(WARNING: Light spoilers ahead. You’ve been warned)
I’ve heard this book mentioned so many times in one of my Facebook groups. And when I heard earlier this year that a movie adaptation being made, I knew I would read it eventually. I downloaded the audio book from Audible and started listening over ParaPsyCon weekend. And I can see why it’s been mentioned so much.
Also, don’t let the goofy, Goosebumps-esque title fool you. This is a straight up horror story.
My Best Friend’s Exorcism chronicles the friendship of Abby Rivers and Gretchen Lang, two girls of very different backgrounds growing up in the 1980s. During their sophomore year, after a night of partying, Gretchen’s personality and health takes a change. Abby, frightened and confused, worries about what is happening to her best friend. Is it drugs? Mental illness? Or something else? Something very evil and dark? Something that has a dark purpose for Gretchen, and for everyone else.
Damn! What a horror novel! And definitely up there with Stranger Things when it comes to decent 80s nostalgia stories.
The strongest point of this novel is definitely the relationship between Abby and Gretchen. You see how it first formed during Abby’s tenth birthday party, the ups-and-downs of the early teen years, and finally into high school, when both girls are at the height of popularity but also at their closest. Like it says in the opening, they are friends when the word can draw blood. And even before anything scary happens, the strong phrases and emotional writing centered around their relationship is enough to engross the reader.
And that helps pack a huge punch when things start getting dark. You feel Abby’s concern as she notices Gretchen’s condition change and deteriorate. And as things continue to get worse, you really start to worry. Not just for Gretchen, but for Abby, who becomes almost obsessed with Gretchen’s condition.
Speaking of which, you’re just as confused as you are worried for Gretchen. There’s a lot of ambiguity around what’s causing all these changes, and it doesn’t really get resolved until close to the end of the book. Even when it starts throwing clues about what actually causes the change, there’s enough red herrings left to confuse you.
The scares are decent, as well. There are plenty of scenes that made me cringe while listening. Scarier than the horror, however, is the terror of growing up and of interacting with others. Abby learns throughout the novel just how difficult the real world is, as well as how little help adults can be. And then, during a particularly bad section of the novel, Abby finds herself socially isolated and it’s hard to listen to. Even curmudgeons hate to be isolated from the rest of the world, so it’s hard for Abby. And for us, the reader.
I also liked how the novel approached the topic of exorcism and divine power. It was a nice twist on an old trope, and not just for being outside the Roman Catholic tradition (do you know how rare that is in and of itself?).
And as for 80s references, they are everywhere and they are neither excessive nor done tastelessly.
If there are a few things I can criticize, I thought the opening chapter was a bit of a fake out. And then there were some things about the denouement I wish had been different.
Still, I did enjoy this novel. On a scale of 1 to 5, My Best Friend’s Exorcism by Grady Hendrix earns a solid 5. A dark and heart wrenching slow burn which will get you right in the feels, as well as the 80s nostalgia. I look forward to seeing how the movie adapts the novel, as well as reading Grady Hendrix’s other work (I just acquired his original novel Horrorstor). And in the meantime, I hope you’ll give it a read as well.
That’s all for now, my Followers of Fear. If nothing occurs between now and Friday, I’ll be back with a review of the next Conjuring film (lot of exorcism-themed stuff lately, isn’t there?). So until next time, pleasant nightmares!
When A Quiet Place came out in 2018 (oh, such innocent days), it caused quite a sensation. Hell, even I loved it, giving it a 4.3 out of 5 (you can read my review here). When horror fans heard a sequel was in the works, we were interested. We weren’t sure how they could continue the story, but we were interested. Then the trailer came out, and we were excited. And then the pandemic happened.
Well, it finally came out. And after work, I got in the car and headed to the theater to see if A Quiet Place Part II was both worth the wait and on par with the original.
I can say that it succeeds on both counts.
Taking place right after the end of the first movie, A Quiet Place Part II follows the original film’s family, now with the father dead and the mother just recently giving birth, they try to leave the family farm now that it isn’t safe. They run into an old friend, as well as coming across possible signs of a safe haven not far from their location. But with so many predators around and other dangers aside, it’s a race against time to save not just the family, but perhaps all of humanity.
So, despite noise from the auditorium next door spilling into our theater,* Part II does as great a job as the first film in using sound to do the work of dialogue in storytelling. Every silent space and every noise, from a branch breaking or a breath, helps to get us to emphasize with the characters and put us in their world. Not to mention that the use of sound, as well as a few well-placed jump scares, it really builds an atmosphere.
The story is also well-written. After the opening scenes, which recap the destruction of society and the end of the first film, the writers manage to not only find a new story that feels natural, it also brings up twice the necessary tension to drive the story. And the new character of Emmett, played by Cillian Murphy, is given plenty of development during the film. Usually, you don’t expect that with new characters in a horror sequel, so it’s a nice surprise.
If there are a few things that could have been improved, I would have liked to see more of how humans in this world have adjusted–good or bad–in this new world. There were hints midway in the film, but I would have liked to see more. And Djimon Hounsou (Korath the Pursuer from Guardians of the Galaxy) is in this film, and the guy has way more chops than are shown. I would’ve liked to see more of him.
On a scale of 1 to 5, I’m going to give A Quiet Place Part II a 4.4 out of 5, one point over the first film. With a plot that manages to keep the tension and sense of urgency up, as well as the strong characterization, it’s a great sequel. If you enjoyed the first film, then you should totally see the second. Sit down, be quiet, and get ready for a great ride.
That’s all for now, my Followers of Fear. I have a three-day weekend, so I plan to get plenty done, including a new blog post or two. I hope you have a good weekend as well. And until next time, good night and pleasant nightmares.
*Don’t worry, I let the staff know. They’ll hopefully figure out a way to avoid having showings of the film next to noisier films.
An article I read last year listed this novel as one of the most anticipated horror novels of 2021. Along with the cover and the two-sentence synopsis, I got intrigued and requested my library order copies. They ordered, I was among the first to get a copy from the library, and started reading as soon as possible. Today, I finished the novel, so obviously I’m letting you know what I think.
Based partially on the McMartin preschool trials and the Satanic Panic of the 1980s,* Whisper Down the Lane takes place in 1983 and 2013. In 1983, young Sean Crenshaw finds himself in the spotlight when he tells his mother that his kindergarten teacher has been abusing him and his classmates, as well as is part of a Satanic cult. As the local community and the country at large is swept up in terror, nobody realizes Sean is holding in a much more explosive secret.
Meanwhile, in 2013, Richard Bellamy is teaching art at a prestigious elementary school. However, strange incidents are occurring in the school and in town, and they all seem to link back to Sean’s past. What most don’t realize, however, is that Sean and Richard have a connection. And the events of one are influencing the other.
I had a lot of fun with this novel. Chapman does an excellent job of showing the mindsets of the young, naïve Sean, who views what’s going on as playing a game (Tell the Adults What They Want to Hear), and Richard, who initially narrates with plenty of sarcasm and levity but slowly starts incorporating darker, more serious language into his sections of the story. You not only start to believe in these characters, but really feel for them as they go through various troubles.
I also liked how Chapman taps into the birth and spread of paranoia while still telling a story. Again, it’s so believable reading how paranoia spreads among the characters in the 1980s and how they start to become convinced of Satanists abusing their children. Adding to this sense of believability are sections written as transcripts between Sean and Kinderman, a psychologist who is interviewing victims. Those sections really reflect how things likely happened during the Satanic Panic of the 1980s, and shows how much research Chapman did.
Richard’s own dark feelings, including paranoia, are also written very realistically. It was powerful and heartbreaking getting into his head and seeing how events were affecting his mental state.
The only problems I really had with the story were that certain plot elements were predictable, at least for me. That being said, there were plenty of surprises throughout the story, and I can forgive a little predictability (a lot is where i draw the line).
On a scale of 1 to 5, I award Whisper Down the Lane by Clay McLeod Chapman a 4.3. Written with strong characterization and emotion, you’ll believe you’re reading about actual people with actual fears. Grab a copy, put on your favorite 80s music, and settle in. Once you start, you’ll find it hard to put the book down.
*Which, by the way, kicked off way too early. I wasn’t born till the 1990s and the insidious network of devoted acolytes to my evil didn’t crop up till the mid-2010s.
It’s been a double-dose of Anthony Mackie today. I watched the latest episode of Falcon & Winter Soldier on Disney+, and then I got to see this film on Netflix. I would have seen it when it came out, but the pandemic kind of screwed with those plans. Anyway, better late than never.
Taking place in New Orleans,* Synchronic stars Anthony Mackie as Steve Denube, a paramedic who starts encountering some strange cases while out on the job. People are being found, injured, dying or dead with mysterious injuries and causes, and Steve traces it to a new street drug called Synchronic. Turns out Synchronic is a drug that allows people to travel through time. And when someone important to Steve goes missing, he decides to use Synchronic to do some good.
So before I tell you what I thought of this film, let me just state that this film is by Justin Benson and Aaron Moorhead, the team behind the body-horror romance Spring and the Lovecraftian horror film The Endless. And I’ve started to notice a pattern with the films they make: while strange shit is part of their films, it’s not the focus like strange shit is the focus of mine. Really, the strange in their stories is a tool to tell very human stories. Stories of love, identity, loss, belonging, and purpose, among other things. Synchronic is no different.
All that being said, I really enjoyed this film.
First off, it’s a really well-told story. if at times really difficult to watch. At first things are really trippy, but then you start watching and things start making sense. From there, things go from just trippy to being a very human story about purpose in life. And as the story unfolds and you start to understand more what’s happening, it not only enhances the story, but enhances what our protagonist is going through.
Of course, the cast does a great job at giving this story its weight. Anthony Mackie is a great dramatic actor who can really pull off these weighty roles, and it’s his prowess as an actor that, at times, makes Synchronic such a hard film to watch at times. Like I said, human story with strange shit as a tool to drive the story.
Finally, the special effects and the sets were really well done. Because it’s a movie involving a literal time travel drug, it leads to some interesting locales, and each one is brought to life so well. You find yourself totally believing that the science-y bits could happen, helped by the fact that some of the theoretical physics stuff employed in the story sounds real, or real enough to give the strange stuff an air of credibility. And the attention to detail for the historical settings really makes you think you’re looking at real places in the past (sometimes uncomfortably so).
There were a couple of things I didn’t care for, however. One is that there’s occasional flashbacks to what should be a traumatic moment for Steve, but it’s so sparingly used and Steve seems so unaffected by it, I wonder if it was worth having in the final film. That, and there were a few moments focusing on Steve’s best friend Dennis and his wife that I felt could have been cut. It’s illustrative for their characters, but they don’t really add that much to the story or to Dennis or Steve’s journey.
All in all, though, Synchronic is a brilliantly told science horror film that brings an emotional punch to its timey-wimey concept. On a scale of 1 to 5, I give it a 4.8. If you have Netflix, get on there and give it a watch. You’ll likely find it time well spent.
*Which I will be visiting later this year if all goes well.
Today was my first trip to the movies since October. Wasn’t planning on going, but this movie wasn’t streaming anywhere and I needed some new horror. No point to this story, I just thought I’d mention it.
Based on James Herbert’s 1983 novel Shrine, The Unholy follows Gerry Fenn, a disgraced journalist who goes to the small town of Banfield, Massachusetts for a silly tabloid piece. However, while there he becomes wrapped up in something much bigger. A deaf-mute girl named Alice is suddenly able to hear thanks to the Virgin Mary, and is performing miracles through her. Thinking this is his shot at the big time again, Fenn follows Alice’s case and gets close to the investigation by the church into the miracles. Soon, however, he realizes that Alice’s miracles may come from something darker and with plans for those coming to see Alice’s miracles.
I think the scariest thing about this movie is that so many people were in a single small space, worshipping together, without masks or social distancing! I mean, how much more terrifying can you get?
Jokes aside, this movie wasn’t really scary. It’s overly reliant on CGI and jumpscares, and the latter are so loud you can’t help but jump in your seat (and afterwards wonder if you’re going to lose your hearing). It’s just another popcorn-horror flick that just tries to make some money instead of actually telling something truly memorable and scary.
Also, I think the exorcism chant used in one scene is the same one used in Supernatural, which itself was cobbled together from various Latin passages in the Bible. I wonder if the writer is a fan?
Was there anything to like in the movie? Well, I haven’t read the original novel (might try to change that), so I can’t tell you if it was a decent adaptation. But I can say it was written somewhat well. There was definitely more depth in the story than one would expect from one of these popcorn horror films. And the characters were actually pretty complex and deep, which is nice to see given the talent in the roles. Jeffrey Dean Morgan plays Gerry Fenn, and he plays the character in such a way that you feel his excitement and his horror as this case develops.*
Did I mention the cast is full of some amazing talent? Katie Aselton, William Sadler, Cary Elwes and Christine Adams (I recognized her from a Doctor Who episode she was in), and many more. And I think Cricket Brown, who played Alice, might end up becoming a well-known name someday. I totally believed she was a deaf-mute girl going through a miraculous occurrence.
Cast and slightly-deeper writing, however, does not elevate the movie as much as one would like. On a scale of 1 to 5, I award The Unholy a 2.6. If you’re dead-set on seeing this movie, I would recommend waiting until it’s out on DVD. If one of my stories is ever adapted, I hope it turns out better than Shrine‘s adaptation.
And I hope the next time I visit the movie theater, whenever that is, the movie is better than what I saw. Whether it’s a horror movie or not.
*He’s also been in a significant role in Supernatural. Is that a coincidence?
I don’t know if this past week went on forever or went by so quickly. All I know is, Passover is just a few days away and it’s going to be busy preparing for the holiday.
Okay, enough complaining. As you know, I had a new story released last week. “Agoraphobia” follows a young man with severe anxiety who is forced to leave his home when a hurricane bears down on his area. Needless to say, things don’t go as planned. It’s a short, deliciously creepy horror story and I’m quite pleased with it.
And I’m happy to say, the short story has been well-received. Not only have I been getting a lot of people downloading copies, but since the release there’s been an average of a review a day for a total of seven. And even the lowest, a 3-star review, has been very positive. Here has been some of the responses to “Agoraphobia:”
Another great story by Rami Ungar, this one is more traditional horror. (not that there’s anything wrong with non-traditional horror!) As another reviewer said, you can’t say too much about a short without spoiling, so I’ll try to be brief.
Peyton lives alone in a well fortified house. Suffering from Agoraphobia, and secure in the knowledge that his house is safe from everything, he even ignores the coming hurricane. But, alas, it turns out his residence isn’t quite the castle he thought it was. A broken window leaves him with a water soaked carpet and – are those footprints?
Great read, good pacing, with some twists at the end. Highly recommend!
Joleene Naylor, author of the Amaranthine series
An intriguing short story of a man who has problems, sadly those problems are about to get worse. The author does a great job making this short story feel longer with complete content in a short space.
PS Winn, author
I would include more reviews, but as Joleene says, you can’t say too much without spoiling the story. Anyway, thanks to everyone who has read the story so far and has taken the time to leave their thoughts online for others to check out. Your reviews help other readers decide if they want to read it, so it means a lot to me.
Anyway, I’m very pleased with the response to “Agoraphobia.” And now my goal is to get more people reading it. I’m not expecting thousands of readers and adaptation offers, but I would like to make a little splash and expand my audience. We’ll see what occurs (though, being me, I always hope for the best).
If you’re interested, I’ll post links to “Agoraphobia” down below. If you decide to read the story, please let me know what you think somehow. A review, a tweet, or an email works. Positive or negative, I love reader feedback. And as I said, when you leave your thoughts in a public place like Twitter or Amazon, it lets others know and helps them decide whether the story is right for them.
And if you’re interested, I have a lot more stories you can check out on my Amazon author profile. Novels, short stories, and short story collections, plus some of the anthologies I’ve been lucky enough to have stories included in. I got them all and then some. Click this link to check them out.
That’s all for now, my Followers of Fear. I’ve got a busy Tuesday ahead of me. Work, shopping for Passover, and a beta reading for a colleague. Hopefully afterwards I can work on my mermaid horror story. Until next time, stay safe, happy reading and pleasant nightmares!
I think I’ve been hearing buzz about this novel since it was released last year. However, I only just got around to reading it recently (or more accurately, listening to it on audio book). I had somehow managed to stay spoiler-free despite the buzz, and knew nothing beyond the fact it was a Gothic novel set in 1950s Mexico. And knowing nothing, I was going in expecting something amazing.
Mexican Gothic follows Noemi Taboada, a young high-society woman living in Mexico City in 1950. That is, until a mysterious letter from her cousin Catalina arrives at the family home. Concerned, Noemi is sent out to check on her cousin, who has been living in the countryside since her marriage to a mysterious Englishman named Virgil Doyle at his family’s estate, High Place. When she arrives, she’s not surprised to find things are not what they appear. However, the biggest surprises are yet to come. And if Noemi’s not careful, she’ll find these surprises may keep her from leaving High Place. Forever.
I can see why this novel was nominated for a Bram Stoker award, it’s excellent!
For one thing, the language this book is written in is just beautiful, like a Victorian novel without being too stuffy or overly wordy and dramatic. From the opening chapters, I felt like I was listening to the sort of writing I aspire to write (maybe someday I will). And Moreno-Garcia uses this brilliant language to not only bring the novel to life in your mind, but to bring out this strong sense of atmosphere and dread. I could almost see High Place and feel the horror that Noemi felt.
Speaking of which, I loved Noemi. She’s a very spunky young woman who refuses to compromise or let anyone tell her what to do just because she’s a woman. I loved watching her go up against the stodgy, stuffy Doyles with their rigid ways and gloomy lives, as well as how she refused to submit.
In addition, Mexican Gothic‘s story has a unique twist on the concept of a haunted house. I won’t go into details, because it’s more fun for you to read it yourself. Let me just say, it’s different than anything I’ve read and you’ll probably find it pretty clever on a number of levels.
I can’t think of any real downsides to this story. If I did, it would be nitpicking on my part. I will warn some readers that there are some things in the novel that might be triggering to them. One of the characters turns out to be…skeevy, to put it mildly. Just warning you.
In any case, Mexican Gothic by Silvia Moreno-Garcia is a wonderful addition to the Gothic horror genre. On a scale of 1 to 5, I’m giving it a 4.7. Wonderfully written, ingenious and spooky. Pick up a copy and find out for yourself why people are raving about this book. Preferably before they decide the Bram Stoker winners in May.
That’s all for now, my Followers of Fear. Until next time, happy reading and pleasant nightmares!
I would like to thank my friend Kat Impossible for tagging me for this (especially since I was in the mood to blog something other than an “Agoraphobia” update, just didn’t know what). Go check out her answers on her blog.
Now, I don’t know how much I’ve talked about my alcohol preferences on this blog (though I’m sure it’s come up once or twice). But while I do like beer, I also enjoy wine every now and then (in fact, Brothers Drake honey wine, better known as mead, is what I use to celebrate finishing novels or getting them published). I’m especially fond of sweet wines, like Moscato, Japanese plum wine, or the abovementioned mead. That’s why I’m kind of excited to do this tag, even if it involves wines I don’t normally drink. So, without further ado, let’s begin.
BOX WINE–a book that people will judge you for liking but you like it anyway!
I can think of only one book that could possibly fit this category, and believe it or not, it’s a Stephen King novella! The Library Policeman, which you can find in his collection Four Past Midnight. The story involves a real estate agent who runs afoul of a creature masquerading as a librarian and which intends to use the agent for its own nefarious purposes. While it’s good and extremely unnerving, there’s a pretty graphic scene in the story that’s essential to the story, and it’s one of the first things people think of when they think of the novella.
It’s also why people might judge you if you say you like the story, or if you want to see an adaptation of The Library Policeman. Which, honestly, given the subject matter, would be a hard sell. Still, if you either approached the problematic scene in the right way or rewrote it in a way that preserves the impact…anyway, that’s my choice. Don’t judge me too harshly now!
ORGANIC WINE–a book that doesn’t have any added crap in it and is just written perfectly.
I was going to put one novel here, but I’m saving it for later, so I’ll put this one here. The Girl Next Door by Jack Ketchum.*shiver!* That book is famous for how traumatizing it is. And considering that the events it’s based on aren’t too different from what’s in the book, that somehow makes it even more terrifying. But that kind of lends itself to winning this category, as none of what’s depicted in the novel is technically gratuitous or unnecessary. It’s just a reflection of real events.
Not only that, but if Ketchum wasn’t such a talented writer, he couldn’t write the novel the way it is and make it so terrifying. In another person’s hands, they may have added all sorts of melodrama or other unnecessary elements. But in his hands, and with his willingness to push boundaries, it’s a masterpiece!
That being said, anyone going in for the first time should prepare for a ton of anxiety and maybe some nausea. You’ve been warned.
Accurate representation of many first-time readers of The Girl Next Door.
GLUEHWEIN–a spicy, wintry read.
Never heard of that wine. Also, what do you mean “spicy?” Like, sex scenes? Whatever, I’m going with The Shuddering by Ania Ahlborn. It takes place in winter, in ski country, and there are a lot of romantic subplots in the story, so I think that works. Plus, it’s scary. For those unfamiliar, it’s kind of a cross between a creature feature and a good, old-fashioned splatterpunk slasher story. I enjoyed it immensely. Why haven’t they made a movie out of it yet? Keep the monsters in the shadows but keep the focus on the survival instinct and it’ll be great!
SAUVIGNON BLANC–a really sharp and aggressive read that you couldn’t put down!
I actually had to look back through my reviews to find a book that works for this one. In the end, I found one that fits “sharp and aggressive,” and that’s The Five by Hallie Rubenhold. This book takes a look at the Canonical Five, the five confirmed victims of the serial killer known as Jack the Ripper, and uses historical records and an understanding of Victorian social mores and beliefs to reexamine their lives. Doing so, the author Ms. Rubenhold strips away every belief we’ve had on the victims, and therefore the Ripper, till we’re forced to look at the case in an entirely new light.
This book was an eye-opener for me, and I found the author’s argument highly convincing. In fact, I even referred back to The Five while writing The Pure World Comes, where the Ripper is an important aspect of the story. And if you read the book, you’ll understand why I place The Five in this category.
PINOT NOIR–a book you didn’t expect much from but ended up getting blown away.
It’s easier to pick a movie than to pick a book for this one. Still, if I go back far enough, there’s one book that I can think of. The Amulet of Samarkand, the first book in The Bartimaeus Trilogy by Jonathan Stroud. I was a huge Potterhead when I was younger, so my mom suggested it to me while we were shopping in a Barnes & Noble one day. At first, I was dismissive, but eventually I was convinced to try it out. And then I read it.
Hoo-boy. The lead characters are awesome and easy to relate to, Bartimaeus himself is hysterical, and the world building was quite an eye opener after reading nothing but Harry Potter for ages. Add in some political intrigue, a plot with twists and turns, and excellent writing, and I was hooked. I was really sad when the series ended, because it was just so good (there was a prequel, but without certain characters, it just wasn’t the same).
Still mad that they haven’t made a movie franchise or TV series off of these books. Supposedly, a movie adaptation is in the works, but until I see some actual progress, I’m not getting too excited.
CHARDONNAY–a good summer read that was super zesty.
What does that even mean, super zesty? Does the story have to have melted cheese with a sharp taste on it or something?
Oh well, I’m going with Battle Royale by Koushun Takami. I mainly associate it with summer reading, and while not covered in cheese, it’s an exciting thrill ride that really engrosses you as you get into the story. So, I guess that makes it super zesty. In any case, this book was the first book in the battle royale genre (which is why it gets away with using the name) and does it better than anything since, especially Hunger Games.
ROSE–a book that has a little bit of everything in it.
Why, that’s easy. It’s my novel Rose! Just kidding. I’m not that kind of guy.
No, I’m going with the Kieli novels by Yukako Kabei. The series follows an orphan girl who can see ghosts and other spiritual beings. Who befriends/falls in love with an undead soldier with an attitude problem. They travel the world together, which has a dystopian, steampunk aesthetic. Most of the planet is also ruled by a tyrannical church. And the planet is an exoplanet that was colonized by spacefaring humans centuries prior to the book’s storyline. And on this planet, they deal with monsters, ghosts, dangerous church figures, criminals, and so much more. All the while trying to wrestle with their feelings for each other.
See, it has a little of everything in it! And I’m honestly sad not more people have read the books, even among fans of Japanese light novels (novels with the occasional illustration thrown in). If, however, the above description sounds interesting to you, I suggest reading it. I loved it in my teens and early college years, and I’m sure you would too.
By “full-bodied,” do you mean doorstopper thick? If so, I’m going with Needful Things by Stephen King. Not only does it have one of King’s best antagonists, but it makes fun of and delves deeply into human materialism and greed. How much will you go to keep something you desperately want? To own something, or to be right, or to get answers and/or revenge? While a lot of what occurs in the book seems silly, it also feels like some of this stuff could really happen.
I especially love the audio book, which King narrates himself. He has a much better speaking voice than I do, and he gives each of the characters a distinctive voice. You have to listen to it to believe it.
Also, it’s a damn shame that the only adaptation of this book was a movie, and a really bad one at that. I think a comic book adaptation would work very well. Not only could the artists actually depict some of the darker, weirder, or smuttier stuff without constraint like in a movie, it would just be fun to read and see how they depict some scenes or situations (*cough* two middle-aged ladies who think they’re having sexual affairs with Elvis Presley *cough*).
MERLOT–a smooth, easy read with a soft finish.
Ooh, tough choice. I guess I’ll go with Remina by Junji Ito. For those unaware, it’s a manga about a mysterious planet that appears in the night sky and is named after its discoverer’s daughter. As the planet starts approaching Earth, however, other planets start to disappear, leading to trouble for both its discoverer, and young Remina as well.
I love this book. It’s a great story that you can finish in just one sitting, but it has quite the impact that leaves you satisfied. The last few pages especially leave you with this strong feeling that there is no other way the author could have finished the manga without sacrificing the quality. Yeah, some elements are a little hard to believe, but who cares? It’s still an excellent science-horror story that shows how humans react in the face of annihilation, and how attributing blame to the wrong person can ruin lives.
Still waiting for a movie based on this. The fact that nobody has yet bewilders me. Get on that, Hollywood!
That’s an easy one, it’s Kill Creek by Scott Thomas. Still my favorite novel these days. Four famous horror writers go to a reputedly haunted house for a publicity event, but end up awakening something powerful and dark. Something that takes control of their lives and twists them for its own use. And if they’re not careful, they will die because of it.
This novel was a revelation for me. It basically lists the qualities of Gothic novels in the early chapters and then uses those qualities to great effect. Plus, the characters all feel like real people and you really come to love them, especially the four writers (TC Moore, you are the bomb!).Hell, it’s so good I bought my own copy after listening to the audio book fifty thousand times, and I sent a copy to a friend who did me a big favor recently as a thank you.
If you’re a horror fan but haven’t read this one yet, at the very least put it on your TBR list. Trust me, you won’t regret it.
Those are picks. What did you think? Have you read any of them? Are there any you want to read? What would you pick? Let’s discuss in the comments below.
And if you like this tag and think you’d like to try it, THEN CONSIDER YOURSELF TAGGED!!! I hope you enjoy doing the tag and maybe you’ll link back to me so I can see your answers.
That’s all for now, my Followers of Fear. I hope to be back for another post very soon. Until next time, I’m off to enjoy a beer (I’m saving the wine for Passover, because that’s really the only alcohol you can drink during that holiday) and do a late-night writing session. Pleasant nightmares and watch out for “Agoraphobia” coming out in just over nine days (links below!).
Okay, technically this film is a 2019 film, but it’s being released in the States in 2021, so that’s the designation I’m going with.
Also, just a little background for my non-Jewish readers: in Judaism, it’s traditional that when someone dies, the body is constantly watched over and had Psalms recited over in order to comfort the soul of the deceased. The person doing this is known as a shomer, or a guardian. Usually this is done by friends and family of the deceased, but occasionally people are paid to be shomrim. This is all explained in the movie, I just wanted to put it upfront here.
And to complain that nobody ever hired me to be a shomer while I was job hunting. Seriously, I have experience with dead bodies and I charge reasonable rates. I would have been great at it!
Okay, onto the review. The Vigil follows Yaakov Ronen, a Jewish man who has left his ultra-Orthodox community for a more moderate style of Jewish living after a terrible tragedy befalls him. His old rabbi asks him to be a shomer for a man who has recently died. Desperate for money, Yaakov agrees, but soon finds himself up against an ancient evil that oppressed the deceased in life, and is now looking for a new victim to torment.
Wow, this movie did not disappoint. It took what could have been just regular popcorn horror movie fodder and made something really amazing out of it. Camera work and lighting is used really effectively to build a tense, creepy mood. There are these long, uncomfortable moments where we’re forced to watch as Yaakov uses his phone or gets comfortable around the body, which is laying in the living room under a shroud like something out of the Victorian era. You really get to know the folds and creases in the blanket, and it makes things creepy and disconcerting.
The monster of the movie, a Jewish demon called a mazzik,* is also well done. I’ve said this before, but showing too much of the monster can backfire on films, especially in popcorn horror films. Thankfully, the filmmakers keep the mazzik hard to see throughout the film, and that only adds to the terror. Like no matter what, you can’t truly see, let alone comprehend, this creature.
Add in some mind games right out of the movie Oculus and a couple of nods to Nightmare on Elm Street, and you’ve got one hell of a scary film.
It’s also a deeply personal film. Yaakov, played with powerful pathos by Dave Davies, is a very sympathetic character. He’s dealing with PTSD, he’s struggling with himself, his faith, and making his way through this world. The events of the film really force him to confront what he’s been dealing with and it’s amazing to watch.
I could find something to dislike with this film, but I would be nitpicking. On a scale of 1 to 5, The Vigil stands at a solid 4.2. Creepy and dark, led by a lead you can identify with, you won’t be able to turn away. The film is currently available through Amazon, so grab a seat, pour some kosher wine, and get ready for an unnervingly good time.
That’s all for now, my Followers of Fear. I’ll be back soon, believe me. Until next time, pleasant nightmares!
*And yes, I think we can be sure mazzik and the plural mazzikim is the source of the name for the comic book character and the character we love and adore in Lucifer.
I read the book back in 2018 and loved it (would have done a review, but I think by that point it had been out a while). I was excited when I heard that it was getting a show…and then sad when I heard it would be on HBO. However, now I have HBO Max, so I was able to watch the show. Which I finished watching today. As I’m obligated to do, I’m writing a review.
Based on the novel by Matt Ruff, Lovecraft Country follows Atticus Freeman, a black soldier living in 1950s America who returns home to Chicago after receiving a mysterious letter from his estranged father Montrose, stating he is in Arkham, Massachusetts, a location from the works of HP Lovecraft. Turns out, it’s actually a secret community called Ardham, but that doesn’t change how fantastical life gets for Atticus. Pretty soon, his life starts to resemble a Lovecraft story, involving secret societies of sorcerers and magic, ancient history, and entities that defy reality and biology. And it may end up putting Atticus and his whole family in danger.
So, it would be more fair to say this is a variation on the novel’s story than a direct adaptation. The first season acknowledges the concept of a multiverse and uses that to explain the changes from the novel. Some of these changes are minor–some names or genders are changed, roles are reduced or expanded, etc. Others are good, such as the expansion of Montrose’s character to be a meaningful exploration of a man with a troubled past still effecting his present. And others just made me scratch my head.
An example of this would be the creation of the character Ji-ah, a character from Atticus’s past who knows more than she lets on. On the one hand, I get why they added her and they tried to make her inclusion into the story important to the plot. At the same time, I feel like this whole character’s reason was diversity for diversity’s sake, which is an odd choice considering the show.
As for the rest of Lovecraft Country, it was great for the most part. The writing in even the dullest episodes was superb, and the actors were awesome. There were several scary moments, such as the events of the first two episodes and episode eight. The exploration of racism in America was powerfully done as well, drawing many parallels between events then and now (and making me want to know more about the Tulsa race riots. I do not remember learning about that in school).
If you haven’t checked out the novel, that’s also worth the read.
However, there were some downsides. The actress playing the villainess, Abbey Lee, played her role so emotionlessly I wondered if she couldn’t get into her character’s head, let alone play her convincingly. A lot of the music choices were modern rap or music from well past the 1950s, which honestly felt out of place in a historical fantasy-horror piece. And there were a few episodes where things kind of dragged for me.
Like the novel, Lovecraft Country the TV series isn’t perfect, but there’s plenty there to enjoy and make the watch worth it. You’re going to get different things from each iteration of the story, so it’s up to you which one you prefer.
On a scale of 1 to 5, I’ll give the first season of Lovecraft Country a 3.7. Combining horror, magic, heavy themes and great characterization, it’s worth the hype I heard. A second season may be in the works, but until we get confirmation one way or another, there’s still plenty of time to check it out. Get on HBO Max if you can and prepare for a powerful experience.
That’s all for now, my Followers of Fear. I’m off to work on stories I doubt will ever get their own adaptations (though it can’t hurt to try). Until next time, good night and pleasant nightmares.
Rami Ungar The Writer 