Posts Tagged ‘editing’

It’s Friday, so you know what that means. It’s #FirstLineFriday!

Here’s how this works, in case you’d like to do it on your own blog: every Friday I write up a post titled #FirstLineFriday (hashtag included), explain the rules like I’m doing now, and then post the first one or two lines of a potential story, a story-in-progress, or a completed or published story. After that, I ask my readers for their thoughts and suggestions.

In the past couple of weeks, I’ve been doing #FirstLineFriday posts with stories relating to Halloween (because you know I love the spooky holiday season). And since tomorrow’s the big day, I’ve saved a very special first two lines for last. This excerpt is what may or may not start a very interesting book series, the events of which take place all on a single Halloween night. Yeah, that’s the story I have in mind. Let’s hope I get to write it before I’m old and grey, right?

Anyway, here’s the excerpt. Enjoy:

Chloe held up her witch’s costume in front of her and looked in the mirror. She knew it, too much pink and purple.

Starts innocuous enough, but get’s very strange and dark later on.

But what do you guys think? Any errors in grammar, punctuation, etc? Too innocent and YA-ish to start a horror series? Let me know.

That’s all for now. I’m currently muddling through a cold, so I don’t know if I’m going to be out celebrating at all this Halloween. I’ll consider myself lucky if I get out to see a scary movie. In the meantime, I want you all to have a fun and scary weekend (more than I probably will, anyway).

Have a good one, my Followers of Fear!

Well, I’ve returned from Germany, my Followers of Fear. All in three pieces (don’t ask about the other two, you won’t like the answer). It’s good to be home, to say the least. A little weird after so long, but still very good. I enjoyed seeing my parents and my sister waiting for me at the airport and teaching them naughty German swear words (and my parents are rabbis, by the way. Scandalous!).

Of course, now that I’m back that doesn’t mean I can just slack off and do whatever I want. I’ve got a number of things on my to-do list today, and while I’m working to get those done, I’m taking a moment to talk about writing. Specifically, what are three qualities that writers need to actually write and get work done?

And I mean besides the actual imagination to come up with a story and the ability to transfer that story from the mind to the printed page. Not only does that go without saying, but a lot of people have very active imaginations and can write well enough that if they tried they could come up with a very good first draft. So why don’t they? What keeps people from actually acting out that writing dream?

I’ve been thinking about this a lot since yesterday, when I spoke with someone on the final leg of my journey home who had tried writing but found himself unable to do it. I found myself wondering why that is, and I think part of why some people can write and some find themselves struggling to do so may stem from three needed qualities or skill sets: confidence, focus, and perseverance.

Now by confidence I don’t mean confidence that your story is going to succeed and will make tons of money. I mean confidence that you can actually get it done, that you can write out an entire story from start to end. Never mind whether it’s any good, first drafts are notoriously terrible because that’s how they’re supposed to be. You have to have the confidence that you can get that first draft done, and then maybe we can talk about the next draft and everything else that comes from that.

Think about it: even if you prefer to only work on short stories, that fitting an entire story in a space between a thousand and ten-thousand words. Even to me, that’s a little daunting, and I’ve become much better at writing short stories over the years (though I could always be better). Imagine how it might feel for someone who wants to write a novel but then finds out that a novel is at least sixty-thousand words! You can’t just say to yourself, “I’ll try and see where it gets me” when it comes to this sort of task. You have to have some confidence in yourself and that you can get all those words out on the page.

Otherwise you may falter around three-thousand words when you realize that getting a story out is not as easy as you think and may not be able to continue from there.

Another thing writers need to get work done is focus. You have to be able to focus on a project and get the work done. The person I spoke to yesterday on my flight told me this was his problem: he tried writing a story, but in the midst of writing that story he would come up with another story and then want to work on that, and his first story would languish. Then he’d have an idea for a third story and want to work on that, and then he’d have two stories being put on the shelf for later. So the cycle went and he had projects that just never got done.

Even if you juggle multiple projects at once, like I do (three novels at various stages of the editing process, one collection of short stories on the way, working to find a narrator for an audio book, etc), you have to be able to sit down and focus on one project for an extended period of time. Maybe even months or years. And other projects may demand to be written (believe me, I’ve got lists of story ideas, and some are pretty vocal in my head about wanting to be written), but you have to get some out of the way first before you can focus on others. Better to have just a few projects at most to work on and several ideas waiting to be turned into stories than a lot of projects just lying about not even a quarter of the way finished because they all demand to be written.

And this brings us to our final quality: perseverance. It’s an understatement at the very least to say that life is not easy. Take my life, for instance: I’m trying to ensure I have a job so I don’t become a bum in my dad’s guestroom, I have bills to pay, tasks on my to-do list to do, etc. So many demands that it’s hard to find time to write or edit. And when it comes to doing either, especially at the beginning of a project, I may sometimes have trouble getting the work done. All those words can make it hard to getting it all done.

Without these qualities, writing can feel like a Sisyphean feat.

To write, you have to accept that you have to work through all those difficulties before you can get through all those stories, and then do it. It’s never easy, and life will find ways to get in the way. Even when it does, you have to be willing to get through what life throws at you and then sit down and get through all the writing and editing and everything else you have to do. If not, then those stories you feel so passionate about will languish for so long you may never pick them up.

It’s these three qualities–confidence, focus, and perseverance–that make the difference between those who want to write and those who actually go out and do it. Each of us struggles with them at times–focus in the short term can be troubling for me–but in the end I think those who can command these qualities are the ones who can at least get the stories written out and polish them enough for publication.

But what do you think? Have I got the right of it? Did I miss something? Did any of these speak to you? Let’s discuss.

In the meantime, I have to focus on the other things on my to-do list like visiting the dry-cleaner’s the barber shop, and persevere through cold and possible rains at the same time. Still I’m confident I can do it, so I’m not too worried.

Still, wish me luck. I might need it later.

It’s Friday again, so you know what that means! That’s right, it’s #FirstLineFriday! And it’s also my last Friday in Germany (cue sad violin music). Well, I had a good time here and I’m glad I got to be here for so long. But like all good things, they come to an end. No use fighting it, I guess.

Anyway, here are the rules of #FirstLineFriday: You write a post with the title #FirstLineFriday, hashtag included, and then you post the first one or two lines of a possible story, a story in progress, or a completed or published work. You then ask your readers for feedback on the lines.

And since this is the month of October, I’m doing stories relating specifically to Halloween. This week’s entry is from a short story I might write someday, about two people who need a little help to fix the problems in their life on All Hallows Eve:

Sofia walked alongside the road in the direction Mommy’s car, cold and sniffling. Why had Mommy left her behind like that?

What are your thoughts? Anything that could be brushed up? Let me know in the comments below.

All for now. I’ll be taking it easy this weekend, so I might be putting out another post or two. Until then, have a good weekend my Followers of Fear!

As many of you know, I have a novel I wrote in college called Laura Horn, and that it’s about time I edited it. At the same time, I wasn’t sure if I should simply go over the first draft and edit where necessary, or do a complete do-over and rewrite the novel from scratch.

If you don’t know what Laura Horn is about, it follows a teenage girl with a dark past who comes across secrets that threaten the nation. Think White House Down or Olympus Has Fallen, only instead of Channing Tatum or Gerard Butler coming to save the day, it’s all on a very troubled teenage girl and her friends. Yeah, I wrote a novel like that. And it’s not comedy, YA, romance or anything like that. It’s a straight up action thriller, complete with one or two psychopaths and a bunch of corrupt agents and elected officials.

Also, I’ve limited the amount of gun violence and explosions in the book, because God forbid this thing should resemble a Michael Bay or Quentin Tarantino movie.

Back to the main point, though. In between drafts of the story, I began to worry that LH might need a rewrite. I liked the characters, I liked the story, I just worried that the way the story was being told was a little too unbelievable and that there might be a better way to tell it. At the same time though, I wondered if maybe the story I had already told was still good enough, it just needed a touch up here and there.

So after editing Video Rage, and writing and editing several short stories and novelettes, I decided to take a look at the first couple chapters of LH, do some edits, and then make a decision on whether I just need to do some simple editing, or maybe make a rewrite of LH my NaNoWriMo project.

Well, as of today I’ve gone through six chapters, combined three into one big chapter, and come to a decision. The first draft is somewhat sloppy, and there is a lot to work on, but that’s pretty typical of a first draft. It’s in the subsequent drafts you actually make something worth publishing. It’s certainly not bad enough at this point that I feel a total rewrite is necessary.*

It might take a lot of drafts to get it right, though. But hey, part of the joys of writing is a lot of hard work and touching up, right?

Anyway, I’ve made a start of the second draft, and I’m hopeful it won’t take too long to finish it. Maybe a couple months at most, if life doesn’t get too crazy and I don’t get too distracted. We’ll see how it goes.

In the meantime, I think I’ll take a break from editing. After all, all work and no play makes Rami a bad editor, or something like that.

Goodnight, my Followers of Fear!

*This also means I won’t be participating in NaNoWriMo this year, but I can think of worse things to happen in my life. Maybe next year I’ll participate though. In the meantime, check out my article on how to survive NaNoWriMo if you’re participating this year.

I just published my latest article from Self-Published Authors Helping Other Authors, and it’s a very special article: Tips For Surviving NaNoWriMo. For those of you who don’t know what that is, it’s National Novel Writing Month, a yearly tradition in November where authors try to write an entire novel of 50,000 words or more in 30 days. To say the least, it is insane and requires a lot of work to get through in one piece. I thought I’d write an article on how to get through it and still keep all your fingers on your hands. So if you are participating or thinking of participating this year, it might be a good idea to check out the article. Maybe something I’ve written will prove helpful to you.

And while you’re over there, check out the other articles on the site. Self-Published Authors Helping Other Authors is a website by indie authors for indie authors and has hundreds of articles meant to help writers of all backgrounds and levels of experience write, edit, publish and market effectively without going broke in the process. You might just find an article helpful to you on the site.

All for now. I’ve got stuff to take care of, so I’m off to take care of them. Until next time, my Followers of Fear!

It’s Friday again, so you know what that means! It’s #FirstLineFriday! On Fridays, you write a post with the title “#FirstLineFriday”, then you post the rules (which I’m doing). Finally you post the first one or two lines of a potential story, a story-in-progress, or a completed or published story. Then you invite your readers to give you feedback on the lines you’ve written.

Since it’s October, the best month of the year in my opinion, I’m doing only stories that take place around or involve Halloween (or might, I have so many story ideas that are waiting to be written I can never be sure when any of them may take place until I truly start to work on them). This week’s opening is from a story I came up with on Wednesday, and is particularly hellish:

The soldiers at Fort Ivory had all heard the stories about Crane Ravine. Most laughed at the stories, but few actually dared go near the ravine, especially around Halloween.

Thoughts? Critiques? Errors? Let me know.

That’s all for now. I’ll try putting out a post or two this weekend, but if all goes well I’ll be busy all weekend. Until next time, my Followers of Fear!

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I think this interview has been a long time in the making, and I’m glad it’s finally happened.

Today’s author is a woman who you might have seen commenting a lot on this blog. She’s an author of several vampire novels, as well as a contributor to Self-Published Authors Helping Other Authors, and a contributor/editor/compiler/whatever to the Ink Slingers’ anthologies, including Strange Portals and the recently published When the Lights Go Out. It’s Joleene Naylor, and I’m looking forward to hearing what she has to say!

Welcome to the blog, Joleene. So tell us, what are your short stories about and what inspired them?

Unforgotten is about a pair of old school chums in the UK who go on an annual trip every year on the same date. This years’ trip is complicated by Gordon’s missing wife and the ghost of a little girl who wants to be found. It’s actually based on a dream I had. It started out the same: in a car discussing having been interrogated by the police. Only there was no ghost girl.

In Beldren, a group of former indentured servants decide to take what they feel they are owed from an easy mark; a household of women. Their plan is perfect except for one thing: the women are vampires.  This one was inspired one night when a pickup kept going around and around past our house and my brother got nervous they were “up to something” and I thought, “I wonder what would happen if robbers broke in and found out the people of the house were serial killers? Or vampires? Hmmmm… That could be an interesting story…” Hopefully it is.

I read the first one and liked it, so I have high hopes for the second one. Now what else have you written?

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The Amaranthine vampire series. Shades of Gray is the first, and the newest is book seven, Clash of Legends. I’ve tried to make the story creepy and disturbing, and at times bloody and horrific, instead of just the usual romantic sop that a certain YA book has turned the vampire genre into. There’s no sparkling and no high school, just blood, fighting, and vampires who feed on humans and burn in the sun.

Are you a traditionally or self-published writer?

Self published because I want to own the rights to my own work.

What got you into writing in the first place?

My mother was a writer and poet, so it never occurred to me not to “make up stories”. My brother and I used to make (and illustrate) books for fun when we were children. (I also used to draw book covers and catalogs, complete with product descriptions – I was strange.)

What is it about scary stories that you think draw people in?

People enjoy being scared – safely. We like that little “Oh!”, the tiny burst of adrenaline and that aftermath giggle, but we like when we know we’re not *really* in danger, and a scary story can give us that.

Are you working on anything these days?

I’ve reworked Patrick: A Prequel, but I need to edit it. I am also working on Masque of the Vampire, the eighth book in the series, and the Tales of the Executioners short story collection. There are four of those, three are available for free through most retailors (except Amazon) and the fourth, Beldren, is included in the When the Lights Go Out anthology.

What is some advice you would give to other writers, regardless of their level of experience or background?

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Write what you want to read because if you want to read it, then edit the heck out of it. Change words, shorten scenes, add scenes, delete scenes. The original version may seem like a masterpiece to you, but it isn’t – it’s a rough stone that needs cut down and polished in order to shine.  That may be hard to admit sometimes, or to acknowledge, but it’s the truth for everyone.

If you were stuck on a desert island and could only take three books with you, what would you take?

I think short story collections give you more bang for your buck when it comes to being stranded for a long time, so: The Complete Tales of Edgar Allan Poe, The Faun and the Woodcutter’s Daughter by B. L. Picard, and right now I really, really, really want to read A Candle in Her Room by Ruth M Arthur, only I can’t find a copy priced at anything I can afford, so in fantasy land I would have it. Alternately, if it has to be a book I owned, I’d swap it out for My Sweet Audrina by VC Andrews.

Well, thank you Joleene for joining us today. Really enjoyed picking your brain. And readers, if you want to check out more of Joleene, you can find her on her website, her blog, her Facebook page, on Twitter, and on Goodreads.

Also check out the Interviews page for my talks with other authors and even some characters.

And make sure to check out When the Lights Go Out, available from Amazon, Smashwords, Barnes & Noble, Kobo, and iTunes. It’s the perfect way to start the Halloween season.

I just recently finished the second draft of “Gynoid”, a sci-fi love story novelette. During that time, I thought a lot about romance in fiction. Have you noticed that it’s everywhere? In fiction, you find a lot of time devoted to find your one true love, and in real life, you find people not just actively looking for their one true love(s), but even measuring themselves by fictional couples! Our music is rife with love songs or how love is betrayed (the so-called “Song of Songs” in the Bible is one huge erotic love song), and if you go back in time, some of our oldest stories involve love and lovers.

Heck, it’s in a lot of my fiction too! And I write fiction where “love” is more likely intense adrenaline and a shared peril being mistaken for attraction. Snake has a love story that’s central to its plot, Reborn City has a bit of romance in it here and there, and..well, you saw the description for “Gynoid” above.

But rather than speculate on why romance and finding it is such a big thing (I think we can all guess at the answer, right?), I think I’m going to share some of the trade secrets I’ve gleaned over the years from other writers and from my own romantic experience, both writing it and from experiencing it (do not ask me which I have more of. I wouldn’t want to upset anyone) on writing romance in your stories. Why? No particular reason, it’s just on my mind and in my stories so much I feel like talking about it. And I know I might not be the most qualified person to talk about the subject–I know I’m not a romance writer–but I know a bit, and since when has not being an expert ever stopped anyone from talking about anything? (*cough* climate change deniers in Congress *cough*)

So let’s begin on my tips for including romance in your stories:

  1. Give the characters personalities, make them fully-rounded and three-dimensional. I feel like often times some of our most celebrated romances involve people who are just good-looking nice folk and not much else. Romeo and Juliet were a sad emo guy with a thing for teenagers and Juliet was a teenager, Cosette and whatever her guy’s name was were good-looking and nice but they weren’t much else, and Katniss Everdeen…okay, Katniss was at least well-rounded. You knew who she was, what her problems were, what she stood for, and what she was willing to do to overcome those problems. Her love interests, on the other hand, just seemed there so as to add something to the story that the story might have done fine without. I mean, Gale is just handsome and angry with the Capitol, and I can’t tell what Peeta is besides sweet. One minute he’s skillful enough to manipulate the hearts of the whole Capitol, the next he’s too naive to tell that Katniss is using him for survival. Make him one or the other! Seriously, if you’re going to bother putting love interests in the story, I’m going to need a reason to ship either of them besides their attractiveness and professions of love.
    And that brings me to my next point:

    It took a long time, but these two became a wonder couple.

  2. What’s the reason they fall for each other? Please don’t say, “Oh, they’re good-looking”, it’s got to be more than that…or heroin-flavored blood. Take one of my favorite anime of all time, Sailor Moon (yeah, I’m a huge fan of that even so many years on. Moonies forever!): all of the main characters are good-looking. So why does Sailor Moon end up with the male lead, especially when in every adaptation of the story they start out fighting and disliking each other and in some he’s already seeing someone else? Leaving aside backstory exposition, I think they just grow comfortable with each other over time. They realize they can be honest with each other and that their faults are just part of who they are. Cute parts too. And it helps when they find out each other’s secret identities, which shows how courageous and reliable they are to one another, to the point they make a pretty good partnership, in love and in combat.
    Another example I’d like to use is Captain America and Peggy Carver in the Marvel Cinematic Universe (which is my only reference point, I was never much of an American comic books reader for some reason). Heck, at the beginning of their relationship, Cap’s a scrawny guy who doesn’t seem like much of a hero, while Agent Carter is…well, Agent Carter. What forms the basis of their relationship is that Carter likes that Cap wants to help out despite all the barriers facing him, and his sweet and loyal personality, while Cap likes that she’s a unique and confident woman who doesn’t need a man and who also doesn’t look down on him for not being tall and buff. Over time and numerous battles, their relationship grows closer and they fall in love, which ultimately doesn’t end well but I’m sure that if things had gone differently, it would have been a different story.
    Speaking of which, here’s point 2a. Shared experiences, especially combat experiences, can bring a relationship closer. Unless of course you and your supposed lover work really horribly together, in which case fighting will just highlight it and you’ll fall apart at the seams.
  3. There is no point where the relationship becomes perfect. Work is involved. If there’s one thing I’ve learned about relationships in the real world, they’re always a work in progress. Why? Because we’re all works in progress, so our relationships are too. There’s going to be rough times, where the characters struggle or worry that something or someone will come along and the good thing they have going will be ruined. Back to Sailor Moon for a second. Fans agree that the heroine and her man are a strong and stable couple (though whether or not it’s a good coupling, I find people disagree on the subject more than you’d think), but they do have to work at it. Besides enemies that threaten to pull them apart for whatever reason, they have the normal couple troubles: people who seem like better matches coming along, occasional misunderstandings, an unexpected child. Heck, they even broke up for a time during the anime’s second season. Just goes to show that even great couples have ups and downs.
    And the best part is, you can extend these meetings, character explorations, falling-in-love scenes, and ups and downs over several books. In fact, half of the fun of the TV show Scandal is watching the heroine Olivia have an on-again, off-again relationship with the (married) President of the United States. You never know how that one is going to work out. And as long as you can keep it going, the more you get to explore these characters and their relationships (provided fans don’t start to get bored, of course).
    And now that we’ve discussed what makes for a relationship, let’s discuss some content.
  4. Sex is not always necessary. Yeah, I know we live in a hyper-sexualized society where everything has a sexy component to it, and I know I included a steamy sex scene in Snake, but seriously, sex isn’t always necessary. In fact, some people prefer romance stories without anything racier than a kiss or two. There’s actually an entire sub-genre of romance like that, it’s called sweet romance, where the characters don’t have sexual relations before marriage (or commitment too, maybe) and it has a big and loyal following. Besides, some authors aren’t comfortable with sex scenes. I know I wasn’t at first, though I later got more comfortable with them. So if you don’t want to do one, there’s no law saying you have to.

    Love the relationship dynamics of this show!

  5. Also, you don’t have to just have one person love only one other. I know there are a couple of Buffy fans reading this blog. One of the best parts of that show is the characters had many different relationships over the 7 seasons. Buffy herself had three major relationships over the course of the series.  The writers could’ve had her with Angel, her first love, through the whole series, but they allowed her, Angel, and many others to explore other relationships and really mature through that. Same with Teen Wolf, which had two main characters being “meant to be forever and ever”, but gradually changed things up over time. So if you want to, you can have characters wait a long time and go through several relationships before finding the right person.
    Especially with love triangles. I hear there are quite a few series out there where a good dose of fun is trying to find out who the main character will end up with in the end, especially when there’s two really great, fleshed-out characters to choose from (though usually from what I hear it’s whoever the protagonist meets first).
    And this brings me to my final point.
  6. Don’t do it because everyone else is. And no, that’s not a drug PSA (though you shouldn’t do those either. Not even weed, that stuff will mess with your system). Yeah, you see people putting all these different things in their stories–love quadrangles, the other man or woman, unexpected pregnancies, even some sexual exploration. Only put those in your story if you feel they’re what the story needs, not what others say you should put in or what others are putting into their stories. Believe me, that’s how I avoided something really unnecessary romance-related stuff in Reborn City, and that worked out great for me.

I’m going to end it right here, but I have to say, there’s a lot more that I could include in this post. Suffice to say, there are a lot of intricacies to writing romance and love stories (point number 7, a romance has a happy ending, a love story doesn’t have to. Learned that a romance writer friend of mine), and you learn these things over time. But hey, in the end they can lead to some really great stories, and maybe melt a heart or two while you’re at it.

What romance writing tips do you have? Do you feel romance is important to your stories or not so much?

It’s Friday, so you know what that means! It’s #FirstLineFriday! And it’s October too, my favorite month of the year! Hopefully no serial killers will show up though, especially ones wearing masks based on Captain Kirk (yeah, fun fact, the original Michael Myers mask was a spray-painted  Captain Kirk mask with the hair made wacky. Hilarious, considering that Myers murdered teens for being sinful while Kirk was sinful with as many women as possible).

Anyway, back to the reason we’re here. On #FirstLineFriday, I post the rules of this event, namely state the rules and then post the first one or two lines of a potential story, a story-in-progress, or a completed or published work. Then I ask for feedback and critiques from you, the reader.

And since it’s October, I figure that for every #FirstLineFriday I do, it’ll be a story that takes place on or around Halloween, or is just Halloween-related, or just plain spookier than usual. After all, I’m a horror writer, so I have to live it up this month.

Let’s see…our first selection will be from a short story that I hope to write for Teenage Wasteland someday, and features some rather creepy, otherworldly characters:

Leo woke up, slipped out of bed, and strode to the window. Sure enough, someone had left another dead rose on her windowsill.

Thoughts? Grammar or spelling or punctuation problems? Let me know in the comments below.

All for now. I’ve got cleaning and editing and a few other things to do today, so I’m going to get on it. You have a great day, my Followers of Fear. Watch out for serial killers, especially the ones with masks! They always get you when you least expect it.

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It’s been quite a while since I’ve done an author interview, but hey, I’m glad when I have the chance to do one. Today’s interview is with someone else who’s work is being featured in When The Lights Go Out, which if you haven’t checked out I highly recommend you do.

Barbara G. Tarn prefers the term “world-creator”, which I can understand, seeing as she not only writes but does graphic novels and a few other things too. She’s lives in Italy, which I think is pretty cool, and she’s constantly working on something (boy, does that sound familiar). And apparently I know her husband, as do many other writers. Lots of interesting connections here. Her story in WTLGO is related to her upcoming novel, which sounds very interesting if you read the summary. And speaking from personal experience, her short story is pretty awesome as well.

So without further ado, let’s get into it!

Welcome to the show, Barb. What is your short story about and what inspired it?

The Return of the Crusader is historical fantasy. It’s Halloween – when it was still called All Saints Eve – in 1150 AD Lincolnshire and the lady of the manor is hoping her husband will come back from the crusade… which he does, but as a vampire.

This story was inspired by the fact that Miss Naylor [Joleene Naylor, who helped put together WTLGO] wanted a Halloween story and I thought it was a perfect day for someone to be turned into a vampire! So I wrote this “origin” story for Kaylyn, who is Rajveer’s sister-in-darkness, and next year I will write her full story. For now you can see her in Rajveer the Vampire, out Nov.1st.

I’m a middle ages lovers and my historical novel  The Fern and The Cross is still in the drawer since I’m not happy with it. But all the research I’ve done for it will be useful to tell Kaylyn’s story, from 1150 AD to the new millennium – out Nov.1st, 2016.

Tell us what else have you written?

Star Minds is a science fantasy series. Then there’s Silvery Earth, adult unconventional fantasy. All books are actually standalone in both series, but if you follow the chronological order, you might see a pattern. Both series have lots of LGBT characters. Urban fantasy – Samantha’s body switches – and other contemporary titles are also out now. You can find everything at the Unicorn Productions website (that’s a logo I’ve had since the 1990s, when I did photocopied b&w fanzines to sell at the Italian comicons)

Are you a traditionally or self-published writer?

Indie because I’m scared of the draconian traditional contracts. But I’m submitting short stories to traditional markets – and rejections are piling up. Although I did get a Honorable Mention at Writers of the Future (and then indie-published that novella).

Nice! What got you into writing in the first place?

I’m writaholic. I’m married to Mr Writing. I’m an introvert and hate spoken words. I’d rather be writing than hang out. Should I say more? Okay, I was uprooted at 13, so that kinda shut me off from the real world… That’s when I started writing stories!

What is it about scary stories that you think draw people in?

I don’t read (or write) many scary stories, so I have no idea…

That’s a shame. Now, are you working on anything these days?

Redrafting Daya (another vampire that appears in Rajveer’s novel – probably a novella that might come out maybe at the end of this year or the beginning of 2016)) and Beautiful (a “retelling” of Sleeping Beauty with m/m protagonists).

What is some advice you would give to other writers, regardless of their level of experience or background?

Heinlein’s business rules: 1) you must write 2) you must finish what you write 3) you must not rewrite unless by editorial demand (and I mean editor in New York if you have a traditional contract, not a hired freelance) 4) you must put it on the market 5) you must leave it on the market until sold (either trad or indie). Don’t look for perfection or you’ll be stuck in rewriting hell forever. If you must take a course, go to professional writers such as Kevin J. Anderson, David Farland or Dean Wesley Smith. I’ve taken online and offline classes at WMG Publishing – and I started writing back in 1978. Thing is… you never stop learning.

Finally, if you were stuck on a desert island and could only take three books with you, what would you take?

Aren’t we past this with e-readers? 😉 Without wi-fi the battery would last long enough to read more than three books! I don’t know, I don’t have favorite books at this time… I’d probably spend the time telling stories to myself that I might eventually write…

Thanks for joining us, Barb. If you would like to check out more of her work, head to her blog, Facebook, Goodreads, or Amazon page for more. And make sure to check out When The Lights Go Out or Rajveer the Vampire, out November 1st.

All for now. I’ve got a few more interviews coming up, so keep an eye out for those. You have a great day, my Followers of Fear!