Archive for June, 2018

You know, for a little while now, I’ve been pondering something. I’ve heard a lot of people refer to certain stories as “slow burns.” Heck, I even called my friend/colleague Pat Bertram’s book Madame ZeeZee’s Nightmare a slow burn mystery when I reviewed it on Amazon (and I highly recommend you read it, BTW). But what exactly makes a story a “slow burn?” Sadly, searching in Google didn’t pull up a lot of information, and I needed a short break from working on Rose (which is going great, BTW), so I thought I’d share my observations on the matter.

So what is a slow burn story? Well, to put it simply, it’s a story that doesn’t try to rush itself or keep escalating things as the story goes on. Instead, the story takes its time getting to the story’s resolution, using an intriguing set up, good characters and character development, and little bumps in the excitement levels to keep readers invested in the story. A good example of a slow burn would be a romance that, instead of having the characters hook up within the first half of the story and then showing them struggle to stay together, or having the characters finally confess and kiss at the end of the story after a number of travails, the story takes its time establishing these characters, the development of their relationship, and then showing the hook up, all without any big drama or too huge plot twists.

Getting an idea for them yet? And you’re probably familiar with a lot of these stories, even if you don’t know it. Many of these slow burn stories are pretty calm for up to the first two-thirds, with little intervals during that time that ramp up the excitement for a brief period, before they have an explosive final third (not always but often). A good example of this is The Shining, both the book and the movie. Unlike other King stories like It, where things are big and scary from the very beginning, The Shining takes its time building things up. It lays the groundwork, showing us these very real characters and their struggles, the isolation they feel, and the true nature of the Overlook. On that final one, King really takes his time. We get brief glimpses of the truth of the hotel, and each glimpse gets nastier every time, but it’s not until the final third that things really hit a head and things become truly exciting.

Another facet I’ve noticed about slow burns (the ones I’ve come across, anyway) is that there’s a sort of reluctance on the parts of the characters. In The Shining, none of the three main characters want to be in the hotel, but they all have to be so they can survive as a family, and it’s with a certain reluctance that the characters, especially Jack, acknowledge that there’s something seriously wrong with the hotel they can’t handle and that they have to get the hell out of Dodge. Dracula is often described as a slow burn, especially in the novel and in the Nosferatu adaptations, and without a doubt the characters are reluctant to be in the machinations of a centuries-old vampire. And in Pat’s novel Madame ZeeZee, the first-person narrator is very much reluctant at first to look into the strange events that occur at the titular character’s dance studio. It’s only as things progress that she finds herself really looking into things.

So that’s slow burns for you. But how do you write them? If I had to guess, I’d think it would have to do with moderation, specifically moderating the amount of excitement in the story. With most other stories, the norm is to build the excitement until the climax of the story when things get really explosive. But with a slow burn, it’s more like you’re doing a mostly flat Richter scale graph with only slight bumps here and there until the very end when things get super exciting (if you decide to write the story that way, that is). Doing that might take some practice, however, so I would recommend doing that practice and just allowing yourself to get good at them. Don’t get upset if you’re not good at it at first; we all start somewhere, don’t we?

In the meantime, if you’d like to read some good slow burns to get a good idea for them, here are some of the ones I’d recommend: The Shining by Stephen King; See What I Have Done by Sarah Schmidt (see my review of that novel here); HEX by Thomas Olde Heuvelt (see my review of that here); Final Girls by Riley Sager (see my review for that here); and of course Madame ZeeZee’s Nightmare by Pat Bertram, which I reviewed on Amazon. All of them are excellent slow burns, and I can’t recommend them enough. Definitely check them out if you’re curious.

What observations have you made about slow burn stories?

Which slow burns have you read recently? Would you recommend them?

I was hoping I’d be under better health when I talked about this, but unfortunately I’m dealing with a summer cold right now. Forgive me if this post isn’t as eloquent as I wanted it to be, but it had to be written today. Otherwise, I’m not sure I’d write it at all.

So since about December last year, I’ve been dealing with a generalized anxiety disorder (GAD). What this means is that I get anxious about a lot of things in my life, or sometimes I get anxious about nothing at all. I just feel this awful feeling of dread, like something under my skin is itching my nerves and making me afraid of everything. I have my ideas about what stressors, the event or events in my life that set it off, but these days I’m less concerned about stressors and more about triggers, what makes me anxious now that I have this condition. These days, that’s mainly the writing career: how will Rose be received; can I make it successful; will it be laughed and hated to the point that I can’t write ever again, etc. Those may seem like issues every author worries about, but in this case, it’s less of a small worry and more like an overriding wave, taking up all my thoughts and making it difficult to think or breathe because you’re just considering the many things that could go wrong.

That’s my GAD.*

The good news is, I started treating this almost as soon as I realized what I was dealing with. I moved up my appointment with my psychiatrist, and she prescribed me medication. I’ve come up with strategies to take the bite out of my triggers, and I’ve been talking with a counselor to further help me with that.

And I’m not alone. I recently came out to a bunch of people that I have GAD. Not only did I get an amazing amount of support and love, but I heard from all sorts of people who have the same sort of issues or know someone who does. We commiserated on the struggles, and were glad that we weren’t so alone. This is such a common disease,** much more common than even I thought, and it affects people in a variety of different ways. Knowing that there are so many other people out there dealing with the same thing made me feel better. It seems like that the opposite would be true, but it’s not. We may have anxiety, but we find peace in our shared struggle.

With that in mind, I thought I’d share some strategies I’ve been using to fight my anxiety. If you have this issue, you might find these strategies just as helpful as I do. Maybe even more:

  • Recognize your anxiety for what it is. For whatever reason, people often deny that they have an anxiety issue. I think this might be because of the stigma that still surrounds mental illness. However, the sooner you acknowledge you’re having anxiety, the sooner you can start fighting back. I recognized this for what it was early on, and I’m so much better for recognizing it in the first place.
  • Don’t be afraid of medication. I know a lot of us don’t like putting anything more than Tylenol into our systems, but taking medication can help. My first day taking medication for my anxiety, I felt freer and lighter than I had in weeks. My anxiety could not touch me that day! And if one medication doesn’t work for you, there are many others available. You just have to be open and honest with your doctor, and they’ll help you find the prescription that’s right for you.
  • Talk to a counselor. Sometimes it’s just good to have someone to talk to about what you’re worried about. I saw a counselor, and they’ve been helping me find more ways to deal with my anxiety. And honestly, just spending forty minutes in that office and talking to someone really helped me out with my fears and made them harmless again. I’m really glad I decided to talk to someone.
  • Logic your anxieties to death. This is something I started doing the moment I realized I had anxiety. Every time I had a fear come up, I would use logic to render it harmless. I would look at all the ways this anxiety made no sense, and argue these points to myself until I felt better. It really works, and I’ve managed to kill most of my anxieties with this.
  • Keep an anxiety notebook. This is something my counselor recommended to me. He said that by keeping a journal and writing down your anxieties, your brain is somehow able to process them and render them mute. I’ve done something similar when it comes to writer’s block, so I know this variation on the theme can work. I even recently bought a notebook to write in the next time I’m feeling anxious. And although I hate being anxious, I’m looking forward to seeing the results.
  • “Follow your happiness.” This is something I came up with. I have no idea why it works, but telling myself over and over, “Find your happiness,” and playing upbeat music either in my head or on my iPod really blocks out the negative thoughts. I’m really partial to “All Night Long” by Lionel Richie (my theory is that we’re all fans of his, whether we know it or not).
  • Hypnosis, meditation, and ASMR. I know what you’re thinking, but these really do help. I’ve done hypnosis, meditation, and ASMR (see this video for a fuller explanation of what that is) for years, and they’ve always helped to relax me. If you open yourself to them, they may just help you deal with these issues.

While I may never be totally rid of my GAD (for some people, these things come and go), the important thing is that I recognize what it is, and that I’m dealing with it in a healthy manner. And if this post helps others recognize their anxiety and deal with it, I feel like I’ve accomplished something good. Because while this disorder is common and can be debilitating, it can also be treated. And if it can be treated, we can make our days a little brighter.

What strategies do you have for dealing with anxiety or GAD?

*So for those of you keeping score at home, I have autism spectrum disorder, ADHD, acid reflux, partial albinism, allergies, and anxiety. One more with an “A” prominent in the name, and I should receive a set of steak knives or a gift card or something!

I’m also farsighted and have back issues. And I have a cold right now. I’m a hot mess!

**And this is a disease, no different than diabetes or a number of other disorders. It’s just a disease affecting our mental state. Anyone who says we just need to learn to chill out or says we’re just imagining it doesn’t know what they’re talking about. Might as well tell someone with crippling arthritis to just move more and ignore the inflammation.

It’s a question every creator wrestles with from time to time. Writers are no exception. We wonder if anything we write is worth reading by anyone other than our family and close friends (who, most likely, will tell you they loved it because that’s what family and close friends do). We wonder if we’re just wasting our time sitting at the computer or in front of our typewriters or in our notebooks, trying to tell stories that range from the mundane to the fantastical and mundane.

In short, we ask ourselves, “Do my ideas suck?”

This may surprise you (I am Mr. Smiles and Jokes and Weird References to Demons and Monsters, after all), but I ask myself this question a lot. I often wonder if I’ll write anything that more than a few people will read in my lifetime, let alone afterwards. It’s a question I’ve been asking myself a lot more lately as I’m in the midst of rewriting a lot of Rose. Although I tell myself that I came up with these changes myself, and that both I and my publisher think they’ll do a lot to help the story and make it a better read, in the back of my head I’ve got this little voice whispering dissent and telling me that what I’m writing won’t amount to much.

And you know what? Sometimes I’m tempted to believe that voice. I mean, thousands upon thousands of novels are published every year, but very few of them gain the attention we wish them to have. Quite a few even get critically panned. It often seems like the field is too big and too difficult to really make a difference in. So why should we try?

But then there are a couple of things I keep in my mind that can, if not shut up that voice, then at least turn the volume down on it. Both of them, not surprisingly, involve Stephen King. The first has to do with his debut novel, Carrie. Did you know when King first started writing Carrie, he actually threw the first few pages into the trash because he was convinced it was trash and would come to nothing. He only kept at it because his wife fished the pages out of the trash, read over them, and said they were good and that he should keep at it. The novel was later published and as we all know, became a huge hit, inspiring two excellent movies (though I prefer the 2013 version), a meh TV movie, and a musical that I wish would get a proper revival and a North American tour. All from a story that King was ready to throw in the trash.

The second story is another King work, Thinner, which he wrote under his Richard Bachman pen name. If you were to give the story an elevator pitch (see my article on elevator pitches for more on that subject) it would probably be something along the lines of “A man is cursed to become thinner and thinner.” And just from hearing that, you might laugh. That sounds like a comedy involving some prissy housewife who thinks if she doesn’t stay a certain weight, her husband will cheat on her and then she starts magically losing weight. It doesn’t sound like a scary novel.

Thinner by Richard Bachman (aka Stephen King); silly sounding concept, great payoff.

But from what I hear (I haven’t read any of the Richard Bachman books yet, though I know I should), it’s a pretty creepy story, one that inspired a movie (quality of the movie is debatable). All from a very simple idea of what happens when weight loss goes really, really bad. It sounds stupid, but it turns into an effective horror story.

And I could come up with tons of examples of this (did you know HP Lovecraft thought The Call of Cthulhu was only so-so? And now it’s one of his most famous works). But they all boil down to one thing: our ideas don’t always suck. In fact, they may only suck in our minds. To others, they may be great, mind-blowing, or even influential. And sure, not all of our stories will turn out to be great, but the vast majority of them, with enough work and a little bit of luck, can become awesome.

And I’m reminded of that every time someone expresses interest in reading Rose. People hear what it’s about, and they want to know more, or for me to tell them as soon as the book is out. If these people really do end up reading Rose, liking it and even letting people know they like it, then who knows? I might be able to shut up that little voice once in my head, at least for a little while.

So if you’re worried that you’re only writing crap, don’t pay your little voice any attention. Just keep writing and polishing and seeing where your story goes. Who knows? You may end up putting out something really amazing, and you’ll be glad you stuck with it for so long.

A good number of you probably remember that late last year, I did a series of posts where I reevaluated scary movies I’d previously seen and disliked called the Rewatch Series. The first of those movies was the psychological horror anime movie Perfect Blue, released in 1997. I found that my previous dislike for the film had been based on my not understanding it, and that with a few more years and a better understanding, I found it to be a really good movie.

I’d also known for a long time that the movie was based on a novel, but it wasn’t translated into English and therefore I had no hope of reading it. That is, until I found out a few months ago that Seven Seas Entertainment had licensed and translated the novel for the English-language market. Naturally, I got excited and tried to get my hands on it. And after about four months, I finally did get a copy and sit down to read it.

Boy, that’s different than the movie in more ways than one. But of course, this won’t be a book-vs.-movie comparison (at least not entirely). It’s a review, so let’s get to reviewing.

Perfect Blue: Complete Metamorphosis follows two very different people: Mima Kirigoe, a Japanese pop idol who is trying to leave behind her image as an “innocent” starlet and take on a more mature image; and the other is someone simply identified as “the man,” a man who is obsessed with Mima and her “innocent” image and resolves to keep her innocent by any means necessary. When their paths intersect, their lives will be changed forever.

So right away, I should point out that the movie took a lot of liberties with the original story. Whereas the movie was a deeply psychological story about a young woman struggling with her identity, how people saw her, and how she saw herself after a career change, the novel itself is a very basic stalker story, like what you might find in an episode of Criminal Minds.* The story is mainly told from the viewpoints of Mima, who in this version is okay and even yearns for the changes to her image so she can progress in her idol career, and “the man,” whose sanity erodes the further Mima seems to get away from her innocent image and whose plans get more drastic. There are times when the story is told from the POV of other characters, but they’re always related in some way to the lives of Mima and “the man.”

What I do like about the novel is that “the man,” who in the movie is called “Mr. Me-Mania,” is given more complexity and we see more things from his perspective, why Mima’s innocence is so important for him and some of his ideas about the world. Not only that, but in the movie Mr. Me-Mania is, while intimidating, mostly a passive character, not taking any sort of action beyond stalking until late in the film. But from the beginning of the novel, “the man” is completely active and menacing, committing a horrific crime within the first few pages of the novel. It’s very effective for setting our perceptions of “the man,” and sets things up for the more disturbing actions he takes later in the story.

Speaking of which, there are some really disturbing scenes in the novel, especially as you go later in, that utilize body horror. Now, normally I’m not that big a fan of body horror (I associate it too much with torture porn, which I’m not the biggest fan of), but here it’s done very well, especially when “the man” starts practicing for his plan to “save” Mima. This is followed by a very scary climax, which utilizes tension, body horror, and good old-fashioned chase to effectively keep the reader drawn in and wanting to find out what happens next.

While not the same as the film, the novel is still good on its own merits.

However, the novel isn’t perfect. As I said, the story is a very basic stalker tale. The novel doesn’t go as deeply as it could into who Mima is as a person, and I would’ve liked to go deeper into that, as well as into other aspects of the story (but then again, Takeuchi did say in an afterword that he was simply writing a story around the conflict between an idol’s desire to grow and a fan’s desire to hold onto the image he fell in love with. On that alone, he certainly succeeded). That, and I felt that the novel ended a little too abruptly, without really showing the aftermath of the story’s main events.

Still, t is a decent, if very simple, story of psychotic cat and mouse. And while I like the movie better, I have to say I’m glad I picked up the original novel. On a scale of 1 to 5, I’m giving Perfect Blue: Complete Metamorphosis a 3.8. A gripping story of obsession with plenty of tension and well-written body horror. Take a look and let the story get under your skin (whether you want it to or not).

*In case you’re curious about the author’s feelings about the changes made to the story for the movie version, there’s an afterword at the end of the book written just after the film came out where he seems not only okay with the changes, but also was enthusiastic about the movie itself. Always nice when an author is okay with the changes made from book to film.

It’s hard to believe that a number of things are happening today (believe me, I’m still pinching myself). But among those things, one of them is something I’d like to bring up here, and that’s today is the fourth anniversary of the publication of my second novel, Snake, the cover of which is over there.

Now if you’re unfamiliar with Snake, let me tell you about it. I was between books in the Reborn City series, and I wanted to write something a bit closer to my native horror instead of some more sci-fi. I’d had an idea a while back, partially inspired by the movie Taken and slasher films of the 1980’s, and spent about six months writing it in 2013. The result was Snake, which was published June 10th, 2014.

Here is the blurb on the back cover of the novel:

How far will you go for love and revenge? When a young man’s girlfriend is kidnapped by the powerful Camerlengo Family, he becomes the Snake, a serial killer who takes his methods from the worst of the Russian mafia. Tracking down members of the Camerlengo Family one by one for clues, the Snake will go to any lengths to see the love of his life again…even if it means becoming a worse monster than any of the monsters he is hunting.

I was pretty nervous about this novel when it came out. While it was one of the easiest for me to write, it was also one of the most violent stories I’d ever written, and I had no idea what people would think when they read it. Also,– I was still a college student, fresh off my first trip to Europe, and had only just become legally able to drink in the United States, so I was wondering if people would notice how inexperienced a person I was with the story.

To my delight though, people who read the book tended to enjoy it. At the moment, it has seven reviews on Amazon, with the average rating a very nice 4.4 out of 5. Here’s what some of them had to say:

I really enjoyed this book. When I selected “dark” for the mood, it was almost a toss up with suspenseful. You knew early on who the mafia killer was, but the question of how he was going to find his girlfriend and rescue her was suspenseful. I ended up choosing “dark” because of the level of violence our main character used in getting to the girlfriend. But he was a complex character. Even though he definitely had the dark side to him, there was a surprisingly good side to him, too. You don’t really see this until later on in the book. So early on, you might think this is an unredeemable character. But one of the most intriguing characters are those who aren’t what they initially seem, and for this reason, I enjoyed this character. The pacing was just right. It wasn’t rushed, and in no way did I ever feel it dragged, which is awesome for a book that was over 500 pages in paperback.

This book is violent, and it contains sexual situations. Some of it can be cringeworthy. So I wouldn’t suggest this for young readers. I’d recommend this only to adults. If it was a movie, it would be a strong R. There’s also swearing. These things don’t bother me as a reader, but I know it bothers some, which is why I mention it. But if you don’t mind these elements, I think you will enjoy this book. It’s a great thriller.

–Ruth Ann Nordin, author of Marriage by Contract

A very good read. The mixture of horror and suspense were on point. I now want to read more of Ramis great books.

–Sherri

Rami Ungar makes a promise to (the reader) in all his writings: he WILL scare you, and if he does “his job is done.” Snake will scare you. I am a huge Stephen King fan, so this should give you some idea of my tolerance level for gore, death and mayhem – I was scared. Rami takes you into places you would never have believed possible, and manages to pull his hero (and eventually his heroine) out of them against all odds. If you like to be scared. If you LOVE to be scared. You should read this book.

–Angela Misri, author of Jewel of the Thames

Being compared to Stephen King always makes me giddy.

Anyway, this novel still has a special place in my heart. It was a real form of experimentation for me in terms of writing with violence, writing thriller fiction, and writing a sex scene (that didn’t get cut out of the final draft), among other things. And I’m still open to returning to that story and writing a sequel someday. Maybe two, depending on a number of factors.

And if you’d lie to check out Snake and maybe see if it’s up your alley, I’ll include the links to check it out below. And if you do decide to get a copy and read it, please let me know what you think. Positive or negative, I love receiving feedback from readers, and if you leave a review on Amazon or another site, it helps me in the long run by letting other people know what you think and helping them decide whether or not to check out the book.

That’s all for now, my Followers of Fear. I have a big day ahead of me, so I’ll talk to you all later. Until next time, pleasant nightmares.

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I’ve been hearing about this film for a few months now, and the earliest whispers I heard was that it was going to be scary. Some event went so far as to call it an instant classic in the horror genre. Well, with rumors like that, I had to see this one myself. So today I went to the theater, trying to go in without preconceived expectations so as to give it a fair rating.

God, Hereditary is unsettling. And I’m still not sure what to make of it.

Hereditary follows the Graham family: father Steve, mother Annie, teenage son Peter, and 13-year-old daughter Charlie. The film begins with the funeral of Annie’s mother Ellen Leigh, who had a very complicated relationship to her daughter. What follows is a strange and twisting journey as the family experiences tragedy, psychosis, and the strange, all in two terrifying hours.

Where to begin? Well, for one thing, the film is excellent at creating atmosphere. It’s a slow burn story that doesn’t pile on the scary stuff all at once or starts small and then continues to escalate. Instead, it features small instances of horrifying and/or possibly supernatural occurrences, followed by big scary moments that stay with you for ages (one early-ish in the film left my mouth hanging with my hand covering it for several minutes) before retreating back to low levels. It’s a method that I don’t usually see in horror, but it’s quite effective. And when paired with odd camera movements and a soundtrack that’s quiet for nearly half of the film and only utilizes music during the most necessary scenes, the unsettled feeling you get while watching is doubled.

And on top of all that, you don’t really know if what’s happening is actually caused by supernatural forces or is taking place in the characters’ heads. Annie admits that her family has a very dark history of mental illness, and it’s hinted that daughter Charlie possibly has some mental/learning disabilities as well. So is what’s happening on screen actually the work of malevolent, supernatural forces, or is it some sort of shared delusion manifeting in a family under stress? Hereditary makes you ask that question throughout the movie, and you may not be able to answer by the end. All these elements come together to create this really freaky atmosphere that where it feels like nothing is stable, and anything can shift under your feet at a moment’s notice. Heck, the camerawork for this film, like sliding one person to the next and then backing up all in one shot or revealing a character’s reaction to a scare before showing us what’s so scary, feels like something right out of The Shining.

Actually, one wouldn’t be wrong in calling Hereditary a modern-day Shining, as its ability to unsettle and make audiences question the characters’ sanity, along with the excellent tricks of music and camera, are reminiscent of the Kubrick film. Of course, knowing my feelings on The Shining, it won’t surprise many of you to know I like this film better.

Of course, none of this would work so well without a brilliant cast to back it up. There are a number of excellent actors in this film, like Toni Colette as Annie, Alex Wolff as Peter and Gabriel Byrne as Steve, and they all do an amazing job in their roles. But the prize definitely goes to young break-out star Milly Shapiro as Charlie, who embodies the strange, creepy kid almost too well. You watch her, and you can’t help but be mesmerized and afraid. I hope she appears in more horror films (or films in general), because if her performance in Hereditary is anything to go by, she’s going to have quite the career in the future.

If there’s one problem the film had, it was the last couple minutes. I mean, they were passable, but I expected more after everything that came before. Other than that, great film.

All in all, I think the moniker “instant classic” is an excellent one for Hereditary. On a scale of 1 to 5, I’m giving it a 4.5. An unsettling, gripping addition to the horror pantheon that you won’t be able to disengage from and will stay with you long after the credits roll. Check it out, and be prepared for scares.

I’ve got another article from Self-Published Authors Helping Other Authors for your perusal. This one is “The Elevator Pitch: Telling People About Your Book in One Sentence.” And that’s really what it’s all about: how to get people interested in reading your books with a single sentence. I learned how to use elevator pitches when I was searching for a job, and it’s actually pretty handy in a number of other situations, including book promotion. You’d be surprised how many people have shown an interest in Rose after hearing my elevator pitch for the book.

If you have a chance to check out the article, please do and let me know what you think. And if you like what you read, make sure to read the other articles on the site. Self-Published Authors Helping Other Authors is a great resource for authors looking to write, edit, publish, and market their stories efficiently and economically. I should know, I’m not just a contributor, I’m also a reader.

That’s all for now, my Followers of Fear. And I hope it’s the last post for a while. I’ve got a lot of editing to do, so I’m going to get on that. And as much as I love you guys, I really need to focus on that. Don’t worry though; I’m planning on having a new review out on Saturday at the latest.

Until next time, pleasant nightmares.

For my earlier posts on Cockygate from May 5th and May 28, click here and here, respectively.

I’m just going to skip over all the preliminary stuff and just get to the good news: the Romance Writers Association and the Authors Guild won a court ruling on Friday against Faleena Hopkins, the notorious romance author who put a trademark on the word “cocky” and then sent letters to authors who had books with “cocky” in their titles, threatening legal action if they didn’t take their books off Amazon or change their books’ titles.

Now, if you read my post from last week, you may remember that Hopkins’s lawyer had sent Kevin Kneupper, the novelist and retired lawyer who’s leading the fight against Hopkins, along with author Tara Crescent and publicist Jennifer Watson, a letter with intention to sue them, as well as filing a Temporary Restraining Order (TRO) against the Petition of Cancellation for the trademark. Since then, it’s also come out that Hopkins was asking for another TRO against the publication of a collection of stories called Cocktales: The Cocky Collective, which was named as an obvious protest against her trademark (Jennifer Watson was incorrectly named by Hopkins as the publisher of the book in the papers filed for the TRO).

On Friday June 1st, several things happened:

  1. Kneupper was dismissed as a party to the lawsuit Hopkins’ lawyer filed, meaning he’s free to continue fighting against the trademark.
  2. Hopkins did not get her restraining order, so the petition and all the other legal battles against her can continue.
  3. Finally and most importantly, for the moment books with the word “cocky” in the title can be published, including the Cocktales anthology.

In other words, Hopkins lost, and she lost big. And while there’s another court date in September, and presumably this is when the decision on her trademark will be decided once and for all, it’s still not looking very good for Hopkins. As stated in the article the Authors Guild put on their website:

In ruling against the author Faleena Hopkins, who claimed exclusive rights to “cocky” for romance titles, Judge Alvin Hellerstein of the Southern District of New York, stated that he did not believe that Hopkins was likely to succeed on the merits.

In other words, the judge says that Hopkins’s trademark is on pretty weak legs.

Now, there’s still a lot of work to do. For one thing, while people can still publish their books with the word “cocky” in the title, the final decision won’t be made till September at the earliest. That gives Hopkins, her lawyers, and her supporters (yeah, there are some out there) to come up with legal strategies for the trial and for any potential appeals, both from her side and the other side. And unfortunately, there are a number of copycats out there trying to get trademarks on common words used in titles. It’s a hot mess.

But this is a bright spot in the ongoing saga of #Cockygate. I’ve heard from many authors who have expressed fear over the outcome of this controversy, and what it could mean for them if they couldn’t write because they could incur legal repercussions for using an everyday word in their story’s title. Hopkins’s defeat on Friday gives us all a little bit of hope that we can continue to not only write our stories, but give them almost any title imaginable and not have to worry about getting sued for it.

So with the trial not till September, what can we do now as authors? Well, we can continue to show our support for Kneupper and the legal team fighting Hopkins, as well as the RWA and all of the authors who’ve been affected by Cockygate (remember, if you’ve received a letter from Hopkins, contact carol.ritter@rwa.org for assistance and guidance). This can be something as casual as sympathetic messages online, or buying, reading, and reviewing the books of those involved/affected (a single sale and review can do an author a ton of good, believe me), or even donating your time and skills to the legal battle.*

You can also spread the word on Cockygate and any developments in the scandal. The more people who know what Hopkins is doing, the more we can rally against her or anyone else trying to copy her. The louder our voices, the stronger we are, and the better positioned we are to affect positive change.

And finally, if you’re a writer, continue writing. Don’t let fear get in the way of telling the stories you were born to tell. Like the people behind Cocktales, when we decide to put something out in defiance of bullies, we make a statement that we’re not going to take this sitting down.

That’s all for now, everyone. If there are any other significant developments, I’ll post about them. Until next time, pleasant nightmares.

UPDATE 6/3/18 @ 7:18 PM EST: Erica Unsophisticated Blood Thirsty Wolf Fisher (@monet5280) informed me over Twitter that both Ms. Crescent and Ms. Watson’s lawyers are working on a motion to dismiss, which will be due in on June 22nd. In addition, Ms. Hopkins has to respond to the Petition of Cancellation from Mr. Kneupper no later than June 23rd. So it looks like things will be heating up longer before it starts to get cold again. Here’s hoping the end of June brings more good news like what we saw on Friday.

*Just be careful before you donate to any legal fund for those affected or claiming to be for any legal teams against Hopkins. There are a ton of people out there who have no qualms against taking advantage of those suffering in order to make an easy buck.

My latest article from Self-Published Authors Helping Other Authors has just been released. This particular post is called The Inner Dialogue: A Method for Figuring Out Your Stories. This details the method I used to figure out how to rewrite Rose after two-thirds of the story had to be thrown out. It’s a rather unconventional method, but it works really well. So if you’re curious or you’re looking for a new way to break writer’s block, this artile might be helpful to you.

And after you read the article, if you like what you see, consider checking out the rest of the articles on Self-Published Authors Helping Other Authors. This site has plenty of helpful articles on writing, editing, publishing and marketing all by yourself, no matter what your budget, as well as articles on keeping your spirits up during difficult times and not getting bogged down by negative trends in the writing world or by rejections or a lot of work. And it’s done by self-published and hybrid authors for self-published and hybrid authors. Give it a chance and see what it can do for you.

That’s all for now, my Followers of Fear. Until next time, pleasant nightmares.

Video Rage, Book 2 of the Reborn City series

So as I promised in my last post, I have another post out today. And this one is a special one. Two years ago today, I published Video Rage, the second book in my Reborn City series.

If you’re not familiar with the Reborn City series, it’s a science fiction trilogy that I started writing back in high school. The story follows street gangs living in a dystopian future, in particular a gang called the Hydras whose leaders have very unique abilities. The novels explore themes such as prejudice and self-fulfilling prophecies, gang violence and drug addiction, and overcoming the expectations of others and of yourself. I published the first book, Reborn City, back in November 2013, and the second book, Video Rage, came out on June 1st, 2016, right before I started working in my current position.

While the books only have a very small following, those who’ve read them have had very enthusiastic things to say. Here’s are some of the reviews for Reborn City:

It’s a neat exercise in trying to see through the eyes of someone different from oneself. It incorporated a lot of fly comic-book-esque tropes. A good beginning effort of an up an coming new author who has some cool ideas to explore.

–Amazon Customer

This is not a genre I typically delve into, but I took this book on vacation and couldn’t put it down. The plot had me turning pages at quite the clip. The characters were unique and interesting and the imagery had me creating my own visual of what Rami’s interpretation of the future looked like. For first time novelist, Rami Ungar, this was an outstanding showing of talent and commitment to his passion of writing. Looking forward to seeing what he comes up with next!
–MU
This was really a page-turner; I was hooked from the start and read it in a day. While not perfect, this is an auspicious debut novel from a good author. I look forward to reading the rest of the books in this series when they come out!
–Josh M
And while it doesn’t have as many reviews, Video Rage has also received a warm reception:

From what I understand, this is book 2 in a series. That being said, I had expected a cliffhanger of an ending. I’m not a fan of cliffhangers, but in this particular book, I think the author did an excellent job of finding the balance between making the story stand complete within itself while ending the story on a note that let you know another book was coming. Personally, the ending was one of the most intriguing ones I’d read in a long time. It didn’t leave you to figure it out for yourself (which is something I hate). The author let you know what was happening and why while leaving enough to be answered in a future book.

That all being said, the overall book was an enjoyable read. I especially liked that a former bad guy turned things around and redeemed himself. Those types of characters are one of my favorites. I had hoped in Reborn City (Reborn City series Book 1) that he would, and it was very satisfying to see that fulfilled. I also liked the underlying theme in the novel that what the media tells people through the major outlets is slanted by government agendas. In this book, it was up to the main characters to find an alternative way of getting the truth out.

I think this book is best read after reading Reborn City (Book 1) because it really helped to have the background on the characters, and I think this book is far more effective if you have the foundation Book 1 gives you. The science fiction geek in me really loves the genetic aspect. And so that I don’t spoil anything, I will say the real bad guy in this series does a nice twist in this book along that line.

–Ruth
I was really looking forward to the continued journey of the Hydras and Rami was able to produce. Zahara is my favorite character and her development from an insecure girl into a strong woman came out clearly in this book. Some other character development was really unexpected but the book moves at such a fast pace that it didn’t hold me up at all. The story line is quite imaginative and, as usual, there isn’t much predictability there. I think that is what draws the reader in – you just need to keep going to find out what weird twists and turns happen next! Looking forward to continuing this journey with Rami and the Hydras.
–Michele

Reborn City, Book 1 of the Reborn City series.

If any of this has piqued your curiosity, I’ll post the links for the books below. Please check them out if you’re interested. And if you do end up reading them, please let me know what you think. Email, blog comment, review online, I’d love to hear your feedback, positive or negative.
That’s all for now, my Followers of Fear. I’ll probably have another post out tomorrow. Until next time, happy reading and pleasant nightmares.
Reborn City: 

Available on Amazon, Createspace, Barnes & NobleiBooksSmashwords, and Kobo

Video Rage:

Available from Amazon, Kindle, CreatespaceBarnes & Noble, iBooks, Smashwords, and Kobo