Posts Tagged ‘review’

So it’s about three days till National Novel Writing Month, or NaNoWriMo. For those of you who are unaware, NaNoWriMo (which at this point is an international event) is a yearly challenge held every November (though some writers do it when they actually have time for it), where writers will attempt to write a fifty-thousand word novel within thirty days, or just under seventeen hundred words per day. Anyone who actually manages to get that amount wins bragging rights and a sense of accomplishment.

Anyway, I’ll be participating this year, my first time since college. And with all that writing, there’s a good chance I’ll be blogging less during that time. I do plan to post regular updates on the progress of my NaNoWriMo project, as well as any reviews of movies/shows/books I feel I need to post. And if anything pertaining to my career pops up (like something getting published or released, God willing), I’ll post about that. But in case even that’s not happening much, I’d like to leave this post so people know what’s up with me and my work while I’m neck-deep in storytelling.

It’s possibly an exercise in narcissism, to think you all are interested in that, but hell, it’s my blog. I’ll do what I want here. Onward ho!

Toyland

The one-sentence pitch for my NaNoWriMo project is, “A boarding school is haunted by a ghost obsessed with a children’s book.” It’s a Gothic horror novel with hints of the weird, and I’m very excited to be working on it. The first chapter is already half-written in my head, as well as several other scenes. I’ve gone through the outline at least seven times, so I think it’ll be free of plot holes and other issues. Whether or not it’ll be any good, we’ll see. But I’m hopeful. After all, there were plenty of times I thought Rose was terrible. And it’s doing relatively well for my first book with a publisher.

NaNoWriMo

As I’ve stated in a few previous posts, I’m taking time off from work for the first third of November to work on Toyland. The plan is to get up around seven or eight each morning, eat breakfast, write, eat lunch and read, write some more, and then knock off for the evening. Maybe see a movie if anything good is playing. Of course, I’ll adjust these plans as situations evolve. You never know when I might need a run an errand or something along those lines. Or write a blog post. Or get drawn into anime or a horror television series and binge several episodes in a row (ah, the fun of ADHD and procrastination).

After I return to work, I’ll be spending a lot of time doing catch-up and whatnot, so I may have to work late some days and not get to write some evenings while I recover my equilibrium. However, the point of participating in NaNoWriMo this year isn’t to finish the book in thirty days, but just to give me one hell of a head start. So even if during the last twenty days of November I don’t get as much as I want done, if I get plenty done during the first ten, I’ll be satisfied.

River of Wrath

Unfortunately, my beta reader has not had much of a chance lately to finish this book. And unfortunately, I need their feedback on certain subjects before I can edit this story. So it’s going to be a while till I get to edit this novel (which, coincidentally, I finished almost a year ago. October 30th, 2018 at about one in the morning. That was a fun night).

On the bright side, by the time I get to it, I’ll have plenty of energy and desire to get it done. And maybe another book or two out. I can hope, anyway.

The Short Story Collection

I’ve been busy on that, believe me. These past couple of months, I’ve spent writing and editing short stories for the collection. I just haven’t been posting every time I finish one because I wanted some of them to be a surprise! As it stands, this collection is about ten stories long. I’d like three more, two short stories and maybe a novelette or novella. With NaNoWriMo and Toyland only a few days away though, I’ll have to put it off till I’m either done with the latter or ready for a break (hopefully done with it). Fingers crossed when that time comes, I’ll be done faster than you can say, “It was a dark and stormy night.”

Rose

Yes, I have some news on Rose. As I said above, the Kafkaesque horror story of a young woman turning into a plant creature is doing very well. In fact, I got my first sales report a couple weeks ago, and it was very encouraging. With Rose getting so many new reviews in October, hopefully this’ll continue into the next quarter.

And in the meantime, the audio book is coming along swimmingly! As I said, I’ve heard the first fifteen minutes, and it sent chills up my spine! And last week, my publisher shared with me the cover art for the audio book. The way things are going, it could be out early or mid-November. And when it is, not only will I be the first to download a copy, but I’ll be making sure everyone else knows to check it out too.

In the meantime, if you’re interested in checking out Rose, I’ll leave the links for it down below. And if you do end up reading Rose, please let me know what you think. Positive or negative, I love reader feedback, and reviews help me out in the long run.

Rose: Amazon US, Amazon UK, Amazon Canada

 

Well, that’s all for now, my Followers of Fear. If I don’t catch you around Halloween, I’ll catch you at some point during the first week of November. Until next time, pleasant nightmares and Happy Halloween!

 

The Lighthouse is the latest film by Robert Eggers, the same director who brought us The Witch. I went in hoping for two things: to be scared and that it would be easier to understand what everyone was saying than in The Witch.

On both counts, I can say it was a success.

The Lighthouse follows Robert Pattinson as a young man who signs up to be an assistant lighthouse keeper at a remote island. There, he works under Willem Dafoe, an irascible lighthouse keeper who forbids his assistant from going up to the light at night for some reason. As time goes on though, both men, particularly Pattinson’s character, start seeing strange sights and creatures. Madness and isolation begin to set in the longer they stay together, leading to an irreversible outcome.

This is the first horror movie I’ve seen in theaters since Us where I’ve been truly terrified (I enjoyed Scary Stories to Tell in the Dark, but I wasn’t that terrified). There’s a very claustrophobic feel to the film, which is helped by the fact that there are only two characters with speaking roles, and the film is filmed in black and white. Shadows seem bigger than they are, and the occasional blaring of a horn has almost a psychological effect on the viewer. The use of dialogue, which is only at times is slightly difficult to understand, is never excessive, instead deepening the feelings of madness and our inability to trust the characters and what they say.

It’s a very Lovecraftian sort of film: while it doesn’t involve space gods or giant monsters from the depths, the ocean, as well as what’s in it, do have a negative effect on the characters. They’re dealing with madness, isolation, claustrophobia, forces they can’t understand, secrets, questions without answers, and each other. And there’s this sense, especially near the end of the film, where what’s behind the curtain will only appear to be what you’re seeking. In reality, it’s going to ruin you.

Also, speaking of the characters, Dafoe and Pattinson are great! You can hardly recognize them as actors, they just totally envelop themselves in these characters. Granted, Pattinson’s accent changes quite a bit (is he Irish? Brooklyn? I can’t tell). But you actually start wondering if these actors are going as crazy as their characters may or may not be.

I can’t really think of anything negative about the film without being nitpicky. It’s a great film, technically well done and psychologically unsettling. On a scale of 1 to 5, I’m giving The Lighthouse a 4.7. It’s a vast improvement from The Witch, weird and disturbing, and I think it’ll be an instant Halloween classic. Dive in and check it out for yourself.

Having read, reviewed and enjoyed the author’s previous works–A Head Full of Ghosts and The Cabin at the End of the World–I was interested to read a collection of short stories by Paul Tremblay. And after I got my latest Audible credit, I downloaded it and started listening. And whoo-boy was that a collection.

Now as I stated in a previous post, with every collection or anthology you’re going to get some stories you like, some stories you don’t, and a couple you just don’t get. Thankfully, the majority of these I liked, and wow, they were good. My favorite stories, “Notes for ‘Barn in the Wild'” and “It’s Against the Law to Feed the Ducks,” hint at much bigger and darker events than what you’re reading on the page (or hearing in your earbuds, in my case). It’s kind of like cosmic horror, where only a little bit is peeled away for the characters and audience, but that one peek is terrifying. And those stories could be cosmic horror, depending on the source of the trouble (I won’t give anything away).

Another great story is “Notes from the Dog Walkers,” which is out-and-out hysterical! I was really surprised to find that story in there, given that this is a horror collection, but once I got into it, I couldn’t stop listening. It’s hysterical, and has some interesting twists to it. And there’s one more story titled–get this–“Untitled.” Not sure why, it just is, and I found it wonderfully weird. Definitely recommend for a laugh, especially if you’re familiar with Tremblay’s work and/or you’re aware of just how weird people can be sometimes.

And after the last story, Tremblay has a bunch of notes about each individual story, which I love seeing in a collection and don’t see enough.*

There was only one story I didn’t like, but it was pretty unique. It was kind of like one of those pick-your-own-adventure books from when I was a kid, only it’s a short story or novelette in a horror collection for adults. Not in itself bad. I actually find taking that sort of story for a horror story not aimed at the Goosebumps crowd an intriguing concept. I just have never been into pick-your-own-adventure stories. Might have something to do with the fact that I, as an author, like to control everything that happens in a story when I’m given power over it. Not just a character’s choices.

And as far as stories I didn’t get, there was just the one, revolving around a teacher and an AP class. I think it was supposed to hint at the effect teachers can have on students, but I guess I missed something, because I left it more confused than anything else. Or was that the point?

But the rest of the stories were really good, and I’m glad I got to listen to them.

On a scale of 1 to 5, I’m giving Paul Tremblay’s Growing Things and Other Stories a 4.5 out of 5. Creepy and entertaining, you’ll enjoy it from cover flap to cover flap. Pick up a copy and see if it…grows on you too.

That’s all for now, my Followers of Fear. I’m off to summon dark spirits from the nether realms and work on a story for my own gestating collection. Let’s hope it comes out somewhat decent.

Until next time, pleasant nightmares!

*And Mr. Tremblay, if you’re bored and happen to be reading this review, let me just respond to the comment about authors who have more ideas than time to write: I’m one of those authors, I’m only nicely dressed when I have to be, and be careful what you ask for!

Hello, my name is Rami Ungar, and I’m pretty much in the best mood ever. Not even that sacrifice getting loose and running to the police station can’t bring me down. Why? Well, the sacrifice’s warrants are going to prove problematic and I’m merciful with my cultists. But the real reason I’m so happy is because I’ve been receiving so many new reviews of Rose!

Now if you’re unfamiliar with Rose, first off, hi, welcome to the blog. Second, Rose is my first novel with a publisher, a fantasy-horror novel about a young woman turning into a plant creature (and that’s just the start of her problems). I wrote it as my college thesis originally, edited it on and off over five years, and then somehow got it published about four months ago with Castrum Press.

And as I said, a lot of new reviews have been popping up lately. Many of them have come from book bloggers, some of whom have left their reviews on Amazon and Goodreads as well. In fact, on Amazon Rose has over twenty reviews. Which, is a huge deal. Not only is that more reviews than any of my other works, but once you get past twenty, Amazon includes your books in that little space that says, “Customers Who Bought This Book Also Bought.” So thanks to everyone’s reviews, Rose will have slightly more visibility on Amazon in the future.

And what reviews they’ve been, too! Most of them have been extremely positive.* One blogger said, “Ungar has created a new horror monster that isn’t quite like the rest.” Another said, “Don’t let the beautiful, delicate cover fool you–this is out-and-out horror.” My job here is done.

Anyway, I’m just really thankful for all the reviews. I’m still trying to establish myself and carve out an audience. And with all these reviews, I’m hopeful Rose will be read by more people, and help me build my audience for the next book I put out there, whatever that is.

If you want to read any of these reviews, I’ll post the links below and update as more bloggers post reviews. After all, they deserve just as much exposure for giving Rose some much-needed exposure. I’ll also include links for those who want to read Rose themselves. And if you do end up checking it out, let me know what you think. Positive or negative, I love feedback, and it helps me out in the long run.

Also, thanks to Blackthorn Book Tours for putting Rose in the hands of so many reviewers. You’ve been such a big help for me lately. I hope we can do this again someday with whatever I publish next.

That’s all for now, my Followers of Fear. Until next time, pleasant nightmares!

Rose: Amazon US, Amazon UK, Amazon Canada

Review Sites: Goodreads, Isobel Blackthorn, Alison’s Catty Book Corner, Power Librarian, The Book Review Hub, Whispers and Wonder (great interview), The Bookwormery, #CupidIsWatchingMe, Alex J Book Reviews, Unwrapping Words, Book, Blog & Candle, Bookshine and Readbows, A Little Fool Reads, Book Reviews & More, Tattooed Bibliophile, Iseult Murphy, Literary Retreat, Megan’s Haunted House of Books (interview and review).

*Actually, I’ve been really lucky in the review department. I’ve only had one lower than three stars, and the person who left that on Goodreads said she wouldn’t leave a full review because she only gave it two stars. Which honestly only makes me curious. What did she dislike about the novel? It’s going to bug me for a while.

We all know I love the Addams Family, especially the 1960’s sitcom iteration. So of course, I’ve been keeping my eyes out for anything new from the franchise. And when the first trailer for this movie dropped…well, let’s just say I may have been mistaken for a banshee or a werewolf in the Columbus community.

The Addams Family shows the Addams living in New Jersey. Due to past experiences with less-than-tolerant townspeople, they’ve lived in isolation to protect themselves. However, when a new suburb crops up by the Addams’ estate, they have to deal with not only the suburb’s creator/leader, a TV interior decorator, but the temptations and dangers of having to live near people again. All as the Addams prepare for an upcoming celebration in which the whole family will be gathered under one roof.

Before I start, let me just clarify one thing: in this adaptation, Fester is Gomez’s brother again (though whether older or younger is unknown), Grandmama is Gomez and Fester’s mother, and Wednesday is the older sibling again. These relationships can vary from adaptation to adaptation.

Now that that’s out of the way, let me state this: this might be my new favorite adaptation of The Addams Family.

For one thing, the animation really resembles the original Charles Addams cartoons, as well as allows for more crazy happenings during the course of the movie. (Not saying it’s better than any of the live-action versions, which I know a lot of people love, Just saying it looks nice and allows for more creative freedom)

And the story is decent. While it’s the sort of story we’ve seen before–people of different backgrounds learning to find common ground despite a powerful person trying to keep power–it’s done with a lot of heart and creativity here. Not only that, but it allows for a lot of character exploration, particularly with Morticia and Wednesday. The former is dealing with the fact that she can’t protect her child from the world anymore (something a lot of parents are dealing with more and more in a world where social media makes us grow up faster), while Wednesday is confronted with a world she’s unfamiliar with, and is ready to explore it despite her mother’s worries.

What took me by surprise, though, was how much this film’s themes could be applied to today’s world. I know there’s a lot of talk about refugees seeking safety in other countries,* and the Addams could stand in for refugees. In fact, the very first scene depicts them as refugees, fleeing the old country after Gomez and Morticia’s wedding is interrupted by townspeople with pitchforks and torches. The villain of the film could be seen as a stand-in for a lot of politicians or media types who use social media to comment on their issues, and sometimes inflame and direct people to action.

There’s actually a lot to unpack with these films, and it might surprise a few viewers. Granted, sometimes the way the film handles its themes hits us on the head–the new suburb is called “Assimilation,” for one–but for the most part, it’s done pretty well.

And yes, it is extremely funny. And there is an opportunity to snap your fingers and sing the theme song during the film. Trust me, everyone in the audience was doing it.

All that being said, I did have a few issues with the film. There’s a subplot revolving around Pugsley preparing for his Saber Mazurka (basically the Addams’ version of a bar mitzvah), and it feels kind of rushed compared to the other characters’ arcs. You can kind of tell that his arc is an excuse to get all the Addams in one place, and I would’ve liked to see his arc given more attention.

Also, Grandmama is barely in the film, which is a shame because she’s fun to play off other characters, especially Morticia. The villain’s fate…well, without spoilers, it leaves a bit to be desired. And was Snoop Dogg really okay playing Cousin Itt? He’s on screen for two minutes and has maybe three lines, all of which is gibberish. I’d have thought he’d want a bigger role.

But all in all, 2019’s The Addams Family is a fun family film perfect for the Halloween season. On a scale of 1 to 5, I’m giving this one an even 4. Pack up the hellspawn, get in your favorite hearse, and check it out. You should have a blast (though not because of the grenades).

*Due to my day job, I can’t openly comment on issues like that, but anyone who knows me should have some idea of what my views are.

At seventy-two, King has told people he only intends to retire “when God tells me to.” Given his latest book, a 557-page science-thriller, I doubt God will be giving him that message anytime soon. And if he keeps writing stories like The Institute, I’m completely fine with that. Especially if I can eventually get on his radar someday.

The Institute centers on Luke Ellis, a twelve-year-old prodigy who is planning on going to Boston for college in the fall. He also has some telekinetic abilities, though he can’t do more than move an empty pizza pan when he’s excited. Still, that’s enough to put him on the radar of The Institute, a shadowy facility in the backwoods of Maine. His parents are murdered, and he is spirited away, used in experiments that are supposed to enhance the psychic abilities he and other kids and teens have. And as time goes on, Luke not only gets a better idea of what sort of things they’re doing at the Institute, but realizes with growing anxiety that he has to get away. Before he is changed permanently. At least, changed more than he already has been.

What makes this story so scary, even though it’s more science-thriller than science-horror, is its plausibility. You can totally imagine a shadowy government or shadow government organization kidnapping kids and using them for their own ends.* There are a lot of comments on or callbacks to the Nazi experiments on concentration camp victims, and as a WWII/Holocaust scholar, those comments are extremely warranted.

Aside from that, this book is good. The characters feel real, and the Institute is well thought out, adding to the feeling you could see some of this stuff happening. Luke is a likable protagonist, smart but not arrogant about it (in fact, he worries a lot about being too arrogant with his intellect), polite, and eager to help his friends. Likewise, the staff of the Institute feel real as well, particularly how they can do what they do and think of the kids as less-than-human.

As for the Institute, it’s big and is usually good at keeping the kids within the boundaries of the facility, but it also has its issues such as faulty equipment and staff rivalries, which makes it feel real. It could almost feel like your own workplace. Just evil and incredibly cruel.

Of course, the story isn’t totally perfect. I’m not going to fault it due to the fact that it’s not one of King’s terror-inducing stories like IT, we all know he’s great at writing more than horror. Nor am I going to fault the book due to the return of psychic powers. After all, stories where psychic abilities feature prominently, like Carrie and The Shining, are why King is a household name today. But I will admit the ending does feel a little expository and may not give everyone the sense of satisfaction people are looking for. That is a criticism I’m comfortable making.

However, on the whole The Institute is a strong entry into the Stephen King bibliography, a slow-burn that will leave you uncomfortable and yet unable to put the book down. On a scale of 1 to 5, I’m giving it a 4.2. Whether you’re using your mind or your hands, I recommend lifting up a copy and giving it a read this Halloween season.

And that reminds me, welcome to October! As a horror writer, I’ll have plenty to share with you during the most wonderful time of the year (and yes, it is the most wonderful time of the year. Read this post if you don’t believe me). We’ll have reviews, writing updates, discussions of horror, and possibly a demonic summoning. Look forward to it, my Followers of Fear. And until next time, pleasant nightmares!

*Just so you know, I’m not going to directly comment on any parallels between this novel and current events, though plenty of people, including King himself, have done that already. My current job makes doing so difficult. If I ever get the opportunity to write full-time, that’ll change. In the meantime though, I’ll just keep my mouth shut and stick to reviewing stories on their own merits.

So yesterday evening, a video was uploaded onto YouTube. But not just any YouTube video: this video was a review of my novel Rose by DeathGroundReviews, a YouTuber whom I’m met through Twitter, where he uses the handle Death Ground Writer. He reads and reviews a lot of speculative fiction, especially horror, and he decided to read and review Rose. The result is this video, which I highly recommend you check out.

Pretty awesome, huh? First off, I love Death Ground Writer’s voice. He’s got a scratchy quality that I think is great for podcasts and narrating scary stories. Which makes his reading of a short passage from Chapter One of Rose all the more creepy (and that music in the background is nice icing on the cake).

Second, after he does his reading and before he does his review, he talks about the novel and how he came across it. We actually talked quite a bit over Twitter before he posted the video, and as you heard, he includes a lot from those conversations in the video. Though to answer your question, DWG, I’m not a pantser,* but a plotter. I plot out 95% of the stories I write, sometimes with several pages worth of notes, names, and plot points. It’s just with Rose, I had to adjust the outline as I discovered issues with the story and had to find new ways to fix themm. Thus we have a story where, at one point, over two-thirds of the novel were rewritten to fix one or two major flaws with the stories.

And obviously, I liked his review. While stating that he likes it and would recommend it, he also goes into what he didn’t care for in the novel. I’m happy to hear that there were things that could be improved. And no, your preferences aren’t weird. I can understand, though if, in the future, a novel requires that kind of storytelling, I probably will use it.

Yes, I know I should state what exactly his criticism was, but I figure by not telling you all the specifics, you’re more likely to watch the video.

Speaking of which, if you haven’t yet, I highly recommend you check out DeathGroundWriter’s video and give it a watch/listen. And if you like what you see/hear, give the video a like and consider subscribing. Doing so supports his channel and allows him to continue doing what he’s doing, so I recommend you at least think about supporting the channel.

At the same time, if you would like to check out Rose, I’ll include the links below. Please consider checking the book out and, if you read it, please consider leaving a review. Positive or negative, I love receiving feedback from readers, and your thoughts help me out in the long run. Believe me on that!

Well, that’s all for now, my Followers of Fear. I’ve got exercising to do and stories to write up. Until next time, pleasant nightmares!

Rose: Amazon US, Amazon UK, Amazon Canada

*Pantser, for those who don’t know, is a writer who discovers the story as they write. Basically they make it up as they go along, only they do it much better than someone who needs to come up with a quick cover story for why something they did is really suspicious.

So CBS is known more for raunchy family-based comedies and police procedurals with plenty of light and color. Outside of Supergirl, which got moved to CW, it’s not well known for speculative fiction type shows, at least not these days. And no, Star Trek: Discovery and The Twilight Zone reboot don’t count, that’s CBS All Access, which is another bill if you want to watch those shows. Anyway, Evil is outside of CBS’s normal wheelhouse, but it’s the kind of thing I love, so obviously I’d check it out. Of course, it’s on after I go to bed, so I check it out and review it the next day. Such is life, isn’t it?

Evil follows Dr. Kristen Brouchard, a forensic psychologist who gets hired on by David Acosta to help him in his assessment business. Basically, he works for the Catholic Church to discover if purported instances of the supernatural, such as miracles or demonic possession, are real. He’s a believer, she isn’t. But either way, they’re going to be walking a very fine line. Not just between the worlds of the physical and the supernatural, if that exists, but between that of good and evil.

So I’ll start off that the setup of this show is intriguing. It takes its time to play with our expectations. Are we dealing with actual demonic forces? Or is the evil in the title that of human evil? I feel that this is going to be an ongoing question throughout the first season, and if it’s done as cleverly as it was in the first episode, then I could see the first season having some decent ratings. At the very least though, there’s something everyone who’s watching the show, and perhaps who’s in the show, can agree on: that evil, whatever the source in human beings, is connected and talking to each other. And it may take a lot to stop others from encouraging evil acts in each other.

The cast is also pretty decent. Mike Colter, fresh off of Luke Cage (RIP, Marvel Netflix), plays David Acosta as this enigmatic kind of guy, wrapped up in twenty mysteries we’ve yet to pierce. He’s totally fine with his coworkers not believing in the same stuff he does, though I wonder if that will change in later episodes. At the very least, this character is holding more cards than we’ve seen. As for Dr. Kristen Brouchard, you get the sense that she’s trying her best. She’s fighting an uphill battle to make her life work, raising four daughters while her husband works abroad and dealing with loan sharks. Her one rock is her belief in science, which are going to be shaken a lot in this show.

Oh, and Aasif Mandvi is in this show as Acosta’s equipment/technical guy. I love that guy. He was always one of my favorite correspondents on The Daily Show when I watched that, so it’s cool to see him pop up here. Just thought I’d mention that.

If I have one gripe about this series, for those looking for a more Exorcism of Emily Rose-type story, where eventually the supernatural is confirmed, this show may you leave you disappointed. That being said, they’re going to play with the supernatural-or-not question for a little while longer. Though obviously, they’ll have to come to a conclusion by the end of the first season. And what that conclusion is will determine who continues watching this show.

So yeah, this show could go a couple different ways in terms of story and how long it lasts. But I’m at least willing to give it a go.

On a scale of 1 to 5, I’ll give the first episode of 4. Great setup and dramatic storytelling. I’ll be interested to see how it goes.

Until next time, my Followers of Fear, pleasant nightmares.

A lot of people have commented to me that they can’t believe we’re already in September. They just can’t wrap their heads around the idea that we only have a third of 2019 left. And honestly, I can sympathize. This year has gone by rather fast. Though in my case, that might be because so much has happened in the past eight months. Including back in June, the publication of Rose and all that has ensued since then.

Yeah, Rose has been out three months. And what a three months it’s been!

But I’ll get into all that in a bit. For those who don’t know, Rose is a novel I wrote in college, and is the first book I published with a publisher. The novel is a Kafkaesque horror story revolving around a young woman who becomes a plant creature (and that’s just the start of her problems). Yeah, I wrote a novel around that weird concept, got it published, and as of today, it has twenty-two reviews, the majority of which are four and five stars, across Amazon’s English-speaking websites, as well as some positive reviews from folks like Angela Yuriko Smith, editor of Space & Time Magazine, and Dead Head Reviews.

Honestly, I’ve been very happy with the responses I’ve gotten from the book. For one thing, not everyone who’s reading it and leaving reviews is a relative of mine or being blackmailed, which is always a nice change of pace. In fact, quite a few readers are people I’ve never met before. They heard about the book through my many different marketing strategies (including one sponsored YouTube video), picked it up, and have enjoyed it. Or been freaked out by it. That’s also been a reaction. Someone recently notified me through Facebook that she’s been having weird dreams whenever she’s read Rose before bed. To which I say, “Mission accomplished.”

With any luck, this will all lead to more people reading and maybe leaving feedback on the book, which might make things easier for the next time I publish something.

In the meantime though, the fun doesn’t stop! I mentioned in a previous post that an audio book of Rose was in the works. Today, my publisher sent me the first fifteen minutes of the audio book. Oh God, the shivers that went up my spine! I listened to it twice, and couldn’t move for either listen. I cannot wait for the full book to be available. Once it is, I plan to advertise from here to Timbuktu, and make sure as many people who want to check out the audio book can.

For now though, I’m leaving below the links for Rose below. If you’re interested, check it out, read the reviews, and maybe pick up a copy. And if you do read it, leave me a review with your thoughts. Positive or negative, I love reader feedback, and it helps me out in the long run. And if you’re reading Rose right now, I hope you’re enjoying it! Can’t wait to hear what you think.

That’s all for now, my Followers of Fear. Until next time, pleasant nightmares!

Rose: Amazon US, Amazon UK, Amazon Canada

Once again, I am releasing my review of the first episode of AHS a day late because that show is on after ten, and I try to be in bed or getting ready for bed by that time because I get up early for work. My apologies if you were waiting with baited breath for my review or you think I’m too late to give my opinion. One day, God willing, I’ll be able to write full-time, and then I can stay up late and give my opinions on this show right after the episode airs.

AHS: 1984 takes place in California in–you guessed it–the summer of 1984. Several good-looking twenty-somethings, including the shy and sweet Brooke, played by Emma Roberts, take on jobs at a small summer camp to avoid the 1984 Summer Olympics. However, they don’t realize until they get there that the camp was the site of a horrific massacre by Mr. Jingles, a Vietnam vet who went mad and killed nine campers and counselors. Oh, and the one survivor is now the camp director. And the camp just happens to be opening the day after Mr. Jingles escapes from the hospital he’s been staying at since his trial.

So if it’s not obvious, American Horror Story is getting on the 80’s nostalgia bandwagon this season. But unlike everyone else taking up this trend, AHS is doing it not just by paying homage to the 1980s–particularly to slasher films like the Friday the 13th and Sleepaway Camp franchises, as well as the Halloween films–but satirizing it in a loving way that only AHS can deliver. One of the very first scenes takes place in a sexy aerobics class, which is then followed by discussion of the Night Stalker, Richard Ramirez, and then…well, I won’t spoil it. Let’s just say an equal mix of camp and horror, though without being as annoying as it was in Coven.

I will say though, it looks like this season is set up to be a camp slasher film told over ten episodes, during which the show will both follow and upset the normal tropes of this sort of film (looking at you, gas station attendant warning of doom trope). And so far, it’s good. The humor and horror worked well together, and you love all the 80’s music and callbacks to the culture of that decade. It’s like the show’s filmmakers are saying, “Yeah, we know 80’s is saturating everything, so we’re going to shove it in your face and have fun with it too.”

The acting isn’t too bad, either. I completely forgot Cody Fern was Michael Langdon, aka the Antichrist, last season, and totally believed he was Xavier, an aerobics teacher/aspiring actor. But really, the true stars are the female leads. Emma Roberts as Brooke is a nice change of pace from her previous roles in the series, usually bitchy characters or half-repentant con artists, and she embodies the quiet girl most likely to survive very well. Still, I’m betting there’s hidden depths to this character, possibly even bloody ones, and I look forward to seeing them. Billie Lourd and Leslie Grossman as Montana and Margaret, respectively, are also great. Lourd’s Montana is supposed to represent the party girl trope, while Grossman’s Margaret is a holier-than-thou uber-Christian type, but I can already tell, there’s more to these characters than meets the eye. Montana’s already proven that in the first half of the episode.

On a scale of 1 to 5, I’ll give the season premiere of AHS: 1984 a 4.5. There’s nothing that’s uber-scary or unsettling yet, but the premise and set up is strong and I’m looking forward to seeing what comes next. And I think you will too.

And at the very least, you’ll probably like this more than the Friday the 13th remake. Because as we all know, that was a crock of shit film out of Michael Bay’s ass and accented with the desperation of men who need to write boobs into a film in order to see them IRL. That’s right, I found another opportunity to make fun of that piece of crap film, and I won’t stop until we get a new Friday the 13th film that does the franchise justice! You’re welcome, Internet!

That’s all for now, my Followers of Fear. As per usual, you can expect me to review the season as a whole after the final episode airs. Until then, and until my next post, I would like to wish you a good night and pleasant nightmares.