Posts Tagged ‘adaptations’

In recent days and across my social media, as well as on my blog, the number of people following me has grown by leaps and bounds. Why is that? I have my theories, but this post isn’t about theories. Instead, it’s to better introduce myself to my new Followers of Fear, as I like to call the people following me and supporting my writing career.

And since I’m a horror writer, obviously I’m doing thirteen items to get to know me better.

So, without further ado, here’s what will hopefully be a fun introduction to yours truly. And who knows? Perhaps some of my long-time Followers of Fear might learn something that’ll surprise them. It’s happened before!

I’m a writer of horror and dark fantasy with five books under my belt. I’ve been writing since I was a kid, and in college, I started self-publishing books. My first book was a collection called The Quiet Game: Five Tales to Chill Your Bones, which came out in 2013. The next year, I published a slasher novel called Snake about a serial killer hunting mobsters in New York City (think John Wick, Taken and Friday the 13th got smashed into a novel). Both did okay, and continue to get readers today.

Five years later, I published my first novel with a publisher. Rose was released by Castrum Press in summer 2019, and followed a young woman turned into a plant/human hybrid (and that’s just the start of her problems). I followed Rose in 2021 with The Pure World Comes, a Victorian Gothic horror novel about a maid who goes to work for a mad scientist. And last year, in 2023, I published my second collection, Hannah and Other Stories, which was released by BSC Publishing Group.

That’s all five of my books out now. I’m proud of all of them and all I’ve managed to do with them over the years. And I plan to put out more in the years to come.

All five of my currently available books. I love them and am so proud of them (and their awesome covers).

I’m Jewish, queer, and have disabilities. Growing up, my life has been an interesting ride, to say the least. Not only did I grow up in a fairly religious Jewish household, but both my father and mother are rabbis. I went to a Jewish day school for most of my youth, learning Hebrew and Judaic subjects for half the day and then learning normal stuff the rest of the day. I also went to synagogue nearly every week, and attended Jewish teen and college groups until I graduated.

To this day, I still practice a lot of the religious practices I grew up with and feel a strong connection with my faith and heritage.

I’m also bisexual. I figured that out in college, and came out about half a year after I came to that realization. Probably took me that long to get comfortable with it because, even surrounded by accepting people and LGBT family members, I still worried about being persecuted. However, I did come out and it was all good, which was reassuring. And then some years later, I realized I was also aromantic (if you’re unfamiliar, it means I can’t feel romantic desire or attraction). Which, looking back, felt pretty obvious, considering I didn’t care about having a relationship all my life. But when I realized it, it was still a bit of a revelation.

And finally, I’m on the spectrum. Have been my whole life. I also have ADHD, a form of albinism, an anxiety disorder, and most recently, diabetes. Yeah, that last one was only diagnosed a couple of months ago, and it sucks! To say the least, it was a shock for me and I miss not being able to eat sweets or have a drink as much as I used to. But, on the bright side, I’ve improved my health by leaps and bounds since finding out, and I plan to keep it that way. Too much to do in my life, after all.

And as I’ve gotten older, I’ve made it a goal to increase representation of these three groups, as well as their intersections, in my fiction. So far, I’m meeting that goal, and hope to release some of those stories soon.

My writing influences. My major influence is, without a doubt, Stephen King. I read IT as a preteen and it was a formative moment in my life! That whole summer, I was transported to Derry, Maine and, when I finished that book at summer camp, I knew what kind of books I would write for the rest of my life.

I’m also majorly influenced by the ideas of HP Lovecraft and the subgenre of cosmic horror, as well as Anne Rice and a ton of anime and manga. All those creators and stories have led me to writing some really insane stories, such as Rose, which I mentioned above, or “Fuseli’s Horses,” one of the stories in Hannah, which is about carnivorous horses.

But I’m not complaining. People seem to like my work, after all.

I love going to the movies and to the theater. It’s rare that a month goes by without me going to see a movie. Usually it’s a horror film or a new superhero film, but I sometimes go see comedies, fantasy and sci-fi films, and anime films getting theatrical releases. I just love going to the movies! I didn’t get to go as much as I wanted when I was growing up, so starting in college, I went as often as possible. And I still do.

Most people are surprised to learn I like ballet. Then they see how much it appears in my stories.

And now that I have a decent day job, I also go to the ballet and to touring Broadway shows. My interest in ballet started probably in college, and as a working adult, I got really into it. It’s gotten to the point where I’m kind of obsessed and look for ways to insert ballet and dancers into the stories I write! And as for Broadway shows, I think Disney movies as a kid primed me to be a fan of those, though the breadth and depth of musicals out there is far wider than Disney can think up, as it turns out.

Now, I have subscriptions to both the local ballet company and to touring Broadway shows that stop in Columbus. And I have to say, I think I would be just as psyched for one of my stories to be adapted into a ballet or Broadway show as I would be for a movie. Maybe even more.

I have several tattoos. To be precise, I have a chest tattoo of a tiger with a blue Star of David, a full back tattoo of one of my favorite ideas from the horror genre, a wrist tattoo referencing some of my favorite anime, and a Tarot card on my right leg that’s about halfway done. However, while I have my tattoos, I don’t normally share photos of them. That’s partially because I just don’t feel the need to. My tattoos are for me to express myself and to have my body reflect who I am. So, their existence on my body is enough for me.

Still, they’re awesome. And I plan to get more as time and money allows.

My most popular work is Rose. I’ve been publishing for over a decade now, but none of my work has done as well critically or commercially as Rose. And I think I know why: it’s the unusual story of a woman turned into a plant/human hybrid. Very weird, very Kafkaesque, and very fantasy horror. Add in that it’s a short but twisty read with Japanese folklore and mythology mixed in, and it’s not surprising that that book does so well.

Plus, you gotta love that cover.

Anyway, if you would like to check out Rose, you can check out its page HERE. I hope you like it if you read it.

I go ghost hunting at least once a year. I’ve been lucky to go to several different locations to ghost hunt. From famous places like the Ohio State Reformatory in Mansfield, OH and the Lizzie Borden Bed & Breakfast in Fall River, MA, to lesser known locations such as the Anchorage Mansion in Marietta, OH and the Bellaire House in Bellaire, OH, with the hope to visit and revisit many, many more.

Also, I try my best to get my investigations on YouTube and upload them to YouTube. So, if you would like to check out my ghost hunting videos, you can check out my channel HERE. They’re spooky good!

I make my own wine. Most people don’t realize that you can brew your own alcohol at home, but it is, and there are plenty of people of doing it, including me. I’ve made a batch of plum wine, and I just finished and bottled a batch of pumpkin wine (yes, pumpkin wine). And I’ve been making my wines based on colors of the rainbow: plum wine is red, and pumpkin is obviously orange. Yellow will be dandelion wine, green will be mint, blue will obviously blueberries, and indigo/violet will be elderberries. And I can’t wait to try them all!

The pumpkin wine I made, all bottled up. Looks good, doesn’t it?

I bought my first home two years ago. For millennials like me, it’s hard to find an affordable home, let alone a non-fixer upper that you don’t have to share with a bunch of other millennials. However, I was lucky enough to find and buy a small condo for myself two years ago, and I’ve been living in the Haunted Condo, as I call it, ever since.

Sadly, it’s not very haunted by anything except me. I don’t know why, I’ve done voodoo rituals and everything else to make the place haunted, but so far, no otherworldly dice. At least I can make one hell of a Halloween display every October and decorate the inside as I like!

My yard is the spookiest in the neighborhood every October.

I’m the chapter coordinator for HWA Ohio. The Horror Writers Association is an international organization that supports horror writers and helps them network and grow. Ohio’s chapter is about six or seven years old, and I’m the guy who runs it! Which was never my intention: some other members organized the chapter, and I volunteered to find a venue. Somehow, I kept arranging locations for us to meet, and that morphed into becoming the chapter coordinator. And after the parent organization set a formal election process for chapter coordinators for all chapters…well, I ran without competition. I guess people think I’m doing a good job or something?

Anyway, HWA Ohio has its own website, which lists our members and puts out news about us. If you would like to check the website out and support us, click HERE.

So proud to have a story from this collection adapted into a radio play.

I recently had my very first story adaptation. Remember my collection Hannah and Other Stories, which I mentioned above? Earlier this year, I became acquainted with a producer for WCBE 90.5, a local NPR station who interviews local creative types. He also runs a yearly Halloween show, where a short story is adapted into a radio play, with the roles played by local high schoolers.

“Hannah,” the lead story in Hannah and Other Stories, was this year’s story. It was my first time having a story adapted, and it was so, so good! The kids did really well in their roles, and it was amazing hearing my story brought to life on the radio.

And if you would like to listen to it, you can! It’s available to stream online, and you can listen to it in full HERE. Let me know what you think if you listen to it. The more people who listen, the better for future shows and future students. Plus, who knows? Maybe another one of my stories will get adapted. It happened once, didn’t it?

I tend to break out in song at any provocation. I kid you not, this is something I did daily in high school, and which I do quite frequently these days. In fact, I’m part of a critique group with some of my fellow Ohio horror writers, and they say it’s not a meeting if I don’t burst out in song at least once!

Too bad I sing badly, but hey, why should I let that stop me?

What I’m working on now. I’m juggling a few projects at the moment. For one, I’m putting together another collection of short stories, and I hope to have more on that in the coming days and weeks. I also recently finished a new novel, The Shape of Evil, which is about a 3D printer from Hell, and I hope to have that ready for pitching to agents and publishers by June next year. Finally, I also have a collection of novellas I plan to work on at some point, and I have a mummy novel I started but put aside for other projects that I plan to get back to.

Plus some short stories to send out to magazines and anthologies here and there. Yeah, I’m a busy guy, aren’t I? But that’s kind of the way I like it.


Anyway, that’s thirteen things you need to know about me. I hope you enjoyed learning about me, because I enjoyed writing it. And if you did, be sure to follow this blog and my other social media to keep up with what I’m doing and when I have new work coming out.

And if you would like to check out any of my other work, I’ll leave a link to my book page down below. You’ll find all my published works and then some there, including free stories. And if you like what you read, I hope you’ll leave a review online so I, as well as other readers, know what you think.

Until next time, my Followers of Fear, good night and pleasant nightmares.

Surprise! The new episode of the Tales to Terrify podcast dropped today instead of tomorrow. Which means my new short story, “White Leaves,” is now live and available to be listened to. It tells the story of an apartment complex that wakes up one morning to find the entire place blanketed in strange white leaves.

Did I mention that this episode is not just the Halloween episode, but episode 666? That’s a devilishly awesome coincidence!

Anyway, if you’re at all interested in giving it a listen, the episode is available to stream now. “White Leaves” is the third and final story in the episode and comes about twenty-eight minutes in after some sponsor ads. It’s quite spooky, if I do say so myself. I’ll include a link below. And be sure to let me know what you think when you’re done! I love reader feedback, after all.

Happy Halloween, my Followers of Fear. I hope you’re having a wonderfully creepy day. And I hope you check out the “Hannah” radio play later today at 7 PM EST on WCBE 90.5’s website. Yeah, I can’t stop speaking about this, but can you blame me? It’s my very first story adaptation!

Until next time, good night and pleasant nightmares.

As I announced in a previous post, my short story “Hannah” is being adapted into a radio play. It will be one of several stories that are being adapted and broadcast Halloween night on WCBE 90.5, a local radio station. And suffice to say, I’m super excited about the whole thing.

After all, it’s the first time I’ve ever had my work adapted into something like this.*

So many authors dream of having their work adapted. Mostly into movies, but also TV shows, comic books and manga, plays, music, video games, and, of course, radio and audio plays. Yet it only happens to so very few, both during and after their lifetimes. So, I feel incredibly honored that one of my stories was chosen to be adapted.

Not to mention, it’s “Hannah,” the titular story of Hannah and Other Stories. I’m really hopeful that this will lead more people to check out the original work.

You know, this isn’t the first time I’ve been approached about adapting one of my stories. I’m not kidding, it almost happened. Last September, an actual production company reached out to me to ask if the film/TV rights for another one of my short stories were free. I won’t say which company, but I will say if I were to name them, you could look them up and find that they’ve been involved in a lot of famous movies and TV shows.

Anyway, I let them know that the film/TV rights for that story were available and sent them a PDF copy. A couple of months later, they let me know that they were going to pass on adapting that story, but thanked me for being willing to work with them. And I thanked them right back, feeling honored to even have one of my stories considered.

And even though it didn’t work out, I felt, given I was approached once about an adaptation, there was a good chance it might happen again. And it did. “Hannah” is going to be in a radio play next week. One week exactly from the time this post is published, at 7 PM EST on Halloween night. And I cannot wait to listen to it live.**

And who knows? Maybe after this, there might be more chances of having my work adapted. After all, it’s happened once. And I’m always happy to work with people to bring my stories to more people. Just send me an email, and we can see about making something happen.

Anyway, speaking of the radio play, I’ll be sure to put out a reminder post on Halloween next week so you guys remember to check it out. In the meantime, you guys can check out both WCBE 90.5 and the interview I did with the radio play’s producer, Doug Dangler, using the buttons below. I hope you’ll check them out.

Also, if you’d like to familiarize yourself with “Hannah” before the show, or you’re just looking for a spooky collection before Halloween, you can check out Hannah and Other Stories using any of the buttons below. And if you do end up reading it, please consider leaving a review so I know what you thought. They help me and other readers out big time.

Well, that’s all for now, my Followers of Fear. I hope you’re excited for what’s coming next week as I am. Until next time, good night, pleasant nightmares, and…oh shit! Law & Order’s in an hour! Excuse me, but I gotta go!

*Audio books and stories read aloud on podcasts don’t count, that’s reading with your ears. And before you say, “that’s not reading,” if Braille is reading with your fingers, then audio books and podcasted stories can be reading with your ears.

**And don’t worry if you miss it live. It’ll be archived and available to stream later.

Happy New Year, my Followers of Fear. I wasn’t going to do this sort of post, let alone on New Year’s Day. After all, I went over a lot of this stuff in my “Looking Back at 2023, Looking Forward to 2024” post. But plenty of my writer friends were posting their 2023 accomplishments and their 2024 goals on social media, so I thought, “Why shouldn’t I? And why should I limit myself to however many characters?”

Thus, I’m writing a full blog post.

So, with all that said, let’s get into my writing goals and how I plan to keep busy on the writing front.

FINISH THE SHORT WORKS I STARTED

After the Great Editing ended last year, I went through my list of ideas and chose seven story ideas I thought would be fun to work on (and hopefully had a chance of getting published). I’ve already finished two stories: a surprisingly short weird horror story called “White Leaves,” and a Jewish exorcism story called “The House on Lafayette Square.” And at the moment, I’m working on a story about owls under the temporary title “Strigiformes.”

With this particular goal, I aim to finish “Strigiformes” by Martin Luther King Day, and then get the other four stories done by around May. Don’t know if I will, but God knows I’m going to try. I’m already at the halfway point of “Strigiformes,” so assuming nothing messes with my life between now and the 15th, I should be off to a good start.

FINISH CRAWLER

My big project for 2024, assuming nothing else pops up, is to finally return to my mummy novel Crawler and finish it. Hopefully after I finish these last four and a half short works, and around May-ish. I want to go over what’s already been written, then get around to finishing the first draft.

Don’t know if it’ll get published at some point, but I definitely want it to be at least finished. I hate the feeling of it being left undone when I feel it has great potential.

GROW MY AUDIENCE

This one should be pretty self-explanatory. I love my Followers of Fear and how ardent you all can be, but I am a writer. We love having people enjoying our work. So, I’m trying to build my audience and the number of people who I can claim to be Followers of Fear.

Part of this will be done by selling books at events, which are great places to meet new readers, and another part will be some slight changes to how I do things on social media.* With a bit of luck, the right interactions, and sympathetic algorithms, maybe more people will come to love and look forward to my stories when they release.

*BTW, I’ve left Twitter due to Elon Musk going full anti-Semite and have moved to Threads and BlueSky. So, if you want to follow me there, click on the links.

GET SOME ACCEPTANCES

Again, this is also self-explanatory. While I do self-publish some of my work, I still like to get publishers to release some of my stories. There are benefits to going indie and going through a publisher. And all that being said, I hope to have some presses accept my stories and help me polish them up to their most beautiful before letting them out into the world.

And I may self-publish some stuff, as well. If the circumstances are right.

HAVE A GOOD 2024 FISCALLY

Writing is a passion and a calling, but it is also a job and a business. That’s especially true during tax time. And while this past year, I had the most income from writing ever, I also had a lot of expenses. Not enough to overtake my income, but still, a lot. For 2024, I hope to have fewer expenses. Or that my income far outpaces my expenses. It’s something I’ll be working on throughout the year, so hopefully it goes well.

MAYBE ANOTHER COLLECTION?

Yeah, putting together and editing Hannah was difficult at times, but it was gratifying, too. And I’m thinking of maybe putting together another collection. If I do, what stories will be in it, what it’ll be called, if there will be a theme, and if I self-publish it or not, we’ll see. This part of the future, at least, is still up in the air.

MAYBE AN ADAPTATION?

I know, I know. Getting any of my stories adapted into any medium is a long shot. Still, some things happened in 2023 that give me hope that it could happen. (And if you’re lucky, you’ll hear about what later this year.) So, I’m putting it on this list as a goal.

GET THAT MUCH CLOSER TO WRITING FULL-TIME

This is my overall goal for 2024. Granted, this is my overall goal every year. But I feel like I made significant progress this year towards this goal in 2023, and I feel like 2024 will take me even further. I want to get to the point where I can actually see a path to eventually being able to write full-time. Where it stops being just a dream and starts to morph into a reality.

If the majority of these go these goals go well, then maybe, just maybe, I’ll end 2024 with goals towards making dreams reality in 2025. And wouldn’t that be glorious?


That’s all for now, my Followers of Fear. I hope 2024 treats us all very well (though honestly, I feel like roaring at the year to intimidate it instead of hoping it’s nice to us is a better move). Thank you for all the support you guys showed me in 2023. I hope you continue to do so in 2024. And one way to do that is to read my books and leave reviews, and/or follow my social media. I’ll leave buttons that’ll take you to where you can find both.

Until next time, my Followers of Fear, good night, pleasant nightmares, and HAPPY NEW YEAR! RAWR!!!

I’ve seen Max Booth’s tweets on Twitter a bit, but this was the first time I’ve read one of his works. I was spurred to do so by the trailer for the upcoming film adaptation, which looks terrifying (click this link to watch it). I had an audio book credit and the novel looked short enough, so I downloaded it and got to listening.

We Need To Do Something follows Melissa, a teenage girl who gets home from a friend’s as a massive storm hits the area and tornado sirens wail. As her family hides in the parents’ bathroom (no basement in the house), a tree falls in front of the door, trapping them inside. As Melissa, her little brother Bobby, her mother Diane and her father Robert, struggle with time, hunger, and their own dysfunction, they’ll also go on the ride from Hell. Possibly in more ways than one.

This novel is predicated on the concept “Hell is other people” and I love it!

What I really was blown away by is that everything takes place in the bathroom. Even flashbacks take place in the bathroom, presented as dreams or as hallucinations rather than as full flashbacks. This really gives you the sense of isolation and claustrophobia the characters are feeling. And this space acts like a pressure cooker, forcing them to confront their problems, themselves and each other. It is intense, and the confusion Booth weaves into the narrative only makes it worse. Are they really experiencing all of this? Is part of it something supernatural, or is there an element of shared delusion? You’ll read till the end asking those very same questions.

It doesn’t help that when the outside world does make an appearance, it’s only to make things crazier. Truth be told, you could learn a lot about writing tension from this novel.

As for the characters, you get to know them quite intimately. You also come to like them quite a bit–well, most of them. Robert, Melissa’s father, is an alcoholic with serious anger and toxic masculinity issues, and does not see the irony in calling his daughter a “snowflake” at one point. You love to dislike this guy from early on. But the others, you do start to feel sympathy for the others. None of them are perfect–Melissa has her own anger, Diane has been suffering for years and probably wishes her life was closer to a fifties sitcom than what it really is, and Bobby exists to annoy his sister and make fart and pee jokes–but you do grow to like them. And Melissa especially has more to her than what you meet in the first few pages, which at first glance is a typical phone-obsessed teen who’s annoyed with her folks.

The one downside is that there’s a lot of ambiguity and not everything you’d think would be clarified is. Now, for me that doesn’t really take away from the novel, but for others it’s going to be frustrating.

Altogether, We Need to Do Something by Max Booth III is a terrifying rollercoaster of a novel. On a scale of 1 to 5, I’m giving it a 4.5. Grab a copy, use the toilet real quick (not during a storm, though), and get settled in. You’re going to want to read this one.

That’s all for now, my Followers of Fear. I’m hoping to get you my thoughts of Audition by Ryu Murakami by the end of the week. And when the movie for this novel comes out, I’ll probably review that too. And I’ll likely have more to say in the near future. Point is, there will be more from me soon.

In the meantime, however, I’ve got work tomorrow, so I’m getting ready for bed. Good night, sleep tight, and pleasant nightmares!

Audible’s audio edition of Dracula by Bram Stoker. Turns out, it was just what the Count ordered.

Everyone has heard of Dracula. Most likely, you’ve seen some version of him in a movie or a TV series .* But how many of you have ever read the original novel? Not many, surprisingly. Besides the fact that Dracula’s melted so thoroughly into pop culture, the source material is a Victorian novel written in the form of diary entries and letters. Even veteran bookworms have to steel themselves for those!

I tired once or twice in my younger years to read Dracula, but found it harder to get through than some Lovecraft stories and had to stop reading. Last month, however, Audible offered its own audio version for free as part of my subscription. I was like, “Maybe I’ll enjoy it more in audio form” and downloaded it.

Turns out, while Audible may have a dumbass exchange policy (and yes, fixing Audible and Amazon’s issues are still works in progress), the audio book was just what I needed. Great cast that brought the story to life and allowed me to get into it while driving or working out or cooking.

And let me tell you, Dracula the novel is good! It’s a slow burn Gothic story that takes its time building up an atmosphere as well as a conflict. By the time the action really gets rolling, the suspense and dread is so well-constructed that you actually feel a bit of worry with every encounter or setback the characters endure.

I also liked how a lot of my expectations were subverted while listening to the novel. Yes, his name’s on the cover, but Dracula himself doesn’t show up that much in the story past the first act. He’s mostly on the edge, only showing himself every now and then. While this may upset some readers who expect the Count to be front and center, it’s actually pretty effective. Whenever Dracula shows up, you know shit is likely to get real, and you’re waiting for that shit to happen.

Contrary to what the movies portray, Dracula is more on the edges and backgrounds than front and center.

Another surprise: while I expected Dr. Van Helsing to be an important character, Mina Harker (nee Murray) really stole the show. She’s easily smarter than most of the other characters, including the doctor, and could almost be seen as a proto-Buffy. The only reason she doesn’t do any slaying is because Victorian mores made it impossible for anyone, including Mina herself, to see her taking on a more active role against Dracula (much to their regret later). Kind of makes you wonder if Stoker was making some sort of feminist statement there. I’d love to see an adaptation where Mina’s the one kicking ass. You know, instead of falling for the Count and/or being totally helpless.

And there were some details in the story that I found fascinating, simply because they never make it into any adaptation. For example, Van Helsing hints that Dracula, for all his power and evil, has a very childlike brain when it comes to planning or deep thinking, and that hinders him when he comes to England. It’s amazing what never gets translated to the adaptations.

All that said, the novel isn’t without flaws. The character of Renfield, Dracula’s faithful madman, is pretty extraneous to the plot. He’s really just a vampire radar, and other than that, he doesn’t do much beyond be crazy and help develop Dr. Seward’s character. Then there’s Quincy Morris, a character from Texas who feels more like a parody of Texans from Western novels than a real Texan. And yeah, I would have liked to see a bit more of Dracula, as well as him being a big bad. That might just be my pop-culture image not lining up with the novel, but can you blame me?

All in all, though, I think Dracula is deserving of a 4.8 out of 5. It’s moody, well-written and worth the read if you find a format that works for you. Hell, I think I might go on a binge of Dracula-related media: some essays on the story’s deeper meaning, some adaptations, that novel co-written by Stoker’s descendant (yes, that’s a real thing). I might also write a story involving Dracula and characters in the novel. Who knows?

That’s all for now, my Followers of Fear. If you need me, I’m celebrating the first night of Hanukkah with vampires and jelly donuts (weird combination, I know). Until next time, happy holidays and pleasant nightmares!

*Speaking of which, I’m still sad that the 2014 NBC TV show was cancelled after one season. All because they didn’t give it the advertising it deserved. The fact that this might be the first you’ve ever heard of it unfortunately proves my point.

Death Note is a franchise I’ve been aware of since high school, and despite some issues I have with the source material (*cough* the second half of the manga *cough*), I’ve always looked at it fondly. It’s clever, has some really memorable characters and scenes, and the themes present in the story are always relevant. When I first heard of plans of an American version of the story, I thought it had some potential, which is why I was disappointed when it fell into development hell. But when director Adam Winguard and Netflix finally started to put the film into production, and despite the troubling news I heard leading up to the film’s release,* I still had hope.

Imagine how I feel now when I find the final result is not what I’d hoped for.

So for those of you who don’t know, Death Note is originally a manga about a Japanese high schooler named Light Yagami who discovers a notebook that kills anyone whose name is written in it. With the help of a death god named Ryuk, Light starts a killing spree of the world’s criminals to end all crime and to become a new god named Kira. He is opposed by L, a mysterious detective who has solved several high-profile crimes in the past, creating a cat-and-mouse game that could determine the fate of the world. The story has been adopted into anime, TV shows, novels, and even a couple of Japanese movies. Winguard’s version is the latest addition to the franchise, and unfortunately, it’s like that one relative whom you invite to family gatherings because he’s family, but you’re not happy about it because he’s an embarrassment to the whole family.

The biggest problem I have with this film is the many changes from the source material. Now, I’m open to some changes, like what the Japanese films did. Those were changes that strengthened the story instead of taking away from it. However, the majority of the changes here were unhelpful. Light Yagami, a handsome, charismatic and intelligent young man motivated by a sense of justice and boredom becomes Light Turner, an outsider who’s only a few degrees away from shooting up a high school, whose intelligence is only hinted at, and who screams like he has no confidence. Misa Amane, a blonde and bubbly airhead whom you actually feel sympathy for, becomes Mia Sutton, a cheerleader with no personality or backstory and too much enthusiasm for killing criminals. Lakeith Stanfield is actually pretty good as L for a while, but then in the last third goes completely off the rails.

Something went very wrong with this transition.

There are a whole bunch of other changes that I didn’t care for. The purpose of the Death Note and the reason why Ryuk drops the Death Note is changed, the default method of death for the Death Note isn’t in this adaptation, Mia isn’t given a good reason to want to use the Death Note like Misa Amane has, so her enthusiasm for using it feels strange, and the way L and his assistant Watari interact feels a little creepy rather than the working relationship they had before, and the list goes on and on. In fact, some of these changes open up plot holes in the story. For example, the change in the way L identifies the first victim of Kira, rather than making some sense like it does in the manga, leaves open some questions in this adaptation. Also, why does L have a false name but Watari is actually his real name, with no last name?

I also did not care for Margaret Qualley’s acting in this film, which felt emotionless and uninvested. It seems like she was trying to channel Kristen Stewart’s Twilight performance, which given all I’ve heard of that performance, explains a lot, but it’s obvious it’s not what we’re looking for in this movie. Also, who’s idea was it to make her look like an Emma Roberts impersonator in every shot?

Ryuk, played by William Dafoe, is definitely one of the better parts of the movie.

There were a couple of things I did like about the film, however. Ryuk looks absolutely terrifying, as he should, and is kept sinister throughout the film, thanks in part to William Dafoe’s phenomenal performance as the voice of the character (that man can do villains like no other). Mia is treated more as a partner in this film rather than as a pawn, which I’m sure many Misa fans, including myself, have always wanted to see (what can I say? You feel for her, despite her flaws and the blood on her hands). And if it weren’t for how bad the rest of the film is, the climax and its twist would actually be pretty impressive.

However, the rest of the film outweighs everything else, forcing me to give Adam Winguard’s Death Note a 1.1 out of 5, possibly the lowest score I’ve ever given anything on this blog. This is just the latest example of how NOT to adapt a beloved manga and anime, with way too many changes from the source material and bad choices on the part the people behind it, and a horrible introduction for newcomers to the world of Death Note.

Trust me, this is a much better movie than what we got.

If this left a bad taste in your mouth and you’re still willing to give this franchise a change, I highly suggest you check out the original manga or anime (the latter also on Netflix), or check out the Japanese films based on those. Unlike the Netflix film, any of these will show you how exciting and clever the original source material, as well as how memorable and even likeable, the characters really are. Believe me, there’s a reason why this story is the phenomenon it is. It’s just the Netflix movie isn’t part of it.

Hopefully in the future, if we have any other American adaptations of anime or manga, they won’t be anything like this.

*To be clear, I will not be getting into the whole issue of the races of the cast. Yes, whitewashing is a problem, and the casting decisions made in regards to this film are extremely problematic, but it’s not one I want to explore here. Why? Because it’s an extremely complicated issue and not something I usually get into in a movie review. I’m judging this movie as a movie, and I’m judging the actors for their performances, not for their racial or ethnic heritage. If you don’t like that, I’m sorry, but that’s just how I do things here. And if you want to voice your anger about this, don’t voice it at me. Voice it at Hollywood, because that’s how you can possibly make some positive change, instead of sending it my way while some corporate VP thinks Zac Efron would make a great Kaneda in a live-action American Akira remake or something (that’s an example, not an actual thing as far as I know).