get a bite to eat or a place to sleep for the night. Many turned to alcohol or opium to numb their troubles. This was the background that allowed Jack the Ripper to hunt down those prostitutes.
    On top of that, medicine, cosmetics, and foods were more likely to kill out of you than help you. Opium or arsenic in your gout cure, lead in your foundation, poor refrigeration and rat droppings in your meat. Hell, your clothes could choke you to death and the dyes could stain your skin for months. People bathed only once a week, and the rest of the time they used heavy perfumes to mask the smell. And if you lived in London, you could expect mud and shit to line the roads rather than bricks!
    And God help you if you had a mental illness. Or a woman who wanted anything more than being a dutiful wife and mother. You could get locked up and have cold water dumped on your head from great heights while doctors came up with all sorts of crazy reasons for why you were mad. Common reasons include not being religious enough, having faulty menstruation, or masturbating.
    Yeah, you laugh, but imagine having to live through it. Pretty nasty, right? It was even worse if you were Irish. The Irish potato famine was going on around this time, and let me tell you, the folks in Parliament could’ve done a lot more to help out with that.
  • It lends itself to many genres. This is probably the biggest reason of all: it’s adaptable to many stories. Historical fiction, obviously, but you’ll find the Victorians appearing in many different kinds of stories. Romances are often set in that world, but also science fiction (steampunk especially), horror stories (Gothic and ghost stories especially, and some cosmic horror too), fantasies (especially ones with fairies or little girls falling down rabbit holes) and of course, mysteries and thrillers.

All these and more are why the Victorians enjoy such staying power in our media. It’s a perfect storm of factors for making a time period not only endure in literature, but give it a special cast that makes it interesting to the writer and average person alike.

I actually first fell in love with the Victorians while in college. I read a manga set in Victorian England, and while it was heavy on the romance and glitz, it got me interested. I’ve kept reading since then, and found out quite a bit more. And seeing as during my research, I’ve come up with more than a few ideas for stories, all that research will definitely come in handy.

If you would like to dive into the Victorian world and learn a bit about it, here are my recommendations:

If you want a good intro to Victorian England, this might be a good gateway drug for it.

  • Emma by Kaoru Mori. In no way related to the novel by Jane Austen, this historical romance manga was my first real introduction to the Victorian period. Beautiful art and a simple yet engaging story.
  • Victorian Britain from The Great Courses. Narrated by Professor Allitt of Emory University, this series of lectures is a great overview of the period for the average visitor.
  • The Complete Jack the Ripper by Donald Rumbelow. You want to know the most about the most notorious serial killer in history and cut through all the rumor and bullshit? This is the book for you.
  • How to Be a Victorian by Ruth Goodman. You want to know what the average life of a Victorian was like? From rich to poor, this is the book for you.
  • Victoria: A Life by A.N. Wilson. A friend from college sent this to me as a birthday present. It’s a rather eye-opening look at Queen Victoria’s life and reign.
  • Unmentionable by Therese O’Neill. Want to know all about Victorian bathroom habits, and the stuff they don’t talk about in the bodice rippers or polite society? You will laugh yourself silly with this one. Trust me, I just finished it yesterday, I would know.

Well, I’ve about talked your ear off on this age. But can you see why? It’s a fascinating era, and it’s one that’s going to continue to show up in fiction for years to come (especially if I can write a good story or two in it). And it’s amazing how just one woman’s reign, the first in centuries in her country that nearly never happened (seriously, read how she became heir to the throne. It’s insane!), has endured as much as it had. Whether romantic and shiny or dark and seedy, there’s a story in this era just for you.

Do you enjoy or write about Victorian England? Why? Why do you think it’s so popular?

What media do you recommend for anyone wanting to learn about the era?

*I’m not suggesting, by the by, that this age is visited more than any other. One needs only look at the breadth of literature to see that storytellers are drawing from all of known history and even from dark prehistory to tell stories. I just chose Victoria’s reign because that one has special importance to me, as you can tell.

I heard about this film a few months ago, and thought the trailer looked promising. Even when the reviews came in and said the film was terrible (one review I saw called it a “soulless possession flick”), I was still interested. So today I got in the car and went to see it, thinking it would either be as terrible as advertised, or I might like it more than others had.

Well, you can’t live on caviar alone, can you?

The Possession of Hannah Grace follows Megan, a former cop and recovering addict who gets a job on the night shift at a hospital morgue. On her second night, a body gets dropped off with extensive damage, the result of a botched exorcism, and immediately weird things start happening around Megan. Machines won’t work, someone breaks into the morgue, and the body seems to change in very odd ways. Soon Megan realizes the corpse, the human formerly known as Hannah Grace, may be more than just a dead body. It may be the vessel for something much worse.

This film was rife with problems. I mean, it had a great set, and the actors put their all into their roles. Shay Mitchell as Megan does a great job as vulnerable, and it was a nice surprise seeing Stana Katic from Castle as Megan’s friend/AA sponsor (I miss that show sometimes). And there are a couple of good jump scares here and there, plus some pretty brutal death scenes. There’s a good horror film trying to break out of here.

The problem is, it’s just not scary. It starts off showing Hannah Grace’s failed exorcism and how she dies, and that takes out much of the mystery and suspense of the film. I feel if the film had been given a different name and the knowledge that Hannah’s botched exorcism until two-thirds through the film as a twist reveal, it would’ve been more effective. As it is though, we know too much, and see where it’s going much too soon. That wouldn’t be a problem (that’s usually how films in the Conjuring series or some of Blumhouse’s films operate, and those are often very good), but the lack of atmosphere and the poor attempts at jump scares don’t do the film any favors.

Also, the ending gave me so many questions. Not the good kind of questions, like the ones that make you return to the film to look for Easter eggs or hidden meanings. The kind that make you scratch your head and wonder what the filmmakers were thinking when they made these decisions. I won’t say what they were in case you don’t want to be spoiled, but let’s just say they left me a little disappointed, and I’d be more than happy to vent in the comments.

And oh my God, you can hear every breath Megan makes! And while that’s normal for characters in a scary movie to breathe hard, here it’s just distracting for some reason.

On a scale of 1 to 5, I’m giving The Possession of Hannah Grace a 1.5. It’s a crappy possession film that’s trying to market itself as a B-grade popcorn muncher but not doing any of the work to get that distinction.

On the bright side, based on the ticket sales for this film, we won’t have to worry about a sequel or prequel. That’s something to be thankful for.

You know, sometimes you come across movies in the weirdest ways. Sometimes they’re just on while flipping channels, or someone makes a reference to it and you want to know the interest. I heard about Down a Dark Hall because I heard AnnaSophia Robb (aka the kid from Because of Winn-Dixie) was in it. I remember she used to slay in anything I saw her in (especially The Reaping, another horror film she was in), and the fact that this was a horror film got me interested. I asked my local library to order it, they said yes, and I picked it up this weekend, not sure what I was going to get but looking forward to finding out.

This turned out to be a decent example of modern Gothic horror.

Based on the Gothic YA novel by Lois Duncan, Down a Dark Hall follows Kit, a troubled teenager whose mother sends her to an elite academy with the hopes of straightening her out. There with only four other similarly-troubled girls, Kit finds that the school’s very unique and focused program starts to have results. Weird results. Results that devolve into obsession, addiction, neurosis and trauma. On top of that, Kit has been seeing things in the hallways and in the dark. Faces, people, movement. All this collides to lead Kit to a terrifying realization about the school, and what its staff is doing to the students.

For starters, the actors in this film all do a very good job in their roles. AnnaSophia Robb as Kit slays again, inhabiting this very angry girl who slowly finds herself actually liking the school and then distrusting it as things get weird like a second skin or as if she’s done this a hundred times before. The same goes for Victoria Moroles as Veronica, who hides her own tragedies in a badass attitude. And Uma Thurman does a great job as the aristocratic and charismatic Madame Duret.

The film’s story is also very compelling. It checks all four of the boxes I mention in my article on Gothic fiction, all in a very pretty set, and you definitely find yourself caught up in the mystery of the story. Some of the most disturbing moments of the film are when you see these girls falling under the spell of the school, becoming obsessed with math or music or painting or whatever and how badly it affects them. And the special effects aren’t half bad either, more subtle than garish or distracting.

However, the film isn’t without its issues. I never felt very scared, and there wasn’t much of an atmosphere or sense of threat. Outside of the moments of obsession, that is. In addition, a few things in the film felt a little extraneous. There was a certain bald-headed and scarred ghost that really didn’t serve any purpose beyond a few extra scares, and the romantic tension between Kit and her music teacher was inserted, but nothing was really done with it. Seriously, the question of how to portray those relationships in fiction aside, either use it or cut it out and just show them as close student and teacher!

Finally, I also thought that the ending was wrapped up in too sweet a bow and maybe a few minutes too long. In some ways, it felt a little too hopeful compared to the rest of the film, which jars the viewer and takes away from the experience.

Still, Down a Dark Hall was a good Gothic horror film. On a scale of 1 to 5, I’m giving it a 3.8. It’s no Kill Creek (which I highly recommend by the way, check out my review as to why), but if you turn off the lights in your living room and put this on the Blu-Ray player, you probably won’t regret it. Check it out and see for yourself.

As many of you are already aware, I’m a big fan of ballet, and a lot of characters who are dancers or are familiar with dance are peppered throughout my story ideas. With so many story ideas involving ballet and my latest story finished up, I thought it was high-time to write one. This has been my project since Tuesday, and today I finished “Pas de Deux,” my first story to feature ballet and dancers as a major component.

“Pas de Deux” is about two young dancers who decide to test a legend at their dance academy. The legend says that if anyone dances a pas de deux, or dance for two, in a certain studio, they’ll both die. When they dance together and also reveal their feelings for one another, things in their lives take a turn for the darker.

This was a fun and interesting story for me to work on. Besides writing it in five days, which is something unusual for me, but because for a while I wasn’t sure what genre it was. At times it walked a tightrope between dark fantasy and psychological horror, and it could’ve gone one way or the other based on creative and word choices. In the end, I ended up going with psychological horror, as I felt that would make the story better and more memorable.

Using dance in a story as a major component was also something else. I’ll probably devote a post just to this topic alone, but there’s a trick to writing dance movements in a prose story that I had to discover through lots of research of said movements and then writing them into the story. Interspersing both technical terms and descriptions of the terms along with the protagonist’s own beliefs and observations about ballet was both a challenge and a little educational. If ballet shows up in another story (and knowing me, it will), I can use this experience for any dance sequences I want to write into the story.

But for now, I’ll let this story be for awhile. At sixteen pages and 4,622 words, I think it could get published in most publications, assuming that the dance-heavy and flowery opening and the quick second half doesn’t turn some publishers off. Hopefully with the right beta readers, I can get some good feedback for the story and make whatever edits I need to make.

In the meantime, I have plenty of other stories I want to write, so I’ll think about which one I’d like to write next, and maybe put out that post about writing dance sequences in prose fiction. So until next time, my Followers of Fear, goodnight and pleasant nightmares. I’m off to watch a scary movie.

I was nominated by my friend and fellow writer Kat Impossible from the blog Life and Other Disasters. She rarely nominates me directly for these things because she knows I don’t always have the time for them and because they don’t always apply to me, so when she can nominate me for one, I do try to do it. And the Rising Author Tag, to boot! It means so much that she thinks so highly of me, especially since she’s not a fan of horror and that’s mainly what I write. Danke, Kat! I really appreciate it.

Okay, on to the tag rules:

  • Thank the person who tagged you.
  • Answer the questions they came up with.
  • Nominate four people to do the tag (no tagging the person who tagged you originally).
  • Come up with 10 new questions for the people you nominated.

I’ve already thanked Kat for this, so I’m good on that front. Here are the questions she has charged me with answering.

What is your current WIP about and what is its status (plotting, writing, editing, etc.)?

Well, I’ve got a few stories that are in various stages of writing and editing. However, I think I’ll talk about Rose, as it’s probably the one I need to talk about the most! So if you haven’t heard, Rose is a novel I originally wrote in my senior year of college as my thesis. Last year I began the long process of editing and shopping it around, and Castrum Press, based in Belfast, North Ireland, accepted it for publication earlier this year. At this time, they’re looking it over to see how much more work needs to be done before we can talk publication dates.

As for what it’s about, Rose follows a young woman who turns into a plant creature (yeah, you read that right). She beomes that way when a young man claiming to be her boyfriend performs magic to save her life after she suffers a terrible accident. However, she starts to suspect that not all is as it seems, and as she looks deeper into her savior, she finds things out that will put them both on an unavoidable path of destruction.

Do you plot things out and/or outline, or do you just figure it out as you write?

With very few exceptions, I plot and outline my stories out before writing them. I find that trying to write by the seat of my pants leads to long pauses where I try to figure out what happens next and come up with nothing. When I plot/outline, I have an idea of where I’m going, which allows me to imagine out the story before I sit down to write it.

There are a few stories where I don’t need to outline, but the plot’s usually fully-formed in my head with those stories, so I don’t think it really counts.

What are some book ideas you want to write in the future?

I keep a list of story ideas I’d like to write in the future, so I don’t forget any good ones. I doubt I’ll get to write them all given how many there are (not to mention short story ideas), but I’d like to write stuff that people will remember for years to come. In the meantime, I’ve had some thoughts about what I’ll write after Rose and River of Wrath (the other novel I wrote) are out/in the process of being published. There’s one about a school haunting that appeals, as well as one partially inspired by the Salem Witch Trials, and a few more.

We’ll just have to see what feels right when the time comes, shall we?

Out of the characters you’ve written so far, which one’s your favorite?

I’m not sure I have a favorite. After all, these characters are like my own children. I can’t pick a favorite among my kids! Even if some of them are dangerous killers or demons or whatnot.

What’s your writing routine, if any? (location, time of day, snacks, music, etc.)

I usually write on my couch or at my desk with some sort of music playing in my earbuds. What sort of music changes pretty frequently. These days, it’s mostly the albums from various musicals. Not sure why, they just appeal right now. I also mainly write in the evenings, just because that’s when it’s easiest for me to write: no work, no dinner to prepare, no emails to answer. Obviously, if I’m able to write full-time one day, that’ll change, but at the moment it works for me.

Oh, one more thing: I always make a goal to write at least a thousand words when I sit down to work on a story, up from two hundred and fifty earlier this year. After that, it’s pretty easy to keep going, but it can be a challenge to get to a thousand some days. Still, I manage to do it, and it helps my output in the long run. Maybe someday I’ll be able to make a minimum of twenty-five hundred words a day (Stephen King’s minimum threshold, or so I hear). Fingers crossed that someday I can make all that and more happen.

Show your WIP’s aesthetic in images and/or words.

Kat did one with images that’s supposed to get to the basics of what she’s written, so I tried to do something similar. Once the book’s out, most of these images will make a lot more sense.

Who or what motivates you to write?

I think I would write even if it weren’t for anyone other than myself. I have so many stories floating in my head that I need to exorcise them through writing so they can get out of there. But at the same time, I write because so many people want to read my stories and I want them to read them, so I keep trying to get those stories out there and build my audience. With any luck, I’ll be able to get a lot of people interested in my stories and they’ll come back to them time and time again.

What do you find the easiest and hardest parts of writing?

The easiest is coming up with the ideas for my stories. There are so many ways to scare someone, they just pop into my head and become stories. Sometimes I have several ideas in a single day just going through my daily routine. The hardest, however, is staying on task. My ADHD sometimes makes it difficult to concentrate on getting my daily thousand-plus words out. Once I reach a thousand, that’s usually not a problem, but until I do, it can be difficult to stay focused.

Share a tiny snippet/excerpt from your WIP, if you’re comfortable.

Since Rose is still under renovations, so to speak, I’ll hold off for now. When the book’s a bit closer to publication, then I’ll give you all some excerpts.

 

And now for my questions for those I tag:

  1. Tell us about what you’re working on or recently released.
  2. Where in the process of writing are you?
  3. What is the most difficult part of writing the story at this point?
  4. What about your main character do you like the most?
  5. What is your writing process/routine, if you have one?
  6. Do you pants your way through a story, or do you plot it out?
  7. What are your characters’ musical interests?
  8. What’s next for you in terms of writing?
  9. If you could pick a narrator for your story’s audio book, who would you pick?
  10. Share an excerpt or snippet, if you’re comfortable.

And I tag my buddy Matthew Williams from Stories by Williams, Angela Misri from A Portia Adams Adventure, Ruth Ann Nordin, Joleene Naylor, and ANYONE ELSE WHO WANTS TO DO THIS TAG!

That’s all for now, I’ve got to get dinner on the table in a few minutes. Until next time, my Followers of Fear, pleasant nightmares!