Posts Tagged ‘reflections’

Conversations with Dellani Oakes

Posted: October 1, 2015 in Author Interciew, Reflections, Writing
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It’s time for another author interview! This one is with a Facebook friend whom I’ve known for a couple of years now. And while what we write and how we write are very different, I’m glad to know her and I think she’s just terrific. She’s got a new book out and she’s got more on the way, apparently. I think we could all learn a thing or two from her.

Oh, and you’ve seen her name on the blog before. Remember that radio show I was on not too long ago? She’s the host. Ladies and gentleman, Dellani Oakes (hey, that rhymed!).

Welcome to my blog, Dellani. Tell us a little about yourself and what you write.

I’m an author of mostly romantic fiction. I have one historical romance, one retro-romance, three futuristic romances and three romantic suspense already published. My latest book, One Night in Daytona Beach, is an erotic romance, due out October 28th.

Many of my books are set here on the east coast of Florida, as I have lived here since 1989 and consider it to be my hometown. I may not be a Florida native by birth, but I am at heart. I think it’s impossible to live anywhere and not have it become a part of you.

What are some books you’ve written that you’d recommend?

Would I be awful if I recommended them all? It depends upon what you like:

Historical Romance set in Florida in 1739. Full of spies and intrigue – Indian Summer

Retro Romance set in Nebraska in 1976. Action packed thrill ride. – Under the Western Sky

Futuristic Romance/ Sci-Fi set in space in 3032, some hot romance, intrigue, action…. – The Lone Wolf Series – Lone Wolf, Shakazhan and The Maker

Romantic Suspense, all set in Florida in the present. Ice meltingly hot, each also features a fast paced suspense – Undiscovered, The Ninja Tattoo and Conduct Unbecoming

Erotic Romance. The genre and title say it all. Ultra hot, this is also a romantic suspense, which takes place in 24 hours – One Night in Daytona Beach

Each book has something different to recommend it. If you want exciting stories that make you laugh, cry and fall in love, then any one of them would be a good fit.

Good thing there’s quite a selection, then. What are you working on now?

I tend to hop around a lot when I write. From time to time, I am inspired and the story flows quickly, finishing as fast as I can type. Other stories come more slowly. I just finished a romantic suspense a few days ago, that I wrote in four days. I am currently working on book 3 in a YA series I started 3 years ago (not yet published).

What made you become a writer?

I never wanted to be anything else. Necessity sent me in different directions, but I always was compelled to write. I have told stories and written poems, songs, short stories and plays for as long as I can remember. I started writing my first novel in 1988, but it’s still unfinished. My first complete novel is my historical romance, Indian Summer.

You also run some online radio programs, including one I was on. Tell us about those.

It all started with April Robins. She came up with the idea of Red River Writers in 2007, a page on Facebook. I happened to join. Shortly after, author JD Holiday suggested that we begin shows on Blog Talk Radio interviewing one another and other authors. I hopped in as an assistant and was terrible at it. A couple other hosts left and April asked me to take over their show slots. Thus, Dellani’s Tea Time and What’s Write for Me were born.

Dellani’s Tea Time, 4:00 PM EST every second Monday of the month, was my first show. I wasn’t quite as bad at that as I was at assisting, and found I quite liked it. Things ran more smoothly once I brought on author Christina Giguere (Rachel Rueben) as my co-host. She keeps things running smoothly for me and is an absolute treasure.

What’s Write for Me was kind of an afterthought. We decided to add more shows to the schedule and we were asked to pick a day. I asked for the fourth Wednesday of the month (also at 4:00 PM EST) because I didn’t want shows back to back. (Though some months they are)

The shows are available, for free, to any author – or soon to be author. Best way to reach me is through Facebook. I also interview authors on my blogs.

What do you do when you’re not writing?

If I’m not writing, I’m reading. (I also admit to a terrible Netflix addiction) I enjoy re-reading books I love, as well as finding new ones to treasure. I also read and edit my own work. Once a week, I volunteer at the local Council on Aging where I facilitate a small writing group. It’s called Fun in Writing and we have a wonderful time. It’s a great way for older people to socialize and keep their minds sharp. I joke that most of my best friends are old enough to be my mother, but it’s true.

What is some advice you would give to other writers, regardless of experience or background?

Write the way that feels right. So many “how to” books will tell you that you must outline, plan carefully and draw up character sketches before you put pen to paper (or fingers to keys). I’m here to tell you that you don’t have to do that. There is no shame in just sitting down to write, often called pantsing (writing by the seat of your pants) by those who are supposedly in the know. (We panters call them plotters). I’ve been told that my way of approaching a story is inefficient, that I can’t possibly accomplish my goals as a writer if I don’t know where my story is going. According to the naysayers, I’m supposed to put all my creative energy into an outline. I beg to differ.

I have written books in as little as four days. I’m not talking about some 20,000 word novella (though I’ve done those as well), I mean a 54,087 word novel. That’s after I completed another novel for NaNoWriMo (National Novel Writer’s Month) the day before, which was just over 50,000. (The Ninja Tattoo, available from Tirgearr Publishing). Tell me my way is inefficient, please!

Just to bring my point home, I’ve spoken to dozens of authors over the last few years and the majority of them write the way I do, rarely planning anything. There is absolutely nothing wrong with plotting and planning, but there’s nothing wrong with my way, either.

And finally, if you were stuck on a desert island and you could only bring three books with you, which three would you choose?

Oh, I hate this question, because I can’t think of only three books I’d want to have. Honestly, give me notebooks and pens so I can write my own. I will keep myself wonderfully entertained.

I’m seeing that response quite a lot these days. Well, thank you Dellani for joining us. Good luck with everything you do in the future.

If you would like to check out more about Dellani and her work, you can check out her blog, as well as Facebook and Amazon.

All for now. I’m going to try and get a few more interviews out, among other things, so look out for those. Until next time, my Followers of Fear!

The Last Day of the Internship

Posted: September 30, 2015 in Living and Life, Progress Report, Tales from Abroad
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As you are probably already aware, I’ve been spending the past three months here in Wiesbaden, Germany, working as an intern at the US Army base here in the Army Civilian Corps, specifically in the Equal Employment Opportunity office (we handle stuff like equal rights for everyone and discrimination complaints and that sort of thing). It’s been a crazy, fun, exhausting, edifying adventure. I’ve been able to live in a really amazing European country–one taking proactive measures to help refugees in the current crisis, by the way (take that, Hungary! Nobody likes you right now!)–get some very valuable job experience, see some things I’ve only read about (SS castle of mysticism and the birthplace of Nazism, anyone?), and even learn a few words of a foreign language.

Plus seventy-something ideas for stories and articles and everything else creative too, by the way. That is something I’m very happy about!

Unfortunately, all good things come to an end, as they must. And today was my last day working as an intern. Yep, today was the last day. Sad but true. Did some work in the morning, went with the folks from my office to a beergarten for a goodbye lunch to commemorate all the hard work I’d done, did some more work when we got back, met with a few people to discuss this and that, and then headed home. All told, it felt pretty quiet. I almost expected a somber air or something, just a heaviness in the atmosphere to signal that today was my final day working in that office. No, just a normal day, minus the fact that I’m not getting ready for bed at this point because I have an early morning tomorrow (yeah, I’m sleeping in!).

I’d like to thank everyone who helped make this possible. The folks from my office, for guiding me every step of the way, working so well with my quirky nature, and giving me lessons I’ll carry with me for years to come. My family and friends, for supporting me and being just a Skype call away when I needed them. The many people who helped me get into this internship in the first place, including Ohio State’s Office of Disability Services and the Workforce Recruitment Program, and especially the US Army for willingly taking in a budding horror novelist who proved with his mother that he has demonic abilities. And of course, I have to thank you, my Followers of Fear. No matter what mood I was in, you were there to support me and share in my triumphs and my failures.I can’t thank you enough for that.

Now, this is the part where I tell you my plans. Unfortunately, I can’t. You see, some opportunities have arisen for me here in Germany. I can’t say what they are at this point, though I can assure you that I’m not on tour with Taylor Swift as her live-in boy-toy or breaking into a haunted pizzeria with killer animatronics (if you got that reference, then you’re hip. If you didn’t, click here and get hip). What I can tell you is that these opportunities mean I have to stay in Germany a bit longer. So yeah, I won’t be flying back home at the end of the week. As things progress and we see what happens, I’ll let you know what’s going to happen.

For now though, know that I have some time to myself to clean the apartment, write and edit, and catch up on TV in between working on making the most of these opportunities.

That’s all at the moment. I’ve got stuff to do, so I’m going to do it. You have a good night, my Followers of Fear, and thanks again for giving me so much support and love. I couldn’t ask for a cooler audience.

Conversations with Barbara G. Tarn

Posted: September 29, 2015 in Author Interciew, Novel, short story, Writing
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It’s been quite a while since I’ve done an author interview, but hey, I’m glad when I have the chance to do one. Today’s interview is with someone else who’s work is being featured in When The Lights Go Out, which if you haven’t checked out I highly recommend you do.

Barbara G. Tarn prefers the term “world-creator”, which I can understand, seeing as she not only writes but does graphic novels and a few other things too. She’s lives in Italy, which I think is pretty cool, and she’s constantly working on something (boy, does that sound familiar). And apparently I know her husband, as do many other writers. Lots of interesting connections here. Her story in WTLGO is related to her upcoming novel, which sounds very interesting if you read the summary. And speaking from personal experience, her short story is pretty awesome as well.

So without further ado, let’s get into it!

Welcome to the show, Barb. What is your short story about and what inspired it?

The Return of the Crusader is historical fantasy. It’s Halloween – when it was still called All Saints Eve – in 1150 AD Lincolnshire and the lady of the manor is hoping her husband will come back from the crusade… which he does, but as a vampire.

This story was inspired by the fact that Miss Naylor [Joleene Naylor, who helped put together WTLGO] wanted a Halloween story and I thought it was a perfect day for someone to be turned into a vampire! So I wrote this “origin” story for Kaylyn, who is Rajveer’s sister-in-darkness, and next year I will write her full story. For now you can see her in Rajveer the Vampire, out Nov.1st.

I’m a middle ages lovers and my historical novel  The Fern and The Cross is still in the drawer since I’m not happy with it. But all the research I’ve done for it will be useful to tell Kaylyn’s story, from 1150 AD to the new millennium – out Nov.1st, 2016.

Tell us what else have you written?

Star Minds is a science fantasy series. Then there’s Silvery Earth, adult unconventional fantasy. All books are actually standalone in both series, but if you follow the chronological order, you might see a pattern. Both series have lots of LGBT characters. Urban fantasy – Samantha’s body switches – and other contemporary titles are also out now. You can find everything at the Unicorn Productions website (that’s a logo I’ve had since the 1990s, when I did photocopied b&w fanzines to sell at the Italian comicons)

Are you a traditionally or self-published writer?

Indie because I’m scared of the draconian traditional contracts. But I’m submitting short stories to traditional markets – and rejections are piling up. Although I did get a Honorable Mention at Writers of the Future (and then indie-published that novella).

Nice! What got you into writing in the first place?

I’m writaholic. I’m married to Mr Writing. I’m an introvert and hate spoken words. I’d rather be writing than hang out. Should I say more? Okay, I was uprooted at 13, so that kinda shut me off from the real world… That’s when I started writing stories!

What is it about scary stories that you think draw people in?

I don’t read (or write) many scary stories, so I have no idea…

That’s a shame. Now, are you working on anything these days?

Redrafting Daya (another vampire that appears in Rajveer’s novel – probably a novella that might come out maybe at the end of this year or the beginning of 2016)) and Beautiful (a “retelling” of Sleeping Beauty with m/m protagonists).

What is some advice you would give to other writers, regardless of their level of experience or background?

Heinlein’s business rules: 1) you must write 2) you must finish what you write 3) you must not rewrite unless by editorial demand (and I mean editor in New York if you have a traditional contract, not a hired freelance) 4) you must put it on the market 5) you must leave it on the market until sold (either trad or indie). Don’t look for perfection or you’ll be stuck in rewriting hell forever. If you must take a course, go to professional writers such as Kevin J. Anderson, David Farland or Dean Wesley Smith. I’ve taken online and offline classes at WMG Publishing – and I started writing back in 1978. Thing is… you never stop learning.

Finally, if you were stuck on a desert island and could only take three books with you, what would you take?

Aren’t we past this with e-readers? 😉 Without wi-fi the battery would last long enough to read more than three books! I don’t know, I don’t have favorite books at this time… I’d probably spend the time telling stories to myself that I might eventually write…

Thanks for joining us, Barb. If you would like to check out more of her work, head to her blog, Facebook, Goodreads, or Amazon page for more. And make sure to check out When The Lights Go Out or Rajveer the Vampire, out November 1st.

All for now. I’ve got a few more interviews coming up, so keep an eye out for those. You have a great day, my Followers of Fear!

The Constantinos: Reactions to a Tragedy

Posted: September 24, 2015 in Living and Life, Reflections, Social Activism
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Mark and Debby Constantino. Courtesy of their website.

Recently I read something online that made me feel downright depressed and mournful. As you know, I’m a huge fan of the TV show Ghost Adventures and the people behind it. I feel they’re actually out to prove the existence of spirits and I find them inspirational for my own writing. Frequently they bring guests on the show, including other paranormal experts. Two of these experts were Mark and Debby Constantino, who specialized in electronic voice phenomena, or EVP examination.

This is where it gets sad: Earlier this week, the Constantinos died horrifically along with one other person. Apparently there had been a history of domestic violence in their marriage, including a prior kidnapping by Mr. Constantino, who had been estranged from his wife. This week, Mr. Constantino, who was out on bail, killed a man at the house his wife had been staying at, kidnapped her, and then later killed her and himself after a standoff with police. You can read the full story of this tragedy here, if you want to.

Since this has happened, I’ve seen a lot of reactions to what has happened. Obviously, there are a lot of people wishing condolences to the victims’ families and to the victims themselves, and there have been a lot of people talking about domestic violence, its devastating effects, and offering help or links for those who have been or are being abused. That’s good. We should mourn those who have been lost in situations like this while also recognizing that what has happened could’ve been prevented and working together to help make sure that incidents like this don’t become a regular occurrence.

However, some reactions I’ve seen to this actually made me feel rather worried and at time disturbed, and they are the reason I’m writing this post. One reaction that’s really upset me is that people are making jokes over the Constaninos’ deaths based on the fact that they were ghost hunters. Examples include “Now come back and show us that ghosts are real” and “They can still star on Ghost Adventures“. That’s just awful. There’s no joke you can make about a woman who was kidnapped from her home, maybe saw someone she knew die, and then was held hostage by someone she’d once loved, trusted, and had children with, only to be murdered by that person in the end. Doesn’t matter what they believed or thought, this was a tragedy, and you’re not being funny or cool by making a joke of it. Doesn’t matter that on the Internet you can be anybody you want to be either. All that’s happening is you’re cheapening someone’s early and awful death and you know it. And if you still don’t see anything wrong with that, then I’m not so sure I would like to associate with you.

Another reaction I’ve seen is that some people think this may have been a case of spirit or even demonic possession, that Mark and Debby Constantino were oppressed and ultimately influenced to die by something otherworldly. Now, I know that for those who believe (including me), a spirit can attach itself to a person or persons and make their lives miserable. However, I don’t think this is a case of demonic possession or something like that. Why? Because domestic abuse happens to uncounted numbers of people worldwide everyday, sometimes leading to the death of victims, few if any related to the supernatural. While it’s tempting to write off what happened in the Constantinos’ marriage to something extraordinary, in truth what happened is all too ordinary, even if it escalated to the point that it did.

And I know some of you will point to how the Constantinos seemed so normal on TV or at conventions. Plenty of people who are abused or abuse others are very good at presenting a happy, perfectly normal public image. It’s in the privacy of their homes that they show their true colors, because that’s the only place where they know they won’t be stared at because a loved one is hurting them. And many abusers are experienced in finding ways to carry out abuse in ways that won’t leave bruises or broken bones, which allows them to continue doing what they’re doing. Sometimes it’s not even physical, it can be completely verbal, financial or psychological. You never know who could be suffering inside.

And the only way to even make demonic influence more than just a wild guess is some sort of recorded proof from the Constantinos themselves that they were being oppressed, and I don’t think that exists. Even if it does, I doubt the family of the deceased would release that documentation. I think the family would prefer to be left alone to mourn, and not have to deal with people focusing on whatever they released, questioning its validity and the motive of those who released it.

Ultimately, the most logical, and the most difficult conclusion, is that the Constantinos had a troubled marriage, those troubles were too difficult for them to solve alone, and this was the terrible result of that. And in the wake of such a tragedy, the best thing we can do is offer help when it is asked for, and look for solutions to the worldwide epidemic of domestic violence, no matter what form it takes.

My condolences to the Constantinos and their loved ones, as well as their colleagues and many, many fans. I can only hope that we can all take positive steps in the wake of such dark events.

If you or a loved one has or is suffering domestic abuse and would like help, to know your rights, or even just to know what constitutes as abuse, you can call the Domestic Violence Hotline at 1-800-799-7233, or visit their website at www.thehotline.org for more information. Or you can talk to a trusted teacher, counselor, clergy member, or even a friend or family member. Wherever you are, there is someone who can help you.

Thank you and the best of luck to you.

Thoughts on Lovecraft: Part 1

Posted: September 21, 2015 in Living and Life, Review, Scary Stuff, short story, Writing
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For a while now I’ve been reading The Complete Collection of HP Lovecraft on my Kindle. I figured it was about time, seeing as I haven’t been very exposed to his work up until this point, and the man has been a huge influence on greats like Stephen King, Allan Moore, Guillermo del Toro, and quite a few more. And since I am always looking to learn from other authors, I figured I should spend ten dollars of Amazon gift cards and see what happens.

Well, you get what you asked for. I didn’t realize that when I bought the collection, that it was 1112 pages! The length in itself is not such a problem, I’ve read books that long before. The thing is, Lovecraft…well, he’s hard to get through sometimes, and for a number of reasons. For one thing, there’s his style, which goes a little something like this:

And as I treaded up the stairs, filled with an anguish that panged the organs within my bosom to no end, I found my wife waiting for me in her chambers, her frown prominently featured upon her face. And I knew that my life had been transferred into a situation seriously detrimental and quite hazardous to my health, for that face on my wife at this hour could only mean that she had discovered my liaisons with Ellen the hotel maid from down in the village. I had endeavored to keep our trysts unknown from all but the walls of Ellen’s room, however it seemed that I was not secretive enough, as evidenced by the porcelain my wife volleyed at my head.

Okay, that’s a bit of a parody, but you get my point. Who talks like this?

Also, some of his early fiction isn’t that good. “Memory” is just a weird little flash fiction piece about a ruined city and a conversation between two beings about the city; “The Street” is about the houses on the titular street killing Communists after the street goes from a nice neighborhood to a slum; “Polaris” and “The White Ship” are obviously both dreams taken too literally, and “The Tree” is just not scary.

Also I noticed that so far, very few women appear in the stories. Several characters are mentioned as having wives, but so far the only woman who has any actual significance is the titular character of “Sweet Ermengarde”, and that’s a story parodying popular romantic melodramas of the day! But given that Lovecraft had a strained relationship with his mother, a turbulent one with his wife, and was dominated by his aunts in the later parts of his life, maybe that has something to do with it.

Lovecraft makes you wonder if maybe this guy is coming for you.

However, while I have my problems with Lovecraft’s early work, I have to admit that some of his stories do hit the mark, and even are a little scary. “The Tomb” is definitely somewhat chilling, as is “Dagon” and “The Picture in the House” (the former bears resemblance to Cthullu stories, while the latter has implications of murder and cannibalism). And I actually very much enjoyed “The Temple”, which was very strange and creepy.

I can’t say about the rest of his work, but for the early stuff I think what makes the successes so great is that they leave impressions on you. They make you think to yourself, “Imagine if that actually happened. That would be kind of creepy…” And then you take a look around yourself to make sure that a slippery slimy creature or some guy with wicked magic or something isn’t near you. Lovecraft is very good at leaving those sort of feelings with you. He makes you wonder, makes you think that there’s something just beyond the corners of our eyes or in the darkest parts of our world that we don’t understand, can’t understand, and that any interaction with that something or somethings would be very dangerous for us.

So there is definitely a reason why HP Lovecraft has stuck around and become well-known as a writer of weird and terrifying fiction. And as I progress from his early work to the stuff that he’s more famous for, like “Call of Cthullu” or “The Colour out of Space” or “History of the Necronomicon”, I’m sure I’ll find more reasons to like this guy (hence the reason this post is titled Part 1).

In the meantime though, I think I’ll take a break from his stuff. Like I said, he’s great when he’s good and I’m already learning a lot from him and seeing some of his influence on my work already, but he’s dense and hard to get through, and after so much of prose like my parody paragraph, I need a break if I’m going to continue someday. Besides, I finished on “The Nameless City”, which has that famous quote in it. You know the one:

That is not dead which can eternal lie,
And with strange aeons even death may die.

I can’t think of a better stopping point than on a creepy story that has that weird couplet in it. Can you?

Wewelsburg Castle

Posted: September 20, 2015 in Living and Life, Tales from Abroad
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Wewelsburg castle. Magnificent to behold.

Wewelsburg castle. Magnificent to behold.

Well, I finally did it! I got to visit the castle I’ve been dying to see since I first heard about it while researching Nazis and the occult prior to last year’s study abroad trip. And today, I spent a good part of my day uploading most of the photos I took to Instagram and Facebook. Honestly, it sucks when that ends up taking a longer time than it should, but what are you going to do?

Anyway, if you’re not familiar with Wewelsburg Castle, it’s a triangular castle in the small village of Wewelsburg, part of the town of Buren. During the Nazi era, the SS, led by Himmler, began doing renovations on the castle with the purpose of turning it into the ultimate Aryan production center, a place where the Nazis’ ideological beliefs could be made real. Some people even believe that Himmler, who was a big believer in all that Nazi mysticism stuff, conducted ceremonies in the castle, and hoped to make it into a sort of SS Hogwarts. I personally think that the SS could’ve been doing some magical rituals while they were there, and there is some evidence to suggest that’s what they were planning on doing or did there.

Of course, if you ask the museum staff about it, they will deny that anything like that occurred at the castle, but maybe they want to keep the right-wing nuts and the Satanists and pagans away (yet they still have a small display in the museum to the mystical side of the SS in the exhibit). The staff also deny any sightings of ghosts or anything else paranormal, but maybe they want to keep away ghost hunters too.

Weird occult stuff. Don't ask me what each stands for, I couldn't give you a definitive answer.

Weird occult stuff. Don’t ask me what each stands for, I couldn’t give you a definitive answer.

Anyway, the castle is divided into two permanent exhibits. One exhibit, the Ideology and Terror of the SS, is mostly housed in a separate building, with a path leading to the Crypt and the Group Leader’s Hall in the North Tower (more on that below). It’s very similar to the exhibit at the Topography of Terror Museum in Berlin, which I visited last year: lots of white columns and display cases, with photos and artifacts talking about the history and the beliefs of the SS. Some of it was in English, but most of it obviously was in German, so I didn’t spend as much time there as I might have liked.

Still, it was interesting to be there. I got to see a lot of artifacts, including a few books on mysticism and some occult memorabilia, some uniforms, and a lot of other cool stuff. And at a certain point, you could walk along a footpath to the North Tower, where two of the rooms the SS renovated are available to look at (sadly, no photos are allowed in those areas). The Crypt is a dark and eerie space, and definitely had a ritual purpose, though not necessarily a magical one. The walls are covered with paintings of stylized depictions of victims of SS tyranny, as if to say that the space is now a memorial to them than to the SS and the Aryan man. On the floor above is the Group Leader’s Hall, which was incomplete at the end of the war and was probably meant to be a meeting room of some sort (but for what purpose?). The most interesting part of that room is that in the center of the room is a Black Sun symbol, which has both esoteric connotations and–because the SS used it as a symbol of power–neo-Nazi connotations. I stood on top of it as if to say, “Yeah, I’m Jewish and you’re worth shit.”

Entrance into the castle proper.

Entrance into the castle proper.

The other exhibit discussed the castle’s history, when it was the second home of the Prince-Bishops of Paderborn. You basically go throughout the whole castle–down hallways and up and down staircases–seeing its history from prehistory to the early 1900’s. That was interesting too. Part of the exhibit displayed what creatures lived in the area in the Ice Age or earlier, and another area talked about how important agriculture was to the area. In one room they had the actual road traders used displayed where it had been uncovered during renovations, and in another section there was a small tribute to the Jewish community that lived in the area. And in one part of the East Tower is a basement room where witches were kept and tortured during the one recorded set of witch trials in the area. Believe me, I’m definitely going to email those photos to my History of Witchcraft teacher in the morning.

The castle courtyard, facing the direction of the North Tower.

The castle courtyard, facing the direction of the North Tower.

At the end of it all, I had a really great time and was really glad I’d gone (though before I ended the tour of the castle I had to take off my coat because I was starting to get really warm from all the physical activity). It’s definitely going to be one of the highlights of my time here in Germany, and I took a lot of photos so that I’ll remember it long after I’ve left the country. I even had an idea or two for stories while I was there, and I bought a few books in the gift shop so that I’ll have plenty to reference should I ever need to look up some info. Definitely check out the castle if you ever get the chance. It’s well worth the trip.

Of course, I doubt this’ll be the last adventure I have in Germany. While my time here is becoming limited, there’s still one place I’d like to visit, and I think I might have the opportunity this coming weekend. Oppenheim is a town not too far from me, with an underground ossuary and labyrinth, which sounds a lot like the Paris catacombs, and they have a wine museum too. With Oktoberfest starting, sounds like the kind of place I could have a bit of fun before I say goodbye to Deutschland, don’t you think?

A model of the synagogue that used to be in the village, located in the small Jewish display in the castle.

A model of the synagogue that used to be in the village, located in the small Jewish display in the castle.

Well, I wanted to write more posts today (I’ve got plenty to write about), but it’s getting late and I’ve got an early morning tomorrow. I guess I’ll just say goodnight for now and see what I can post tomorrow.

Goodnight Followers of Fear! Pleasant nightmares!

Seeing the Ruins: Doing Some Exploring in Wiesbaden

Posted: September 16, 2015 in Living and Life, Tales from Abroad
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Yesterday was the second day of Rosh Hashanah, the Jewish New Year. I had the day off, but unfortunately no one could take me to the chaplain’s house that day, and while I tried to go to the nearest synagogue, I couldn’t find it even though it should’ve been in front of me (I found out later from the chaplain that you have to walk into the building where it should’ve been to find it. Otherwise it’s hidden behind businesses. Not sure why that is, but I’ll go with it). So with the day off and nowhere else to go, I decided to do what I promised to do my first week in Germany, and go explore some more of my temporary home.

If you head down to the Marktplatz on a Tuesday afternoon, certain areas will be busy while certain areas won’t be. The main plaza was pretty empty save for some pigeons, while further back you’ll find plenty of people strolling and shopping. It was into these back alleys I went, armed with a map and a general idea of where I was going. Needless to say, I got turned around more than once.

The smaller half of the Jewish Memorial in Wiesbaden.

The smaller half of the Jewish Memorial in Wiesbaden.

The first stop I went to was the Jewish Memorial in Wiesbaden, which was a pretty moving experience. The memorial stands where the old Michelsberg synagogue, which was a magnificent building with domes and spires that was destroyed during the war, used to be and is dedicated to the German Jews from Wiesbaden who died during the Nazi era. Today a road bisects the former grounds, so the memorial is split in half as well. The smaller part is an L-shaped, two story structure made from black stone, with a white display detailing in German and in English the purpose of the memorial. A small touch screen contains more information on the Jewish community of Wiesbaden (all in German unfortunately).

The second half, on the other side of the street, is much bigger. It’s in the shape of a giant rectangle with one side missing and along the walls, there’s a band where all the names of Wiesbaden’s Jews who were murdered during that period are listed. When I crossed the street, I felt the atmosphere change.

The larger, more emotional half of the Jewish memorial in Wiesbaden.

The larger, more emotional half of the Jewish memorial in Wiesbaden.

They say that certain places can hold certain emotions. I’m not sure if that’s true in this case, or if that was just my own associations affecting me, but the moment I got to the other side of the street, I suddenly felt very melancholy and started walking around the memorial, my hand running over the many names listed there. I found myself talking to the Jews listed there—I knew they probably couldn’t hear me, even if their souls were hanging around that space—but in that moment I talked, and I felt really sad because these people had lived and then had their lives violently and tragically ended, and their stories would never be known because the Nazis had done all they could to erase them. I cried a little while I was there, and I felt like something was with me in that memorial (though not necessarily the spirits of the dead Jews…maybe the spirit of the synagogue itself, if that makes sense), and it was very pleased I’d taken the time to talk to it.

The Roman Wall, with some additions from the Germans.

The Roman Wall, with some additions from the Germans.

After that I left (and felt much better once I was outside the memorial space). I then headed to something I’d wanted to see but had totally forgotten about looking for that first week in Wiesbaden: the Roman wall, known as “die Romantor” in Deutschland. Right down the road from the Jewish memorial, the wall has been reinforced and repaired and even built upon by the Germans (hence why there’s a wooden bridge connecting two parts of the wall). Nearby there are statues and reliefs that are either relics of the Roman age or they were created to resemble Roman works of art, and behind one apartment’s driveway there is a small alcove that might’ve been a storage area. These are all that remains of what might’ve been a Roman fortress against barbarian hordes. It was actually pretty cool, and I couldn’t help but think of a friend of mine from my study abroad trip who would’ve loved to see the wall.

Possibly a storage space for weapons and supplies?

Possibly a storage space for weapons and supplies?

You know thinking about it, I should write a story or two involving the ancient Greeks or Romans. There are already plenty of horror stories involving their mythologies, but involving them? I don’t know of many, though a few Anne Rice books do take place in ancient Rome or thereabouts.

Anyway, after that I headed back to the Marktplatz, where I discovered a costume shop with all these different masks and costumes and accessories available. Apparently Oktoberfest here in Germany involves costumes like Halloween does in the States (fun fact: only a fifth of Germans practice Halloween, as the holiday was mostly discouraed up until the 1990s by the Lutheran church. It’s becoming a growing trend, but still pretty small here except among Americans). I tried on a few masks and took some photos in a full-length mirror in the shop for kicks, then left while thinking about maybe getting a mask of some sort later on.

Mother always said I was a werewolf. I guess we now have proof. Awooo!

Mother always said I was a werewolf. I guess we now have proof. Awooo!

All in all, it was a pretty interesting and fun afternoon. I got to connect with my heritage in a very personal way, as well as immerse myself pretty deep in German history and culture. And I got to see some more of the city I’ve been living in for the past three months, and which I’m going to be sad to leave. Guess that means I’ll have to come back someday, right?

Of course, my adventures in Germany are far from over. I’m trying to arrange to go to this castle with a very interesting history called Wewelsburg over the weekend, and I would like to go to Oppenheim, which is not too far away from where I live, because they have underground labyrinths you can explore (sounds a bit like the Paris catacombs). Hopefully I’ll be able to do both and have fun at Oktoberfest too while I’m at it.

Until next time, my Followers of Fear!

Slasher Remakes

Posted: September 13, 2015 in Living and Life, Reflections, Scary Stuff
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Hollywood is stuck in this phase where the studios are obsessed with sequels and prequels and spin-offs and franchises and remakes and reboots and re imaginings and a million other things. I have mixed feelings on this culture. On the one hand, I love the Marvel movies and a clever re imagining of a classic story or stories (like what Once Upon a Time has done with some of my favorite fairy tales when I was young) is a great thing. Plus who doesn’t love a good adaptation of a beloved novel or comic book or even video game into a movie or TV series?

On the other hand, seeing all these stories continued or retold constantly encourages filmmakers ane viewers to seek out familiar stories that are sure bets to be successful rather than new material that they don’t know will work out for them, when there is new material. And plenty of these sequels/prequels/reboots/whatever, when they come out, they are just awful and you wonder how the filmmakers could do this to beloved properties (see my review of the Poltergeist remake or watch these two dudes review the Smurfs movie if you need further proof).

The horror genre has been a big part in this, for better or for worse. Since the success of 2003’s Texas Chainsaw Massacre remake (as opposed to 2013’s remake of the film), there have been a slew of horror remakes, mainly slashers but quite a few others, and they have been showing up with increasing frequency). I’m focusing on the slashers though, because of the horror remakes the slashers are often the ones I see the most advertising for (an exception being Poltergeist, but we know how that turned out), they have some of the most iconic characters in the horror genre (Freddy, Jason, Leatherface, etc.), they’re notorious for putting out too many sequels of varying quality, even for horror, and they’re difficult to get right, because they rely on blood, guts, and gore to scare people rather than suspense and atmosphere.

And for God’s sake, there’s just been so many of them:

  • Texas Chainsaw Massacre and its prequel (the former was good, the latter awful)
  • Halloween and Halloween II (same deal as TCM in terms of quality)
  • My Bloody Valentine (lacks all that made the original so awesome)
  • Black Christmas (awful murder-porn)
  • Prom Night (awful and nonsensical)
  • Friday the 13th (of all the Michael Bay shit movies, this one is the shittiest)
  • Nightmare on Elm Street (I liked it, but others disagree with me)
  • Leprechaun (more of a re-imagining of average quality)
  • Texas Chainsaw 3D (I liked this too, but not everybody else did)
  • Evil Dead (fun and extremely bloody)
  • Scream (got rebooted as a TV series. Only saw one episode before leaving for Germany, but wasn’t impressed by what I saw)

On TV and in the movies at the same time. Like Kevin Bacon or Viola Davis.

And that’s just the ones that I know of that are out. And believe it or not, there are more on the way: Friday the 13th is getting a new movie as well as being re-imagined as a TV series for CW (haven’t heard anything on the movie, but what I’ve heard on the TV series sounds promising), Halloween is getting a new movie (also looks promising), Evil Dead is getting a TV series set years after the original films (excuse me while I skip it, because I’m not much of a fan of the franchise), and Texas Chainsaw Massacre is getting a prequel exploring Leatherface’s origins (I’m skeptical). There was also talk of a Hellraiser reboot, but there’s been no word in two years on that, so I’m going to say it’s been shelved.

So why are slashers being remade by the dozen? Like I said, they’re difficult to pull off, and they’re formulaic. Plus blood and gore is how they primarily scare you, and a lot of horror fans, including myself, find that distasteful. What makes them so appealing?

I think a lot of it has to do with the characters. Slashers have produced some of the most iconic characters in horror and in cinema: Norman Bates, Jason Voorhees, Michael Myers. Heck, Freddy Kreuger isso well-known that he’s made cameo appearances in movies parodying the 1980’s in one form or another. People love these characters as much as they’re scared of them, they love watching them in action and being terrified of them. They like to sit there and think, “What’s he going to do next? What’s he going to do next? What’s he going to do–AAAH!”

Studios are aware of that, as well as they are aware of how much people go back to see the old films (the better ones anyway) and see these beloved characters do what they do best. With huge fan followings like this, and how easy it is to make a horror movie under twenty million dollars with minimal special effects, they know people are going to come and see the films so they can see these beloved characters resurrected again and perhaps in a movie worthy of carrying the franchise’s name.

The problem with that is, these same studios may just be banking on the popularity of a franchise and its character or characters to draw in crowds. Take a look at Friday the 13th, or another horror movie that Michael Bay meddled in, Ouija (read my review here). Both of those sucked, but yet they still made money. I think the latter was because of very good marketing, but the former had the draw of the first Friday the 13th film in six years, and one not bogged down by sequels’ worth of mythologies. Problem was, they didn’t invest in a good story, like the first film did and most of the early films tried to do with varying success. Instead they gave it a passable story and then added in as much drugs, sex, nudity, swearing, and gratuitous death scenes as possible so that the audiences would stay interested.

The result was a waste of film that makes watching people defecate on public streets look more entertaining. And I’m very worried that these other films that are on the way will do the same thing. They’ll be made with just drawing in fans and their credit cards in mind and the results will be absolutely terrible. And no horror fan wants to see beloved characters treated that way.

Hoping for better films for all these guys, and more.

On the other hand, I like to imagine that some of these filmmakers are huge fans of the franchises and really are trying to give these characters the stories they should be in, stories that are worth investing seven dollars and two hours in. The Halloween movie supposedly has an interesting plot, and the one thing I’ve heard on the Friday the 13th sequel indicates it’ll take place in the 1980’s, when the series started and where most of the better films are set. Perhaps there is hope here.

Well, we’ll just have to wait and see…and pray that along with better sequels/franchises/whatever, we get some new material too (*cough* Hollywood, call me *cough*).

All for now, my Followers of Fear. I have to get ready for the High Holidays tonight, so I’ll be busy for a while, but I’ll write again when I can.

See you next year, and Shanah Tovah (that means “Have a good year” if you don’t speak Hebrew).

On the Possible End of “Hannibal”

Posted: September 3, 2015 in Living and Life, Review, Scary Stuff
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It’s been one week since what could very well be the series finale as well as the third season finale of Hannibal, based on Hannibal Lecter and other characters created by Thomas Harris, premiered. NBC has declined to keep the show going, and while the show’s producers Bryan Fuller and Martha De Laurentiis, as well as series star Mads Mikkelsen and the many, many fans of the show (“Fannibals” or “Lecterites”, if you will), would love to see the show go on in some form, there is a chance that the show will have to hang up the carving knife and that everyone associated with it will have to move onto new projects.

Personally, I hope that the show is still able to go on, maybe as a feature film as Fuller has hinted at, or maybe moves to Starz or Amazon (though if it’s the former and not the latter I may have to wait till the show is on DVD or Netflix, depending on my financial situation). Also, I think it’s a good investment to keep the show going. Yeah, Hannibal has always been ratings-challenged, which is why NBC cancelled it in the first place. However, they knew a show focusing on a serial killer was a risk to begin with, and they still went with it for three years, as did huge legions of fans.

Why? Well obviously Hannibal Lecter is a famous character who was already well-known because of Harris’ novels, the movie Manhunter, and the three Anthony Hopkins films. But that only drew people to the show in the first place. The reason they stayed is because the show’s creators managed to take the concept of a serial killer show, and elevate it to art. Fuller and his team could’ve simply created a simple procedural show with serial killers like The Following with a famous literary and film character in the mix. Instead they built on that premise and made most of the sets exquisite to the eye, turned ordinary conversations into psychologically and philosophically engaging character explorations that could evolve into verbal tennis matches sometimes, and gave every shot a purpose in how it was filmed.

Add into all that the brilliant characters: Hugh Dancy as the socially-troubled empath profiler Will Graham, Lawrence Fishburne as the ends-justify-the-means, will-do-anything-to-catch-the-killers FBI director Jack Crawford, and of course the quiet gentleman devil with a love of grilling up those who are rude or offensive, Hannibal Lecter himself. Every character brings something to the table, making you want to watch them interact with each other right up until the very (sometimes bloody) end. And of course, the brilliant writing. Even at the show’s less exciting moments, the writers till were able to make you want to keep watching, to find out what happens next. From the growing relationship between Will and Hannibal in the first season, to the terrifying flash-forward at the beginning of the second season, and Will’s struggle to truly rid himself of Hannibal in the third season, it just kept you watching.

Hannibal is art. Creepy, bloody, psychologically strange and terrifying art, but it is art nonetheless, and that’s something you don’t usually see with television shows. I honestly can’t say if Hannibal will go on in some form or another (I’m not psychic), but if it doesn’t, at least we know that it had an ending that tied up most of the loose ends of the story, and the ones left behind we can easily guess at. And with streaming and DVD releases, fans could still watch it and relive the beautiful psychological horror that the show was.

Still, I hope for more. The show was awesome, and Fuller had a vision to continue the show, even if he couldn’t get the characters from Silence of the Lambs (I would’ve loved to see how they changed up Clarice Starling and Buffalo Bill, seeing as I found one annoying and the other slightly comical). If allowed to continue, we could see some award-worthy horror on our screens someday.

So while we wait and squirm and wonder at the show’s fate, I’ll continue to hope. Because if the story of the strange relationship between a man and a monster in a man’s skin can intrigue me and so many other people, then surely it can attract a TV executive or two. And the story that ended too soon won’t end at all.

Oh and NBC, why do you keep doing this to me?! First Dracula, then Hannibal? Stop cancelling these creepy genre shows I really like!

On the Passing of Wes Craven

Posted: August 31, 2015 in Living and Life, Reflections, Scary Stuff
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Rest in peace, Wes Craven. You will be missed.

The word craven means “lacking in courage; cowardly.” I’m hard-pressed to find a man who embodied the exact antithesis of the meaning of his last man, and who instead managed to pass it onto the rest of us. Wes Craven was a filmmaking genius, a horror maestro who helped to create some of our most iconic movie monsters, including Freddy Kreuger and Ghostface. It is with great sadness that I have to admit that he passed yesterday after a lengthy battle with brain cancer at the age of 76.

I remember the first time I watched the original Nightmare on Elm Street. I was somewhere in my teenage years, and I was in my dad’s basement watching it on DVD. From the very beginning the movie set itself apart from other horror movies I’d seen in the past. The small box displaying Freddy preparing his trademark clawed glove, as if he were coming out of a long retirement to start some marvelous work again. That first dream sequence and death, and everything that came after it. Nightmare was visceral, it was scary, and at the end you wondered what was dream and what was reality, or if maybe they were all one and the same. For a guy who hadn’t had that much exposure to the horror classics of the 1980s (I might’ve only recently turned seventeen at that time and gotten access to my library’s collection of 80’s horror, most of which was rated R), it knocked me off my feet and made me want more.

You see, horror is my drug, and the Nightmare movies were really good blow. In Wes Craven, I’d found a powerful dealer, someone who could give me what I needed when I needed my horror fix. I would later find terror when I saw the Scream movies, and quite a few more (I really liked what he did with the North American remake of Pulse). You could go to him and usually he could provide the goods. Occasionally Craven produced some bad stuff—every filmmaker does occasionally, and in horror bad stuff is pretty common—but on the whole he did great work.

And how did Craven feel about these many fans, these people who saw him as a person who fed their inner desires for terror and probably gave more than one child nightmares for the rest of his or her life? To use his own words, “I come from a blue-collar family, and I’m just glad for the work. I think it is an extraordinary opportunity and gift to be able to make films in general, and to have done it for almost 40 years is remarkable…If I have to do the rest of the films in the [horror] genre, no problem. If I’m going to be a caged bird, I’ll sing the best song I can…I can see that I give my audience something. I can see it in their eyes, and they say thank you a lot. You realize you are doing something that means something to people.”(1)

Indeed Mr. Craven. You did something to many people. You gave us iconic characters like Freddy or Ghostface to haunt our dreams. You helped launch the film careers of Johnny Depp, Sharon Stone, and Bruce Willis (no seriously, he did). And you inspired generations of horror fans, from your protégé Nick Simon, whose new movie The Girl in the Photographs will premiere at the Toronto Film Festival next month, to me, a self-published novelist who, while not exactly famous yet, is working hard to create his own stories that maybe one day will scare people far and wide.

So while you may no longer be with us in Mr. Craven, you are very much alive. Like one of your creations, you haunt us in our imaginations and our dreams, making those you inspired take to their pens or computers and create their own wonderful nightmares. And as long as people fear Freddy or Ghostface or those Hills that have Eyes, you will continue to walk among us, leaving your mark wherever you go and giving us our fix when we ask for it.

So tonight, I will raise a toast to Wes Craven, a man with a vision, taken from us when we didn’t want him to go. I will get online and see if I can get a fix from one of his movies. And then soon, possibly tomorrow, I will get to work on my next terrifying creation and hope your ghost whispers in my ears while I do.

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