Posts Tagged ‘editing’

The other day, one of the YouTube channels I follow, Tale Foundry,* asked a question on their social media about the difference between an author’s writing style and voice. Since I saw it first on their Twitter, I answered their question there. It went something like this over the course of two tweets:

Writing style is the technical part of writing: the author’s word choice, how thoughts are written out, etc. Voice is that and more: what sort of stories the author likes to tell, their favorite characters, the elements they like to include to make the story exciting.

That was my answer at the time, but I wanted to make sure it was right and I wasn’t just pulling stuff out of my ass like most politicians. So I went to Google and took a look. To my surprise, I was pretty on the dot. According to that lovely resource none of my teachers or professors liked us using even when they used it themselves, Wikipedia, writing style “is the manner of expressing thought in language characteristic of an individual, period, school, or nation. Thus, style is a term that may refer, at one and the same time, to both conventions that go beyond the individual writer and to singular aspects of individual writing.” And according to TheBalanceCareers.com,** voice is “the author’s style, the quality that makes his or her writing unique, and which conveys the author’s attitude, personality, and character.”

For example, let’s look at HP Lovecraft’s writing style and voice, as they’re both so distinctive.*** His writing style is easy to pin down: an overly-wordy and stuffy Victorian patois filled with fancy words. Yeah, he liked to pretend he was a contemporary of Edgar Allen Poe. I think in his later works he tried to modernize his style, but he never got over using too many words and too many fancy ones.

As for his voice, that’s also easy to pin down: stories centering around terrors that give no care for mankind. Secrets and sights terrible enough to cause insanity. Entities so powerful they see humanity as nothing more than ants in the grand scheme of things. All with an unhealthy helping of xenophobia, racism, fear of women, fear of sex, fear of technology and progress, inability to grasp many sciences and maths, and an obsession with sophisticated upbringing and breeding.

Yeah, dude had his issues, and this was before getting help for your problems was effective and smiled upon by society. On the plus side, it had a lasting influence on the horror genre that’s still felt today. And the combination of the two makes it easy to point out an HP Lovecraft story when you come across one, even if his name is obscured.

As for my own style and voice, they’re still evolving. But I’ve noticed a few things for each. I prefer to write my characters blunt with their feelings, possibly because I have enough trouble understanding real humans and their confusing mix of emotions. And I love writing stories with unlikely heroines or nice-guy heroes, usually but not always in the their teens, supernatural enemies and horrors, plenty of either realistic or twisted love and romance, and more than a dash of weird to make it fun.

I think there are people out there who like that sort of thing. Not all of them are close relatives. I hope.

Writing style and voice are both very important aspects of writing, both for the writer using them and for the audience reading their work. It’s how we come to know the storytellers, how we identify them just from looking at a page, and it’s what allows them to stay relevant and immersive long after they’ve stopped typing on keyboards or holding pens.

That’s all for now, my Followers of Fear. I’ll have a review out this weekend, so if nothing else comes up in the meantime, I’ll see you then. Until then, pleasant nightmares!

Have you noticed anything about your writing style or voice? What about your favorite authors?

*Which you should check out if you’re interested in stories and looking past the surface to the mechanics and deeper meaning of storytelling, by the way. Here’s the link to their YouTube channel.

**They also mention voice can refer to a character or narrator’s voice. But since I think Tale Foundry was referring to the author’s voice, I’ll stick with that one.

***Speaking of which, yesterday was the 91st anniversary of the publication of The Call of Cthulhu, the first appearance of the titular character and the namesake of the Mythos. Happy Birthday, Cthulhu. May you someday rise out of the sea to irrevocably change the world (preferably before the 2020 election becomes super depressing/annoying).

Good morning, everyone! It’s about one in the morning, but I can’t sleep yet. Not until I update you on the latest with Rose!

Now for those of you who’ve joined the Followers of Fear since my last update (Hi, by the way. Pleasure to have you), Rose is a novel that I started in college as my thesis project and which is being published by Castrum Press. The story follows a young woman who turns into a plant creature (and that’s just the start of her problems). Yes, I wrote a horror novel around that bonkers concept, an it’s just bonkers enough to work.

Honestly, I worried it was too bonkers. But based on this latest edit, I think it’s just bonkers enough to work.

So if you read my last update on the novel, you know Castrum wanted me to take a look at word choice and do some touch-ups with the text. Thanks to a couple of thesauruses and plenty of motivation, I was able to go through the entire novel within the space of a couple of weeks and get rid of the unnecessary and repetitive words. The result is that the novel is a few thousand words shorter, but still a decent length of 57,051 words (for context, Harry Potter and the Sorcerer’s Stone was about twenty-thousand words longer). And I think it may be the best version of the novel yet.

Of course, that’s my bias. But given that with every draft of this novel I’ve had to change major aspects of the story every time–characters, plot points, locations, etc.–it’s nice to see Rose is finally getting into a shape worth publishing. Perhaps this might be the draft that goes to press. We’ll see. We may have more work to do before all is said and done.

Done. You know, my high school English teacher once said something that’s stuck with me through the years. He said that a story is never “perfect.” You can only get it “done,” i.e. edited and polished up to the point where doing anything else to it would be a disservice to the story. You’re done with it, and that’s that. And I think Rose has taken a few more steps to being done.

I hope, anyway.

So what’s next? Well, I’ve already sent the new draft off to Castrum. I’m way ahead of the scheduled deadline of March 31st, so that means they’ll either get through it that much quicker or it’ll wait for a little bit until the end of March, when they carved out time in the calendar to review the manuscript. Either way, I think after this draft things should speed along.

Well, in the meantime, I think it’s time I hit the hay. Tomorrow’s another day to write and edit and come up with concepts to scare people down to their cores. Good night, Followers of Fear. Thanks for your continued support as I work hard to get this novel out.

Until next time, pleasant nightmares!

Today I went to the movies for a double feature. The first film was the new Alita: Battle Angel (for my thoughts on that, check my Twitter feed). The other was the sequel to 2017’s hit horror film Happy Death Day (see my review of that here). Plenty of people who liked the first film, including myself, wondered if the sequel could live up to the fun and batshit insanity of the original. And I think they did a decent job.

Happy Death Day 2U picks up almost immediately after the end of the first film, with protagonist Tree and boyfriend Carter finding out Carter’s roommate Ryan is now in a murder-filled time loop of his own. They discover the source of the time loop, but in the process of trying to fix it, Tree is sent into an alternate timeline where things are quite different, and where she’s stuck in the loop again. And if she doesn’t solve this loop and find a way back to her timeline, things will get really messy.

As one would expect, this film does take a lot of cues from the first film, which takes a lot of cues from Groundhog Day and other time-loop stories. So people who were expecting something different will be disappointed (though how they could expect something different is beyond me). The stakes are raised this time though, because Tree has to protect not just her own life, but has to save other lives along with other tasks in order to get back to her life as she knows it. There’s also the added dilemma of whether Tree wants to go back to her original timeline, as the new one has some perks along with some downsides (you’ll see what I mean if you decide to see the film). The sequel is also more comedic than the original, which I was able to deal with even though I prefer more horror in my films. And if you wanted an explanation of why the time loops are occurring, this film does provide it.

That being said, the decreased amount of horror may turn off some viewers. And the sci-fi explanations for why the time loops are occurring may confuse some people, especially those who barely passed high school physics. Hell, even I was confused by the explanations, and I’m usually good with this stuff. I understood Inception and Donnie Darko on the first go-rounds, so you know they must’ve really made it confusing here!

But if you look at the whole package, Happy Death Day 2U is, while not as good as the original, a good successor. On a scale of 1 to 5, I’ll give it a 4.2. It’s a funny, crazy, bloody movie and if they made a third film (which, based on a mid-credits sequence, I think they will), I’d check it out.

That’s all for now, my Followers of Fear. If you need me, I’ll be editing. Until next time, pleasant nightmares!

In my last post, I said that I’d heard back from my publisher, Castrum Press, and that they’d given some feedback to help me with the next draft of my novel Rose. Well, I woke up sick today, so I spent my day working on it. As of this afternoon, I’m one-fourth of the way through the sixth draft. If I keep going at this rate, I could be done well before the end of March (God willing).

I also said in my last post that the main issue Castrum pointed out for me was word choice. I’d like to go a bit more into that, as it’s been pretty eye-opening for me.

First issue: adverbs. I’ve heard this before from beta readers before, but I tend to rely on them too much. You know, “really,” “seriously,” “suddenly,” etc. And I thought I’d gotten better at that, but Castrum gave me graphs of my use of adverbs in Rose‘s fifth draft. Whoo-boy. Looking at the draft now, I’ve a lot of work ahead of me. There are adverbs littered all over the place! In future stories, I’m going to have to work on that. Because seriously, how madly, negligently, horribly a writer must I be to readily sprinkle these adverbs all over the draft so willy-nilly?

See the problem?

Second issue: overuse of unnecessary words. Another one of those graphs showed me that I tend to overuse certain words in a story. “That,” “just,” “even,” etc. Technically the sentences still work when I use those words, but they work just as well when they’re absent. Therefore, by the rules of editing, I should excise them. I’m still wrapping my head around the idea of getting rid of them, as when I wrote those sentences, they sounded so necessary. But I’m adjusting. It’s a process, but I’m doing it. Hopefully this is another habit I can kick as a writer. If anything, this draft is a good start.

And third issue: repeating words. I kid you not, I had over 360 instances of the word “look” or its variants. And while it does the job, literature is built on a variation of words that say the same thing. Instead of “look,” I switch it out with words “gaze,” “stare,” “gawk,” “observe,” “survey,” “scrutinize,” etc. I’ve been learning to do that when I encounter words like this, as well as others I’ve repeated one too many times.

If anything, all this has taught me how much farther I’ve to go as a writer. A lot of people know me as the “resident writer,” which sometimes they equate with “expert writer.” And occasionally, when I have successes in my career or when I’m expounding on the art of writing or the craft of horror from behind my keyboard, I can feel like an expert. But the truth is, I’ve only made some progress. It’ll be a long time till I’m able to call myself a real expert writer. If ever.

If there’s such a thing to begin with.

Still, I’m glad I don’t know it all. I have room to grow and improve as a writer. That’s never a bad thing, in my opinion. And if I knew it all, who knows? Things might get boring.

Anyway, I hope to have more news on Rose soon. I’ll keep working steadily on the sixth draft and give you another update as soon as I have one. In the meantime, I’m getting ready for bed. I don’t want to be sick tomorrow as well. Goodnight, my Followers of Fear, and pleasant nightmares!

I know some of you have been waiting for an update on Rose. And I’m happy to say that I received word today from my publisher, Castrum Press, regarding the last draft I sent to them.

Now if you’re new here and haven’t heard me mention Rose a billion times by now, this is a novel I wrote as my senior thesis in college. It follows a young woman named Rose Taggert who starts turning into a plant creature. Yes, that’s what it’s about. I wrote that novel, and it’s being published. And believe me, what I just described is only the beginning of Rose’s troubles.

Anyway, Castrum Press accepted the novel back in March 2018, and I’ve been doing a lot of work on it since. Actually, I’ve been doing work on it and changing things up since the first attempts to write it. This story’s been written and rewritten more times than I care to mention. I was telling my dad earlier today, every draft has featured almost alchemical changes to the story. Trust me, that amount of change every draft is exhausting!

But based on Castrum’s latest feedback, I have reason to hope the story’s nearing its final stage. The suggestions I got were mainly of the word choice and grammar type. These are mainly problems I’ve been told about before in the past: using words like “that,” “which” or “just” too often, or too many adverbs. At least they were able to give me some visual aids that I can use to help me during the next draft (number 6, if you can believe it). I’ll take some notes, and then get to work.

I won’t say this is the last draft before publication. It depends on what Castrum says, and they have a lot more experience than I do and the suggestions they’ve given so far has worked out for me so far, so I’m willing to listen to their advice. I will say that we are nearing that stage, and both Castrum Press and I are looking forward to getting this story out there for all of you to read. We’re just taking our time to make sure it’s the best product it can be before it’s released.

I mean, it would really suck if we released a sub-standard novel, wouldn’t it?

Well anyway, it’s getting late and I was feeling really tired for most of today, even with caffeine, so I’ll call it a night and start on the work after I get home tomorrow.

That’s all for now, my Followers of Fear. I’ll keep you guys updated as news comes in. Until next time, pleasant nightmares!

Writing any part of a story is difficult. Starting it, the long slog through the middle, trying to wrap it up in a satisfactory way. Any part of it has its own challenges. But lately for me, trying to write the ending–those last paragraph or couple of paragraphs–difficult. I’m not talking about how the story ends, for me that’s usually already in my mind when I start writing the story. I’m talking about the actual words. What I use in the story to finish it out.

Those of us who read regularly think of how stories end, and it’s the most perfect ending, like “and they all lived happily ever after,” only not so cliched and unlikely to happen. More like, “All was well,” or “He turned over and went back to sleep,” or “He reached out to him with a single, terrible, slimy claw.” The words close up the story so well, and it feels perfect. Replace one word or one sentence with something else, and it ruins the whole story, or at least the ending.

It’s those words that close the story out that are so important.

And I’ll admit, with some of the last few stories I’ve worked on, I struggle with finding the right words for those stories. I start to feel too wordy, or that I’m not giving an eloquent closing to the story. Consequently when I end the story, I feel a little unsatisfied. This may be in part due to the fact that I see a movie in my head when I’m reading and writing, so translating something from a mental visual to words is somewhat difficult. Or it could just be finding the right words are difficult. Especially when my brain decides to forget a word or two (kid you not, I forgot the word “agenda” for a week, which sucks because I needed it for something).

Luckily, on a few stories, I think I enjoy the endings of my stories a bit better on the second draft. And those that I don’t, I can change them a bit and that usually helps. But I think–and I’m pretty sure I’m not the only author to feel this way–I would like to not feel so dissatisfied when I finish a story. That the words I use to finish the story ring true to me and feel right. That they’re as close to perfect as “All is well” or “He turned over and went back to sleep,” or “He reached out to him with a single, terrible, slimy claw.”

Well, the good news is that with more practice, I can get more stories done and perhaps figure out what it is that makes those near-perfect endings. Fingers crossed, at any rate.

But tell me, How do you write the best ending for your stories? Is there a trick to doing it? Please let me know, I’m dying to know. Okay, not actually dying, but it would be nice to know.

Until next time Followers of Fear, pleasant nightmares!

Well, I got my wish. I worked on a story that was much, much shorter than The Autopsy Kid and Mrs. Autopsy. This one is called The Black Foals (though previously I was thinking of going with The Foals or The Horses), and if the name doesn’t give it away, this story is about horses. If I tried to be any more specific than that, it’ll give away too much. Suffice to say, it was nice to return to something a bit on the unnatural side after writing a long novella steeped in human-based horror. And whoo-boy, was this story different from others I’ve written in the past.

Okay, I may say that about most of my stories, but a) shouldn’t all writers in my genre set to make each story different, lest we grow repetitive and not very scary? And b) this really was a different one. For one thing, I didn’t jump into the horror right away. Instead, I slowly built up the horror, which is something I don’t usually do. For another, I definitely leaned more into the psychological aspect of the story, reserving the gore and true horror for the last scene. Whether or not I did a good job with the build-up and the psychological horror is up for debate.

In any case, this story’s at forty-five pages and 10,089 words long, so it’s the length of a novelette. I may try to make it shorter in subsequent drafts, or I may lengthen it. I’ll have to see what a beta reader or two thinks it’s best.

But I think it’s a good start. A decent attempt at a psychological horror, and a decent attempt to make a story that’ll do for horses what Jaws did for sharks. Perhaps I might get it published somewhere, there are a few magazines and anthologies that accept stories of that length. We’ll see what happens.

In the meantime, I may take a break from writing anything new until I hear back from Castrum Press about Rose. They said I should be hearing from them soon, so now’s a good time to just take a break from any new stories. Or old ones, too: editing takes time, you know.

Of course, you’ll still see me around. I’ve got another post on the horizon, so you should keep an eye out for that.

Until next time, my Followers of Fear, pleasant nightmares!

It’s a quarter past two in the morning, I’m very tired and have no idea why I do this to myself, and thank God Almighty I don’t have work tomorrow morning, or I’d be one hot wreck. But anyway, good news! After over a month of hard work, I’ve just finished a new novella, which is both my first new story of 2019, and as my most disturbing story yet.

“The Autopsy Kid and Mrs. Autopsy” (wow, talk about a title) is a piece of human-based horror al a Misery and The Girl Next Door. It follows a young girl living in France who becomes entangled with a very disturbed young man after she’s caught shoplifting by said young man. It’s a really dark and gruesome story, with plenty of viscera and a very disturbed villain to boot. And as I said above, it’s probably my most disturbing story yet (and Snake included a scene where a dude got impaled in the most painful way possible). There were points during the writing process where I got a little uncomfortable, which says something about the story and how potential readers might react.

Still, it’s a first draft, so it’s going to take a lot of work before it’s ready for publication. And that’s even if I can get it published somewhere. Besides its length, this is, as I said, pretty dark stuff. Granted, human-based horror is usually very dark and requires a certain kind of nerve to get through it (everyone remembers the hobbling scene from Misery, right?). But this story? I’m sure plenty of editors would want me to censor some of the stuff that goes on in this one.

Not to mention the villain shares some similarities with another villain I’ve created that’ll be coming out at some point. But I’m less worried about this problem. I mean, if Criminal Minds can get away with variations of the same villains over and over again, eleven years in a row, why can’t I have similar villains every now and then?

Well, with any luck, I’m sure I could get it published in a short story collection, either one I put out myself or with a publishing press. I’m sure with the right marketing and a bit of editing and luck, this story could be well-received and give more than a few people nightmares.

Anyway, I’m just glad to get this story done. I had a feeling I’d get it done this weekend, but I had no idea I’d be up well past midnight working on it, adding about seven thousand words in the past twenty-four hours (a new record for me) before I could sit back and say that the first draft is finished.. I’m pretty sure I looked something like this during the past couple of hours.

I hear we even look a little alike. At least, I do in one of my many terrible visages.

Anyway, today’s writing brings the total page and word count to 164 pages and 48,581 words. Not exactly the longest I’ve ever written, but still quite a bit. And enough to leave me really exhausted right now.

Anyway, I can’t even imagine editing this behemoth right now. Pretty sure I’m going to leave it alone for a long while so that when I do return to it, I can look at it with fresh eyes. And in the meantime, I’m going to head to bed and sleep as late as I can. In the morning, I’ll likely have a celebratory movie marathon with low-calorie ice cream and hot tea. And if I do any more stories before I have to work on Rose again, it’s going to be something much, much shorter.

So until next time my Followers of Fear, good night and pleasant nightmares.

Anyone else notice 2018 was…kind of rough on a global scale? Like, oh my God why was this year so full of nastiness and pain?

Yeah, this year has been hard. Horrific shootings, assassinations of journalists, global warming, the Tide Pod challenge, racist incidents like at that Starbucks, data hacks and leaks, denial of truths and facts in favor of beliefs, hurricanes, bomb threats, the election of far-right demagogues, the Campfire in California, the deaths of beloved and influential people like John McCain and Stan Lee. I could go on and on.

But despite all the bad things, there has been some good things this year. Black Panther became a billion-dollar franchise and caused all sorts of social waves; more women and minorities were elected to political office than ever before; more youths in America became involved in the electoral process than ever before; Ireland repealed restrictions on abortion; Australia legalized gay marriage and India decriminalized homosexuality; Jodie Whitaker proved that a woman could be the Doctor and kicked ass doing it; authors of all stripes came together to stop people like Faleena Hopkins after Cockygate to stop creative freedoms from being restricted by trademarking common words; several popular TV shows, including Brooklyn Nine-Nine and my own Lucifer were saved from early cancellation by the efforts of fans; Michael Myers was revitalized with Halloween; and so much else.

Remember, positive things did happen in 2018.

2018 had its bad moments, but it also has some good moments.

I wanted to remind you of that before we go any further. These past couple of years, I’ve seen so many people say that each year was worse than the last. And while at times I agree, I think it’s important to remember the good too. Otherwise, our worldviews start to grow dim and sad. and we lose the ability to be happy. So let’s do our best not to be jaded, shall we? Remember the good.

On a more personal level, 2018 was a pretty good year for me. Actually, that’s not true. It was an excellent year for me! Let me tell you why:

  • My novel Rose was accepted for publication by Castrum Press, the beginning of the fulfillment of a dream I’ve had for years. Since then, it’s been in deep editing stages, and I’ll hopefully have some news to share by the end of January. In addition, my short story Car Chasers was accepted for publication by The Binge-Watching Cure II from Claren Books, hopefully out sometime in early 2019. Another short story has been accepted by another anthology, but I’m waiting for a bit more news before I elaborate.
    I also wrote several new works, and finished a new novel, River of Wrath, which I hope to also get accepted for publication. It’s been a good year in terms of writing.
  • My blog grew past a thousand followers this year! At the beginning of January, Rami Ungar the Writer was close to hitting that number, like under fifty followers away. In June, it surpassed that hallowed milestone, and at the time I’m writing this it continues to grow. I’m so happy that so many of you became Followers of Fear over the past year, and I hope you’ll continue to support me as I work on my dreams.
    This was also my best year on the blog. This year I had over sixteen-thousand reads on the blog, or an average of thirteen-hundred and sixty-seven a month. Holy crap! I still have vivid memories of when I was lucky to get twenty people to read my posts a month, so thank you all for reading my work here and making it worth all the effort.
  • Work’s been going very well. I got a big pay raise, and coordinated several successful projects, including an observance for National Disability Employment Awareness Month in October.
  • I got my driver’s license in July after nine and a half years of on-and-off practicing, and I bought my first car, which I call the Unholy Roller, in October. Let me tell you, I LOVE the independence of finally having my own car, and accomplishing so many firsts with it. I’m looking forward to doing book tours and visiting haunted locations now that I have a set of wheels to do so.
  • Despite developing anxiety in December 2017, I managed to get help for myself and have managed to keep it from ruling/ruining my life.

My car, the Unholy Roller.

This is only a fraction of all the good things that happened to me this year, but they’re the highlights. 2018 was a good year for me, despite all the horrible things that occurred, and I hope I’ll be able to have a similar experience in 2019. Though hopefully 2019 will be filled with more good events than 2018, am I right?

Speaking of which, let’s talk 2019. Like everyone, I’ve got goals for the coming year, and most of them won’t surprise you. This year, I’d like to:

  • Make sure Rose gets published and does well in sales. I also want to see Car Chasers and that other short story I mentioned published, and I want to get more stories written and accepted for publication. And of course, I want to see this audience I’ve managed to grow to continue growing and fill with people interested in what I have to say and what I write.
  • To continue doing well in work and in my personal life, including being a good driver, taking care of my health, paying bills and building up a savings account, among other things.
  • Have plenty of awesome experiences to make memories with.
  • Hopefully make a positive difference in the world however I can.

We’ll see what the next 364 or so days bring, shall we?

That’s all for now, my Followers of Fear. I’m heading to bed, so I’ll see you in the morning, where I’ll spend most of it lounging in bed and hopefully getting plenty of writing done (either that or just reading and watching Netflix). Until next time, Happy New Year and pleasant nightmares.

What were the highlights of your 2018? What do you hope to accomplish for 2019?

You know, sometimes you come across movies in the weirdest ways. Sometimes they’re just on while flipping channels, or someone makes a reference to it and you want to know the interest. I heard about Down a Dark Hall because I heard AnnaSophia Robb (aka the kid from Because of Winn-Dixie) was in it. I remember she used to slay in anything I saw her in (especially The Reaping, another horror film she was in), and the fact that this was a horror film got me interested. I asked my local library to order it, they said yes, and I picked it up this weekend, not sure what I was going to get but looking forward to finding out.

This turned out to be a decent example of modern Gothic horror.

Based on the Gothic YA novel by Lois Duncan, Down a Dark Hall follows Kit, a troubled teenager whose mother sends her to an elite academy with the hopes of straightening her out. There with only four other similarly-troubled girls, Kit finds that the school’s very unique and focused program starts to have results. Weird results. Results that devolve into obsession, addiction, neurosis and trauma. On top of that, Kit has been seeing things in the hallways and in the dark. Faces, people, movement. All this collides to lead Kit to a terrifying realization about the school, and what its staff is doing to the students.

For starters, the actors in this film all do a very good job in their roles. AnnaSophia Robb as Kit slays again, inhabiting this very angry girl who slowly finds herself actually liking the school and then distrusting it as things get weird like a second skin or as if she’s done this a hundred times before. The same goes for Victoria Moroles as Veronica, who hides her own tragedies in a badass attitude. And Uma Thurman does a great job as the aristocratic and charismatic Madame Duret.

The film’s story is also very compelling. It checks all four of the boxes I mention in my article on Gothic fiction, all in a very pretty set, and you definitely find yourself caught up in the mystery of the story. Some of the most disturbing moments of the film are when you see these girls falling under the spell of the school, becoming obsessed with math or music or painting or whatever and how badly it affects them. And the special effects aren’t half bad either, more subtle than garish or distracting.

However, the film isn’t without its issues. I never felt very scared, and there wasn’t much of an atmosphere or sense of threat. Outside of the moments of obsession, that is. In addition, a few things in the film felt a little extraneous. There was a certain bald-headed and scarred ghost that really didn’t serve any purpose beyond a few extra scares, and the romantic tension between Kit and her music teacher was inserted, but nothing was really done with it. Seriously, the question of how to portray those relationships in fiction aside, either use it or cut it out and just show them as close student and teacher!

Finally, I also thought that the ending was wrapped up in too sweet a bow and maybe a few minutes too long. In some ways, it felt a little too hopeful compared to the rest of the film, which jars the viewer and takes away from the experience.

Still, Down a Dark Hall was a good Gothic horror film. On a scale of 1 to 5, I’m giving it a 3.8. It’s no Kill Creek (which I highly recommend by the way, check out my review as to why), but if you turn off the lights in your living room and put this on the Blu-Ray player, you probably won’t regret it. Check it out and see for yourself.