Cover illustration of “Agoraphobia” by Don Noble and Rooster Republic Press
You know what one of the good things about February is? It’s easier to figure out what day something is in March and how far away it is by what the corresponding day is in February.
As many of you know, I’m releasing some of my shorter stories as e-book exclusives with the print versions only available as chapbooks at events (click here to find out what a chapbook is. Click here to here about future events I’m attending this year). Why? Because I’m constantly trying new things to expand my audience, and this is just one of them. Anyway, another one of my stories is coming out next month on March 16th. Which, as you might have noticed, is exactly a month away!
See? It’s the corresponding day in February. Works out wonderfully.
The story in question, “Agoraphobia,” is about a man with severe anxiety and agoraphobia who is forced to leave his home when a hurricane bears down on his area. Considering how anxious and agoraphobic people are during this pandemic, I think they’ll sympathize with the main character. I even based his anxiety feelings on my own feelings of anxiety, so I hope those parts will speak to readers.
Anyway, the story is available for preorder now from Amazon. I’ll leave the links below for you Followers of Fear to check out. And if you do end up reading the story, let me know what you think. Positive or negative, I love reader feedback, and it helps me out in the long run.
Anyway, that’s all for now, my Followers of Fear. I have work today, so I’m going to get on it. Until next time, stay safe and pleasant nightmares!
I first heard about this film last month, described as The Call of Cthulhu meets small Norwegian island and with Barbara Crampton of Re-Animator and Chopping Mall fame heavily featured in the marketing. The trailer looked cool, so I mentioned it in a post about cosmic horror becoming popular, and patiently waited for it to come out. I watched it evening, so obviously I have to write a review about it.
Based on a short story by Paul Kane* and influenced by the works of HP Lovecraft, Sacrifice follows Isaac Jorgstadt and his pregnant wife Emma as they return to the tiny Norwegian island where he lived until he was a child and his mother took him to America. As his mother has recently passed, Isaac now owns the home and has come to see if he can sell it. However, between the townsfolk’s bewildering behavior, unearthed family secrets, and strange dreams, Isaac and Emma find themselves in the crosshairs of a powerful cult worshipping an ancient and terrible god.
Pandemic or no pandemic, I think we can call this the first good horror film of 2021.
First off, the movie was really well done. The strange behavior of the townsfolk adds to this feeling of unreality in the story, which is heightened by frightening imagery and occurrences. The tension between Isaac, who becomes more and more enchanted by the island, and Emma, who is just freaked out, compounds the uneasiness we feel. And the slow-burn nature of the story ramps up in just the right way in the third act.
I also like the way HP Lovecraft’s work is incorporated into the story. Images and statues of Cthulhu–or as he’s known in the movie, “The Slumbering One”–abounds; Isaac’s name in America is Pickman, a reference to Pickman’s Model; dreams play a prominent role in the film; and of course, we get the occasional tentacles. You really enjoy stumbling across all these references and being like, “I get that!”
I always enjoy when cosmic horror is incorporated well into a non-Cthulhu Mythos film.
Excluding Barbara Crampton’s attempt at a Norwegian accent and one line that could be misconstrued as offensive to certain belief systems,** I only had one problem with the film. During the climax, the ending was epic and scary, and then that final shot felt…anticlimatic. I would have liked to see a shot of the Slumbering One or his tentacles or something. Just something more Lovecraftian and scary to end the movie with. Is that too much to ask?
All in all, though, this was a creepy and enjoyable ride. On a scale of 1 to 5, I give it a 4.1 As of right now, it’s only available from iTunes, but I say it’s worth the cost to check out.† Especially if you can pair it with some good calamari.
That’s all for now, my Followers of Fear. I’m off to birth my own nightmares. Until next time, pleasant nightmares (or as they say in the film, “dream well”).
*Whose work I need to check out.
**That better have been a put down on female genital mutilation and not on bris milah or similar rituals, I’m just saying.
†Hopefully you have an easier time playing the movie than I did. Still not sure if that was my iTunes player or my computer, but I had so many issues with the streaming.
Funny story: earlier this week, I found out I lost some weight, even though I hadn’t expected it (if anything, I thought I gained). I’m talking to my dad about it and say, “I’ve no idea what happened. I’ll have to watch my weight carefully for a while. Make sure I’m not going through something like out of Stephen King’s Thinner.”
My dad has never read a Stephen King novel in his life. His response was, “…okay.”
Me: “Trust me, it did not end well for the guy suddenly losing weight in that book.”
And if you count that as a spoiler, remember that book is nine years older than me. What were you doing these past thirty-seven years?
Okay, onto the meat of this post. The audience on this blog has been growing by leaps and bound lately. So first off, hi everyone. Thank you for joining the Followers of Fear. We don’t (normally) sacrifice members and there are hidden benefits to joining. Namely you’ll likely survive when I start the Apocalypse. Maybe.
Second, since there are so many of you, I thought you should know something about me and my works. First off, me: I’m a novelist from Ohio specializing in horror and dark fantasy. I like reading and writing, anime and horror movies, and being an unabashed eccentric. I also have three books and a short story on e-book available right now, so if you don’t mind (and if it doesn’t make you want to unfollow me), I’d like to tell you about those books. You know, in case you’re interested.
In his publishing debut, Rami Ungar brings us five terrifying stories of darkness in magic. You can experience the strange visions of a man battling sex addiction in “Addict”. Or feel the wrath of an enraged dybbuk in “Samson Weiss’s Curse”. Face your fears in Gene Adkin’s Murder House in “I’m Going To Be The Next James Bond” and then journey with a young autistic “In The Lady Ogre’s Den”. But most of all, prepare to play the most insidious game of all: The Quiet Game.
My second foray into self-publishing. While a lot of these stories aren’t as scary or as well-polished as some of my later work, I think they’re still enjoyable to a degree. Plus, I had a lot of fun writing these stories. Give it a shot if you’re interested.
How far will you go for love and revenge? When a young man’s girlfriend is kidnapped by the powerful Camerlengo Family, he becomes the Snake, a serial killer who takes his methods from the worst of the Russian mafia. Tracking down members of the Camerlengo Family one by one for clues, the Snake will go to any lengths to see the love of his life again…even if it means becoming a worse monster than any of the monsters he is hunting.
A homage to my burgeoning love to slashers, too many James Patterson novels, and Law & Order: Special Victims Unit, this was another one I had fun with. It’s also, too date, my longest book, over 100,00 words! And yet, people still find it a quick read. Must be the fast pace. Anyway, check it out if you like unusual tales about serial killers in your diet.
Rose Taggert awakens in a greenhouse with no clear memory of the past two years and, to her horror, finds her body transformed into an unrecognizable form. Paris Kuyper has convinced Rose that they are lovers, and as Paris could not bear for her to die, he has used an ancient and dark magic to save her from certain death. But the dark magic Paris has used comes at a price. A price which a terrible demon is determined to extract from Rose. As Rose struggles to understand what is happening to her, she must navigate Paris’s lies and secrets; secrets that Paris will do anything to protect.
I wrote this novel back in my last year of college as my thesis. It took five years, and more rewrites than I care to remember, but the novel was accepted by Castrum Press, my first novel with a publisher (and hopefully not the last). And you know what? Nearly two years later, it only just got its first one-star review! Yeah, that’s a record (and something I hold as a badge of pride). I think that makes it worth a try, don’t you?
So, those are my published works. And I hope to follow them up with plenty more. And while I work on those, I hope you’ll consider not only checking out these stories, but letting me know what you think once you’ve read them. I love getting reader feedback, no matter what that feedback is, and it helps me out in the long run.
Well, that’s all for now. I’m off to get a lot of sleep. Followers of Fear, stay safe, have a great weekend, and pleasant nightmares!
As many of you know, I recently moved into my new apartment, which comes with a second bedroom. I don’t really need a second bedroom, as my only roommate is Jonesy (and skeletons don’t need that much sleep), so I turned it into a home office where I can write and do my day job. And since I finished putting it together today (as well as putting up all the wall art and getting rid of all the boxes), I filmed a short YouTube video of my new home office/writing space. Or as I prefer to call it, THE NURSERY OF HORRORS!
And yes, you have to capitalize it when writing out the name. I wrote the rules, and I enforce them as well.
Anyway, the YouTube video is below. It’s about six and a half minutes long, so why not give it a watch?
Anyway, I hope you enjoyed that tour. If you did, please consider liking and/or commenting on the video. Maybe even subscribe as well? I don’t post often to the YouTube channel, but when I do, it’s usually because I’m passionate enough about what I’m posting. Link for the channel itself is here.
In the meantime, I’m looking forward to writing, editing and (hopefully) publishing some stories here that will scare the pants off of you in this new writing space. I’ll keep you updated on those as they happen. Until then, good night and pleasant nightmares to you all!
So, I’ve been living in this new apartment for two and a half days. And I’ve been adjusting pretty well. Unlike my skeleton roommate Jonesy, who had a bit of a miniature freak out after arriving in the new home.
He then fainted.
Thankfully, he adjusted after a while. Now he’s just hanging around until I can find a permanent place to put him.
Jonesy’s hysterics aside, the move has been easy. As it was in the same complex as my old apartment, getting all my stuff from one to the other wasn’t too hard on me or the movers. Getting stuff out of the boxes was a simple task. Honestly, the hardest task so far has been putting up a shelf on the wall of my bedroom, but that was mostly because of issues with the tools.
Anyway, I imagine I’ll be done moving in and turning the apartment into my new realm of nightmares by Saturday. I’m still putting together a new bookcase (the one I bought secondhand in college fell apart during the move. Apparently it wasn’t meant to last more than seven years, which I didn’t know when I bought it), and I have yet to put up my wall art, masks or Jonesy. But after that, I plan to film a tour of my new home, particularly the home office (I love having my own office in my home). And after that?
Well, I hope I can get back to my routine. Kid you not, I have not been doing any serious fiction writing for several days and I miss it. Part of that is the move, but there’s also various projects I’m working on, including Agoraphobia, that are taking up my time. I’m also waiting on feedback from some alpha and beta readers so I can work on the next drafts. And today I went back for the work for the first time since last week, so that took up some time.
Oh, and I need to sleep. Seriously, I make Jason Voorhees look like a harmless little rabbit when I’m sleep deprived.
All that being said, I wouldn’t say that this time spent not writing has been wasted. I’m coming to like this bigger apartment, as well as decorating it to my unusual tastes. The work can be exhausting, but it’s satisfying, in its way. And those other projects are coming along well. Agoraphobia‘s ready from a text standpoint, and I’m talking with an illustrator for a cover. I heard back from one beta reader for The Pure World Comes, and she said she loved the story. And my dad read another story I wrote recently, as his perspective as a rabbi was required for this story. He said he enjoyed the story and we’re going to find time soon to talk over the phone (or maybe Zoom?) and discuss the story.
I look forward to getting back to this. And yes, this is an accurate representation of what my writing sessions look like.
And I’ve done a bit of work for a new story set in the world of “Mother of the King.” Still need to do some outlining, but I’ve laid the groundwork, so hopefully a first draft isn’t too far behind.
So yeah, time hasn’t been wasted. And once all the moving in is done, I’ll be able to get back to a routine and continue telling stories that terrify the crap out of people.
Well, that’s all for now, my Followers of Fear. It’s been another long day, so I’m looking forward to a nice, long nap. Until next time, stay safe, pleasant nightmares, and if you’re a stalker trying to find my new place, do so at your own risk. They still haven’t found the remains of the last stalker who broke in, after all.
Well, they did find a finger. But hey, I was sleep-deprived.
Back in November, I announced that I was going to release some of my short stories as e-book exclusives, with print versions available as chapbooks at events (click here to find out what a chapbook is, and click here what events I’ll be attending in 2021). At the beginning of December, I released the first of these stories, an Arthurian fantasy called “Mother of the King” (links below). That did very well and got good feedback. And based on that feedback, I’ve decided to tell further stories in that world.
While those are still gestating in my imagination, however, I still plan to release a few short stories over the course of the year as e-books. And, if the title of this post didn’t clue you in, I’ve decided on which story will be getting the e-treatment: “Agoraphobia,” which follows a man with severe agoraphobia and anxiety trapped in his home during a hurricane. And there’s something in his home with him.
I chose this story because I’ve gotten a lot of good feedback from beta readers on the language and portrayal of anxiety. I also think, since this is more horror than “Mother of the King” was, more people will show an interest in it and want to download it. And of all the stories I’m considering for e-release, it’s the most edited, so that’s helpful.
Before I set a release date, however, I’m going to go through this story one more time and see if I can’t fix up any typos or whatever. I’ve recently learned how to do that thing where Microsoft Word reads your document to you, so I’m looking forward to using that as an editing tool. After I’ve gone through and cleaned it up as much as possible, I’m going to commission an artist to make a cover, as I feel that there aren’t any stock photos or covers I could use like I did with “Mother of the King.”
After all that, then I’ll set a release date, let you all know, and get the ball rolling on that marketing machine of mine. I hope you’re as excited as I am for me to get this story out there.
In the meantime, I’ve got some other stories available if you want to check them out. My other e-release, “Mother of the King,” is available, of course, but so are my fantasy-horror novel “Rose;” my serial killer-thriller “Snake;” and my collection of short stories, “The Quiet Game: Five Tales to Chill Your Bones.” I’ll leave the links below if you want to check them out. And if you do end up reading them, please leave a review or let me know some other way what you thought. Positive or negative, I love your feedback, and they help me and other readers in the long run.
That’s all for now, my Followers of Fear. Until next time, stay safe and pleasant nightmares!
You know, I still remember when it took me months to write a short story. Or it felt like months. It might have been less. But it took a lot longer. I didn’t always have that great discipline when it came to writing, so projects took a lot longer than they do now. I guess that’s growing up and getting experience.
Well, at least it doesn’t take that long to get stories written now. Because, guess what? I just finished my first short story of 2021!
Can I get a GIF of Kermit the Frog being totally excited right now?
Was that necessary? Not at all. Did I enjoy putting it in there? Quite.
So, I’m sure you’re curious about the short story I’ve written. The story is called, “The Divorce from God,” and is unusual for my work because it draws very strongly on my Jewish heritage. Yeah, I may be Jewish, but that doesn’t appear in my fiction very much. Probably a number of reasons for that, but I guess there’s just not many stories I feel like telling where my heritage could fit comfortably in.
However, this story was inspired by a recent scandal in the ultra-Orthodox community, so this time the Jewish heritage fit in quite well. In case you weren’t aware, back in 2013 an ultra-Orthodox rabbi was arrested for some serious crimes. You see, in Judaism, a woman can only get a divorce if her husband gives her a document called a get. Without that, she’s forever tied to him. And sometimes, husbands will hold that over their wives, leaving them with few options. Women stuck in this situation are known as agunot, or chained women.
I bring this up because the rabbi I mentioned was being hired by these women to kidnap their husbands and torture them until they granted the divorce. And the guy charged thousands of dollars for his services, too! He got away with this for decades, protected by his victims’ unwillingness to testify or by the charges being dropped. However, after one of his victims came forward, the FBI pulled a sting and he and his cohorts were arrested. Most of them are still serving their sentences, last I checked.
I first heard about this story last year when I heard that a movie was being made about it. The story immediately inspired me with ideas. And then, about a week ago, I heard about an anthology of Jewish horror being published later this year, so I thought, “Might as well write this story now. It’s a good fit.”
It was a good night of writing, all told.
And hopefully, once I’ve done some edits, it will be. I’ve already sent it to my dad, who’s a rabbi and who’s agreed to take a first look, to give his feedback on the Jewish aspects of the story and if I do a good job explaining those aspects for a non-Jewish audience. After that, I’ll probably let a beta reader or two take a look at it and do some edits before sending it in for consideration. Fingers crossed, the editors will like it.
For now though, I think I’ll celebrate with a cup of tea and a late viewing of Die Hard 2, which is probably the best of the Die Hard sequels. Tomorrow, I’ll probably talk about my next major project. Or watch and review a horror movie. Or both. We’ll see what I’m in the mood for.
Good night, my Followers of Fear. And until next time, stay safe and pleasant nightmares!
You’d be surprised how many people would want to see a ballet with this guy.
Many of you already know that I’ve been a huge fan of ballet for the past several years. Those of you who didn’t, now you do (and can read this post for my full thoughts on the art form). Ballets and dancers sometimes appear in the stories I write, and I have even had a few ideas for ballets that I’m keeping in reserve.* And since this pandemic began, I’ve missed going to the ballet and seeing these amazing shows. I hope that when the pandemic ends, I can see them live again.
And I hope that some of those ballets might be based on or around horror stories.
Yeah, I know what some of you are thinking. Ballet based on horror stories? When it’s so beautiful and sophisticated? But hear me out, it’s not such a crazy idea. There actually have been ballets written around horror stories or dark subjects. Dracula has a famous ballet, after all, and Frankenstein, Sweeney Todd and The Tell-Tale Heart, among others, have been adapted for dance. Giselle‘s entire second act is a ghost story involving vengeful female spirits; La Syphide features a spirit called a sylph and a coven of witches; The Rite of Spring was literally designed to unnerve people with its music and choreography; Fall River Legend is a loose retelling of the Lizzie Borden murders; and The Cage is literally about insectile females who eat their male counterparts!
And I would be remiss if I didn’t mention Black Swan, which melded psychological thrills with ballet, albeit being very inaccurate about life in a company.
So clearly, there is already a history of horror in ballet. And I think it would be cool and perhaps even groundbreaking to write some new, darker ballets after the pandemic ends and companies have had a chance to get back to putting on shows.
Were you aware ballet could be so scary?
And before you say, “But lots of families go to the ballet. Won’t these stories traumatize them?” I do admit that’s possible. However, I’m sure plenty of kids have come out fine from seeing Giselle or Rite of Spring. Besides, kids are often more resilient than we give them credit for. And nobody seemed bothered enough to ask that question when they were making family films in the 1980s (*cough* Secret of NIMH, Return to Oz, The Witches *cough*).
And there are plenty of properties and stories to adapt from. Obviously, I’ve got a few stories up my sleeve.** But if you’re still unsure, here are some stories I think would make great ballets if a company were to try:
I really think The Shining could make a great ballet if given the chance.
The Shining. I know this one has already been made into a movie, a TV miniseries, and an opera, but I think The Shining could make a stunning ballet. Compared to King’s other works, it’s not very complicated, and the story is quite personal as well as scary. The Overlook Hotel would make for a great set piece. And besides Carrie, The Shining is the only story I can think of suited for dance (and Carrie already has a so-so musical already, so perhaps not).
Friday the 13th. I know what you’re thinking, but hear me out. Friday the 13th has a passionate fanbase who will go mad for anything new in the franchise, including fan films. The films always feature a lot of action, which could easily translate to dance. And I’ve seen people bring up a Friday the 13th ballet on Twitter and get enthusiastic responses. Granted, when I did a poll on the subject, I only got two responses, but they both said they’d pay to see that kind of show, and the poll only went on for three hours. A longer poll might get more responses.
Something featuring a werewolf. As vicious beasts, as warriors against witches, and as tragic figures trying to understand their place in the world, werewolves are versatile creatures with an extensive mythology. It wouldn’t be too hard to come up with something involving them.
Something with cosmic horror. Again, I know what you’re thinking. But as I said in a previous post, cosmic horror is on the rise, and there are plenty of ways to tell an excellent story about great, indomitable entities without actually featuring them (or all of them). Like werewolves, it wouldn’t be too hard to come up with something. Just needs a little imagination.
The Legend of Sleepy Hollow. Washington Irving’s tale lends itself well to adaptation, so I think having a ballet around it wouldn’t be too much of a stretch.
Carmilla. A vampire novel predating Dracula, it’s famous for its Gothic storyline and lesbian themes. I think with a few tweaks (not to the LGBT romance), it could make an enchanting story.
As ballet is a constantly evolving art form, I think there’s plenty of room to experiment with adding horror to a company’s repertoire. Sure, it might not be conventional, but it could be a lot of fun. And who knows? In addition to bringing in new fans, a ballet based around a horror story could become as big as Nutcracker or other famous ballets. You never know.
What do you think about having horror-themed ballets? Are there any stories or storytellers who would be well suited to the art form? Let’s discuss.
*BalletMet, or NYCB, or any company who might be interested. Give me a call or send me an email. I’m not only easy to work with, I don’t cost an arm and a leg.
I looked for a cosmic horror GIF, and this was my favorite.
Cosmic horror is everywhere these days. Since HP Lovecraft first kicked off the subgenre in the early half of the 20th century, it’s spread from pulp magazines to all corners of horror literature, to table-top roleplaying games and video games. And while cosmic horror has been in the movies and on TV sporadically since the 1960s, in the past couple of years we’ve seen a glut of it on those mediums: Annihilation, Stranger Things, The Color Out of Space, Underwater, Lovecraft Country (which I’ll be watching soon now that I have HBO Max), The Endless, and most recently, The Chilling Adventures of Sabrina‘s fourth season (though not very well).
And there are more on the way. Just today, I heard about a new film called Sacrifice coming out next month that has Lovecraftian themes (click here to check out the trailer). Sometime this year, the long-awaited anime adaptation of Uzumaki by Junji Ito is supposed to air. Richard Stanley, the director of Color Out of Space, hopes to do a trilogy of films based off Lovecraft’s work.
And there’s a lot more that I probably don’t know about. Plus new games, novels and short stories, comics, manga and anime, poems and art! Cosmic horror is kinda going mainstream right now. Or as mainstream as horror can get.
Color Out of Space was awesome. And we may have more like it in the future.
The question is, why now? Why is this particular subgenre only now just getting mainstream acceptance? Why the sudden enthusiasm?
I think there are a few reasons. One is time and a devoted fanbase. Cosmic horror, as I said, originally came from pulp magazines with very small circulation. However, the fans who enjoyed the stories of Lovecraft and those who played in his world–what would later be known as the Cthulhu Mythos–preserved and kept the stories going even after the deaths of the magazines and of Lovecraft. Through hard work and advocacy, more fans found cosmic horror and found themselves drawn to the stories. Then as now, fans would then tell other fans, or create their own work based on these stories, which has a looping effect of creating more fans through exposure. So, it may have taken time, but cosmic horror has been able to spread with patience and the love of many who follow it.
Almost sounds like cosmic horror is an eldritch deity in and of itself, doesn’t it? I find that hilariously appropriate.
Another factor at play, I believe, is that modern audiences are more receptive to that kind of horror than they have been in the past. Like I said, it’s taken time for cosmic horror to penetrate the public consciousness, and so for many people, cosmic horror may be a nice change of pace from the usual horror fare. We’ve seen plenty of haunted house stories, slashers, and sequels and ripoffs of possession or ghost stories. Those elements are not normally part of cosmic horror. In fact, it could be a breath of fresh air for audiences.
And finally, while cosmic horror normally deals with ancient, otherworldly gods and terrible secrets, it’s a great place to talk about modern issues. Granted, horror has always been a place to explore our everyday fears and anxieties, but cosmic horror, through the perspectives and interactions of its human characters against these terrors, can do it in a unique way. Lovecraft Country uses cosmic horror to explore racism, which both was part of the genre’s start and which is a current problem today.
Is it too much too hope that one of those works might be a kickass, terrifying adaptation of Hellstar Remina by Junji Ito?
And I wrote a novella, What Errour Awoke, that combined elements of cosmic horror with the current pandemic to explore the fear with the latter. And yes, I still hope to get that published.
So, with all these factors, can we expect more cosmic horror in the near future? I think so. Maybe not in huge numbers from the movie industry, as cosmic horror tends to have a spotty track record there.* But certainly in other mediums. Horror-themed TV has been booming, so we’ll likely see plenty of shows exploring those themes in the future. Comics and manga have always loved cosmic horror. And, of course, we’ll likely see many, many new books or short stories in that vein.**
So long as they’re made with lots of love, both for the subgenre and for the projects themselves, rather than for the money, I look forward to it.
Are you a fan of cosmic horror? Are you enjoying the wave of new works in the subgenre? Let’s discuss in the comments below.
*While they were well-received by critics and moviegoers, Annihilation and Underwater underperformed at the box office, and Color Out of Space only had a limited theater release.
**Hopefully, I’ll be able to add to this. I’ve a few cosmic horror ideas waiting to be written. I’d love to share them with you all someday.
Fun fact: apparently Scott Carson is actually Michael Koryta, an award-winning author who does both crime and supernatural fiction. If what I’ve heard is true, his fanbase is pretty divided between his crime and supernatural books, so he created a pen name for the latter going forward. Everyone got that? Good. Onto the review!
The Chill takes place in the fictional Torrance County, upstate New York, home of the fictional Chillawuakee Reservoir, or “The Chill.” This reservoir was built at the loss of a small town called Galesburg, which was submerged after the dam went up. Prior to that, some of the Galesburg residents didn’t take kindly to being evicted so New York City could have another freshwater supply, and reacted violently. Even after the dam went up and many of the protesters died, some still swear revenge. Now, nearly eighty years later, the dam is old and in need of repairs, and the dead are aware of this. They’re active, they’re working behind the scenes, they do not forgive and they do not forget. And they want their revenge.
So, the concept of the story is pretty cool. It kind of reminds me of The Shining, though instead of ghosts at an old hotel, it’s ghosts by a dam and the afterlife is kind of busy and cult-like as well. You can tell the book was meticulously researched by how it goes about explaining the inner workings of dams and reservoirs, as well as (what I assume to be) the problems with maintaining them. And the prophecy in the story makes a clever twist on the trope that I like.
However, there were a lot of problems with the novel. For one thing, it seemed to take forever before it got interesting. Several times before the halfway point, I wanted to put the book down and not read anything else because of how slow it was going. We also don’t meet one of the focal characters, Gillian Mathers, until about a quarter in, and it takes even longer for us to identify with her and see her as more than just a trope in a story. I feel like Carson wanted to focus less on her until she was needed because she is a type of trope, and instead focus on another character, Aaron Ellsworth, because he’s got a much more interesting character arc.
Another issue was that, while the dams were well-researched, I had trouble visualizing certain things in my head. I’m not familiar with dams, and I don’t know many people who are beyond the fact that they hold water back. It would have been nice if a couple more paragraphs were shown to help readers like me visualize the structure, the discharge tunnel, etc.
However, past all that, it does get interesting. There are some spooky scenes, an epic disaster scene, and some excellent writing. I just wish we’d seen more of that in the first half.
On a scale of 1 to 5, I award The Chill by Scott Carson a 3 out of 5. It’s okay, but there were definite areas to improve in.
That’s all for now, my Followers of Fear. I’m still relaxing so that when I return to writing, I can be as refreshed as possible. Until next time, stay safe and pleasant nightmares!
Rami Ungar The Writer 