Archive for the ‘Scary Stuff’ Category

Hollywood is stuck in this phase where the studios are obsessed with sequels and prequels and spin-offs and franchises and remakes and reboots and re imaginings and a million other things. I have mixed feelings on this culture. On the one hand, I love the Marvel movies and a clever re imagining of a classic story or stories (like what Once Upon a Time has done with some of my favorite fairy tales when I was young) is a great thing. Plus who doesn’t love a good adaptation of a beloved novel or comic book or even video game into a movie or TV series?

On the other hand, seeing all these stories continued or retold constantly encourages filmmakers ane viewers to seek out familiar stories that are sure bets to be successful rather than new material that they don’t know will work out for them, when there is new material. And plenty of these sequels/prequels/reboots/whatever, when they come out, they are just awful and you wonder how the filmmakers could do this to beloved properties (see my review of the Poltergeist remake or watch these two dudes review the Smurfs movie if you need further proof).

The horror genre has been a big part in this, for better or for worse. Since the success of 2003’s Texas Chainsaw Massacre remake (as opposed to 2013’s remake of the film), there have been a slew of horror remakes, mainly slashers but quite a few others, and they have been showing up with increasing frequency). I’m focusing on the slashers though, because of the horror remakes the slashers are often the ones I see the most advertising for (an exception being Poltergeist, but we know how that turned out), they have some of the most iconic characters in the horror genre (Freddy, Jason, Leatherface, etc.), they’re notorious for putting out too many sequels of varying quality, even for horror, and they’re difficult to get right, because they rely on blood, guts, and gore to scare people rather than suspense and atmosphere.

And for God’s sake, there’s just been so many of them:

  • Texas Chainsaw Massacre and its prequel (the former was good, the latter awful)
  • Halloween and Halloween II (same deal as TCM in terms of quality)
  • My Bloody Valentine (lacks all that made the original so awesome)
  • Black Christmas (awful murder-porn)
  • Prom Night (awful and nonsensical)
  • Friday the 13th (of all the Michael Bay shit movies, this one is the shittiest)
  • Nightmare on Elm Street (I liked it, but others disagree with me)
  • Leprechaun (more of a re-imagining of average quality)
  • Texas Chainsaw 3D (I liked this too, but not everybody else did)
  • Evil Dead (fun and extremely bloody)
  • Scream (got rebooted as a TV series. Only saw one episode before leaving for Germany, but wasn’t impressed by what I saw)

On TV and in the movies at the same time. Like Kevin Bacon or Viola Davis.

And that’s just the ones that I know of that are out. And believe it or not, there are more on the way: Friday the 13th is getting a new movie as well as being re-imagined as a TV series for CW (haven’t heard anything on the movie, but what I’ve heard on the TV series sounds promising), Halloween is getting a new movie (also looks promising), Evil Dead is getting a TV series set years after the original films (excuse me while I skip it, because I’m not much of a fan of the franchise), and Texas Chainsaw Massacre is getting a prequel exploring Leatherface’s origins (I’m skeptical). There was also talk of a Hellraiser reboot, but there’s been no word in two years on that, so I’m going to say it’s been shelved.

So why are slashers being remade by the dozen? Like I said, they’re difficult to pull off, and they’re formulaic. Plus blood and gore is how they primarily scare you, and a lot of horror fans, including myself, find that distasteful. What makes them so appealing?

I think a lot of it has to do with the characters. Slashers have produced some of the most iconic characters in horror and in cinema: Norman Bates, Jason Voorhees, Michael Myers. Heck, Freddy Kreuger isso well-known that he’s made cameo appearances in movies parodying the 1980’s in one form or another. People love these characters as much as they’re scared of them, they love watching them in action and being terrified of them. They like to sit there and think, “What’s he going to do next? What’s he going to do next? What’s he going to do–AAAH!”

Studios are aware of that, as well as they are aware of how much people go back to see the old films (the better ones anyway) and see these beloved characters do what they do best. With huge fan followings like this, and how easy it is to make a horror movie under twenty million dollars with minimal special effects, they know people are going to come and see the films so they can see these beloved characters resurrected again and perhaps in a movie worthy of carrying the franchise’s name.

The problem with that is, these same studios may just be banking on the popularity of a franchise and its character or characters to draw in crowds. Take a look at Friday the 13th, or another horror movie that Michael Bay meddled in, Ouija (read my review here). Both of those sucked, but yet they still made money. I think the latter was because of very good marketing, but the former had the draw of the first Friday the 13th film in six years, and one not bogged down by sequels’ worth of mythologies. Problem was, they didn’t invest in a good story, like the first film did and most of the early films tried to do with varying success. Instead they gave it a passable story and then added in as much drugs, sex, nudity, swearing, and gratuitous death scenes as possible so that the audiences would stay interested.

The result was a waste of film that makes watching people defecate on public streets look more entertaining. And I’m very worried that these other films that are on the way will do the same thing. They’ll be made with just drawing in fans and their credit cards in mind and the results will be absolutely terrible. And no horror fan wants to see beloved characters treated that way.

Hoping for better films for all these guys, and more.

On the other hand, I like to imagine that some of these filmmakers are huge fans of the franchises and really are trying to give these characters the stories they should be in, stories that are worth investing seven dollars and two hours in. The Halloween movie supposedly has an interesting plot, and the one thing I’ve heard on the Friday the 13th sequel indicates it’ll take place in the 1980’s, when the series started and where most of the better films are set. Perhaps there is hope here.

Well, we’ll just have to wait and see…and pray that along with better sequels/franchises/whatever, we get some new material too (*cough* Hollywood, call me *cough*).

All for now, my Followers of Fear. I have to get ready for the High Holidays tonight, so I’ll be busy for a while, but I’ll write again when I can.

See you next year, and Shanah Tovah (that means “Have a good year” if you don’t speak Hebrew).

It’s been one week since what could very well be the series finale as well as the third season finale of Hannibal, based on Hannibal Lecter and other characters created by Thomas Harris, premiered. NBC has declined to keep the show going, and while the show’s producers Bryan Fuller and Martha De Laurentiis, as well as series star Mads Mikkelsen and the many, many fans of the show (“Fannibals” or “Lecterites”, if you will), would love to see the show go on in some form, there is a chance that the show will have to hang up the carving knife and that everyone associated with it will have to move onto new projects.

Personally, I hope that the show is still able to go on, maybe as a feature film as Fuller has hinted at, or maybe moves to Starz or Amazon (though if it’s the former and not the latter I may have to wait till the show is on DVD or Netflix, depending on my financial situation). Also, I think it’s a good investment to keep the show going. Yeah, Hannibal has always been ratings-challenged, which is why NBC cancelled it in the first place. However, they knew a show focusing on a serial killer was a risk to begin with, and they still went with it for three years, as did huge legions of fans.

Why? Well obviously Hannibal Lecter is a famous character who was already well-known because of Harris’ novels, the movie Manhunter, and the three Anthony Hopkins films. But that only drew people to the show in the first place. The reason they stayed is because the show’s creators managed to take the concept of a serial killer show, and elevate it to art. Fuller and his team could’ve simply created a simple procedural show with serial killers like The Following with a famous literary and film character in the mix. Instead they built on that premise and made most of the sets exquisite to the eye, turned ordinary conversations into psychologically and philosophically engaging character explorations that could evolve into verbal tennis matches sometimes, and gave every shot a purpose in how it was filmed.

Add into all that the brilliant characters: Hugh Dancy as the socially-troubled empath profiler Will Graham, Lawrence Fishburne as the ends-justify-the-means, will-do-anything-to-catch-the-killers FBI director Jack Crawford, and of course the quiet gentleman devil with a love of grilling up those who are rude or offensive, Hannibal Lecter himself. Every character brings something to the table, making you want to watch them interact with each other right up until the very (sometimes bloody) end. And of course, the brilliant writing. Even at the show’s less exciting moments, the writers till were able to make you want to keep watching, to find out what happens next. From the growing relationship between Will and Hannibal in the first season, to the terrifying flash-forward at the beginning of the second season, and Will’s struggle to truly rid himself of Hannibal in the third season, it just kept you watching.

Hannibal is art. Creepy, bloody, psychologically strange and terrifying art, but it is art nonetheless, and that’s something you don’t usually see with television shows. I honestly can’t say if Hannibal will go on in some form or another (I’m not psychic), but if it doesn’t, at least we know that it had an ending that tied up most of the loose ends of the story, and the ones left behind we can easily guess at. And with streaming and DVD releases, fans could still watch it and relive the beautiful psychological horror that the show was.

Still, I hope for more. The show was awesome, and Fuller had a vision to continue the show, even if he couldn’t get the characters from Silence of the Lambs (I would’ve loved to see how they changed up Clarice Starling and Buffalo Bill, seeing as I found one annoying and the other slightly comical). If allowed to continue, we could see some award-worthy horror on our screens someday.

So while we wait and squirm and wonder at the show’s fate, I’ll continue to hope. Because if the story of the strange relationship between a man and a monster in a man’s skin can intrigue me and so many other people, then surely it can attract a TV executive or two. And the story that ended too soon won’t end at all.

Oh and NBC, why do you keep doing this to me?! First Dracula, then Hannibal? Stop cancelling these creepy genre shows I really like!

Rest in peace, Wes Craven. You will be missed.

The word craven means “lacking in courage; cowardly.” I’m hard-pressed to find a man who embodied the exact antithesis of the meaning of his last man, and who instead managed to pass it onto the rest of us. Wes Craven was a filmmaking genius, a horror maestro who helped to create some of our most iconic movie monsters, including Freddy Kreuger and Ghostface. It is with great sadness that I have to admit that he passed yesterday after a lengthy battle with brain cancer at the age of 76.

I remember the first time I watched the original Nightmare on Elm Street. I was somewhere in my teenage years, and I was in my dad’s basement watching it on DVD. From the very beginning the movie set itself apart from other horror movies I’d seen in the past. The small box displaying Freddy preparing his trademark clawed glove, as if he were coming out of a long retirement to start some marvelous work again. That first dream sequence and death, and everything that came after it. Nightmare was visceral, it was scary, and at the end you wondered what was dream and what was reality, or if maybe they were all one and the same. For a guy who hadn’t had that much exposure to the horror classics of the 1980s (I might’ve only recently turned seventeen at that time and gotten access to my library’s collection of 80’s horror, most of which was rated R), it knocked me off my feet and made me want more.

You see, horror is my drug, and the Nightmare movies were really good blow. In Wes Craven, I’d found a powerful dealer, someone who could give me what I needed when I needed my horror fix. I would later find terror when I saw the Scream movies, and quite a few more (I really liked what he did with the North American remake of Pulse). You could go to him and usually he could provide the goods. Occasionally Craven produced some bad stuff—every filmmaker does occasionally, and in horror bad stuff is pretty common—but on the whole he did great work.

And how did Craven feel about these many fans, these people who saw him as a person who fed their inner desires for terror and probably gave more than one child nightmares for the rest of his or her life? To use his own words, “I come from a blue-collar family, and I’m just glad for the work. I think it is an extraordinary opportunity and gift to be able to make films in general, and to have done it for almost 40 years is remarkable…If I have to do the rest of the films in the [horror] genre, no problem. If I’m going to be a caged bird, I’ll sing the best song I can…I can see that I give my audience something. I can see it in their eyes, and they say thank you a lot. You realize you are doing something that means something to people.”(1)

Indeed Mr. Craven. You did something to many people. You gave us iconic characters like Freddy or Ghostface to haunt our dreams. You helped launch the film careers of Johnny Depp, Sharon Stone, and Bruce Willis (no seriously, he did). And you inspired generations of horror fans, from your protégé Nick Simon, whose new movie The Girl in the Photographs will premiere at the Toronto Film Festival next month, to me, a self-published novelist who, while not exactly famous yet, is working hard to create his own stories that maybe one day will scare people far and wide.

So while you may no longer be with us in Mr. Craven, you are very much alive. Like one of your creations, you haunt us in our imaginations and our dreams, making those you inspired take to their pens or computers and create their own wonderful nightmares. And as long as people fear Freddy or Ghostface or those Hills that have Eyes, you will continue to walk among us, leaving your mark wherever you go and giving us our fix when we ask for it.

So tonight, I will raise a toast to Wes Craven, a man with a vision, taken from us when we didn’t want him to go. I will get online and see if I can get a fix from one of his movies. And then soon, possibly tomorrow, I will get to work on my next terrifying creation and hope your ghost whispers in my ears while I do.

You know, my experience with Asian horror films has been rather hit-and-miss, and even some of the hits have had their share of problems. This one however, at least in my humble opinion, is a hit with very few problems, if any. And considering that I found this film by accident, with no idea what it was about or what most of the critics thought, I’m really glad I decided to watch it.

Someone Behind You (also known by its North American title, Voices) follows a South Korean girl by the name of Ga-in, a happy and pretty girl on her school’s fencing team whose life suddenly takes a turn for the worse when her aunt is brutally murdered in an act of rage on her wedding day. Whispers go around that Ga-in’s family may be under a curse, and when Ga-in is attacked herself, she has to unravel where the curse comes from if she wants to survive.

From the very beginning, this movie has you terrified and on your toes. The filmmakers create a great atmosphere using lighting, music, and scares to really immerse you in the film, and the actors are great. When they are sad or angry or murderous, you feel the emotion behind it. And the story itself, with its many twists and turns, will keep you guessing about what will happen and about the nature of the curse (is it caused by rage? Jealousy? General resentment over something? Is there even a curse at all, or is it just a metaphor for letting your emotions get the better of you?) right up until the final scene.

My one criticism is that Ga-in comes to trust Seok-min, a mysterious transfer student who in horror terms is “the creepy outsider character” and seems to know something about the curse’s nature, a little too quickly. Why doesn’t she question him about his knowledge more? Why is she so willing to take him up on his advice? Makes no sense to me.

Overall though, this is a creepy film, and I’m very glad I stumbled upon it. You’ll get scared, you’ll be trying to guess what’ll happen right up until the very end, and when the final secret is unveiled, it’ll blow you away. On a scale of 1 to 5, I give Someone Behind You a 4.5 out of 5. I hope I find more Asian horror films like this one, because nothing lifts my mood like a good scary story.

Now if you don’t mind, I have to go hide. I think that curse is after me now! AAAAAAAH!

I’ve just finished a new story, “Stuck in the Horror House” (not to be confused with a previous short story of mine, “Hunt in the Slaughterhouse”). I’ve been working on this story for weeks, and at one point I had to go back and start rewriting it because I was dissatisfied with the way the story was progressing. But now I’m glad that the first draft is finished. And it’s a long first draft too, 12,607 words, making it a novelette. Boy, when I have a story to tell I just don’t care about word count these days, do I?

“Stuck in the Horror House” is a story inspired by an episode of Ghost Adventures. In one episode, the GA Crew investigates a factory that has been converted into a haunted attraction, and one of the hauntings there was purported to be an actual demon, summoned by an actor there dressing up as Satan and reading verses out of an actual Satanic Bible and attacking said actor whenever he had the chance. That story stuck around with me, and so I ended up adapting it into a story. In this case though, I made the story about a bunch of teenagers who sneak into a haunted attraction during the off-season and one of them does a summoning ritual on a lark, which leads to all sorts of trouble. The protagonist of the story is telling his story to a psychiatrist, leading to questions about whether or not he’s imagined everything or if there’s truly a demon afoot.

Now, as far as first drafts go…I’ve had better ones. Even in the writing I could see places where this story can be improved in future drafts. But, like Ernest Hemingway said, most first drafts are shit. A lot of writing is revision, and that’s when the story really starts to shine and entrance. The first draft is laying down the bare bones so that they can form something extraordinary later on.

In the meantime though, I’m excited for where this story could go in future drafts. I definitely feel like with subsequent drafts it could make for a very terrifying story. Maybe it’ll even go into Teenage Wasteland, seeing as most of the main characters are 18 or 19 years old. We’ll see what happens.

In the meantime, I’m taking a break to watch a scary movie I recently found online. I might even write a review of it later. I also would like to write a blog post or two for my other blog, From the Voice of Common Sense, and I think I’ll take the time to write an article for Self-Published Authors Helping Other Authors before starting another story and then working on editing Laura Horn.

Yeah, I’m busy. And that’s not even including work or searching for whatever comes after my internship is over. And the way I work, I doubt I’ll ever slow down. Until next time, my Followers of Fear. Have a great rest of your weekend!

Lately I’ve been reading Stephen King’s Revival on my Kindle, and I have to say, while a bit more on the science-fiction side and a bit less creepy than other King novels like The Shining, Misery, or IT, I find Revival to still be a very interesting read and I’m looking forward to seeing how it ends.

While I do believe Revival’s not as creepy as other King novels, there is one part of it that is very unsettling: early in the book a lot of time is spent on the question of whether God exists or not. I’m not going to say what any of the main characters decide one way or another in case you haven’t read this one and want to read it sometime soon, but the way they question their beliefs in God and some of the conclusions they come to, coupled with King’s ability to immerse us almost completely in the minds of the narrator, causes us as the reader to question our own faith in whatever god or gods we choose to believe in, if we do.

Doubt. In some ways, a little bit of doubt in our strongest-held beliefs can be one of the most anxiety-inducing things in the world. All we’ve known or believed is called completely into question, and the power of that can send us completely reeling, make us terrified of the possibilities if we come to the conclusion that our beliefs are as false as a three-dollar bill. Even worse is that this doubt is housed entirely within our own minds, so outside attempts to erase that doubt are not always very effective. It’s like standing on the very tip of a structure that until now you thought was completely solid, but suddenly you discover cracks there and that the structure is in danger of caving in on itself. Your friends, your family, your religious leader, and even your favorite YouTube stars (why not?) can put some wood beams under the stones and put sand in the cracks, but they’ll only last so long. Fixing the structure, or letting it fall to ruin, has to come from within.

This makes me think of the lengths people will go to silence doubt. Anyone doubts America’s exceptionalism in the world (which I admit is a philosophy I find silly, seeing as many nations have said the same things about themselves and have later lost power or disappeared from the face of the Earth), those in favor of the philosophy will shout out those who oppose it and say they are un-American or even trying to ruin the country. A parent thinks their kid doesn’t believe in the religion that will get them into heaven, they will surround them with prayer and texts and church music until those kids sing with joy of God. Someone suspects their partner is being unfaithful to them, they will go to any lengths to either prove or disprove this theory, sometimes to the point of paranoia. A member of a secret group or spy ring thinks another member might be disloyal, they make that member go through some sort of bizarre and often sadistic test to ensure loyalty to the cause (at least in espionage novels; I have no idea if this happens in real life, though I wouldn’t be too surprised if it did).

What doubt can do to you.

What doubt can do to you.

Doubt is powerful, its effects on us are powerful, and our efforts to eradicate doubt can border on the extreme sometimes. You can see why a writer like King would use it in the first part of a story. He knows how scary it is, the effect it can have on people. And over the years and through age, experience, and reading, I’ve come to the realization of how powerful doubt can be as well. I even have an idea for a novel where religious doubt plays a major role. I have a feeling it’s going to be quite the unsettling story, whenever I get around to writing it. I doubt it’ll be anytime soon though.

Yeah, I went there.

In any case, it’s pretty obvious that doubt might be as much a part of the horror writer’s toolbox as any of the other fear-inducing tools and devices we have on hand. In a way, it’s also much stranger, because unlike the other fear-inducers, you can’t fight it or flee it for survival. After all, doubt is a product of the human mind, it exists within you. And you can’t outrun your own mind, can you?

And that, my Followers of Fear, might be the scariest part of all.

It’s that time of the week again, Friday. You know what that means! It’s #FirstLineFriday! On Friday, I post the first or first two lines of a potential work, a work-in-progress, or a published work here on the blog, titling the post #FirstLineFriday (like just now). It’s actually a lot of fun, and I’m hoping that other bloggers will get into it as well and make it a habit.

Today’s entry comes from a novel I might potentially write someday. Remember that short story I was struggling with for over a year before I decided it’d be best if I turned it into a novel someday? Well, here’s what that novel would open with if I were writing it today:

If you are reading this, then it probably means I’m dead. Not an unexpected fate for someone from Whitechapel at the time I knew it, but considering how abnormal my life became after I joined the staff of Strong Manor, my death was probably just as abnormal.

I bet at least a couple of people here see the word “Whitechapel” and are thinking of just one person. Well, I’ll give you this much: you’re on the right track.

But what are your thoughts? Sound interesting? Are there grammatical errors or something I should correct? Let me know.

Well, the weekend’s coming up, and I’ll be resting at home this time around. Hope to get out a few blog posts, work on that audio book, finish a story, and upload a bunch of photos online. And get my laundry done too. Can’t wait to see how I do.

Have a good weekend, my Followers of Fear!

Well my Followers of Fear, I have to get up extra early if I’m going to get to Munich on time tomorrow, so I have to make this super quick. I just want to let everyone know some very big things they can look forward to in the coming months. So if you’re wearing hats, hold onto them. Or don’t, but be aware that a wind might blow them away while you’re not holding onto them.

Reborn City will become an audio book

Yeah, it’s happening. After a lot of deliberation, asking a ton of people (including all of you a couple of posts ago), and listening to Battle Royale on my phone at work (my favorite novel these days, read my review here), I’ve decided to produce an audio book of Reborn City, which is probably my most popular work among my current published books. In truth, I’ve wanted to do an audio book for a while, but I think now is the best time to start working on one. And with ACX being such a great company to do it with, I think I can trust them to help me make this a reality.

Now of course this’ll take some time to do, so I wouldn’t get your hopes up that this’ll be out by the holidays. I may not even start work on it till I get back to the States. But it will happen eventually, and if the audio book is successful, I will produce Snake and The Quiet Game as audio books as well, as well as any future novel or short story collection.

So get ready for some awesome sci-fi gangster action during long car rides, because this is going to happen.

I’m putting together a new short story collection

This is something I’ve been wanting to do for a while and it did seem for some time that I was going to put out one known as The Dead and the Dying (which still might happen someday, who knows?). But now I’ve actively begun to put together a new collection of short stories and novelettes I’m calling Teenage Wasteland. And you don’t need to be a detective to guess what the theme of this collection is: teens in horror stories!

Even if you’re only just mildly acquainted with horror,you’re probably aware that horror stories often feature teenagers as protagonists (or as easy victims). And I have a lot of stories, both published or otherwise, that have teenagers in them. I think a collection featuring teenagers in horror situations would be very interesting and fun to assemble, so I’m going to work hard to make that happen. Already I have four stories, and I hope to get between eight and thirteen stories in this collection, each featuring protagonists between the ages of twelve and nineteen. And as this collection is assembled, I’ll post updates on my progress, so keep an eye out for Teenage Wasteland, coming soon!

And yes, it’s like the song. I’ve always been rather partial to that song. But as long as I don’t put “by The Who” or quote lyrics in any of the stories, I can’t get in trouble, right? Right?!

 

Well, that’s all for now. I’ve had a pretty good week, which was needed after the disaster that was last week. I even made a new friend today (Oh good for you! You made a friend! thinks everyone as they unintentionally do an impression of my mother). And tomorrow I’m heading to Munich, so I’ve got to head to bed so I can be ready for that. With that, good night and pleasant nightmares, my Followers of Fear. See you on Sunday, when I tell you all about my time in one of Germany’s most famous cities.

What do you call a writer cut off from Wi-Fi, has too much time on his hands, and a lot of stories he wants to get out of his head and into the heads of others? If you guessed Rami Ungar, you are correct. Last night the Wi-Fi was still out, so I decided to work on rewriting one of my short stories where I was really dissatisfied with the first draft and wanted to change things up. The result was that this morning I finished rewriting Streghe, with phenomenal results.

Now if you don’t know about or remember Streghe, let me give you some background: during my last semester at Ohio State I took a class on the history of witchcraft to fill out the last requirement of my History major (yes, a class like that was offered, and it was awesome). One of the witch mythologies we studied in that class was that of the streghe, which comes from the Umbrian region of Italy. Now in Italian streghe means “witch” and comes from the word for owl, but in that region the word takes on an entirely different meaning. Rather than involving women who assembled to worship Satan, eat the flesh of children, and cast spells with the help of demon familiars as in traditional European witchcraft mythologies, Umbrian streghe usually worked alone or in pairs, did not consort with demons that often, if at all, drank blood from children as a form of sustenance like vampires, and had their own powers, including the power to transform into owls, which normal witches were said not to have (and that is your free history lesson for the day).

Hearing this mythology, I was inspired immediately and wanted to tell a story based on it. So over the last month of school or so, when I wasn’t busy with my thesis project, I wrote a short story that grew to the size of a novelette. And when I finished it, I found that I hated it. The story was way too long, the plot was all over the place, and at times the story actually felt like it was dragging itself along just to get to the ending. During the writing of the first draft I went back several times just to try a different angle, so I knew something was off even then.

I decided to let it sit for a few months and work on other projects and see what ideas to fix the story to me. Well, something did come to me recently, thanks to time and some Lovecraft stories I’ve been reading recently (I’ll have to write a blog post about that later when I’ve read more of his work). So as soon as I finished editing Video Rage (which was two days ago, by the way), I decided to dive back into Streghe and see what I could do with it.

The result was fantastic. I cut the story by about half to just under five-thousand words, reduced the backstory of antagonist Tom in favor of expanding protagonist Sarah’s backstory (he’s an ass anyway, so I don’t think people will care if they don’t know how he became that way), as well as reducing the number of characters in the story, and added more elements from the original mythology, among other things. And as of this morning, I feel I have much tighter, creepier, and more exciting story than what I had before. Maybe in a draft or two I get it published in a magazine (I know of one that might be interested in this one, depending on the final word count).

For now though, I think I’ll let this one lie for a little while, so that when I edit it I can look at it with fresh eyes. In the meantime, I think I’ll recharge my batteries a little before I tackle my next project. If the Wi-Fi’s back when I get home tonight, I’ll probably watch some Netflix and YouTube and plan that trip to Munich. If it’s not, I’ve got a couple of books, including one from my boss at the office, so I’ll dive into that.

In the meantime, I’m feeling pretty good about myself and about life. I’ve gotten a lot written and edited, I’m gaining valuable work experience and some language skills while here in Germany, and even if this job doesn’t last beyond the three months, I have some more prospects I can look into, so there’s plenty to be hopeful for. Things are going well for me lately, and I plan to ride that good wave for as long as possible.

Until next time, my Followers of Fear. Ein schonen tag!

Two months ago, I published a post about problems only horror fans have and understand. Since then, I’ve thought of more problems that face the horror community, so I’ve decided to write a post about those problems and try being funny as well as educational. And I’ll probably fail miserably while I’m at it.

And now you’re thinking, “He’s going to try to be funny and educational and fail at it too? EEEK!” I wish you wouldn’t think that, I put a lot of work into this blog post!

1. Not enough Slender-Man media. If you live under a rock, Slender-Man is an Internet meme I’ve visited before on this blog, a faceless being with a tall body and long, lanky arms wearing a suit. The myth varies depending on who’s telling it, but usually he lives in the woods, occasionally has tentacles, and likes to kidnap/scare/sometimes even kill children. It started as a couple of photos made for a contest on an Internet site and has since grown and become a modern piece of Internet folklore.

Sadly, Slender-Man’s copyrighted, and not by the guy who originally created him (who is fine with any adaptations as long as they’re good), but by a third party whose identity is unknown to the public. So if you want to make a for-profit work based on good ol’ Slendy, you need to find this third party and ask them for permission. Which sucks because how can you negotiate a deal with someone you can’t find? Such is the quest to make Slender-Man merchandise.

2. We’re getting our IT adaptation…with a catch. Last time I wrote about this, I mentioned how Cary Fukunaga’s two-part adaptation of the Stephen King classic was cancelled because Fukunaga and New Line couldn’t see eye-to-eye over budget and creative directions. Well, good news, looks like New Line is still trying to make the adaptation. Just two problems: one is it’s probably going to be a single movie. Really? This is a thousand page book! Even a three hour movie will hardly get most of what made one of King’s scariest creations very good.

Even worse, the guy being courted for director is Andy Muschietti, who directed 2013’s Mama. Now a lot of people found that movie scary, but I felt that it was overall not very good. Started out great, but got slow and cliched near the end. So you can see why I’m a little hesitant over this directing choice, especially with only one movie to work with.

Seriously, why not two parts? The Hobbit got three, and it’s one book! And when Peter Jackson adapted the LOTR trilogy, it was a big, risky move. Look at how that paid out!

*Sigh* I really hope I’m surprised by this movie if it comes to be.

3. “Why not a happy story?” This actually happened to me today. I was talking to my boss and we were discussing an ice cream truck that passes through the base every day. I was trying to think of a short story involving an ice cream truck with an original and scary twist. She just looked at me with this funny face and asked, “Why can’t you write a happy story?”

Who says horror stories can’t have happiness in them? Seriously, some of them do end with the monsters gone and the main characters still alive and actually stronger for their struggles against evil. Yeah, some of them end in tragedy. But there are happy endings.

And besides, would a happy story really be that interesting? Once upon a time a bunch of schoolchildren went to play in the flower fields. They picked flowers, and one of the ones they picked turned into a handsome prince. The prince said a witch had turned him into a flower after he refused to marry her, and he would’ve died with the first frost if the kids hadn’t plucked him among the flower fields. So the prince made them all honorary princes and princesses and they were forever allowed into his castle to eat ice cream and ride the horses and learn how to dance like they do at Viennese balls.

I think I might vomit if I don’t fall asleep from boredom.

4. “But don’t you get nightmares?” Another one from my boss (in her defense, I think she ordered a copy of Reborn City today, so at least we know she’s got good taste). Yes, I do get nightmares occasionally. It’s estimated that all adults get at least two nightmares a year. Rarely do I get them from the movies I watch and books I read, though. And I’m willing to risk the possibility that one day I’ll be scared in my dreams because of one of those books or movies. Just means someone’s doing their job in making something super-scary, right?

I’ll even dream about him if it means a good scary story!

5. Horror’s so cliched. Actually, no it’s not. True, a lot of horror stories do have their tropes and conventions that appear a lot: the virgin girl, the slutty girl, the campground, the sin factor, etc. But hey, have you seen people who get upset over Bible films if there’s even a single deviation from even the most obscure text? They want the same story every time! Now that’s a lot of cliches.

And horror doesn’t always rely on cliches. There’s a lot of originality in horror, if you care to look. It Follows, I Am a Ghost, Carrie, Dracula, Interview with a Vampire. All of those were very original, thank you very much.

6. Horror has no depth. Oh, so there’s no depth in a ghost or heads getting cut off? Really? Well, where’s the depth in comedies with fart jokes? Or stories where we all go in knowing the hero and heroine will eventually hook up and that’s the only reason why we paid money for this? Where’s the depth in that?

You’d be surprised how deep a horror story can go. Anne Rice’s early Vampire Chronicles are known for their poetic philosophy and imagery. Some, including the author, has described them as “the agnostic’s search for the truth” (this is a rough quote, I may have phrased it wrong). IT, which I discussed above, deals simultaneously with the loss of childhood innocence and the rediscovery of childhood belief. And don’t you dare tell me that The Shining doesn’t explore the struggle of personal needs and desires versus the good of the group! Think about it!

7. No, I’m not sex-starved and that’s why I enjoy horror. Yeah, horror sometimes is dirty. Doesn’t mean we’re making up for something. Unless you’re the filmmakers behind the Friday the 13th remake, in which case you packed in as many boobs as possible because you wanted people to see the movie AND it was a dry spell (Ooh, new slam on that shitty movie!).

And why are you wondering about our sex lives? It’s none of your business, you perverts!

Yeah, I like these guys. So what?

8. Ghost hunting. Okay, this might just be my problem, but just bear with me, because it’s related. Plenty of people believe in ghosts, interest in horror or not. Some of us believe that it is possible to find out about ghosts using modern-day technology, which is why we support ghost hunters and even watch some of the ghost-hunting teams that have their own TV shows.

So what’s the problem? Some people think ghost hunters are snake oil salesmen and make fun of them and their shows whenever the subject comes up. For those like me who believe in ghosts and maybe even base our ghost mythologies on what ghost hunters may uncover in investigations, it’s hurtful.

Yeah, this isn’t strictly a horror problem. But it’s a problem nonetheless.

~~~

Did you identify with any of these problems? Did I miss any? Was I funny? If not, did you at least learn something?

Well, hope you enjoyed this whatever your reaction. Just thought I’d get out another list. Hopefully I won’t find any more reasons we horror fans have it tough. Have a goodnight, Followers of Fear!

The wait till DVD…oh dammit!