Posts Tagged ‘horror’

About a week or two ago my friend Angela Misri posted on my Facebook timeline about a short story contest that Stephen King would be part of. Apparently people could submit short stories under four-thousand words and His Royal Scariness would pick the winner. Unfortunately the contest was only open to UK residents, which upset Angela and me a great deal (I knew I should’ve been born a British lord, but for some reason I decided that being the son of two rabbis was a better deal). However, if I could enter the contest, and it allowed short stories under six-thousand words, this probably would’ve been the short story I submitted.

After extensive editing, of course.

“The Playroom” is a very weird short story about a woman who steals from a mob boss whose casino she works in, and the terrifying results of that little action. I’d go into further detail on what those results are, but then I’d be giving away too much of the story. I will say how it came to be though: I woke up one night, a few days before I decided to take a break from Laura Horn, I think, and this little mini-movie started playing in my head. I don’t know what caused it–I’m pretty sure it didn’t have anything to do with anything I might have been dreaming prior to waking up–but there it was, fully formed in my head, and oh-so strange. I immediately wrote it down and decided to write it as soon as possible.

Which, as I said a moment ago, was when I decided to take a break from Laura Horn. How convenient that all turned out to be.

Anyway,this is definitely one of the weirder short stories I’ve written. And when I say something is weird by my standards, that’s saying something. And you definitely get that weird sense just by reading it, I think. As you go on and you feel yourself falling deeper into a rabbit hole, you definitely wonder where this is going to go. And when you actually find out where it goes…well, I wouldn’t want to give too much away. The first title of this short story gave away so much that I dare not speak it here. The second title was so cliched I couldn’t help but change it (“The Secret Room”–what horror writer doesn’t have a story titled that?). So now I’ve got “The Playroom”. Intriguing, doesn’t give away much, and somehow conveys this isn’t your average horror story.

At least, that’s what I hope is what it says. I’m biased, so what do I know?

Anyway, I think with a bit of editing, this story could actually go from just under fifty-six hundred words to under five-thousand or maybe even under four-thousand without sacrificing quality. As you know, I’ve had trouble keeping my short stories brief without sacrificing quality in the past, so I’d be very excited if I could get this one that short without any problems. There are probably a few sections that could be cut from this story. Or I might keep it as long as it is. With a bit of work, there may be a magazine or two who would like to publish this even if it is longer than what some magazines like to publish.

Before I do that though, I have a novel to finish editing. I think I’ll get right on that in the morning.

So good night, my Followers of Fear, and pleasant nightmares. I know I plan to have a few.

pray for paris

This past weekend in Paris, a city I’ve visited and which I’ve often thought about returning to, was attacked by terrorists affiliated with ISIS. They attacked six different locations throughout the City of Light, including a concert hall, the Stade de France, and two restaurants. At last count, nearly a hundred and thirty people are dead, including seven of the terrorists, and over three-hundred and fifty wounded. The terror threat is apparently still high, and the search for the remaining perpetrators are still ongoing.

And in the midst of the death and horrors, people have come together from around the world for Paris. Through the power of globalization and connection, human beings have shouted out, in tweets and status updates, in blog posts and videos, through television broadcasts and press conferences, through offers of help and condemnations of the terrorists, to stand by France as she works to bring the rest of the terrorists to justice, to take on the sickness that is ISIS, and to heal her wounds after such a horrific series of events.

Still, there’s a dark underbelly to this show of solidarity. My mother and I were discussing this underbelly in the car after dinner last night. Barely two days after the attacks, some people have been condemning Muslims and the refugees from Syria and other parts of the Middle East for the attack (despite the fact that most of the terrorists appear to be European and only one is confirmed to be from Syria). People of all sorts, from members of France’s far-right political party the National Front, including its leader Marine La Pen and US representatives, to bloggers and common people from all over the world. In the need to blame someone for this attack, some are turning to two very large, and lately very popular, scapegoats: those who follow the teachings of Muhammad, and those who left their homes with very little, if anything, just to escape violence and fear.

RC cover

My mom then turned to me and said, “Kind of reminds me of Reborn City. There are people who see a woman with a hijab and feel afraid. Zahara gave that up and even dyed her hair blond to avoid that fear.” That surprised me, but then I realized she had a point. In a small way, the world is beginning to resemble the world of Reborn City.

If you’re not familiar with RC, Islamaphobia is a big theme in the novel. The war on terror devolved into a huge, worldwide conflict, so that by the time of the story most of the world is suspicious of Muslims. Zahara Bakur and her family take measures so that they will be at the very least tolerated by a population that is suspicious of them. Still, it doesn’t always work, and there is still a lot of discrimination in that world that goes unchecked.

While the real world is not at the level that the world of RC is, there are places that have made it difficult to be a Muslim. Angola and Tajikistan actively shut down mosques all the time, and certain European countries have banned burqas and hijabs. France’s Interior Minister has discussed the possibility of shutting down mosques perceived to be preaching dangerous interpretations of Islam. Here in the States,  Donald Trump has said that if elected President he may pursue that course of action.

And because many of the Syrian refugees are Muslim and one of the terrorists was from Syria, some are reacting against refugees. Poland has already said they will not be accepting new refugees, and several US states are now refusing to take in any. Some in the US now wish to screen refugees based on a religious test.

The refugees are not the people we should be lashing out against.

You can’t judge an entire group based on the actions of a few. I don’t judge all Christians based on the actions of Westboro Baptist Church, nor do I judge all football players because a few have been charged and sometimes convicted for violent crimes. But so many people insist on judging Muslims and the Syrian refugees that way. And based on my own experience with Muslims, that isn’t right. That’s nonsensical.

Zahara’s experiences in the book reflect that. Early on she becomes aware that people don’t like her because she’s a Muslim, that they’re afraid of her for things that occurred in her parents’ and grandparents’ generations. She takes steps to be accepted by society by changing her appearance and taking part in “normal” interests and hobbies, but no matter what she tires, people see her as different. They see her as dangerous without even getting to know her. And it’s how people see her that spurs Zahara throughout RC (and its sequel, Video Rage, and probably the final book too) to show people that she is not what people think of her. To show them that she can be kind, and brave. And even good.

In the wake of Paris, we all want to fight back against the evil that caused the attacks. But the evil isn’t the refugees, nor is it Islam and its adherents. No, the evil is ISIS, al-Qaida, Boko Haram and the other terrorist organizations, wearing Islam like a Halloween costume, scary but not the real thing. The real Muslims are standing up to these fakers, standing in solidarity with Paris and showing their disdain towards these inhuman monsters hijacking a respected religion. The last thing we want to do is turn our backs on them, punish them for being who they are.

Instead, we should be thanking them for being allies we can count on for support in hard times, like Zahara is for her friends in the Hydras. Because after all, if we show them the love they deserve, they may return the favor and, like Zahara does, surprise us in all the best ways.

 

Raymond Esposito, a horror writer and acquaintance of mine (check out his website here), recently started a video series with romance writer SK Anthony (check out her website here), Writers After Dark. The purpose of this series (besides a fun excuse to drink, that is), is to discuss the various qualities of their respective genres. The topic of their first video was which of their genres was the more like life. Or not.

And because it’s fun to watch them just go at each other in a good-natured way. I’ve posted the video below. Enjoy:

 

Okay, if you didn’t have a half-hour to watch the entire video (too bad, because you’re missing out), here’s the conclusion: both of them think that their genre is the one that’s more realistic, though I think they both poke a lot of holes in each other’s arguments. And maybe spend a bit too much time on if love is real.

Anyway, after watching this video I thought I’d give my own opinion on this subject. I actually think I’m in a unique position to talk about this subject. Yes, I write and read mainly horror, but I also read a lot of romance mangas, read a book series that went from prehistorical fiction to prehistorical romance fiction in the later volumes, and watched one or two movies (10 Things I Hate About You is still considered romance, right?). Plus a lot of my stories, even ones that I haven’t written yet, have heavy romance elements. Snake is a horror-thriller with such an emphasis on romance, and my thesis/novel project Rose is a horror story about a really twisted love story (among other things). I kind of live in both worlds (though I prefer the one with deadly hotels and evil spirits and Lady Gaga in a leading role).

 

So which is more realistic and which is totally out there? Well, I think that’s kind of a trick question. In terms of horror, I’ve seen evidence of the supernatural and I’m well aware of the evil mankind is capable of (check out current events of the world to see what I mean). However, last I checked zombies were still a fiction and when a serial killer dies, they usually stay dead. And we still haven’t discovered any mummies that have come to life once unearthed or come across any pizzerias with killer animatronic bears.

At the same time, I’ve seen my fair share of long-lasting and happy relationships, and I’m sure you have too. Still, I’m not sure I believe in the concept of unconditional love. All relationships, especially loving ones, are built on give and take, on trust and communication. No two people ever say to each other, “I will love you no matter what and you never have to do a thing for that to continue”. All relationships take work, and romantic ones most of all. And true love? Same answer: all relationships are based on work. I don’t think you can meet a person and within minutes know they’re the one for you. Maybe after thirty years and you still care deeply for them, then maybe we have something there.

 

So which is real or unreal?

I think, in the end, both fear and love, the bases of horror and romance, derive from the need to survive. Horror is the result of the fight or flight response, and romance is the result of our desire to find the mate who will give us the best offspring. Neither one is truly realistic or unrealistic, because both speak to the human experience. Sure, some cliches and tropes are pretty silly and unrealistic (the virgin girl is most likely to survive, the couple overcome all and live happily ever after, etc.), but it’s the stories themselves that speak to us and keep us coming back for more, not the various elements that may or may not be realistic.

But what do you guys think? Is there one genre that’s more real than the other? Did I or the folks in the video miss something? Let’s discuss.

And let’s discuss it fast, I and six other people are being chased by a killer who died twenty years ago and we can’t seem to escape this haunted mansion no matter how hard we try! And in the meantime three of the people I’m with–one the crown princess of a kingdom of succubi, one a young woman with big dreams and a curse that’s slowly killing her, and one a very handsome young man with a dark past–have confessed their love for me at a really inconvenient time. I’m kind of attracted to all three, and I have to choose one of them before we leave this house! Strangely the killer takes five-to-ten minute breaks so that I can deliberate over my romantic predicament and let it take center-stage in my life when I should be more worried about where the killer is, how he came back when he was electrocuted in 1995, and why for the love of God there’s a convenient object in every room that could become some sort of murder weapon!

What a weird world I live in.

It’s Friday, so you know what that means. It’s #FirstLineFriday! And it’s Friday the 13th too, so if you see a guy in a hockey mask wielding a machete, IT’S DEFINITELY NOT ME SO RUN!!!!

Anyway, on to the rules of #FirstLineFriday (or #FLF for short): you write a post titled #FirstLineFriday, explain the rules like I’m doing now, and then you post the first one or two lines of a potential work, a work-in-progress, or a completed or published work. Then you ask for your readers to give you feedback on what you posted.

This week’s entry is a bit different. A couple months back I did a pair of #FLF’s that were the openings of the second and third parts of a potential trilogy (if you don’t remember them, click here and here). I never did the first one though. At least, not on the blog. I did it in the Facebook group where #FirstLineFriday was created before I started doing it on the blog, but now that the group has discontinued the practice (too many people posting, causing way too many threads to be created), I might as well fix this little problem and post it here. So without further ado, here are the opening lines from that first book, for your enjoyment:

My earliest memories are of seeing them, the creatures that only I could see. The cloak-things.

Thoughts? Grammar/spelling/punctuation/whatever problems? Let’s discuss.

All for now. I’ve got a busy day ahead of me, so I’m going to get right into it. If anything exciting happens later on. I’ll post it here. Until next time, my Followers of Fear!

I’m telling you, I have been wanting to see this movie since I first heard of it, and it was killing me inside that I couldn’t see it when I was in Germany…or right after I got home. I was a fan of the books when I was a kid, and some of them even scared me so bad that I needed to take breaks from them. They were my King before I got into King. It really hurt me physically not to indulge in my childhood nostalgia and go see this film. But tonight my dad had some free time, and he was like, “Want to go see a movie?” So I said yes. And suffice to say, I was not at all disappointed (and neither was my dad, thankfully).

Based on the beloved series of children’s horror books by R.L. Stine (who by the way is Jewish, from the neighborhood I grew up in, and went to Ohio State. Coincidence? Probably), Goosebumps stars Jack Black as the author himself, living a reclusive lifestyle in the small town of Madison, Delaware with his teenager daughter Hannah. When Zach Cooper moves next door and becomes attracted to Hannah, he starts investigating the mysterious family next door and accidentally causes the monsters from the Goosebumps books–who are very real–to be released from their manuscripts and go on a rampage. Now Zach, Hannah, and R.L. Stine have to get the monsters back in their books before they tear Madison apart.

Let me just say, this was a movie with a lot of love and hard work put into it (unlike some other films taking advantage of people’s childhood nostalgia I could name). The story is very well written, and even has some twists in it that I didn’t see coming, and I pride myself on usually being able to see the twists in scary movies. The humor is also very good, keeping the mood of the movie light without getting too ridiculous or stupid. And the actors are just great. Jack Black plays Stine as a misanthrope who finds some way to steal every scene he’s in, while Dylan Mimette (who I’ve always liked whenever I’ve seen him in other works like Scandal or Agents of SHIELD) as Zach is funny and sarcastic and likeable, the kind of guy I’d like to hang out with.

The only characters I really had problems with are Champ, Zach’s friend, and Hannah, R.L. Stine’s daughter. Champ is comic relief, and while he’s funny as an awkward teen who just inserts himself into Zach’s life because…maybe he’s lonely and hopes the new kid is too slow to learn to avoid him? I don’t know, but the moments where the humor is a little much do come from him mostly, and he doesn’t contribute much to the story otherwise. As for Hannah…she’s just really there to be a love interest. And unlike River Song from Doctor Who, who was created for that very purpose, there’s not much to her beyond that role she plays. Her actress, Israeli Odeya Rush, is fun and gives off a snarky teen vibe, but that only does so much for the character.

Of course, I can’t forget the monsters. That’s the main attraction, the reason people who grew up with the books came to see the movies, because that’s what they remember most. Now obviously, in a movie that’s an hour and forty-five minutes and has to spend time developing characters and getting to the main conflict of the story, you can only spend so much time on each and every monster, which means a lot of them only appear in big group shots, but even in those you see a lot of work went into them. And for the monsters they focus on, they are great. Yeah, a lot of them are CGI, but even then they’re fun to watch. They make you believe they’re there and that we should be scared of them.  And Slappy the dummy, who leads the monsters, is like a little mini-Joker. He’s not the best villain I’ve seen on film, but as a talking dummy who enjoys causing chaos for chaos’s sake and to get back at Stine, he does the job well.

I could go over some other thoughts I had about the film, but I’ll leave that for the YouTube critics who around next Halloween will be putting out videos going over this movie with a fine-tooth comb. I think instead I’ll just wrap up by saying that this is a fun and wacky horror-comedy, earning a 4.1 out of 5. It may not get kids to read the Goosebumps books if they haven’t read them before, but it’s fun for the whole family and if you know the Goosebumps books already, you’ll enjoy seeing them on screen.

By the way, having the characters from my stories come to life is something of a dream of mine. I always feel like a parent to my stories and the characters within though, so I think if they did come to life I’d have a very different experience than R.L. Stine in the movie did. In fact, if I were to write a story about what that experience would be like, it might start something like this (#ExcerptSunday, anyone?):

The author heard his alarm go off and opened his eyes reluctantly. He wanted to go back to sleep, but today he really couldn’t afford to sleep in, even if he had the day off. So still feeling sleepy, he rolled out of bed, turned off his alarm, and headed to the bathroom. A few minutes later, teeth brushed and freshly shaved, he stepped into the hall, thinking about what he was going to wear and all the errands he was going to run today…when he noticed a tiger in the hallway.

The author froze. Even with his glasses still in his room, he knew what he was seeing. Tawny coat, black stripes, big face with whiskers and yellow eyes. There was no mistaking it. There was a tiger in his house. Am I dreaming? he thought. Am I still in bed?

The tiger padded towards him, its breathing heavy. Before the author could think how best to react, it stood up on its hind legs, placed both paws on either side of his head against the wall, and licked his face. The author, dumbfounded and amazed, could only laugh as the rough tongue scratched gently at his cheek. What is going on? he wondered, pinching himself to see if he was dreaming.

The tiger stepped down and rubbed its head against his stomach. And suddenly the author realized that this wasn’t a tiger, but a tigress. And even stranger, he knew this tigress. He knew her very well. After all, he was her father.

“Lizzy?” he said, hardly daring to believe. The tigress regarded him with intelligent eyes before turning around and padding down the stairs. The author wanted to call after her, but then something black streaked out of his room and past his face. He jumped as the black thing briefly stopped and formed a familiar body in the air before rushing down the stairs. Confused, the author went to his room, and saw someone had laid his clothes out for him.

For a moment, the author did nothing. Then he whispered, “Is this really happening?” Then, “Do I dare believe it?” Quickly the author threw his clothes and glasses on and rushed downstairs, where the biggest surprise of all awaited him:

The black shadow he’d seen earlier and the tigress were there. So was a wolf and a leopard. And scores of children, children he knew to be much more than they appeared. And a masked man dressed all in black, talking to a woman with green skin and pink hair. And a man with a gas mask, and a Grim Reaper, and a raven-like creature, and a hairless cat who sidled up to him and said, “Surprised?”

The author picked up the hairless cat, feeling like he’d ingested some amazing drug without realizing it, and said, “Very. How is this possible?”

The cat didn’t answer, but instead purred loudly and climbed onto the author’s shoulder. Moving through the sea of people and creatures, who all greeted the author with smiles and warm words, he made it to the kitchen, where a teenage girl in a witch’s costume made a plate with a Belgian waffle on it and a mug full of black tea float from the counter to his normal seat at the table. Sitting down, the author thanked the witch and dug in. It was delicious.

“So,” said a man in the doorway, whose face and body were half-transformed into a familiar-looking demon. “Today’s your day off, and we’re all yours till tomorrow morning. How about you blow off the errands and do something fun? Huh?”

The author thought about it as he took a sip of tea. He was aware of so many eyes on him, hopeful and expectant. And then a devilish smile came to his face. He knew just what they were going to do today.

anxiety

What is the trouble with psychological horror? Actually, there’s not much trouble to it. It’s just very hard to do well.

What do I mean by this? Well, let’s look at the definition of psychological horror: “a subgenre of horror fiction, film, and video games (as a narrative) which relies on the characters’ fears and emotional instability to build tension”, according to Wikipedia (I know you’re not supposed to rely on that site for information, but I couldn’t find a better website for a definition). It’s a sub-genre that, rather than relying on a traditional monster that’s out front and center for all to see, the monster is restricted to quick glimpses and shadows. If there’s a monster at all: sometimes the true villain is a character’s own brain, their fear, distrust, paranoia, suspicion, isolation.

I’ve used psychological horror before, particularly in the stories in my collection The Quiet Game (which if you haven’t read, I wish you would) and in the short story “Buried Alive”, which was published in the Strange Portals anthology last year (again, I wish you would read it). And I’ve come to the decision that while it isn’t as difficult as physics or writing comedy, it is walking a very fine line. Almost like a tightrope. And if you fall off, you can wind up veering either into the realm of the comedic with how obvious that it’s all in the character’s head, or it’s just so confusing that you find yourself losing patience with the story.

Let me give some examples (and it’s my blog, so you have to let me give some examples): have you read “Buried Alive”? I’ll keep the spoilers to a minimum for those who haven’t, but like I said above, I use quite a lot of psychological horror in that story, and for the most part, I think that I use it well (so do most of the readers I hear from on this one). For the rest, though…it’s pretty obvious that the circumstances of the main character are taking a toll on her mental state. I don’t think it gets to the point of comedic, but it is obvious, and the point of psychological horror is to make you guess whether it’s all in their heads or if it’s real or…who knows?

Perfect Blue. Trippy, has its moments, but also has its problems.

On the opposite end of the spectrum, there’s the anime film Perfect Blue, based on a novel that I wish was available here in the States. The film is about a singer-turned-actress who starts to confuse reality and fiction when her first acting job takes a turn for the traumatic. It’s a good story, but it’s not a perfect story. There’s a good section of the movie where they spend time trying to confuse both the protagonist and the viewer, and it gets a little difficult to not only what’s going on, it gets difficult to pay attention or be patient with the movie. While I admire the visuals of the movie, and I get what they were going for by showing what the protagonist is going through mentally, and I recommend checking it out if you’re interested, psychological horror shouldn’t get so strange or trippy that the reader gets frustrated with or loses interest in the story.

A great example of a psychological horror story though, manages to toe the line very easily and keeps you guessing as to what’s real or what’s mental delusion. A good contemporary example of this is The Babadook. If you read my review of that movie last year, you’ll remember that I noted that the movie kept you guessing as to whether the film’s protagonists were dealing with an actual monster or a shared psychosis, and I eventually settled on a bit of both because…I’m mostly human, and humans need to categorize things to make sense of the world. And I still say that I don’t know for sure which it is, and that’s one mark of the film’s greatness. You’re never quite sure what’s real and what’s in the heads of the characters, it stays interesting throughout, and it never gets to the point of ridiculous or obvious. All told, it’s great psychological horror.

This movie will surely get you on so many different levels. I’m getting chills just thinking of it.

So how do you psychological horror well? How do you toe that line?

Well, I’m definitely no expert on the subject. I usually deal in traditional horror, the monster is out front and is usually either some twisted form of human or a creature not easily defined by our standards. I dabble in psychological horror, usually making it part of a bigger story. But I can try, and I think–beyond reading/viewing as much psychological horror as possible, both good and bad, and practicing like you want to get to Carnegie Hall, of course–I’d suggest trying to write a story where you’re not sure what’s really happening. Create a scenario where strange things start happening to your character or characters, and you can’t tell what’s real or what’s just in the minds of your characters. Keep it interesting, don’t get too ridiculous or obvious, and just see where the story goes. If you can do that but still be unsure for most of the story of what’s real or not, then it’s likely your reader will be the same and want to know more.

Another marker of psychological horror is that there’s usually a twist somewhere along the way, and if it’s good it’ll change how you view the entire story (a great example is the Korean film A Tale of Two Sisters and its American remake The Uninvited). Characters are also often driven or plagued by powerful internal battles: am I doing the right thing? Is this right or wrong? Are they really out to get me? It doesn’t have to be full-blown persecution belief or fear of some unknown. It can be something as simple as a growing suspicion that something’s off or that our desires are actually evil. Again, A Tale of Two Sisters is a great example of the former.

Not a fan of the movie, but even I admit it shows Jack’s breakdown very well.

And finally, psychological horror is often not the main focus of a story, but part of a bigger story. Take a look at The Shining by Stephen King. Obviously that hotel is actually haunted, and the kid and the cook are both psychic. But a good deal of the story deals with Jack Torrance trying to sort out what’s going on for himself. Is he just dealing with a powerful desire to get wasted again? Is he going insane? Is the hotel playing tricks on his mind? There are scenes where you really can’t tell, and that’s part of the terror. Part, but not the whole thing. After all, there’s all the stuff the hotel is doing to them, right?

Unless Jack, Danny, and the cook are all sharing some sort of shared delusion, or folie a trois, in which case…wow. New conspiracy theory right there.

In any case, it’s something to experiment with yourself. And for me to experiment with more often. Just try and see what happens…or does it happen? You’ll never know until you try.

How do you feel about psychological horror? Do you have any good examples in film or literature you’d recomend? What are some tips for effectively writing in the subgenre?

Today’s a very special day. Two years ago, I stayed up late on Halloween night to make sure that Reborn City, my first published novel, was released in all its formats and then wrote the blog post announcing the good news for the very next day.

That’s right, two years ago today was the day Reborn City was published. A lot has happened since then, most of it having melted from my memories. But one thing has stood out to me: over these past two years, RC has definitely become my most popular published work yet (I know that’s not saying much with only three books out at the moment, but you get the idea).

If you’re not very familiar with RC yet, it follows Zahara Bakur, a young Muslim teenager living in a dystopian future who is forced to join the Hydras (not the Marvel supervillain organization), a street gang whose leaders have mysterious powers. Zahara learns to deal with her new lifestyle and friends, while at the same time she becomes unknowingly ensnared in a plot by a shadowy government interested in the Hydra leaders’ powers. The novel comprises of themes tackling Islamaphobia, racism, gang violence, drug addiction, and much more.

Over the past two years, I’ve had plenty of people read RC and a few of them have been willing to give feedback (and I think only a quarter of the people who do the latter are my family, which is good). Here’s what some of the people who have read RC have said:

This is an extremely commendable effort by a new young writer, whom I believe we will see much more of in the years ahead. Rami Ungar’s vision of a frightening dystopian future is peppered with those elements that make us all human. There are quite a few surprises in the book, and I am anxious for the next volume in the series to be released.

–Marc M. Neiwirth

As a reader who does not read books in this genre, I must admit that I could not put down the book. I attribute this to the talent of the author. I am looking forward to reading the next books published by Ungar. I recommend this book to readers who enjoy action with features of supernatural powers and sci-fi.

–ENJ

This is not a genre I typically delve into, but I took this book on vacation and couldn’t put it down. The plot had me turning pages at quite the clip. The characters were unique and interesting and the imagery had me creating my own visual of what Rami’s interpretation of the future looked like. For first time novelist, Rami Ungar, this was an outstanding showing of talent and commitment to his passion of writing. Looking forward to seeing what he comes up with next!

–Michele Kurland

If you can’t tell, I’m quite proud of some of the reviews I’ve received on this book. Considering that I started work on this book in high school and worked on it through the first two years of college, I guess I have good reason to be. It was not easy to get this book out, and I worried a lot about how it would do. I also worried that people would say I’m another white guy trying to make money off a subject that others have experienced and written about (the Kathryn Stockett criticism), but so far no one has made any fuss about RC in that way.

And what’s in store for RC in the next year? Well, I’m sure more people will read it. I know of at least one friend who bought a copy and will probably read it within the coming year, and I’m sure there are plenty more people who will find the book and discover something enjoyable in it. I might also get a few more reviews, who knows? I also think an RC audio book is likely to happen. I’ve been working hard to make that happen and I might even have a narrator soon, depending on a few factors. If and when that happens, I’ll make sure to let you all know (and to force my whole family to download copies if they want to stay on my good side. Mwa ha ha!).

And finally, I hope to get the sequel Video Rage fully edited and released by summer next year. I’m working with a professional editor this time, so I’ll let her take a look at the novel before I release it so that the story can be the best story possible. I owe it to the readers who loved RC to do that, at least.

Anyway, if you wish to check out Reborn City for yourself, you can find it both on Amazon and Smashwords. And if you do decide to read it, please write a review of it. Whether or not you love it, I appreciate the feedback, and reviews help indie authors like myself find new readers every time we get them, so you’d be doing me another solid essentially.

That’s all for now. I’ve got a lot of editing to do today, so I’m going to try to get through that. Wish me luck, my Followers of Fear, and happy anniversary!

Oh, and I may have forgotten the two-year anniversary of The Quiet Game, which came out in July of the same year. My bad. If you’d like to check that out, it’s also on Amazon and Smashwords. It’s a spooky good time, if I do say so myself. Enjoy.

It’s Friday, so you know what that means. It’s #FirstLineFriday!

Here’s how this works, in case you’d like to do it on your own blog: every Friday I write up a post titled #FirstLineFriday (hashtag included), explain the rules like I’m doing now, and then post the first one or two lines of a potential story, a story-in-progress, or a completed or published story. After that, I ask my readers for their thoughts and suggestions.

In the past couple of weeks, I’ve been doing #FirstLineFriday posts with stories relating to Halloween (because you know I love the spooky holiday season). And since tomorrow’s the big day, I’ve saved a very special first two lines for last. This excerpt is what may or may not start a very interesting book series, the events of which take place all on a single Halloween night. Yeah, that’s the story I have in mind. Let’s hope I get to write it before I’m old and grey, right?

Anyway, here’s the excerpt. Enjoy:

Chloe held up her witch’s costume in front of her and looked in the mirror. She knew it, too much pink and purple.

Starts innocuous enough, but get’s very strange and dark later on.

But what do you guys think? Any errors in grammar, punctuation, etc? Too innocent and YA-ish to start a horror series? Let me know.

That’s all for now. I’m currently muddling through a cold, so I don’t know if I’m going to be out celebrating at all this Halloween. I’ll consider myself lucky if I get out to see a scary movie. In the meantime, I want you all to have a fun and scary weekend (more than I probably will, anyway).

Have a good one, my Followers of Fear!

Today is my last day in Germany. It’s hard to believe that I’ve only been here for four months; it feels more like I’ve been here for ages. The day I arrived, all the way back in July, feels like it happened years and years ago. Heading home to Columbus feels almost a little weird. Almost like I’m heading to a place that only exists in my memories. I know that sounds weird, but after being away from home for longer than I’ve ever been before (the record before this was five weeks in Israel back in high school), that’s what it feels like.

I am looking forward to coming home to Columbus.* It’s where my family is, and where I’ve spent a majority of my life. It’s familiar, it’s got a lot of people I know. And our football team is undefeated this season, which is always something to be proud of. Go Buckeyes!

Still, I will miss being here in Germany. I’ve become so used to this nation, it’s become something like a really nice foster home for me. Every day there was something new to learn or see, and I got to go to all these wonderful places while I was here. Germany is filled with such history, and I was lucky to be able to explore that history in so many ways, from traveling to the many WWII-related sites in Munich to a Roman wall in Wiesbaden and everything in-between. I even got to see a castle, something no trip Europe is complete without. No matter what the cost, it was worth going out to see all these things.

The Roman Wall. I'm going to miss seeing stuff like this.

The Roman Wall. I’m going to miss seeing stuff like this.

And the people here are very awesome as well: more than once when I got turned around trying to get somewhere, I was able to find someone who was able to point me in the right direction. Even at the grocery store, people were more courteous than I could imagine: yesterday a woman at the grocery store saw I had just the one item (a bottle of wine for my dad and his wife), and she let me go right in front of her. I usually don’t get that even in the States, so I was very grateful for her kindness. When I heard reports about how Germany was the only European country willingly accepting refugees while other countries closed their borders, I wasn’t at all surprised, because that’s just the sort of country Germany is, a kind and accepting place where you can feel as welcome as you might in your own home.

Plus I got to watch Doctor Who several hours before my Whovian comrades in the Western Hemisphere, seeing as the show airs in Europe before it does over there. That was nice. I will miss that.

But yeah, I will miss Germany. My time here was well-spent and I learned and experienced so much, and one day I would like to return, see old friends and do some more exploring of the country if possible. If I could do that, I’d be one very happy horror novelist.

Here's looking at you, Germany.

Here’s looking at you, Germany.

So thank you Germany, for being my home away from home. I’ve enjoyed every minute I’ve been here (even the more stressful minutes) and I can’t thank you enough for all you, your people, and the other guests who call your lands home have done for me. It has truly been a wonderful experience getting to know you firsthand. So auf wiedersehen, and I hope we can one day meet again.

Until that day comes though, you will be alive in my thoughts, my memories, and in my stories (horrifying as those are).

*And apparently Columbus is preparing for me to come home as well. Already the National Guard has been called out, people have been praying for salvation like mad. There’s even been strange activity reported amongst animals, like a bridge full of spiders (not kidding, it made the local news). I guess they know I plan on jumpstarting the Apocalypse, huh?

It’s Friday again, so you know what that means! That’s right, it’s #FirstLineFriday! And it’s also my last Friday in Germany (cue sad violin music). Well, I had a good time here and I’m glad I got to be here for so long. But like all good things, they come to an end. No use fighting it, I guess.

Anyway, here are the rules of #FirstLineFriday: You write a post with the title #FirstLineFriday, hashtag included, and then you post the first one or two lines of a possible story, a story in progress, or a completed or published work. You then ask your readers for feedback on the lines.

And since this is the month of October, I’m doing stories relating specifically to Halloween. This week’s entry is from a short story I might write someday, about two people who need a little help to fix the problems in their life on All Hallows Eve:

Sofia walked alongside the road in the direction Mommy’s car, cold and sniffling. Why had Mommy left her behind like that?

What are your thoughts? Anything that could be brushed up? Let me know in the comments below.

All for now. I’ll be taking it easy this weekend, so I might be putting out another post or two. Until then, have a good weekend my Followers of Fear!