Posts Tagged ‘writing’

I’m writing this out quickly before the show starts. I’ll be doing an interview with Dellani Oakes at 4PM EST (or 10PM for me, hence why the title says “tonight”) on her online radio show “What’s Write For Me.” I’ll be reading an excerpt from Snake, answering questions, and just having a good time despite how late it is for me.

I hope you’re able to tune in for the show. If not, I’ll try and post the interview at some later point for you to listen to. Either way, here’s the link for the show.

See you in about half an hour, I guess. Wish me luck, my Followers of Fear!

You’re probably wondering what the title of this post means. Well, it’s the title of my latest short story, so you can stop wondering “Did this guy start doing some sort of study or documentary or something and not share it with us? That’s very unlike him.”

Anyway, “A Project in Western Ideals” is a short story I just finished at 9,123 words and follows a girl who is being slowly turned into a human Barbie doll by a woman who is more than she seems. The story’s title comes from a phrase that appears a lot in the story, and I felt that it fit the story so well, that I should use it for the title, especially since I didn’t like any of the titles I’d used before, like “Perfection” or “My Perfect Body”.

The story was inspired by a woman in Russia named Angelica Kenova, who is a human Barbie. I first heard about her prior to leaving the States for Germany, when I read an article about her. According to the article, her parents control almost every aspect of her life: they buy her clothes (most of which are kind of sexy and form-fitting); they control her diet and how much she exercises; they even accompany her on dates! And while the article didn’t give any hints about how Ms. Kenova felt personally about this lifestyle (for all I know she likes being her parents’ toy), I did get the impression her parents were the driving force behind how she became this:

 

Yeah, that’s an actual person, not a doll. I even have trouble telling the difference sometimes. And hearing about her story, I started wondering what sort of parents would help and encourage or possibly even force their daughter to go down this route despite the numerous health issues that doing so can cause. This led to “A Project in Western Ideals”, which explores a young woman going through this sort of transformation, and not through her own choice.

As far as my fiction goes, it’s not as dark anything I normally write (I let my protagonist share her deepest thoughts with the audience and she is pretty funny without intending to be), but it does deal with the health problems of trying to look like Barbie and how it’s ultimately creating a fake version of yourself (read this article to get an idea of how bad it is for you if you’re curious). I also think the main character is a lot of fun and I enjoyed writing her.

However, I do think that the climax and ending could use some work. As they stand now, they feel clunky to me and don’t match up to the beginning of the story. The beginning could have some stuff cut out from it too, and I’d like to explore the antagonist a bit more as well, get a bit more of the crazy that makes her do this to my protagonist.

Well, we’ll see what happens when I get to the second draft. And by the time I do, I’ll probably have had some ideas on how to better this story. And I definitely want to make this one better, because with a bit of work, I think it could be one of the highlights of Teenage Wasteland (speaking of which, I’ve got seven stories so far set for that collection at various stages of readiness for publication, including this one. With time, I think I could get a few more in and truly make it an extraordinary read).

In the meantime though, I said this was going to be the last short story I’d write before starting work on Laura Horn again. However since I’m about ten days from leaving Germany and heading back to Columbus, I think I’ll hold off on starting any big projects until I’m back in the States, writing or editing. Instead, I’ll edit a few short stories (none that need to be rewritten, that’s basically starting from the beginning again) and get to work on LH once I’m home and settled back in.

Well, Yom Kippur, the Jewish Day of Atonement is in a few hours. I’m going to have the biggest meal I can in anticipation of the fast nd see you again before What’s Write For Me tomorrow afternoon (or tomorrow night if you’re me). You all have a wonderful day, my Followers of Fear. I know I am.

For a while now I’ve been reading The Complete Collection of HP Lovecraft on my Kindle. I figured it was about time, seeing as I haven’t been very exposed to his work up until this point, and the man has been a huge influence on greats like Stephen King, Allan Moore, Guillermo del Toro, and quite a few more. And since I am always looking to learn from other authors, I figured I should spend ten dollars of Amazon gift cards and see what happens.

Well, you get what you asked for. I didn’t realize that when I bought the collection, that it was 1112 pages! The length in itself is not such a problem, I’ve read books that long before. The thing is, Lovecraft…well, he’s hard to get through sometimes, and for a number of reasons. For one thing, there’s his style, which goes a little something like this:

And as I treaded up the stairs, filled with an anguish that panged the organs within my bosom to no end, I found my wife waiting for me in her chambers, her frown prominently featured upon her face. And I knew that my life had been transferred into a situation seriously detrimental and quite hazardous to my health, for that face on my wife at this hour could only mean that she had discovered my liaisons with Ellen the hotel maid from down in the village. I had endeavored to keep our trysts unknown from all but the walls of Ellen’s room, however it seemed that I was not secretive enough, as evidenced by the porcelain my wife volleyed at my head.

Okay, that’s a bit of a parody, but you get my point. Who talks like this?

Also, some of his early fiction isn’t that good. “Memory” is just a weird little flash fiction piece about a ruined city and a conversation between two beings about the city; “The Street” is about the houses on the titular street killing Communists after the street goes from a nice neighborhood to a slum; “Polaris” and “The White Ship” are obviously both dreams taken too literally, and “The Tree” is just not scary.

Also I noticed that so far, very few women appear in the stories. Several characters are mentioned as having wives, but so far the only woman who has any actual significance is the titular character of “Sweet Ermengarde”, and that’s a story parodying popular romantic melodramas of the day! But given that Lovecraft had a strained relationship with his mother, a turbulent one with his wife, and was dominated by his aunts in the later parts of his life, maybe that has something to do with it.

Lovecraft makes you wonder if maybe this guy is coming for you.

However, while I have my problems with Lovecraft’s early work, I have to admit that some of his stories do hit the mark, and even are a little scary. “The Tomb” is definitely somewhat chilling, as is “Dagon” and “The Picture in the House” (the former bears resemblance to Cthullu stories, while the latter has implications of murder and cannibalism). And I actually very much enjoyed “The Temple”, which was very strange and creepy.

I can’t say about the rest of his work, but for the early stuff I think what makes the successes so great is that they leave impressions on you. They make you think to yourself, “Imagine if that actually happened. That would be kind of creepy…” And then you take a look around yourself to make sure that a slippery slimy creature or some guy with wicked magic or something isn’t near you. Lovecraft is very good at leaving those sort of feelings with you. He makes you wonder, makes you think that there’s something just beyond the corners of our eyes or in the darkest parts of our world that we don’t understand, can’t understand, and that any interaction with that something or somethings would be very dangerous for us.

So there is definitely a reason why HP Lovecraft has stuck around and become well-known as a writer of weird and terrifying fiction. And as I progress from his early work to the stuff that he’s more famous for, like “Call of Cthullu” or “The Colour out of Space” or “History of the Necronomicon”, I’m sure I’ll find more reasons to like this guy (hence the reason this post is titled Part 1).

In the meantime though, I think I’ll take a break from his stuff. Like I said, he’s great when he’s good and I’m already learning a lot from him and seeing some of his influence on my work already, but he’s dense and hard to get through, and after so much of prose like my parody paragraph, I need a break if I’m going to continue someday. Besides, I finished on “The Nameless City”, which has that famous quote in it. You know the one:

That is not dead which can eternal lie,
And with strange aeons even death may die.

I can’t think of a better stopping point than on a creepy story that has that weird couplet in it. Can you?

Wewelsburg castle. Magnificent to behold.

Wewelsburg castle. Magnificent to behold.

Well, I finally did it! I got to visit the castle I’ve been dying to see since I first heard about it while researching Nazis and the occult prior to last year’s study abroad trip. And today, I spent a good part of my day uploading most of the photos I took to Instagram and Facebook. Honestly, it sucks when that ends up taking a longer time than it should, but what are you going to do?

Anyway, if you’re not familiar with Wewelsburg Castle, it’s a triangular castle in the small village of Wewelsburg, part of the town of Buren. During the Nazi era, the SS, led by Himmler, began doing renovations on the castle with the purpose of turning it into the ultimate Aryan production center, a place where the Nazis’ ideological beliefs could be made real. Some people even believe that Himmler, who was a big believer in all that Nazi mysticism stuff, conducted ceremonies in the castle, and hoped to make it into a sort of SS Hogwarts. I personally think that the SS could’ve been doing some magical rituals while they were there, and there is some evidence to suggest that’s what they were planning on doing or did there.

Of course, if you ask the museum staff about it, they will deny that anything like that occurred at the castle, but maybe they want to keep the right-wing nuts and the Satanists and pagans away (yet they still have a small display in the museum to the mystical side of the SS in the exhibit). The staff also deny any sightings of ghosts or anything else paranormal, but maybe they want to keep away ghost hunters too.

Weird occult stuff. Don't ask me what each stands for, I couldn't give you a definitive answer.

Weird occult stuff. Don’t ask me what each stands for, I couldn’t give you a definitive answer.

Anyway, the castle is divided into two permanent exhibits. One exhibit, the Ideology and Terror of the SS, is mostly housed in a separate building, with a path leading to the Crypt and the Group Leader’s Hall in the North Tower (more on that below). It’s very similar to the exhibit at the Topography of Terror Museum in Berlin, which I visited last year: lots of white columns and display cases, with photos and artifacts talking about the history and the beliefs of the SS. Some of it was in English, but most of it obviously was in German, so I didn’t spend as much time there as I might have liked.

Still, it was interesting to be there. I got to see a lot of artifacts, including a few books on mysticism and some occult memorabilia, some uniforms, and a lot of other cool stuff. And at a certain point, you could walk along a footpath to the North Tower, where two of the rooms the SS renovated are available to look at (sadly, no photos are allowed in those areas). The Crypt is a dark and eerie space, and definitely had a ritual purpose, though not necessarily a magical one. The walls are covered with paintings of stylized depictions of victims of SS tyranny, as if to say that the space is now a memorial to them than to the SS and the Aryan man. On the floor above is the Group Leader’s Hall, which was incomplete at the end of the war and was probably meant to be a meeting room of some sort (but for what purpose?). The most interesting part of that room is that in the center of the room is a Black Sun symbol, which has both esoteric connotations and–because the SS used it as a symbol of power–neo-Nazi connotations. I stood on top of it as if to say, “Yeah, I’m Jewish and you’re worth shit.”

Entrance into the castle proper.

Entrance into the castle proper.

The other exhibit discussed the castle’s history, when it was the second home of the Prince-Bishops of Paderborn. You basically go throughout the whole castle–down hallways and up and down staircases–seeing its history from prehistory to the early 1900’s. That was interesting too. Part of the exhibit displayed what creatures lived in the area in the Ice Age or earlier, and another area talked about how important agriculture was to the area. In one room they had the actual road traders used displayed where it had been uncovered during renovations, and in another section there was a small tribute to the Jewish community that lived in the area. And in one part of the East Tower is a basement room where witches were kept and tortured during the one recorded set of witch trials in the area. Believe me, I’m definitely going to email those photos to my History of Witchcraft teacher in the morning.

The castle courtyard, facing the direction of the North Tower.

The castle courtyard, facing the direction of the North Tower.

At the end of it all, I had a really great time and was really glad I’d gone (though before I ended the tour of the castle I had to take off my coat because I was starting to get really warm from all the physical activity). It’s definitely going to be one of the highlights of my time here in Germany, and I took a lot of photos so that I’ll remember it long after I’ve left the country. I even had an idea or two for stories while I was there, and I bought a few books in the gift shop so that I’ll have plenty to reference should I ever need to look up some info. Definitely check out the castle if you ever get the chance. It’s well worth the trip.

Of course, I doubt this’ll be the last adventure I have in Germany. While my time here is becoming limited, there’s still one place I’d like to visit, and I think I might have the opportunity this coming weekend. Oppenheim is a town not too far from me, with an underground ossuary and labyrinth, which sounds a lot like the Paris catacombs, and they have a wine museum too. With Oktoberfest starting, sounds like the kind of place I could have a bit of fun before I say goodbye to Deutschland, don’t you think?

A model of the synagogue that used to be in the village, located in the small Jewish display in the castle.

A model of the synagogue that used to be in the village, located in the small Jewish display in the castle.

Well, I wanted to write more posts today (I’ve got plenty to write about), but it’s getting late and I’ve got an early morning tomorrow. I guess I’ll just say goodnight for now and see what I can post tomorrow.

Goodnight Followers of Fear! Pleasant nightmares!

It’s Friday again, and you know what that means! It’s #FirstLineFriday!

On Fridays, bloggers write a post titled like this one, hashtag and everything, and post the first one or two lines of a potential project, work-in-progress, or a completed or published work and ask your readers to give you their feedback. It’s a lot of fun, believe me.

Today’s entry is what could start out a novel I had the idea for last weekend. I don’t intend to write it anytime soon, but it’s fun to play around and think about what could end up starting it or what could end up getting into the novel when I finally do decide to write it.

Anyway, enjoy:

On the first Monday of the fourth month of our sophomore year, my friends and I made a suicide pact. Since then, there have been several times where I wish we had all followed through, rather than chickening out and letting what happened next happen.

Thoughts? Errors? Ways to improve? Let me know in the comments below.

Well, that’s all for now. I’m going on a trip to Wewelsburg castle this weekend. The castle’s got a very interesting history, and I’m looking forward to exploring it (as well as taking lots of photos and writing a blog post about it when I get home).

Have a great weekend, my Followers of Fear! Until next time!

Well, as if life wasn’t already busy enough for me. This coming Wednesday, right after Yom Kuppur ends for me, I’ll be participating in “What’s Write For Me”, a monthly online radio show where show hosts Dellani Oakes and Christina Giguere talk to three awesome novelists, who also read an excerpt of their books. And guess what? I get to be one of the authors this month!

I’m very honored that Dellani asked me to participate in this month’s show. From what I understand it gets quite an audience during the live recording and in archived listenings, and I’m very excited to be able to reach a huge new audience. Thanks Dellani!

If you wish to listen to the show, it’s taking place next week on Wednesday, September 23rd, at 4:OO PM Eastern Standard Time (10:00 PM for me. I’m going to be a very tired writer the next day, but for this it’s worth it! Plus I have caffeine in the office, so it works out). You can tune in to listen by following this link. If you are unfortunately unable to listen to it live (like my family), you can listen to it archived by following the same link above.

Well, till the morning. Have a good night, my Followers of Fear, and pleasant nightmares!

when the lights go out cover

Some of you may remember a previous post where I announced that a short story of mine, “Tigress Lizzy” was going to be published in an upcoming anthology by the same folks who did Strange Portals. I’m very pleased to announce that the anthology now has a name and a cover, and I have more news besides that!

Alright, as the title of this post indicates, this anthology is called When The Lights Go Out, a title I suggested to anthology editor/vampire novelist extraordinaire/indie colleague Joleene Naylor, so I’m very honored that she chose it for the title of this anthology. She also did the cover for this anthology, by the way. And holy shit, is that creepy to behold! It’s like she crossed Ring with Grudge and The Exorcist! I’m getting goosebumps just looking at it!

Or is that the ghost I suspect is haunting my apartment? I’m never quite sure.

Oh, and I have some more news relating to WTLGO (yes, I am starting that abbreviation. You shall use it to save time when referring to this anthology because it is just that much easier). In addition to being the author of one of the twenty-five short stories featured in the anthology, I was also asked to write the introduction. Yes, that’s right. I got to write the introduction! I’m really happy about that, and Joleene tells me she really liked it, which I call very high praise indeed!

Finally, WTLGO will be coming out sometime early next month from e-book retailers everywhere. As soon as it comes out, I’ll be posting links so you can check it out! The anthology will be free of charge, so if you’re of little pocket money but still have a device to read this on, you won’t have to miss out.

Though if I were you, I wouldn’t read this one right before bed. You might never sleep again…

I’ll post more when I have more. I’m riding a huge high right now, so I’m going to ride that high right to bed (it’s nearly ten at night here in Germany and I have early mornings!). I’ll celebrate with you guys in the morning. You have a great one, my Followers of Fear!

Yesterday was the second day of Rosh Hashanah, the Jewish New Year. I had the day off, but unfortunately no one could take me to the chaplain’s house that day, and while I tried to go to the nearest synagogue, I couldn’t find it even though it should’ve been in front of me (I found out later from the chaplain that you have to walk into the building where it should’ve been to find it. Otherwise it’s hidden behind businesses. Not sure why that is, but I’ll go with it). So with the day off and nowhere else to go, I decided to do what I promised to do my first week in Germany, and go explore some more of my temporary home.

If you head down to the Marktplatz on a Tuesday afternoon, certain areas will be busy while certain areas won’t be. The main plaza was pretty empty save for some pigeons, while further back you’ll find plenty of people strolling and shopping. It was into these back alleys I went, armed with a map and a general idea of where I was going. Needless to say, I got turned around more than once.

The smaller half of the Jewish Memorial in Wiesbaden.

The smaller half of the Jewish Memorial in Wiesbaden.

The first stop I went to was the Jewish Memorial in Wiesbaden, which was a pretty moving experience. The memorial stands where the old Michelsberg synagogue, which was a magnificent building with domes and spires that was destroyed during the war, used to be and is dedicated to the German Jews from Wiesbaden who died during the Nazi era. Today a road bisects the former grounds, so the memorial is split in half as well. The smaller part is an L-shaped, two story structure made from black stone, with a white display detailing in German and in English the purpose of the memorial. A small touch screen contains more information on the Jewish community of Wiesbaden (all in German unfortunately).

The second half, on the other side of the street, is much bigger. It’s in the shape of a giant rectangle with one side missing and along the walls, there’s a band where all the names of Wiesbaden’s Jews who were murdered during that period are listed. When I crossed the street, I felt the atmosphere change.

The larger, more emotional half of the Jewish memorial in Wiesbaden.

The larger, more emotional half of the Jewish memorial in Wiesbaden.

They say that certain places can hold certain emotions. I’m not sure if that’s true in this case, or if that was just my own associations affecting me, but the moment I got to the other side of the street, I suddenly felt very melancholy and started walking around the memorial, my hand running over the many names listed there. I found myself talking to the Jews listed there—I knew they probably couldn’t hear me, even if their souls were hanging around that space—but in that moment I talked, and I felt really sad because these people had lived and then had their lives violently and tragically ended, and their stories would never be known because the Nazis had done all they could to erase them. I cried a little while I was there, and I felt like something was with me in that memorial (though not necessarily the spirits of the dead Jews…maybe the spirit of the synagogue itself, if that makes sense), and it was very pleased I’d taken the time to talk to it.

The Roman Wall, with some additions from the Germans.

The Roman Wall, with some additions from the Germans.

After that I left (and felt much better once I was outside the memorial space). I then headed to something I’d wanted to see but had totally forgotten about looking for that first week in Wiesbaden: the Roman wall, known as “die Romantor” in Deutschland. Right down the road from the Jewish memorial, the wall has been reinforced and repaired and even built upon by the Germans (hence why there’s a wooden bridge connecting two parts of the wall). Nearby there are statues and reliefs that are either relics of the Roman age or they were created to resemble Roman works of art, and behind one apartment’s driveway there is a small alcove that might’ve been a storage area. These are all that remains of what might’ve been a Roman fortress against barbarian hordes. It was actually pretty cool, and I couldn’t help but think of a friend of mine from my study abroad trip who would’ve loved to see the wall.

Possibly a storage space for weapons and supplies?

Possibly a storage space for weapons and supplies?

You know thinking about it, I should write a story or two involving the ancient Greeks or Romans. There are already plenty of horror stories involving their mythologies, but involving them? I don’t know of many, though a few Anne Rice books do take place in ancient Rome or thereabouts.

Anyway, after that I headed back to the Marktplatz, where I discovered a costume shop with all these different masks and costumes and accessories available. Apparently Oktoberfest here in Germany involves costumes like Halloween does in the States (fun fact: only a fifth of Germans practice Halloween, as the holiday was mostly discouraed up until the 1990s by the Lutheran church. It’s becoming a growing trend, but still pretty small here except among Americans). I tried on a few masks and took some photos in a full-length mirror in the shop for kicks, then left while thinking about maybe getting a mask of some sort later on.

Mother always said I was a werewolf. I guess we now have proof. Awooo!

Mother always said I was a werewolf. I guess we now have proof. Awooo!

All in all, it was a pretty interesting and fun afternoon. I got to connect with my heritage in a very personal way, as well as immerse myself pretty deep in German history and culture. And I got to see some more of the city I’ve been living in for the past three months, and which I’m going to be sad to leave. Guess that means I’ll have to come back someday, right?

Of course, my adventures in Germany are far from over. I’m trying to arrange to go to this castle with a very interesting history called Wewelsburg over the weekend, and I would like to go to Oppenheim, which is not too far away from where I live, because they have underground labyrinths you can explore (sounds a bit like the Paris catacombs). Hopefully I’ll be able to do both and have fun at Oktoberfest too while I’m at it.

Until next time, my Followers of Fear!

Hollywood is stuck in this phase where the studios are obsessed with sequels and prequels and spin-offs and franchises and remakes and reboots and re imaginings and a million other things. I have mixed feelings on this culture. On the one hand, I love the Marvel movies and a clever re imagining of a classic story or stories (like what Once Upon a Time has done with some of my favorite fairy tales when I was young) is a great thing. Plus who doesn’t love a good adaptation of a beloved novel or comic book or even video game into a movie or TV series?

On the other hand, seeing all these stories continued or retold constantly encourages filmmakers ane viewers to seek out familiar stories that are sure bets to be successful rather than new material that they don’t know will work out for them, when there is new material. And plenty of these sequels/prequels/reboots/whatever, when they come out, they are just awful and you wonder how the filmmakers could do this to beloved properties (see my review of the Poltergeist remake or watch these two dudes review the Smurfs movie if you need further proof).

The horror genre has been a big part in this, for better or for worse. Since the success of 2003’s Texas Chainsaw Massacre remake (as opposed to 2013’s remake of the film), there have been a slew of horror remakes, mainly slashers but quite a few others, and they have been showing up with increasing frequency). I’m focusing on the slashers though, because of the horror remakes the slashers are often the ones I see the most advertising for (an exception being Poltergeist, but we know how that turned out), they have some of the most iconic characters in the horror genre (Freddy, Jason, Leatherface, etc.), they’re notorious for putting out too many sequels of varying quality, even for horror, and they’re difficult to get right, because they rely on blood, guts, and gore to scare people rather than suspense and atmosphere.

And for God’s sake, there’s just been so many of them:

  • Texas Chainsaw Massacre and its prequel (the former was good, the latter awful)
  • Halloween and Halloween II (same deal as TCM in terms of quality)
  • My Bloody Valentine (lacks all that made the original so awesome)
  • Black Christmas (awful murder-porn)
  • Prom Night (awful and nonsensical)
  • Friday the 13th (of all the Michael Bay shit movies, this one is the shittiest)
  • Nightmare on Elm Street (I liked it, but others disagree with me)
  • Leprechaun (more of a re-imagining of average quality)
  • Texas Chainsaw 3D (I liked this too, but not everybody else did)
  • Evil Dead (fun and extremely bloody)
  • Scream (got rebooted as a TV series. Only saw one episode before leaving for Germany, but wasn’t impressed by what I saw)

On TV and in the movies at the same time. Like Kevin Bacon or Viola Davis.

And that’s just the ones that I know of that are out. And believe it or not, there are more on the way: Friday the 13th is getting a new movie as well as being re-imagined as a TV series for CW (haven’t heard anything on the movie, but what I’ve heard on the TV series sounds promising), Halloween is getting a new movie (also looks promising), Evil Dead is getting a TV series set years after the original films (excuse me while I skip it, because I’m not much of a fan of the franchise), and Texas Chainsaw Massacre is getting a prequel exploring Leatherface’s origins (I’m skeptical). There was also talk of a Hellraiser reboot, but there’s been no word in two years on that, so I’m going to say it’s been shelved.

So why are slashers being remade by the dozen? Like I said, they’re difficult to pull off, and they’re formulaic. Plus blood and gore is how they primarily scare you, and a lot of horror fans, including myself, find that distasteful. What makes them so appealing?

I think a lot of it has to do with the characters. Slashers have produced some of the most iconic characters in horror and in cinema: Norman Bates, Jason Voorhees, Michael Myers. Heck, Freddy Kreuger isso well-known that he’s made cameo appearances in movies parodying the 1980’s in one form or another. People love these characters as much as they’re scared of them, they love watching them in action and being terrified of them. They like to sit there and think, “What’s he going to do next? What’s he going to do next? What’s he going to do–AAAH!”

Studios are aware of that, as well as they are aware of how much people go back to see the old films (the better ones anyway) and see these beloved characters do what they do best. With huge fan followings like this, and how easy it is to make a horror movie under twenty million dollars with minimal special effects, they know people are going to come and see the films so they can see these beloved characters resurrected again and perhaps in a movie worthy of carrying the franchise’s name.

The problem with that is, these same studios may just be banking on the popularity of a franchise and its character or characters to draw in crowds. Take a look at Friday the 13th, or another horror movie that Michael Bay meddled in, Ouija (read my review here). Both of those sucked, but yet they still made money. I think the latter was because of very good marketing, but the former had the draw of the first Friday the 13th film in six years, and one not bogged down by sequels’ worth of mythologies. Problem was, they didn’t invest in a good story, like the first film did and most of the early films tried to do with varying success. Instead they gave it a passable story and then added in as much drugs, sex, nudity, swearing, and gratuitous death scenes as possible so that the audiences would stay interested.

The result was a waste of film that makes watching people defecate on public streets look more entertaining. And I’m very worried that these other films that are on the way will do the same thing. They’ll be made with just drawing in fans and their credit cards in mind and the results will be absolutely terrible. And no horror fan wants to see beloved characters treated that way.

Hoping for better films for all these guys, and more.

On the other hand, I like to imagine that some of these filmmakers are huge fans of the franchises and really are trying to give these characters the stories they should be in, stories that are worth investing seven dollars and two hours in. The Halloween movie supposedly has an interesting plot, and the one thing I’ve heard on the Friday the 13th sequel indicates it’ll take place in the 1980’s, when the series started and where most of the better films are set. Perhaps there is hope here.

Well, we’ll just have to wait and see…and pray that along with better sequels/franchises/whatever, we get some new material too (*cough* Hollywood, call me *cough*).

All for now, my Followers of Fear. I have to get ready for the High Holidays tonight, so I’ll be busy for a while, but I’ll write again when I can.

See you next year, and Shanah Tovah (that means “Have a good year” if you don’t speak Hebrew).

Ah, the weekend! It’s finally here. Or it will be, once work’s over for the day. But first thing’s first, you know how I start my Friday mornings! It’s #FirstLineFriday! And guess what else? I’ve been hearing about other bloggers who are getting into this as well. Very excited and happy to hear that the trend I’m trying to start is trending, at least a little bit.

Okay, so here are the rules. On Fridays you write a blog post titled #FirstLineFriday, and then you post the rules (which I’m doing), followed by the first or first two sentences of a potential story, a story-in-progress, or a completed/published work. Then you ask your readers for input, and that’s #FirstLineFriday.

Today’s entry is from a short story I’m working on now. I don’t always have time to work on it, what with my busy life, but when I do, I find the story just flowing out of me and onto the page like a river. I even read a bit from this story to my boss when she asked to hear some of my fiction, and she really enjoyed it, so I guess it must be very good despite still being a first draft. Anyway, enjoy:

Molly ran, heart pounding as she heard the sounds of her pursuers’ boots getting closer and closer behind her.

Thoughts? Critiques? Grammatical or spelling errors? Let me know in the comments below.

That’s all for now. My Internet access may become limited soon due to reasons beyond my control, so I apologize for that and promise I’ll be looking for ways to get online as much as possible, so be patient with me.

Also, this weekend starts Rosh Hashanah, the Jewish New Year. Around this time of year, it’s traditional to ask for forgiveness for past wrongs and forgive in turn, so if I’ve done anything to you in the past year, I ask for your forgiveness. And if by chance you’ve done something to me, I forgive you with all my heart.

Have a great weekend, my Followers of Fear, and a sweet New Year!