Posts Tagged ‘reflections’

As I mentioned in a previous post, BSC Publishing Group’s editors and I had several Zoom and email discussions regarding the content in my upcoming collection, Hannah and Other Stories. During the discussion, I realized a lot of things about my stories and my writing in general that needed improvement. And this led to some discussions with one of the editors about my writing, writing horror in general, and what directions I could go with my writing.

I won’t go into details, because some of it is for stories that you have yet to read, and I really want things to be a surprise. But the biggest conclusion I came to was that there’s still so much I need to learn as a horror writer.

I mean, I kind of already knew that, but I think part of me thought I’d become some sort of authority on horror writing, and the content meeting, as well as all the discussions that followed, really made me see the light. All of a sudden, I’m understanding why some of my stories haven’t been accepted, what fatal flaws I’ve allowed to slip into my storytelling, and what needs to be fixed so I can write not just effective horror stories, but publishable horror stories.

Honestly, it’s been rough to realize how much I still have to learn and how many ways I’ve actually been sabotaging my own stories. It’s been enough to make me doubt my own abilities as a writer…for a second. Then I remembered this is why we have editors and beta readers and why authors are their own worst judges and how we also need this feedback so we can grow and become better writers. If we never learn from others or discount what our editors and beta readers say, we end up writing really bad stories that never get published.

So, this whole experience, while slightly disheartening, has been a good eye-opener for me. Hopefully I can learn from this past week and write some stories that magazines and publishers will want to release and readers will want to read. I’m already thinking of ways to improve the stories I still need to edit, including “They Sleep Within the Rock” and “It Changes You,” and stories I might want to tackle next. I’ve also thought of ways to change Toyland and Crawler, and, of course, I’ve had plenty of thoughts of how to improve the stories in Hannah. With any luck, I can put these thoughts into practice and edit these stories so that they’re worthy of the promise at the top of this blog and on my business cards: “Scared yet? My job here is done.”

I look forward to updating you all on my progress.


One last thing, my Followers of Fear: I know I got into all the events I’ll be attending yesterday (you can see that post here), but I got confirmation on one more today, so I’ll add it to the end of this post. So this summer, I’ll be a guest at Gem City Comic Con on July 22nd and 23rd, 2023 in Dayton, Ohio! I’m really looking forward to this convention, so if you can stop by, please do so. I don’t know if they’ll let me do Tarot readings yet, but I’ll be happy to sign your book.

Until next time, good night and pleasant nightmares!

In Tarot, the Two of Cups represents reconciliation and balance in a relationship. It’s a card I thought often of during these past few days while figuring things out with BSC.

The relationship between an author and a publisher is a collaboration. The author creates a work, and the publisher helps them get the work cleaned up enough to be published. Together, they release the book into the world and put in the work to make sure the book gets to as many readers as possible. That’s all known.

But, as I said above, the relationship between the author and their publisher is also a relationship. And a relationship is often about give and take, compromise, and balance.

I was reminded of this fact recently during a two-hour Zoom meeting with my editor at BSC Publishing Group. BSC, as you probably know by now, is releasing my new collection, Hannah and Other Stories, later this year. Part of the reason why I wanted to release this collection with a publisher is that I knew these stories would need help reaching their full potential, so I wanted a publisher with experience that could help me reach that potential. Plus, the people working for BSC know the industry well and are enthusiastic about helping their authors reach as wide an audience as possible.

This particular meeting was a content meeting. Simply put, we were looking over the individual stories and seeing what in the story’s content could be fixed in the next draft. This way, we could continue to improve the stories by identifying any story issues and maybe cutting out anything that would be too controversial or souldn’t help the stories. And my editor had plenty of suggestions for the stories, some of which I’d already hit upon. Most I didn’t have an issue with. They either made sense from the get-go or they made sense after a bit of explaining.

A few things that came up, I was glad to receive. I mean, if you haven’t already noticed, I’m a white male. And, try as I do, I don’t always see things from outside that perspective. It’s good that my editor and others at BSC are women and can see outside that perspective. They pointed out more than a few things I didn’t realize might come off as problematic. And now that I know, I can change and learn from these examples so (hopefully) I don’t make that mistake in the future.

Other suggestions, however…I had more than a bit of hesitation.

Look, I’m normally an amenable guy. I like getting along with people and I’m usually good with going along with someone else’s suggestion if it’s not a big deal. But without getting into details (spoilers, you know), some of the suggestions my editors made just didn’t sit right with me. And I pushed back, which resulted in a lot of emailing back and forth.

And that’s something you have to keep in mind when you work with publishers. While they do want to help you get your book out there and even further your career, they do have their own ideas, goals and needs. And sometimes, all that with conflict with your vision in some way or another. That’s not a bad thing, it’s just the way things are. And ultimately, the best you can hope for is either coming to an understanding, or a compromise.

Otherwise, the relationship between author and publisher could dissolve and the book go unpublished, or the relationship between author and publisher is extremely unbalanced and the two parties, as well as the resulting book, suffers.

Ultimately, BSC and I were able to talk it out, come to a few agreements, and reach a compromise. And now we have a direction for the next draft of this book. Soon, I’ll get the notes on the second draft from them, and we’ll go from there. What happens next…well, we’ll see. At the very least, we’re still able to get along and still committed to getting this book out. And that’s what’s important.

Earlier this week, my publisher got in touch with me and asked me to pick some excerpts from each of the stories in Hannah. Specifically, they were looking for excerpts that reflect the theme of the collection. And that really made me think, because up till then, I hadn’t thought there was a theme to Hannah. It was just a bunch of stories I’d been working on at the same time that I thought might make a good collection if included together.

So, I had to ask myself: is there a theme to Hannah and Other Stories?

Now, if for some reason you’re unfamiliar, Hannah and Other Stories is a collection of short stories that I’ll be releasing later this year in the fall (exact date to be determined). It’s a collection of seven strange and unique stories, ranging from ghost hunters investigating a haunted school, to budding serial killers, to even carnivorous horses. And BSC Publishing Group, the company that will be releasing Hannah, and I have been working hard so as many people as possible are interested to read this book when it releases.

Which brings me back to the point of this post: BSC wanted me to pull excerpts from the stories inside that really speak to the theme of the collection. So, I had to sit back and really think about if there was a theme to the collection. And if so, what was it? There certainly wasn’t when I wrote and released The Quiet Game. That was just me writing stories that interested me and which I thought people would enjoy. I thought with those five stories, I’d be making a good foray into the world of publishing, self-publishing, and horror fiction.

And as mentioned above, I was working on some stories I liked and thought would make a great collection when I put Hannah together. So, was there a unifying theme below it all? Maybe something I only noticed subconsciously when I was choosing which stories to put together? Because there were definitely a few I rejected for one reason or another.

Well, after some rumination, I did realize something: in all the stories, there’s a senselessness to the world. The violence and horrors that occur don’t seem to occur because of some greater plan, or a good versus evil struggle like you see in horror. Shit is happening, and even when you go back through events and see how they start and how inevitable the endings are, you don’t feel like there’s anything guiding the world. It’s just a cruel, indifferent world with cruel or indifferent people and cruel or indifferent circumstances leading to horrific results.

And for many, that’s scary in and of itself. Even those of us who aren’t necessarily religious like to think there’s a higher power or guiding force or principle in the universe. The idea that the universe has none (except maybe a writer with a penchant for dark, sinister and macabre storytelling) is sure to chill more than a few readers.

So, I chose excerpts I felt reflected that. Sure, some of those excerpts featured people being awful (and those scenes are incredibly violent), but in the end, that senselessness and lack of guidance or purpose is at the center of the excerpts.

Hopefully, the excerpts chosen help with the marketing campaign we’re going to do in the months leading up to Hannah‘s release. As I said, I have high hopes for this collection, and I think many readers, whether new to my work or fans for years, will find plenty to enjoy.

And maybe, if I put out more collections in the future, I’ll think harder about themes before I put it together and try to shop it around.


That’s all for now, my Followers of Fear. I actually woke up sick today, so my weekend plans kind of fell by the wayside. Hopefully I can do some of the stuff I wanted to do this weekend. At least I was able to get a blog post out. That was something I wanted to do at some point this weekend.

Anyway, I’m off to heat up dinner. I hope this post got you excited or more interested in Hannah and Other Stories. And while you wait for its release, if you’re looking for something spooky to read, if you want to support my career, or if you want to help me feel better, maybe consider checking out my Published Books page and finding your next read there. Trust me, there’s plenty there to enjoy.

Until next time, good night, pleasant nightmares, Shabbat Shalom, and only 200 days till Halloween! Yes, I’m keeping track, that should surprise none of you.

So, I’m reading Every Woman Knows This: A Horror Collection by Laurel Hightower, a collection of horror short stories I won in a Twitter giveaway. Not very fast, because I get through print books so much more slowly these days than I used to, but I’m making my way through it. And I am in awe that some of these short stories appear to be shorter than five thousand words. Hell, some of the earlier stories in the collection appear less than four thousand.

And I’m sitting there, reading the stories, and I’m like, “How does she do that and make them still so damn good?”

I actually posted that question on my personal Facebook and my Twitter feed. Laurel responded to the Facebook post (we’re friends there), thanking me for posting about the book and being glad that I’m enjoying it. Did not share her secrets with me, though.

I wish she had, because I would love to be able to write stories that short and still be effective. After all, I grew up on Harry Potter and the Bartimaeus Trilogy, followed by books like Interview with the Vampire and IT. The shortest of those books is seventy-seven thousand words. By the time I started regularly reading and writing short stories, my brain was already primed for sprawling plots with deep twists, multiple layers of themes and secrets, and complex character relationships that are explored through multiple pages, chapters and books.

Taking all that out and trying to tell an entire story in less than seventy-five hundred words (what the Horror Writer Association says is the maximum word count for a short story) was a huge switch for me. And honestly, I’ve had varying success. Occasionally, I manage to get a story less than seventy-five hundred words, and sometimes those stories get published, but more often short for me is a novelette between 7,500 and 17,500 words. Not as long as a novel, not by far, but allows me more room to work with those plot elements I like.

Still, I do try to come up with and write those shorter stories, what Stephen King calls “a quick kiss in the dark from a stranger.”* Yeah, it’s difficult to do, but most publications are looking for stories of that range, and I want to get my work into them. And, I like the challenge. It’s another hill for me to climb on my journey as an author. And, occasionally, something I write in this vein is really good.

That being said, if it looks like a short story is destined to be a novelette, or even a novella or novel, I will let it be the length it’s going to be. No sense trying to maim a good story so it can fit somewhere, right?

But I still try. And I’ve gleaned some things in my attempts, like instead of big plots or huge happenings, you focus on small instances or events that may happen to one or two people. Rather than the big moments, like the destruction of It in the sewers of Derry or the fallout of four writers visiting a haunted house on Kansas during Halloween for a publicity stunt (Kill Creek by Scott Thomas, if you don’t know), I should focus on maybe a ghost at the Ohio State Reformatory trying to get information on what happened after he died, or a young man dealing with something evil that’s appeared intermittently in his life. Those might manage to become the kisses given in the dark by a stranger.

Actually, one of those was a kiss in the dark, and some of you may remember it. It’s “Is Anyone There,” which was published last year in That Which Cannot Be Undone, and got mentioned in several reviews as a highlight of the anthology. So maybe I might be closer to my goals than I think.

Just don’t kiss me in the dark. I’m more likely to punch you for that than enjoy it or put it into a story.

What are your tips for writing short stories, Followers of Fear? Do you struggle with keeping them under 7,000 or 5,000 words? Let’s discuss.

Also, be sure to check out Every Woman Knows This by Laurel Hightower. So far, it’s a great collection, and I hope I’ve learned some things by the time I’m done.

*Which, by the way, is a weird idea, isn’t it? You walk down an alley or into a room and it’s really dark and suddenly someone plants one on your mouth before disappearing? Actually, the scenario with the room is the plot of an Anton Chekhov short story, and the character who gets the kiss does have an impression left on him. So, I guess it’s a good metaphor.

Well, I’m feeling pretty good. Tired, but good.

As many of you know, I’ve been caught up in editing a bunch of stories, both for my upcoming collection Hannah and Other Stories, and others I hope to submit to various publications and magazines. For all the obvious reasons, I’ve been calling this the Great Editing, and it’s been a lot! I think I’ve edited about six stories by now, and that was just in the first two months of 2023.

Needing a break, I decided to write some new stories. Sure, they’d become part of the Great Editing at some point, but it just feels good to work on new stuff sometimes. Anyway, I wrote “The Hunting Party,” a Christmas horror story (you can read all about that here), and I just finished “Mother of Spiders,” a novelette set in the 1950s and about a town whose history comes back to bite them in the worst way: with eight legs and some scary fangs!

Yeah, it’s a spider-based horror story. I did say in previous posts that this story would tap into a common phobia, after all. And I think the overall concept of the story is good.

That being said, I really struggled with this story at times. Not because I didn’t know where it was going, because I’m an obsessive plotter. I always know where my stories are going. I think it was just finding the right words for the story and figuring out how to convey it. That was a struggle, and it wasn’t until the final scene of the story that I really felt like the story was flowing out of me. I have a feeling that when I edit this one, it’s going to take several drafts before I can start submitting it for publication. And most of it will just be figuring out how to better tell this story.

But hey, it’s a good sign when you recognize your own story’s shortcomings and are already thinking of ways to improve the story. Hopefully that means when I get around to the second draft, I’ll be prepared to turn this story into something worth reading.

For now though, I think I’m ready to get back to the Great Editing. Let’s face it, the number of stories requiring my attention have only grown since I started my break, and I want to get at least one or two out of the way before the next draft of Hannah lands in my inbox. I’ll start with “The Hunting Party,” because there are a couple of Christmas anthologies already looking for stories and I want to submit this one before they fill up. Then I’m going to get into the third draft of “They Sleep Within the Rock,” AKA the novella where I put neo-Nazis through some well-deserved hell. After that, if it isn’t time to work on Hannah again, I have a few stories to choose from.

For now though, I’m going to chill the rest of the weekend. I have some scary movies from the library, so I think I’ll have a double feature before bed. So, until next time, my Followers of Fear, good night and pleasant nightmares. And if I don’t catch you before Passover starts this Wednesday, may the matzo monster get you and ruin your digestive system with more cracker-like bread than you could ever want to eat.

Cheers!

Consider this an early Autism Awareness Month post (doesn’t officially start till next Saturday).

As many of you know, and many of you may not know, I’m on the autism spectrum. Have been my whole life.* And honestly, while it has made some things somewhat more difficult to me, I really don’t consider it a disability. Well, it is, but it doesn’t disable me. It’s just made me fight harder and learn new ways to work my way through this strange world of ours.

Anyway, onto the meat of this post: recently, my dad sent me a video of a TED talk, featuring a woman named Rosie King speaking about her own autism and how it’s affected her life. Positively affected her life, by the way. If you can, I highly encourage you to watch the video, which I’ve embedded below, before reading the post. It’s only six minutes long and will really resonate with you.

When I saw this video, I was what the young people call shook. Honestly, it felt like Ms. King, who’s only five years younger than me, was talking about my own life. For one thing, I do feel like I have thousands of worlds in my head. Or thousands of stories, some of which take place in the same worlds as each other (I love shared universes in fiction). My imagination is constantly coming up with new stories, which is one reason I write. If I didn’t, they would stay in my head, constantly shifting and changing until I no longer knew what they were.

And I get what she says about having so much energy and needing to scream or move around or whatever. I used to need to pace to calm down. And I’ve been in situations where nobody wanted to be my friend because I was so different, though eventually some came to understand who I was and be my friend. A few are even on the spectrum like me.

And I am far from Rain Man (never seen it, but I’ve heard enough to know). I’m no math whiz beyond my finances, and I need someone else to do my taxes. I do understand a lot of science, but I’m no specialist. And as anyone can tell you, I’m quite verbal and love a good hug. Social situations can prove challenging, especially if I don’t understand some cue or another. But once it’s explained to me what line I’ve crossed or what the issue is, I usually learn from it.

But the thing that resonates with me the most is the part about “being normal” and saying “you’re so normal” as a compliment. As Ms. King says, “What is normal?” Just a setting on the dryer, if you ask me. None of us fit into a box, but some of us just spill out of the box and spread out in several directions much more easily. It’s because people do spread out that way that we as a species advance, from the sciences and technology to literature and culture.

And while I don’t know how much of a role my ASD has played in making me the person I am, as well as the creative I am, I can’t deny that it has played a role. And like Ms. King, I wouldn’t give it up for anything. Not when it has brought me so much good in my life.

So, I guess in conclusion, if someone’s different in some way, don’t try to change them, or make them fit in a box. So long as nobody is getting hurt and being who they are makes them happy, I see no reason to try to change them. Hell, I’m happy just the way I am. The only thing people tried to change in me is giving me the tools to make my way through this world while still being me. And that was enough.

Until next time, my Followers of Fear, good night and pleasant nightmares.

*And no, it wasn’t caused by vaccines. I was neurodivergent well before that, my mother says so, and you wouldn’t want to call her a liar. Them’s fighting words.

I’ve been asked this before numerous times in one way or another. “What advice do you have for new writers?” Well, there’s one thing that always comes to mind. And the past couple of years, the thing I’ve come back to, time and time again, is this: “You need to carve out the time to right.”

Yeah, that’s the advice. A lot of people want to write, but they say they don’t have the time to write, or that they can’t find the time, or there’s just not enough time in the day. I often reply, “Well, you’re going to have to carve out the time. If you’re serious about writing that story. There’s no time fairy who’s just going to grant you time to write.”

Sounds kind of caustic, and it is. But it’s also true. For one thing, I’ve never seen a single fairy, let alone one that grants time to would-be writers. For another, the time to write just doesn’t find you. It doesn’t drop out of the sky and into your lap. And yeah, there is only 24 hours in a day, with hopefully only 8 of them devoted to a day job and the other 16 sleeping and personal stuff.

Fact of the matter is, if you don’t make time, even just half an hour, to write, you won’t ever get the time to write.

I mean, if you want to cut out sleeping, you’ll find that time, but from a health standpoint you’ll really suffer.

But I understand why people say they don’t have the time. Finding that time can be hellishly difficult. Besides day jobs and sleep, people need to do chores around the home, take care of family obligations, and finding time to relax after a long day.

Still, you can find time. Plenty of others have done it before. Even when he was raising three kids under the sage of six and was living out of a trailer, Stephen King found time to write 2500 words a day. That’s how he wrote Carrie, which later launched him into the stratosphere. And my friend/colleague Angela Misri wrote every day on the bus to and from work in moleskine notebooks. That’s how she wrote her Portia Adams books, and they’ve been pretty successful.

As for me, I write in the evenings between dinner and bed (though on weekends or days off I try to write during that free time as well). I’ve been doing that for years, and it’s how I’ve written some of my best work. Yeah, it helps that I’m only responsible for myself, don’t have kids, and writing helps me destress. But I still carve out that time most nights to get work done, because I want to get those stories done and out there. I want to write for the rest of my life. So I carve out that time.

And if you really want to tell those stories and get them out into the world, you’ll find the time. It may take some changes to your schedules, or maybe some changes in your life, but if you’re serious, you’ll be able to find the time. Like I said, plenty of people have before and plenty of people in the future. That includes me, and that includes you.

How do you find time to write? Did you make changes to your life or schedule to do it? Has it helped? Let’s discuss in the comments below.

That’s all for now, my Followers of Fear. Just wanted to get something out to you sooner rather than later, and this seemed like a good subject to post about.

Until next time, good night, pleasant nightmares, and–oh look, a fairy! Oh, you want to join my Army of Nightmares and help me accomplish my goals? Okay, let’s go! To the dragon bats!

The first season of the Scream TV series. The show deserves more attention, if you ask me.

Odd topic for my two thousandth post, but hey, not every milestone post is going to be something big and amazing. Besides, this needs talking about before Friday.

And what’s Friday? The release of Scream VI, the sixth Scream movie. By now, most horror franchises, especially the slasher franchises, end up on direct-to-video (or DVD and Blu-Ray or streaming, as things now stand). But the Scream franchise, through not putting out sequels every year and making films that tend to age well (seriously, I enjoyed the films I disliked on first viewing more on the second viewing), has stayed in theaters. And the sixth film, set in New York and featuring a Ghostface who appears to be a major fanatic of the Ghostface killers, looks especially amazing. What could be missing?

Well, in all the rewatch of the films and which one’s best, I miss the TV show. Yeah, Scream had a TV show. A lot of people have forgotten that. It was on MTV for two seasons and VH1 for a third season, it was slightly more serious than the movies with less metatextual exploration of horror (but it did have that), and, for two seasons, had a Ghostface whose costume didn’t look clumsy or like it would get in the killer’s way.*

I actually bought the TV show’s version of the costume for Halloween soon after I got my job. I still have the costume, and enjoy wearing it on occasion. I wore it for this post!

What was the TV series about, you might ask? Well, it was a similar setup to the movies. A serial killer, known in this reality as the Lakewood Slasher or the Brandon James Killer, wears a mask based on the face of an accused murderer named Brandon James and starts killing people related to this world’s Sydney, named Emma. And, like the original films, the killings are often inspired by Emma’s family’s past.

There was also some amazing character development, a mystery that kept you guessing, and some really freaky kills and scares that competed with American Horror Story and the Slasher TV series. So, what happened?

I don’t know. I guess the producers got scared that people were losing interest in the second season, because after a Halloween special, they scrapped the ongoing storyline of Emma and her friends and started a new story with the original Ghostface costume for the third season. And that was the season that got critically panned and was followed by a cancellation. So, I guess it was a good decision?

Me in my Scream TV series costume. Creepy, right?

And that’s a shame, because as I said, I remember it being really good for the first two seasons. And while we can never be sure, if the series had decided to focus on the story of Emma and her friends, rather than doing a reboot for a possible anthology series, what could have happened? What if the series got better? At the very least, we might have wrapped up the story.

So, while I look forward to seeing the new film, I would like to point out that the TV show (or at least the first two seasons, anyway), deserve some love and appreciation. Hell, after I finish watching the original run of Law & Order, I’m going to rewatch the first two seasons on Netflix.

Maybe you can join me for a watch? I think that would be a lot of fun. And together, we can maybe show this show some deserved love.

Did you watch the Scream TV series? What were your thoughts of it? Any chance you’ll revisit it with me? What’s your favorite scary movie?

*Seriously, what the heck is with the Ghostface robe? It goes down to your feet and is tight around the legs. Every killer in that costume should trip every time they pursue a victim. Actually, they showed that in the parody film Scary Movie.

Well, I just finished editing my Backrooms story, “It Changes You,” and added two-thousand words along the way. Only took two weeks. I even improved a very squicky scene so that it will be easier to imagine. And I just reached out to a friend who expressed interest in beta reading the story before I send it out. Depending on how things play out, I may have a few others have a look at it before I try sending it out to publishers.

And now, you might be wondering (or you might not, I can’t read minds) what I plan to edit next. Am I going to go back to “They Sleep Within The Rock,” AKA the story where I put neo-Nazis through hell? Or will I do another pass on the stories in Hannah and Other Stories? Or will I edit something else?

Actually, I’m going to take a break from editing. Let me put it this way: I’m tired. And I’ve been itching for a little while now to work on something new. And I thought I could get through editing one more story. But, you know what they say: man (or whatever species I am) plans and God laughs. So, I’m going to work on some new stuff that excites me and that I think I could find homes for. One’s going to be a story set at Christmas. Yeah, it’s February, but holiday anthologies are already accepting stories. And I may be Jewish, but there are aspects of the holiday season that I enjoy. And which I enjoy putting through hell in stories. The other story will be inspired by a rather unsettling thought I had before bed one evening and which I developed into a story. It’s probably going to make people shudder. Especially my mother. This is something she’s famously afraid of.

I hope she doesn’t mind me saying so. Oh well. She knew what she was getting into when she had me.

Anyway, after those stories, if I don’t have another draft of Hannah to do, I might do that next draft of “They Sleep Within the Rock” and do a third draft of “It Changes You.” Or I may write more new stories. It just depends on what I’m in the mood for. But yeah, I’m going to get those stories edited at some point. I just need breaks from so much massive editing from time to time.

In the meantime, I’m taking the rest of the night off before I get to work on these stories. Tonight it’s dinner, a horror movie, and maybe some reading before bed. It’ll be a good way to end the weekend.

Until next time, my Followers of Fear, good night, pleasant nightmares, and enjoy this week if you can. For all we know, it could be a rough one.

For those of you who don’t know, “squicky” refers to something that is very disturbing, disgusting, and/or unpleasant. In horror, it usually refers to something out of what Stephen King calls “the gross-out factor” of horror, with lots of blood and gore and bodily fluids. Occasionally squicky scenes (or at least most of the ones I’ve encountered) also have some sexual element, though not the kind that would indicate any form of healthy sex. Squicky scenes are the ones that make readers think, “Good Lord, what’s wrong with this author?” And they make the author’s parents go, “what kind of freak did we raise that they could come up with this?”

On a personal level, I can go either way with squickiness. Sometimes, like with the Evil Dead remake in 2013, I find that’s part of the charm of the movie. And I’m looking forward to watching Terrifier 2 because its squickiness reportedly caused people to vomit and faint in the theaters (though hopefully not at the same time). But when it comes to stories like Human Centipede and its sequels, where the very concept is squicky, I run the opposite way.*

That being said, I find myself writing squicky scenes more and more in my work. There’s a scene like that in my Backrooms story “It Changes You,” and one of the stories in my upcoming collection Hannah and Other Stories has plenty of squick in it. And there’s a particular story I hope to start writing soon that will have you shuddering from the squick! It’s going to be a blast.

Why am I writing these scenes? Well, part of it is because I’ve seen other authors in the books I read writing them and that has inspired/urged me to try writing them as well. Another is that, in my continual quest to improve as a writer, I’m trying to push myself to step more and more out of my comfort zone and try things that I wouldn’t normally write. And a third part is that, when done right, those scenes make the story scarier and make the story stand out to readers.

That being said, writing those scenes isn’t easy. I’m usually thinking three things when working on a squick moment: is this too much? Is this not enough? And am I using the right words to bring out the full squicky nature of the scene? Since some of these stories haven’t released yet, I can’t be certain. You’re trying to balance several elements like word choice, time spent on a particular moment, translating that horrifying moment from your brain to the page, and how it fits into the story as a whole, among others. A single misstep and people might call you “shocking for shock’s sake” or “exploitative.”

That being said, people are going to call you that anyway. Besides Human Centipede, other films like the Saw movies or Texas Chainsaw Massacre are full of squicky moments and features. I know authors whose books are filled with squick. And you’ll find that each one has both detractors and fans. It just depends on the person, what they’re capable of stomaching, and what personally draws them to the story.

As for advice on writing squicky scenes, I don’t have much, unfortunately. Like I said, I don’t write them too often. But I do think that, unless your main thought when writing a story is, “I want readers to be shocked and grossed out and wincing with every paragraph,” only use squick when it works for the story. If it adds something to the story, great, keep it. If it doesn’t, then perhaps think about whether you should include such a scene.

This entire film is squicky and I want nothing to do with it.

Also, and while it may be stomach churning, read what others have done with squick and try to pick up what makes their takes effective. Once you do that, you can hopefully get some practice in and start creating scenes and stories that, over time, will produce the same effect those scenes produce in other readers and in you.

All that being said, if squick isn’t your thing, don’t push yourself to include it. The thing about horror, there’s a niche for everyone. You prefer things to be gory and gross and shocking, there’s something for you. You like ghosts and psychological stuff? There’s something there for you. You like cosmic beings whose very appearance causes insanity? Yep, there’s something for you.

Anyway, I just wanted to talk about these scenes I’m writing and my thoughts on them. I hope that when some of these stories with their squick-inducing moments release, they’ll be quite effective and add plenty to the story. Now, if you need me, I’m off to watch some scary movies.

Until next time, my Followers of Fear, good night and pleasant nightmares.

Do you enjoy squicky scenes? Do you write them often? What advice do you have for writing and including them in your horror?

*Seriously, you could not pay me to watch those films. Anyone tries, I will smack them into next week and make my escape in the meantime. I’m already screwed up enough, thank you very much! Don’t need to be twisted any further.