I wasn’t planning on writing a blog post just a few hours after the last one came out. But like the title says, I had some unexpected good news (as well as permission to share the good news), so I might as well write a post.
As some of you may remember, last year I wrote an article about writing romantic subplots in my stories while being aromantic. If you’re unaware, that means I can’t feel romantic desire or attraction. It’s a real thing, is experienced by possibly one-percent of the world’s population (the research into this is still in its early days), and is coded into our DNA. Anyway, I thought it would be interesting to share my experiences writing romance when I have no experience nor desire to be romantic, so I wrote an article about it.
That article was published last year by Interstellar Flight Press in their online magazine, and continues to get reads to this day (trust me, I get stat updates regularly). And I just found out from the editor of Interstellar Flight Press, Holly Walrath, that my article will appear in Interstellar Flights Best of the Year anthology, Volume 6.
I cannot say how honored and excited I am about this. Not only does Interstellar Flight Press publish some really great fiction and non-fiction, they publish a lot of it. So, the fact that they were impressed by my essay enough to include it in their annual Best of anthology means a lot to me.
At the moment, there’s no word on a release date. However, given that the anthology covers material published in 2024, and we’ve got about four months and two weeks left of 2025, I would assume they would be releasing it in the near future. Whenever if comes out, I’ll be sure to let you all know.
In the meantime, if you would like to read the essay yourself, I’ll include a link below, as well as a link to Interstellar Flight magazine. I hope you’ll give them both a look, and let me know what you think about the article.
And until next time, Followers of Fear, good night and pleasant nightmares.
A couple of weeks ago, my friend and colleague Ruth Ann Nordin wrote about why she enjoys horror and romance stories (you can read her full post here). Midway through her post, she mentioned how she doesn’t like open endings or where things are left up to the reader’s interpretation. After reading her post, I commented on her post, “Ironically enough, a lot of horror stories have open endings, which only helps accentuate the feelings of horror and dread.”
I’ve been thinking about that conversation since then, and now I want to write about ambiguity in fiction. Especially in horror. And how that, as frustrating as it can be to some readers, that ambiguity can be helpful to stories at times.
Now, I’m not writing this to trash anyone who doesn’t like open endings or stories that leave unanswered questions. People have different preferences, and that’s okay. And honestly, at one point, I felt the same way…until someone pointed out that I’ve written stories like that in the past. I’m just writing about the open endings and the unanswered questions sometimes help a story more than wrapping everything up in a neat little bow.
So, why would writers create open endings? Or leave questions unanswered? Well, barring cases where extenuating circumstances keep the creator from tying up all the loose ends (*cough* Disney canceled The Owl House way too early *cough*), there could be a variety of reasons. In horror, it could be for a very simple reason: doing so makes the story that much scarier.
Great film. Lots of unanswered questions…until the sequels, at least.
Let’s take Hell House LLC. This horror film, while not in my top six, is a favorite of mine. The film is a found-footage mockumentary revolving around a horrific tragedy at a haunted attraction, and what happened to the team behind the attraction. While, over the course of events in this movie, what caused the tragedy in the first place is explained, a lot of things are left unanswered. Things are further explained in the sequels, but if you only see the original film, the things that are left unexplained lend this air of mystery to the story. And the fact that, at least for that film, we’re left to question what we don’t know, can be terrifying.
Another great example: Perfect Blue, one of my top six horror films and one of my favorites ever. I’ve discussed it here before, but if you’re unfamiliar, it’s an anime film about a celebrity who is hunted by a violent stalker, leading her to spiral into paranoia and madness. While the first third is straightforward, and the final third wraps things up nicely, the second third does a damned fine job of making it hard to tell what’s real and what’s delusion. You really feel the protagonist’s terror as she tries to figure out what’s real and what’s not, only to be swept along and finally stop fighting against the current.
Speaking of paranoia and madness, cosmic horror, especially Lovecraftian horror, thrives on ambiguity. The Great Old Ones and other ancient beings often have forms that are undefined by the writers. The most we can say is, “it’s so scary, even thinking about what it looks like is too terrifying! Also, it’s so unlike anything I know, my mind is having trouble defining any particular portion. That being said, it’s so scary, I can’t write it down to tell you about it.”
Even my Cthulhu statue is only an approximation of his true form!
Even Cthulhu, who is the most well-known and most defined of the Great Old Ones, is somewhat undefined. Technically speaking, his whole man/dragon/octopus thing is what people are able to recall he looked like. He’s still somewhat difficult to describe.
And that’s scary. We fear the unknown, and when we can’t fully define what we’re dealing with, it’s frightening.
So, yeah, ambiguity can be frustrating. But it does have its uses. And in the horror genre, it can help us horror writers do what we do best: scare people silly. Hell, at times, it helps the stories become that much more notable. And if a story can be made better by a bit of ambiguity, then a little bit of frustration is well worth the cost.
That’s all for now, my Followers of Fear. I’m off to make dinner and figure out what I’m doing with the rest of my evening. Until next time, good night, pleasant nightmares, and 82 days till Halloween. Thankfully, there’s nothing ambiguous about that!
Usually, when I do these update posts, they have a sort of format, with specific sections devoted to specific items or topics. But this time, I’m doing things a little differently. Why? Well, it just feels right to do so.
Plus, it’s not like I’m overflowing with news. I just want to update you guys on a couple of items.
So, as you may already know, I’ve been doing a ton of editing lately. A Great Editing, so to speak. I’ve already edited two novellas, and I just finished editing another draft of The Shape of Evil, AKA the 3D Printer from Hell story. Yeah, I hear you. “What? You did another edit of that novel? Why didn’t you tell us sooner? That’s kind of your thing!”
Well, it was on the suggestion of one of the agents I pitched the book to at StokerCon. They got back to me last month and encouraged me to make some changes, including aging up the characters a bit, before they read the rest of the book. After some discussion and consideration, I agreed, and I’ve spent the past month doing those edits. The result is a fourth draft of The Shape of Evil, which I think is even stronger than the last one. And I’m looking forward to sending this draft to that particular agent very, very soon.
By the way, that new draft? I finished it yesterday. I took a day off from work for a mental health day and spent most of it just working on the draft. Finished the final 100 pages or so in a couple of hours.
Now, what’s next? Well, I think I’ll take a break from editing and work on some new short stories. I’ve already started doing research for one of them, and I already have all the research materials I need for the other one. After that, I have a short story, an essay on ballet and horror, and two more novellas that need to be edited. After that, I think I’ll focus on newer work while also trying to find homes for the already edited stuff.
Or I’ll edit the stories I plan to write and try to find them homes, too. Man, it’s so hard trying to strike a balance between writing new stuff and editing the completed stuff! Especially when you’re working a full time job and keeping up with all of life’s demands, like I am.
But hey, I’ll make it work somehow. I usually do.
So yeah, if this was too long to read: lots going on, lots of editing, and some new work on the way as well. But what else is new?
That’s all for now, my Followers of Fear. I have research to get to if I want to get these stories out. Man, just actively researching them and figuring out the names of the characters has me so excited! I’m looking forward to seeing how these stories turn out once I write them.
And speaking of excited, Followers of Fear, we’re 85 days away from Halloween. Have you decided what you’re going to be reading this spooky season? If you’re still looking for the write book, or you want to support me (or both), I have plenty of stories available, including some free ones. Not to mention a wide variety, too! So, if you’re at all interested, click on the link below and check out my bibliography. You might find your new favorite Halloween read among the catalog.
Until next time, my Followers of Fear. Good night and pleasant nightmares.
Happy Birthday to the blog, Happy Birthday to the blog. Happy Birthday to Rami Ungar the Writer! Happy Birthday to the blog.
I did warn you that I would have a new blog post out sooner than you might expect. Still, pretty incredible, isn’t it? That today is the fourteen year anniversary of when I set up this blog?
I think I say this every year, but it’s kind of incredible that I’m still blogging all these years later. I started writing this blog at the library near my mom’s house the month before I started college, hoping that, as I entered the world as an adult, I could build an audience for when I started publishing. I was just a young, naive, newly-minted adult back then, no idea where my life was going beyond starting school and working towards my dreams.
Now look at me. I’m a man in my thirties, with a job and my own condo and books to my name. Still no idea where my life is going at times, but I’ve already accomplished some dreams and I think I’m getting closer to making some more come true.
And this blog’s been through it with me the whole journey. There were times, especially early on when getting only a view or two per day was considered a good day, where I thought about giving up on the blog. But I persevered. I kept posting, especially when I had good news or stories to share. And before long, people found it. Some of them even became my friends. Some of them read my work. And many of them are still following me, all these years later.
So, thank you, Followers of Fear. Whether you only just started following me a few weeks ago, or you’ve been here since the beginning, or anywhere in-between, you have kept me going through thick and thin. Through good times and tough times, through celebrations and failures, and through times of fast growth and times of slow growth. It’s fair to say that, without you guys, neither me as a person, nor me as a writer, would be where I am today.
Here’s hoping when I write this post in a year from now, I have plenty of developments to celebrate, and plenty more people here to celebrate with.
In the meantime, my Followers of Fear, if you want to celebrate with me, if you want to support me, or if you’re just looking for a good scary story or two to read this spooky season, I’ll include the link to my book page below. From plant/human hybrids and strange gods to Mafia-hunting serial killers and carnivorous horses, I have something for every horror fan (including some free stuff). So, go ahead and take a look. You might find your next favorite read.
And if you do end up reading something of mine, please consider giving it a review. Positive or negative, I love reader feedback, and it helps both me and your fellow readers in the long run.
That’s all for now. I’m off to a meadery to celebrate. Until next time, my Followers of Fear, good night, pleasant nightmares, and 90 days to Halloween!
This isn’t my normal review. But then again, this is far from a normal graphic novel.
So, when you think of tiny, humanoid people, what do you think of? Fairies? The Borrowers? How about tiny people living inside you (and I don’t mean the emotions from Inside Out)? Not with Beautiful Darkness, a graphic novel by Fabien Vehlmann and Kerascoet.
The graphic novel starts out prettily enough. A girl named Aurora, who is like a Cinderella in a 1950s housedress, is being courted by a princely character named Hector. She’s helped by a short little friend named Plim. In the first page and a half, their romance is going just like a fairy tale…until the cutely drawn characters’ home starts dissolving around them, forcing them to leave.
And then it’s revealed that home is the body of a little girl, left abandoned in the woods to rot. Her name, who she might have been, and how she died, never revealed.
And that’s just the start of a very dark saga dressed up in art that, in another graphic novel, would fit nicely in the children’s section at your local library.
This image is so disturbing, I almost didn’t include it in this review.
Aurora quickly finds herself trying to be a leader as she and the other survivors learn to grasp their new surroundings. However, Aurora, who might be the most realistic, as well as the most idealistic, of this community of tiny people, do not have it easy. Except for one mouse, all the animals and insects are as wild as you’d expect, and do what animals do best. The elements take their toll as well. Schemes to survive lead to further deaths or maiming, such as when one character tries to sneak into a nest full of baby birds and eat with them. The result is that her mouth gets torn open by the mother bird’s large beak, leading her to throwing up blood and running away.
But worse than animals, or nature, or survival attempts, are Aurora’s compatriots. Perhaps because they lived inside the body of a little girl, they are almost oblivious in their innocence and naivete. They see each other die, and move on to fish or fly kites or dance like it was nothing. They scheme against and backstab one another. They even kill each other, and do it with such callousness, never once sparing a thought for the lives they’ve taken!
All this betrayal and disappointment wear on Aurora, especially after her leadership role, and her lover, are usurped by rival leader Zellie. She later thinks that she’s found a friend in a loner survivor named Jane, but events soon force her to make the ultimate choice.
A prime example of how dark and uncaring the world of these characters is.
I’ve written before about “corruption of the innocent” before. The idea that the horrors one faces through a horror story destroys whatever innocence you have left and transforms you into something new. It could be childhood innocence, or that you thought the world was a rational place full of rational people, or that the world is ruled by a loving and merciful god. In some subgenres of horror, like Gothic, it could be considered essential. I certainly consider it essential, to the point I have a tattoo on my back representing it.
And it’s been such a long time since I’ve seen it done so well. Aurora tries to stay strong, but her innocence is destroyed in a world where she and her people are as inconsequential as dust motes, and those she should be able to rely on smile innocently while they betray her. In a way, it’s like cosmic horror, only instead of Cthulhu and the Great Old Ones, it’s a forest full of hungry animals and violent nature, as well as your own community.
(That’s not my observation, BTW: it’s the YouTube channel Tale Foundry, where I first heard of this graphic novel and which I highly recommend. You can check out their video about it here, but beware of spoilers.)
Anyway, it’s probably only a matter of time till this graphic novel appears on my personal shelves. In the meantime, I’m awarding Beautiful Darkness by Fabien Vehlmann and Kerascoet a 4.8 out of 5. It’s dark, it’s disturbing, it’s possibly the prime example of a new subgenre called “innocent horror,” and I think you should check it out.
Just don’t show it to young children afterwards. It’ll mess them up in all the wrong ways.
I was watching the movie adaptation of My Best Friend’s Exorcism with my sister the other day. And, right before they’re about to do the exorcism, the exorcist asks the main character if she’s been baptized. And the main character, a high school senior at a Catholic school, taking catechism classes and attending evangelical events at school, says in a deadpan voice, “I’m Jewish.”
My sister and I, as well as her roommates (it was movie night at her place), burst out laughing, because it was great comedic timing. Plus, it wasn’t something about the character that was in the book, so I hadn’t seen it coming. But looking back on it now, I can’t help but feel like it’s the latest example of an issue of Jewish portrayal in media.
I said in a previous post that I might be talking about problems of portrayal I see in media, thanks to the panel I was on last month. And I’ve noticed that portrayal of Jews in the media–at least the media I’ve been consuming–has been problematic. This is because, generally speaking, I have noticed Jews tend to be portrayed in one of three different groups:
The religious types. They’re Orthodox, with black coats and beards. At least one of the men is a rabbi, and if the story is speculative in nature, Kabbalah shows up somewhere. I’m not too upset about this portrayal, because I have seen some good and nuanced portrayals of this group since Fiddler of the Roof. I’ve even used it myself. Still, it’s done A LOT.
The barely-Jewish portrayal. They say they’re Jewish, but the characters eat bacon, have barely any connection to their ancestry, and their religious affiliation is only used as a joke or a quirk of their character. Examples include Howard Wolowitz from The Big Bang Theory, Rachel Berry from Glee, and, most recently, Abby Rivers in My Best Friend’s Exorcism. There are Jews like this, but it’s nuts that this is the biggest alternative to the religious types I see in media.
Jewish equals some weird behavior or stereotype. The fact that they’re Jewish usually translates to some silly behavior or conglomeration of behavior or traits that defines their entire character and is equated with their Jewishness. Maybe they’re clownish wimpy goofs that are always going “Oy vey” and speaking in funny voices, like Krusty the Clown in The Simpsons or Mort Goldman in Family Guy. Or they’re hypochondriacs, like Stan Uris in IT. Usually satirical, but sometimes it’s meant to be taken seriously or realistic, like in IT.*
Ziva David. So far, the most unique portrayal of Jew I’ve come across.
Honestly, the only character I’ve seen buck this trend is Ziva David from NCIS, a former Mossad agent from Israel who was tough, somewhat religious, and very connected to her Jewish heritage and faith. When I watched NCIS, I absolutely loved her, and was so sad when she left the series for good. That was a great and different portrayal of a Jew on media. (As for her being portrayed by a Catholic actress…well, she’s still a great character.)
But that’s the only one. And honestly, I think that’s a damn shame. There are so many different kinds of Jews out there: Jews who are religious but enjoy listening to the Ramones and going out for drinks and bowling with friends; non-religious Jews who are connected to their heritage and use it to make art; Jews who are both Israeli, Jewish, and Arab (just read about him yesterday in an article a friend sent to me); and the disabled Jewish horror writer who lights Shabbat candles on Friday night and keeps kosher while also seeing plays on Saturday afternoons or getting tattoos of Tarot cards all over his body.
Me, if you couldn’t tell.
This is why I’m not just writing an increasing amount of Jewish characters in my work, but also a wider variety of Jewish characters. There’s the married and heavily connected Jewish gay couple in “The Red Bursts,” one of the stories in Hannah and Other Stories; the rabbi, his less-religious but still Jewish best friend and his secular daughter in “The House on Lafayette Square” in Symphony for Walpurgis; and in The Shape of Evil, a Jewish teen on the spectrum (who’s only partially based on me). And I hope to write many, many more.
It may be only a drop in the water. But mentioning those stereotypes at StokerCon did make one or two writers consider how they were writing their Jewish characters. Perhaps mentioning them here, and writing all those characters, might cause some positive ripples. Which, in these scary times, would be most welcome.
I very much prefer this version of Stan than the one in the book.
*In all honestly, I hate Stan Uris. At least Stan in the book. I love King and I love IT. Hell, I’m a horror writer because of them both. But Stan was barely connected to his Jewishness, except in how it made him different, and he was more defined by his clean-freak nature and his almost worshipful adherence to logic and a normal world. In fact, it’s stated in the book that Stan’s suicide was because he wanted to “stay clean,” rather than get “dirty” and jump into a world completely outside of normal. I hated that.
This is why I prefer Stan’s portrayal in the movies. In the first movie, he’s the son of a rabbi studying for his bar mitzvah (I can relate) and, while being religious and connected to his heritage, is still pretty much a normal kid. And as an adult, his suicide is portrayed as him ensuring that the others are able to defeat It. A true sacrifice for the greater good. No wonder I prefer that version.
Some of you may remember that, for most of 2023, I was in what I called The Great Editing. It was a phase where, except for the occasional short story, I did nothing but editing. Mostly stuff related to Hannah and Other Stories‘s first time out, but a few other stories I was editing. When it was done, I hoped to do nothing but write original stories for a long, long while.
Well, man (or whatever entity I am) plans, and God (or whatever entity runs this universe) laughs.
Because I did write a few original short stories last year. And then I wrote The Shape of Evil, which took up half the year. And then I did another couple of stories. Then I did an edit of The Shape of Evil, followed by edits of the stories that were going into Symphony of Walpurgis. Followed by one original story, and then another edit of The Shape of Evil in time for StokerCon. Then I edited stories for Hannah‘s re-release. And then I edited a novella while also writing an essay (which I will likely have to edit soon before I can submit it).
So yeah. I’m in the Second Great Editing. I thought the first one was the editing to end all editings, but I guess a second one was just inevitable! I set myself up for that with the choices I made. And now I’m suffering through it. And it will likely set up the future of my career for decades to come.
Okay, enough with the World War II joke. Point is, I’m stuck in this Second Great Editing. And with two more novellas, that essay, and a short story to edit (plus another novella which needs serious rewrites), I’m likely going to be stuck in it for a while. Possibly till next year, if you can believe it! (Some of these stories will need to be edited again once I have beta readers look them over, after all.)
I’ll hopefully have news to share about this soon.
But you know, it’s not the worst thing. Yeah, except for that essay, I’m mostly putting original works on the back burner until I can get through editing all of these stories that I’ve let sit for so goddamn long. And I really have some new work I want to throw myself into!
But like I said in the WWII joke, I think all this editing is going to have an effect on my writing career. And unlike WWII, the effect will hopefully be positive:
I can’t really get into it right now, but I’m making progress with finding a home for The Shape of Evil. People are reading and enjoying Symphony, and people are getting excited for the return of Hannah and Other Stories. And I hope these four novellas will be published together as a collection. I think this essay, once edited, will make a great entry into a magazine or essay collection. And that short story is rough, but I think it’ll be quite spooky once it’s ready for readers’ eyes.
So, I think I’m doing what I’m supposed to be doing: working on these stories so I can get them to you and, if I’m lucky, maybe write full time someday. I’m working hard to make those goals happen.
That being said, once I’m out of this Second Great Editing, I’m going to dive headfirst into some new stories. You can bet your ass on that!
(I’ll also finish my mummy novel Crawler and that witchy novella I was working on at the beginning of the year. I hate leaving things unfinished. Especially when I think they’ll be amazing once they’re done.)
One last thing, my Followers of Fear: this weekend is the Columbus Book Festival. This annual festival is full of amazing writers, vendors, and entertainers, and my fellow Ohio HWA members and I will have a booth there as well. So, if you’re in central Ohio this weekend, July 12 and 13, 2025, please head to the Main Library and Topiary Park in downtown Columbus. I would love to see you.
And if you can’t stop by but still want to support me, you can check out my work. From plant/human hybrids and strange gods to Mafia-hunting serial killers and carnivorous horses, there’s something for every horror fan, so why not grab a book and take a look? There’s even some free stuff. I’ll include a link to my books page below.
And if you like what you read, please leave a review. Positive or negative, I love reader feedback, and it helps both me and other readers in the long run.
That’s all for now, my Followers of Fear. Until next time, good night and pleasant nightmares.
From left to right: Rob Costello, Gaby Triana, Tamika Thompson, me, Aaron Dries, Rae Knowles, and Logan Johnson.
I’ve been wanting to write this post ever since I got back from StokerCon, but life has been very, very busy. But hey, better late than never, am I right?
So, as you probably recall, at StokerCon I was on the panel Representation in Horror, where we explored the topic of including marginalized voices in our community, as well as writing characters from those communities. I was very excited about the topic; not just because it’s one that’s near and dear to my heart, but because it was my very first time sitting on a StokerCon panel. You know, one that wasn’t pre-recorded.
And I figured I would be bringing something to the panel. I’m Jewish, bisexual, and have some disabilities, including being on the spectrum, after all. With the amount of time I spent just thinking about the things I would say in response to the questions, I thought I could help my fellow panelists blow some minds and get our audience (which nearly filled the room) thinking.
I did not expect to have my mind blown as well. But there were several moments just like that.
Just for a couple of examples, I remember Rob Costello mentioning that fat people were the only group that it was still cool to beat up on and how he was sick of it, and while the audience responded positively to that (apparently they noticed that, too), I was like, “Whoa! How have I never noticed that?” And Tamika Thompson mentioned how much Stephen King uses the trope of the Magical Negro, and I was like “Huh, she’s right. Dick Halloran, Mother Abigail, that dude from The Green Mile. He does use that trope a lot.”
And I’ve been thinking about that panel and all we discussed since then, as well as all the things we didn’t have time to discuss. For example, we didn’t have a chance to discuss various communities and their inclusion in the community or in our literature, such as Muslims, Native Americans, or the Roma community (seriously, even when it’s not overtly negative, I can’t think of a portrayal of the Romani that doesn’t lean on stereotypes). And I forgot to mention how not-helpful the portrayal of mentally disabled people as being magic because of their disability is (examples: Dudditts from Dreamcatcher by Stephen King, the autistic kid from 2018’s The Predator).
I think we could all use further conversation in this topic. Photo by nappy on Pexels.com
And it’s made me realize something: the discussion needs to continue. Because this sort of subject, the kind of stuff certain people call “woke,” requires constant learning and further conversation. That way, we can continue to think about what sort of stories we are creating and foster better understanding between people.
So, don’t be surprised if I have a few more blog posts like this one in the near future, ones where I discuss portrayal in horror and problematic stereotypes and whatnot. I may even reach out to some of my fellow panelists to help with that (I managed to find most of them on social media). But hey, if they feel the same way as me, they might want to continue the conversation as well.
And who knows? We might see Representation in Horror become a regular topic at StokerCon. And I don’t think anyone could see that as a bad thing.
These past two months have gone by so quickly, it’s hard to believe we’re already in July. Not surprising, given how busy I’ve been lately. I mean, I just got done with another con, and I’m preparing for another one the weekend after this!
And yet, two months have indeed passed, and that means that Symphony for Walpurgis is two months old now.
Now, if you don’t know (though at this point, you’re probably so familiar with Symphony, you’re sick of it), Symphony for Walpurgis is my newest collection. It is a collection of nine novelettes that include tales of cryptids, malevolent spirits, and even a Jewish exorcism, and has plenty of LGBT, Jewish, and disabled representation.
And I’m very happy to say that it’s slowly growing a readership. Just the other day, I received fan art from my fellow horror writer and Follower of Fear, Louise C, for one of the stories, “Disillusionment and Trauma Sometimes Go Hand-in-Hand.” It’s of the Akolouthos, the main villain of the story (or one of them). Isn’t it awesome?! I mean, look at it!
And at Big Ohio Book Con this past weekend (which went better than any event I’ve done before, which is even more amazing when you consider that this was the first year this event happened and nobody knew how it would go, but I digress), I sold so many copies, I even sold out on the first day! The same day, someone bought a copy online, which means they were interested enough to get it for their Kindle.
Given all that, plus some glowing reviews and some authors I admire with copies of the book, I’d say that’s been a good first two months. And it makes me hopeful for month number three (especially with the Columbus Book Fest just around the corner). I mean, who knows? Maybe I’ll get to that goal of five-hundred sales and fifty reviews by May 1st, 2026, the one year release anniversary.
And if you enjoy or are curious about scary stories involving cryptids and giant bats, spirits plaguing families with parasites, mermaids, untold masses of spiders, mutating viruses, and, again, a Jewish exorcism, then you should check out Symphony for Walpurgis. It’s nine amazing and terrifying novelettes, and I’m working hard to make sure as many people discover it and enjoy it as possible. And I would love it if you were among those people who discovered and maybe even loved it.
I’ll include links for the book below. And if you end up getting a copy and read it, I hope you’ll let me know what you think. Positive or negative, I love reader feedback, and it helps me out in the long run.
That’s all for now, my Followers of Fear. I’ve got a busy couple of days ahead of me, but I hope I can have a few more blog posts (including a few I’ve wanted to write for a while now) out soon. Until next time, good night, pleasant nightmares, and I hope you have a great month of July. It’s what I’m planning on.
It’s the night before the Big Ohio Book Con, and earlier today, I went and set up my table. This is what it looks like.
I hope it looks great. I think it looks great, even if my stickers and bookmarks and whatnot aren’t out yet (I’ll do that in the morning). But one thing’s for certain: it’s cramped, about five feet total. And I have to make do with what space I have.
This lack of space, and trying to make a good booth for myself, made me appreciate all over again what goes into making an eye-catching booth. I thought I’d figured that out after my first ParaPsyCon, and a friend advised me to get at least some kind of sign for next year so people knew what I do at my table. Solid advice, and it made me realize that I need to be a lot more eye-catching if I want people to come check out my table. This has led to various changes to my booths over the year, including that big banner you see behind the table, which I got in December 2023.
But this tiny space, and the other booths around me, made me realize that all over again. My neighbors are romance authors, and they have such eye-catching booths, with banners and signs and little decorations like fake vines or flowers or game wheels or whatever. And just about every table I saw today was just as decorative and eye-catching. Made me think to myself, “Shit, I gotta be careful if I want to stand out, too!”
And that’s something I got to keep in mind from now on: I just can’t just have a simple template for my tables. I have to adjust based on space, the kind of con I’m at, and who I’m next to or near. That way, readers will be interested in coming closer and reading my work.
Sucks that I have to basically turn my table into a peacock just to get people interested in reading my work. However, I’ve long accepted that I need to be something of a carnival barker to get people to come over and find what I hope will be their new favorite book. So, adjusting my display as needed shouldn’t be too much more work.
Anyway, we’ll see how it goes. Tomorrow’s the con, and I’ll be there for most of the weekend. There will hopefully be plenty of opportunities for me to meet new readers, and to change my display as necessary. Should be interesting.
That’s all for now, my Followers of Fear. If you happen to be in Medina, Ohio this weekend, please stop by the Big Ohio Book Con at 735 Lafayette Rd. I’ll be there signing books and doing Tarot readings, and would love to see you.
If you can’t be there but still want to support me, you can support me by buying one of my books online. From plant/human hybrids and strange gods to Mafia-hunting serial killers and carnivorous horses, I have something for every horror fan. So why not check out a book or two? I’ll leave the link to my Books page below.
Until next time, my Followers of Fear, good night and pleasant nightmares.
Rami Ungar The Writer 