Posts Tagged ‘publishing’

As many of you know, last year I had a novel, The Pure World Comes, published on an app called Readict. The novel, a Gothic horror novel set in Victorian England, follows a young maid who goes to work at the estate of a mad scientist.

One year later, I’m excited to let you know that The Pure World Comes will be released in paperback and ebook on May 10th, 2022! Just 17 days from the time I’m writing!

I can’t wait to hear what you all think of the book now that it’s coming out in formats that are more accessible to readers. Those who read it on the app said it was really good. One or two people even said that one scene made the toilet scary! Now that’s an accomplishment!

By the way, I read that scene at an event back in October. It was so awkward and hilarious and I actually got compliments on portraying going to the bathroom from a woman’s point-of-view. Now that’s an even bigger accomplishment, if you ask me!

Anyway, let’s talk about The Pure World Comes. First, here’s the new cover.

You like? This cover was created by the artists at Rooster Republic Press, who also did the cover art for my short story Agoraphobia. They do some amazing work, and it shows in this latest cover by them. Not only did they bring the Hunting Lodge, the main setting of the story, to life with such brilliant art, but they also included sacred geometry in the illustration of the moon, which works well with the themes and plot of this novel.

Plus, it reminds me of some really amazing art covers I’ve seen, like the Charlie Bone books I read as a kid, with hints of that one cover for We Have Always Lived in the Castle by Shirley Jackson. Those are really eye-catching covers, so I hope that applies to this one.

As to how to get a copy, you can preorder from a variety of sites, especially Barnes & Noble and other sites. Not Amazon just yet. I’m using a different printing service than KDP Amazon, so Amazon’s being annoying by not allowing you to preorder through them. You have to wait till May 10th to get through them (unless they take their time approving them. Which I totally expect them to do). But all the other sites? Yeah, already available for preorder.

Anyway, I hope you decide to check out the book. I’m really proud of The Pure World Comes and I can’t wait to see what you all make of it. Do you think it’s scary? Do you like the characters? Did I research the Victorian period well? And if you read the book, I hope you let me know what you think. Positive or negative, I love reader feedback. It helps me improve as a writer and gives readers an idea of whether or not the book is for them.

And if enough people read and like the book, it might lead to an audio book. I would be very proud if that happened.

That’s all for now, my Followers of Fear. I’m off to make sure the world knows about this new story. You can check it out by clicking on the links below. Until next time, good night and pleasant nightmares!

Barnes & Noble

Apple Books

Kobo

Praise to the King in Yellow! I’ve got my first acceptance of the year! Even better, it’s a story I was having trouble finding a home for!

So, you’re probably all excited to hear what the story is about and when and where it’ll come out. “The Dedication of the High Priestess” is a story I first wrote back in winter after I got back from my vacation. The story follows a young ballet student named Anastasia “Annie” Hummel. She dreams of being a famous ballerina, and being selected as a model for a famous artist’s latest series of paintings seems like a great boost to her fledgling career. However, what actually happens is that Annie is awakened to her true destiny. A destiny that will change the course of her life, and the world. forever.

If you read my post about elevated horror the other day, you might realize from the description and my opening shout of praise that this is the ballerina-meets-the-King-in-Yellow story I mentioned. And yes, I realize it got accepted right after I mentioned trying to find it a home. Not sure if that counts as irony, but it is funny.

And if you’re wondering what this King in Yellow thing is, don’t worry, you’re not alone. Sadly, I think The King in Yellow is even less well-known than HP Lovecraft and the Cthulhu Mythos.* It’s a collection of short stories written in 1895 by Robert Chambers. Most (and the best) of the stories revolve not around the titular character, but around a play bearing the character’s name and which is said to be so twisted, reading the second act will drive you mad (or make you a servant of the King, depending on if you believe he’s a real entity).

The stories have proven influential, being beloved by Lovecraft and becoming partially integrated into the Cthulhu Mythos by later writers. If you would like to find out more, you can read my own blog post on the collection, which I wrote back when I first read the stories, or you can watch this awesome YouTube video on the collection. Or you can read the collection yourself, that’s a valid choice as well.

This is my copy of the collection. Seriously, you should check it out!

Anyway, my take on the stories and the character combines both elements from the collection, from what later writers have added, and adds ballet, because let’s face it, I’m a huge fan of ballet and I’m sad there aren’t more ballet-themed horror stories. As to how I use ballet in the story, you’ll have to wait till it’s out to discover that.

Speaking of which, “The Dedication of the High Priestess” will be published as an audio story by the horror podcast Tales to Terrify. This is a podcast where professional narrators read one or two short stories or short novelettes per episode, the goal of each story being to chill you silly. I listened to a couple of episodes a while back and thought it might be a good place for my story, so I sent it in. I’m so happy they agree.

As to when it comes out, all I can say at that point is that it’ll be some time in 2022. Yeah, that’s vague, but that’s just how it is sometimes. And anyway, the moment it is out, I’ll be sure to let you know so you can check it out yourself.

I want to thank Tales to Terrify for accepting my story and I can’t wait to hear what you guys do with it. I’m very proud of this one and I’m glad it was able to find an excellent home.

And that’s all for now, my Followers of Fear. I’ve got some other stuff cooking that I’ll be announcing soon, so keep an eye out for that. And I have dinner cooking, so I’ll keep an eye on that. Until next time, good night and pleasant nightmares.

*Which is a damn shame, because I think it’s better than Lovecraft in many ways, though I still like the stories the latter wrote.

So, I was hoping to have some big news on at least one project by now, but…well, you know what they say. Man plans, God laughs. Or maybe it’s Rami plans, the entities foolish enough to be my enemies get in my way. I don’t know.

Anyway, I thought I would just do an update on the many projects I’m working on, as I don’t know when I’ll have any big news on any one of them. And at the very least, it’ll let you know where I’m at with things and with life in general.

Hannah and Other Stories

As many of you know, I have a collection of seven original short stories being released by BSC Publishing Group. And as I mentioned in my post on mental health during the publishing process, BSC is sending stories one at a time with editing notes so I don’t feel overwhelmed with the amount of work I have. Understandable, considering that at least two of those stories are actually novellas.

Anyway, right now I’m just waiting on the next story with edits, which will hopefully come soon. Once it does, I’ll start work on it immediately so I can get back to waiting for the next story again. I’ll keep you posted.

The Pure World Comes

My Victorian Gothic horror novel and love letter to Victorian England, The Pure World Comes follows Shirley Dobbins, a maid living in Victorian England who goes to work for a mad scientist after the deaths of her employers. It was published last year on an app, but now it’s going to be published as an ebook and paperback so that more people can access and read it. At the moment, I’m just waiting on the new cover. Once I have that, I’ll be able to start on the process that will eventually end in putting it online, selecting a release date, and making it available for preorder. Hopefully we can start on all that by the end of the month.

As for an audio version…well, that will depend on a few things, including how well the book does in paperback and ebook. If it does happen, I’ll be over the moon. If it doesn’t, it’s sad but hey, sometimes those are the breaks.

That Which Cannot Be Undone

As many of you know, some of my fellow Ohio horror authors and I formed a small press with the goal of releasing an anthology of Ohio-based horror stories, That Which Cannot Be Undone. At the time of writing this, we have most of the stories from the contributors and the editor is going over them with a fine-toothed comb. My friends and I are also regularly meeting and making sure we stay on time for our October release while also producing one hell of an anthology. We can’t wait for you to read what we’ve created.

Other Novels

Crawler: I know some of you were really excited when I said I was going to write a mummy novel. Those same people were saddened when I put plans to write that on hold due to Hannah being accepted and wanting to focus more on that. That being said, I think I might be able to start working on it later this year. Still a lot of things up in the air, but if nothing else gets in the way, I could start on it before autumn. If I do, I’ll let you know.

Toyland: Still plan to get this bizarre Gothic ghost story published. I’ll probably give it another round of editing before I submit it anywhere, though. It’s a complex story with lots of moving parts, so I want to make sure everything holds up before I let anyone else read it.

River of Wrath: unfortunately, I think I need to put this in the proverbial trunk. I’m saddened, since I still like this story and I had a hell of a time writing it (and for those of you who know what it’s about, pun totally intended). But I’ve had a lot of time to think regarding this novel as I’ve sent it from place to place to place, and I’ve come to realize that, as much as I love the novel, it does not reflect my best work and I don’t think, even if I made changes, it would be that much better. Hell, it might not even be the original novel I set out to write when all is said and done. (Again, pun totally intended.)

So, it hurts, but in the trunk it goes. At least the lessons it gave me will always be with me. And I now know more about Dante’s Inferno than I ever thought possible. Never a bad thing.

Shorter Works

Over the past several months, I’ve been writing a bunch of shorter works. Right now, I’m up to one novella, four novelettes, and three short stories. And yesterday, I started what will probably be a second novella. I like to think they’re all spectacular, though some of them definitely need more work. Anyway, once I’m done with this current project, I’ll spend time polishing them and trying to find homes for these stories before I do anything else that’s new (and that includes Crawler). Hope you get to read them soon!

Anything Else?

Well, there is, but not anything worth writing a paragraph about. At least, not yet. Hopefully I can tell you all about some of the things developing in my life in the near future.

Anyway, that’s all for now. I’m going to bed. In the meantime, thanks for your continued support of my writing career (and for even reading my books every now and then). Until next time, good night and pleasant nightmares.

You know, many great stories were originally published in serialized form. From Charles Dickens’ many novels to the works of Edgar Rice Burroughs and HP Lovecraft, many writers we still read today had stories serialized in newspapers and magazines.

I’m not saying that “Blood and Paper Skin” is one of those great stories, but I do think it’s cool that it’s not only been serialized, but that the last part is now available.

So, if you’re wondering what I’m talking about, “Blood and Paper Skin” is a novelette I wrote some time ago about a bunch of teens and college students who go out to get drugs, only to be taken captive and held in a strange prison-like room. The story has been serialized by The Dark Sire literary journal, a quarterly journal that specializes in horror and dark speculative fiction and poetry. And they also do serializations of longer stories, such as “Blood and Paper Skin.”

I’m very happy that TDS has released the final part of the story, especially this is the publication’s last print issue (they’re moving entirely to e-book after this issue). It’s a story I didn’t think would find a home, so I was glad it did and that the team behind that home loved the story. Every time I talked to them, they praised it and said they got so much feedback from readers who love “Blood and Paper Skin.”

Anyway, if you would like to check out “Blood and Paper Skin,” I’ll include the links for all issues of The Dark Sire where the story appears, starting from the most recent. And if you would like what you read, either of “Blood and Paper Skin” or The Dark Sire, please make sure to leave reviews and check out our other work. We both work really hard to deliver to you the best stories, so we hope you continue to check them out and let us know what you think.

Anyway, I’ve got a new story rattling around in my wacky head, so I’m going to start outlining. If you need me, you know where to find me. Until next time, my Followers of Fear, good night and pleasant nightmares!

The Dark Sire Issue 10 (“Blood and Paper Skin” Part 3): https://tinyurl.com/2p99ahfm

The Dark Sire Issue 9 (“Blood and Paper Skin” Part 2): https://tinyurl.com/4cdnkevt

The Dark Sire Issue 8 (“Blood and Paper Skin” Part 1): https://tinyurl.com/ya6r77ww

The editing process can take a toll on authors’ mental health, no matter their experience.

As I’ve mentioned more than once (especially during the past few weeks), the publishing process for Rose was something of a roller coaster for me. At least, it was on the mental health scene. There were days and weeks I was feeling on top of the world, and then there were weeks where I was freaking out and wondering how the hell I would ever get this novel into a state fit for publishing.

It’s been nearly three years since Rose was released, and I’m older, wiser, and I want to say calmer. However, I know that roller coaster could start up again during the editing process of Hannah and Other Stories, so I’m writing this post. Both as a reminder to myself, and to help anyone who might go through something similar with their own upcoming books.

Here’s are some tips for getting through the editing of publishing of your upcoming book and the mental health rollercoaster that it is.

First off, remember that this is natural. There’s nothing wrong with you, you shouldn’t be expected to stay happy because you’ve got a book coming out (whether it’s your first or your 247th), and every author goes through difficult periods in life. We have human brains, and those brains, while being the most advanced supercomputers on Earth, have some quirks built in. Our neurochemicals don’t always act naturally, and life can upset those chemicals as much as genetics. So if you’re having a bad period, don’t heap further stress on yourself by being upset with yourself. Just remember that this will pass and good periods will happen as well.

Our brains. Great supercomputers, but they aren’t perfect. So these feelings are natural.

That being said, if your feelings become too much or last for prolonged periods, consult a licensed doctor/psychiatrist/therapist. They may be able to help you with medication, the talking cure, and strategies for coping with those wacky neurochemicals.

And that brings me to my next point: have a support network and coping methods in place if you can. I know everyone’s circumstances are different, but it really helps to have someone to talk to or multiple people who can come together when you’re feeling down. Having those people who will stand by you and help take your mind off of the craziness of the publishing process can make things all the more bearable.

Not to mention those coping strategies. Taking some time for self-care when you need it improves things immensely. I already have Sailor Moon DVDs awaiting me in my room and ice cream in the fridge. Those are my comfort foods and anime, and they got me through more than a few crazy nights. Not to mention that methods such as hypnosis and meditation, going for a run or dancing, a nice drive, a good book and so many other things, can really help when your mental health starts to spiral.

That being said, certain coping mechanisms should only be done sparingly. For example, I tend to eat more sugary foods and drink alcohol when I’m under stress. Not the healthiest way to deal with my feelings, so I have to be careful not to do it too much.

Okay, now that we’ve gone over the self-care stuff, here are some practical tips when it comes to the editing and publishing of the book:

  • Edit in chunks or manageable blocks. This is something BSC Publishing Group, which is publishing Hannah, is doing with their clients. Rather than sending notes for the entire book all at once, they send notes for a few chapters or a single story at a time. That way, neither author nor editor is overwhelmed by the process and it feels more collaborative.
    I kind of like it, as it means I have less of a giant workload to get through, and I can work on other projects in-between chapters. And if you like it, maybe talk to your editor or publisher to see if you can do something similar.
  • Expect big gaps without activity. You know how you have to wait several weeks or months to hear if a short story is accepted or rejected by a publisher? It’s even worse with a book. Case in point, three months would often go by between submission of a new draft of Rose and getting new notes. And the time between acceptance of Hannah and the first round of notes was about six months.
    So no, you didn’t do anything wrong. And no, the publisher isn’t ignoring you. They’re just juggling a lot of projects, and they have to devote time to all of them.
  • Approach each issue/suggestion individually. Finding out your stories has issues, such as a plot hole or a character that doesn’t make sense, or a scene that doesn’t work like you thought it would, can seem insurmountable. Just know that every novel and collection has issues that need work on, including great ones. For Rose (which I like to think is great), after I got my anxiety under control, I went after each problem individually. First I handled the main problem with the antagonist, then the issue presented with the amnesia, and then the monumental problem with the flashbacks, which led to two-thirds of the book getting rewritten.
    Hopefully that won’t happen to you (though on the plus side, it did rid the book of some problems later in the draft). But taking it one problem at a time does yield results over trying to tackle, and agonizing over, all of them at once.
  • Remember, the publisher believes in your book enough to publish it. Sometimes, editing the book and guessing what people will think of it, we tend to doubt our own abilities. But remember this: the publisher believes your book is not only good, but it’s good enough that it’ll sell copies and they won’t take a loss on it. And that’s in an unedited state with issues!
    So if you could write something that good in that state, you’re more than capable of getting it up to scratch for publication. Just keep reminding yourself that and it might boost your spirits a bit.
  • Finally, keep reading and writing. During the quiet periods in-between drafts or before you go to bed. When you’re wondering how to tackle a problem with your book or when you’re just looking for some down time. When inspiration strikes you or when the new book by your favorite author comes out. Just keep reading and writing. Do it because you love it. Because it’s nice to get lost in imaginary worlds with imaginary problems and imaginary people. Because it’s relaxing and a great way to let the problems of the world slip away.
    Plus you occasionally get insights from the stories of others to improve your own stories. But that’s not important. It’s important to just sit down and enjoy these activities, because they’re what got you into the storytelling business in the first place and have led you here. And they will lead you onwards from here too.
Rose had plenty of issues before publication, and Hannah still has its share. Still, the publishers for both believe/believed in them to publish them, and that’s an important thing to keep in mind.

Well, those are my thoughts on mental health and the publishing process. I’d include some stuff on marketing, but then we’d be here all night. Anyway, I hope you found these tips helpful. If you think of anything I missed, feel free to put it in the comments. And if you have a book you’re working to get up to snuff for publishing, I wish you the best of luck. You’re in the middle of a tough journey, but you can get through it. And if you managed to get through the trials of writing and editing the book in the first place, you can get through the trials of getting it in shape for the publisher.

Until next time, my Followers of Fear, good night and pleasant nightmares.

Just a quick update. As you know, I’m trying to post these less and less often. Trying not to spam you with news of these events, especially when it’s unlikely you’ll be able to visit. Still, in case you’re able to visit, I’m going to put these out when a new event is on the schedule and remind you leading up to the event.

So, as previously reported, I’m going to be at ParaPsyCon at the Ohio State Reformatory in Mansfield, Ohio. This will be taking place on May 21st and 22nd, and all you have to do to gain access is to buy a self-guided tour of the prison. You get in, see where they filmed The Shawshank Redemption and where plenty of ghosts still hang out, and you get to meet over 90 authors, ghost hunters and paranormal investigators, psychics, and so much more! Plus some celebrity speakers too. You can find out more from the website here.

But my beloved Reformatory isn’t the only prison holding a convention this summer: the West Virginia Penitentiary in Moundsville, West Virginia will be having its annual Paracon on August 13th, 2022! Like ParaPsyCon, it’ll have plenty of authors, paranormal investigators and equipment vendors, psychics and so much more. More details, such as cost of admission and the full vendor list, will be posted as we get closer to August. In the meantime, you can check out their Facebook event page for more info.

And that’s all for now, my Followers of Fear. Obviously, if I get signed up for any more events, I’ll be sure to let you know ASAP. Same goes for any changes, such as a date change or (God forbid) a cancellation. Anyway, I hope you’ll be able to stop by one of these events and say hi as I sell books and do Tarot readings.

And yes, that post on mental health while publishing a book will be published at some point this month. I promised, didn’t I?

Until next time, my Followers of Fear, good night and pleasant nightmares.

The placeholder cover I made for Hannah and Other Stories. I can’t wait to show you all the official cover someday soon.

Well, the story I was writing for that one anthology will have to be put on pause. Good thing I don’t have to submit till June.

So, as many of you are aware, back in October I signed with BSC Publishing Group to release a collection of short stories. The collection is going to be called Hannah and Other Stories and will consist of seven short stories, novelettes and novellas, including: Hannah, which follows two ghost hunters whose latest investigation has consequences for multiple people; The Autopsy Kid and Doctor Sarah, about a young girl’s relationship with a budding psychopath; and Poor, Unfortunate Souls, in which a rave underneath the streets of Paris receives an unexpected and horrifying guest.

Anyway, since I signed that contract, some time has passed, and I’ve been writing and editing stories like crazy so I don’t get rusty. And today, I finally received the first round of edits. And it looks like I have a lot of work to do!

Man, I wish all those edits I’d done back in spring and summer last year were enough to spruce up the stories. But I guess I wasn’t so lucky.

On the bright side, I still have some pretty clear memories of when I edited Rose back in 2018 and 2019. That was the last time I edited an entire book with a publisher, and it was quite the learning experience. Given what I remember, I will take it story by story, part by part, and try to identify the same issues my editors did, as well as using their suggestions to improve the story.

I will also make sure to take care of my mental and emotional health. It’s not something that’s talked about enough in the writing community, but this path we walk takes a toll on us writers. And that’s especially true when it comes to publishing an entire book! When I got the first edits back on Rose, for example, I went into a tailspin of anxiety. There were a lot of issues with the novel, a couple of which led to me rewriting around two-thirds of the book. Needless to say, I was upset with myself that I missed so many issues and worried I wasn’t going to be able to fix them. It took a lot of work for me to calm down again and start to work on the book again.

This time around, I’ll be better prepared. As I said before, I’ll take each story one at a time, and I’ll try not to let the issues with each story get under my skin. After all, not only have I been through this ordeal before, but I wrote these stories already and the publisher thought they were decent enough in their imperfect state that they wanted to publish them. If I was able to do that, I can edit the stories to a state where they can be released.

Plus, I have a support network I can rely on if things get to be too much, and I’ve already ordered my comfort anime from the library (nothing like a Sailor Moon binge to make you feel refreshed). Add in some ice cream and the occasional pizza delivery, and I’ll be fine.

Anyway, I’ll keep you all updated on the progress of the book, as well as my other projects. I may also write a post on maintaining your mental health during the publishing process at some point. In the meantime, if you’re looking forward to Hannah and can’t wait to read it, or you need something to read in the meantime, I’ll include links to Rose and my other books down below. Who knows? You might just find your new favorite horror story down below. Let me know what you think.

And please also check out the anthology Dead of Winter from the Dublin Creative Writers Cooperative and Spark Street Media, which contains the story “Azazel Dances” by myself and Richard Gerlach. It’s a great story inside a great anthology, so why not check it out?

And with that, I’ll take my leave. Until next time, my Followers of Fear, good night and pleasant nightmares.

Dead of Winter: Amazon

The Quiet Game: Amazon, Barnes & Noble, iBooksSmashwords, and Kobo.

Snake: Amazon US, Amazon UK, Amazon Canada, Barnes & Noble, iBooksSmashwords, and Kobo

Rose: Amazon US, Amazon UK, Amazon Canada, Audible, B&N

Agoraphobia: Amazon US, Amazon UK, Amazon Canada

Mother of the King: Amazon US, Amazon UK, Amazon Canada

The Pure World Comes: Readict app (free with ads)

A handy graphic for understanding the three act structure, courtesy of Wikipedia.

The other day, I was talking with some other writers about how to write a decent short story (an eternal question among writers, including the ones who’ve gotten them published). And I noticed that, with a lot of my recent short stories, most of them fall into a decent three act structure. And then I said, “I know the existence of the three act structure is dubious, but it’s the truth.”

And, like many odd things, that little exchange has stuck in my head.

So for those of you who don’t know, the theory of the three act structure states that all stories, especially longer ones, can be divided into three separate acts or sections: the setup, the confrontation, and the resolution. The acts may then be divided into smaller scenes or subsections, but they all fit into those categories. Some examples given of stories with the three act structure are Star Wars, Die Hard, and Avengers: Endgame (though I sometimes think everything before the five-year jump is its own separate act or prologue).

While many of us are taught this structure in school, most of our teachers will let us know that not everyone believes in the three act structure, let alone say they use it. Some prefer using a five act structure. Others say storytelling is too complicated and diverse to say a story can be divided into a formulaic structure. And nearly all playwrights will agree that if it can’t be told in one act, tell it in two.

Good example of a story in three acts (supposedly).

That last one might be a joke.

I’m usually of the camp that believes storytelling is too complicated and diverse to boil down into a structure. Look at Stephen King stories. Most of his shorts, like Graveyard Shift, Night Surf or The Boogeyman, are simple one-scene stories with maybe a twist at the end, and I dare you to try to fit books like IT or Salem’s Lot into three acts. Then there are stories like Kill Creek by Scott Thomas or Interview with the Vampire by Anne Rice, which feel like they fit into four acts.

As for my own books, Snake is in multiple sections, much like the books I was reading up to and during the writing process, and I see Rose as in-the-apartment and after-leaving-the-apartment (if you read the book, you know what I mean). I can’t see the stories in The Quiet Game as anything but a progression of events. And I wouldn’t even know where to start with The Pure World Comes or the stories in Hannah.

So, is the three act structure a real thing? Well, yes and no. I feel like it’s more of a framework for people to examine fiction, both others and their own. You don’t have to use it if you feel it doesn’t work for you or if you feel a story has too much happening in it to divide the plot into three separate sections.

But if you do find it helpful, use it to your heart’s content. I’m sure many writers, especially plotters like myself, find the three act structure helpful for planning their stories. And as I said above, many of my recent short stories, including the ones that have been published, fall into three acts. Though I think of them less as acts and more like beats, scenes, settings, or occurrences. And if I’m trying to keep a story within a certain word count, I can see using this structure to my advantage.

So what is the three act structure? It’s a prism to understand some fiction stories through, as well as an actual tool for writing. It’s not perfect, and most stories don’t fit into it that well, but that doesn’t mean the idea isn’t useful. Hell, it might even help you hone your craft and get a few more short stories out there. And that is never a bad thing.

Unless you’re trying to write an award-winning musical. Then you might want to keep it to two or maybe just one act.

That’s all for now, my Followers of Fear. March has just started and it’s already looking a lot better than January and February is (world events notwithstanding). I hope I can update you on exciting developments in the near future. And until next time, pleasant nightmares.

Ladies and gentlemen, we have our first publication of 2022!

Some time ago, I met another Jewish horror writer by the name of Richard Gerlach. There was an anthology being created at the time of holiday horror stories, and we thought we’d team up to write one with a little Jewish flair. We wrote a story set around Hanukkah and submitted it. It didn’t get in, but it birthed a friendship and we both believed in the story, so we kept shopping it around.

Dead of Winter from Dublin Creative Writers Cooperative and Spark Street Media, which contains mine and Richard Gerlach’s story “Azazel Dances.” Looking forward to hearing what you think of it!

Some time last year, the story was accepted by the Dublin Creative Writers Cooperative,* who in partnership with Spark Street Media are releasing the anthology Dead of Winter. And our story, “Azazel Dances,” is featured in the anthology! Which is out today!

Honestly, Rich and I are so excited for you to read this story, which centers on a demon who interferes with two feuding Jewish families around Hanukkah. Not only do we get to add to the ever-growing subgenre of Jewish horror (something I’ve been trying to do anyway), but we worked really hard on this story. Like really hard. Like oh my God, the amount of work that went into this story to make sure it was ready for publication! And it was not easy for either of us to find time to edit it, either. Like, I tried to buy the guy a bottle of wine because we somehow made the deadline despite the amount of work and how crazy our lives got! Sadly, mailing alcohol without subscriptions or memberships to special clubs is troublesome.

The point is, we put in a lot of hard work, and I’m very proud of the work we put in to write and edit this story together. So I hope you read it and see what we managed to create together. And if you like what you read, please make sure to spread the word somehow. Goodreads, Amazon, Twitter, Instagram or TikTok, whatever. Leaving your thoughts online somewhere allows us writers to know what people think of our work, as well as helps other readers decide whether or not to check out the book.

Anyway, that’s all for now. I’ll leave a link to check out Dead of Winter below. Ebook is already available, and paperback shouldn’t be far behind. Either edition, there are a lot of great stories in there besides the one by Rich and me, so it’s worth your while. And while you’re at it, you should also check out Richard Gerlach. He’s a great writer with another story in another anthology and has more on the way. He also writes for Divination Hollow Reviews and is a co-host for the podcast Staring Into the Abyss. You can find him on his Twitter account here, his previous publication here, Divination Hollow Reviews here, and the Twitter account for the podcast here.

That’s all for now, my Followers of Fear. I don’t know how we got to the end of February so fast, but I’m looking forward to whatever March brings. So until next time, good night, happy reading and pleasant nightmares!

*Dublin Ohio, which was used for a short scene in Rose. Not Dublin, Ireland. Just clarifying.

DEAD OF WINTER Amazon Page

Fairy tales have been on my mind a lot lately. Granted, that’s nothing new. When writing Toyland, I knew fairy tales and children’s stories were going to play a part in the story, since it was about a school haunted by a ghost obsessed with a children’s fairy tale. And yes, I still hope to get that book published.

But recently, I took a class offered by the Horror Writers Association on fairy tales, which got my imagination working. And then I watched a couple of TED talks on YouTube on the subject. And last week, I wrote my own twisted, dark fantasy version of Cinderella in just one sitting while everyone else was watching the Super Bowl. This was at the same time I spent two weeks coming up with an idea for a novel involving fairy tale elements, the idea finally crystallizing on Saturday before going to see Giselle. A ballet, by the way, that could be considered a fairy tale. It certainly has enough fairy tale elements to qualify as one.

All this has made me hyper-aware of just how much fairy tales have permeated our society. Not just as stories or elements of our favorite stories, but in advertising, fashion, music, art, and even our expressions (“Cinderella story,” anyone?). They are freaking everywhere, and used/enjoyed not just by children, but by teens and adults too.

“But wait,” you’re probably asking, “aren’t fairy tales just kid stuff?”

Not exactly. In fact, fairy tales were often for adults as much as children. Early written versions of Little Red Riding Hood were told as parables to warn young ladies about getting into bed with the wrong sort of man, or as metaphors about entering womanhood (especially if cannibalism is kept in the story). In fact, that is still the case in some places: in Ireland, many still believe in fairies and tell stories, or “tales,” about them and what places to avoid. And in parts of Scandinavia and Iceland, beliefs in trolls and elves are still popular. Many countries in Asia, especially in southeast Asia, still believe in many types of spirits (and according to the classical definition of fairies, just about any supernatural entity can be considered a fairy, so it counts), and use stories to warn new generations of the dangers of pissing them off.

This adaptation of “The Tale of the Bamboo Cutter” is a prime example of how fairy tales can be recontextualized for new eras.

But beyond warnings, fairy tales, like many other kind of stories, are reflections of how we look at our world. Hansel and Gretel, for example, was probably told in an age of famine, poverty and witch hunts, given its elements and the lessons imparted in it. Even better, fairy tales can be recontextualized for new ages. Cinderella tales are increasingly told to make the lead less passive and more in control of her own life, and the Studio Ghibli film The Tale of Princess Kaguya, based on the Japanese fairy tale The Story of the Bamboo Cutter, retells the story with the theme of how Kaguya wants none of the finery her foster parents gift her, only to be surrounded by people who love her. This feels relevant in an age with rising consumerism, online image-building, and social isolation.

And that’s the cool thing about fairy tales, too. You can retell them in so many different ways. Hell, you can even come up with new ones. Plenty of writers are creating their own fairy tales, such as Diana Wynne Jones did with Howl’s Moving Castle, Melissa Albert with The Hazel Wood and many more. And many stories today use elements of fairy tales. The inclusion of “The Three Billy Goats Gruff” in Stephen King’s IT isn’t just a fun choice by King, after all: King originally started plotting that story as a modern interpretation of “The Three Billy Goats Gruff.”

Makes you wonder what elements of fairy tales and legends you’re putting into your stories, doesn’t it?

And that’s the thing. Even you can make up your own original fairy tales or retellings. In fact, plenty of writers are, and will as the world changes. I wouldn’t be surprised if we get an updated version of Anansi and the introduction of stories to the world in the wake of so many states attempting to rewrite history or schools attempting to ban books. And I wouldn’t be surprised if this pandemic, or any of the major conflicts we’ve experienced in the past several years, make their way into a new or an old fairy tale. I’ve already come up with a few ideas for some, and might write one or two in the near future.

And I bet, no matter who’s telling the stories, they’ll continue to influence society for years to come. From the “Once upon a time” beginnings to the optional “they all lived happily ever after.”

That’s all for now, my Followers of Fear. I spent most of President’s Day writing, so I’ll take the rest of the night off. I’ll be back soon, as I’m expecting to share some good news very soon. Until then, my Followers of Fear, good night, pleasant nightmares, and don’t try to wake me up with a kiss. I bite.

Also, here are some of the videos I watched while researching fairy tales. Give them a watch. They’re quite edifying:

Transforming our Understanding of Fairy Tales by Anne Dugan

Why We Absolutely Need Fairy Tales by Jason Link

Myths, Folklore & Legends: We Still Need Our Fairy Tales by Heidi Shamsuddin