Posts Tagged ‘writing’

Well Followers of Fear, my birthday is a week away. That’s right, I’m turning 22 in a week. It’ll also be the one-year anniversary from when Snake was published. In honor of both these special events, I’m doing a special sale of all of my books. From June 10th to June 14th, all electronic versions of my books–The Quiet Game, Reborn City and Snake–will be available for free download, and the paperbacks will be marked down. This will be happening on both Amazon and Smashwords, where my books are available for sale.

I’ll be posting reminders throughout the coming week to get you excited…or possibly sick of my reminders. But heck, if you’re looking for something new to read and want to get it at a good price, next week will be your opportunity to do so. I can’t wait. Can you?

Until next time, my Followers of Fear!

In case you’re not friends with me on Facebook or you don’t follow me on my author page or Twitter feed, my trip to Russia has been delayed. I won’t go into the reasons why, but just know we’re working hard to get a new date and as soon as I know, everyone else will know, including you, my wonderful Followers of Fear. In the meantime, I’m doing what I’d been doing before the delay: preparing, practicing German, packing, and of course, writing and blogging and editing (bet you expected something beginning with a “p”, didn’t you?). Which leads to this post, which is something I’ve been contemplating quite a bit:

It’s considered healthy in your personal life to get out of your comfort zone and try something new, whether that be a new hobby, a new group of friends, or just a change in routine or attitude. I think at times it’s the same thing with the stories you write. Sometimes you want to stick to writing content you feel is safe, that you as the author feel comfortable dealing with. I’m not saying that’s a bad thing–I’d say most writing is writing in an author’s comfort zone–but occasionally as an author you have to get out of that area and go in directions you normally wouldn’t go.

When we authors try to push our boundaries like this, we may do it for several reasons. On a personal level, an author may want to push themselves in the hopes that they won’t become boring or stale staying in what feels like safe territory, or they might want to see how far they can go. On the level of the story they’re working on, an author might feel he or she is helping to make things more exciting or keep it from becoming too much like some of their other works. Another reason could be for the audience’s sake: authors may feel that something different has to be done with the story, something untried and maybe even a little scary, so that either the audience stays interested or so that they too are pushed out of their safety spots.

An example of this happened to me while writing Rose. In one of the later chapters, my protagonist Rose Taggert remembers some of the formative events in her life. In the first draft, the first flashback in that chapter  ends with Rose being traumatized but not seeing any of the things that would cause the trauma. The flashback after that, while Rose does see and experience some traumatic stuff, it was all things I felt comfortable writing about, nothing that made me personally squirm.

While I won’t post excerpts here on the blog (too much space would be taken up and besides, the book’s still far from ready), I can tell you that in the second draft things changed quite a bit. I looked at that scene, those flashbacks, and I thought to myself, “You know Rami, this is supposed to be horror. You’re not horrifying enough in this part. Perhaps you should go deeper, show more and maybe try to go places you normally don’t. Besides, some other authors you admire would add some very nasty and hurtful dialogue in that second flashback. You should at least try it and see how it works.”

And I did. I expanded the first flashback so that Rose, rather than experiencing her trauma from afar, experiences it up close and personal. With the second flashback, I added a bit more dialogue that was meant to make Rose (and possibly myself) a little uncomfortable, just a bit more afraid than she normally would be. And you know what? It actually worked out pretty well. The flashbacks were much more intense, the tension and terror were heightened, and you got much more of a sense as to why these moments affected Rose so much in her later life.

This experience taught me that sometimes you had to push yourself and your boundaries and be bold, try writing stuff you might not at first be comfortable with, see how it fits with you, your story, and what you’re trying to do with the story. I think that’s especially important to me as a horror writer. Often I’m diving into subjects or going into directions meant to scare people, to make them afraid of what might be lurking outside the house or what is underneath their beds. If I’m scared to go someplace with my story, then perhaps that means I should try it and see how it fits in the story. If it scares me, imagine what it’s doing to my readers!

And I think for a bunch of other writers, from many different genres, backgrounds, and training, pushing those boundaries can be a good thing. It can lead to new and interesting stories, or within the stories themselves bring new twists that make what you’re writing (and what hopefully people are reading) that much better. It also can be considered part of the continual evolution that writers go through, constantly learning and getting better as they craft new stories to tell. And by going outside your comfort zone, an author grows not only as an author, but as a person too.

So I’ll keep pushing boundaries when I feel it’s necessary, see if it works out like it did with the second draft of Rose. Heck, maybe when I get to the third draft, I’ll push some more boundaries, add what happens from doing that to all the other edits my advisor and second readers suggested for me. You never know what could happen. But I think it could make the story much better much better than it already is.

Do you push your boundaries a little or maybe even a lot while writing? How so?

What was the results of pushing those boundaries? Would you do it again if given the chance?

I’ve mentioned it before, but being a fan of horror (let alone a writer of horror) can be very difficult sometimes. We’re not even in the Top 10 Most Popular Genres. We might be in the Top 20…I think. Such is the fate of a group that likes to be scared, when most people would rather avoid the feeling of having something evil and murderous lurking over your shoulders. Because of that, I thought I’d make a list of problems that is mostly unique to the horror genre. Here it is for your humor edification.

1. You’re not dangerous or creepy, you’re actually well adjusted. For some reason the popular image of horror fans is that we’re a dark, moody bunch who got bullied a lot as kids and we’re just looking for the opportunity to get our revenge on the world in the most depraved of ways. Why does anyone think that? Is it because we like movies where serial killers find half-naked girls in the woods, throw them against trees, and then cut them in half?

I don’t know. But if I’m anything to go by, I’m not that image. True, I was bullied a bit when I was younger, but it definitely didn’t affect me that badly! People tell me I’m a funny and really nice kind of guy whom they generally like. And most other fans I know are good people, we just like a good ghost story or slasher flick on the weekends rather than the latest Sandra Bullock comedy or have a fantasy football league. I mean, some of us do those things as well, but we also like to shout “Redrum” when we’re angry or go see Slipknot when we’re in concert. It’s just how we roll.

2. It’s hard to get people to go to the movies with you. Is there a new Avengers flick out? You’ll probably find someone to go with you by simply sending a text message. Comedy or romance film? If no one in your immediate social circle is available, chances are someone at the office will go with you. Horror movie? Yeah, unless your date or your friend is super brave or tolerant of scary stuff, you’ll be sitting in that theater alone for the most part. I speak from experience.

And speaking of which…

3. You can’t make people see why Cary Fukunaga’s departure from the new adaptation of IT is such a disaster. In case you didn’t know, Fukunaga, who’s directed True Detective among other things, was set to direct a two-part adaptation of the Stephen King classic. Sadly he split after he and New Line couldn’t see eye-to-eye over certain aspects. To which many say, “NOOOO! Why?” Most people just assume we’re being drama queens, especially since there’s already an adaptation of IT out there that scared them as children.

Really not scary.

Really not scary.

Yeah, as children. Truth be told, you watch it again, it’s a crappy adaptation, sanitized for TV audiences and with so much changed from the original story fans of the novel are left with a bad taste in their mouths. And Tim Curry as Pennywise the Clown isn’t even that terrifying. Mostly he just laughs at a distance and talks about making corpses float. The kids are never shown in real danger. I’ve seen scarier things in a college final (for more reasons why the IT TV miniseries sucks, watch this review by the Nostalgia Critic and laugh yourself silly at how you ever thought this could be scary).

So naturally, we were hoping that we would get the adaptation IT deserves. Without Fukunaga, it’s about as dead as a corpse floating in a sewer, and we’re all disappointed.

Hey, maybe I did make you see why Fukunaga’s leaving is such a disaster. Go me!

4. You can’t wear your horror fan badge with pride on first dates. Horror fans do date, and a lot of us have great relationships and families. However, declaring you’re a horror fan on the first date and several subsequent dates is like romantic suicide. People assume that, if you’re male, you’re some wannabe serial killer creep who spends too much time peeping on girls, looking at graphic porn, and practicing killing in a dark and moldy basement. If you’re female, they think you were one of those goth girls in high school whom nobody got along with and who has anger and break-up issues.

Like I pointed out above, we’re not. Most of us stay out of those basements, get along with plenty of different people, and would never dream of hurting anyone. Not as if we can point that out on the first date though. Maybe pull out a Stephen King novel when you start staying over at one another’s places, and that’ll signal that you like to dip into terror every now and then. After a few more sleepovers or whatever and the books consistently stay scary, they’ll realize that yes, you like horror, but you’re not going to hobble them with an axe or mallet and chain them to a bed in your house.

As you can see, Halloween's a big deal for me.

As you can see, Halloween’s a big deal for me.

5. Halloween is more than just a single day of the year for you. No, it’s an entire freaking month, and a lot goes into it. You want the perfect scary costume, the perfect creepy decorations. You have to decide what scary movies coming out you’re going to see, what scary movies you’re going to revisit on DVD, what books you’re going to read. You’re going to want to discuss how the new season of American Horror Story is doing leading up to the two Halloween episodes. And you’re going to want to find the perfect party to show off your Halloween love.

You see, Halloween for us is kind of like how moms treat their daughters when they enter beauty pageants for children. We want to show the world how good we are, we want it done right, and you all better cooperate with us and with our zeal for this or there will be plenty of hell to pay! Happy Halloween, bitches! You just try and beat me at my own game!

6. Our love of metal is probably much healthier than being a fan of Justin Bieber. Again, we’re back on that negative image. Most horror fans have a pretty wide-ranging taste for music. Stephen King’s a rock fan, and I have an eclectic mix of J-Pop to classical on my iPod. Yes, I like metal too and so do a lot of other people, but it’s all just fun. We’re not actually looking to submit to Satan or in danger of turning into gunmen. Most metal artists are apparently pretty decent people when you meet them too. They have normal lives like you or me, they just are good at reaching our inner angst through music. It’s much better than listening to an overgrown toddler still going through puberty and acting like a total idiot when he’s not on tour, anyway.

7. It’s hard to discuss serial killers, fictional or real, in the company of others. I learned this the hard way, and to this day I still wish I’d shut my mouth before it made people give me stares. Sorry if I’m a little passionate about explaining how Ed Gein helped inspire Hannibal Lecter, Norman Bates, and Texas Chainsaw Massacre. You’re the one who asked if that last one really was based on anything real.

 

8. Most importantly, we go to great lengths to find gold in a pile of shit. I mean that metaphorically, of course. But it applies so well. There’s a lot of horrible horror novels and films out there, and horror fans will go to great lengths to find a film if they think it’ll be interesting to watch, much more than fans of other genres. Fear for us is like a drug, and we’ll try the gamut of bad films if it’ll give us the high we’re looking for. And even if we get a couple of bad ones, it’s well worth it when we find a really awesome one that scares us to our core.

Like Fukunaga’s IT would’ve been. And now I’m sad.

~~~

If anything, this post is meant to show you that horror fans are normal people, just like you or bronies. Are we perfect? No. Are some of our interests very macabre? Yes. Have I been to a morgue? Once or twice, but in the long run, does it really prove anything? Not really. It just shows, like everyone else, we’re all a little different and have our own special quirks.

So the next time you meet a horror fan, do us all a favor. Don’t discuss serial killers with us until we know you better. Instead, talk about the IT adaptation we wish we had and about how hard it is to get a good scare these days. Or the economy, that works just as well.

Was there any particular problems about being a horror fan that I missed?

Do any of these items stand out to you at all?

I just published my latest article from Self-Published Authors Helping Other Authors. This one is “Gulf Coast Bookstore” and is about a new bookstore in Florida dedicated entirely to featuring the works of self-published novelists. I decided to write a post about it when I heard of it, but I couldn’t find the time until today to write it.

If you get the chance, please check it out, as well as check out the rest of the site. Self-Published Authors Helping Other Authors is a wonderful resource for indie authors, by indie authors, and from indie authors to help them write, edit, publish, and market as best they can. You should really check them out if you get the chance.

That’s all for now. Got plenty to do today, so I’m going to get on it. Preparing to go to Germany and all that. Wish me luck, my Followers of Fear!

I love it when I get nominated for these  blogging award memes, they always are such fun to spread on. Today’s nomination comes from my friend Katja, aka ImpossibleGirl123. I really suggest you check out her blog, which you can do by clicking on her online handle. You want to get the latest on anything Doctor Who, TV or movie-related, she’s your girl.

Okay, so first I have to give 7 facts about myself. I hope you find them interesting. I spent some time thinking them up:

  1. I once made a joke that I eloped with the ghost from the Ring movies and some people actually thought I’d gotten married. It was hilarious!
  2. I’ve tried playing the video game Outlast, but it’s so terrifying, that every time I do I end up shaking by the end of it. So there is something that scares me.
  3. Sometimes I find myself rocking out to Tailor Swift. Not sure why, but her songs are so damn addicting!
  4. I sometimes worry that despite my best attempts to advertise and get people to read my books, my small book sales are a reflection as either a writer or an advertiser. And when those thoughts are in my head, they’re sometimes hard to shut up.
  5. The biggest complaint I’ve had with Snake is that it’s ultra-violent. Considering that I wrote it while being heavily influenced by slasher flicks, that makes sense. Still, I wish the violence wasn’t such an issue with readers.
  6. I read too much manga. I love it, but it’s sometimes so many volumes per week and I’m trying to get through them all when I have such little time to read to begin with. Maybe with this trip to Germany I can break the habit and devote more time to reading less manga and more regular prose fiction. God knows I’d like to read the new Anne Rice, Robert Gailbrath, and a few other things on my Kindle.
  7. I recently came to realize that some of my experiences with ghosts may have been the result not of anything supernatural, but of sleep paralysis, a condition where a subject is half-awake but still dreaming, which causes a very powerful waking nightmare, which is why I thought there were ghosts or spirits in my room. Still, that only accounts for half the experiences. The other half is open to debate.

And now to nominate some bloggers:

A Portia Adams Adventure
Amaranthine Night by Joleene Naylor
Dellani Oakes

Thanks everyone for reading, and thanks again to Katja for nominating me. I can’t wait to hear what everyone else writes!

I’m going to tell you right now, I’m a little disappointed with this film. That might be because I hyped myself over this film due to the trailer being so awesome. However, I think a lot of it was because…well, it was a bad film. Not kidding. There was a little girl in the audience, I thought she was brave for coming to see this. She didn’t need to be brave. It just wasn’t scary.

I should’ve known a Poltergeist remake wouldn’t be good.

We all know the story, so I don’t think anyone will mind if I spoil this movie. If you don’t know the Poltergeist story, then spoilers ahead, and I wonder what rock you’ve been living under. Basically the filmmakers decided that since almost everyone knows the story about a family moving into a haunted house and the cute, innocent kid being abducted by the dead and her family having to go after her, they’d just update it for 2015, change some minor details, and throw the mythology at the audience, who will hopefully find it scary. Really, they would’ve done better going in a new direction, which Insidious did with a new mythology and some slight twists on the familiar formula, adding atmosphere, mystery, and surprise to scare us to death.

Here, like I said, they just throw the mythology at the audience. We’re drowned in it so that we  aren’t scared at all and the moments that actually halfway close to being scary were either included in the trailer and don’t have the same impact, or the sense of danger is just not there. For instance, there’s a moment with a power drill that could’ve been very scary, but the way it’s done you just know things will turn out fine before it does.

The thing about the original Poltergeist was that it took its time. It slowly built up the strangeness and horror and helped us wade into a mythology that would be expanded in the later two films. Here, the filmmakers are so concerned about paying homage to the original film that they rush us into it and pay homage to all that made the original scary in ways that just don’t terrify. “Look here!” “Here’s this reference!” That’s literally what they do.

Another thing is the humor in this movie. They try and insert humor at various times in the movie, and while humor in horror does help in some horror stories in-between terrifying moments, the ones here are all at the wrong places and seemed forced. They’re only barely funny. I think they would’ve done better not to insert humor at all the wrong places and instead try and expand on the character development of these barely-developed characters. Maybe show how the dad is trying to be a good provider even though he’s jobless and refuses to allow his wife to get a job and then show how he fixes that?

Also, why does the the little boy have a sink in his attic bedroom? There’s no bathroom up there, so why’s there a sink? Is it an unfinished bathroom or something? And I don’t care how much wiggle room there is on a house in a neighborhood with plenty of foreclosures and that was built on a cemetery. You don’t buy a freaking huge house like that when you have no steady income! Move into an apartment until you can find something better! You’ll avoid the ghosts too!

There are some good points to this film though. The few variations they make from the original are inventive and interesting, and the scene in the afterlife is much more visually interesting and creepy than the weird green screen effect they had in 1986’s Poltergeist II. And I like how the movie incorporates the ghost-hunting field and how some ghost hunters have become famous through reality TV. As a fan of some of those shows, I had a little laugh at that. Plus I don’t think this version has a curse on it (unless the curse either left the movie alone because it was so bad or it made the movie bad, in which case it’s a very intelligent curse we’ve got here).*

But other than that, not much going for this film. Even the “They’re here” falls flat where it should soar, which is just sad. On a scale of 1 to 5, I’m giving the Poltergeist remake a failing grade of 1.4. It’s almost as bad as the Friday the 13th remake. Almost as bad. Poltergeist wasn’t ruined by Michael Bay, and it didn’t use sex to try and utterly fail to liven things up (which is good, because two of the main female characters are under the age of 18).

All for now, my Followers of Fear. I’m signing off for the night. Let’s hope I find a good horror film next time around. I’ve gotten so many duds lately.

*If you didn’t know, the original Poltergeist is supposedly cursed because during one scene it cost too much to make fake skeletons and instead they used real ones dug up from actual graves. Between the first and third films, several members of the cast and others associated with the film died strange and/or violent deaths. Well, if you let monetary considerations overshadow your respect for the dead, you have to expect some sort of karmic backlash. Too bad it came down on the ones who didn’t deserve it.

Guten morgen, mein Anhanger der Angst. Translation: Good morning, my Followers of Fear.

Well, it’s official. I’ve found a job. I was going to wait to announce this when I had all the full details, but I was like, “F*** it,” and decided to post it. Besides, this is such good news, I can’t keep it under wraps for long.

So, if you haven’t seen my Facebook post or tweets yet, I’ve accepted a job with the US Army Civilian Corps, and I’ll be working through some point in September with them (possibly longer, but no guarantees). To be specific, I’ll be working with their Equal Employment Opportunity Office in Wiesbaden, Germany. Yeah, that’s right. I’m heading to Deutschland! It’s been a year since I’ve been to Germany, when I was in Berlin with my study abroad trip, and I’ve been wanting to go back to Europe ever since. I can say with great happiness that opportunity is come.

As for what work I’ll be doing, it’s mostly going to be dealing with policy changes, as well as a newsletter. Yeah, that’s right. I’m working on a newsletter. I actually landed a writing job. Can you say, “OH YEAH!”? Writing is my life, and this will help me work on my skills and build a portfolio.

I leave for Germany May 31st–ten days from now–and will arrive in the evening on the 1st in Frankfurt, which is not too far from the base I’ll be staying at. Some of the details are still being finalized, but that should be coming along soon. In the meantime, today I’m doing a lot of stuff related to getting ready to move out of my apartment and get ready to fly to Europe. Trust me, it’s going to be crazy!

And does anyone remember that Tarot metaphor I used back when I graduated? Well, it looks like that next cycle of my life is starting. How long it lasts or where it’ll take me, nobody knows. Still, I’ll be having a ton of fun as I dive right into this next challenge, and I hope you’ll stick with me as I enter the next phase of my life. Wish me luck, Followers of Fear. I’ll see you next time (probably in my review of Poltergeist).

A while back I said I was going to try and catch some more Korean horror films after seeing one that wasn’t too bad. Well, I just saw another one. And it sucked. So I’m sharing my thoughts on it here, partly because I feel like I should tell people in case they want to see it, and partly because I need to exorcise my thoughts on it or they’ll stew in my head for a while (never a good thing).

Cinderella is only very tenuously connected to the story we all grew up with. This movie follows Hyeon-su, a very pretty teenager who lives with her talented plastic surgeon mother Yoonhee. After one of her friends suffers a gruesome death after getting plastic surgery from Yoonhee, Hyeon-su starts to wonder about things her mother has kept from her. As more of her friends are attacked after getting surgery and as Hyeon-su’s mother starts to lose her mind, Hyeon-su must find the answers, all while being stalked by a blue-eyed ghost with a preoccupation for pretty faces.

While I give that the premise is good and the story told in the movie is very interesting as well, I have a lot of problems with Cinderella. I found myself having a lot of trouble understanding what was going on, the filmmakers didn’t do a very good job of emphasizing the supernatural elements so that you knew they were supernatural, and they didn’t do a good job explaining the mother’s dark secret very well either, making it so that the final twist loses its punch (if you actually find yourself not having to look up the Wikipedia article so you can have the final twist explained to you). Not only that, but the flashbacks are often forced on us so rapidly we have trouble figuring out whether we’re in the past or the present. Add in only a few real scares and that just shows how bad this movie is.

For what it’s worth though, the scares, when they do happen, are spectacular and frightening. And they do chronicle Yoonhee’s deterioration into madness quite well. And like I said, the premise is good, and the story they were telling would’ve been more impactful if they’d done a better job making the movie.

All in all, I’m giving Cinderella a 2.4 out of 5. Not great, but it was a good attempt, and if it had been done right, Cinderella might’ve been a great horror movie with an underlying theme of how some people, especially some South Koreans, are obsessed with beauty and achieving it through plastic surgery. I’d suggest a North American remake, but I have a feeling that that would just be another House at the End of the Street: great potential but poor execution.

My next review will probably be the Poltergeist remake coming out later this week. I’m a fan of the original and I’d like to see what they change in this adaptation (besides the little girl being a brunette and the medium being a forty-something Brit) and how scary it is. Judging by the previews, it should be plenty scary.

I might’ve mentioned this a few times on this blog and on my Facebook and Twitter pages, but I’ve been trying something new with my writing. As you probably know, I’ve been working on a couple of shorter works, a short story and what will likely turn out to be a novelette, since I finished the second draft of my thesis/novel Rose. Unlike previous shorter works, where most or all of the story has been laid out in my head and I’m just transmitting it to the page, I’ve been actually outlining these stories on paper so I have a better idea of where I’m going and to see if doing so improves the stories overall.

I decided to try this because of two things I’ve noticed with my shorter works. For one thing, I’m always worried about the final word count. Many fiction magazines only accept stories of a certain length, and I’m always worried I won’t be able to tell a compelling story within that space, so I try to wedge it in. Usually that doesn’t turn out the results I wish.

Another reason I’m trying outlining is that when I usually write shorter works, most of the story is mapped out in my head. But when I try to get the rest on the page, I sit there wondering which direction to go, how to tell the story just right. And depending on the story, this sitting and wondering can take a while before I actually figure something out and start writing.

For both of these reasons, I’m trying to outline my shorter works. The outlines themselves are just basic summaries of the events of the story, which works for me. It’s just enough information that I can work with it to write the actual story.

And the results have been very interesting. Having a clear direction of where I’m going by writing it all down beforehand not only cuts down on the time I spend on sitting wondering where to go, but having a definite idea of where I’m going makes me less anxious over the word count. It’s kind of…decompressing, in a strange way. I can just write the story as I intend it in the outline and not worry how long or short it is.

As for the stories themselves, the results have been rather mixed. For the first story Streghe, which I finished not too long ago, the outline didn’t help as much, but that was mostly because I kept going back and rewriting or changing the direction of the story. I’d like to write another outline for the second draft though, especially since I think there will be a lot that will change between the first and second drafts. We’ll just have to see what I come up with in-between drafts though and what direction I want to go with that story.

As for the story I’m working on now, a science-fiction story currently at about sixty-seven hundred words, the outline has been very helpful so far. I have a very good idea of where I’m going with the story, and in-between sessions of writing I’m able to lay out what I’m going to put down on the page next in my head, rehearsing whole scenes before I write them down. It’s been a lot of fun working on this one.

Based on what’s happened so far, I think I’ll continue to outline my shorter works along with my longer works for now. As long as it works for me, why not use it? It just goes to show that no matter what stage of your writing career you are in, you’re never too old or too late to learn a few new tricks. And boy, am I glad I learned this one.

Do you or have you ever outlined your shorter works?

What’s been the effects of doing so on your stories?

5492740280_8d3f168541_o

I’ve been away from the blog for the past few days. Between working on a really awesome new story and the job hunt and everything else, I’ve been a busy guy lately. But since I’m here, I have a question for you all: where do you go when you want to feel creative?

Now, I define being creative as two different things: either when you’re having a lot of ideas for stories and projects you’d like to do, or when you have the energy to produce those ideas into reality and you can’t stop writing/painting/whatever it is you are doing. And with those definitions, you might have multiple places where you go to have either of these happen. For me, if I’m stuck for an idea or if I’m having trouble moving forward in a story I’m working on, I go take a shower (I might also do that because I’m sweaty or it’s been a long day but that’s beside the point). For some reason my mind unwinds in there and I’m able to come up with new ideas for stories or on how to modify existing stories so that they’re better on the next draft. I also often come up with new ideas during and after a group meditation. If you’ve known me for a while, you know I’m a big believer in the benefits of meditation, and I often find the energy produced during a group session helps my mind make new connections, perfect for coming up with stories.

As for the the latter definition, I like to spread out on either of the couches I have in my apartment and work on my laptop. Usually that’ll get me producing a couple of pages per session, depending on how into the story I am that day and how many distractions there are to keep me from writing. I also tend to favor one couch over the other, depending on the time of day. Not sure why, but I think it might have something to do about where the sun is shining during the day.

But how do we creatives find our creative spaces? That’s something that each individual has to figure out on their own. Some people make a single room in their home their creative space or map out a single space as the place where they get the most ideas and/or work done. I heard one novelist liked to sit on the rim of her bathtub while worked through her stories. Others go out of their homes to coffee shops or parks. And some will make do with anywhere they can get a moment, be that on the way to work each morning or on an airplane or in the laundry room while the kids are zoned out watching TV. A lot of it depends on the person in question, their circumstances and temperament, the places they go to write or whatever they do, the time of day, and a whole bunch of other factors.

It’s really interesting when you think about it. Where someone goes to be creative–either of the definitions I supplied above–can tell you a lot about what sort of person they are. The places I go are at home and where I might try and unwind after a long and stressful day, so you could say I like to be relaxed or unstressed when I’m working on something. And frankly, that’s true. When I don’t have a lot on my mind, I tend to find it easier to tell a story or come up with a new idea.

Where do you go when you’re trying to have a new idea or when you’re trying to create something extraordinary? Why do you think that place resonates with you so well?

By the way, working on a new science fiction story right now, and it’s coming along great. I’ll post about it when it’s done. I think a lot of people will enjoy this one, it’s got a very interesting premise to it.